WEBVTT - FULL SHOW: Made you look, you dirty CHOOK! 🐔

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<v Speaker 1>Laura and come on in, Hello everybody and happy Tuesday.

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<v Speaker 2>It's brit Laura and Mitch from the pickup. It is

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<v Speaker 2>minus Mitch Misch is unwell today.

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<v Speaker 3>But hey, Laura, I have a question for you because

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<v Speaker 3>I'm in my wedding era, so everything that gets served

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<v Speaker 3>to me online, everything I'm seeing is wedding related.

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<v Speaker 1>You're at that stage where your algorithm, like your social

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<v Speaker 1>media algorithm, just completely updates and it's just like wedding content,

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<v Speaker 1>wedding invitations, wedding designs, wedding dresses.

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<v Speaker 2>Everything wedding.

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<v Speaker 3>But tell me if you think that this is super

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<v Speaker 3>efficient and time saving or if it's just rude.

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<v Speaker 2>There's a couple that's.

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<v Speaker 3>Circulating online at the moment because they sent out their

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<v Speaker 3>wedding invitations and on their invitation has all the details

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<v Speaker 3>that you would possibly need where.

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<v Speaker 2>To go when it is dress code.

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<v Speaker 3>Then it has their bank details on the wedding invitation,

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<v Speaker 3>so that people can nott worry about getting them a gift, don't.

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<v Speaker 2>Do wishing well.

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<v Speaker 3>It's now like you don't have to go to the

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<v Speaker 3>ATM and get cash out and put it in a card.

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<v Speaker 2>It is just a straight up transfer.

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<v Speaker 1>I mean, I know that we're heading towards being a

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<v Speaker 1>cashless society, but I don't think that you can be

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<v Speaker 1>so like make so many assumptions that you can just

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<v Speaker 1>put your bank details on the wedding invitation. It's pretty

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<v Speaker 1>crazy pay for your own invite. Here it is, it

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<v Speaker 1>was two hundred and fifty dollars ahead.

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<v Speaker 3>But then there's part of me that's like, because I

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<v Speaker 3>would never do it, rather roll over my own grave.

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<v Speaker 2>But there's part of this is like, well, if I

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<v Speaker 2>was to give cash, it does make it easier than.

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<v Speaker 1>Going to find an atm if I was like if

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<v Speaker 1>I was a guest, But then you also you missed

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<v Speaker 1>the opportunity of getting the cards. And that's like one

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<v Speaker 1>of the most special parts is going home after the

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<v Speaker 1>wedding and opening the card and reading it and counting

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<v Speaker 1>how much money Nana gave you.

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<v Speaker 2>And also not very premissed. And then you make a list.

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<v Speaker 1>You're like, well, Sarah gave us one hundred dollars, this

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<v Speaker 1>person gave us true massina vouchers. Let's say that's what

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<v Speaker 1>you do, so you know what you say thank you too.

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<v Speaker 1>It takes out the romance too, doesn't it. I don't

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<v Speaker 1>think you can do it, but hey, look something else

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<v Speaker 1>we want to talk about. There are stages of grief

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<v Speaker 1>when it comes to a breakup, right like, there are

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<v Speaker 1>clear stages that people go through. And Channing Tatum he's

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<v Speaker 1>recently gone through his own very big breakup, and he

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<v Speaker 1>has reached a new stage in the breakup process, and

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<v Speaker 1>that is the first trap stage.

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<v Speaker 2>I was about to say, I hope he's okay. Great,

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<v Speaker 2>I think he's all right. We're talking about it next

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<v Speaker 2>on the pickup. Now.

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<v Speaker 1>You might have heard that recently Channing Tatum has gone

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<v Speaker 1>through a terrible breakup from Zoe Kravitz.

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<v Speaker 3>I think there were a lot of happy people around

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<v Speaker 3>the world because I well, because he's so many people's

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<v Speaker 3>crush and hall pass and everyone wants to hope that

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<v Speaker 3>there's this little bit of chance left with him. And

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<v Speaker 3>so when he was taken off the mark and everyone

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<v Speaker 3>was like, damn it, well now he's back.

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<v Speaker 2>I feel like he was your hall pass for a while,

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<v Speaker 2>wasn't he.

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<v Speaker 3>I did super like him, Mon Ray, Yeah, I actually

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<v Speaker 3>on the dating app.

