1 00:00:02,440 --> 00:00:07,840 Speaker 1: Get a I'm Laala Berry, nutritionist, author, actor, TV presenter 2 00:00:08,080 --> 00:00:14,040 Speaker 1: and professional overshaer. This podcast is all about celebrating failure 3 00:00:14,600 --> 00:00:17,200 Speaker 1: because I believe it's a chance for us to learn, 4 00:00:17,800 --> 00:00:22,160 Speaker 1: grow and face our blind spots. Each week I'll interview 5 00:00:22,239 --> 00:00:26,160 Speaker 1: a different guest about their highs as well as their lows, 6 00:00:26,200 --> 00:00:29,800 Speaker 1: all in a bid to inspire us to fearlessly fail. 7 00:00:34,800 --> 00:00:39,159 Speaker 1: Hello Potter Rooney Fambam. Today we have returning guests jumping 8 00:00:39,200 --> 00:00:43,120 Speaker 1: on the pod all the way from Australia. Beautiful Byron Bay, Australia. 9 00:00:43,280 --> 00:00:47,440 Speaker 1: Might I add it is Jordana Levigne and you would 10 00:00:47,479 --> 00:00:50,960 Speaker 1: know her from well from this pod. She's been on loads. 11 00:00:51,600 --> 00:00:53,200 Speaker 1: I always get her to jump on at the start 12 00:00:53,200 --> 00:00:55,960 Speaker 1: of the year to talk all things astrology. And how 13 00:00:55,960 --> 00:00:59,960 Speaker 1: exciting that she now has a book all about us 14 00:01:00,000 --> 00:01:04,760 Speaker 1: astrology that is officially out in Australia tomorrow. So it's 15 00:01:04,760 --> 00:01:08,760 Speaker 1: called All Signs Point to You Unlock your Potential with 16 00:01:08,800 --> 00:01:11,640 Speaker 1: the Wisdom of Astrology. I've read the book. It's kind 17 00:01:11,680 --> 00:01:15,160 Speaker 1: of broken down into two parts. It's really easy to digest. 18 00:01:15,200 --> 00:01:19,119 Speaker 1: It's so fun to learn about your sign, your moon sign, 19 00:01:19,560 --> 00:01:23,120 Speaker 1: your rising sign, your partner's rising sign, or your mates. 20 00:01:23,640 --> 00:01:26,840 Speaker 1: It is really fun, really easy to understand. And I 21 00:01:26,840 --> 00:01:30,800 Speaker 1: don't know about you, but I sometimes find astrology a 22 00:01:30,800 --> 00:01:33,680 Speaker 1: little bit overwhelming and mathematical when you get into the 23 00:01:33,720 --> 00:01:35,720 Speaker 1: knitty gritty of it and you're starting to talk about 24 00:01:35,800 --> 00:01:39,440 Speaker 1: house placements and you're looking at the natal chart, which 25 00:01:39,520 --> 00:01:42,080 Speaker 1: is also your birth chart, and it's just an interchangeable name, 26 00:01:42,120 --> 00:01:44,440 Speaker 1: I believe, but you're looking at it and you're like, 27 00:01:44,520 --> 00:01:50,440 Speaker 1: holy smokes, this all feels like a really hard core 28 00:01:51,200 --> 00:01:55,880 Speaker 1: pythagorous math equation. It's not, and that well it is, 29 00:01:55,920 --> 00:01:58,280 Speaker 1: but you're donea makes it really simple to digest. So 30 00:01:58,360 --> 00:02:00,960 Speaker 1: I hope you love this episode. We break down astrology, 31 00:02:01,240 --> 00:02:05,240 Speaker 1: we break down the book, but again, if you're in Australia, 32 00:02:05,280 --> 00:02:07,800 Speaker 1: also in the show notes if you're in America or 33 00:02:07,880 --> 00:02:10,720 Speaker 1: somewhere else, Jordana has given me the link so that 34 00:02:11,520 --> 00:02:14,079 Speaker 1: we can buy it all over the world. So how 35 00:02:14,120 --> 00:02:17,800 Speaker 1: good Jordana. Congrats. I'm so excited to see this book flight. 36 00:02:17,800 --> 00:02:20,400 Speaker 1: It's got a beautiful cover on it. And to you 37 00:02:20,400 --> 00:02:22,080 Speaker 1: the listener, I hope you love this app. You know, 38 00:02:22,160 --> 00:02:27,520 Speaker 1: I love all things woo woo an astrology and like 39 00:02:27,560 --> 00:02:30,560 Speaker 1: all this kind of like spiritual health and personal development space. 40 00:02:30,639 --> 00:02:33,520 Speaker 1: So I hope you love this app. Geordana, thank you 41 00:02:33,520 --> 00:02:36,200 Speaker 1: so much for jumping on the pod. It's always a 42 00:02:36,200 --> 00:02:38,919 Speaker 1: pleasure to have you on. Fearless sleep failing right o, 43 00:02:39,040 --> 00:02:43,959 Speaker 1: gang hooru, big love, Hello, welcome back to the pod. 44 00:02:44,080 --> 00:02:48,079 Speaker 2: Hello, Geordana, thank you, and welcome back to your life. 45 00:02:48,160 --> 00:02:49,720 Speaker 3: I haven't seen you in I know. 46 00:02:50,200 --> 00:02:53,520 Speaker 1: I was going to start this by saying, can I 47 00:02:53,560 --> 00:02:55,679 Speaker 1: have a Byron Bay update? But you just gave Matt 48 00:02:55,720 --> 00:02:59,880 Speaker 1: and I one on the Yeah, it looks rainy out 49 00:03:00,160 --> 00:03:00,600 Speaker 1: a good one. 50 00:03:01,680 --> 00:03:05,760 Speaker 2: Yeah, we're having we're having apocalyptic rain today, but you 51 00:03:05,840 --> 00:03:07,800 Speaker 2: know how Byron works, the sun will be out in 52 00:03:07,880 --> 00:03:09,720 Speaker 2: an hour, so it's nothing to stressful. 53 00:03:09,720 --> 00:03:12,160 Speaker 1: Well, I've got to say your background there is giving 54 00:03:12,440 --> 00:03:16,560 Speaker 1: rainforest jungle vibes, and it's actually giving writers retreat because 55 00:03:16,560 --> 00:03:18,840 Speaker 1: I know you've got your post it notes on one side. 56 00:03:20,040 --> 00:03:23,880 Speaker 1: I'm loving this kind of I'm loving this kind of 57 00:03:24,000 --> 00:03:26,160 Speaker 1: vibe for you. I don't know, I think it's beautiful. 58 00:03:26,200 --> 00:03:28,280 Speaker 1: Oh my god, thank you so much. This is your 59 00:03:28,400 --> 00:03:30,480 Speaker 1: fourth time on the pod, is it not? 60 00:03:31,040 --> 00:03:31,400 Speaker 3: Is it? 61 00:03:31,560 --> 00:03:31,920 Speaker 1: Yeah? 62 00:03:32,040 --> 00:03:32,400 Speaker 2: Is it? 63 00:03:32,639 --> 00:03:36,240 Speaker 1: I've had you on talking about I want to say, 64 00:03:36,840 --> 00:03:38,800 Speaker 1: make it happen? Would that be right. 65 00:03:39,480 --> 00:03:40,400 Speaker 3: I know. 66 00:03:40,800 --> 00:03:43,360 Speaker 2: I think our first one was higher love. Oh yeah, 67 00:03:43,360 --> 00:03:46,160 Speaker 2: make it happen in higher love together. Then then you 68 00:03:46,240 --> 00:03:49,760 Speaker 2: came on and then we astrology are extraordinary twice. 69 00:03:49,880 --> 00:03:51,120 Speaker 3: Yeah two astrology. 70 00:03:51,680 --> 00:03:53,960 Speaker 2: Yeah, so it is it and oh my god, I 71 00:03:53,960 --> 00:03:56,160 Speaker 2: feel so Now we've got a meshing of both the 72 00:03:56,200 --> 00:03:57,480 Speaker 2: worlds where. 73 00:03:57,320 --> 00:04:01,360 Speaker 1: You've written that's about astrology, and here we are talking 74 00:04:01,400 --> 00:04:05,480 Speaker 1: about it. So, first of all, congrats. How do you feel? 75 00:04:06,440 --> 00:04:10,080 Speaker 2: I feel really great, And I have to be honest 76 00:04:10,120 --> 00:04:12,920 Speaker 2: with you, I don't always feel really great when a 77 00:04:12,960 --> 00:04:18,880 Speaker 2: book is coming out. It's very scary, but this book 78 00:04:19,000 --> 00:04:23,800 Speaker 2: feels different. I'm so excited about it, and I just 79 00:04:24,880 --> 00:04:27,400 Speaker 2: I don't know. I feel it's the book that people need. 80 00:04:27,480 --> 00:04:29,560 Speaker 2: And I've already sound like I'm trying to sell myself, 81 00:04:29,720 --> 00:04:31,520 Speaker 2: but I really think it's a book that people need, 82 00:04:31,560 --> 00:04:33,480 Speaker 2: and I wrote it because it doesn't exist on the 83 00:04:33,520 --> 00:04:34,520 Speaker 2: bookshelves right now. 84 00:04:34,600 --> 00:04:38,640 Speaker 1: Well, I have been powering through the digital version, and 85 00:04:38,680 --> 00:04:40,839 Speaker 1: you know me, I love a tactile copy, but that's 86 00:04:40,880 --> 00:04:43,159 Speaker 1: just because I love you. And it's not officially out yet, 87 00:04:43,200 --> 00:04:46,680 Speaker 1: but it's been such a fun read. I'm already a 88 00:04:46,720 --> 00:04:50,360 Speaker 1: bit of an astrology. Well, I found out after reading 89 00:04:50,400 --> 00:04:53,600 Speaker 1: your book that I love the term that you talk 90 00:04:53,640 --> 00:04:57,960 Speaker 1: about junk food astrology. I'm that I watch tiktoks on 91 00:04:58,120 --> 00:05:02,760 Speaker 1: my rising ascending some I am the personal watch every 92 00:05:02,839 --> 00:05:07,400 Speaker 1: single TikTok there is about Lionsgate Portal or what's going 93 00:05:07,440 --> 00:05:10,120 Speaker 1: on for the month of a month we're about to 94 00:05:10,160 --> 00:05:12,800 Speaker 1: go into. But I like the way straight out of 95 00:05:12,800 --> 00:05:16,240 Speaker 1: the gate you call that junk food astrology. Can you 96 00:05:16,279 --> 00:05:18,520 Speaker 1: break that down and explain it a bit to us. Yeah. 97 00:05:18,680 --> 00:05:20,360 Speaker 2: First of all, I want to say that I love 98 00:05:20,440 --> 00:05:23,480 Speaker 2: junk food, so there is nothing wrong with consuming junk 99 00:05:23,480 --> 00:05:26,800 Speaker 2: food astrology. But I kind of use the analogy, you know, 100 00:05:27,200 --> 00:05:30,920 Speaker 2: the shareable memes that we share with our friends and 101 00:05:30,920 --> 00:05:33,839 Speaker 2: that we feel like we get so much insight into 102 00:05:33,880 --> 00:05:37,960 Speaker 2: astrology from whether it's TikTok or Instagram or reading your 103 00:05:37,960 --> 00:05:41,920 Speaker 2: horoscopes in magazines. They're what we call junk food astrology 104 00:05:41,960 --> 00:05:45,240 Speaker 2: because they're just giving you a little taste, a little tidbit, 105 00:05:45,320 --> 00:05:48,400 Speaker 2: a little bit of satiation. But they're not the heart 106 00:05:48,480 --> 00:05:51,320 Speaker 2: of astrology. And that's not to say that you shouldn't 107 00:05:51,320 --> 00:05:53,560 Speaker 2: take part in it because it's fun and I do it, 108 00:05:54,080 --> 00:05:58,960 Speaker 2: but it's having the awareness that true astrology. The kind 109 00:05:59,000 --> 00:06:02,880 Speaker 2: of astrology it can actually help you and nourish you 110 00:06:02,960 --> 00:06:06,359 Speaker 2: and expand you. Is what I like to call whole 111 00:06:06,400 --> 00:06:09,880 Speaker 2: food astrology, which is a really holistic view of it 112 00:06:10,040 --> 00:06:14,600 Speaker 2: and if we consume it, well, a really really expansive 113 00:06:14,960 --> 00:06:17,680 Speaker 2: way of looking at personal development and your own growth. 114 00:06:18,240 --> 00:06:21,320 Speaker 1: Yeah, I love it. I love the way you reference 115 00:06:21,480 --> 00:06:24,000 Speaker 1: Carl Jung a few times in the book as well, 116 00:06:24,040 --> 00:06:26,760 Speaker 1: and I was like, oh, I didn't. I'd never put 117 00:06:26,880 --> 00:06:27,440 Speaker 1: two together. 118 00:06:27,760 --> 00:06:29,440 Speaker 2: I don't want to take credit for that. That is 119 00:06:29,480 --> 00:06:32,440 Speaker 2: a very common thing in astrology. A lot of Carl 120 00:06:32,560 --> 00:06:35,760 Speaker 2: Jung's work is attached to what we call psychological astrology. 