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Speaker 1: Friend Willing Getting your Home.

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Speaker 2: We've got a very special guest going on the show,

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Speaker 2: and Keith urban Woods known for bangers, Yes, yes, all

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Speaker 2: sorts of songs that he's known for, all sorts of

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Speaker 2: songs that he's known for.

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Speaker 3: Yeah, well I know, but you know, you didn't organize

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Speaker 3: the audio. So that's that's that's your fault. Now he's

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Speaker 3: going to be on the show. He's going to be

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Speaker 3: on the show.

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Speaker 4: That's what I see what you're laughing at now. He

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Speaker 4: genuinely will be on the show though, and it's going

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Speaker 4: to be bloody exciting to chat to when William.

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Speaker 3: Yes, we're talking about the TV show Big Little Lies

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Speaker 3: if you've seen it. Apparently he's he's made some comments

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Speaker 3: regarding how Nicole Kidman, his wife, was treated during the show.

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Speaker 3: I'm not really ruining anything for anyone byself. That treated

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Speaker 3: really roughly by the Alexander Scarsgard who's her husband in

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Speaker 3: the movie.

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Speaker 4: That's right. So we're gonna ask Keith just yeah, how

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Speaker 4: he felt watching that and even meeting Alexander's scarsguard as well.

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Speaker 5: Yeah.

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Speaker 3: So he's got a brand new record as well, Keith Confeediu,

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Speaker 3: which is out at the moment. So you download that

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Speaker 3: stream that which had him a little bit later on

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Speaker 3: if you missed it yesterday.

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Speaker 6: The results of our social.

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Speaker 3: Experiment, which was going home and seeing where they're wearing

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Speaker 3: women's perfume would get as lucky failed dismally, and the

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Speaker 3: audio of that is just magic. I'm not sharing if

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Speaker 3: we've got a little bit of a sneak peek of

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Speaker 3: that audio for everybody now. But this is this is

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Speaker 3: Woody's audio as he went to try and pick up

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Speaker 3: his girl over there last night. That was this is

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Speaker 3: a genuine but damn, there be gets.

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Speaker 4: I don't know what you're laughing about. I think most

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Speaker 4: people are listening to that being.

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Speaker 3: Like, whoa WOODI that's whatever.

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Speaker 4: I didn't realize he was so smooth in the bedroom

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Speaker 4: our button push and Mike for those who don't know, Mike,

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Speaker 4: turn your mike on, big fellow. Hello, you do all

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Speaker 4: the sounds and whatnot. And look, mate, it's come to

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Speaker 4: my attention very early in this show that I went

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Speaker 4: to throw to some Keith Urban hooks of his songs

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Speaker 4: to add a bit of color while we were teasing

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Speaker 4: the show. Yes, correct, you didn't have them prepared?

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Speaker 3: Well, No, no, no, that's not exactly fair.

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Speaker 4: Stop. Okay, you didn't have them prepared, Mike. You should

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Speaker 4: have read my mind and known that I was going

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Speaker 4: to throw to them. Keith Urban is coming up later

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Speaker 4: in the show. But you need to be punished, Mike.

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Speaker 4: I think this needs to be punished. So close your eyes.

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Speaker 4: Put them, I'll put the micro Okay.

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Speaker 3: Do you want to tell everyone what's going on?

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Speaker 4: Not yet?

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Speaker 3: Okay, I think should tell everyone.

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Speaker 4: And smell, Mike, smell sniff.

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Speaker 7: No the hell.

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Speaker 4: You don't, So I just put sorry to fill everyone in.

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Speaker 4: I've just put a concoction in front of Mike's nose there,

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Speaker 4: and this will this is the concoction that is this

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Speaker 4: is this is what's going to be involved in the

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Speaker 4: million dollar mom thanks to Chemist Warehouse this Friday. Someone

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Speaker 4: is potentially going to be winning you. Okay, Mike, can we.

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Speaker 3: Get him mentos or somethings like you.

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Speaker 4: Used diaper full of Indian food. Someone the way we

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Speaker 4: give away a million dollars this Friday is going to

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Speaker 4: involve this disgusting concoction that I just made Mike's. I

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Speaker 4: think it's going to be very enjoyable for everyone on Friday.

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Speaker 4: I can see what we do with the concoction, but

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Speaker 4: it will lead to potentially will a million dollars for.

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Speaker 3: An You go, okay, well, if you're in the running

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Speaker 3: for it, then that can you get it out? Because

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Speaker 3: that stinks. That is bad. I don't know how that's

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Speaker 3: getting in here.

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Speaker 6: Just get it out, Just get out of the studio.

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Speaker 4: Can't reveal what's in there?

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Speaker 3: Welln't okay, we can't reveal it's in there. We're going

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Speaker 3: to get another song, but there you go. Just I mean,

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Speaker 3: if you're obviously it'll be having live on the show

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Speaker 3: on Friday. Yes, from five o'clock, you guys can hear

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Speaker 3: all of our mum and daughter combos playing off for

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Speaker 3: a million bucks and there'll be six of them in

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Speaker 3: the end, all thanks to Chimis Warehouse.

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Speaker 6: The real house of fragrance is this Mother's Day.

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Speaker 4: But do you want to sniff? No, I don't, just

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Speaker 4: quick one, absolutely not. Let me try and lift the

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Speaker 4: movement mate. Talk about the budget. Yes, I mean it's

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Speaker 4: also boring, isn't it. Most of it's really bloody boring stuff.

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Speaker 3: And I don't you're a businessman, though you are, I

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Speaker 3: am a business background in.

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Speaker 4: Business, I mean personally I find it very interesting that

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Speaker 4: the debits the credits the negative gearing that was involved

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Speaker 4: in the budget, but I think most people are bored

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Speaker 4: by it. There was heaps too much negative gearing, is

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Speaker 4: what most people are saying about the budget. But I

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Speaker 4: don't want to bore people with economics talk. The one

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Speaker 4: thing I did find interesting, William, is that over the

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Speaker 4: next ten years, and I'm bloody excited about this, over

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Speaker 4: the next ten years, schools are going to receive twenty

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Speaker 4: four point five billion dollars. Wow, twenty four point five

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Speaker 4: billion dollars is going towards the school. So I want

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Speaker 4: to open the phone lines right now. Thirteen one oh

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Speaker 4: sixty five kids, kids that are at school. Yeah, hear this.

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Speaker 4: How your schools are about to receive billions and billions

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Speaker 4: of dollars. How do you want to spend the money?

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Speaker 3: Yeah?

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Speaker 4: I think the kids should be the ones making the decisions.

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Speaker 4: What do you want? Like, do you want your school

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Speaker 4: to build? Yeah?

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Speaker 3: They're the ones who are going to be on the

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Speaker 3: other end of it, so they should never saying it,

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Speaker 3: do you want it? Do you want a frog in

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Speaker 3: a pond every lunchtime?

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Speaker 4: That'd be amazing, like a life size pond full of

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Speaker 4: jelly yep, with huge chocolate Fredos in there.

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Speaker 3: Now, I'm just saying, like each every person gets a

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Speaker 3: frog in a pond every day, Well eat a life

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Speaker 3: size pool the way either way you were. Maybe you

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Speaker 3: just want lunchtimes to be ten minutes longer. But I

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Speaker 3: don't know how that that's going to involve any money.

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Speaker 3: But you know, sky's the limit here, absolutely it is

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Speaker 3: some more footballs. Well, let's let's get that happening.

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Speaker 4: More football I mean, I was thinking more everyone gets

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Speaker 4: a hovercraft? Like, so, how you do everyone gets a hovercraft?

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Speaker 4: It does hovercraft around school? Thirteen one oh six five

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Speaker 4: is our number. I'm asking the kids here you are

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Speaker 4: about to receive billions of dollars, maybe a new ruler.

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Speaker 4: All of your suggestions have been absolutely deplorable, and that's

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Speaker 4: why the kids need to call.

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Speaker 3: We have got Keith Herban on the show very shortly,

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Speaker 3: actually in about twenty minutes or so. But right now

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Speaker 3: woulds as expected. We're talking budget.

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Speaker 4: Bloody Earth, a show like us. Of course we're covering

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Speaker 4: the budget.

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Speaker 3: There's a lot of people tune in for that's it.

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Speaker 4: And one thing that pricked our is up is that

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Speaker 4: schools are set to receive twenty four point five billion

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Speaker 4: dollars over the next ten years. I'm personally for that,

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Speaker 4: but we just thought we'd open the phone lines thirteen

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Speaker 4: one oh six five and ask the kids how they

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Speaker 4: want to see the twenty four billion dollars spent. We've

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Speaker 4: got Gaie here, Hello, Jie, Hey, guys, Giji, how do

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Speaker 4: you want to spend the billions of dollars?

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Speaker 5: I want them to put butler's in the toilet.

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Speaker 4: Butlers, Butler's in the toilet. Yeah, so sorry, Joe, what

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Speaker 4: do you want the butler to do in the toilet?

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Speaker 5: I want them to dye your hands and give me

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Speaker 5: free lollies.

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Speaker 8: Yeah.

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Speaker 3: Gif. If there's anyone in the world that you could

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Speaker 3: have as the butler in your school, who would you have?

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Speaker 3: I don't know, I know, maybe maybe Ed?

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Speaker 4: Yeah, Eddie maguire? Is that good choice?

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Speaker 3: Excellent?

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Speaker 6: To get a hold of it, you can always ask.

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Speaker 4: A billion dollars. Yeah, I'm sure, do you do it?

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Speaker 4: We got Cody here?

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Speaker 5: Hello, all right, I reckon a gaming room where they

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Speaker 5: have peers fours?

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Speaker 3: Got a gaming room where what? Sorry Cody Piece wars PlayStation?

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Speaker 4: Sorry sorry, sorry, that's you can do that any day, sorry, Cody.

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Speaker 3: Yeah, yeah, beautiful. And then why not, Cody, you should

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Speaker 3: be able to do that. I mean, that's how I

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Speaker 3: want to spend my lunchtime socialized.

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Speaker 4: When you can why even do English or math's Cody,

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Speaker 4: I think every room should just have a PlayStation.

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Speaker 3: PS fours, just Peers fours, You just game all over.

