1 00:00:04,480 --> 00:00:13,360 Speaker 1: The Will and Woody podcast, there's one part of the 2 00:00:13,440 --> 00:00:17,640 Speaker 1: day where my daughter Max has more power. Yes, you're 3 00:00:17,680 --> 00:00:20,000 Speaker 1: right Woods. Before the song, he said, they tend to 4 00:00:20,040 --> 00:00:22,280 Speaker 1: have a lot of power at all the times because 5 00:00:22,280 --> 00:00:25,880 Speaker 1: they've got this It's like anyone who's eventually a psycho, 6 00:00:26,040 --> 00:00:27,520 Speaker 1: which is you're constantly. 7 00:00:27,120 --> 00:00:27,960 Speaker 2: Scared of them. 8 00:00:28,080 --> 00:00:29,880 Speaker 1: They can they can just flip at any moment, so 9 00:00:29,880 --> 00:00:31,400 Speaker 1: everyone's kind of on egg shells around them. 10 00:00:31,400 --> 00:00:34,560 Speaker 3: Remy strikes me, she loves me in the face, and 11 00:00:34,560 --> 00:00:36,400 Speaker 3: I'm like, I don't know what to do with this behavior. 12 00:00:37,120 --> 00:00:39,879 Speaker 1: It's confronting, You're you're a pushover. 13 00:00:40,159 --> 00:00:42,479 Speaker 2: I'm finding that as she. 14 00:00:42,400 --> 00:00:47,600 Speaker 1: Needs boundaries anyway. I'm sure then if you're struggling with 15 00:00:47,640 --> 00:00:49,879 Speaker 1: her during the day, then the moment that you will 16 00:00:49,880 --> 00:00:51,880 Speaker 1: struggle the most with her because I have no power 17 00:00:52,040 --> 00:00:54,560 Speaker 1: and even Sam has no power, and Sam rules like 18 00:00:54,640 --> 00:00:58,160 Speaker 1: Margaret Thatcher that the eye lady when it comes to parenting. 19 00:00:58,720 --> 00:01:03,400 Speaker 1: When when Max is in her cot about to go 20 00:01:03,480 --> 00:01:08,840 Speaker 1: to sleep, which is obviously the moment where all we 21 00:01:08,880 --> 00:01:10,440 Speaker 1: want is for her to go to sleep, like. 22 00:01:10,360 --> 00:01:15,319 Speaker 4: It's you do you do anything literally anything at that 23 00:01:15,440 --> 00:01:19,080 Speaker 4: stage to get them to shut up and gott Yes, 24 00:01:19,480 --> 00:01:22,080 Speaker 4: I'm not sure when it happened, but a light bulb 25 00:01:22,200 --> 00:01:22,640 Speaker 4: came on. 26 00:01:22,840 --> 00:01:25,200 Speaker 1: I'm saying quite early actually, maybe when she was like one, 27 00:01:25,200 --> 00:01:26,800 Speaker 1: one and a half where she had this moment where 28 00:01:26,840 --> 00:01:30,559 Speaker 1: she was like, God, you guys are easy to manipulate. 29 00:01:30,600 --> 00:01:33,040 Speaker 1: At this point in time, like there's obviously something that 30 00:01:33,080 --> 00:01:35,760 Speaker 1: you want out of me, which is, yeah, we want 31 00:01:35,760 --> 00:01:36,840 Speaker 1: you to shut up, you little prick. 32 00:01:37,040 --> 00:01:39,360 Speaker 2: Like we've had enough. We want to spend some time together. Yeah, 33 00:01:39,480 --> 00:01:42,360 Speaker 2: a couple. We want we want our time back, our 34 00:01:42,440 --> 00:01:42,920 Speaker 2: life back. 35 00:01:43,000 --> 00:01:45,800 Speaker 1: I've got an episode of seven three weeks. 36 00:01:47,760 --> 00:01:49,240 Speaker 2: I need to start them for eight pm. 37 00:01:50,520 --> 00:01:54,160 Speaker 1: Time. So you're just like you'll do anything at this stage, 38 00:01:54,200 --> 00:01:56,720 Speaker 1: right they know that, Yes, they know that, and so 39 00:01:57,040 --> 00:01:58,560 Speaker 1: I have. I don't know about you, but I have 40 00:01:58,600 --> 00:02:02,040 Speaker 1: found myself in increase sing like Max now and she 41 00:02:02,200 --> 00:02:04,280 Speaker 1: you know, talks really well. So she now is just 42 00:02:04,320 --> 00:02:09,520 Speaker 1: like all right, bitch. She calls you bitch, a right bitch. 43 00:02:09,639 --> 00:02:12,360 Speaker 1: I know you want me to sleep, So like she 44 00:02:12,360 --> 00:02:13,839 Speaker 1: basically gets me to put on the show for her. 45 00:02:14,480 --> 00:02:16,000 Speaker 1: She's a full show, one man show. It's a one 46 00:02:16,040 --> 00:02:16,400 Speaker 1: man show. 47 00:02:16,440 --> 00:02:17,720 Speaker 2: What do you do? 48 00:02:17,880 --> 00:02:20,520 Speaker 1: So she's been hearing a lot of this song on 49 00:02:20,560 --> 00:02:21,040 Speaker 1: the radio. 50 00:02:21,720 --> 00:02:25,760 Speaker 5: Ah, she loves. 51 00:02:25,800 --> 00:02:28,120 Speaker 2: Does she have any interpretation on what they're actually saying? 52 00:02:28,160 --> 00:02:30,440 Speaker 1: There no idea, So she's always got no idea. She 53 00:02:30,800 --> 00:02:32,400 Speaker 1: goes upper duppy is what she calls. 54 00:02:33,000 --> 00:02:33,200 Speaker 2: Yes. 55 00:02:33,280 --> 00:02:35,160 Speaker 1: So she was like, she was about to go to bed, 56 00:02:35,160 --> 00:02:37,440 Speaker 1: and I was about to sing her my normal lullaby, 57 00:02:37,639 --> 00:02:39,799 Speaker 1: which is adele vised from the sound of music, which 58 00:02:39,800 --> 00:02:42,360 Speaker 1: by the way, I do beautifully. So she got adele vised. 59 00:02:42,360 --> 00:02:44,040 Speaker 2: I'm not going to ask for a rendition of that. 60 00:02:45,800 --> 00:02:48,840 Speaker 1: I brought today. I did bring markets up. So no, 61 00:02:48,960 --> 00:02:51,519 Speaker 1: she was like, can you do ad vice? I was like, yeah, sure, done, great, 62 00:02:51,520 --> 00:02:52,679 Speaker 1: go to bed. She goes, I don't know how do 63 00:02:52,720 --> 00:02:55,120 Speaker 1: a second I'd like upper duppy and I was like, 64 00:02:55,919 --> 00:02:57,200 Speaker 1: my upper duppy's pretty tough. 65 00:02:57,400 --> 00:02:59,519 Speaker 3: Like your on call, there's plenty of I was like, 66 00:02:59,520 --> 00:03:01,040 Speaker 3: I'll give it a do you walk out of the 67 00:03:01,080 --> 00:03:05,840 Speaker 3: room and then like wait for the screams and thing. 68 00:03:06,680 --> 00:03:08,120 Speaker 2: So I came back and I did it. 69 00:03:08,200 --> 00:03:11,880 Speaker 1: I did quite a percussive version, you know, with the 70 00:03:11,919 --> 00:03:13,840 Speaker 1: clapping and everything, right, you get into it. But then 71 00:03:13,880 --> 00:03:16,360 Speaker 1: she said to me because and by the way, Sam 72 00:03:16,360 --> 00:03:19,320 Speaker 1: at this point is like Will is just so far 73 00:03:19,400 --> 00:03:21,560 Speaker 1: around Max's finger, Like I've got to record this because 74 00:03:21,560 --> 00:03:24,680 Speaker 1: I couldn't let the partners. I just wanted her sleep. 75 00:03:24,680 --> 00:03:25,960 Speaker 1: So I was like I was doing anything as a. 76 00:03:26,000 --> 00:03:28,320 Speaker 3: Partner, not with the responsibility to put them to bed. 77 00:03:28,880 --> 00:03:30,720 Speaker 3: You just get to enjoy that moment and just laugh 78 00:03:30,840 --> 00:03:31,480 Speaker 3: at what you're o. 79 00:03:32,000 --> 00:03:33,920 Speaker 2: What they happened to do. Yeah, have a look at you, 80 00:03:34,000 --> 00:03:34,560 Speaker 2: Have a look at you. 81 00:03:34,720 --> 00:03:36,800 Speaker 1: So Sam did what any responsible parent would do in 82 00:03:36,800 --> 00:03:39,440 Speaker 1: that situation, and she recorded me, Now it is a 83 00:03:39,560 --> 00:03:43,400 Speaker 1: great pain that I play you and Australia this audio. 84 00:03:43,960 --> 00:03:49,000 Speaker 1: But this is after Max requested a slowed down a 85 00:03:49,080 --> 00:03:53,880 Speaker 1: capella version of Bruno Mars and Rose's apt. 86 00:03:56,440 --> 00:04:00,680 Speaker 2: It's just good pipes. 