121 00:06:36,000 --> 00:06:38,200 Speaker 1: Yeah, you did credit that beautifully, I will say. But 122 00:06:38,200 --> 00:06:39,960 Speaker 1: can we talk about the book so it's called all 123 00:06:40,000 --> 00:06:43,000 Speaker 1: Signs Point to You. Can you take me back to 124 00:06:44,200 --> 00:06:47,839 Speaker 1: when you I'm assuming because I guess I have a 125 00:06:47,880 --> 00:06:50,960 Speaker 1: bit of a sneaky insight into this being your friend, 126 00:06:51,160 --> 00:06:54,440 Speaker 1: But yes, I know you weren't necessarily planning on writing 127 00:06:54,480 --> 00:06:56,120 Speaker 1: this book. You kind of like got a call from 128 00:06:56,120 --> 00:06:59,440 Speaker 1: your publisher being like, hey, your pod because you had 129 00:07:00,120 --> 00:07:03,120 Speaker 1: have Lunar Lover pod that's almost at three hundred episodes 130 00:07:03,200 --> 00:07:06,719 Speaker 1: now with a huge following and So was that kind 131 00:07:06,760 --> 00:07:09,240 Speaker 1: of what did your publisher go? You know what, you're 132 00:07:09,240 --> 00:07:12,440 Speaker 1: podsurally popular, you're passionate about this topic. Could you write 133 00:07:12,440 --> 00:07:14,440 Speaker 1: a book about this topic? No? 134 00:07:17,560 --> 00:07:19,400 Speaker 2: Well, hang on, she didn't not say that. But I 135 00:07:19,680 --> 00:07:22,880 Speaker 2: was writing a fiction book, which I'm still writing. And 136 00:07:23,400 --> 00:07:28,880 Speaker 2: I had been on holidays in Spain and I was 137 00:07:28,880 --> 00:07:32,040 Speaker 2: with a girlfriend over there who I haven't seen in ages, 138 00:07:32,160 --> 00:07:35,520 Speaker 2: and we were talking about astrology quite in depth, and 139 00:07:35,560 --> 00:07:37,800 Speaker 2: I was taking her through her natal chart. Anyway, I 140 00:07:37,880 --> 00:07:41,560 Speaker 2: was on the plane on the way home and I 141 00:07:41,920 --> 00:07:47,480 Speaker 2: just got this like download or dump of an idea 142 00:07:47,520 --> 00:07:53,120 Speaker 2: around turning a personal development book or turning an astrology 143 00:07:53,120 --> 00:07:56,440 Speaker 2: book into a personal development book, because the astrology books 144 00:07:56,440 --> 00:08:00,440 Speaker 2: that exist are are a lot of information, they're quite 145 00:08:00,960 --> 00:08:05,240 Speaker 2: and they're really hard to apply in a practical way 146 00:08:05,280 --> 00:08:08,000 Speaker 2: to your own life, which is how I approach every 147 00:08:08,000 --> 00:08:10,040 Speaker 2: book I write, Like, what's the point in the knowledge 148 00:08:10,040 --> 00:08:12,520 Speaker 2: if you can't integrate it and embody it and. 149 00:08:12,480 --> 00:08:13,640 Speaker 3: Put it into practice? 150 00:08:13,840 --> 00:08:14,000 Speaker 2: Right? 151 00:08:14,040 --> 00:08:17,000 Speaker 3: So I had this idea and I thought, oh God, 152 00:08:17,080 --> 00:08:17,800 Speaker 3: I don't really have. 153 00:08:17,760 --> 00:08:19,640 Speaker 2: Time to write another book. I'm trying to write this 154 00:08:19,680 --> 00:08:21,600 Speaker 2: one I'm writing now. But I called my publisher and 155 00:08:21,640 --> 00:08:24,840 Speaker 2: I said what do you think? And she is a 156 00:08:24,880 --> 00:08:28,040 Speaker 2: fan of astrology, and she she was like, look, I've 157 00:08:28,080 --> 00:08:30,400 Speaker 2: wanted to do an astrology book for so long, but 158 00:08:30,800 --> 00:08:33,640 Speaker 2: classically astrology books don't sell well. 159 00:08:34,000 --> 00:08:36,400 Speaker 3: And when she said that, I got it. 160 00:08:36,440 --> 00:08:40,160 Speaker 2: I get it because I am a student of astrology, 161 00:08:40,320 --> 00:08:44,560 Speaker 2: I practice astrology, I teach astrology, and I would agree 162 00:08:44,720 --> 00:08:47,800 Speaker 2: the books don't sell well because they're not exciting, they're 163 00:08:47,840 --> 00:08:51,559 Speaker 2: not fun. So we decided that this was a good 164 00:08:51,600 --> 00:08:56,000 Speaker 2: idea if I could inject some fun and personality into it. 165 00:08:56,040 --> 00:08:59,320 Speaker 2: And I feel like I've managed to toe the line 166 00:08:59,440 --> 00:09:02,920 Speaker 2: between the fun side of junk food astrology, which we 167 00:09:02,960 --> 00:09:06,960 Speaker 2: love and we live for, but also really injecting the 168 00:09:07,000 --> 00:09:09,880 Speaker 2: tradition and the wisdom of astrology into it and trying 169 00:09:09,920 --> 00:09:16,080 Speaker 2: to kind of explain why those tropes and those stereotypes 170 00:09:16,120 --> 00:09:19,040 Speaker 2: that we're so used to reading about actually exist, where 171 00:09:19,080 --> 00:09:22,360 Speaker 2: that comes from, and then how you can practically apply 172 00:09:22,400 --> 00:09:24,480 Speaker 2: that to your own life. Oh. 173 00:09:24,520 --> 00:09:27,480 Speaker 1: I love it. I literally thought you must have got 174 00:09:27,480 --> 00:09:29,679 Speaker 1: some call being like Georgiana, we've got to get you 175 00:09:29,800 --> 00:09:32,080 Speaker 1: doing that. But I love that it came to you 176 00:09:32,440 --> 00:09:34,120 Speaker 1: at the end of a trip and you were like, 177 00:09:34,160 --> 00:09:36,959 Speaker 1: hang on, this is a really cool idea. So once 178 00:09:37,040 --> 00:09:39,600 Speaker 1: you kind of got that idea across the line with 179 00:09:39,640 --> 00:09:43,040 Speaker 1: your publisher, then what happened next? Was it? Because I 180 00:09:43,120 --> 00:09:46,920 Speaker 1: know you and I are both quite organismic. I feel 181 00:09:46,920 --> 00:09:49,599 Speaker 1: like we're both pretty organized writers. I would describe it 182 00:09:49,920 --> 00:09:53,480 Speaker 1: love a plan, love a love plan. Yes, So, like, 183 00:09:53,559 --> 00:09:55,640 Speaker 1: what was the process for you? Because I'd love to 184 00:09:55,679 --> 00:09:57,960 Speaker 1: give the listeners a little behind the scenes of the 185 00:09:58,000 --> 00:10:01,760 Speaker 1: life of a writer. And I know that you teach 186 00:10:01,920 --> 00:10:05,760 Speaker 1: you do writing courses as well. So what happened next 187 00:10:05,760 --> 00:10:08,120 Speaker 1: when you kind of got this green light? What was 188 00:10:08,160 --> 00:10:09,600 Speaker 1: the next step? Well? 189 00:10:09,640 --> 00:10:12,840 Speaker 2: I do this with all my books, even before I 190 00:10:12,960 --> 00:10:16,120 Speaker 2: pitch it, well, haven't I formally pitch it, like I 191 00:10:16,200 --> 00:10:19,000 Speaker 2: pitched it vocally, But before I formally pitched it in 192 00:10:19,040 --> 00:10:23,520 Speaker 2: a proposal, I always do like a really really detailed 193 00:10:23,640 --> 00:10:25,800 Speaker 2: structure of the book. And I don't do that so 194 00:10:25,880 --> 00:10:29,640 Speaker 2: much for the publisher. I do it to convince myself 195 00:10:29,960 --> 00:10:32,480 Speaker 2: I know where this book's going and that I can. 196 00:10:32,360 --> 00:10:33,120 Speaker 3: Actually write it. 197 00:10:33,520 --> 00:10:36,640 Speaker 2: Because if I pitch something but I haven't actually planned 198 00:10:36,679 --> 00:10:39,000 Speaker 2: it out, there's this moment of oh my god, what 199 00:10:39,040 --> 00:10:39,320 Speaker 2: the fuck? 200 00:10:39,360 --> 00:10:41,360 Speaker 3: What if this doesn't actually work? 201 00:10:41,480 --> 00:10:43,440 Speaker 2: When you start to kind of put pen to paper 202 00:10:43,600 --> 00:10:47,680 Speaker 2: or you know, finger to keyboard, and so yeah, I 203 00:10:47,720 --> 00:10:50,720 Speaker 2: plan everything out. I get as detailed as I can. 204 00:10:51,360 --> 00:10:57,680 Speaker 2: This book, in particular was quite easy because every chapter 205 00:10:58,000 --> 00:11:00,920 Speaker 2: on a Sign follows the same struction. There's a bunch 206 00:11:00,960 --> 00:11:05,000 Speaker 2: of subheadings, which makes it very easy for my brain 207 00:11:05,559 --> 00:11:10,040 Speaker 2: to sort of compartmentalize how everything's going to kind of 208 00:11:10,080 --> 00:11:12,280 Speaker 2: play out within the book. And when it comes to 209 00:11:13,040 --> 00:11:16,680 Speaker 2: the writing process, when you've already got those subheads ready 210 00:11:16,720 --> 00:11:19,920 Speaker 2: to go, you can write in chunks and really feel 211 00:11:19,960 --> 00:11:23,640 Speaker 2: like you've accomplished something. And I just think when you 212 00:11:23,640 --> 00:11:25,960 Speaker 2: can tick boxes like that as a writer, you know, 213 00:11:26,000 --> 00:11:28,480 Speaker 2: it's so hard to feel accomplished day to day because 214 00:11:28,960 --> 00:11:31,040 Speaker 2: it's so standard that you're going to get writer's block 215 00:11:31,240 --> 00:11:32,640 Speaker 2: or you're just going to have a day when you're 216 00:11:32,640 --> 00:11:35,600 Speaker 2: not feeling particularly creative. But when you can knock off 217 00:11:35,720 --> 00:11:40,880 Speaker 2: chunks like that under short subheads, you well, I find 218 00:11:40,920 --> 00:11:43,319 Speaker 2: for me anyway that I can move through a manuscript 219 00:11:43,320 --> 00:11:43,880 Speaker 2: a lot faster. 220 00:11:45,080 --> 00:11:47,400 Speaker 1: I have to ask you, because I've witnessed you do 221 00:11:47,520 --> 00:11:49,960 Speaker 1: this in real life in person. Sometimes I'll go to 222 00:11:49,960 --> 00:11:52,959 Speaker 1: polarates when I'm back in Yrm. I'll be like, I'm 223 00:11:53,000 --> 00:11:54,880 Speaker 1: just going to whip around the corner and grab a coffee. 224 00:11:54,960 --> 00:11:57,680 Speaker 1: And you are sitting there with your laptop at a 225 00:11:57,679 --> 00:12:00,880 Speaker 1: cafe writing and sometimes you don't have headphones in, and 226 00:12:00,920 --> 00:12:03,520 Speaker 1: I'm like, and I know you're working on a manuscript. 227 00:12:03,640 --> 00:12:07,640 Speaker 1: I'm like, how the F is this human being? Maybe 228 00:12:07,679 --> 00:12:13,240 Speaker 1: because I'm like super, I'm quite like I get sound 229 00:12:13,280 --> 00:12:15,480 Speaker 1: pollution is a thing that I can't handle, Like I 230 00:12:15,559 --> 00:12:18,520 Speaker 1: have to have noise canceling headphones on whenever I write, 231 00:12:18,559 --> 00:12:22,679 Speaker 1: and a very specific type of music when I write. Like, 232 00:12:23,040 --> 00:12:24,600 Speaker 1: is it just for you to like get out of 233 00:12:24,640 --> 00:12:26,600 Speaker 1: your like where you write at home? 234 00:12:27,480 --> 00:12:32,080 Speaker 2: Is that like something that you practice. I am exactly 235 00:12:32,160 --> 00:12:34,040 Speaker 2: the same as you. I cannot write in public. So 236 00:12:34,160 --> 00:12:36,719 Speaker 2: if you see me with my laptop in a cafe, 237 00:12:36,920 --> 00:12:40,840 Speaker 2: I'm likely editing or reviewing or reading what I wrote 238 00:12:41,160 --> 00:12:43,640 Speaker 2: the day before. I am not writing, trust me. I 239 00:12:43,679 --> 00:12:48,920 Speaker 2: need silence. Like I've got traffic outside my house. Not 240 00:12:49,000 --> 00:12:51,280 Speaker 2: a lot of traffic, not like beeping, not like middle 241 00:12:51,280 --> 00:12:53,920 Speaker 2: of New York City traffic, but just cars driving by. 242 00:12:54,120 --> 00:12:57,240 Speaker 3: And that's enough to distract me. So yeah, no, I'm 243 00:12:57,240 --> 00:12:57,640 Speaker 3: the same. 244 00:12:57,760 --> 00:12:58,040 Speaker 1: I am. 245 00:12:58,120 --> 00:13:01,720 Speaker 2: Noise canceling headphones, you know, eyes down, no distractions. 