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Speaker 3: You have to have a line for that room, wouldn't

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Speaker 3: you like imagine if there was a Peers four room

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Speaker 3: in school, it'd go.

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Speaker 4: That's a great idea, Cody, Great stuff, Cody, future Prime minister. There,

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Speaker 4: we've got Shannon here. Hello, Shannon, Shannon, Shannon, we'll come,

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Speaker 4: we'll We've got Caitlin here, Caitlin. How would you spend

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Speaker 4: the billions of dollars?

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Speaker 3: Hi?

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Speaker 4: I just think that they should try removing the gum

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Speaker 4: from the tables and chairs.

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Speaker 6: Yes, and there's quite a bit of that going on.

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Speaker 3: How much gum are you coming into contact with day

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Speaker 3: and day out, Kaitlin.

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Speaker 9: Well, today I had to pick up my chair and

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Speaker 9: I actually was fortunate enough to touch.

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Speaker 10: Some, so that was nice.

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Speaker 4: A little secret here, Kaitlyn. When I was a kid,

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Speaker 4: my mom figured out that I used to take the

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Speaker 4: gun front of tables and put it in my mouth.

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Speaker 4: Oh isn't that disgusting? Yeah, Mum caught me into macas

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Speaker 4: I did not know that after a meal and she

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Speaker 4: was like, so I finished my big mac and Mum goes,

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Speaker 4: how where do you get the gum from? And I

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Speaker 4: just went, oh, mum, little secret for you. Under most

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Speaker 4: tables you will find free gum. And the guy was

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Speaker 4: doing that for years. I was doing it for years,

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Speaker 4: and Mum was mortified than I just assumed that there

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Speaker 4: was free gum available. I was like, oh, Mom, you're

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Speaker 4: missing just under the table. Never buy gum again, dumb,

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Speaker 4: Never buy gum again. How we go? Oh my god?

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Speaker 3: How old were you? Oh?

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Speaker 4: Sixteen? Nore year six twelve?

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Speaker 3: Oh my god, Shannon, how are you turn five? We're

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Speaker 3: talking about there's so much money, billions of dollars coming

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Speaker 3: to schools. Shannon, you're at school. What would you use

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Speaker 3: the money for, mate?

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Speaker 11: I would get miniature ponies and just bang on.

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Speaker 4: And this is what billions of dollars could do. You

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Speaker 4: find ponies, you get a shrinking gun, you get them tiny.

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Speaker 3: Keith Urbans on this showing about twenty minutes and swilling

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Speaker 3: we are the place to be listening to this Friday

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Speaker 3: is we've got a chance to give away a million bucks.

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Speaker 3: Wots all Things Chemists warehouse, you know, really hoping we

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Speaker 3: can give it away, but we're going to try and

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Speaker 3: whittle it down to six people who are going to

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Speaker 3: be playing off for the million bucks. Can't say how

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Speaker 3: that's going to happen yet, we know it will involve

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Speaker 3: some rank smells and you might have just heard that

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Speaker 3: on the airwaves there as Mike our button Bush. You've

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Speaker 3: got a whiff some of those sense. But the way

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Speaker 3: we're doing this right now is we are getting you,

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Speaker 3: guys to show off how well you know your.

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Speaker 6: Mum ken'st Warehouse, the real house of Fragrances. This Mother's

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Speaker 6: Day Mom?

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Speaker 1: Mom?

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Speaker 6: Well is ridian dullumn mom?

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Speaker 3: Yes, okay, So the way this works is we're bringing

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Speaker 3: in mother daughter combos and we are asking the mama

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Speaker 3: series of questions. So in this case, wos Sharon. Yes,

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Speaker 3: we've already asked her three questions. We've got her daughter

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Speaker 3: Abby in here. Now we're going to ask her exactly

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Speaker 3: the same questions. Ready, goo guys, Okay, Abby, what is

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Speaker 3: your mum's all time favorite song? Something like dancing Queen.

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Speaker 4: I'm not too sure dancing Queen.

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Speaker 11: I do like a bit of fleetwood mac Chains is

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Speaker 11: not a bad.

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Speaker 4: That's right. We'll bounce back. Here we go. What's the

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Speaker 4: naughtiest thing your mum has ever done?

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Speaker 6: I had sex in a public shower.

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Speaker 11: I've been with my husband for a really long time

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Speaker 11: and we may have been on Rottenest in a public

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Speaker 11: bathroom and partaking of a little bit of cuddle time

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Speaker 11: bathroom about it?

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Speaker 6: All right?

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Speaker 3: Next question, what is the biggest lie that your mum

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Speaker 3: has ever told you? Santa? Maybe that we don't have sex.

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Speaker 11: I've only ever had sex three times in my life.

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Speaker 6: Just a little well, it sounds like she did tell

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Speaker 6: you that I have sex.

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Speaker 4: Yeah, no, that's it. Yeah, I just sleep in denial.

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Speaker 3: So okay, thank you so much, thank you, and we'll

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Speaker 3: let you guys, will let you guys know exactly how

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Speaker 3: it goes.

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Speaker 6: Love to meet you both.

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Speaker 4: I think either way, we'll get you a free trip

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Speaker 4: to Rottenest.

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Speaker 3: Also, we're going to bring in our next couple or

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Speaker 3: next mother daughter combo in. Emily and Nicole. They're from Brisbane.

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Speaker 3: They want to play for a million bucks. All right, here,

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Speaker 3: we go.

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Speaker 4: Oh, Emily. Question number one, what is your mum's all

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Speaker 4: time favorite song?

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Speaker 3: Possibly Vogue by Madonna? Madonna? Vogue? Yes, huge, excellent, great song.

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Speaker 4: What's the biggest lie your mum has ever told you?

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Speaker 9: The biggest?

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Speaker 3: Like? I don't know if this is the one she

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Speaker 3: would have chosen.

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Speaker 9: But when I was younger, we were at the supermarket

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Speaker 9: and she saw like the Boost chocolate bars and I

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Speaker 9: really wanted one.

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Speaker 3: She said, no way, they're for adults.

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Speaker 9: And I believed it for at least ten years that

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Speaker 9: I wasn't allowed to eat the Boost bars, even though

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Speaker 9: she just wanted to eat them all herself.

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Speaker 3: When she was young, I told her that Boost chocolate

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Speaker 3: bars are adults, which is such a good lie, so

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Speaker 3: good it's inspired parents everywhere.

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Speaker 4: What was the moment that you figured it out, Emily?

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Speaker 9: I was in high school and I was fundraising by

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Speaker 9: selling chocolates and my mom says, order the Bruce bars

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Speaker 9: and I said, Mom, I can't sell those to the

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Speaker 9: kids at school.

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Speaker 3: Oh, that is so funny, amazing.

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Speaker 4: What annoys your mum most about your dad?

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Speaker 9: He drinks a bit of beer. Maybe she wants him

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Speaker 9: to stop drinking beer.

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Speaker 3: No, No, I know maybe he drinks a little bit

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Speaker 3: too much.

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Speaker 2: So good yeah, yeah wow.

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Speaker 3: And you know what, guys, we we are meant to

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Speaker 3: bring the others in to deliberate. But I'm just going

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Speaker 3: to tell you straight up. You're coming to Melbourne on Friday.

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Speaker 4: We are sorting out your return flights to Melbourne, accommodation, dinner,

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Speaker 4: transfers all included.

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Speaker 3: Oh my god.

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Speaker 4: So either way, it's going to be an amazing Mother's

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Speaker 4: Day guys.

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Speaker 9: Oh my gosh, that's amazing. Thank you so good.

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Speaker 3: Chemists Warehouse, Yes we will, well done. Yeah, All Chemists Warehouse,

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Speaker 3: the real house of fragrance is this Mother's Day. You

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Speaker 3: guys are.

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Speaker 6: Coming to Melbourne.

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Speaker 3: It should be a ripper to play for a million

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Speaker 3: dollars again against all the other mother child pairings. It's

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Speaker 3: been a pleasure meeting you guys, Emily Nicole. Have a

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Speaker 3: wonderful day, guys, and we'll see you on the eleventh

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Speaker 3: gatulated goodbyetcha.

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Speaker 6: Yeah, such a good result there.

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Speaker 3: Everybody who went through is going to meet us woods

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Speaker 3: at a particular chemist warehouse on the eleventh of May.

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Speaker 3: All Thams Chemists Warehouse, the real House of Frankings is

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Speaker 3: this Mother's Day. They are playing for one million dollars

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Speaker 3: the million dollar month, very very exciting. Entries are closed

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Speaker 3: for that, guys, but you can watch it all on

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Speaker 3: our Instagram and our Facebook. Will and Woody on the

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Speaker 3: Friday as today's somebody could be going home with a

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Speaker 3: million bucks. Very exciting. Will and the guy who used

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Speaker 3: to peel chewing gum off the bottom of desks up

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Speaker 3: until he was sixteen on your radio.

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Speaker 4: I think a lot of people would have fallen into

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Speaker 4: that track.

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Speaker 6: That is unbelievable.

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Speaker 4: As a kid, you just thought it was free.

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Speaker 3: Gu I didn't finush that, peel it off and eat it.

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Speaker 4: I didn't know. Sorry, I didn't eat it. Actually small

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Speaker 4: for you to be fair, but I but I would

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Speaker 4: just I would chew it. And I just assumed it

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Speaker 4: was like a government scheme.

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Speaker 3: We have to carry on the show. But this has

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Speaker 3: just come to light, so I just needed to digest

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Speaker 3: a little bit now. Wolds my favorite, My second favorite

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Speaker 3: person at My favorite person is Kim John mun My

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Speaker 3: second favorite is Donald Trump. Do you believe in climate change?

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Speaker 3: You think it exists?

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Speaker 12: There is a cooling and there's a eating.

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Speaker 3: I mean, look, it used to not be climate change.

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Speaker 10: It used to be global warriors, right, that wasn't working

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Speaker 10: too well.

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Speaker 4: And it's like he's talking about an air conditioner, a heating function,

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Speaker 4: cooling function, fujitsu.

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Speaker 3: He's he's done again, and he's actually withdrawn from this

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Speaker 3: deal that Obama got done with Iran, which was an

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Speaker 3: anti anti neute deal essentially.

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Speaker 4: Yeah, I read about this and.