87 00:04:01,680 --> 00:04:15,560 Speaker 1: Thanks, I don't know me. 88 00:04:15,720 --> 00:04:19,320 Speaker 3: The is how hard you're trying, like, but she notices 89 00:04:19,520 --> 00:04:20,720 Speaker 3: it's a two year old man. 90 00:04:21,040 --> 00:04:22,960 Speaker 2: You're just half. 91 00:04:24,520 --> 00:04:27,279 Speaker 3: It's like you're an Australian idol there, like, just give 92 00:04:27,320 --> 00:04:28,080 Speaker 3: it a break, broke. 93 00:04:29,200 --> 00:04:35,000 Speaker 1: So you sound like you're in a star as you're 94 00:04:35,040 --> 00:04:39,440 Speaker 1: going to Bradley Goober. You need some support here thirteen 95 00:04:39,480 --> 00:04:44,440 Speaker 1: one and six five. Because she notices, dude, she goes. 96 00:04:44,279 --> 00:04:50,200 Speaker 2: Do it again. You'll give you feedback if I don't. 97 00:04:50,279 --> 00:04:52,200 Speaker 1: If I don't give it gusto, she goes to it 98 00:04:52,240 --> 00:04:57,159 Speaker 1: again thirteen and six five. I'd love to hear from 99 00:04:57,440 --> 00:05:01,240 Speaker 1: some other parents, what have you found yourself doing so 100 00:05:01,360 --> 00:05:02,320 Speaker 1: that they will go to sleep? 101 00:05:02,680 --> 00:05:05,680 Speaker 2: Give us a call. I'm Willim Woody. So he calls 102 00:05:05,720 --> 00:05:07,479 Speaker 2: right next click. 103 00:05:07,920 --> 00:05:16,080 Speaker 3: Remy is very beat and Trump's in thereself. It's the 104 00:05:16,120 --> 00:05:19,800 Speaker 3: effort and the desperation for me that I And there's 105 00:05:19,839 --> 00:05:20,880 Speaker 3: your partner laughing right. 106 00:05:21,080 --> 00:05:22,560 Speaker 2: So you're trying. 107 00:05:22,839 --> 00:05:26,839 Speaker 1: I think, by the way, the cowardly of cowardly acts, 108 00:05:27,160 --> 00:05:30,120 Speaker 1: that's fair enough, he's sending I draw the line here 109 00:05:30,120 --> 00:05:31,040 Speaker 1: like I was actually living that. 110 00:05:31,080 --> 00:05:31,919 Speaker 2: Sim took that video. 111 00:05:32,520 --> 00:05:34,880 Speaker 1: If you're if you I volunteered there Big Day. By 112 00:05:34,920 --> 00:05:36,719 Speaker 1: the way, Big Day Max didn't have a nap. I 113 00:05:36,760 --> 00:05:38,640 Speaker 1: was like, I'll put her down. I'll put her down. 114 00:05:38,680 --> 00:05:40,680 Speaker 1: I put the hand up, get in there, do the 115 00:05:40,680 --> 00:05:44,800 Speaker 1: hard yards, pull the pull the slaves up. I'm met 116 00:05:44,800 --> 00:05:47,400 Speaker 1: the cold face, dying, dying in the ass. Max is 117 00:05:47,400 --> 00:05:50,040 Speaker 1: getting me to sing songs, a cappella songs. I'm up 118 00:05:50,040 --> 00:05:52,480 Speaker 1: to my third song. I'm up to a slow rendition 119 00:05:52,600 --> 00:05:54,040 Speaker 1: of a p T by Bruno Mars. 120 00:05:54,080 --> 00:05:57,240 Speaker 2: That's your own call. That's my O left to turn. 121 00:05:59,400 --> 00:06:01,880 Speaker 1: I'm doing At that point when they're in the cart 122 00:06:02,360 --> 00:06:04,520 Speaker 1: when they're in the cart and they're literally like, I 123 00:06:04,560 --> 00:06:07,320 Speaker 1: can yell at you and you will do anything. She 124 00:06:07,640 --> 00:06:09,520 Speaker 1: could have said to me, get me a chocolate coated 125 00:06:09,560 --> 00:06:11,760 Speaker 1: strawberry from the shop down the road, and I'll fall asleep, 126 00:06:11,800 --> 00:06:13,400 Speaker 1: and I would have been like, get me, get me 127 00:06:13,440 --> 00:06:15,080 Speaker 1: to the shop. And that's what I want to know 128 00:06:15,200 --> 00:06:16,840 Speaker 1: right now, because I'm sure there's been some one of 129 00:06:16,880 --> 00:06:19,520 Speaker 1: the parents that have been in the situation. What lengths 130 00:06:19,560 --> 00:06:21,720 Speaker 1: did you go to to just to try and get 131 00:06:21,720 --> 00:06:22,240 Speaker 1: your kids to sleep? 132 00:06:22,279 --> 00:06:25,600 Speaker 2: Let's go to Joe here, Joe, what did you do? Oh? 133 00:06:25,920 --> 00:06:28,520 Speaker 2: Lad's good, mate, very good. What do you do again? 134 00:06:28,640 --> 00:06:30,279 Speaker 2: It's a sleep day, man. 135 00:06:30,320 --> 00:06:32,320 Speaker 5: The missus every time trying to watch something and it's 136 00:06:32,360 --> 00:06:35,520 Speaker 5: getting late and they want to watch something, some stupid cartoon. 137 00:06:36,240 --> 00:06:38,880 Speaker 4: We'll just jump on YouTube and keep playing reruns of 138 00:06:38,880 --> 00:06:39,680 Speaker 4: the News. 139 00:06:39,520 --> 00:06:41,799 Speaker 6: And we'll convince them that's the only thing on TV 140 00:06:43,800 --> 00:06:44,240 Speaker 6: to sleep. 141 00:06:44,360 --> 00:06:44,919 Speaker 2: It's good. 142 00:06:45,400 --> 00:06:45,800 Speaker 5: I love it. 143 00:06:46,920 --> 00:06:49,000 Speaker 2: I love just news from this point on. 144 00:06:50,600 --> 00:06:52,920 Speaker 1: Because I was I was getting pretty fed up recently 145 00:06:52,960 --> 00:06:55,280 Speaker 1: with the what was she into? She was in the 146 00:06:55,480 --> 00:06:56,960 Speaker 1: like a lot of the Whiggles, which I loved, but 147 00:06:57,080 --> 00:07:00,719 Speaker 1: a point where I was like, nah anymore, and I'm 148 00:07:00,760 --> 00:07:02,680 Speaker 1: losing the argument. Every time we get in the cash 149 00:07:02,760 --> 00:07:05,479 Speaker 1: like whiggels, I'm like, nah, for anyone was just like, dude, 150 00:07:05,680 --> 00:07:06,120 Speaker 1: what do you do? 151 00:07:06,600 --> 00:07:08,240 Speaker 2: Is it? You just tell the whigels are gone? 152 00:07:09,400 --> 00:07:11,520 Speaker 1: Like well, He's like, well, like you know, like what 153 00:07:11,560 --> 00:07:13,240 Speaker 1: you do when you know when you're having any chips left, 154 00:07:13,280 --> 00:07:15,000 Speaker 1: you go, so the chips are gone like that, that's 155 00:07:15,040 --> 00:07:16,760 Speaker 1: just And if you say it with the same conviction, 156 00:07:16,800 --> 00:07:18,840 Speaker 1: they're just like right, ship, Yeah. 157 00:07:18,680 --> 00:07:19,120 Speaker 2: It's true. 158 00:07:19,200 --> 00:07:20,760 Speaker 1: Obviously I didn't get the news. 159 00:07:20,560 --> 00:07:24,160 Speaker 2: But I do believe you. They're very gas lightable children. 160 00:07:24,320 --> 00:07:25,400 Speaker 1: It's extraordinary. 161 00:07:25,800 --> 00:07:30,320 Speaker 2: Now they're sleeping sleep you just lie. Yeah, TV's broke. 162 00:07:30,360 --> 00:07:33,800 Speaker 3: I didn't realize how yeah, yeah, yeah, Oh your books 163 00:07:33,800 --> 00:07:35,640 Speaker 3: are they're hiding because we do a lot of hiding. 164 00:07:36,280 --> 00:07:38,400 Speaker 2: The books are hiding. You're kidding. Yeah, we'll find him 165 00:07:38,400 --> 00:07:39,760 Speaker 2: in the morning. Jump in the cup. 166 00:07:40,400 --> 00:07:42,640 Speaker 3: Let's got to Quinn here, Quinn, what do you do 167 00:07:42,720 --> 00:07:43,680 Speaker 3: to get the kids to sleep? 