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Speaker 1: Jonesy and Amanda in the morning.

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Speaker 2: Sam.

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Speaker 3: So, Harley got into an uber a few weeks ago

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Speaker 3: and he's chatting to the driver. He sat in the front,

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Speaker 3: I think so he does sit in the front because

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Speaker 3: if the uber.

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Speaker 1: Comes like as a little car, you can't sit in

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Speaker 1: the back. When if you're buy yourself, it just looks weird, weird.

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Speaker 3: You know, I've got car blindness. If I call an

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Speaker 3: uber and it says it's so and so kind of

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Speaker 3: cars arriving, I don't know what that is. So any

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Speaker 3: car on the street, I just go and get into it.

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Speaker 4: You got a garbage truck standing on the back. What

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Speaker 4: are you doing, manber You.

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Speaker 3: Dropped me at the shop. So he chatted the driver

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Speaker 3: and the driver says, oh, what are you doing? And

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Speaker 3: Harley says, oh, I'm a painter. I'm paying portraits and

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Speaker 3: landscapes and stuff. And he said, oh, are you ever

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Speaker 3: painting anyone for the Archibald And Harley said, oh, I'm

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Speaker 3: painting one now. And he said who of And he said,

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Speaker 3: Amanda Keller, you know, and then just what a mistake.

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Speaker 3: And this is what the driver said. Yeah, I've written

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Speaker 3: it down because Harley told me this when he got home,

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Speaker 3: I'd like to bed her, but I think she'd be difficult.

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Speaker 3: And you can imagine forget Harley for a minute. I

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Speaker 3: drilled Harley.

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Speaker 2: For detail, difficult, difficult, What does he mean by difficult,

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Speaker 2: difficult to get into bed, difficult to be in bed

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Speaker 2: with a difficult woman?

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Speaker 3: And Harley, of courses, I'm thinking thinks she'd be a

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Speaker 3: difficult woman. Of course he's going to say that. So

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Speaker 3: I was drilling forensically for the intonation of difficult. Was

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Speaker 3: Harley said that? So when he says, you know all this,

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Speaker 3: Harley must have blanched. And the driver said I do

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Speaker 3: you know her? And he said I married to her?

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Speaker 3: And they go, oh, I'm sorry, sorry mate, sorry I awkward?

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Speaker 2: Ah.

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Speaker 1: How long was the trip after that?

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Speaker 2: I don't know?

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Speaker 3: And I said, well, how did you rate him? And

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Speaker 3: he said I scored him disappointing, difficult, Why don't you awkward?

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Speaker 3: And then when he got out, the guy said, no,

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Speaker 3: hard feelings.

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Speaker 5: Difficult, what context you more information?

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Speaker 3: Someone said that you were boots and all, what does

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Speaker 3: that mean?

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Speaker 1: Well, you know when you were dating you were like,

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Speaker 1: you know.

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Speaker 3: Well, if I mean I'm.

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Speaker 1: In that's it.

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Speaker 5: You're not difficult there, but well, no, you're quite easy.

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Speaker 5: Well it's not part of the conversation. What I mean

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Speaker 5: is I'm emotionally all in.

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Speaker 1: Okay, So emotion you're up for it in the early stages,

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Speaker 1: but then what happens after that.

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Speaker 3: I'm just glad you're not wounded in that cat. I

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Speaker 3: would have I would have drilled right down, I know.

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Speaker 3: So I've got no further information as much as I've asked.

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Speaker 1: But this is Harley, the same man that had a

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Speaker 1: picture of you above his desk from a newspaper or something.

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Speaker 1: There's an electrician and he said, oh, you're a big

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Speaker 1: fan of Menela, and he said, no, I'm just married.

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Speaker 3: She's difficult.

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Speaker 4: Joins the and Amanda in the Morning One at one

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Speaker 4: point seven, Tell You Film