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Speaker 3: Charmps come along and he's just pulled the out and

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Speaker 3: he said it was an embarrassment to hear him, it's

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Speaker 3: decaying and rotten. I mean, they're just horrible excuses, horrible

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Speaker 3: excuses for pulling out or something.

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Speaker 6: And I feel as if he's a little bit like.

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Speaker 3: The person in the relationship who doesn't want to be

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Speaker 3: in the relationship anymore but doesn't want to own up

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Speaker 3: to what's actually going on. He said is Look, it's

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Speaker 3: an embarrassment and it's bad, and there's a whole bunch

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Speaker 3: of other reasons that I can't really go into right now.

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Speaker 6: And I feel like a lot of.

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Speaker 3: People have been in the situation where they've had to

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Speaker 3: sit down with somebody during a breakup and the excuses

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Speaker 3: are just shit out.

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Speaker 4: Are you saying the reasons to break up with it's

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Speaker 4: not you it's me. You often get that. I just

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Speaker 4: I just need to discover who I am right now,

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Speaker 4: Like I don't know who I am, and I need

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Speaker 4: to do that by myself overseas and have the ability

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Speaker 4: to sleep with other people.

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Speaker 3: That was, no, didn't know what happened? What you went

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Speaker 3: to sound the MARYA.

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Speaker 4: Well, I had to discover myself will now. I mean

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Speaker 4: my mine, mine was real, but I think other people

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Speaker 4: it's a bit of a cop out.

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Speaker 6: I want to know.

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Speaker 3: I'm thirteen and one and six five. What's the biggest

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Speaker 3: cop out of an excuse you've heard? Yeah, during a breakup, because.

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Speaker 4: Often the reason is that I just don't like you anymore.

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Speaker 4: But for whatever reason.

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Speaker 3: Well that's always the that's you know, that's usually, but

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Speaker 3: that's amazing, I shouldn't they always usually? Yeah, bottom line

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Speaker 3: is they're not into you anymore. Yeah, they want to

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Speaker 3: move on.

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Speaker 4: But you feel bad if you dont want to say

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Speaker 4: that at the time.

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Speaker 3: You're trying to do the right thing. You know, I'm

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Speaker 3: just you know, I just don't think I should really

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Speaker 3: be in a relationship right now.

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Speaker 4: Yeah. Yeah, A lot of times I just want to

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Speaker 4: want to focus on work at the moment, Like that

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Speaker 4: is such a crack. You can you can work and

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Speaker 4: have a relationship, like Elon Musk is in a relationship

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Speaker 4: with someone.

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Speaker 3: But he's a busy guy.

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Speaker 4: That's right, he can handle it.

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Speaker 3: I'd love to see how quickly apparently he eats a

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Speaker 3: hamburger in under thirty seconds. Wow wow, yeah, because he

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Speaker 3: hasn't been enough time to eat lunch. So you know,

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Speaker 3: the mind boggles was mind boggles now thirteen one and

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Speaker 3: six five. I want to hear what's the big comp

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Speaker 3: out you've you've heard at a break up? Okay, it

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Speaker 3: can be anything. I mean, I really want to get

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Speaker 3: into the depths of some really crappy ones.

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Speaker 4: We're taking confessions here as well.

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Speaker 3: He's like, your house is too far away from me.

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Speaker 4: That is hard though, sometimes.

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Speaker 3: Thirteen comp outs Warwick, you use and excuse yourself that

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Speaker 3: I did.

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Speaker 13: I did.

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Speaker 7: Indeed, I was back in my early twenties a happy

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Speaker 7: girl and it was pretty much obsessed with me and

404
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Speaker 7: I wanted to be in a relationship, but I wasn't

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Speaker 7: ready for a relationships. I keep it changed and I

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Speaker 7: told her I was a spy when I was obsessed

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Speaker 7: with Choson Born at the time, and I basically made

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Speaker 7: it out like I was a spy, thinking it wouldn't.

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Speaker 4: Warrick, can you play what sort of things did you

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Speaker 4: do to convince her that you respy?

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Speaker 12: I just so I feel like really like like like

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Speaker 12: like nuts, like you know, like like paranoid, like whenever

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Speaker 12: we're like somewhere like in public.

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Speaker 6: Watching man start, Oh my god, Worick, Worick, Warrick.

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Speaker 3: Have you seen have you seen the movie True Lies? Yes, yes,

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Speaker 3: he reminds me of the guy that Jamie Leucerers falls

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Speaker 3: for the car salesman.

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Speaker 4: Yes, yes, he does the same trick. W He uses

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Speaker 4: that to pick up and say.

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Speaker 3: Is because that's so successful for him?

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Speaker 6: Yes, Jamie Leekers just dies for over the end.

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Speaker 4: He seems sexy. He carries that fake handgun in his breath.

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Speaker 3: Surely, Warrick, this works for you the other way, because

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Speaker 3: you start getting a little bit of James Bond about you.

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Speaker 12: No, unfortunately.

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Speaker 4: On the way, Oh, congratulations, work well done. But if

427
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Speaker 4: it doesn't work out, you can still go back to

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Speaker 4: the old pretending to be a spiky.

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Speaker 3: He didn't understand what I was saying.

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Speaker 4: That what I'm trying to say is like I think

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Speaker 4: his wife just gave him a nudge and goes, you're

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Speaker 4: not doing that Worrick, Yeah.

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Speaker 3: Thirty one six five us an excuse to get out

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Speaker 3: of a relationship.

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Speaker 9: A cop out Kiara, Okay, I'm who does the cup out.

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Speaker 5: I said the classic where you would be better off

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Speaker 5: as friends.

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Speaker 4: Yeah, I've heard that one before. Yeah, and then and then, ka,

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Speaker 4: let's be honest. And then when you say that you've

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Speaker 4: got no interest in being friends of them, do you.

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Speaker 1: Honestly?

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Speaker 4: I would have lost this saving.

443
00:22:24,520 --> 00:22:26,919
Speaker 3: And I think that's you can't expect to break up

444
00:22:26,960 --> 00:22:29,240
Speaker 3: with someone and still be friends immediately. It just doesn't

445
00:22:29,280 --> 00:22:31,879
Speaker 3: work that way. No, Like great, yeah, no, let's break up,

446
00:22:31,880 --> 00:22:33,159
Speaker 3: but let's just be great mate.

447
00:22:33,280 --> 00:22:33,520
Speaker 10: Yeah.

448
00:22:33,560 --> 00:22:35,320
Speaker 3: I hate that. I mean, like, particularly if one of

449
00:22:35,359 --> 00:22:38,800
Speaker 3: you is still really into the relationship, that's tough knowing forward,

450
00:22:38,880 --> 00:22:40,119
Speaker 3: Like you can't do that to the person.

451
00:22:40,480 --> 00:22:42,080
Speaker 4: And if you don't think either of you are into

452
00:22:42,119 --> 00:22:44,760
Speaker 4: each other, trust me. The other one is that the

453
00:22:44,880 --> 00:22:47,000
Speaker 4: order show you're not Kenneth. One of you is always

454
00:22:47,000 --> 00:22:48,760
Speaker 4: interested in going Like maybe if I hang out with

455
00:22:48,800 --> 00:22:50,639
Speaker 4: them for long and it's never eventually she'll fall in

456
00:22:50,640 --> 00:22:51,359
Speaker 4: love with me again.

457
00:22:51,760 --> 00:22:56,000
Speaker 3: Yeah, there's never a perfectly coincidental moment where it's just like, oh, fantastic,

458
00:22:56,080 --> 00:22:57,880
Speaker 3: I fell out of love with you too. Oh my god,

459
00:22:57,920 --> 00:22:58,240
Speaker 3: what are the.

460
00:22:58,280 --> 00:23:01,480
Speaker 4: Chances there's no sexual attraction. Let's have a bar together.

461
00:23:05,400 --> 00:23:08,879
Speaker 4: We've got Race here, Oh Race, Yes, I love this.

462
00:23:09,080 --> 00:23:10,880
Speaker 4: You're on the receiving end. What did you hear?

463
00:23:11,640 --> 00:23:13,840
Speaker 8: So me and my girlfriend were together for about a month,

464
00:23:15,000 --> 00:23:17,120
Speaker 8: and so she gives me this whole breakup spiel, and

465
00:23:17,160 --> 00:23:19,280
Speaker 8: pretty much the cop out was, I'm not sure if

466
00:23:19,320 --> 00:23:21,320
Speaker 8: I have feelings for you or my ex at this time.

467
00:23:22,400 --> 00:23:25,639
Speaker 3: Oh now, I don't know. That's a cop out, That

468
00:23:25,760 --> 00:23:26,760
Speaker 3: is just honesty.

469
00:23:29,080 --> 00:23:30,840
Speaker 8: I ended up finding out later she got back with

470
00:23:30,880 --> 00:23:32,400
Speaker 8: her ax and they were together for a couple of weeks,

471
00:23:32,440 --> 00:23:33,919
Speaker 8: and then she broke up with him because apparently he

472
00:23:33,960 --> 00:23:34,760
Speaker 8: wasn't the right guy.

473
00:23:35,400 --> 00:23:38,399
Speaker 6: Oh or either that or he was the spy Warwick

474
00:23:38,400 --> 00:23:43,200
Speaker 6: that we spoke earlier his way out of there.

475
00:23:44,359 --> 00:23:47,760
Speaker 3: Keith Evan's going to be on the show in about

476
00:23:47,840 --> 00:23:50,679
Speaker 3: twenty minutes, so look forward to him coming on very

477
00:23:50,680 --> 00:23:54,600
Speaker 3: in to hear his chat actually in and around his

478
00:23:54,640 --> 00:23:57,840
Speaker 3: wife obviously, Nicole Kinmanwoods, who's been on the TV show

479
00:23:58,000 --> 00:23:59,640
Speaker 3: Big Little Lies, Yeah.

480
00:23:59,440 --> 00:24:02,240
Speaker 4: Which is really intense TV show, an incredible TV show

481
00:24:02,280 --> 00:24:03,679
Speaker 4: by the way, you haven't seen it, but she's in

482
00:24:03,680 --> 00:24:06,600
Speaker 4: this turbulent relationship with an actor called Nicholas Scar's Guard.