168 00:07:44,480 --> 00:07:46,920 Speaker 6: Hey, So I nanny a three year old little girl 169 00:07:46,920 --> 00:07:50,000 Speaker 6: who's obsessed with Taylor Swift. And I actually met Taylor 170 00:07:50,080 --> 00:07:52,840 Speaker 6: Swift and got a photo with her her errors tour 171 00:07:52,880 --> 00:07:55,640 Speaker 6: a few years that. So this three year old that 172 00:07:55,720 --> 00:07:58,760 Speaker 6: I nanny thinks Taylor and I are really good friends. Perfect, 173 00:07:59,240 --> 00:08:01,960 Speaker 6: And I tell her that I have a meeting with 174 00:08:02,120 --> 00:08:07,280 Speaker 6: Taylor every night about her bedtime behavel wow, free time. 175 00:08:07,640 --> 00:08:11,920 Speaker 3: Every time that Quinn that is around them applause. I think, 176 00:08:13,360 --> 00:08:15,640 Speaker 3: so you can just be like, if she's misbehaving, you 177 00:08:15,640 --> 00:08:16,880 Speaker 3: can go I'm going to call Taylor. 178 00:08:16,960 --> 00:08:17,800 Speaker 2: I'm going to call Taylor. 179 00:08:19,040 --> 00:08:20,200 Speaker 6: My meeting's coming up. 180 00:08:20,640 --> 00:08:21,400 Speaker 2: That's good on you. 181 00:08:22,920 --> 00:08:25,160 Speaker 1: That, I mean, it doesn't It is kind of reminiscent 182 00:08:25,160 --> 00:08:31,400 Speaker 1: of the old call Santa calling calling sand because he's 183 00:08:31,400 --> 00:08:33,960 Speaker 1: doing then Audi a nice list. Well, he's always doing it. 184 00:08:34,200 --> 00:08:36,280 Speaker 1: That's the that's the problem with then Audio. It's a 185 00:08:36,480 --> 00:08:38,120 Speaker 1: it's a three hundred and sixty five day review. 186 00:08:38,240 --> 00:08:40,760 Speaker 3: Absolutely, I would question if if you I'm not sure 187 00:08:40,760 --> 00:08:42,320 Speaker 3: if your parents do have his mobile number though, That's 188 00:08:42,360 --> 00:08:43,520 Speaker 3: what I'd questioned Mum and dad did. 189 00:08:44,320 --> 00:08:45,880 Speaker 1: That's what i'd question Mum and dad did. I don't 190 00:08:45,880 --> 00:08:47,160 Speaker 1: know about yours, but well. 191 00:08:47,120 --> 00:08:48,680 Speaker 2: They told me they did. But I just questioned that 192 00:08:49,280 --> 00:08:50,040 Speaker 2: let's go to Jerome. 193 00:08:50,080 --> 00:08:50,240 Speaker 7: Here. 194 00:08:51,720 --> 00:08:53,640 Speaker 1: Sorry, just before we get to Jerome, we are talking 195 00:08:53,640 --> 00:08:55,439 Speaker 1: about links you've gone to to get your child, just 196 00:08:55,559 --> 00:08:58,199 Speaker 1: like you were talking before about children hiding about your 197 00:08:58,240 --> 00:09:03,439 Speaker 1: saying to Remy that often whatever hiding. Yeah, but we 198 00:09:03,440 --> 00:09:05,560 Speaker 1: were going to go to a dinosaur day and it 199 00:09:05,600 --> 00:09:07,960 Speaker 1: was it was a forty to five degree dinosaur days 200 00:09:08,000 --> 00:09:11,160 Speaker 1: backflipped and Mimi and I was a messaging Mim about 201 00:09:11,160 --> 00:09:13,200 Speaker 1: this and I said, it was too hot. We're just 202 00:09:13,200 --> 00:09:15,640 Speaker 1: told Max the dinosaurs were hiding, and she said, we 203 00:09:15,920 --> 00:09:19,040 Speaker 1: were told Remy the dinosaurs died, which I thought, which 204 00:09:19,320 --> 00:09:21,280 Speaker 1: was approach, which I thought was a step too far. 205 00:09:21,360 --> 00:09:23,720 Speaker 2: That was Mims approach. I also went with the hiding. 206 00:09:23,800 --> 00:09:25,240 Speaker 3: But then I was in the bush for a long 207 00:09:25,280 --> 00:09:27,160 Speaker 3: time with Remy looking for said dinosaurs. 208 00:09:27,320 --> 00:09:30,679 Speaker 2: I only found footprints that day. Prince. 209 00:09:31,840 --> 00:09:34,079 Speaker 3: I thought the footprints would satisfy her, but unfortunately the 210 00:09:34,080 --> 00:09:35,680 Speaker 3: foot princess inspired. 211 00:09:35,960 --> 00:09:52,200 Speaker 1: No tariffs, bloody everywhere. And look the guy who the 212 00:09:52,240 --> 00:09:54,600 Speaker 1: guy who broke this storage today, Carrington Clark was on 213 00:09:54,640 --> 00:09:57,640 Speaker 1: this show earlier talking about exactly this is an amazing 214 00:09:57,679 --> 00:09:59,960 Speaker 1: story that the Trump's basically said, Astralia's not really a friend, Nie, 215 00:10:00,240 --> 00:10:02,240 Speaker 1: I'm just going to tariff them like everyone else. 216 00:10:02,920 --> 00:10:04,840 Speaker 2: And Woods, I mean you asked the question that everybody 217 00:10:04,920 --> 00:10:05,240 Speaker 2: was thinking. 218 00:10:06,080 --> 00:10:08,640 Speaker 3: So sorry, and day to day, if he starts putting 219 00:10:08,920 --> 00:10:12,640 Speaker 3: tariffs on what we're sending over there that is going 220 00:10:12,679 --> 00:10:14,920 Speaker 3: to impact our economy in a negative way. 221 00:10:15,320 --> 00:10:18,800 Speaker 1: Well if you have laying a tariff which is effectively 222 00:10:18,840 --> 00:10:21,840 Speaker 1: attacked on import. Yeah, here to report. 223 00:10:21,880 --> 00:10:23,720 Speaker 2: I have to give you a lesson. I said, talk 224 00:10:23,800 --> 00:10:25,480 Speaker 2: to me like a twelve year old boy, Karendon. 225 00:10:25,880 --> 00:10:28,200 Speaker 1: It was such a shit question that he like, you 226 00:10:28,200 --> 00:10:30,560 Speaker 1: could hear him stumbling because he was like it was shocked. 227 00:10:30,679 --> 00:10:34,800 Speaker 1: I need to explain to you how taxing another country, And. 228 00:10:34,800 --> 00:10:36,400 Speaker 3: That's what I do as a journalism. I like to 229 00:10:36,400 --> 00:10:38,200 Speaker 3: put the first on the back foot. That's what I 230 00:10:38,280 --> 00:10:41,440 Speaker 3: do will power of my questioning. Let's get into this 231 00:10:41,480 --> 00:10:43,559 Speaker 3: because we've got an economics quiz for you. Now, that's 232 00:10:43,640 --> 00:10:46,000 Speaker 3: that's actually fine because I actually have a commerce degree, 233 00:10:46,080 --> 00:10:47,800 Speaker 3: and yeah, tariffs was just always a bit of a 234 00:10:47,800 --> 00:10:49,840 Speaker 3: blind spot for me. Oh I really didn't pick up 235 00:10:49,840 --> 00:10:51,839 Speaker 3: the concert got to see in tariffs? Yeah, I did, 236 00:10:52,200 --> 00:10:53,400 Speaker 3: just not a strong subject for me. 237 00:10:54,200 --> 00:10:56,640 Speaker 1: So this is a time you have a distinction in 238 00:10:56,720 --> 00:10:57,959 Speaker 1: economy in commerce. 239 00:10:58,000 --> 00:11:00,640 Speaker 3: I won't say the university because that that might be 240 00:11:00,640 --> 00:11:02,040 Speaker 3: a bad look for them, but yes, I've got a 241 00:11:02,080 --> 00:11:03,199 Speaker 3: commist agree with distinction. 242 00:11:04,679 --> 00:11:07,360 Speaker 1: What is economics in a sentence. 243 00:11:07,400 --> 00:11:15,840 Speaker 8: Money, come on, capitalist, What is it the study of 244 00:11:16,440 --> 00:11:17,800 Speaker 8: the study of the economy? 245 00:11:17,960 --> 00:11:18,160 Speaker 2: Is that? 246 00:11:18,520 --> 00:11:20,520 Speaker 3: Well, it's basically the study of how much money is 247 00:11:20,520 --> 00:11:22,160 Speaker 3: coming into the country and how much money is coming 248 00:11:22,160 --> 00:11:22,680 Speaker 3: out of the country. 249 00:11:22,679 --> 00:11:23,480 Speaker 2: It's supplying demand. 250 00:11:23,559 --> 00:11:29,280 Speaker 1: Baby, it's not economics is the study of scarcity? 251 00:11:29,520 --> 00:11:33,200 Speaker 3: Why don't they talk about animals? What if it's If 252 00:11:33,240 --> 00:11:36,840 Speaker 3: it's the study of scarcity. If it's that vague broad, 253 00:11:37,640 --> 00:11:40,040 Speaker 3: then why wouldn't they talk about endangered animals? 