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<v Speaker 2>Yeah, we had a thing there for a while.

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<v Speaker 3>I forgot So it doesn't right anyway, what about change Tatums?

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<v Speaker 2>He's back on the market.

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<v Speaker 1>He's back on the market, but everyone was talking about

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<v Speaker 1>because he was apparently really really in love with Zoe

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<v Speaker 1>Krabittz and he had been planning over her for a

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<v Speaker 1>long time prior to them even being together, and everyone

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<v Speaker 1>kind of said that when he very first came out

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<v Speaker 1>of his breakup, he was going through like the sad

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<v Speaker 1>Affleck phase, you know, like Ben Affleck, how he was

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<v Speaker 1>like photographed with that terrible tattoo and everyone was like, God,

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<v Speaker 1>he was so sad after he broke up with Jennifer

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<v Speaker 1>Lopez the first time.

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<v Speaker 3>It's also so sad in itself that Ben Affleck is

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<v Speaker 3>notoriously known for just being sad. Is the sad afflet

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<v Speaker 3>because he's because he constantly breaks up with the same person.

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<v Speaker 1>Well, he's gone through that phase. But now our Channing

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<v Speaker 1>Tatum has made it out alive. He's at a new

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<v Speaker 1>phase of grief when it comes to the breakup process,

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<v Speaker 1>and that is he has made it to thirst trap phase,

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<v Speaker 1>where you are acknowledging that you have been broken up with,

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<v Speaker 1>that you are on your own, and you're putting yourself

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<v Speaker 1>back out there so that everyone knows you're single.

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<v Speaker 3>And your viral show me how old are you? I

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<v Speaker 3>think the thing is single and ready to mingle.

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<v Speaker 2>You heard it first. He's viral according to show me

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<v Speaker 2>the first trap. Okay, I'm in two minds about it,

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<v Speaker 2>but this is what everyone's discussing at the moment. So

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<v Speaker 2>he posted a shirtless photo of himself that is the

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<v Speaker 2>first trap. Yeah, okay, wait for it. No, sorry.

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<v Speaker 3>You can see his face with a beanie on it,

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<v Speaker 3>and it's hot neck and then not even a whole neck.

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<v Speaker 2>You can see about an inch of his trap.

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<v Speaker 1>Yeah, but it's not that, it's that he's there saying

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<v Speaker 1>he's back at the gym, and it's kind of the

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<v Speaker 1>context of what the stories was.

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<v Speaker 2>So he was up early in.

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<v Speaker 1>The morning and he was working out and getting all sweaty,

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<v Speaker 1>and then he was like, the only thing about a

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<v Speaker 1>really like big early morning workout is when it's finished.

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<v Speaker 1>That was what the post was, and everyone's saying it's

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<v Speaker 1>a first trap.

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<v Speaker 3>People are pretty thirsty and dehydrated. If that's a first trap,

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<v Speaker 3>Like you've been in the desert a long time. If

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<v Speaker 3>this is what's doing it for you, wit, what were

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<v Speaker 3>your first traps?

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<v Speaker 2>Like, Oh, okay, I still do them.

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<v Speaker 3>I still first trap for my fiance because he lives

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<v Speaker 3>in Romania, so I just he needs to keep thirsty

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<v Speaker 3>as well. When I went through my breakup with my ex,

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<v Speaker 3>I thought I was going to marry my ex. Luckily

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<v Speaker 3>I didn't because I'm also getting married now to someone

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<v Speaker 3>I love very much. But I remember going into the

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<v Speaker 3>depths of despair and I was like, I'll never date again,

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<v Speaker 3>and I'm so sad. Now, how am I ever gonna

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<v Speaker 3>go out of bed? Then one day the light lifts

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<v Speaker 3>and the curtains open, and you realize you're back in

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<v Speaker 3>the game.

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<v Speaker 2>I put a photof on my Instagram that was me.

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<v Speaker 2>I went to Thailand on a holiday.

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<v Speaker 3>I was in a bikini, quite small, and I was

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<v Speaker 3>walking away into like the sunset, and you could see

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<v Speaker 3>my whole booty, in my whole shape. And my caption

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<v Speaker 3>was literally, tell me you're single without telling me your single.

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<v Speaker 3>That's what I wrote, which is funny because I was

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<v Speaker 3>telling you I'm a single and that was it, and

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<v Speaker 3>I was thirsty and I was bad.