483
00:24:06,840 --> 00:24:10,520
Speaker 4: So we're actually going Lexander Alexander as We're actually going

484
00:24:10,520 --> 00:24:14,840
Speaker 4: to ask Keith just his response to watching that and

485
00:24:14,880 --> 00:24:17,679
Speaker 4: even meeting the guy who treats Nicole like that in

486
00:24:17,720 --> 00:24:18,119
Speaker 4: the show.

487
00:24:18,080 --> 00:24:21,280
Speaker 3: Is it'd be tough really having to watch this dude,

488
00:24:22,400 --> 00:24:26,679
Speaker 3: you know, well abuse really? I mean, yeah, anyway, I'm

489
00:24:26,680 --> 00:24:28,639
Speaker 3: really impard talking to Keith. It's got a brand new album,

490
00:24:28,680 --> 00:24:30,800
Speaker 3: Graffiti You, which we're going to be talking all about

491
00:24:30,880 --> 00:24:32,880
Speaker 3: as well. First time he's on the show, so can't

492
00:24:32,920 --> 00:24:35,200
Speaker 3: wait for that. The tutor tunes coming up as well.

493
00:24:35,320 --> 00:24:39,200
Speaker 3: Push the button and up next if you missed it yesterday,

494
00:24:40,000 --> 00:24:41,920
Speaker 3: the results of that social experiment. We're gonna be talking

495
00:24:41,920 --> 00:24:44,639
Speaker 3: about it up next, mate, because I know we covered

496
00:24:44,640 --> 00:24:47,400
Speaker 3: it for those of you playing at home. We did

497
00:24:47,640 --> 00:24:51,160
Speaker 3: record ourselves having a crack at our girlfriends knowing using

498
00:24:51,280 --> 00:24:55,000
Speaker 3: with the with the help we thought of some scientific research.

499
00:24:55,280 --> 00:24:57,760
Speaker 3: Sure they didn't know we were recording. We've covered off

500
00:24:57,800 --> 00:25:00,000
Speaker 3: that was illegal. Now we're going to be talking about

501
00:25:00,200 --> 00:25:03,720
Speaker 3: up next because your play needs to be discussed, and

502
00:25:03,840 --> 00:25:06,080
Speaker 3: I think we need some the people need to have

503
00:25:06,080 --> 00:25:08,000
Speaker 3: a voice here and we're going to discuss it right

504
00:25:08,040 --> 00:25:09,639
Speaker 3: up next. If you haven't heard the audio, then do

505
00:25:09,680 --> 00:25:12,879
Speaker 3: yourself a favor. Stay tuned, make sure you all this

506
00:25:13,000 --> 00:25:15,760
Speaker 3: thing this time on Friday, because one mum could win

507
00:25:15,840 --> 00:25:18,800
Speaker 3: a million dollars thanks to Chemists Warehouse live on your radios.

508
00:25:18,840 --> 00:25:22,159
Speaker 3: We're very excited about that just before Mother's Day. But Woods,

509
00:25:22,359 --> 00:25:24,240
Speaker 3: let's talk about what happened yesterday in the show mate.

510
00:25:25,680 --> 00:25:27,679
Speaker 3: We need to change it be game for people that

511
00:25:27,680 --> 00:25:31,600
Speaker 3: are just joining the show. Yesterday, Woods and I completed

512
00:25:31,680 --> 00:25:36,480
Speaker 3: social experiment where we both went home wearing fragrances which

513
00:25:36,520 --> 00:25:41,040
Speaker 3: we chose individually, which were female fragrances. Yes, and we'd

514
00:25:41,080 --> 00:25:43,199
Speaker 3: read somewhere that if you wear these then you have

515
00:25:43,240 --> 00:25:48,040
Speaker 3: a much higher chance of being successful in the bedroom.

516
00:25:48,200 --> 00:25:50,399
Speaker 4: Yeah, it was a scientific journal that we scientific I

517
00:25:50,440 --> 00:25:51,160
Speaker 4: want to test it out.

518
00:25:51,240 --> 00:25:54,640
Speaker 3: So we doused ourselves, we went home, we recorded ourselves.

519
00:25:54,680 --> 00:25:56,800
Speaker 3: We didn't tell our girlfriends to make sure that we

520
00:25:56,840 --> 00:26:00,000
Speaker 3: had the you know, obviously natural response, and that meant

521
00:26:00,080 --> 00:26:04,400
Speaker 3: that we both had honest cracks at trying to get.

522
00:26:04,200 --> 00:26:07,360
Speaker 4: Some last night with yours. I don't think yours was honest.

523
00:26:07,400 --> 00:26:10,280
Speaker 4: Yours was pitiful. We'll just make an attempt.

524
00:26:10,640 --> 00:26:11,440
Speaker 3: Absolutely, I did.

525
00:26:11,840 --> 00:26:14,240
Speaker 4: Absolutely, that's how you do it. Did it well?

526
00:26:14,320 --> 00:26:16,119
Speaker 3: Sorry mate, Just before we point fingers about you know

527
00:26:16,560 --> 00:26:19,639
Speaker 3: that's how you do it. Let's let's just I know

528
00:26:19,680 --> 00:26:21,320
Speaker 3: that a lot of people are listening yesterday didn't actually

529
00:26:21,320 --> 00:26:21,840
Speaker 3: get to hear this.

530
00:26:21,880 --> 00:26:23,320
Speaker 6: You can go and check out the video.

531
00:26:23,160 --> 00:26:24,680
Speaker 3: On Instagram Will and Woody if you want to see

532
00:26:24,680 --> 00:26:28,560
Speaker 3: it for yourselves. But this was how it went down

533
00:26:28,960 --> 00:26:30,080
Speaker 3: for you. This and this is a.

534
00:26:30,000 --> 00:26:32,880
Speaker 6: Genuine play people. Remember this is not hammed up.

535
00:26:33,160 --> 00:26:35,280
Speaker 3: She she doesn't know that he's recording it, which is

536
00:26:35,280 --> 00:26:38,320
Speaker 3: obviously the naughty part. But this is the real stuff.

537
00:26:38,359 --> 00:26:41,200
Speaker 3: This is woods in the bedroom. Women have a listen.

538
00:26:42,440 --> 00:26:51,240
Speaker 4: Damn, I am complimenting her on her bottom and I

539
00:26:51,320 --> 00:26:54,000
Speaker 4: want her to make feel confident in her body, and

540
00:26:55,960 --> 00:26:59,200
Speaker 4: damn look that look.

541
00:26:59,280 --> 00:27:01,560
Speaker 3: Look, I think I think personally need to change up

542
00:27:01,560 --> 00:27:03,000
Speaker 3: your game. And I'm not the first person to have

543
00:27:03,040 --> 00:27:05,360
Speaker 3: said it, but who else said it? Well, I've heard

544
00:27:05,400 --> 00:27:08,160
Speaker 3: that who off who across the board? Now?

545
00:27:09,600 --> 00:27:10,520
Speaker 4: Why would look?

546
00:27:10,720 --> 00:27:12,800
Speaker 3: I look, listen, I want to know third one oh

547
00:27:12,880 --> 00:27:13,359
Speaker 3: six five.

548
00:27:13,800 --> 00:27:17,080
Speaker 4: Yeah, I think people would love to hear that, Okay,

549
00:27:17,280 --> 00:27:17,879
Speaker 4: what do you want?

550
00:27:18,680 --> 00:27:21,479
Speaker 3: I want to know is there a sentence or a

551
00:27:21,720 --> 00:27:27,480
Speaker 3: or a comment that always works for you? And I

552
00:27:27,480 --> 00:27:29,400
Speaker 3: think that I'd love people to call out and just

553
00:27:29,400 --> 00:27:31,080
Speaker 3: just to just to give you a couple of options,

554
00:27:32,000 --> 00:27:34,760
Speaker 3: just to just to just to see whether you can

555
00:27:35,480 --> 00:27:37,560
Speaker 3: add a couple more strings to your bow here, because

556
00:27:37,560 --> 00:27:38,680
Speaker 3: I think a lot of people are hearing this and go,

557
00:27:38,840 --> 00:27:41,480
Speaker 3: oh God, poor Boody. Obviously there's a reason that he's

558
00:27:41,480 --> 00:27:44,080
Speaker 3: not getting any more. And I think that people can

559
00:27:44,119 --> 00:27:46,080
Speaker 3: help you out here. So I want to know how

560
00:27:46,320 --> 00:27:48,760
Speaker 3: he can maybe change his game and how how how

561
00:27:48,800 --> 00:27:51,280
Speaker 3: does how do they get you in the mood? What?

562
00:27:51,280 --> 00:27:52,919
Speaker 3: What gets you in the mood in the you know,

563
00:27:53,160 --> 00:27:53,840
Speaker 3: in the evening?

564
00:27:54,280 --> 00:27:55,560
Speaker 4: What's the proces women here?

565
00:27:55,680 --> 00:27:58,240
Speaker 6: Or yes women, yes? What's the play that works.

566
00:27:57,960 --> 00:27:59,919
Speaker 3: For you as a woman and you and that that's

567
00:28:00,320 --> 00:28:01,240
Speaker 3: that just gets you going?

568
00:28:01,480 --> 00:28:03,480
Speaker 4: Can we also maybe get like a woman? You know,

569
00:28:03,680 --> 00:28:06,479
Speaker 4: if you believe this? Can it? Girls kind of going like, oh,

570
00:28:06,680 --> 00:28:08,240
Speaker 4: I would love to be told.

571
00:28:08,080 --> 00:28:09,360
Speaker 6: Damn, you'd love to be told this.

572
00:28:11,840 --> 00:28:12,280
Speaker 7: Damn.

573
00:28:15,760 --> 00:28:18,840
Speaker 4: I think a lot of women wish. My boyfriend said that.

574
00:28:18,880 --> 00:28:20,440
Speaker 4: I think I think a lot of women would be

575
00:28:20,480 --> 00:28:23,200
Speaker 4: out there going, Oh, what a beautiful, complimentary gentleman of

576
00:28:23,240 --> 00:28:25,200
Speaker 4: a boyfriend. I would definitely sleep with him.

577
00:28:25,680 --> 00:28:31,600
Speaker 3: I think that maybe maybe if you do, you do

578
00:28:32,119 --> 00:28:34,640
Speaker 3: realize that you sound that you're impersonating like a black rapper.