254 00:11:40,360 --> 00:11:41,199 Speaker 2: They are scarce? 255 00:11:42,000 --> 00:11:45,000 Speaker 1: Let's go to Christiana's got an. 256 00:11:44,920 --> 00:11:47,520 Speaker 2: Issue with your definition? Where do you get your definition from? 257 00:11:47,559 --> 00:11:50,000 Speaker 1: Online? 258 00:11:51,600 --> 00:11:52,080 Speaker 2: Economics? 259 00:11:52,240 --> 00:11:54,840 Speaker 1: Is the study of scarcity and its implications for the 260 00:11:54,920 --> 00:11:58,160 Speaker 1: use of resources, production of goods and services, growth of production, 261 00:11:58,320 --> 00:11:59,240 Speaker 1: and welfare over time? 262 00:11:59,320 --> 00:12:03,760 Speaker 2: Yeah, okay, that's good definition. But all in all, moneys 263 00:12:03,800 --> 00:12:10,280 Speaker 2: a blind man? What question to what is a bull market? Bull? 264 00:12:11,000 --> 00:12:12,800 Speaker 2: We gotta grab the bull by the horns. I know that. 265 00:12:12,840 --> 00:12:16,520 Speaker 3: And there is a bull having its horns grabbed in New. 266 00:12:16,440 --> 00:12:18,960 Speaker 2: York, Yes there is. 267 00:12:19,240 --> 00:12:23,120 Speaker 1: There is, Yeah, out in front of the Stock Exchange, Yes, 268 00:12:23,280 --> 00:12:32,120 Speaker 1: very very much, on which street on forty fourth and Miracle. 269 00:12:35,360 --> 00:12:38,440 Speaker 2: So given all that to what was question? Pool market? 270 00:12:38,520 --> 00:12:42,839 Speaker 2: What is it a pool market. Aggressive. It's an aggressive market. 271 00:12:42,880 --> 00:12:46,400 Speaker 3: It's going up and down aggressively, certainly going out, so 272 00:12:46,559 --> 00:12:47,640 Speaker 3: it's charging. 273 00:12:47,600 --> 00:12:50,880 Speaker 2: Like a bull. Which so it's a positive uptrending. It's 274 00:12:50,880 --> 00:12:52,439 Speaker 2: an up trending. It's an up treading market. 275 00:12:52,520 --> 00:13:02,360 Speaker 1: Very very little, well done, hey, in economics, mm hmm. 276 00:13:02,400 --> 00:13:04,440 Speaker 2: What does the term pump and dump mean? 277 00:13:04,880 --> 00:13:08,400 Speaker 3: Pump and dump to bump and dump in economics? And 278 00:13:08,440 --> 00:13:11,480 Speaker 3: I saw this in the film The Big Short. You 279 00:13:11,480 --> 00:13:13,960 Speaker 3: you pump by buying lots of stocks and then you 280 00:13:14,080 --> 00:13:15,400 Speaker 3: dump to short them. 281 00:13:15,840 --> 00:13:22,760 Speaker 1: You do not see that coming, thank you. 282 00:13:22,760 --> 00:13:26,200 Speaker 2: Pump and dumb, Pump and dumb. Sometimes you pump forget 283 00:13:26,200 --> 00:13:26,600 Speaker 2: the dump. 284 00:13:30,520 --> 00:13:33,280 Speaker 3: Falling on a bit will from a from a conversation 285 00:13:33,360 --> 00:13:35,800 Speaker 3: we had yesterday. It's a big stress for mine. It's 286 00:13:35,840 --> 00:13:37,960 Speaker 3: a massive stress for mine, and I think it's a 287 00:13:38,000 --> 00:13:40,600 Speaker 3: stress that a lot of people listening would have. And 288 00:13:40,640 --> 00:13:45,479 Speaker 3: it's around small talk. It's around small talk in social situations. 289 00:13:47,200 --> 00:13:49,360 Speaker 3: Weddings come to mind, of course, but you've got to 290 00:13:49,400 --> 00:13:50,480 Speaker 3: engage in this small talk. 291 00:13:50,559 --> 00:13:52,840 Speaker 2: But you identified yesterday on the show. 292 00:13:53,000 --> 00:13:56,160 Speaker 3: Yeah, my main problem with small talk, and that is 293 00:13:56,160 --> 00:13:58,559 Speaker 3: my inability to leave a conversation. 294 00:13:59,200 --> 00:13:59,920 Speaker 2: Well, you're so bad. 295 00:14:00,040 --> 00:14:02,880 Speaker 1: Had it leaving a conversation is because often people will 296 00:14:02,880 --> 00:14:06,240 Speaker 1: throw something horrible at you, like really bad, Like it's 297 00:14:06,240 --> 00:14:09,000 Speaker 1: something where they're not expecting you to pick like keep going, 298 00:14:09,040 --> 00:14:11,480 Speaker 1: so you'll go, hey, how are you going, and somebody go, yeah, 299 00:14:11,600 --> 00:14:14,480 Speaker 1: not bad. I managed to you know, I just forgot 300 00:14:14,520 --> 00:14:18,440 Speaker 1: my sunglasses, and you'll go, oh my god, sunglasses I mean, 301 00:14:20,320 --> 00:14:22,480 Speaker 1: and then there'll be in a five minute chat with 302 00:14:22,520 --> 00:14:23,480 Speaker 1: you about sunglasses. 303 00:14:24,520 --> 00:14:26,520 Speaker 2: Okay, I need help. 304 00:14:27,560 --> 00:14:29,960 Speaker 1: Wow, okay, great, good for you. 305 00:14:30,320 --> 00:14:34,080 Speaker 2: First first step except it realizing that you need it. 306 00:14:34,960 --> 00:14:37,280 Speaker 3: For a while thinking I was I was good socially, 307 00:14:37,320 --> 00:14:39,080 Speaker 3: but at the end of the day, I'm not spreading 308 00:14:39,120 --> 00:14:41,480 Speaker 3: myself around enough and people are missing out on a 309 00:14:41,480 --> 00:14:42,240 Speaker 3: bit of woodie time. 310 00:14:42,720 --> 00:14:48,520 Speaker 5: So not that it's not it's not that at all. 311 00:14:48,640 --> 00:14:51,720 Speaker 2: I don't get to see some people because sometimes. 312 00:14:51,000 --> 00:14:54,960 Speaker 1: Some people like standing in silence. Some people like to 313 00:14:54,960 --> 00:14:57,920 Speaker 1: be you know, not small talk. 314 00:14:58,200 --> 00:14:59,680 Speaker 3: Yeah, no, I get that, But look, at the end 315 00:14:59,680 --> 00:15:00,800 Speaker 3: of the day, what I really want to hone in 316 00:15:00,880 --> 00:15:04,520 Speaker 3: on here? What about you? How do you leave a conversation? 317 00:15:04,840 --> 00:15:07,400 Speaker 3: So again, thirteen one oh sixty five is the number. 318 00:15:08,320 --> 00:15:11,960 Speaker 3: Does anyone out there have a go to method of 319 00:15:12,120 --> 00:15:16,520 Speaker 3: leaving a conversation, and I want to put some caveats. 320 00:15:16,080 --> 00:15:18,440 Speaker 1: In here, just like I just going nice to see you. 321 00:15:19,040 --> 00:15:21,360 Speaker 2: I'll see it later on. So rude. See, this is 322 00:15:21,400 --> 00:15:21,920 Speaker 2: the issue. 323 00:15:22,160 --> 00:15:24,360 Speaker 1: The issue here is not how do you leave a conversation, 324 00:15:24,520 --> 00:15:26,200 Speaker 1: it's how do you leave a conversation which is going 325 00:15:26,240 --> 00:15:29,520 Speaker 1: to satisfy your anxiety that you haven't offended them. She's 326 00:15:29,760 --> 00:15:33,520 Speaker 1: what I'm mean, She's an insurmountable yardstick. There's no way 327 00:15:33,760 --> 00:15:36,200 Speaker 1: apart from and I know what your method is, which 328 00:15:36,240 --> 00:15:38,360 Speaker 1: is the perfect laugh out right, the ride the laugh, 329 00:15:38,560 --> 00:15:40,160 Speaker 1: which is she's. 330 00:15:39,880 --> 00:15:42,560 Speaker 2: Really really hard to do and it can be stressful 331 00:15:42,600 --> 00:15:43,920 Speaker 2: if you're with not a big laughing. 332 00:15:44,200 --> 00:15:46,960 Speaker 3: So you realize early on if you're talking to someone 333 00:15:47,000 --> 00:15:50,080 Speaker 3: who doesn't have a big laugh and you're just you're working, 334 00:15:50,120 --> 00:15:52,240 Speaker 3: you're just doing your best gear, you're doing your best material. 335 00:15:52,480 --> 00:15:54,360 Speaker 2: And if they don't laugh, you're with them for the night. 