246 00:13:02,280 --> 00:13:07,440 Speaker 1: Oh, Okay, well that's music to myrgo is Yeah, I 247 00:13:07,520 --> 00:13:09,320 Speaker 1: have to ask and this is a bit hippie, but 248 00:13:09,320 --> 00:13:10,800 Speaker 1: I feel like I can ask it to you because 249 00:13:10,800 --> 00:13:14,480 Speaker 1: we are talking all things astrology today. Do you have 250 00:13:14,840 --> 00:13:17,680 Speaker 1: a writing ritual, Like do you like, because I know 251 00:13:17,720 --> 00:13:20,880 Speaker 1: you're a morning writer often, like is it like you 252 00:13:20,960 --> 00:13:23,839 Speaker 1: make your morning coffee and then you sit down, No, 253 00:13:23,960 --> 00:13:25,760 Speaker 1: You've got your beautiful cat with you know, Like, is 254 00:13:25,800 --> 00:13:28,560 Speaker 1: there anything that you like to do that's like part 255 00:13:28,600 --> 00:13:31,400 Speaker 1: of a ritual for you? Like I prefer I'm a 256 00:13:31,440 --> 00:13:34,680 Speaker 1: morning writer, but sometimes, like you're probably the same things 257 00:13:34,720 --> 00:13:36,080 Speaker 1: will come to you at night and you're like, oh 258 00:13:36,120 --> 00:13:38,120 Speaker 1: my god, I've just got to like get this down. 259 00:13:38,840 --> 00:13:41,320 Speaker 3: Yeah. I do the bulk of my writing in the morning, 260 00:13:41,440 --> 00:13:41,880 Speaker 3: for sure. 261 00:13:42,240 --> 00:13:45,520 Speaker 2: I Yeah, I usually have my coffee and actually hop 262 00:13:45,559 --> 00:13:48,600 Speaker 2: back into bed, And some of the writing that I 263 00:13:48,640 --> 00:13:50,680 Speaker 2: do from bed with my coffee, which feels like I 264 00:13:50,679 --> 00:13:53,000 Speaker 2: haven't formally started writing for the day, is some of 265 00:13:53,040 --> 00:13:58,079 Speaker 2: my best work. I also really try and look, I'm 266 00:13:58,120 --> 00:14:03,360 Speaker 2: not religious with but I do try and do a 267 00:14:04,240 --> 00:14:07,480 Speaker 2: writing guided meditation which I actually wrote for myself, and 268 00:14:07,520 --> 00:14:09,880 Speaker 2: I take myself through it with my own voice. 269 00:14:09,920 --> 00:14:11,679 Speaker 3: Maybe a little bit narcissistic, I don't know. 270 00:14:12,280 --> 00:14:18,480 Speaker 2: And it just helps me connect with the intention of 271 00:14:18,720 --> 00:14:21,760 Speaker 2: bringing through exactly the words that need to be written 272 00:14:21,760 --> 00:14:25,480 Speaker 2: today and not really attaching to word count or outcome, 273 00:14:25,720 --> 00:14:28,120 Speaker 2: just really knowing what the intention is for that day. 274 00:14:29,680 --> 00:14:31,880 Speaker 2: I find that really really helpful. And then the other 275 00:14:31,960 --> 00:14:35,720 Speaker 2: thing is I make sure I'm not writing for more 276 00:14:35,760 --> 00:14:38,520 Speaker 2: than two hours at a time, like getting up, moving around, 277 00:14:38,560 --> 00:14:42,360 Speaker 2: having some food, going outside, going for a walk. That's 278 00:14:42,400 --> 00:14:45,960 Speaker 2: all really really important to me. But I also have 279 00:14:46,120 --> 00:14:51,240 Speaker 2: to have the structure. So I've got people listening, can't say, 280 00:14:51,280 --> 00:14:52,600 Speaker 2: but I'll show show, Lola. 281 00:14:52,720 --> 00:14:53,520 Speaker 1: I've got a. 282 00:14:55,240 --> 00:14:57,040 Speaker 3: What do we call this hourglass? 283 00:14:57,240 --> 00:15:01,160 Speaker 2: Hour glass? Yeah, it's like a satin timer. It's it's 284 00:15:01,200 --> 00:15:04,160 Speaker 2: a thirty minute hour glass. So if I haven't done 285 00:15:04,200 --> 00:15:07,640 Speaker 2: to a two hour slot, I turn this over and go, okay, 286 00:15:07,680 --> 00:15:09,560 Speaker 2: at least right for the next thirty minutes. 287 00:15:10,560 --> 00:15:11,400 Speaker 3: And there's something. 288 00:15:11,160 --> 00:15:13,640 Speaker 2: Poetic about an hour glass rather than the timer on 289 00:15:13,640 --> 00:15:14,680 Speaker 2: your phone, you know. 290 00:15:15,080 --> 00:15:17,800 Speaker 1: Yeah, And also like it's visual, it's something tactile you 291 00:15:17,840 --> 00:15:20,040 Speaker 1: pick up and move around, which like so you would 292 00:15:20,080 --> 00:15:23,000 Speaker 1: be ticking all these like sensory things as well as 293 00:15:23,000 --> 00:15:26,080 Speaker 1: a writer. Yeah, yeah, I look, I could talk to 294 00:15:26,160 --> 00:15:28,920 Speaker 1: you all day long about the behind the scenes of 295 00:15:29,480 --> 00:15:31,560 Speaker 1: life as a writer, and I do want to ask 296 00:15:31,600 --> 00:15:35,000 Speaker 1: you more questions about that. But I also loved that 297 00:15:35,240 --> 00:15:39,200 Speaker 1: you have simplified astrology in this book. And I think 298 00:15:39,800 --> 00:15:42,800 Speaker 1: as somebody that like leans toward that more junk food, 299 00:15:42,880 --> 00:15:47,880 Speaker 1: quick fixed astrology, I think it is because sometimes astrology 300 00:15:47,880 --> 00:15:52,360 Speaker 1: can almost feel like maths, like really mathematical and like 301 00:15:52,520 --> 00:15:54,400 Speaker 1: and then I'm like, my brain is like my creative 302 00:15:54,440 --> 00:15:58,920 Speaker 1: brain's like, bye, too hard title. So yeah, well, I 303 00:15:59,000 --> 00:16:01,640 Speaker 1: love that you've simplif and straight out of the gate 304 00:16:01,720 --> 00:16:04,680 Speaker 1: you simplify it. And even the way the book is structured, 305 00:16:04,720 --> 00:16:06,560 Speaker 1: you're like, there is going to be some technical stuff 306 00:16:06,560 --> 00:16:08,520 Speaker 1: in here. Then you're going to get all your juicy 307 00:16:08,600 --> 00:16:11,200 Speaker 1: signs stuff that you know that we all live for. 308 00:16:11,760 --> 00:16:14,880 Speaker 1: But even the really technical stuff, I was like, oh 309 00:16:14,920 --> 00:16:17,000 Speaker 1: my god, Like I really did feel like I was 310 00:16:17,120 --> 00:16:20,400 Speaker 1: learning stuff that I could implement, Like can I ask 311 00:16:20,480 --> 00:16:23,680 Speaker 1: you some questions that I learned from reading your book? 312 00:16:23,720 --> 00:16:26,320 Speaker 2: Oh my god, please? And sorry, I'm just going to 313 00:16:26,360 --> 00:16:29,000 Speaker 2: stop you before you continue. That means so much to 314 00:16:29,000 --> 00:16:32,440 Speaker 2: me that you said that, because it's very hard when 315 00:16:32,480 --> 00:16:35,680 Speaker 2: you know something and you've studied it for so long, 316 00:16:35,760 --> 00:16:39,520 Speaker 2: and you teach it to simplify it in a book 317 00:16:39,560 --> 00:16:43,400 Speaker 2: with so many words, and you just hope to God 318 00:16:43,560 --> 00:16:46,960 Speaker 2: that it is simple enough but not oversimplified, that they're 319 00:16:46,960 --> 00:16:49,520 Speaker 2: not actually getting the crux of what you're trying to teach. 320 00:16:49,560 --> 00:16:52,240 Speaker 3: So I really really appreciate you saying that. That means 321 00:16:52,240 --> 00:16:52,520 Speaker 3: a lot. 322 00:16:53,000 --> 00:16:55,080 Speaker 1: Oh, mate, you can test any of your books on me. 323 00:16:55,360 --> 00:16:59,320 Speaker 1: I'll be in a Send that fiction one my way, mate, 324 00:16:59,360 --> 00:17:02,680 Speaker 1: I'll suck it. I always read fiction books with the 325 00:17:02,760 --> 00:17:04,879 Speaker 1: lens of what I could I say this is a 326 00:17:04,880 --> 00:17:09,359 Speaker 1: movie or TV show, because that's how I read it visually. Yeah, 327 00:17:09,400 --> 00:17:11,200 Speaker 1: I have to ask you. And I was going to 328 00:17:11,240 --> 00:17:13,680 Speaker 1: save this till the end or our hot seat, but 329 00:17:14,240 --> 00:17:17,199 Speaker 1: I'm so fascinated to hear what you think of It 330 00:17:17,320 --> 00:17:19,600 Speaker 1: ends with us Colleen Hoover movie adaptation. 331 00:17:21,920 --> 00:17:23,480 Speaker 2: No, I haven't seen it, but you know I haven't 332 00:17:23,480 --> 00:17:27,200 Speaker 2: read it. I haven't read it because we've talked about 333 00:17:27,240 --> 00:17:28,920 Speaker 2: this and I'm happy to. 334 00:17:29,119 --> 00:17:30,360 Speaker 3: Proclaim it on the podcast. 335 00:17:30,400 --> 00:17:36,639 Speaker 2: I've got a real fucking gripe with love stories that 336 00:17:36,760 --> 00:17:41,040 Speaker 2: involve dark men. It's just like this trope that we 337 00:17:41,119 --> 00:17:43,800 Speaker 2: play over and over and over and over again. But 338 00:17:43,880 --> 00:17:46,480 Speaker 2: in saying that I've definitely fallen down the TikTok hole 339 00:17:46,520 --> 00:17:48,960 Speaker 2: of what is going on between Blake's Lively and Jason 340 00:17:49,000 --> 00:17:53,439 Speaker 2: Baldoni and I have my theories, but I'm not willing 341 00:17:53,440 --> 00:17:55,920 Speaker 2: to back them just yet off air. 342 00:17:55,920 --> 00:17:57,719 Speaker 1: As soon as we stop recording, I want to hear 343 00:17:58,560 --> 00:18:00,880 Speaker 1: I have a whole set of theories as well. And 344 00:18:00,920 --> 00:18:02,800 Speaker 1: you are about to get hit with like, oh, I've 345 00:18:02,840 --> 00:18:04,760 Speaker 1: got another friend I'm sharing all of this with on 346 00:18:04,840 --> 00:18:08,760 Speaker 1: insight cycle tomorrow. I'll be like this this, look at this, 347 00:18:08,800 --> 00:18:12,320 Speaker 1: look at this. But back to you and your beautiful board. Okay, 348 00:18:12,400 --> 00:18:17,639 Speaker 1: So I had no idea that there were eight phases 349 00:18:17,680 --> 00:18:18,960 Speaker 1: to the moon. Is this true? 350 00:18:19,080 --> 00:18:20,720 Speaker 3: Oh? Yes, this is true. 351 00:18:20,960 --> 00:18:24,400 Speaker 1: Yeah, And where the moon is can affect like our 352 00:18:24,520 --> 00:18:28,280 Speaker 1: energy levels, like how we're feeling. Is that also true? 353 00:18:28,680 --> 00:18:29,840 Speaker 3: Absolutely? Absolutely? 354 00:18:29,840 --> 00:18:32,639 Speaker 2: So you probably most people are aware when the moon's 355 00:18:32,680 --> 00:18:35,560 Speaker 2: full and when the moon is new, which is halfway 356 00:18:35,560 --> 00:18:37,399 Speaker 2: through this, like that's the beginning of the cycle, and 357 00:18:37,400 --> 00:18:40,120 Speaker 2: then the full moon's halfway through, but then there's all 358 00:18:40,119 --> 00:18:42,520 Speaker 2: these phases in between new and full moon and then 359 00:18:42,560 --> 00:18:45,760 Speaker 2: full moon and new moon, and it's just that continuous cycle, 360 00:18:45,880 --> 00:18:47,320 Speaker 2: just like everything in the universe. 361 00:18:48,480 --> 00:18:52,400 Speaker 1: And you've i know, you taught Matt this. But like, 362 00:18:52,480 --> 00:18:54,359 Speaker 1: there are certain things that you can do on new 363 00:18:54,400 --> 00:18:57,199 Speaker 1: moons versus full moons, like one's more about letting go 364 00:18:57,240 --> 00:18:58,960 Speaker 1: and one's about planting new ideas. 