579
00:28:35,000 --> 00:28:40,600
Speaker 3: It's just ridiculous. Damn, it's just it's so up sad.

580
00:28:40,680 --> 00:28:40,800
Speaker 8: Well.

581
00:28:40,800 --> 00:28:42,560
Speaker 4: I had to do it with my chain that I

582
00:28:42,600 --> 00:28:47,320
Speaker 4: was wearing as well my flat cat backwards six five.

583
00:28:47,480 --> 00:28:48,960
Speaker 3: Please, I think we did a bit of help here

584
00:28:49,840 --> 00:28:52,040
Speaker 3: is as a woman, I only want girls calling up.

585
00:28:52,120 --> 00:28:55,240
Speaker 3: Is there something that a particular turn of phrase or

586
00:28:55,240 --> 00:28:58,040
Speaker 3: a compliment that gets you going, that gets you in

587
00:28:58,040 --> 00:28:59,880
Speaker 3: the mood A move? It can just be a move.

588
00:29:00,280 --> 00:29:03,040
Speaker 3: I'd love to hear them, and maybe Woods, we can workshop.

589
00:29:02,680 --> 00:29:04,800
Speaker 4: Some of the I'm not recording making a move with

590
00:29:04,800 --> 00:29:06,000
Speaker 4: my girlfriend every again.

591
00:29:07,520 --> 00:29:10,520
Speaker 3: Now, Woods, yesterday, the results of the social experiment, which

592
00:29:10,560 --> 00:29:13,880
Speaker 3: was you and I applying a fragrance of the opposite sex,

593
00:29:14,160 --> 00:29:17,120
Speaker 3: going home and then having a dip at getting some

594
00:29:17,160 --> 00:29:17,920
Speaker 3: success in the bedrooms.

595
00:29:17,920 --> 00:29:20,600
Speaker 4: I don't like to call it having a dip, but you.

596
00:29:20,560 --> 00:29:23,040
Speaker 3: Didn't have any dips at all? Did you? But thirty

597
00:29:23,080 --> 00:29:25,480
Speaker 3: one and six five, I want to know right now

598
00:29:26,280 --> 00:29:28,160
Speaker 3: we've heard the results of what happened. Woods and I

599
00:29:28,200 --> 00:29:30,160
Speaker 3: recorded ourselves. By the way, you can see this SNA

600
00:29:30,240 --> 00:29:30,720
Speaker 3: instagram s.

601
00:29:30,920 --> 00:29:32,840
Speaker 4: Go and check it out, will you didn't the video?

602
00:29:32,920 --> 00:29:34,200
Speaker 3: The video is up there. And I didn't get any

603
00:29:34,240 --> 00:29:37,280
Speaker 3: other Yes, I got flat rejected. But I don't pretend

604
00:29:37,320 --> 00:29:39,880
Speaker 3: to be, like I've said numerous times of this show,

605
00:29:39,920 --> 00:29:42,480
Speaker 3: that I am the inferior one sexually in my relationship.

606
00:29:43,480 --> 00:29:46,600
Speaker 3: I'm having to say that. Yeah, now hurts a little bit.

607
00:29:47,440 --> 00:29:51,960
Speaker 3: Thirty one and six five. This is Woods's genuine attempt

608
00:29:52,000 --> 00:29:53,480
Speaker 3: at trying to get some last night.

609
00:29:54,600 --> 00:30:00,840
Speaker 4: Damn, that is very effect A lot of the time

610
00:30:02,320 --> 00:30:05,000
Speaker 4: kills and I. Further around, I'll talk about other parts

611
00:30:05,000 --> 00:30:06,400
Speaker 4: of a body or face.

612
00:30:06,520 --> 00:30:09,640
Speaker 3: Sure, absolutely, I want to know you know, first of all,

613
00:30:09,640 --> 00:30:12,240
Speaker 3: do you think this is any good?

614
00:30:12,520 --> 00:30:14,960
Speaker 6: But second of all, can we help out here?

615
00:30:15,160 --> 00:30:18,200
Speaker 3: Debrah? Thirty one and six five. Is there something that

616
00:30:18,280 --> 00:30:20,360
Speaker 3: works for you? Is there something that always gets you

617
00:30:20,400 --> 00:30:20,800
Speaker 3: in the mood?

618
00:30:22,240 --> 00:30:24,000
Speaker 5: As long as they come home and they just say

619
00:30:24,040 --> 00:30:27,320
Speaker 5: sorry for not giving you enough time or something like that,

620
00:30:27,360 --> 00:30:30,000
Speaker 5: as well as I apologize or something that they've done wrong,

621
00:30:30,800 --> 00:30:32,600
Speaker 5: that's that doesn't that's all you need?

622
00:30:32,640 --> 00:30:34,120
Speaker 3: And what did you think of Woods? What did you

623
00:30:34,120 --> 00:30:38,400
Speaker 3: think of Woods as little that was my good.

624
00:30:39,320 --> 00:30:42,080
Speaker 4: So what if I said, oh, sorry about you know whatever,

625
00:30:42,120 --> 00:30:44,320
Speaker 4: you know, whatever I've done wrong, and then I go

626
00:30:44,520 --> 00:30:47,480
Speaker 4: and ps, you know damn Dad, ask girl, Oh okay,

627
00:30:47,480 --> 00:30:47,960
Speaker 4: I wouldn't know.

628
00:30:48,120 --> 00:30:50,880
Speaker 5: Okay if you said sorry, I haven't told you enough.

629
00:30:50,760 --> 00:30:52,280
Speaker 1: For damn your elf was good?

630
00:30:54,560 --> 00:30:58,320
Speaker 3: Right now, Woods, we're just we're just dissecting exactly what

631
00:30:58,360 --> 00:31:01,640
Speaker 3: happened last night when you went home mmm with as

632
00:31:01,720 --> 00:31:04,080
Speaker 3: we both of us tried to complete a social experiment,

633
00:31:04,040 --> 00:31:07,280
Speaker 3: which is wearing perfume of the other sex and as

634
00:31:07,280 --> 00:31:09,760
Speaker 3: a result, apparently getting more lucky in the bedroom.

635
00:31:09,880 --> 00:31:12,200
Speaker 4: Yes, yes, And because of that we got to hear

636
00:31:12,240 --> 00:31:15,600
Speaker 4: how both of us go about it. And apparently Australia

637
00:31:15,680 --> 00:31:18,640
Speaker 4: thinks that I have awful game. I personally think a

638
00:31:18,760 --> 00:31:21,000
Speaker 4: nice compliment to get the girl in the murders a

639
00:31:21,040 --> 00:31:27,840
Speaker 4: great way such as this damn.

640
00:31:28,560 --> 00:31:34,760
Speaker 3: Tremor. It sounds like ken.

641
00:31:35,000 --> 00:31:36,360
Speaker 6: First of all, what did you think of the play?

642
00:31:36,360 --> 00:31:37,200
Speaker 3: That woulds mate?

643
00:31:37,840 --> 00:31:42,520
Speaker 10: Show what used to get my across the line with

644
00:31:42,520 --> 00:31:46,080
Speaker 10: my missus? And it sounds so cheesy and it's quite ridiculous.

645
00:31:46,480 --> 00:31:48,840
Speaker 10: I used to do like the little I know you

646
00:31:48,880 --> 00:31:51,040
Speaker 10: know Dwayne and the Rock Johnson does the little eyebrow

647
00:31:51,160 --> 00:31:54,600
Speaker 10: cocker for that sort of stuff with and on top

648
00:31:54,640 --> 00:31:56,840
Speaker 10: of that, you do the old Homer Simpson growler, the

649
00:31:56,880 --> 00:31:57,800
Speaker 10: old well.

650
00:32:01,720 --> 00:32:03,800
Speaker 4: This is this, this is my area, kid, I could

651
00:32:03,880 --> 00:32:06,080
Speaker 4: do this. Do you mind? Do you mind if I

652
00:32:06,120 --> 00:32:08,920
Speaker 4: go for one Ken? Do you mind if I well?

653
00:32:09,960 --> 00:32:12,720
Speaker 3: Yes, you say, like you're on your on song there

654
00:32:13,920 --> 00:32:17,000
Speaker 3: right in the pocket. Thanks the call, very helpful. So, Shanna,

655
00:32:17,360 --> 00:32:20,080
Speaker 3: you obviously heard the play that Woods went with yesterday,

656
00:32:20,360 --> 00:32:25,520
Speaker 3: the Kane and the Kanye infused bum compliment. What did

657
00:32:25,520 --> 00:32:28,920
Speaker 3: you think? Not my cup of tea?

658
00:32:28,960 --> 00:32:30,120
Speaker 8: But it probably would work for.

659
00:32:30,080 --> 00:32:33,840
Speaker 6: Somebody, Shanna.

660
00:32:33,960 --> 00:32:35,440
Speaker 3: Have you got something that you go for?

661
00:32:35,560 --> 00:32:35,760
Speaker 8: Mate?

662
00:32:36,960 --> 00:32:37,200
Speaker 6: I do.

663
00:32:37,400 --> 00:32:41,040
Speaker 3: Actually, rapping is kind of my thing, done right.

664
00:32:41,040 --> 00:32:44,800
Speaker 5: Done well, and wrap like a good artist like Eminem

665
00:32:44,920 --> 00:32:46,520
Speaker 5: or someone, and yeah.

666
00:32:46,560 --> 00:32:50,880
Speaker 3: You've got me. So your your partner just wraps to you.

667
00:32:51,880 --> 00:32:53,320
Speaker 3: It was an ex a couple of years ago.

668
00:32:53,360 --> 00:32:56,280
Speaker 4: But yeah, okay, can you give an example sorry of

669
00:32:56,320 --> 00:32:57,840
Speaker 4: what he would say, Shanna? Like, so he walks in

670
00:32:57,880 --> 00:32:59,680
Speaker 4: the bedroom and then just breaks into rap, like does

671
00:32:59,680 --> 00:33:00,360
Speaker 4: he beat boxes?

672
00:33:00,720 --> 00:33:04,680
Speaker 3: The old palms are sweaty? I mean, what's the deal? Honestly,

673
00:33:04,840 --> 00:33:08,680
Speaker 3: for me, it's anything by Eminem personally and he just

674
00:33:09,040 --> 00:33:10,600
Speaker 3: he just gets into a bit of that and that

675
00:33:10,680 --> 00:33:11,480
Speaker 3: gets you in the mood.