336 00:15:54,520 --> 00:15:57,280 Speaker 1: Have you have you got it back up? 337 00:15:57,320 --> 00:15:57,360 Speaker 7: Like? 338 00:15:57,600 --> 00:15:59,160 Speaker 1: Are you do you ever just a to like I. 339 00:15:59,160 --> 00:16:00,680 Speaker 3: Just got to go to the toilet, Yeah, toilet, But 340 00:16:00,720 --> 00:16:01,960 Speaker 3: sometimes they go, oh, I've got to go to it, 341 00:16:01,960 --> 00:16:03,440 Speaker 3: and you're like, oh god, then we're going to have 342 00:16:03,560 --> 00:16:05,920 Speaker 3: urinal chat. And then when we're done with urinal chat 343 00:16:06,000 --> 00:16:08,000 Speaker 3: drink yeah, and then they go, oh, I'm empty as well, 344 00:16:08,000 --> 00:16:09,640 Speaker 3: and you're like, god, this barnacle. 345 00:16:10,080 --> 00:16:10,360 Speaker 2: Yeah. 346 00:16:10,480 --> 00:16:14,800 Speaker 1: So you're talking about how to lose a clinger is 347 00:16:14,960 --> 00:16:15,560 Speaker 1: small talk? 348 00:16:16,080 --> 00:16:17,800 Speaker 3: Yeah, effectively? And I think what I want to do 349 00:16:17,880 --> 00:16:19,080 Speaker 3: up next. By the way, if you think you've got 350 00:16:19,080 --> 00:16:21,800 Speaker 3: a good method to leave a conversation, i'd like. 351 00:16:21,720 --> 00:16:24,440 Speaker 2: You to do it to me. Oh, I like that, 352 00:16:24,480 --> 00:16:25,120 Speaker 2: I want to see it. 353 00:16:25,520 --> 00:16:30,040 Speaker 3: I don't tell me what the method is, right, okay, 354 00:16:30,160 --> 00:16:31,880 Speaker 3: thirteen one oh sixty five. If you've got a good 355 00:16:31,920 --> 00:16:33,480 Speaker 3: way of or if you just think you're good at 356 00:16:33,560 --> 00:16:34,640 Speaker 3: leaving conversations. 357 00:16:34,720 --> 00:16:43,080 Speaker 2: We've got Gabby here. Hey, Gab, So I see easy, easy, gad. 358 00:16:43,560 --> 00:16:45,040 Speaker 3: What I want to do here, Gabby is I'm just 359 00:16:45,080 --> 00:16:47,040 Speaker 3: going to engage in some small talk with you. Okay, 360 00:16:47,040 --> 00:16:50,080 Speaker 3: We've got a little bit ambiance here. Okay, nice back 361 00:16:50,120 --> 00:16:50,520 Speaker 3: in front. 362 00:16:50,880 --> 00:16:55,080 Speaker 2: Awesome. So this happens some small talk, Gabby. Hey, how 363 00:16:55,120 --> 00:16:55,360 Speaker 2: are you? 364 00:16:56,000 --> 00:16:56,320 Speaker 5: I will? 365 00:16:56,400 --> 00:16:56,880 Speaker 9: How are you? 366 00:16:56,960 --> 00:16:59,960 Speaker 2: I'm outstanding, I'm always really good. I love when. 367 00:17:01,360 --> 00:17:03,040 Speaker 10: Which you love about Wednesday? 368 00:17:03,640 --> 00:17:05,600 Speaker 3: I don't know, there's like there's the glimpse of the 369 00:17:05,600 --> 00:17:08,120 Speaker 3: weekend to come, but also still the memory of the weekend, 370 00:17:08,400 --> 00:17:09,000 Speaker 3: So I don't know. 371 00:17:09,720 --> 00:17:12,360 Speaker 2: For me, it's just always a nice thing. 372 00:17:12,480 --> 00:17:15,560 Speaker 3: I like to engage in fun activities on a Wednesday 373 00:17:15,600 --> 00:17:17,320 Speaker 3: because you know, again, it's not quite the weekend, so I 374 00:17:17,400 --> 00:17:18,119 Speaker 3: have to go wild. 375 00:17:18,520 --> 00:17:21,280 Speaker 2: But it's not Monday, so you can, you can loosen 376 00:17:21,359 --> 00:17:24,119 Speaker 2: up a little bit. What what's your favorite day of 377 00:17:24,160 --> 00:17:24,480 Speaker 2: the week. 378 00:17:25,280 --> 00:17:26,480 Speaker 10: It's Friday. 379 00:17:26,600 --> 00:17:29,600 Speaker 2: But okay, Friday's a classic. Friday is a classic. 380 00:17:30,960 --> 00:17:31,560 Speaker 10: To treat. 381 00:17:31,680 --> 00:17:34,440 Speaker 3: Well, I'm sorry, but okay, then it's not enough. I'm 382 00:17:34,440 --> 00:17:35,280 Speaker 3: not kidding enough. 383 00:17:36,000 --> 00:17:38,359 Speaker 2: There's no freendom there, Gabby, thank you, thank you for 384 00:17:38,400 --> 00:17:38,879 Speaker 2: the attempt. 385 00:17:38,960 --> 00:17:41,160 Speaker 1: But Gaddy, I thought that. I thought it was good. 386 00:17:41,480 --> 00:17:42,080 Speaker 1: I liked it. 387 00:17:42,200 --> 00:17:46,959 Speaker 2: I can't just say okay, then you got to sing. 388 00:17:47,160 --> 00:17:50,080 Speaker 2: You've got to see the phone. I reckon that. My 389 00:17:50,160 --> 00:17:51,840 Speaker 2: mum does that over the phone. 390 00:17:52,359 --> 00:17:54,360 Speaker 3: The one for the phone. I'm actually not bad over 391 00:17:54,400 --> 00:17:56,960 Speaker 3: the phone. Weirdly enough, I say, I flip it on 392 00:17:57,000 --> 00:17:58,359 Speaker 3: him and go, I'll let you go. 393 00:17:58,400 --> 00:17:58,760 Speaker 5: There you go. 394 00:17:59,200 --> 00:18:01,600 Speaker 2: It works every time. Well, the first time I heard. 395 00:18:01,400 --> 00:18:04,840 Speaker 1: That, they go, they go, I better let you go, 396 00:18:04,880 --> 00:18:08,560 Speaker 1: and you well, you have no reason. I've got all 397 00:18:08,600 --> 00:18:10,440 Speaker 1: the time in the world, all that I want to 398 00:18:10,520 --> 00:18:11,400 Speaker 1: leave this conversation. 399 00:18:11,520 --> 00:18:12,639 Speaker 2: All right, let's go to kind of here. 400 00:18:13,080 --> 00:18:14,960 Speaker 1: You've got a gas lighting you, isn't it. I better 401 00:18:15,000 --> 00:18:18,520 Speaker 1: let you go then totally okay. I'll actually use that 402 00:18:18,560 --> 00:18:22,080 Speaker 1: one at the wedding as well. We keep going back 403 00:18:22,080 --> 00:18:25,120 Speaker 1: to weddings because weddings is a small talk nightmare. It's 404 00:18:25,119 --> 00:18:26,720 Speaker 1: a bad small talker's worst nightmare. 405 00:18:26,720 --> 00:18:28,760 Speaker 2: The counterpay has come out and the small talk begins. 406 00:18:28,840 --> 00:18:31,280 Speaker 1: So I often say to them, I'm sure you've got 407 00:18:31,280 --> 00:18:32,440 Speaker 1: loads of other people you want to talk to. 408 00:18:32,680 --> 00:18:33,640 Speaker 2: Oh, that's pretty good. 409 00:18:34,000 --> 00:18:39,480 Speaker 8: What if they go, nah, Well I do. 410 00:18:39,640 --> 00:18:41,400 Speaker 3: What I meant by that was I want to leave 411 00:18:41,960 --> 00:18:43,320 Speaker 3: kind of here now, Connor, you think you've got a 412 00:18:43,359 --> 00:18:45,520 Speaker 3: good method, let's just see it in action. I'm going 413 00:18:45,560 --> 00:18:48,399 Speaker 3: to start talking to you. Leave the conversation as soon 414 00:18:48,440 --> 00:18:53,600 Speaker 3: as you can, all right, Connor? Yeah, awesome, Connor. 415 00:18:53,640 --> 00:18:57,000 Speaker 2: I like you. I like your shoes, Yeah, bro, got 416 00:18:57,200 --> 00:18:59,679 Speaker 2: actually last week? Got them last week? Nice? 417 00:19:00,160 --> 00:19:00,320 Speaker 5: Nice? 418 00:19:00,400 --> 00:19:02,680 Speaker 3: Yeah they still look pretty fresh. What do you when 419 00:19:02,680 --> 00:19:07,840 Speaker 3: do you shop for shoes? I love Rebel. See Rebel's 420 00:19:07,880 --> 00:19:09,040 Speaker 3: got your covered for everything. 421 00:19:09,160 --> 00:19:10,000 Speaker 2: He's got your sports. 