365 00:18:59,040 --> 00:19:00,680 Speaker 3: Is that correct? That's right? 366 00:19:00,760 --> 00:19:03,520 Speaker 2: So we manifest, we set intentions on a new moon 367 00:19:04,000 --> 00:19:05,520 Speaker 2: and we release and we let go. 368 00:19:05,760 --> 00:19:06,480 Speaker 3: We surrender. 369 00:19:06,840 --> 00:19:12,320 Speaker 2: We think what might be blocking those intentions on the 370 00:19:12,359 --> 00:19:14,600 Speaker 2: full moon, let them go, so by the time the 371 00:19:14,640 --> 00:19:18,160 Speaker 2: new moon comes around again, there's space for those new 372 00:19:18,160 --> 00:19:19,200 Speaker 2: things to bloom. 373 00:19:19,760 --> 00:19:23,000 Speaker 1: Oh, I love this. Now here's I love this little 374 00:19:23,040 --> 00:19:28,160 Speaker 1: fun fact. And it was often if you're born around sunrise, 375 00:19:28,760 --> 00:19:32,080 Speaker 1: that can mean sometimes that your sun sign, so yours 376 00:19:32,119 --> 00:19:37,680 Speaker 1: is Gemini, and your ascending or rising sign will be matching. 377 00:19:38,080 --> 00:19:39,520 Speaker 1: Is that right? Right? 378 00:19:39,920 --> 00:19:43,800 Speaker 2: So the rising sign or the ascendant sign is the 379 00:19:43,920 --> 00:19:48,160 Speaker 2: sign that was coming over the horizon when you were born. 380 00:19:48,840 --> 00:19:50,240 Speaker 3: Now, if you were born in. 381 00:19:50,280 --> 00:19:53,040 Speaker 2: The sun rise, that means the sun was coming over 382 00:19:53,080 --> 00:19:54,240 Speaker 2: the horizon rising. 383 00:19:54,760 --> 00:19:57,119 Speaker 3: So it's very likely or it is likely. 384 00:19:57,200 --> 00:19:59,760 Speaker 2: I feel confident saying that that your rising sign in 385 00:19:59,760 --> 00:20:01,560 Speaker 2: your sun sign will be the same sign. So I 386 00:20:01,640 --> 00:20:03,840 Speaker 2: was born at seven thirty in the morning in winter 387 00:20:04,080 --> 00:20:08,160 Speaker 2: in June, well in Australia, June, and so that's why 388 00:20:08,200 --> 00:20:11,320 Speaker 2: my son sign and my rising sign are both in Shamini. 389 00:20:11,680 --> 00:20:14,480 Speaker 1: Yeah, it's so funny. I met someone the other day 390 00:20:14,520 --> 00:20:16,320 Speaker 1: because I teach a lot of yoga here and so 391 00:20:16,359 --> 00:20:20,560 Speaker 1: I'm always talking to yoga teachers, and I was this 392 00:20:20,560 --> 00:20:22,480 Speaker 1: this teacher walked in and we were always The first 393 00:20:22,560 --> 00:20:25,159 Speaker 1: question you ask usually somebody in LA is like, so, 394 00:20:25,240 --> 00:20:28,879 Speaker 1: what's your sign? What's yourn. She was like, ah, I'm Virgo, 395 00:20:29,320 --> 00:20:32,000 Speaker 1: she goes, I'm Virgo sun, Virgo moon. I was like, oh, same, 396 00:20:32,040 --> 00:20:33,520 Speaker 1: and she's like, oh, we were probably born on a 397 00:20:33,560 --> 00:20:35,640 Speaker 1: new moon then, and I was like what and she's like, yeah, 398 00:20:35,640 --> 00:20:40,080 Speaker 1: if your sun and moon in alignment, it's new moon. 399 00:20:40,119 --> 00:20:42,960 Speaker 1: And that sounds like a similar philosophy to what you've 400 00:20:43,000 --> 00:20:45,040 Speaker 1: just said, but regarding the moon. 401 00:20:47,119 --> 00:20:49,920 Speaker 2: Yeah, so when every time we have a new moon, 402 00:20:50,119 --> 00:20:52,160 Speaker 2: that means that the sun and the moon are sitting 403 00:20:52,200 --> 00:20:54,919 Speaker 2: at the same degree in the same sign, and when 404 00:20:54,960 --> 00:20:58,240 Speaker 2: we have a full moon, they're in opposing signs. So 405 00:20:58,920 --> 00:21:01,639 Speaker 2: a Virgo full moon would be when the sun is 406 00:21:01,640 --> 00:21:02,600 Speaker 2: in Pisces and. 407 00:21:02,560 --> 00:21:04,320 Speaker 3: The moon is in Virgo. Yeah. 408 00:21:04,359 --> 00:21:09,479 Speaker 1: How fascinating. Yeah, very cool, Oh, very very like. I 409 00:21:09,520 --> 00:21:10,720 Speaker 1: was like when I read that, I was like, oh 410 00:21:10,760 --> 00:21:15,280 Speaker 1: my god, that's blowing my mind. Okay, so you've got 411 00:21:15,720 --> 00:21:18,359 Speaker 1: the way you describe it. You talk about the planets, 412 00:21:19,119 --> 00:21:23,880 Speaker 1: the signs, and the houses, and then you talk about 413 00:21:24,119 --> 00:21:28,840 Speaker 1: how like essentially, and please correct me, but like, the 414 00:21:28,840 --> 00:21:31,879 Speaker 1: planets are kind of like the what, the signs are 415 00:21:31,960 --> 00:21:34,240 Speaker 1: kind of the how, and then the houses are the 416 00:21:34,320 --> 00:21:35,480 Speaker 1: ware or the setting. 417 00:21:36,320 --> 00:21:36,919 Speaker 3: Yeah. 418 00:21:37,160 --> 00:21:39,720 Speaker 2: Yeah, So look, I guess like if people are like, 419 00:21:39,880 --> 00:21:42,560 Speaker 2: what are we talking about, the basis of the book 420 00:21:42,640 --> 00:21:46,359 Speaker 2: really is this idea that we have all twelve signs 421 00:21:46,440 --> 00:21:49,159 Speaker 2: in our natal chart, and even if you don't have 422 00:21:49,320 --> 00:21:53,240 Speaker 2: planets in those signs, those signs are still illuminating different 423 00:21:53,320 --> 00:21:55,639 Speaker 2: parts of your natal chart. And what's going to happen 424 00:21:55,640 --> 00:21:58,080 Speaker 2: is they're going to fall in different houses. So in 425 00:21:58,119 --> 00:21:59,879 Speaker 2: the beginning of the book, which is the chapter that 426 00:22:00,080 --> 00:22:04,280 Speaker 2: it Lola is talking about, I basically help you understand 427 00:22:04,600 --> 00:22:07,600 Speaker 2: how to read your own natal chart so that when 428 00:22:07,640 --> 00:22:10,400 Speaker 2: we get to the twelve signs that we dive into deeply, 429 00:22:11,200 --> 00:22:15,000 Speaker 2: you can figure out how you're going to apply the 430 00:22:15,119 --> 00:22:18,560 Speaker 2: energy of those signs to the different areas of your life, 431 00:22:18,600 --> 00:22:22,040 Speaker 2: which is the houses. So, yeah, when we look at 432 00:22:22,160 --> 00:22:25,320 Speaker 2: a planet, we're looking at the function of that planet. 433 00:22:25,359 --> 00:22:27,920 Speaker 2: What what are we looking at in our lives when 434 00:22:27,920 --> 00:22:30,880 Speaker 2: we look at the sign. It's how it influences that 435 00:22:30,960 --> 00:22:34,000 Speaker 2: what that function. And then the houses, which is what 436 00:22:34,119 --> 00:22:38,040 Speaker 2: people really struggle with when it comes to astrology, tells 437 00:22:38,119 --> 00:22:41,320 Speaker 2: us or gives us an indication of the terrain of 438 00:22:41,359 --> 00:22:45,000 Speaker 2: our life or the area of our life where that energy. 439 00:22:44,680 --> 00:22:46,639 Speaker 3: Is going to play out for us. 440 00:22:47,119 --> 00:22:49,080 Speaker 1: You gave a good Margo Robbie example. 441 00:22:49,720 --> 00:22:51,719 Speaker 2: Oh yeah, did you like that? I don't know if 442 00:22:51,760 --> 00:22:53,280 Speaker 2: I remember it? Do you want to read it out? 443 00:22:53,280 --> 00:22:54,200 Speaker 2: Have you got it? 444 00:22:54,200 --> 00:22:57,000 Speaker 1: It was this is going off memory, but it was 445 00:22:57,040 --> 00:23:00,840 Speaker 1: like essentially, your planet is like so if your life 446 00:23:00,920 --> 00:23:04,160 Speaker 1: is okay, so your planet is like Margo Robbie for you. Right, 447 00:23:04,200 --> 00:23:08,000 Speaker 1: So if you're okay, so Jordana is Margo Robbie, your 448 00:23:08,000 --> 00:23:13,399 Speaker 1: planet is Margo Robbie. Your hang on what I've losen 449 00:23:13,480 --> 00:23:16,280 Speaker 1: my track? Here we go. Your sign is the character 450 00:23:16,320 --> 00:23:19,200 Speaker 1: that Margot Robbie is playing, like whether it be Harley 451 00:23:19,280 --> 00:23:20,800 Speaker 1: Quinn or Barbie's or. 452 00:23:20,760 --> 00:23:26,719 Speaker 2: Barbie very different. It's like, so whether you're Virgo or Sagittarius, 453 00:23:26,960 --> 00:23:30,040 Speaker 2: it's going to affect you very differently. 454 00:23:30,480 --> 00:23:31,760 Speaker 3: Margot Robbie is still the same. 455 00:23:31,800 --> 00:23:36,400 Speaker 2: Margot Robbie is still Venus, but let's use illuminary the sun. 456 00:23:36,560 --> 00:23:39,720 Speaker 2: Margot Robbie is still the Sun. But whether Margot Robbie 457 00:23:39,760 --> 00:23:42,840 Speaker 2: is Harley Quinn or Barbie is going to play out 458 00:23:42,960 --> 00:23:44,960 Speaker 2: very differently totally. 459 00:23:45,480 --> 00:23:49,600 Speaker 1: And then the houses is essentially like, is she in 460 00:23:49,760 --> 00:23:51,400 Speaker 1: barbie Land or is she. 461 00:23:52,080 --> 00:23:55,320 Speaker 2: Yeah, the set where the scene is set, So is 462 00:23:55,320 --> 00:23:58,919 Speaker 2: she in the Barbie House or Barbie Land or is 463 00:23:58,960 --> 00:24:01,439 Speaker 2: she in the real world? And when you put her 464 00:24:01,440 --> 00:24:05,720 Speaker 2: in the real world that Margot Robbie as Barbie plays 465 00:24:05,720 --> 00:24:09,200 Speaker 2: out very differently as Margo Robbie as Barbie in Barbieland 466 00:24:09,560 --> 00:24:10,680 Speaker 2: And look, I mean. 467 00:24:10,600 --> 00:24:11,800 Speaker 3: That's that's a stretch. 468 00:24:11,960 --> 00:24:15,040 Speaker 2: That's probably not what the teachers of astrology would teach you, 469 00:24:15,119 --> 00:24:17,479 Speaker 2: but it really helped me understand. 470 00:24:16,960 --> 00:24:20,400 Speaker 1: It right totally. No, I love it. I think it's awesome. 471 00:24:20,960 --> 00:24:24,120 Speaker 1: And you mentioned natal chart and I know you've explained 472 00:24:24,119 --> 00:24:27,440 Speaker 1: this on this podcast before, but just to like break 473 00:24:27,480 --> 00:24:30,399 Speaker 1: it down. The good thing about this book is that 474 00:24:30,600 --> 00:24:33,520 Speaker 1: if no one has any idea what a natal chart is, 475 00:24:34,040 --> 00:24:35,720 Speaker 1: how to read, is it a birth chart? Is it 476 00:24:35,720 --> 00:24:38,600 Speaker 1: the same thing? Da da da da? You know, the 477 00:24:38,600 --> 00:24:43,080 Speaker 1: book does break it down from day like number one, 478 00:24:43,400 --> 00:24:45,480 Speaker 1: what is a natal chart? But can you just like 479 00:24:46,200 --> 00:24:49,080 Speaker 1: briefly summarize what a natal chart is fast because it 480 00:24:49,160 --> 00:24:49,640 Speaker 1: is also. 481 00:24:49,520 --> 00:24:53,120 Speaker 2: Called at right. Yeah, so Americans call it a birth chart. 482 00:24:53,359 --> 00:24:56,920 Speaker 2: You'll also hear it called an astrology chart. I call 483 00:24:56,960 --> 00:24:59,679 Speaker 2: it a natal chart. It's basically a snapshot of the 484 00:24:59,680 --> 00:25:02,399 Speaker 2: solo system at the moment of your birth. So this 485 00:25:02,520 --> 00:25:05,720 Speaker 2: is why time and location of birth is really important. 