676
00:33:12,960 --> 00:33:17,400
Speaker 4: Yeah, okay, well I can try and wrap the court

677
00:33:17,440 --> 00:33:19,600
Speaker 4: to believe that I could do that.

678
00:33:19,840 --> 00:33:23,760
Speaker 3: I don't think that it's weird, Beth. Final one here, mate,

679
00:33:24,480 --> 00:33:26,440
Speaker 3: what did you think of what he's? What he sounds? There?

680
00:33:26,440 --> 00:33:28,000
Speaker 3: I'll play it for everyone one more time, just so

681
00:33:28,040 --> 00:33:35,880
Speaker 3: they can hear exactly what happened. Now, A damn, what

682
00:33:36,520 --> 00:33:37,120
Speaker 3: you think of that?

683
00:33:39,000 --> 00:33:40,520
Speaker 12: I loved it. That was so work on.

684
00:33:43,200 --> 00:33:47,040
Speaker 4: Finally a voice of reason, Beth. Isn't it just nice

685
00:33:47,040 --> 00:33:48,200
Speaker 4: to compliment a girl, Beth?

686
00:33:48,960 --> 00:33:49,760
Speaker 1: Yeah for sure.

687
00:33:49,880 --> 00:33:51,800
Speaker 4: I'm just sick of these guys going, oh, you gotta

688
00:33:51,800 --> 00:33:53,800
Speaker 4: play hard to get, don't seem to Okay, just be

689
00:33:53,880 --> 00:33:57,280
Speaker 4: nice to your girls, guys, just be nice to Thanks Beth.

690
00:33:57,560 --> 00:33:58,440
Speaker 4: We'll have a think about it.

691
00:33:58,440 --> 00:34:00,240
Speaker 3: We literally had that chat the other day. You said

692
00:34:00,240 --> 00:34:04,680
Speaker 3: that you have to play hard to get. Sorry, wood

693
00:34:04,840 --> 00:34:07,480
Speaker 3: Row really excited to say, You've got a very very

694
00:34:07,520 --> 00:34:09,200
Speaker 3: special guest on the show. Actually I was going to

695
00:34:09,680 --> 00:34:12,960
Speaker 3: introduce him myself, but Keith Urban is with us right now,

696
00:34:13,000 --> 00:34:14,800
Speaker 3: So Keith, you want to just introduce yourself?

697
00:34:14,920 --> 00:34:15,120
Speaker 8: Yep?

698
00:34:15,160 --> 00:34:16,120
Speaker 3: Absolutely, thanks man.

699
00:34:16,400 --> 00:34:17,520
Speaker 4: Have everyone it's Keith Urban.

700
00:34:17,560 --> 00:34:19,760
Speaker 13: Stick around because coming up next is Will and Woody

701
00:34:20,480 --> 00:34:22,160
Speaker 13: actually been me coming up next to ye.

702
00:34:23,320 --> 00:34:25,319
Speaker 4: I don't think people are as excited about us coming

703
00:34:25,400 --> 00:34:27,640
Speaker 4: up next with We've been there for a while. I'm

704
00:34:27,680 --> 00:34:28,759
Speaker 4: just promoting your show.

705
00:34:28,840 --> 00:34:34,719
Speaker 3: Now, there you go, go for you you stick around.

706
00:34:34,719 --> 00:34:36,600
Speaker 13: I'm going to be chatting with Will and Woody next.

707
00:34:36,600 --> 00:34:40,040
Speaker 4: Great beautiful people will definitely stick around more for that.

708
00:34:41,040 --> 00:34:41,840
Speaker 6: We've got the pleasure.

709
00:34:41,880 --> 00:34:44,520
Speaker 3: He's got a brand new song called a Parallel Line

710
00:34:45,160 --> 00:34:57,839
Speaker 3: and he's joining us on the show right now. Parallel lines,

711
00:35:00,160 --> 00:35:03,160
Speaker 3: there's no indeed the melody you always merged that with

712
00:35:03,200 --> 00:35:05,919
Speaker 3: the old silver chair straight lines there. Yeah, I think

713
00:35:05,920 --> 00:35:09,759
Speaker 3: that's what happened there you go, you went parallel What

714
00:35:09,920 --> 00:35:10,879
Speaker 3: is there what you went for?

715
00:35:11,000 --> 00:35:13,000
Speaker 4: I think I may have gone for blurred lines as well.

716
00:35:13,239 --> 00:35:16,600
Speaker 4: I've just got my lines mixed up. That's what's happened there,

717
00:35:17,600 --> 00:35:18,240
Speaker 4: very blurred.

718
00:35:20,239 --> 00:35:23,120
Speaker 3: We're absolutely shuff to have you on the show. Mate,

719
00:35:23,160 --> 00:35:26,759
Speaker 3: got a brand new record, Graffiti You and you've got

720
00:35:26,800 --> 00:35:30,680
Speaker 3: some wow, huge range artists who are helping you out

721
00:35:30,680 --> 00:35:31,279
Speaker 3: with this one mate.

722
00:35:31,320 --> 00:35:33,280
Speaker 4: The song Gemini for example.

723
00:35:33,040 --> 00:35:34,960
Speaker 3: Where you've written a version of that as well.

724
00:35:35,760 --> 00:35:38,239
Speaker 4: No, I don't. I've stuffed up one. I'm not going

725
00:35:38,320 --> 00:35:45,160
Speaker 4: to do it anym Andi line. So that you wrote

726
00:35:45,160 --> 00:35:50,440
Speaker 4: Everything's got line in it that you wrote with Julia Michaels,

727
00:35:50,520 --> 00:35:53,600
Speaker 4: Justin Tranter and In Kirkpatrick. Are you in a room

728
00:35:53,640 --> 00:35:56,160
Speaker 4: together just throwing lyrics at each other? I mean, when

729
00:35:56,160 --> 00:35:58,200
Speaker 4: I write a song, I have rhyme zone dot com

730
00:35:58,239 --> 00:36:00,759
Speaker 4: dot up. I'm not sure if you use that. How

731
00:36:00,760 --> 00:36:04,200
Speaker 4: do you put it together? I've never done that, but

732
00:36:04,239 --> 00:36:06,719
Speaker 4: that's a good way to do it. Rhymesone dot com.

733
00:36:06,840 --> 00:36:09,280
Speaker 6: Yeah, we use it for all our parodies.

734
00:36:10,360 --> 00:36:11,800
Speaker 3: It's a gold mine.

735
00:36:12,640 --> 00:36:16,400
Speaker 4: I wrote with those three guys late last.

736
00:36:16,280 --> 00:36:19,760
Speaker 13: Year, and I'd never met him before, but love Julian

737
00:36:19,800 --> 00:36:21,759
Speaker 13: Michaels and really wants to write with her. And Justin

738
00:36:21,800 --> 00:36:23,560
Speaker 13: Trant is a great writer. The four of us met

739
00:36:23,600 --> 00:36:26,280
Speaker 13: at the studio and just sort of started a groove.

740
00:36:26,360 --> 00:36:29,920
Speaker 13: First of the song that became Gemini Sure, and they

741
00:36:29,960 --> 00:36:33,600
Speaker 13: asked me about my wife and she's Gemini, and so

742
00:36:33,680 --> 00:36:35,160
Speaker 13: the songs that took off from there.

743
00:36:35,400 --> 00:36:37,239
Speaker 3: Yeah, you've got to dig deep to find something which

744
00:36:37,280 --> 00:36:38,640
Speaker 3: is going to connect with you.

745
00:36:38,200 --> 00:36:41,040
Speaker 13: So you know, for me, it always starts with the music.

746
00:36:41,120 --> 00:36:43,840
Speaker 13: The music really tells us the music tells a story.

747
00:36:43,880 --> 00:36:44,960
Speaker 3: That's what I've always written.

748
00:36:45,320 --> 00:36:46,120
Speaker 4: Like you know, when you're seeing it.

749
00:36:46,239 --> 00:36:49,080
Speaker 13: You see a music in a film in particular scene,

750
00:36:49,440 --> 00:36:52,319
Speaker 13: music is speaking every does everything, saying anything, And that's

751
00:36:52,440 --> 00:36:53,840
Speaker 13: that's what songwriting is like for me.

752
00:36:54,600 --> 00:36:56,080
Speaker 4: That's really good.

753
00:36:56,080 --> 00:36:58,080
Speaker 3: It's what we should focus on next time. That's that's it.

754
00:36:58,120 --> 00:37:00,520
Speaker 4: Can we talk about your not too deep but personal

755
00:37:00,600 --> 00:37:02,919
Speaker 4: life for a second here, Keith. I saw you say

756
00:37:02,960 --> 00:37:07,680
Speaker 4: recently that your your beautiful wife Nicole kidman Is does

757
00:37:07,719 --> 00:37:11,920
Speaker 4: an incredible performance in the show Pretty Little Liars, Well,

758
00:37:11,960 --> 00:37:13,280
Speaker 4: Big Little Liars, see big.

759
00:37:13,120 --> 00:37:17,000
Speaker 3: Little show about a bunch of teenage girls.

760
00:37:16,520 --> 00:37:18,520
Speaker 4: And I was stuffed it again, I'm so sorry, Keith.

761
00:37:21,840 --> 00:37:23,600
Speaker 4: This is just a comedy of errs at this point,

762
00:37:24,920 --> 00:37:33,719
Speaker 4: Keith different you talked Keith about the difficulty shut up?

763
00:37:33,719 --> 00:37:37,480
Speaker 4: Will you talked to Keith about the difficulty in watching

764
00:37:37,560 --> 00:37:39,120
Speaker 4: some of the scenes in that show?

765
00:37:39,200 --> 00:37:39,640
Speaker 13: Oh god?

766
00:37:39,719 --> 00:37:39,919
Speaker 3: Yeah?

767
00:37:40,040 --> 00:37:42,440
Speaker 4: Yeah, can you talk so you won't say the name

768
00:37:42,480 --> 00:37:42,839
Speaker 4: of it now?

769
00:37:44,920 --> 00:37:46,520
Speaker 3: Your wife has a big part in the movie Liar

770
00:37:46,640 --> 00:37:59,120
Speaker 3: Liar with Jim Carrey.