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<v Speaker 1>Wait but was it for him or was it for

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<v Speaker 1>like everyone else to know? I did it because I

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<v Speaker 1>think it's important online Now it's a dating app.

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<v Speaker 3>Instagram is used as a dating app. It's like a

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<v Speaker 3>CV for your job whatever it is. So it's like

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<v Speaker 3>if people know you've been in a relationship and you're

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<v Speaker 3>off the market for a year, two years, whatever, that

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<v Speaker 3>is a way to let people know I'm back. And

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<v Speaker 3>I think when you've been in a relationship and you

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<v Speaker 3>don't post it and things, when all of a sudden

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<v Speaker 3>you're like, here I am, it's letting.

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<v Speaker 1>Everyone know I'm slide into my dam Yeah, but everyone

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<v Speaker 1>makes it usually slightly more subtle than like a picture

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<v Speaker 1>of their booty being like.

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<v Speaker 2>They don't That's what a first strap is. They go from.

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<v Speaker 1>I was never the first rapper. I just used to

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<v Speaker 1>be the sad Instagram quote girl. I'd be like, if

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<v Speaker 1>you can't handle me my worst, you.

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<v Speaker 2>Don't deserve me.

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<v Speaker 3>I'm in a bikini and Laura, Laura was like, live, laugh, love, No,

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<v Speaker 3>you're worth for.

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<v Speaker 1>If you guys start seeing me posting Instagram quotes, you

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<v Speaker 1>know that Matt and I have separated and it's not

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<v Speaker 1>good in my world.

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<v Speaker 2>Well I'm still in.

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<v Speaker 3>A bikini all the time. Doesn't mean anything. Hey, I

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<v Speaker 3>do need to do you something. I had to send

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<v Speaker 3>quite a late night text to one of Australia's like.

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<v Speaker 2>Iconic sweetheart bachelors.

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<v Speaker 3>And when I was in the text chain, I was like, wow,

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<v Speaker 3>I've been a bit of a usage to this person.

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<v Speaker 2>I want to know why you had to send a

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<v Speaker 2>late night text.

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<v Speaker 3>I'll tell you. After the break, I thought I was

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<v Speaker 3>going to lose my best friend. Yesterday, Laura me my

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<v Speaker 3>dog Delilah. It actually makes me so happy.

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<v Speaker 2>Every time I hear that someone, you know, it's like

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<v Speaker 2>my face. So I think I might put it as

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<v Speaker 2>my ringte.

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<v Speaker 1>She really, I mean, for a dog that is such

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<v Speaker 1>a liability.

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<v Speaker 2>We love her so much. She's like a toxic relationship

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<v Speaker 2>for you, Britt.

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<v Speaker 1>I want you to realize that you're like I love her,

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<v Speaker 1>she's my best friend, or spending my time with her.

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<v Speaker 2>She gets you in so much trouble. It is very toxic.

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<v Speaker 2>But yesterday, literally I was in panic mode.

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<v Speaker 3>So I like a little treat, a little sweet treat, right,

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<v Speaker 3>So I got this little chocolate bar thing that is

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<v Speaker 3>like a very organic and natural ingredients and cocoo and

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<v Speaker 3>whatever else it is. And the reason I'm saying that

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<v Speaker 3>is not just a humble brag, but it's.

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<v Speaker 2>Important to the story.

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<v Speaker 3>So I was settling into the couch last night to

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<v Speaker 3>eat it, and I put the chocolate bar, still in

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<v Speaker 3>its wrapper, on the lounge next to me. Then I

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<v Speaker 3>had to get up and get something from my room

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<v Speaker 3>for two seconds, get up, go to my room, come back,

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<v Speaker 3>and Delilah has gotten the chocolate bar off, opened it,

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<v Speaker 3>put the wrapper on the ground irrelevant to the story,

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<v Speaker 3>and eaten the whole.

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<v Speaker 1>She didn't sit there with a little pause and like

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<v Speaker 1>she can't do it perfectly, and then she did.

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<v Speaker 2>So I went into panic mode. So I don't I've

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<v Speaker 2>always known and I never knew if it was really.

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<v Speaker 3>Like that myth that chocolate can kill dogs, you know

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<v Speaker 3>how It's like there are things you don't fitture dog

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<v Speaker 3>onng in chocolate.