486 00:25:06,280 --> 00:25:09,800 Speaker 2: Location is going to change the size of your houses 487 00:25:09,840 --> 00:25:12,320 Speaker 2: because they're based on the latitude and longitude of where 488 00:25:12,359 --> 00:25:16,280 Speaker 2: you were at that time. The time is going to 489 00:25:16,320 --> 00:25:21,280 Speaker 2: affect your ascendant sign, your rising sign, and the rising 490 00:25:21,359 --> 00:25:24,800 Speaker 2: sign determines the house placement as well. So this is 491 00:25:24,800 --> 00:25:26,720 Speaker 2: why it's really important that we say you've got to 492 00:25:26,720 --> 00:25:28,680 Speaker 2: know your birth time. You've got to know your location 493 00:25:28,800 --> 00:25:32,040 Speaker 2: of birth in order to have an accurate natal chart raading. 494 00:25:32,600 --> 00:25:33,880 Speaker 3: Without it, we. 495 00:25:33,960 --> 00:25:36,800 Speaker 2: Can't determine the houses, and the houses are going to 496 00:25:36,800 --> 00:25:38,200 Speaker 2: tell us where this all plays out. 497 00:25:38,240 --> 00:25:39,520 Speaker 3: So they're really really important. 498 00:25:40,560 --> 00:25:44,360 Speaker 1: Yeah, I love it's I think what I loved as 499 00:25:44,359 --> 00:25:46,520 Speaker 1: well is like natal chart, it can all get a 500 00:25:46,520 --> 00:25:50,080 Speaker 1: bit confusing, but I love the way you like completely 501 00:25:50,119 --> 00:25:52,920 Speaker 1: break down to the point of like, is it three 502 00:25:53,040 --> 00:25:57,320 Speaker 1: rings like the three yeah, can you explain them briefly? 503 00:25:57,920 --> 00:25:59,680 Speaker 3: Yeah, I mean it's hard. 504 00:25:59,800 --> 00:26:02,320 Speaker 2: It's hard if you don't have a chart in front 505 00:26:02,359 --> 00:26:07,320 Speaker 2: of you. But most natal charts will have this same 506 00:26:07,440 --> 00:26:10,119 Speaker 2: or similar setting. The ones I've used in the book 507 00:26:10,280 --> 00:26:13,440 Speaker 2: are based on the astro goold charts that I use 508 00:26:13,520 --> 00:26:16,560 Speaker 2: astrogolds and app that anyone can download. It is paid, 509 00:26:16,560 --> 00:26:19,120 Speaker 2: but it's absolutely worth it if you're interested in astrology. 510 00:26:20,400 --> 00:26:24,480 Speaker 2: But basically, the middle the Yeah, the middle, the center 511 00:26:24,560 --> 00:26:27,840 Speaker 2: ring like the inner ring is where the houses, the 512 00:26:27,920 --> 00:26:31,040 Speaker 2: number of the houses are. The middle ring is where 513 00:26:31,240 --> 00:26:33,760 Speaker 2: the planets will sit in a natal chart, and then 514 00:26:33,800 --> 00:26:37,359 Speaker 2: the outer ring on the outside is where the signs sit. 515 00:26:37,440 --> 00:26:39,200 Speaker 3: And it's really important that you can. 516 00:26:39,080 --> 00:26:43,400 Speaker 2: Identify where the signs sit in your chart because the 517 00:26:43,440 --> 00:26:47,760 Speaker 2: idea with this book is as the sun moves through 518 00:26:47,800 --> 00:26:50,640 Speaker 2: the signs, which is the seasons that we experience. We're 519 00:26:50,680 --> 00:26:53,320 Speaker 2: currently recording this in Leo season. I think it airs 520 00:26:53,359 --> 00:26:57,520 Speaker 2: in Virgo season. That's where the sun is and you 521 00:26:57,600 --> 00:27:02,199 Speaker 2: can learn a lot about yourself by tapping into that 522 00:27:02,400 --> 00:27:04,719 Speaker 2: energy when the sun is in that sign, and if 523 00:27:04,760 --> 00:27:07,520 Speaker 2: you know what house it's falling in, it's going to 524 00:27:07,600 --> 00:27:10,399 Speaker 2: tell you what part of your chart will be illuminated 525 00:27:11,520 --> 00:27:12,439 Speaker 2: during that season. 526 00:27:13,119 --> 00:27:16,040 Speaker 1: That makes total sense and I love that we're recording 527 00:27:16,080 --> 00:27:18,960 Speaker 1: this kind for you. I think in Australia be the 528 00:27:19,040 --> 00:27:21,399 Speaker 1: last day of lions Gate Portal today. I think it 529 00:27:21,440 --> 00:27:22,800 Speaker 1: closes on the twelfth. 530 00:27:23,119 --> 00:27:23,800 Speaker 3: Yes it does. 531 00:27:24,000 --> 00:27:26,320 Speaker 1: Yeah, And I was like, this is good juju is 532 00:27:26,359 --> 00:27:26,639 Speaker 1: it not? 533 00:27:26,840 --> 00:27:29,960 Speaker 2: No, I've had the wildest lions Gate portal. I've got 534 00:27:29,960 --> 00:27:32,760 Speaker 2: to say, have you Yeah, like in the best way. 535 00:27:32,880 --> 00:27:37,000 Speaker 1: Yeah. Yeah, It's fascinating. It's so funny. Like right before 536 00:27:37,080 --> 00:27:39,919 Speaker 1: lines like literally right before lines Gate, I was like, 537 00:27:41,960 --> 00:27:44,480 Speaker 1: I'm a loser. Nothing is working my way, Like I 538 00:27:44,560 --> 00:27:46,720 Speaker 1: literally was like, I was like, felt like I was 539 00:27:46,760 --> 00:27:49,640 Speaker 1: just bashing my head against a brick wall. And then 540 00:27:49,680 --> 00:27:54,920 Speaker 1: the moment, like the energy flicked into lions Gate from nothing. 541 00:27:55,000 --> 00:27:58,639 Speaker 1: My phone started ringing like things out of the blue. Amazing, 542 00:27:59,000 --> 00:28:04,200 Speaker 1: the energy literally turned completely on its head. I think 543 00:28:04,240 --> 00:28:06,520 Speaker 1: I had to have that little like ego death letting 544 00:28:06,560 --> 00:28:10,280 Speaker 1: go period right before it though, in order to receive 545 00:28:10,359 --> 00:28:12,800 Speaker 1: and let all that new cool stuff come in. But 546 00:28:12,880 --> 00:28:15,480 Speaker 1: I was like, holy shit, can Linescape Portal stay open 547 00:28:15,480 --> 00:28:16,439 Speaker 1: a bit longer? Please? 548 00:28:18,680 --> 00:28:21,520 Speaker 2: Well, you just got to keep working with the energies. Also, 549 00:28:21,560 --> 00:28:24,000 Speaker 2: I just want to say, Lola, something I've noticed in 550 00:28:24,080 --> 00:28:29,560 Speaker 2: my time, sort of anecdotally, is I always have a 551 00:28:29,640 --> 00:28:35,440 Speaker 2: really hard season right before my birthday season. Oh and 552 00:28:35,480 --> 00:28:38,880 Speaker 2: so you're currently in the pre season to Virgo season, 553 00:28:39,440 --> 00:28:43,080 Speaker 2: and yeah, it's interesting because it's the end of a cycle, 554 00:28:43,200 --> 00:28:46,800 Speaker 2: right because you're having your solar return when the sun 555 00:28:46,880 --> 00:28:50,160 Speaker 2: returns to the time of your birth during Virgo season, 556 00:28:50,240 --> 00:28:52,400 Speaker 2: so right before that, you're right at the end of 557 00:28:52,440 --> 00:28:53,920 Speaker 2: the current solar return for you. 558 00:28:54,360 --> 00:28:56,920 Speaker 1: Yeah, and then just keep getting good. Does it get 559 00:28:56,920 --> 00:28:57,760 Speaker 1: good in your season? 560 00:28:58,520 --> 00:29:00,920 Speaker 2: Well, it's what else is going on in the chart, 561 00:29:01,000 --> 00:29:03,240 Speaker 2: But yeah, I think so. I always think your own 562 00:29:03,280 --> 00:29:06,400 Speaker 2: season is a really energizing time. 563 00:29:07,200 --> 00:29:09,040 Speaker 1: For sure, it has to be for sure. But you 564 00:29:09,040 --> 00:29:11,960 Speaker 1: can see why a lot of people get really confronted 565 00:29:12,000 --> 00:29:13,640 Speaker 1: at birthdays as well, and like. 566 00:29:13,640 --> 00:29:15,600 Speaker 3: Around like I do. 567 00:29:16,760 --> 00:29:20,520 Speaker 1: Yeah, whereas I'm like, oh, stay for celebrating me. There's 568 00:29:20,560 --> 00:29:26,480 Speaker 1: that sagy rising energy coming from. But I love the 569 00:29:26,520 --> 00:29:29,320 Speaker 1: way you talk about the three amigos and that being 570 00:29:29,400 --> 00:29:34,280 Speaker 1: the Sun, the moon and is sending on the rising 571 00:29:34,960 --> 00:29:37,960 Speaker 1: because to be honest, sometimes astrology can be a bit 572 00:29:38,120 --> 00:29:40,680 Speaker 1: like it's all a bit much, and if it feels 573 00:29:40,680 --> 00:29:42,200 Speaker 1: like some of those days I just want to like 574 00:29:42,240 --> 00:29:45,040 Speaker 1: tap in and learn a little bit. I'll always look 575 00:29:45,080 --> 00:29:47,400 Speaker 1: up Virgo because I'm Sun Moon Virgo, and then I'll 576 00:29:47,400 --> 00:29:49,920 Speaker 1: look up Saggy because I'm Saggy. You're sending, and I 577 00:29:49,960 --> 00:29:53,680 Speaker 1: can nearly always feel seen in both. But I find 578 00:29:54,000 --> 00:29:57,360 Speaker 1: my Sagy probably because being in La and we're in 579 00:29:57,400 --> 00:30:00,960 Speaker 1: like go go, Go chase dream mode. My Sagy really 580 00:30:01,000 --> 00:30:04,560 Speaker 1: like feels very very activated here because it's like the traveler. 581 00:30:04,600 --> 00:30:08,480 Speaker 1: They're exploring like new possibilities, and like all the control 582 00:30:08,560 --> 00:30:10,520 Speaker 1: and all of that of Virgo kind of has to go, 583 00:30:10,760 --> 00:30:14,560 Speaker 1: Like I have to work really hard to let that 584 00:30:14,600 --> 00:30:16,760 Speaker 1: pardon me go. But I guess what I'm trying to 585 00:30:16,800 --> 00:30:20,719 Speaker 1: say is like if you were just like dipping your 586 00:30:20,800 --> 00:30:22,960 Speaker 1: toe in or wanting to know a little bit more, 587 00:30:23,080 --> 00:30:25,280 Speaker 1: is like looking at that Sun Moon and as sending, 588 00:30:25,320 --> 00:30:27,040 Speaker 1: like a really nice place to start. 589 00:30:27,680 --> 00:30:30,840 Speaker 2: Absolutely, So, I don't know how many astrologers I'm going 590 00:30:30,880 --> 00:30:32,800 Speaker 2: to piss off by calling it the three Omegos because 591 00:30:32,840 --> 00:30:35,600 Speaker 2: I just thought that was fun. But traditionally we call 592 00:30:35,600 --> 00:30:38,680 Speaker 2: it the primal triad. It's the Sun, the Moon, the 593 00:30:38,760 --> 00:30:40,720 Speaker 2: rising sign. But yeah, I thought that the three Omegos 594 00:30:40,800 --> 00:30:44,760 Speaker 2: was more fun. Yeah, it's really important, and especially if 595 00:30:44,800 --> 00:30:46,000 Speaker 2: you're someone who's like. 596 00:30:46,080 --> 00:30:48,920 Speaker 3: Oh, I don't really connect with my son's sign. I 597 00:30:48,920 --> 00:30:50,280 Speaker 3: don't feel like a Taurus. 