771
00:37:54,080 --> 00:38:01,200
Speaker 13: No mate, some of those that first season was was crazy.

772
00:38:01,320 --> 00:38:02,320
Speaker 3: Yeah.

773
00:38:02,440 --> 00:38:05,840
Speaker 13: The first time I met Alexander's cars guard who plays

774
00:38:05,840 --> 00:38:08,040
Speaker 13: her husband in Big Little Eyes. He came to our

775
00:38:08,040 --> 00:38:10,359
Speaker 13: house and I hadn't seen a lot of what they've

776
00:38:10,360 --> 00:38:12,600
Speaker 13: been shooting, and he was very awkward around.

777
00:38:12,920 --> 00:38:13,920
Speaker 3: Yeah, understandable.

778
00:38:14,840 --> 00:38:16,640
Speaker 13: Yeah, it wasn't until I saw the scenes I was like,

779
00:38:16,680 --> 00:38:18,080
Speaker 13: oh right, yeah, right.

780
00:38:17,920 --> 00:38:21,480
Speaker 3: Because that's I feel like if I was in your position, right,

781
00:38:21,640 --> 00:38:23,640
Speaker 3: I would find it really hard to be around the

782
00:38:23,640 --> 00:38:27,319
Speaker 3: guy who I've watched throwing my wife across the set.

783
00:38:27,360 --> 00:38:29,440
Speaker 3: I mean, I know it's it's obviously yeah, but.

784
00:38:29,440 --> 00:38:31,640
Speaker 13: I mean I've been a next been an actor of a

785
00:38:31,600 --> 00:38:32,319
Speaker 13: whole life, and.

786
00:38:33,760 --> 00:38:34,239
Speaker 3: I get it.

787
00:38:34,280 --> 00:38:38,120
Speaker 13: I'm an artist too, so you have to clearly separate

788
00:38:38,239 --> 00:38:41,959
Speaker 13: everything for reality, you know. But moving on to that set,

789
00:38:42,000 --> 00:38:44,560
Speaker 13: the second season of it now, which is what they're shooting,

790
00:38:44,680 --> 00:38:46,719
Speaker 13: so it's going to be phenomenal. I can't wait for

791
00:38:46,719 --> 00:38:47,759
Speaker 13: it to come out next year.

792
00:38:47,800 --> 00:38:47,960
Speaker 3: Wow.

793
00:38:48,000 --> 00:38:50,799
Speaker 4: Wait, do you ever say, Keith it? You know? I

794
00:38:50,800 --> 00:38:52,919
Speaker 4: do you pop down to set and date like watch

795
00:38:52,920 --> 00:38:55,800
Speaker 4: saying and go, oh geez, coming home would be a

796
00:38:55,800 --> 00:39:01,240
Speaker 4: pretty good song to be playing. He's pushing my owner

797
00:39:04,600 --> 00:39:06,520
Speaker 4: during one of the takes, Keith, just you bring out

798
00:39:06,520 --> 00:39:09,640
Speaker 4: a guitar? Is anyone else feeling this?

799
00:39:12,680 --> 00:39:14,640
Speaker 13: I've played on my phone quietly in the middle of

800
00:39:14,680 --> 00:39:15,640
Speaker 13: the scene off camera.

801
00:39:16,800 --> 00:39:18,840
Speaker 4: I'm just seeing if it works. It still works pretty

802
00:39:18,840 --> 00:39:21,759
Speaker 4: good right here. I'm bling at me. I can come

803
00:39:21,800 --> 00:39:23,400
Speaker 4: in and parallel lam.

804
00:39:26,480 --> 00:39:26,719
Speaker 9: Keith.

805
00:39:27,400 --> 00:39:29,440
Speaker 3: It's been a pleasure chatting to you, mate. I know

806
00:39:29,560 --> 00:39:31,680
Speaker 3: that there are lots of people who are very, very

807
00:39:31,719 --> 00:39:33,000
Speaker 3: excited to get your hands on a brand you. I'm

808
00:39:33,000 --> 00:39:34,960
Speaker 3: graffiti you. It's out now. You heard all the different

809
00:39:34,960 --> 00:39:37,520
Speaker 3: people that are getting across that, Greg Wells, Dan Huff

810
00:39:37,760 --> 00:39:40,680
Speaker 3: as he said for Ed Sheeran, Julian Michael's, Jane Hart

811
00:39:40,680 --> 00:39:42,600
Speaker 3: people would have heard in this station play before as well.

812
00:39:42,680 --> 00:39:45,920
Speaker 3: So really exciting stuff mate, to have you on board

813
00:39:46,600 --> 00:39:50,480
Speaker 3: here back in Australia again, particularly after how good Ripcord was.

814
00:39:50,560 --> 00:39:52,440
Speaker 3: So I'm really looking forward to getting your hands in

815
00:39:52,440 --> 00:39:53,040
Speaker 3: the rest of the tunes.

816
00:39:53,040 --> 00:39:53,200
Speaker 4: Mate.

817
00:39:53,200 --> 00:39:55,279
Speaker 6: Thank you so much for joining us and great to

818
00:39:55,320 --> 00:39:55,799
Speaker 6: talk to mate.

819
00:39:55,840 --> 00:39:57,600
Speaker 3: Yeah you too, Thank you so much.

820
00:39:57,680 --> 00:39:57,919
Speaker 4: Keith.

821
00:39:58,040 --> 00:39:59,920
Speaker 3: If you want to catch anything, it's on the iheartrate

822
00:40:00,480 --> 00:40:05,279
Speaker 3: Keith Urbans on there you can also catch go on.

823
00:40:05,320 --> 00:40:07,600
Speaker 3: I was gonna say something there and I've completely forgotten

824
00:40:07,640 --> 00:40:08,080
Speaker 3: what it was.

825
00:40:08,400 --> 00:40:10,160
Speaker 4: Okay, well, going to be the time to think about it.

826
00:40:10,200 --> 00:40:11,240
Speaker 4: What was on the show.

827
00:40:13,080 --> 00:40:16,640
Speaker 3: Would what would you go to the iHeartRadio app for?

828
00:40:17,400 --> 00:40:19,279
Speaker 3: You can find out just now and you're like, oh,

829
00:40:19,320 --> 00:40:20,520
Speaker 3: I wonder what the boys got up to.

830
00:40:21,160 --> 00:40:24,279
Speaker 4: You can find out what kids would spend billions of

831
00:40:24,360 --> 00:40:28,680
Speaker 4: dollars on. You can find out the crazy reasons that

832
00:40:28,719 --> 00:40:31,840
Speaker 4: people have got out of relationships, what were the reasons

833
00:40:31,840 --> 00:40:35,000
Speaker 4: they used? And you can also find out the way

834
00:40:35,040 --> 00:40:39,319
Speaker 4: that I try to get lucky with my girlfriend. You

835
00:40:39,360 --> 00:40:41,960
Speaker 4: literally get to hear that iHeartRadio app. If you want

836
00:40:41,960 --> 00:40:44,640
Speaker 4: to hear all that jazz that is going to spike tonight,

837
00:40:44,680 --> 00:40:47,600
Speaker 4: that will seriously spike. We've had a lot of fun

838
00:40:47,760 --> 00:40:57,440
Speaker 4: that it's time to push it owse buttons. I actually

839
00:40:57,480 --> 00:41:00,920
Speaker 4: fear that the iHeartRadio app will crash tonight because people

840
00:41:00,920 --> 00:41:02,000
Speaker 4: will flood into.

841
00:41:02,040 --> 00:41:04,759
Speaker 3: Oh my god, kids spending billions at school? What would

842
00:41:04,760 --> 00:41:06,360
Speaker 3: they explot? Would you spend your money on if you

843
00:41:06,360 --> 00:41:08,080
Speaker 3: had a billion more? And we did it with kids.

844
00:41:08,440 --> 00:41:10,640
Speaker 3: There's the humor, and that's how we've done it. We've

845
00:41:10,640 --> 00:41:15,640
Speaker 3: got a topical issue budget, combine it with children. Hello comedy, Yeah, hello, now.

846
00:41:15,600 --> 00:41:18,920
Speaker 4: It's getting offensive. Well he've gone too far now trying

847
00:41:18,960 --> 00:41:19,839
Speaker 4: to push your judge buttons.

848
00:41:19,880 --> 00:41:22,040
Speaker 3: Ye, So we like to have fun.

849
00:41:22,360 --> 00:41:22,960
Speaker 4: A pretty good idea.

850
00:41:23,000 --> 00:41:24,160
Speaker 3: We'd like to have fun during the show.

851
00:41:24,440 --> 00:41:25,080
Speaker 4: Pretty good stuff.

852
00:41:25,239 --> 00:41:26,920
Speaker 3: I'm not saying it wasn't even I'm trying to tell

853
00:41:26,920 --> 00:41:28,439
Speaker 3: people to go to the iHeart Radio app.

854
00:41:29,360 --> 00:41:32,360
Speaker 4: I actually was there. Sounded a little bit. It's a

855
00:41:32,400 --> 00:41:33,520
Speaker 4: tiny bit now.

856
00:41:33,480 --> 00:41:35,560
Speaker 3: Keith Urban on the iHeart Radio as well. Have kids,

857
00:41:35,640 --> 00:41:38,839
Speaker 3: you know, spending money on their schools isn't getting you there? Now,

858
00:41:38,960 --> 00:41:43,359
Speaker 3: let's get each other bit sour? Shall we?

859
00:41:45,160 --> 00:41:45,399
Speaker 4: Yep?

860
00:41:46,200 --> 00:41:47,040
Speaker 3: Do you want me to start?

861
00:41:47,160 --> 00:41:47,279
Speaker 9: No?

862
00:41:47,400 --> 00:41:50,080
Speaker 4: Okay, you've already hit me pretty hard. Yeah, mate, trying

863
00:41:50,080 --> 00:41:51,480
Speaker 4: to give me a point for it. I've literally thought

864
00:41:51,480 --> 00:41:53,280
Speaker 4: all morning about that idea on the budget and getting

865
00:41:53,320 --> 00:41:59,080
Speaker 4: kids that, you know, all morning it was a good

866
00:41:59,200 --> 00:42:01,839
Speaker 4: don't have a desk? Yeah, you've got me there, all right,

867
00:42:03,520 --> 00:42:07,480
Speaker 4: I don't have a desk. I didn't even think as

868
00:42:07,680 --> 00:42:10,040
Speaker 4: that was my idea. No, I don't know, I can't remember.