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<v Speaker 2>I'm pretty sure grapes is one of them.

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<v Speaker 1>Yeah, like like sultanas and raisins. Yeah, toxic to dogs.

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<v Speaker 1>You're right, yes.

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<v Speaker 3>And I had put it up a bit of a

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<v Speaker 3>cutesy laugh on Instagram, Luffy Laughy laughed, they'll eitherate this

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<v Speaker 3>chocolate's so cute anyway. Wow, shouldn't have done that inundated

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<v Speaker 3>with people being like, your dog's gonna die. So I

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<v Speaker 3>was like, oh my god, what am I gonna do.

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<v Speaker 3>And it's also after hours, so yes, I could have

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<v Speaker 3>called emergency vet care, but I decided to go for

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<v Speaker 3>the free option, and I messaged my friend Chris Brown

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<v Speaker 3>like bond di Vet.

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<v Speaker 2>You know doctor Chris Brown. He's every Australia loves him.

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<v Speaker 2>He's very famous vet.

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<v Speaker 3>We've been friends for many, many years now, and we're

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<v Speaker 3>not the kind of friends that go and like hang

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<v Speaker 3>out all the time.

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<v Speaker 2>But we text each other.

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<v Speaker 3>But when I say we text each other, I've realized

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<v Speaker 3>it's quite a one sided texting chain. So I mess

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<v Speaker 3>and I just said, hey Chris, sorry, it's been a

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<v Speaker 3>hot second quick question and sorry to message you so

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<v Speaker 3>late at night. Delilah has just eaten this little chocolate

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<v Speaker 3>bar behind my back. I sent him a picture zoomed

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<v Speaker 3>in on the ingredients and I was like, does she

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<v Speaker 3>need emergency care? Will she improve on her own?

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<v Speaker 2>I was like, is this so rude? Anyway?

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<v Speaker 3>Bless his soul, he wrote straight back immediately he looked

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<v Speaker 3>up all the ingredients. He asked me about her body

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<v Speaker 3>weight and like how much chocolate she consumed? And long

0:09:29.800 --> 0:09:32.920
<v Speaker 3>story short, she was absolutely fine. But the thing that

0:09:33.040 --> 0:09:35.120
<v Speaker 3>got me sort of chuckling is that when I look

0:09:35.200 --> 0:09:36.560
<v Speaker 3>at our text and when I say.

0:09:36.400 --> 0:09:38.199
<v Speaker 2>We're friends, we're obviously not friends.

0:09:38.640 --> 0:09:41.360
<v Speaker 3>Every text in the last three years I have messaged

0:09:41.360 --> 0:09:42.079
<v Speaker 3>out of the blue.

0:09:42.320 --> 0:09:45.040
<v Speaker 2>Hey Chris, sorry to bother you, And that's a Delilah question.

0:09:45.559 --> 0:09:47.720
<v Speaker 1>You just think you've got a free vet on hand.

0:09:47.880 --> 0:09:49.920
<v Speaker 1>Chris has become your own free personal vet.

0:09:50.160 --> 0:09:50.719
<v Speaker 4>Listen to.

0:09:52.440 --> 0:09:57.120
<v Speaker 2>Listen to Christmas Eve twenty twenty two. Hi Chris, Merry Christmas.

0:09:57.480 --> 0:09:59.920
<v Speaker 2>Sorry to bother you. On Christmas Eve, Delilah has been

0:10:00.080 --> 0:10:05.600
<v Speaker 2>excessively panting non stop to else. Just take it to

0:10:05.640 --> 0:10:06.120
<v Speaker 2>the vet.

0:10:06.280 --> 0:10:09.640
<v Speaker 3>Wait, she's dribbling a lot too. What could be wrong

0:10:09.679 --> 0:10:11.800
<v Speaker 3>with her? I've googled it and it says it could

0:10:11.800 --> 0:10:14.880
<v Speaker 3>be toxic. What's your initial thought? Bless his soul? He

0:10:14.920 --> 0:10:18.120
<v Speaker 3>called me on Christmas Eve, ran me through the whole

0:10:18.160 --> 0:10:19.280
<v Speaker 3>Delilah chap Okay.