422 00:19:10,440 --> 00:19:12,080 Speaker 3: But I can, like, I feel like I can wear 423 00:19:12,080 --> 00:19:13,920 Speaker 3: sports get casually. And you see a lot of billionaires 424 00:19:13,920 --> 00:19:14,680 Speaker 3: doing that these days. 425 00:19:14,680 --> 00:19:18,760 Speaker 2: Actually, ship's giving me a call. Yeah, I better let 426 00:19:18,760 --> 00:19:19,920 Speaker 2: you do that. 427 00:19:23,640 --> 00:19:26,760 Speaker 1: Wow, Connor, that's and it was ship chat from what 428 00:19:26,840 --> 00:19:29,240 Speaker 1: he is talking about billionaires for that's a. 429 00:19:29,200 --> 00:19:31,520 Speaker 3: Good point though, what's the deal there? Why are billionaires 430 00:19:31,520 --> 00:19:33,520 Speaker 3: were in sporting plays? But Connor, here's the thing to 431 00:19:33,640 --> 00:19:37,880 Speaker 3: sell that. I feel like your phone needs to do something. 432 00:19:38,240 --> 00:19:39,840 Speaker 7: Needs to be in my pocket, but my phone's on 433 00:19:39,920 --> 00:19:40,560 Speaker 7: silent all the time. 434 00:19:42,080 --> 00:19:44,720 Speaker 2: You sell that, I think I need to rehearse that. Oh, 435 00:19:44,800 --> 00:19:45,440 Speaker 2: you'd have to be good. 436 00:19:45,480 --> 00:19:49,560 Speaker 1: Look because if they caught you out right and as you. 437 00:19:49,520 --> 00:19:52,239 Speaker 3: Pull your phone out, if they say screen, if they 438 00:19:52,240 --> 00:19:54,520 Speaker 3: say blanks, you're not showing them the screen. 439 00:19:56,960 --> 00:19:58,600 Speaker 2: If you don't pull the phone, you can still face 440 00:19:58,640 --> 00:19:59,280 Speaker 2: the screen, do you. 441 00:19:59,280 --> 00:20:01,560 Speaker 1: I'm sure Connor's done at enough time so people can't 442 00:20:01,600 --> 00:20:02,800 Speaker 1: see you who you're talking to. 443 00:20:02,960 --> 00:20:04,400 Speaker 2: But for me more it's. 444 00:20:04,280 --> 00:20:07,280 Speaker 1: Because I mean, you try and do that right now, because. 445 00:20:06,680 --> 00:20:07,359 Speaker 2: You talk to me. 446 00:20:07,760 --> 00:20:09,720 Speaker 1: You you're a bad actor. 447 00:20:10,280 --> 00:20:13,800 Speaker 3: Had I was Puck in Midsummer Night's Dreaming Year eleven, 448 00:20:14,520 --> 00:20:17,600 Speaker 3: you've lost that's that you're a bad hanging. 449 00:20:17,640 --> 00:20:18,560 Speaker 2: See Mum's calling. 450 00:20:18,320 --> 00:20:22,919 Speaker 5: Me, let's go to mel. 451 00:20:23,520 --> 00:20:24,159 Speaker 2: That was perfect. 452 00:20:24,320 --> 00:20:29,119 Speaker 1: It wasn't It wasn't you didn't put your phone out nothing. 453 00:20:29,520 --> 00:20:30,479 Speaker 5: My mom's killing me. 454 00:20:30,960 --> 00:20:31,200 Speaker 9: Mel. 455 00:20:31,640 --> 00:20:33,600 Speaker 1: All right, Mal, you got to try and help Woods 456 00:20:33,600 --> 00:20:34,760 Speaker 1: get out of some small talk. 457 00:20:35,720 --> 00:20:38,240 Speaker 2: How I boys good, Mel, We're really really good. 458 00:20:38,600 --> 00:20:40,600 Speaker 1: I thought you'd be a woman. But yeah, no, carry on. 459 00:20:40,840 --> 00:20:44,400 Speaker 2: Oh wow, Mel Gibson, I'm totally offended that you thought 460 00:20:44,400 --> 00:20:44,840 Speaker 2: I was a woman. 461 00:20:44,840 --> 00:20:45,920 Speaker 6: I'm going to leave this conversation. 462 00:20:46,400 --> 00:20:48,720 Speaker 2: Oh that's what you done. 463 00:20:49,119 --> 00:20:50,800 Speaker 6: No, that's not what I do. But that's not that's 464 00:20:51,480 --> 00:20:52,920 Speaker 6: an easy I could have done. 465 00:20:53,080 --> 00:20:54,800 Speaker 3: That's that isn't easy. All right, But so tell me 466 00:20:54,840 --> 00:20:56,560 Speaker 3: what you're actually because unfortunately I can't go over that. 467 00:20:56,600 --> 00:21:00,359 Speaker 3: I think no one, Yeah, you much will be if 468 00:21:00,400 --> 00:21:02,080 Speaker 3: an All right, so let's just let's you engage Mel. 469 00:21:03,000 --> 00:21:07,800 Speaker 2: Mel love your name. What do you do for work? Thanks? Man? 470 00:21:07,920 --> 00:21:08,880 Speaker 6: I'm a real estate agent? 471 00:21:08,920 --> 00:21:11,680 Speaker 2: Actually, oh nice? Is selling any houses this week? 472 00:21:12,359 --> 00:21:12,600 Speaker 1: Yeah? 473 00:21:13,080 --> 00:21:14,480 Speaker 7: Actually talking about selling houses? 474 00:21:14,480 --> 00:21:15,760 Speaker 10: I actually have to give my brother a quick call 475 00:21:15,800 --> 00:21:16,480 Speaker 10: about his home. 476 00:21:16,520 --> 00:21:19,400 Speaker 6: But I have to respect to him about I'll speak. 477 00:21:19,640 --> 00:21:23,280 Speaker 3: Yeah mate, No, all right, see in a second. So 478 00:21:23,359 --> 00:21:25,320 Speaker 3: it feels like the only why you've done well there, 479 00:21:25,320 --> 00:21:26,960 Speaker 3: Melbow done. I mean, I'm not going to think is 480 00:21:26,960 --> 00:21:27,879 Speaker 3: I'm not going to dispute that. 481 00:21:28,080 --> 00:21:29,560 Speaker 2: We just get the same one. He's got the phone 482 00:21:29,600 --> 00:21:30,360 Speaker 2: call pretty much. 483 00:21:30,720 --> 00:21:32,879 Speaker 1: It feels like one of them called them, one of 484 00:21:32,920 --> 00:21:33,520 Speaker 1: the called the brother. 485 00:21:33,760 --> 00:21:35,639 Speaker 3: So it feels like to me, what I've learned is 486 00:21:36,640 --> 00:21:39,040 Speaker 3: just say that your phone starts calling, pretty much. 487 00:21:39,080 --> 00:21:41,480 Speaker 2: Is that that was your bit, right, Mel? Yeah? 488 00:21:41,480 --> 00:21:43,239 Speaker 10: But if you say someone's calling me, then they can 489 00:21:43,240 --> 00:21:45,320 Speaker 10: call your bluff and they have to see your phone and. 490 00:21:45,280 --> 00:21:46,400 Speaker 9: No one's actually calling you. 491 00:21:47,800 --> 00:21:48,919 Speaker 6: I have to call someone. 492 00:21:49,280 --> 00:21:51,320 Speaker 1: I've just realized I've got to call someone. 493 00:21:52,119 --> 00:21:55,879 Speaker 2: Yeah at a wedding. Yeah, it's usually like a Saturday 494 00:21:56,119 --> 00:21:58,240 Speaker 2: at like you know five, Like why do you a 495 00:21:58,440 --> 00:21:59,960 Speaker 2: sudden if you will to get out of it? 496 00:22:12,560 --> 00:22:16,240 Speaker 3: What's talking now about using food as a projectile? Well, 497 00:22:16,280 --> 00:22:20,520 Speaker 3: classic food fight behavior which we can't cande. Absolutely not, 498 00:22:21,160 --> 00:22:22,280 Speaker 3: and I hope I haven't given that. 499 00:22:22,240 --> 00:22:25,560 Speaker 1: Crisis in a littering, you know, like an environmental crisis. 500 00:22:25,880 --> 00:22:28,120 Speaker 1: Absolutely a crisis that we need to. 501 00:22:28,040 --> 00:22:33,000 Speaker 3: Be their crisis everywhere and using their crisis is everywhere? 502 00:22:33,720 --> 00:22:37,440 Speaker 2: Christis christ I what is the the blue crises? Crisis 503 00:22:37,560 --> 00:22:40,359 Speaker 2: is the plural of crisis. That's that's a really billy 504 00:22:40,400 --> 00:22:40,800 Speaker 2: of a pickle. 505 00:22:41,040 --> 00:22:44,720 Speaker 3: Anyway, I'm talking about that, because an NRL fan is 506 00:22:45,480 --> 00:22:47,960 Speaker 3: looking like they are not only going to get banned 507 00:22:48,000 --> 00:22:52,760 Speaker 3: from all future NRL games, but also potentially facing charges 508 00:22:52,760 --> 00:22:54,520 Speaker 3: because of something they did at again. 509 00:22:54,760 --> 00:22:57,320 Speaker 1: It's an NRL fan has been charged after throwing a 510 00:22:57,359 --> 00:23:00,600 Speaker 1: meat pie allegedly at a Bulldogs fan on Saturday. 