598 00:30:50,920 --> 00:30:53,520 Speaker 2: There are so many reasons why you wouldn't, and this 599 00:30:53,560 --> 00:30:55,360 Speaker 2: is why it's really important to get a natal chart 600 00:30:55,440 --> 00:30:59,400 Speaker 2: rating if you're interested in astrology. But it might simply 601 00:30:59,440 --> 00:31:01,959 Speaker 2: be that you're connecting more with your moon sign or 602 00:31:01,960 --> 00:31:04,360 Speaker 2: that you're connecting more with your ascendant sign. A lot 603 00:31:04,400 --> 00:31:07,080 Speaker 2: of people do connect more with their ascendant sign because 604 00:31:07,120 --> 00:31:09,200 Speaker 2: it's the way they interact in the world, right, So 605 00:31:09,280 --> 00:31:12,040 Speaker 2: a lot of people are engaging with them as that sign, 606 00:31:12,120 --> 00:31:14,920 Speaker 2: and they're choosing to engage from the space of that sign. 607 00:31:15,600 --> 00:31:19,640 Speaker 2: So I think understanding all three of them together and 608 00:31:19,680 --> 00:31:23,520 Speaker 2: how they interact with each other is really really important, 609 00:31:23,880 --> 00:31:27,200 Speaker 2: and everything else is just an adornment, you know. From there, 610 00:31:27,240 --> 00:31:29,600 Speaker 2: we move out to our Mercury, Venus, and Mars, which 611 00:31:29,600 --> 00:31:32,200 Speaker 2: you're known as the personal planets. And once you've sort 612 00:31:32,240 --> 00:31:35,320 Speaker 2: of nailed the understanding of your three amigos, which is 613 00:31:35,480 --> 00:31:37,920 Speaker 2: the core of who you are, then we can start 614 00:31:37,920 --> 00:31:40,120 Speaker 2: to look at what's going on with those personal planets 615 00:31:40,600 --> 00:31:43,600 Speaker 2: the other planets. What we call the trans personal outer 616 00:31:43,680 --> 00:31:49,760 Speaker 2: planets Satin, Jupiter, Neptune, Urinus, and Pluto. They also add 617 00:31:49,760 --> 00:31:52,520 Speaker 2: to the chart in different ways, but they're not as 618 00:31:52,560 --> 00:31:56,880 Speaker 2: important in regards to the core of your personality, which 619 00:31:56,880 --> 00:31:58,440 Speaker 2: is what those three amigos are telling you. 620 00:31:59,400 --> 00:32:01,920 Speaker 1: I love the way you look stick with three amigos, 621 00:32:01,960 --> 00:32:06,400 Speaker 1: my friend's cool. Yeah, it works and it makes it 622 00:32:06,440 --> 00:32:09,560 Speaker 1: makes such sense. I do also love the way that 623 00:32:09,560 --> 00:32:12,920 Speaker 1: you've written about the elements and how different signs can 624 00:32:12,960 --> 00:32:15,800 Speaker 1: fit into Like, you know, we hear the fire sign, 625 00:32:15,880 --> 00:32:19,400 Speaker 1: earth sign, water sign, air sign, and as I was 626 00:32:19,560 --> 00:32:21,560 Speaker 1: preparing for this, you being a Gemini, I was like, 627 00:32:21,600 --> 00:32:25,600 Speaker 1: I wonder where Gemini falls into that. But it's air, right, Yeah, 628 00:32:26,440 --> 00:32:28,840 Speaker 1: you're a big thinker that tracks. That tracks getting to 629 00:32:28,880 --> 00:32:31,040 Speaker 1: know you like but also like as a writer as well, 630 00:32:31,080 --> 00:32:35,240 Speaker 1: Like that's cerebral to me. Yeah, it's very cerebral. Yeah, 631 00:32:35,960 --> 00:32:39,720 Speaker 1: So do you find that like the because again, the 632 00:32:39,760 --> 00:32:45,360 Speaker 1: correlation of the elements with the signs it I think 633 00:32:45,400 --> 00:32:48,400 Speaker 1: it's a really nice and kind of like digestible way 634 00:32:48,600 --> 00:32:52,360 Speaker 1: to like unpack. When you meet someone in just like 635 00:32:52,440 --> 00:32:56,800 Speaker 1: chit chatting and and they're like, you know, I'm all aries, 636 00:32:56,840 --> 00:32:59,880 Speaker 1: and I'm like no shit, I can see that, you know, 637 00:33:00,120 --> 00:33:02,440 Speaker 1: or yeah, yeah, yeah, I feel when you meet someone 638 00:33:02,480 --> 00:33:05,280 Speaker 1: that's driven by fire or got a little spark that's 639 00:33:05,320 --> 00:33:06,680 Speaker 1: just regulated. 640 00:33:06,560 --> 00:33:08,840 Speaker 2: Right, it can tell you a lot about them. And 641 00:33:08,880 --> 00:33:11,040 Speaker 2: then we can also tell a lot about a person 642 00:33:11,120 --> 00:33:14,880 Speaker 2: from what elements they're lacking. So for example, I'm a 643 00:33:15,000 --> 00:33:19,320 Speaker 2: double Air with an Earth moon, I'm a Virgo moon. Yeah, 644 00:33:19,400 --> 00:33:22,920 Speaker 2: you're a double Earth with a fire rising. So for 645 00:33:23,000 --> 00:33:27,440 Speaker 2: both of us, we lack water, right, and so that's 646 00:33:27,480 --> 00:33:29,800 Speaker 2: something that we It's not to say that where the 647 00:33:29,840 --> 00:33:32,880 Speaker 2: water signs are quite emotional and sensitive and intuitive, it's 648 00:33:32,920 --> 00:33:35,000 Speaker 2: not to say when none of those things, because of 649 00:33:35,040 --> 00:33:39,000 Speaker 2: course we are human and we've had experiences and there's 650 00:33:39,000 --> 00:33:41,960 Speaker 2: other elements in the chart. But for both of us, 651 00:33:42,640 --> 00:33:46,480 Speaker 2: it's not innate for us to switch straight into the 652 00:33:46,520 --> 00:33:50,400 Speaker 2: emotional self. For me, it's about switching into the mind, 653 00:33:50,560 --> 00:33:54,760 Speaker 2: and for you it's about planning and strategizing and taking action. 654 00:33:55,480 --> 00:33:58,920 Speaker 1: Yeah, totally. If I am ever stressed, the only way 655 00:33:58,960 --> 00:34:00,840 Speaker 1: to get through it is to make plan, whether it 656 00:34:00,880 --> 00:34:03,520 Speaker 1: gets actioned or not. It's like I have to, it's 657 00:34:03,560 --> 00:34:06,320 Speaker 1: the only thing that will. I have to have a plan. 658 00:34:06,560 --> 00:34:10,279 Speaker 1: And where is Matt his moon is I believe it's 659 00:34:10,600 --> 00:34:14,359 Speaker 1: a cancer moon, and then he's rising a scorp and 660 00:34:14,600 --> 00:34:16,200 Speaker 1: he's like, you need to sit with it and feel 661 00:34:16,200 --> 00:34:19,160 Speaker 1: this with me, and I'm like, absolutely not, absolutely not. 662 00:34:19,320 --> 00:34:21,200 Speaker 1: I need to book in with my therapist. I need 663 00:34:21,200 --> 00:34:22,840 Speaker 1: to make a plan. I need to do that, and 664 00:34:22,960 --> 00:34:25,560 Speaker 1: I have to have an action list. And obviously I 665 00:34:25,680 --> 00:34:28,520 Speaker 1: usually forfeit and end up sitting with him and then 666 00:34:28,600 --> 00:34:31,160 Speaker 1: making the plan and it works out that I probably 667 00:34:31,200 --> 00:34:33,840 Speaker 1: should feel because I'm probably lacking the water. But it 668 00:34:33,960 --> 00:34:37,680 Speaker 1: is fascinating. And as I was preparing for this, I 669 00:34:37,760 --> 00:34:42,719 Speaker 1: was reading about cancer knowing that it's Matt, my partner's moon, 670 00:34:42,760 --> 00:34:45,480 Speaker 1: and I was like, oh, so it seems like you 671 00:34:45,560 --> 00:34:47,719 Speaker 1: might be a bit more nurturing than me. And he's like, 672 00:34:48,120 --> 00:34:53,399 Speaker 1: no shit. And Georgianah will know this. You've come over 673 00:34:53,480 --> 00:34:56,160 Speaker 1: dinner many a time and it's I'm never cooking, it's 674 00:34:56,239 --> 00:35:00,120 Speaker 1: always Matt. He's like the care, the nertre is. It's 675 00:35:00,160 --> 00:35:04,719 Speaker 1: just so fascinating. It's beautiful, like when you do unpack it, 676 00:35:04,920 --> 00:35:07,920 Speaker 1: especially with people that you love and have in your 677 00:35:08,000 --> 00:35:10,520 Speaker 1: world and reading your book and then kind of like 678 00:35:10,560 --> 00:35:15,399 Speaker 1: looking up and seeing the actual physical like traits in 679 00:35:15,480 --> 00:35:18,600 Speaker 1: people it's really not. It's just an I'm excited to 680 00:35:18,760 --> 00:35:23,080 Speaker 1: like to read more and to like let what I'm 681 00:35:23,200 --> 00:35:26,680 Speaker 1: learning from reading your book kind of like seep into 682 00:35:26,719 --> 00:35:27,839 Speaker 1: real life, do you know what I mean? 683 00:35:28,360 --> 00:35:30,359 Speaker 2: And that's kind of what I wanted people to get 684 00:35:30,360 --> 00:35:33,759 Speaker 2: out of it. There's ways that we can understand ourselves 685 00:35:33,800 --> 00:35:37,560 Speaker 2: ourselves through all twelve of those signs. There will be 686 00:35:37,640 --> 00:35:39,879 Speaker 2: parts of those signs that you connect with, and if 687 00:35:39,920 --> 00:35:43,520 Speaker 2: you don't, if you're rejecting the qualities of that sign, 688 00:35:43,560 --> 00:35:48,600 Speaker 2: that's also telling you something about yourself, right. And then 689 00:35:49,000 --> 00:35:51,920 Speaker 2: on top of that, we get this really beautiful insight 690 00:35:52,000 --> 00:35:54,600 Speaker 2: into the people around us and perhaps a little bit 691 00:35:54,600 --> 00:35:59,480 Speaker 2: more compassionate and understanding for what we might deem as 692 00:35:59,520 --> 00:36:05,120 Speaker 2: their weakness or they're you know, quick to fire approaches 693 00:36:05,160 --> 00:36:07,239 Speaker 2: to things or whatever it might be right, or being 694 00:36:07,239 --> 00:36:10,520 Speaker 2: overly emotional. Like I've got a friend who has a 695 00:36:10,560 --> 00:36:13,799 Speaker 2: lot of water, a lot of water, And before I 696 00:36:13,880 --> 00:36:16,759 Speaker 2: knew that about her, I was just like, why does 697 00:36:16,800 --> 00:36:19,400 Speaker 2: she take everything so personally? Why does she get upset 698 00:36:19,400 --> 00:36:23,840 Speaker 2: over everything? Like it used to drive me insane? But 699 00:36:23,960 --> 00:36:26,120 Speaker 2: then now I just have compassion for her, and I'm 700 00:36:26,239 --> 00:36:29,400 Speaker 2: extra sensitive when I'm broaching a topic with her, or 701 00:36:29,440 --> 00:36:32,920 Speaker 2: when we're talking about something knowing that she's feeling it 702 00:36:33,000 --> 00:36:39,000 Speaker 2: deeply where I'm processing it cerebrally. It's very different experience completely. 703 00:36:39,280 --> 00:36:41,720 Speaker 1: So oh, I love it. I love this. I also 704 00:36:41,800 --> 00:36:45,880 Speaker 1: love the way you talk about the mutable signs the 705 00:36:45,960 --> 00:36:47,440 Speaker 1: fixed and is it cardinal? 706 00:36:48,040 --> 00:36:50,520 Speaker 3: Yeah, well done, Look at you. You just like an 707 00:36:50,520 --> 00:36:53,040 Speaker 3: astrology buff Now, well. 708 00:36:52,719 --> 00:36:55,520 Speaker 1: Thanks to heye times, go out and get all signs 709 00:36:55,560 --> 00:37:00,960 Speaker 1: point to you available officially tomorrow. But I I love 710 00:37:01,000 --> 00:37:05,279 Speaker 1: it because also, like when you break down those three differences, 711 00:37:06,040 --> 00:37:12,520 Speaker 1: they track really Yeah. And you and I, Yeah, we're mutables. 712 00:37:13,000 --> 00:37:16,040 Speaker 3: We're all mutables. Yeah, yeah, which. 713 00:37:15,840 --> 00:37:17,920 Speaker 2: Is true for us, right Like you and I have 714 00:37:18,040 --> 00:37:22,600 Speaker 2: pivoted so much. We're so adaptable. We can change whenever 715 00:37:22,680 --> 00:37:26,200 Speaker 2: we need to, and we're quite fluid. Even though there's 716 00:37:26,280 --> 00:37:29,440 Speaker 2: rigidity to the virgo placements that we both have and 717 00:37:29,480 --> 00:37:32,360 Speaker 2: we like to plan and structure and organize, there is 718 00:37:32,400 --> 00:37:36,160 Speaker 2: fluidity in that. And I think we can look to 719 00:37:36,239 --> 00:37:39,759 Speaker 2: all of the modes we call them to find out 720 00:37:39,840 --> 00:37:43,120 Speaker 2: again where your strengths are and then perhaps where there 721 00:37:43,280 --> 00:37:48,400 Speaker 2: are weaknesses or laziness or complacency within the way you 722 00:37:48,440 --> 00:37:49,160 Speaker 2: move through the world. 