0:10:19.360 --> 0:10:22.600
<v Speaker 2>Moving forward, we're in twenty twenty three. Hey, Chris, So,

0:10:22.640 --> 0:10:24.920
<v Speaker 2>if Delilah has an oyster cut on her paw, can

0:10:24.920 --> 0:10:27.720
<v Speaker 2>I use human bedddine? Here's the cut and I'm sending

0:10:27.760 --> 0:10:30.439
<v Speaker 2>in pictures of Dallilah's Paul with an oyster cut.

0:10:30.760 --> 0:10:34.240
<v Speaker 3>Next one, Hi, Chris, it appears Delilah has eaten half

0:10:34.240 --> 0:10:36.320
<v Speaker 3>a block of eighty percent chocolate.

0:10:36.640 --> 0:10:37.880
<v Speaker 2>This goes on and on.

0:10:38.000 --> 0:10:39.840
<v Speaker 1>Okay, the only thing that you're reinforcing to me in

0:10:39.880 --> 0:10:43.160
<v Speaker 1>this one is that Chris is not your personal vet.

0:10:43.240 --> 0:10:47.440
<v Speaker 1>And two Delilah is a liability. And also so you

0:10:47.440 --> 0:10:48.480
<v Speaker 1>you're just as bad.

0:10:48.840 --> 0:10:51.520
<v Speaker 2>I'm not, Yes, you are in I do. This is

0:10:51.559 --> 0:10:53.360
<v Speaker 2>just a shout out to Dr Chris Brown.

0:10:53.840 --> 0:10:56.880
<v Speaker 3>He did write to me and say, any time you want,

0:10:56.960 --> 0:10:58.400
<v Speaker 3>I will give you advice on Dhlilah.

0:10:58.480 --> 0:11:00.439
<v Speaker 1>Like that is absolutely so fine. Don't ever feel like

0:11:00.440 --> 0:11:02.040
<v Speaker 1>you can't ask me. And I'm saying that more so

0:11:02.080 --> 0:11:04.160
<v Speaker 1>people don't judge me. If Chris is meant to be

0:11:04.200 --> 0:11:05.839
<v Speaker 1>one of your good friends, you should probably call him

0:11:05.840 --> 0:11:06.640
<v Speaker 1>and apologize.

0:11:07.200 --> 0:11:08.880
<v Speaker 2>I'm not gonna bother the guy anymore.

0:11:09.160 --> 0:11:10.920
<v Speaker 1>Like, Hi, I'm so sorry that I haven't spoken you

0:11:11.000 --> 0:11:12.920
<v Speaker 1>in two years except to ask for free vet of us.

0:11:13.040 --> 0:11:16.560
<v Speaker 3>Sorry about the exhaustion panting or used chocolate consumption.

0:11:16.760 --> 0:11:18.600
<v Speaker 1>Does he even go by being a vet still? I

0:11:18.600 --> 0:11:20.200
<v Speaker 1>thought he was dancing with the stars now.

0:11:20.880 --> 0:11:23.040
<v Speaker 2>But you don't just want your a doctor. You're a doctor.

0:11:23.080 --> 0:11:26.760
<v Speaker 2>You can also be a dancer doctor dancing all right?

0:11:26.920 --> 0:11:27.480
<v Speaker 2>Look coming up?

0:11:27.559 --> 0:11:29.320
<v Speaker 1>Give us a call we're going to be talking about

0:11:29.400 --> 0:11:30.680
<v Speaker 1>childhood nostalgia.

0:11:30.960 --> 0:11:31.719
<v Speaker 2>You know, things like.

0:11:31.679 --> 0:11:34.080
<v Speaker 1>When you're a kid, you would say jinks, or you know,

0:11:34.120 --> 0:11:35.360
<v Speaker 1>a pinch and a punch for the first day of

0:11:35.400 --> 0:11:38.120
<v Speaker 1>the month. What are those big childhood nostalgia moments that

0:11:38.240 --> 0:11:40.040
<v Speaker 1>you might have forgotten about or haven't thought about in

0:11:40.040 --> 0:11:40.280
<v Speaker 1>a while.

0:11:40.280 --> 0:11:43.679
<v Speaker 2>We want to hear about them next. Now, I wanted to.

0:11:43.640 --> 0:11:46.240
<v Speaker 1>Talk about something that caught me off guard on the weekend,

0:11:46.360 --> 0:11:48.800
<v Speaker 1>and it has to do with real those real nostalgic

0:11:48.920 --> 0:11:49.920
<v Speaker 1>childhood moments.