511 00:23:01,400 --> 00:23:01,560 Speaker 9: Yeah. 512 00:23:01,720 --> 00:23:05,399 Speaker 3: The doggies feed the dragons. Yeah, so the idiot he 513 00:23:05,840 --> 00:23:08,000 Speaker 3: filmed himself doing it. That's how they found him. So 514 00:23:08,119 --> 00:23:11,520 Speaker 3: he's got a great idea. He films himself buying the pie, 515 00:23:12,000 --> 00:23:14,880 Speaker 3: doesn't even take a bite of said pie. I don't 516 00:23:14,880 --> 00:23:16,280 Speaker 3: know how much you pay him for a meat piet 517 00:23:16,760 --> 00:23:18,840 Speaker 3: at the game these days. That's that's five or six bucks, 518 00:23:18,880 --> 00:23:22,440 Speaker 3: I reckon at a game, I've probably paid six bucks 519 00:23:22,440 --> 00:23:25,199 Speaker 3: for a meat pie, doesn't even take a bite of 520 00:23:25,240 --> 00:23:28,920 Speaker 3: the pie, and then just films himself launching it into 521 00:23:28,960 --> 00:23:31,600 Speaker 3: a pack of Bulldog supporters, so opposition supporters. 522 00:23:31,680 --> 00:23:34,199 Speaker 1: You know, I don't want to get into you know, 523 00:23:34,280 --> 00:23:38,840 Speaker 1: food wastedge et cetera. However, there is an argument for 524 00:23:38,880 --> 00:23:40,880 Speaker 1: the fact that the pie is gonna fly a lot 525 00:23:40,920 --> 00:23:42,719 Speaker 1: better if he doesn't take a bite out of it. 526 00:23:43,040 --> 00:23:44,360 Speaker 3: Yeah, well that must have been what he was thinking, 527 00:23:44,359 --> 00:23:45,520 Speaker 3: because as soon as to take a bite out of it. 528 00:23:45,560 --> 00:23:47,760 Speaker 3: The structural integrity has been sacrificed. 529 00:23:47,800 --> 00:23:49,119 Speaker 2: One slop everything. 530 00:23:49,160 --> 00:23:50,800 Speaker 1: And I'm thinking, if I'm going to throw a meat pie, 531 00:23:50,840 --> 00:23:54,040 Speaker 1: I'm probably going to hold it like Glenn McGrath would 532 00:23:54,080 --> 00:23:57,000 Speaker 1: an in swinger, So I'd probably have two fingers index 533 00:23:57,080 --> 00:23:59,480 Speaker 1: and middle down one side of the pie and then 534 00:23:59,520 --> 00:24:02,920 Speaker 1: thumb on the other, and I'm probably throwing it overhand. 535 00:24:02,960 --> 00:24:04,960 Speaker 1: Do you want to get rotation like a like a 536 00:24:04,960 --> 00:24:06,160 Speaker 1: perpendicular frisbee? 537 00:24:06,760 --> 00:24:09,200 Speaker 2: Oh? Okay, interesting? 538 00:24:09,440 --> 00:24:11,720 Speaker 1: Probably, Yeah, you're not going cross team. 539 00:24:11,800 --> 00:24:14,520 Speaker 3: Interesting technique. I don't know what I went for. It 540 00:24:14,600 --> 00:24:16,160 Speaker 3: kind of blurs a little bit. Looks like he went 541 00:24:16,200 --> 00:24:19,480 Speaker 3: more like a discus attempt on the side. Yeah, it 542 00:24:19,480 --> 00:24:22,520 Speaker 3: went roundom yeah, that's it. Anyway, it struck several people. 543 00:24:22,600 --> 00:24:24,560 Speaker 3: I mean, that's several. I think that's the benefit of 544 00:24:24,560 --> 00:24:26,560 Speaker 3: throwing a pie is that when it splatters as squirts 545 00:24:26,640 --> 00:24:27,120 Speaker 3: grape shot. 546 00:24:27,640 --> 00:24:30,200 Speaker 1: Excuse me, sorry, That's how Napoleon won his first battle. 547 00:24:30,240 --> 00:24:30,720 Speaker 2: Grape shot. 548 00:24:30,960 --> 00:24:36,800 Speaker 3: Okay, anyway, I'm just interested though. Thirteen one oh six five? 549 00:24:37,160 --> 00:24:39,360 Speaker 3: What food were you struck with? I want to hear 550 00:24:39,400 --> 00:24:41,880 Speaker 3: it from the people being struck, because I imagine for these 551 00:24:41,880 --> 00:24:44,200 Speaker 3: poor Bulldog supporters. They weren't expecting to be struck by 552 00:24:44,240 --> 00:24:46,359 Speaker 3: a pie in the middle of a game. 553 00:24:46,440 --> 00:24:49,080 Speaker 2: No, absolutely not. I once saw you. 554 00:24:49,240 --> 00:24:51,040 Speaker 3: Now you'd think a sandwich would be bad to throw, 555 00:24:51,119 --> 00:24:52,679 Speaker 3: But I once saw this was at school, and I 556 00:24:52,680 --> 00:24:55,040 Speaker 3: feel really bad. It was the rev at school and 557 00:24:55,080 --> 00:24:57,520 Speaker 3: he was just collateral. He was collateral damage. He was 558 00:24:57,520 --> 00:24:59,479 Speaker 3: not the target on the day. Will let me let 559 00:24:59,520 --> 00:25:01,840 Speaker 3: me just confis that I'd never try sandwich at a reverend. 560 00:25:02,440 --> 00:25:04,080 Speaker 3: But a sandwich was thrown. Did I say that was 561 00:25:04,080 --> 00:25:06,159 Speaker 3: from me? Because as a friend of mine, sorry, as 562 00:25:06,200 --> 00:25:08,360 Speaker 3: a friend of mine, I tripped off my words. Friend 563 00:25:08,400 --> 00:25:10,320 Speaker 3: of mine threw a sandwich. But the amazing thing was 564 00:25:10,359 --> 00:25:13,439 Speaker 3: the sandwich is going towards the rear accidentally, and the 565 00:25:13,480 --> 00:25:16,800 Speaker 3: sandwich as it went to his face like it opened 566 00:25:16,880 --> 00:25:17,919 Speaker 3: up on split me air and. 567 00:25:17,960 --> 00:25:20,520 Speaker 2: Slapped him on the face like it because it opened 568 00:25:20,640 --> 00:25:22,560 Speaker 2: and slapped him. It's unbelievable. 569 00:25:23,200 --> 00:25:26,720 Speaker 3: Anyway, Bridges here, Bridge it bridge? What food did you 570 00:25:26,720 --> 00:25:27,400 Speaker 3: get struck by? 571 00:25:28,760 --> 00:25:31,040 Speaker 10: I got struck by a jar of jam? 572 00:25:31,359 --> 00:25:33,520 Speaker 2: A jar who threw a jar a jam? 573 00:25:34,160 --> 00:25:37,040 Speaker 10: So I was in a year eight mass test. It 574 00:25:37,160 --> 00:25:39,240 Speaker 10: was the beginning of the test and we were a 575 00:25:39,240 --> 00:25:41,439 Speaker 10: bit of jokers in the class, and my friend she 576 00:25:41,560 --> 00:25:43,920 Speaker 10: swung her pencil case at my face as a joke, 577 00:25:44,480 --> 00:25:46,119 Speaker 10: and then I was like, oh my god, you almost 578 00:25:46,200 --> 00:25:46,439 Speaker 10: hit me. 579 00:25:46,480 --> 00:25:47,640 Speaker 9: Do that again. She did it. 580 00:25:47,600 --> 00:25:51,280 Speaker 10: Again, and then suddenly something happened, and I don't know 581 00:25:51,320 --> 00:25:53,280 Speaker 10: what happened. Everyone turned around. They were looking at me, 582 00:25:53,280 --> 00:25:55,359 Speaker 10: and everyone was like who, and I was like what, 583 00:25:55,800 --> 00:25:58,800 Speaker 10: and they'd like, touch your face and my face was 584 00:25:59,640 --> 00:26:04,120 Speaker 10: covered in like water falling out and I ended up, Yeah, 585 00:26:04,240 --> 00:26:09,120 Speaker 10: I got to it, missed the mass test. 586 00:26:10,440 --> 00:26:11,040 Speaker 7: Actually hot. 587 00:26:11,480 --> 00:26:15,639 Speaker 10: I ended up getting a plastic surgeon sewing my forehead 588 00:26:15,680 --> 00:26:17,200 Speaker 10: shut from this. 589 00:26:20,400 --> 00:26:23,440 Speaker 2: I got out of the lush chat positive. 590 00:26:23,880 --> 00:26:26,439 Speaker 1: There's the wind spinal as pillow for you. 591 00:26:26,640 --> 00:26:28,160 Speaker 2: Let's take more calls up next. 592 00:26:28,200 --> 00:26:31,800 Speaker 3: It's been one six five is the number? What food 593 00:26:31,840 --> 00:26:33,320 Speaker 3: did you get struck by? 594 00:26:33,600 --> 00:26:37,280 Speaker 1: Yes, because the inside of a meat pie can. 595 00:26:37,160 --> 00:26:39,920 Speaker 2: Be very hot. I know that because I once bit 596 00:26:40,000 --> 00:26:41,119 Speaker 2: into a party pie. 597 00:26:41,240 --> 00:26:43,280 Speaker 3: I remember it's fresh out of the oven and the 598 00:26:43,440 --> 00:26:46,840 Speaker 3: like liquid hot magma that the meat burst. 