723 00:37:49,520 --> 00:37:52,520 Speaker 1: Yeah, and just on those street are they linked to 724 00:37:52,680 --> 00:37:55,719 Speaker 1: the times in the season. Is that happen? Yeah? 725 00:37:56,200 --> 00:37:58,840 Speaker 2: Yeah, I mean most things in astrology sort of work 726 00:37:59,000 --> 00:38:03,239 Speaker 2: like that. But the cardinal signs begin the season. So 727 00:38:03,400 --> 00:38:07,040 Speaker 2: when we say the season, I don't mean each individual season. 728 00:38:07,239 --> 00:38:11,880 Speaker 2: I mean the like solstice and the equinoxes, which are 729 00:38:11,880 --> 00:38:14,800 Speaker 2: the official weather seasons. 730 00:38:14,440 --> 00:38:16,280 Speaker 3: Or what would we call them weather seasons? 731 00:38:17,000 --> 00:38:22,040 Speaker 2: Yeah, yeah, the weather seasons to me, yeah yeah, and 732 00:38:22,640 --> 00:38:26,719 Speaker 2: all the times of year's season, the summer, autumns, yeah, winter, yes, 733 00:38:27,040 --> 00:38:27,520 Speaker 2: I don't. 734 00:38:27,320 --> 00:38:29,520 Speaker 3: Know why that's failing me right now. 735 00:38:29,719 --> 00:38:31,719 Speaker 1: I would call it a season for sure. Yeah. 736 00:38:31,840 --> 00:38:32,080 Speaker 3: Yeah. 737 00:38:32,280 --> 00:38:37,200 Speaker 2: So those so the summer solstice, the winter solstice, the 738 00:38:37,239 --> 00:38:39,719 Speaker 2: spring equinox, and the autumn equinox will all fall on 739 00:38:39,760 --> 00:38:42,640 Speaker 2: the cardinal signs, right. It's different for the northern and 740 00:38:42,680 --> 00:38:44,359 Speaker 2: southern hemisphere. So I'm not going to list them out 741 00:38:44,400 --> 00:38:46,200 Speaker 2: now because it's going to get very confusing for everyone. 742 00:38:46,239 --> 00:38:49,720 Speaker 2: But that's pretty much standard. And knowing that they begin 743 00:38:49,800 --> 00:38:51,839 Speaker 2: a season that they start, it tells us a lot 744 00:38:51,840 --> 00:38:55,759 Speaker 2: about the cardinal signs. Their initiators. They're leaders, they're pioneers, 745 00:38:55,800 --> 00:38:59,280 Speaker 2: they get things going right. Then we've got the fixed 746 00:38:59,520 --> 00:39:03,680 Speaker 2: signs and The fixed signs are Taurus, Scorpio, Leo, and Aquarius, 747 00:39:03,680 --> 00:39:05,560 Speaker 2: and they're a little bit more stubborn, they're a little 748 00:39:05,560 --> 00:39:08,840 Speaker 2: bit more in their ways, but they're also quite enduring. 749 00:39:09,000 --> 00:39:12,680 Speaker 2: They're also get things done because they will stick it 750 00:39:12,719 --> 00:39:15,640 Speaker 2: out right. And then we've got the mutable signs, which 751 00:39:15,680 --> 00:39:19,920 Speaker 2: are adaptable and fluid and versatile and all those times. 752 00:39:19,960 --> 00:39:22,040 Speaker 2: But sometimes it means they don't stick to the things 753 00:39:22,080 --> 00:39:23,960 Speaker 2: they're trying to do because they're onto the next thing. 754 00:39:24,160 --> 00:39:27,320 Speaker 1: Yeah, we're like a new idea. So it makes total 755 00:39:27,360 --> 00:39:30,880 Speaker 1: sense to me you being so mutable that you are 756 00:39:31,280 --> 00:39:34,160 Speaker 1: also now writing fiction because this is kind of you. Yeah, 757 00:39:34,160 --> 00:39:38,279 Speaker 1: you've sat in this personal development kind of space has 758 00:39:38,360 --> 00:39:41,719 Speaker 1: been the majority of your career, I would say, as 759 00:39:41,760 --> 00:39:47,880 Speaker 1: an author, So can you give me a little update 760 00:39:47,880 --> 00:39:50,520 Speaker 1: because I know that you writing fiction is like a 761 00:39:50,560 --> 00:39:53,319 Speaker 1: big passion of yours And yeah, I feel like I've 762 00:39:53,320 --> 00:39:55,080 Speaker 1: been lucky enough to know a little bit about it. 763 00:39:55,080 --> 00:39:57,520 Speaker 1: And I can see your post it notes stuck behind 764 00:39:57,600 --> 00:40:00,719 Speaker 1: you that I believe used to be to that I'm 765 00:40:00,719 --> 00:40:03,160 Speaker 1: pretty sure when I used to see they will into 766 00:40:03,200 --> 00:40:04,640 Speaker 1: your that's your fiction book, is it not? 767 00:40:04,800 --> 00:40:06,640 Speaker 3: Yeah, this is my fiction book, and no one can 768 00:40:06,680 --> 00:40:07,000 Speaker 3: see it. 769 00:40:07,000 --> 00:40:10,040 Speaker 2: But these posters used to be very bright, and now 770 00:40:10,200 --> 00:40:12,160 Speaker 2: they've been up here for so long with the sun 771 00:40:12,239 --> 00:40:14,200 Speaker 2: beaming on them that they're losing their color. 772 00:40:15,200 --> 00:40:15,399 Speaker 3: Yeah. 773 00:40:15,440 --> 00:40:20,600 Speaker 2: I've been writing the fiction now for it's pushing three years, 774 00:40:20,640 --> 00:40:23,120 Speaker 2: which is just really bad. I don't have to say 775 00:40:23,120 --> 00:40:25,120 Speaker 2: I have not been writing it full time because I 776 00:40:25,160 --> 00:40:28,200 Speaker 2: wrote another book in between, and I'm running courses and 777 00:40:28,239 --> 00:40:31,680 Speaker 2: doing the podcast. But yes, I'm returning to that fiction. 778 00:40:31,960 --> 00:40:35,239 Speaker 2: I now have the support that I need behind me 779 00:40:35,360 --> 00:40:41,680 Speaker 2: to do that. And although it is again going to 780 00:40:41,719 --> 00:40:45,960 Speaker 2: be an enjoyable, fun read, it's quite a heavy topic 781 00:40:46,640 --> 00:40:50,440 Speaker 2: and so I've really just been taking my time to 782 00:40:50,520 --> 00:40:53,759 Speaker 2: be quite delicate with it. I don't want to rush it, 783 00:40:53,800 --> 00:40:55,920 Speaker 2: and I want to give it the reverence it needs 784 00:40:56,440 --> 00:41:00,400 Speaker 2: to make the impact I want it to make on people. 785 00:41:02,120 --> 00:41:04,680 Speaker 2: But yeah, very different process. I was just at the 786 00:41:05,120 --> 00:41:08,399 Speaker 2: Byron Writers Festival over the weekend. Have you ever been 787 00:41:08,440 --> 00:41:09,440 Speaker 2: to Byron? 788 00:41:09,440 --> 00:41:11,040 Speaker 1: I have, but I love watching a bit of it 789 00:41:11,080 --> 00:41:13,680 Speaker 1: on your stories. I think you posted about it. 790 00:41:13,680 --> 00:41:15,880 Speaker 2: It was incredible, like it was just a bunch of 791 00:41:16,120 --> 00:41:19,239 Speaker 2: very successful authors. Candice Fox was there actually, and she 792 00:41:19,760 --> 00:41:22,360 Speaker 2: was hilarious. Oh my god, she's so funny. 793 00:41:22,200 --> 00:41:25,200 Speaker 1: So funny. Love her, so whenever I missed the Australian accent, 794 00:41:25,239 --> 00:41:27,319 Speaker 1: I go back and listen to the episode where I 795 00:41:27,400 --> 00:41:30,560 Speaker 1: interviewed her, because her accent is my favorite Ossie accent. 796 00:41:31,160 --> 00:41:33,120 Speaker 2: I have to go and listen to that episode now, 797 00:41:33,160 --> 00:41:36,440 Speaker 2: because honestly, she was so engaging. It was a lecture 798 00:41:36,520 --> 00:41:39,200 Speaker 2: on writing crime and it was her Jane Harper that 799 00:41:39,239 --> 00:41:43,680 Speaker 2: wrote The Dry and an Indigenous author who writes, I've 800 00:41:43,680 --> 00:41:46,200 Speaker 2: got to read these books as well. She writes a 801 00:41:46,320 --> 00:41:49,799 Speaker 2: police procedural set in the Northern Rivers. It's got this 802 00:41:49,920 --> 00:41:54,080 Speaker 2: main character, Kate Miller, and there's three in the series, 803 00:41:54,160 --> 00:41:55,560 Speaker 2: so I really want to read that as well. 804 00:41:55,840 --> 00:41:57,680 Speaker 3: But where was I going with this? 805 00:41:57,760 --> 00:42:01,120 Speaker 2: Oh, I'm sitting in the audience listening to these prolific 806 00:42:01,400 --> 00:42:06,279 Speaker 2: fiction writers feeling like such an impostor, you know, like 807 00:42:06,680 --> 00:42:12,960 Speaker 2: there's something about fiction that just feels next level. And 808 00:42:13,040 --> 00:42:17,000 Speaker 2: I guess it's part of the storytelling. I guess it's 809 00:42:17,040 --> 00:42:20,840 Speaker 2: part of character development and hoping at the same time 810 00:42:21,080 --> 00:42:24,239 Speaker 2: that people are not only engaged by the plot, but 811 00:42:24,280 --> 00:42:27,640 Speaker 2: they're actually taking something away from the narrative as well. 812 00:42:28,200 --> 00:42:30,840 Speaker 3: Just feels like a lot of pressure. Anyway, Hopefully I 813 00:42:30,880 --> 00:42:32,000 Speaker 3: can I agree. 814 00:42:31,760 --> 00:42:36,600 Speaker 1: With you, though I totally agree. I think fiction, I 815 00:42:36,640 --> 00:42:40,719 Speaker 1: would argue it's harder than nonfiction to write because you're 816 00:42:40,760 --> 00:42:45,040 Speaker 1: doing story theory. You know, you've got each depending on 817 00:42:45,080 --> 00:42:48,480 Speaker 1: how many characters, depending on what characters POV we the 818 00:42:48,560 --> 00:42:53,280 Speaker 1: reader are living through. Like Candice Fox has written where 819 00:42:53,320 --> 00:42:56,279 Speaker 1: she's got one like main POV and then you've got 820 00:42:56,320 --> 00:42:58,920 Speaker 1: other She's written some books where there's like eight different 821 00:42:58,960 --> 00:43:02,719 Speaker 1: POV like is and when we say PV like point 822 00:43:02,760 --> 00:43:05,279 Speaker 1: of view, so you the listen, that's not the Well, yes, 823 00:43:05,280 --> 00:43:07,400 Speaker 1: you're the listener, but when you the listener are reading 824 00:43:07,400 --> 00:43:12,720 Speaker 1: a book, you're reading it through different characters like viewpoints, 825 00:43:12,800 --> 00:43:16,319 Speaker 1: and so it is so whereas the book that I 826 00:43:16,360 --> 00:43:18,239 Speaker 1: was just talking to about the start It ends with Us, 827 00:43:18,360 --> 00:43:20,680 Speaker 1: that is now a massive movie that is all written 828 00:43:20,880 --> 00:43:25,880 Speaker 1: through Lily Blooms POV, which is who Blake Lively plays, 829 00:43:26,000 --> 00:43:29,440 Speaker 1: and you're seeing it through that person's POV view POV 830 00:43:29,560 --> 00:43:31,839 Speaker 1: the whole time, and the movie does the same thing 831 00:43:33,440 --> 00:43:36,760 Speaker 1: until one turning, but but mainly it is completely through 832 00:43:36,800 --> 00:43:41,480 Speaker 1: one character's viewpoints. So I imagine like as a fiction writer, 833 00:43:41,800 --> 00:43:45,720 Speaker 1: it is almost like it would feel like a whole 834 00:43:46,000 --> 00:43:48,400 Speaker 1: not even a different genre, it would feel like a 835 00:43:48,480 --> 00:43:52,160 Speaker 1: completely different You'd you'd be putting on a different cap 836 00:43:52,239 --> 00:43:55,520 Speaker 1: that day, you know, like it'd be a different Yeah. 837 00:43:55,600 --> 00:43:58,320 Speaker 2: Yeah, I mean I've written it in first person, which 838 00:43:58,400 --> 00:44:01,480 Speaker 2: is the same voice I would use for nonfiction. So 839 00:44:01,520 --> 00:44:04,120 Speaker 2: in that regard it's been quite good. But you're limited 840 00:44:04,400 --> 00:44:09,160 Speaker 2: when it's through the protagonists point of view because you 841 00:44:09,200 --> 00:44:12,239 Speaker 2: can only tell the story when they're there and what 842 00:44:12,280 --> 00:44:15,560 Speaker 2: they see and what they know, and that limits the 843 00:44:15,600 --> 00:44:19,240 Speaker 2: development of the other characters and the plot when they're 844 00:44:19,280 --> 00:44:21,960 Speaker 2: not in the scene. So yeah, look, it's been a 845 00:44:21,960 --> 00:44:24,960 Speaker 2: lot to work with. The main feedback I've gotten is 846 00:44:25,360 --> 00:44:30,440 Speaker 2: the plot is great. Everything's working really well. There was 847 00:44:30,560 --> 00:44:33,040 Speaker 2: just a few moments when my publisher was like, these 848 00:44:33,160 --> 00:44:36,359 Speaker 2: characters are too likable. I was like, Okay, I get it. 849 00:44:36,800 --> 00:44:38,279 Speaker 2: You know, you want everyone to be. 850 00:44:38,400 --> 00:44:42,040 Speaker 3: Liked, but that's not how storytelling works. So it's is, yeah, 851 00:44:42,200 --> 00:44:42,919 Speaker 3: rough it up a bit. 852 00:44:42,960 --> 00:44:47,680 Speaker 1: Wow. Well, I'm excited. I'm so flip and pump for you. 853 00:44:47,840 --> 00:44:50,640 Speaker 1: I'm really excited for you for this book. So what 854 00:44:50,760 --> 00:44:53,080 Speaker 1: happens next? Like I've asked you a lot about the 855 00:44:53,160 --> 00:44:55,279 Speaker 1: behind the scenes. Are you doing a little bit of 856 00:44:55,320 --> 00:44:59,760 Speaker 1: a press tour or are you how what's the vibe 857 00:44:59,760 --> 00:45:02,719 Speaker 1: like straining now with books? Is it all online or 858 00:45:02,840 --> 00:45:04,280 Speaker 1: is it. 859 00:45:03,120 --> 00:45:05,759 Speaker 2: It's not great the vibe when it comes to books 860 00:45:05,760 --> 00:45:06,240 Speaker 2: in Australia. 861 00:45:06,239 --> 00:45:08,080 Speaker 3: I got to say I will be. 862 00:45:08,040 --> 00:45:11,040 Speaker 2: Having a launch in my hometown of Barron Bay, which 863 00:45:11,080 --> 00:45:12,960 Speaker 2: will be really nice because I didn't launch. 864 00:45:12,719 --> 00:45:13,360 Speaker 3: The last book. 865 00:45:13,640 --> 00:45:16,239 Speaker 2: My last book came out right in the middle of 866 00:45:16,280 --> 00:45:19,200 Speaker 2: the Lismore floods. It was not a time to be celebrating, 867 00:45:19,880 --> 00:45:23,800 Speaker 2: and so I feel like I can give some energy 868 00:45:23,840 --> 00:45:25,799 Speaker 2: to this book that I wasn't able to give to 869 00:45:25,800 --> 00:45:28,560 Speaker 2: the last one, So that'll be really nice. And then 870 00:45:28,719 --> 00:45:33,120 Speaker 2: I focus really on podcasts because I just feel like there, 871 00:45:33,160 --> 00:45:35,280 Speaker 2: you know, when we're in this sort of format, Lola, 872 00:45:35,360 --> 00:45:39,160 Speaker 2: where you can really dive deep into a book, there's 873 00:45:39,239 --> 00:45:42,960 Speaker 2: so much more value in it for the listener than 874 00:45:43,160 --> 00:45:46,000 Speaker 2: if you're doing a talk in a bookstore or a 875 00:45:46,000 --> 00:45:49,560 Speaker 2: book signing or a magazine article or you know what 876 00:45:49,600 --> 00:45:51,920 Speaker 2: I mean. I think this is the best way for 877 00:45:52,000 --> 00:45:54,560 Speaker 2: people to really engage with the content. And also it's 878 00:45:54,600 --> 00:45:57,800 Speaker 2: my it's my strong suit talking. I think, oh, pods 879 00:45:57,800 --> 00:45:58,240 Speaker 2: are the best. 880 00:45:58,320 --> 00:46:00,760 Speaker 1: Pods are the best track out the rest With podcasting, 881 00:46:00,800 --> 00:46:03,040 Speaker 1: I could do it till the yeah ours come home. Yeah, 882 00:46:03,040 --> 00:46:06,480 Speaker 1: best thing ever. Well, I'm so pumped for you. To 883 00:46:06,560 --> 00:46:11,239 Speaker 1: the listener. The book is officially available tomorrow. Am I 884 00:46:11,280 --> 00:46:11,960 Speaker 1: saying that correct? 885 00:46:12,080 --> 00:46:13,600 Speaker 3: Or done in Australia? 886 00:46:13,760 --> 00:46:13,960 Speaker 1: Yeah? 887 00:46:14,000 --> 00:46:16,000 Speaker 2: So, I just want to be really clear. The book 888 00:46:16,160 --> 00:46:19,400 Speaker 2: is available in Australia from August twenty seven. If you 889 00:46:19,520 --> 00:46:22,760 Speaker 2: are an international listener at this stage, you can only 890 00:46:22,880 --> 00:46:27,080 Speaker 2: order it through Australia, which means the shipping is a 891 00:46:27,080 --> 00:46:30,880 Speaker 2: little bit more expensive. I'll give a link to Lola, 892 00:46:31,120 --> 00:46:34,720 Speaker 2: but the shipping at this particular bookstore is the cheapest 893 00:46:34,719 --> 00:46:39,560 Speaker 2: I could find. To the States. I just need to 894 00:46:39,600 --> 00:46:41,000 Speaker 2: secure that US book deal. 895 00:46:42,000 --> 00:46:45,080 Speaker 1: Yeah, let's manifest that, mate, Yeah, use your other book 896 00:46:45,160 --> 00:46:46,040 Speaker 1: to manifest it. 897 00:46:46,880 --> 00:46:49,839 Speaker 3: Right with my books combined? 898 00:46:50,920 --> 00:46:58,600 Speaker 1: Absolutely? Absolutely. And my final question is back to anyone 899 00:46:58,680 --> 00:47:02,880 Speaker 1: that's listening that might be an aspiring writer, what advice 900 00:47:02,920 --> 00:47:04,920 Speaker 1: would you have for them if if they've got like 901 00:47:04,960 --> 00:47:06,800 Speaker 1: they have that moment that you had on the plane 902 00:47:06,840 --> 00:47:09,080 Speaker 1: trip back from Spain and they're like, oh, I've got 903 00:47:09,080 --> 00:47:11,759 Speaker 1: this idea, And they may not be an author or 904 00:47:11,840 --> 00:47:14,560 Speaker 1: have a relationship with a publicist like you do you 905 00:47:14,600 --> 00:47:16,960 Speaker 1: know what I mean? They might just be like Oh, 906 00:47:17,000 --> 00:47:18,480 Speaker 1: I've got this kind of dream. I don't know what 907 00:47:18,560 --> 00:47:21,440 Speaker 1: to do. What advice would you have for someone that 908 00:47:21,600 --> 00:47:22,879 Speaker 1: might want to write. 909 00:47:23,360 --> 00:47:25,640 Speaker 2: Well, the first thing I would do is I would 910 00:47:26,200 --> 00:47:29,439 Speaker 2: get really clear on what the idea is and what 911 00:47:30,000 --> 00:47:33,600 Speaker 2: is currently available, and if there's two ways we look 912 00:47:33,640 --> 00:47:37,040 Speaker 2: at it, what are the comparable titles to A prove 913 00:47:37,120 --> 00:47:40,240 Speaker 2: that books like this cell, but b that you're offering 914 00:47:40,280 --> 00:47:42,560 Speaker 2: something that isn't currently out there. Now there's a very 915 00:47:42,600 --> 00:47:45,160 Speaker 2: fine line there because you want to do something new 916 00:47:45,160 --> 00:47:47,880 Speaker 2: and original, but we also have to prove to a 917 00:47:47,920 --> 00:47:54,120 Speaker 2: publisher that the genre or the subject or the angle cells. 918 00:47:54,520 --> 00:47:55,040 Speaker 3: It's hard. 919 00:47:55,480 --> 00:47:58,720 Speaker 2: So I would start there, have a look what's already 920 00:47:58,760 --> 00:48:01,040 Speaker 2: out there. Then I would put to gather a really 921 00:48:01,120 --> 00:48:04,759 Speaker 2: really thorough structure for the book, for you more so 922 00:48:05,000 --> 00:48:07,680 Speaker 2: than the publisher, just so you can convince yourself that 923 00:48:07,719 --> 00:48:09,839 Speaker 2: you know that there's an entire book in you, not 924 00:48:09,960 --> 00:48:12,880 Speaker 2: just an idea that you could probably flesh out, you know, 925 00:48:12,960 --> 00:48:17,240 Speaker 2: in five pages. And then it's about putting a really 926 00:48:17,280 --> 00:48:21,839 Speaker 2: strong proposal together. Now, every publisher in Australia has specific 927 00:48:21,960 --> 00:48:25,920 Speaker 2: proposal guidelines, so I recommend hopping on the websites of 928 00:48:25,960 --> 00:48:29,120 Speaker 2: the publishers that you're interested in and going through the 929 00:48:29,120 --> 00:48:33,719 Speaker 2: guidelines for submissions and following them to a t and 930 00:48:33,760 --> 00:48:34,760 Speaker 2: then just submit. 931 00:48:34,920 --> 00:48:36,319 Speaker 3: I mean, it's the best thing you can do. 932 00:48:36,480 --> 00:48:39,560 Speaker 2: We always say in Australia, like it's really important that 933 00:48:39,600 --> 00:48:42,080 Speaker 2: you have a public profile that is going to help 934 00:48:42,160 --> 00:48:45,239 Speaker 2: you get ahead with a publisher. But in saying that, 935 00:48:45,280 --> 00:48:49,759 Speaker 2: if you've got a really good idea and a solid delivery, 936 00:48:50,400 --> 00:48:52,719 Speaker 2: then the profile isn't the be all and end all. 937 00:48:54,000 --> 00:48:56,400 Speaker 1: It's just, yeah, it's an add on because they know 938 00:48:56,480 --> 00:49:00,000 Speaker 1: you'll hit eyeballs essentially. But like if you bought an 939 00:49:00,120 --> 00:49:02,520 Speaker 1: a good publicist that could get you on the pods 940 00:49:02,520 --> 00:49:06,200 Speaker 1: and could get you good interviews, you know there are 941 00:49:06,200 --> 00:49:10,239 Speaker 1: ways around it. I'd say, you know, absolutely, thank you, 942 00:49:10,320 --> 00:49:12,920 Speaker 1: my friend. It's been an honor to have you on 943 00:49:12,960 --> 00:49:14,759 Speaker 1: the pod. Stick around because I'm going to record a 944 00:49:14,760 --> 00:49:20,000 Speaker 1: hot Seat with you. But thank you. Giordana. Your book 945 00:49:20,120 --> 00:49:23,759 Speaker 1: is officially as of tomorrow out now. All signs point 946 00:49:23,760 --> 00:49:27,480 Speaker 1: to you in Australia. If not, if you're an Americana listener, 947 00:49:27,640 --> 00:49:30,680 Speaker 1: you're in the UK or anywhere else in the world, 948 00:49:30,719 --> 00:49:32,520 Speaker 1: there's going to be a link in the show notes 949 00:49:32,640 --> 00:49:35,719 Speaker 1: that you the listener can go and grab a cop 950 00:49:35,760 --> 00:49:38,040 Speaker 1: and it's a beautiful cover too. You must be so wrapped. 951 00:49:38,280 --> 00:49:40,560 Speaker 2: Oh thank you, yeah I am, And thank you so 952 00:49:40,640 --> 00:49:42,040 Speaker 2: much for having me on again, Lawla. 953 00:49:42,120 --> 00:49:43,040 Speaker 3: It's been a treat. 954 00:49:43,640 --> 00:49:45,799 Speaker 1: I'm sure we'll do it all over again very soon, 955 00:49:45,920 --> 00:49:49,440 Speaker 1: my friend. This is fourth, fifth one. Next We'll be right. 956 00:49:49,480 --> 00:49:54,440 Speaker 1: But thank you, thank you. You are absolutely wonderful. That's 957 00:49:54,480 --> 00:49:59,760 Speaker 1: a wrap on another episode of Fearlessly Failing. As always, 958 00:50:00,040 --> 00:50:03,319 Speaker 1: thank you to our guests, and let's continue the conversation 959 00:50:03,480 --> 00:50:09,239 Speaker 1: on Instagram. I'm at Yamo lollaberry. This potty my word 960 00:50:09,280 --> 00:50:14,040 Speaker 1: for podcast is available on all streaming platforms. I'd love 961 00:50:14,040 --> 00:50:17,120 Speaker 1: it if you could subscribe, rape and comment, and of 962 00:50:17,200 --> 00:50:18,719 Speaker 1: course spread the love.