0:11:50.280 --> 0:11:51.240
<v Speaker 2>So you know, real kids.

0:11:51.280 --> 0:11:54.080
<v Speaker 1>How like kids kind of have their own little language,

0:11:54.120 --> 0:11:56.000
<v Speaker 1>like the own little things that they do that all

0:11:56.080 --> 0:11:57.719
<v Speaker 1>kids seem to know what they are and all kids

0:11:57.760 --> 0:12:00.160
<v Speaker 1>seem to do it, but then like no one knows

0:12:00.160 --> 0:12:02.520
<v Speaker 1>where it comes from. So like, for example, I pinch

0:12:02.520 --> 0:12:03.840
<v Speaker 1>and the punch for the first ay of a month.

0:12:04.880 --> 0:12:06.640
<v Speaker 3>It's one of those things that's there, but you don't

0:12:06.640 --> 0:12:08.240
<v Speaker 3>know where where'd you get it from?

0:12:08.360 --> 0:12:10.800
<v Speaker 1>Yeah, So Marley has one. She's five, and every time

0:12:10.800 --> 0:12:12.720
<v Speaker 1>we drive past a windmill. So we were in the car,

0:12:12.960 --> 0:12:15.120
<v Speaker 1>we drove past a windmill, and then her sister started

0:12:15.160 --> 0:12:16.320
<v Speaker 1>crying in a seat next to her.

0:12:16.400 --> 0:12:18.920
<v Speaker 2>Her sisters three and I was like, what what just happened?

0:12:19.040 --> 0:12:21.240
<v Speaker 1>And she's like, oh, mum, we passed a windmill, so

0:12:21.280 --> 0:12:22.080
<v Speaker 1>I punched Lola.

0:12:22.640 --> 0:12:24.760
<v Speaker 2>What that's not a thing.

0:12:25.000 --> 0:12:27.160
<v Speaker 1>So apparently every time you pass a windmill you'd got

0:12:27.160 --> 0:12:27.800
<v Speaker 1>to punch someone.

0:12:27.920 --> 0:12:30.520
<v Speaker 3>No that, Laura, if you were getting sucked in by

0:12:30.600 --> 0:12:33.080
<v Speaker 3>your five year old, she obviously just punched Lola and

0:12:33.120 --> 0:12:33.680
<v Speaker 3>got in trouble.

0:12:33.760 --> 0:12:35.520
<v Speaker 2>So she's like, oh, it was the windmill. No, I

0:12:35.520 --> 0:12:36.000
<v Speaker 2>think it was.

0:12:36.040 --> 0:12:38.680
<v Speaker 1>Really it was genuinely a reaction, like when you go

0:12:38.760 --> 0:12:40.480
<v Speaker 1>under a tunnel and you gotta hold your breath.

0:12:40.679 --> 0:12:43.480
<v Speaker 3>Oh, I never did that, but we did do holding

0:12:43.480 --> 0:12:46.400
<v Speaker 3>your breath when you go past the cemetery, like it's

0:12:46.440 --> 0:12:48.840
<v Speaker 3>like respect to the dead people or something, or respect

0:12:48.920 --> 0:12:50.600
<v Speaker 3>to the dead people, or it could have been like

0:12:50.640 --> 0:12:52.800
<v Speaker 3>you'd be haunted if you did it. But like as

0:12:52.800 --> 0:12:54.400
<v Speaker 3>soon as you hit the semestry, you had to hold

0:12:54.440 --> 0:12:55.800
<v Speaker 3>your breath and you couldn't breathe the end til you

0:12:55.800 --> 0:12:56.240
<v Speaker 3>were past it.

0:12:56.520 --> 0:12:59.080
<v Speaker 1>So Lola did one. And now I kin't of understand

0:12:59.080 --> 0:13:01.000
<v Speaker 1>it from a five year old. So I feel like kids,

0:13:01.000 --> 0:13:02.640
<v Speaker 1>like as they go through school, like they kind of

0:13:02.640 --> 0:13:03.559
<v Speaker 1>teach each other things.

0:13:03.960 --> 0:13:07.040
<v Speaker 2>But lullas three and we were in the car and

0:13:07.040 --> 0:13:09.720
<v Speaker 2>she goes, mom, look a penguin.

0:13:10.400 --> 0:13:13.000
<v Speaker 1>And I thought she was talking about a seagull or something,

0:13:13.000 --> 0:13:13.959
<v Speaker 1>and I was like, I looked.