599 00:26:46,520 --> 00:26:48,639 Speaker 1: Through the roof and struck me in the nose and 600 00:26:48,800 --> 00:26:50,399 Speaker 1: on the underside of your took at the edge of 601 00:26:50,400 --> 00:26:52,760 Speaker 1: your nose, took an inch off your It's still big 602 00:26:52,880 --> 00:26:58,919 Speaker 1: imagineble O. 603 00:26:59,000 --> 00:27:02,360 Speaker 2: Katie, what food did you get struck by? 604 00:27:03,359 --> 00:27:05,680 Speaker 10: A tim tam from the fridge? 605 00:27:06,240 --> 00:27:09,400 Speaker 2: Bought a hard tams, a. 606 00:27:09,359 --> 00:27:10,560 Speaker 9: Very hard timchair. 607 00:27:10,720 --> 00:27:13,639 Speaker 10: My partner asked me if I wanted a Timcham and 608 00:27:13,680 --> 00:27:15,199 Speaker 10: I was sitting on the lounge and I was like, 609 00:27:15,240 --> 00:27:19,919 Speaker 10: no worries, and I wasn't paying attention, and it smack 610 00:27:20,080 --> 00:27:23,000 Speaker 10: bay in the middle of the forehead and I ended 611 00:27:23,040 --> 00:27:23,840 Speaker 10: up with a bruise. 612 00:27:24,680 --> 00:27:27,080 Speaker 3: Do you know anything out of the fridge or freezer 613 00:27:27,119 --> 00:27:30,439 Speaker 3: is dangerous? An old producer of ours who actually has 614 00:27:30,440 --> 00:27:32,560 Speaker 3: since been on the block, Eliza Patti. 615 00:27:33,200 --> 00:27:36,240 Speaker 1: She on my birthday you hooked up with We found out. 616 00:27:36,440 --> 00:27:39,280 Speaker 2: Don't I don't don't think so, No, she told us. 617 00:27:40,800 --> 00:27:45,800 Speaker 3: Anyway, she on my birthday she got me a She 618 00:27:45,840 --> 00:27:48,960 Speaker 3: got me a mud cake, chocolate mudcake for the whole show. 619 00:27:49,080 --> 00:27:50,960 Speaker 3: She put in the freezer and then she was like, 620 00:27:51,040 --> 00:27:52,760 Speaker 3: I just really want to slam it in his face. 621 00:27:52,880 --> 00:27:55,760 Speaker 2: Anyway, she did. This thing had been in the freezer 622 00:27:56,080 --> 00:27:58,639 Speaker 2: for four hours. It was like a brick to the face. 623 00:27:58,920 --> 00:28:05,320 Speaker 1: That stroke my nose and then you're done with it. 624 00:28:06,960 --> 00:28:11,840 Speaker 3: Caroline, Caroline, what food did you get struck by? 625 00:28:11,960 --> 00:28:12,800 Speaker 2: Caroline? Help me? 626 00:28:13,640 --> 00:28:15,200 Speaker 6: I got hit with a trifle. 627 00:28:16,040 --> 00:28:20,200 Speaker 1: A trifle great food to throw if you can nail it. 628 00:28:20,240 --> 00:28:22,360 Speaker 2: Help me out here. A trick layered. 629 00:28:21,960 --> 00:28:25,320 Speaker 1: Pudding effect like a soup fla, like a cross between 630 00:28:25,359 --> 00:28:29,040 Speaker 1: a suit fla, a pavlover and a chocolate ripple cake. 631 00:28:29,080 --> 00:28:30,520 Speaker 2: I don't know layers. 632 00:28:30,560 --> 00:28:33,719 Speaker 1: It's like jelly and jam and cream and yeah, so 633 00:28:34,040 --> 00:28:35,720 Speaker 1: it really it really cover. 634 00:28:35,680 --> 00:28:38,760 Speaker 2: You, Caroline? Did it cover you? Caroline? 635 00:28:41,200 --> 00:28:42,440 Speaker 5: Nice? 636 00:28:44,160 --> 00:28:46,760 Speaker 2: You just called I love it. 637 00:28:47,520 --> 00:28:57,160 Speaker 1: That's one of the great moments in radio, that one page. 638 00:28:52,760 --> 00:28:55,800 Speaker 2: Hi, or you're the thrower, you are to throw a page? 639 00:28:55,840 --> 00:28:57,880 Speaker 2: What did you throw? We don't condone, and obviously I'm 640 00:28:57,920 --> 00:28:59,800 Speaker 2: sure you've learned from your mistakes. But what did you throw? 641 00:29:00,000 --> 00:29:01,760 Speaker 9: Actually not proud of it, but I am calling the 642 00:29:01,840 --> 00:29:09,560 Speaker 9: radio so that a minted sorry, a melted limpball melted. 643 00:29:09,840 --> 00:29:10,120 Speaker 3: Yeah. 644 00:29:10,240 --> 00:29:12,040 Speaker 9: It was the middle of summer, and I had this 645 00:29:12,120 --> 00:29:14,440 Speaker 9: guy next to me in the car that was having 646 00:29:14,480 --> 00:29:17,080 Speaker 9: a bit of road rage, abusing this and that, and 647 00:29:17,120 --> 00:29:19,600 Speaker 9: I had it in the center consoles. So I just 648 00:29:20,240 --> 00:29:24,040 Speaker 9: unwrapped and piffed it lightly windscreen and exploded like it 649 00:29:24,080 --> 00:29:26,320 Speaker 9: was p w ah. 650 00:29:26,360 --> 00:29:28,280 Speaker 2: Real, that's that's good fun. 651 00:29:28,720 --> 00:29:32,440 Speaker 1: I don't realize how appropriate the word piff is for food. 652 00:29:33,560 --> 00:29:35,960 Speaker 1: I just haven't used the word piff in ages. I 653 00:29:36,000 --> 00:29:37,680 Speaker 1: don't think I've used the word piffs since I was 654 00:29:37,760 --> 00:29:39,400 Speaker 1: fifteen at school throwing food and. 655 00:29:39,520 --> 00:29:41,360 Speaker 2: She piffed it. You piffed it. You piffed at me, 656 00:29:41,800 --> 00:29:45,080 Speaker 2: You piffed it at me. Yeah, nobody, it's awesome. 657 00:29:45,960 --> 00:29:49,000 Speaker 1: I've not used that and to describe anything other than 658 00:29:49,240 --> 00:29:52,160 Speaker 1: because I think you've got to be piffing something at someone. Yeah, 659 00:29:52,240 --> 00:29:54,520 Speaker 1: definitely piffed at me to be a targeted attack. 660 00:29:54,560 --> 00:29:57,360 Speaker 3: A piff a piffing. Yes, you can't go. Oh, piffo 661 00:29:57,360 --> 00:30:01,000 Speaker 3: it to me if you want. Yeah, everyone like having chips. 662 00:30:00,800 --> 00:30:03,760 Speaker 2: Piff it to me. Yeah, exactly, it's going to Ben. 663 00:30:03,840 --> 00:30:07,840 Speaker 1: Yeah, Benny, Ben, your brother piffed something? 664 00:30:08,320 --> 00:30:10,480 Speaker 6: Yeah, boy show. 665 00:30:11,560 --> 00:30:14,280 Speaker 1: Benny and my brother were younger. 666 00:30:14,440 --> 00:30:15,760 Speaker 7: He was just walking out the shop and center with 667 00:30:15,920 --> 00:30:18,160 Speaker 7: mom and Bob. Just picked up a handful stop and 668 00:30:18,160 --> 00:30:20,200 Speaker 7: put down my brother's back and I started running, and 669 00:30:20,240 --> 00:30:23,240 Speaker 7: then the brothers down there crocodile dune das pulled out 670 00:30:23,240 --> 00:30:25,239 Speaker 7: a can of corn and just launched it and then 671 00:30:25,320 --> 00:30:28,560 Speaker 7: don't pucking me in the back and I was running away. 672 00:30:27,360 --> 00:30:29,800 Speaker 1: Oh good, he hit you in the back of the 673 00:30:29,840 --> 00:30:30,800 Speaker 1: full can of corn. 674 00:30:32,080 --> 00:30:33,400 Speaker 7: We just got from the shops here. 675 00:30:35,120 --> 00:30:36,720 Speaker 2: What's the damage did you have there? 676 00:30:37,120 --> 00:30:39,280 Speaker 7: No, it stopped me in my track straight away, and 677 00:30:39,400 --> 00:30:40,880 Speaker 7: I'm obviously a little bit teary. 678 00:30:40,880 --> 00:30:44,720 Speaker 2: And that when you show tears, you know you've lost 679 00:30:44,720 --> 00:30:47,720 Speaker 2: in a battle. Full can of corn, pifted a full 680 00:30:47,760 --> 00:30:48,400 Speaker 2: can of corn. 681 00:30:48,560 --> 00:30:49,920 Speaker 1: Yeah, have you hit that'll hurt.