869
00:42:10,320 --> 00:42:12,600
Speaker 4: All right, here we go.

870
00:42:12,680 --> 00:42:14,400
Speaker 3: You're ready, I'm ready mate.

871
00:42:15,239 --> 00:42:18,319
Speaker 4: When you put a meal in the microwave, you're really

872
00:42:18,360 --> 00:42:20,000
Speaker 4: excited about you put your meal in the microwave, you're

873
00:42:20,000 --> 00:42:21,640
Speaker 4: heating it up, You're like yeah, yeah, yeah, yeah yeah,

874
00:42:21,640 --> 00:42:23,360
Speaker 4: and you're starving and you literally stand there go.

875
00:42:23,440 --> 00:42:25,680
Speaker 3: Yeah, yeah, yeah, yeah yeah, can't wait, can't wait, can't wait.

876
00:42:26,200 --> 00:42:29,360
Speaker 4: And then you two where you go open the microwave,

877
00:42:29,400 --> 00:42:32,280
Speaker 4: go to grab it and the plate is boiling hot.

878
00:42:32,120 --> 00:42:35,840
Speaker 3: And your finger cinges your fingers. Yeah, I mean it

879
00:42:35,880 --> 00:42:39,040
Speaker 3: would annoy me, absolutely, that would that would annoy me.

880
00:42:39,480 --> 00:42:43,760
Speaker 3: I don't do that. I don't you, mate, No, you'

881
00:42:44,600 --> 00:42:46,759
Speaker 3: I don't do that. I get it. Maybe, well maybe

882
00:42:46,800 --> 00:42:47,440
Speaker 3: when I was five.

883
00:42:48,320 --> 00:42:49,879
Speaker 4: I'm pushing your five year old us.

884
00:42:52,200 --> 00:42:56,879
Speaker 3: Okay, yeah, sure. You you're just particularly sensitive these things

885
00:42:56,960 --> 00:42:59,520
Speaker 3: because you once bit into a meat pipe. Meat pipe

886
00:43:00,040 --> 00:43:01,640
Speaker 3: graved and it burned the bottom of your noyse off,

887
00:43:01,760 --> 00:43:04,080
Speaker 3: which was the funniest thing I've ever seen. He bit

888
00:43:04,160 --> 00:43:05,840
Speaker 3: it and it squirted out through the roof.

889
00:43:06,560 --> 00:43:08,800
Speaker 4: You're like a volcano. It was honestly like a volcano.

890
00:43:08,800 --> 00:43:11,520
Speaker 3: And he ran through the hours screaming, and you just

891
00:43:11,560 --> 00:43:14,520
Speaker 3: laughed at it and cursing, cursing our friend Danny, who

892
00:43:14,520 --> 00:43:15,920
Speaker 3: cooked the plot.

893
00:43:16,160 --> 00:43:18,160
Speaker 4: And if you're listening, Danny, I'm still angry about it.

894
00:43:18,200 --> 00:43:21,920
Speaker 4: And it was your fault. Okay, I do like you, Danny.

895
00:43:21,920 --> 00:43:28,799
Speaker 3: Sorry, great, Danny, Now go for it. So I want

896
00:43:28,840 --> 00:43:32,200
Speaker 3: you to put yourself in this person's shoes. Yeah, okay,

897
00:43:33,040 --> 00:43:37,440
Speaker 3: it's a cold day. Yeah, and your house mate slash

898
00:43:37,480 --> 00:43:41,920
Speaker 3: your girlfriend is saying that it's really cold, and they're

899
00:43:41,960 --> 00:43:43,799
Speaker 3: winging about it. So you don't want to tell them

900
00:43:43,800 --> 00:43:46,080
Speaker 3: where the heater is, but you feel obliged to because

901
00:43:46,080 --> 00:43:48,000
Speaker 3: they don't stop winging about it. But you know that

902
00:43:48,040 --> 00:43:50,320
Speaker 3: once you tell them where the heater is, they're probably

903
00:43:50,320 --> 00:43:51,080
Speaker 3: going to overuse it.

904
00:43:51,280 --> 00:43:53,839
Speaker 4: Okay, right, Yeah, you.

905
00:43:53,760 --> 00:43:55,600
Speaker 3: Pay for the gas bills. This is just hypothetical, by

906
00:43:55,640 --> 00:43:57,520
Speaker 3: the way, but you pay for the gas bills, and

907
00:43:57,520 --> 00:43:59,239
Speaker 3: they're probably ignorant of that, and they're probably going to

908
00:43:59,239 --> 00:44:01,799
Speaker 3: overuse it, right if you tell them where the heater is.

909
00:44:02,160 --> 00:44:04,000
Speaker 3: But you have to because they're winding about how cold

910
00:44:04,040 --> 00:44:05,600
Speaker 3: it is. So you tell them, You're.

911
00:44:05,480 --> 00:44:07,919
Speaker 4: Like, right here it is when you hide your heater.

912
00:44:08,040 --> 00:44:09,680
Speaker 3: This isn't about me, this is just sorry.

913
00:44:09,719 --> 00:44:11,759
Speaker 4: Yeah, yes, And.

914
00:44:11,719 --> 00:44:15,040
Speaker 3: Then you you show them where the heater is, how

915
00:44:15,080 --> 00:44:17,719
Speaker 3: to use it, and then you go away for the day.

916
00:44:18,120 --> 00:44:20,600
Speaker 3: You got you go to work like you know, good

917
00:44:20,640 --> 00:44:24,680
Speaker 3: hard working citizen, and you come back and you don't

918
00:44:24,760 --> 00:44:27,400
Speaker 3: discuss the heater because you realize that if you discuss

919
00:44:27,440 --> 00:44:29,919
Speaker 3: it with her, she'll probably get angry because she'll be like, well,

920
00:44:29,960 --> 00:44:31,480
Speaker 3: you know, I thought you trusted me with the heater,

921
00:44:31,640 --> 00:44:34,520
Speaker 3: and you know, stop being so overbearing. So you don't

922
00:44:34,520 --> 00:44:36,799
Speaker 3: mention it because she's in a bad meda. Don't mention

923
00:44:36,840 --> 00:44:37,200
Speaker 3: the heat out.

924
00:44:37,200 --> 00:44:38,120
Speaker 4: You just assume she turned it off.

925
00:44:38,160 --> 00:44:39,880
Speaker 3: But it's strangely warm, but you don't mention it. And

926
00:44:39,920 --> 00:44:41,600
Speaker 3: you go to bed, and then you wake up the

927
00:44:41,640 --> 00:44:43,640
Speaker 3: next morning and you go to have this crist and

928
00:44:43,640 --> 00:44:45,160
Speaker 3: then you're going to go to have a hot shower

929
00:44:45,560 --> 00:44:48,120
Speaker 3: and the hot water is not working because because the

930
00:44:48,160 --> 00:44:49,640
Speaker 3: heat has been left on overnight.

931
00:44:52,160 --> 00:44:55,239
Speaker 4: Is that you this morning? I mean, hypothet you this morning?

932
00:44:55,280 --> 00:44:56,160
Speaker 3: Yes, hypothetically.

933
00:44:56,200 --> 00:44:59,720
Speaker 4: Oh ye're so annoyed.

934
00:44:59,760 --> 00:45:01,600
Speaker 3: That's alright. And then when you go, what happened to

935
00:45:01,600 --> 00:45:01,919
Speaker 3: the heater?

936
00:45:01,960 --> 00:45:04,000
Speaker 4: I didn't turn it on? She goes, oh, don't.

937
00:45:03,719 --> 00:45:06,120
Speaker 3: Know, don't know.

938
00:45:06,680 --> 00:45:07,880
Speaker 5: She whiz.

939
00:45:08,160 --> 00:45:08,600
Speaker 3: Yeah.

940
00:45:09,800 --> 00:45:11,319
Speaker 4: I'm trying to say, for a house mate, can you

941
00:45:11,320 --> 00:45:13,919
Speaker 4: deal with that? That's going to be a big bill.

942
00:45:14,200 --> 00:45:19,640
Speaker 3: Sorry, mate, unelievable. Can you believe that cold shower? Cold shower?

943
00:45:19,920 --> 00:45:23,239
Speaker 4: It was pretty cold this morning? Oh jeez, yeah, so

944
00:45:23,320 --> 00:45:24,480
Speaker 4: he just pissed yourself off again.

945
00:45:24,520 --> 00:45:27,879
Speaker 3: There is anything with the show.

946
00:45:28,000 --> 00:45:30,360
Speaker 6: Higheart Radios the place to get it. Keith Evan was

947
00:45:30,400 --> 00:45:31,719
Speaker 6: on the show. It's a ripper of a chat. If

948
00:45:31,760 --> 00:45:33,080
Speaker 6: you like to show big little liares.

949
00:45:33,640 --> 00:45:35,840
Speaker 3: You were as concerned for Nicole Kindan's character as we

950
00:45:35,920 --> 00:45:38,720
Speaker 3: all were, even though it was acting. Gee Whiz, Imagine

951
00:45:38,760 --> 00:45:41,040
Speaker 3: how Keith urban felt about that. When it's his wife

952
00:45:41,040 --> 00:45:43,279
Speaker 3: on screen with Alexander Scar's guard. It's the ripper of

953
00:45:43,280 --> 00:45:45,960
Speaker 3: a conversation. He's a great dude. Go and check that out.

954
00:45:45,960 --> 00:45:48,239
Speaker 3: Will and Woody on Instagram is where you can see

955
00:45:48,239 --> 00:45:51,640
Speaker 3: the results of that social experiment we've been talking about,

956
00:45:51,760 --> 00:45:55,400
Speaker 3: trying to pick up our girlfriends and the recordings that followed.

957
00:45:55,520 --> 00:45:56,720
Speaker 6: Again, that's on Instagram.

958
00:45:56,800 --> 00:46:00,440
Speaker 3: Where can you get out of you tomorrow? A fresh

959
00:46:00,480 --> 00:46:02,400
Speaker 3: way to drive home with Will and Woody