0:13:13.960 --> 0:13:17.480
<v Speaker 2>I was like a penguin out the car window. That's amazing.

0:13:17.720 --> 0:13:19.640
<v Speaker 1>So I looked out the window and then she turns

0:13:19.640 --> 0:13:24.400
<v Speaker 1>around and she says this to me, I made you

0:13:24.440 --> 0:13:25.280
<v Speaker 1>look you dirty?

0:13:25.360 --> 0:13:28.400
<v Speaker 2>Chiok. That is a classic. It's a classic, and no,

0:13:28.520 --> 0:13:29.040
<v Speaker 2>I haven't.

0:13:29.080 --> 0:13:30.720
<v Speaker 1>And I had this real moment where I was like,

0:13:31.360 --> 0:13:34.640
<v Speaker 1>this childhood nostalgia that kids like we have as parents,

0:13:34.640 --> 0:13:36.680
<v Speaker 1>but also how amazing it is that these little kids

0:13:36.720 --> 0:13:38.480
<v Speaker 1>like pick up things along the way as well, and

0:13:38.520 --> 0:13:41.280
<v Speaker 1>it kind of stays throughout generations produce a grace is

0:13:41.320 --> 0:13:42.120
<v Speaker 1>buzzing in Oh.

0:13:42.240 --> 0:13:44.560
<v Speaker 4>I was doing some research on this. Apparently it's a

0:13:44.600 --> 0:13:47.120
<v Speaker 4>thing called child law. So it's like folklore for kids,

0:13:47.200 --> 0:13:49.760
<v Speaker 4>and it gets passed from like kids to kids, their cousins,

0:13:49.760 --> 0:13:52.319
<v Speaker 4>it goes to different schools and stuff, and it's literally

0:13:52.400 --> 0:13:55.240
<v Speaker 4>like this cultural thing that kids have that we just

0:13:55.240 --> 0:13:56.280
<v Speaker 4>don't get as adults.

0:13:56.520 --> 0:13:59.560
<v Speaker 3>I remember I was one of four kids, and so

0:13:59.760 --> 0:14:01.640
<v Speaker 3>we're we did those long trips in the car. My

0:14:01.720 --> 0:14:04.160
<v Speaker 3>two big brothers would be on either side in the back, seat,

0:14:04.160 --> 0:14:05.600
<v Speaker 3>and I'd be in the middle and my little sister

0:14:05.600 --> 0:14:07.040
<v Speaker 3>got dumped in the back. She was in a seat,

0:14:07.040 --> 0:14:08.640
<v Speaker 3>but like she wasn't dumped in the back. It was

0:14:08.679 --> 0:14:11.080
<v Speaker 3>a big car, but in the middle of the seat

0:14:11.720 --> 0:14:14.440
<v Speaker 3>the whole trip, like five hours drive. My brothers would

0:14:14.480 --> 0:14:16.920
<v Speaker 3>just do that to me. One would push me into

0:14:16.920 --> 0:14:18.959
<v Speaker 3>the other one and say don't touch me and push

0:14:19.040 --> 0:14:20.800
<v Speaker 3>me back. But then because he pushed me, I'd go

0:14:20.840 --> 0:14:22.920
<v Speaker 3>into the other one and for five hours I'd get

0:14:22.960 --> 0:14:24.120
<v Speaker 3>like a ping pong around the back.

0:14:24.600 --> 0:14:26.400
<v Speaker 2>Don't touch me. I don't know if this is one

0:14:26.400 --> 0:14:30.480
<v Speaker 2>of them or if you just look the phones. The

0:14:30.480 --> 0:14:31.320
<v Speaker 2>phones have been ringing.

0:14:31.480 --> 0:14:35.120
<v Speaker 1>Carlie Carlis called what is your kid nostalgia? What's the

0:14:35.160 --> 0:14:36.840
<v Speaker 1>thing that you used to do that you reckon? We've

0:14:36.840 --> 0:14:38.760
<v Speaker 1>all forgotten about.

0:14:38.440 --> 0:14:43.240
<v Speaker 4>Hi, guys having a big families, lots of cousins, spending

0:14:43.280 --> 0:14:46.120
<v Speaker 4>time with them as kids. It used to be put

0:14:46.120 --> 0:14:48.120
<v Speaker 4>your hand up and be like talk to the hand

0:14:48.120 --> 0:14:49.800
<v Speaker 4>because the face sat listen and do the whole.

0:14:50.080 --> 0:14:53.080
<v Speaker 1>Oh yeah, that's a classic, good classic. I like that one,

0:14:54.200 --> 0:14:56.200
<v Speaker 1>or Jins or opposite day, also good.

0:14:57.000 --> 0:14:59.800
<v Speaker 3>I used to hold out like one palm out and

0:14:59.840 --> 0:15:02.640
<v Speaker 3>they and you put the other fist on your palm.

0:15:02.680 --> 0:15:04.200
<v Speaker 3>You'd hold it up to someone and you say, smell

0:15:04.240 --> 0:15:05.520
<v Speaker 3>the cheese, and when they go to smell it, you

0:15:05.520 --> 0:15:07.280
<v Speaker 3>punch them.

0:15:07.680 --> 0:15:11.200
<v Speaker 1>Okay, we've got cat cuts on the line, Kat, What

0:15:11.320 --> 0:15:12.480
<v Speaker 1>is your nostalgic moment?

0:15:13.400 --> 0:15:16.000
<v Speaker 3>Our mine was when they ask you to spell I cup,

0:15:16.440 --> 0:15:18.320
<v Speaker 3>So they make you say I see you pee and

0:15:18.360 --> 0:15:19.200
<v Speaker 3>then they start laughing.

0:15:19.840 --> 0:15:22.680
<v Speaker 1>I sounded out Laura, Oh my god, I've never heard

0:15:22.680 --> 0:15:25.320
<v Speaker 1>this one before. I see I see I cup, I

0:15:25.360 --> 0:15:25.920
<v Speaker 1>see epee.

0:15:26.240 --> 0:15:27.360
<v Speaker 2>Hey do you remember the one?

0:15:27.480 --> 0:15:30.160
<v Speaker 1>It was with the calculator and it was Dolly Parton

0:15:30.280 --> 0:15:32.440
<v Speaker 1>has two two two many boobs. So you type in

0:15:32.480 --> 0:15:35.440
<v Speaker 1>two two two she took fifty one pills, times to

0:15:35.440 --> 0:15:37.800
<v Speaker 1>it by eight and then ended up a new press

0:15:37.840 --> 0:15:39.920
<v Speaker 1>equal and you turn the calculator on the other way

0:15:39.920 --> 0:15:40.960
<v Speaker 1>and it spelled boobless.

0:15:41.040 --> 0:15:43.800
<v Speaker 2>What are you talking about?

0:15:44.280 --> 0:15:44.360
<v Speaker 3>What?

0:15:44.600 --> 0:15:44.680
<v Speaker 4>No?

0:15:44.920 --> 0:15:45.000
<v Speaker 3>What?

0:15:45.240 --> 0:15:47.080
<v Speaker 2>You've just lost the spot if.

0:15:46.960 --> 0:15:49.520
<v Speaker 1>You type it into a calculator and it spells out boobless.

0:15:49.560 --> 0:15:51.440
<v Speaker 2>You've never seen this. Why would you do that? I

0:15:51.440 --> 0:15:53.240
<v Speaker 2>don't know. I was a kid. Did you have boobs?

0:15:53.480 --> 0:15:55.720
<v Speaker 2>I was also boobless? There we go, there's a link.

0:15:55.880 --> 0:15:58.040
<v Speaker 2>All right, Well, let's go home. That is it from

0:15:58.120 --> 0:15:58.560
<v Speaker 2>us today.

0:15:58.600 --> 0:16:00.240
<v Speaker 1>If you've missed out on the pick Up you want

0:16:00.240 --> 0:16:02.400
<v Speaker 1>to catch up, you can listen on demand search the

0:16:02.440 --> 0:16:05.520
<v Speaker 1>Pickup podcast. iHeart where Free never sounded so good. And

0:16:05.560 --> 0:16:06.760
<v Speaker 1>you know who's going to be driving you home.

0:16:06.840 --> 0:16:09.280
<v Speaker 3>Our boys Will and Woody and they've got an epic

0:16:09.360 --> 0:16:10.120
<v Speaker 3>show for you today.

0:16:10.200 --> 0:16:12.040
<v Speaker 2>We'll see you guys tomorrow, See you guys,