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Speaker 1: Power by the IARB Radio app from ninety six air

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Speaker 1: VM to where Gabby You're listening today?

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Speaker 2: This is Clezy and Lisa's podcast. Coming up.

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Speaker 3: On the podcast, we took calls on the most Expensive

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Speaker 3: Thing You Broke.

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Speaker 4: We catch up with the one and only Dion Warwick.

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Speaker 3: On the show report, Lisa spoke about well. She asked

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Speaker 3: the question is it all over for Cane and Pianca.

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Speaker 3: We talked about the hundred with Andy Lee and how

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Speaker 3: to make it on way. Our series continued with sound

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Speaker 3: and audio operator Ben Calman.

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Speaker 5: She happened to see this little youtubing fellow crashes three

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Speaker 5: hundred thousand dollar McLaren. YouTuber Jack joety, twenty years old,

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Speaker 5: says he's blessed to be alive after crashing his three

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Speaker 5: hundred k McLaren, which he was driving on a wet

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Speaker 5: road and live streaming himself.

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Speaker 2: This story was hard to miss online Yesterday was.

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Speaker 5: With This stream shows a twenty year old looking down

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Speaker 5: at his phone in his hand while driving a three

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Speaker 5: hundred thousand dollar car at a slippery at Miami Highway.

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Speaker 5: Next minute, Doity is seen desperately grabbing at the wheel

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Speaker 5: and screaming as is luxury car slides and crashes into

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Speaker 5: a guard rail, still recording, though the distressed influencer flips

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Speaker 5: the camera onto himself as he tries to get out

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Speaker 5: of the car, so two people passing by do indeed

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Speaker 5: pull him out the window. With one hand he holds

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Speaker 5: onto the man assisting him, and with the other he

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Speaker 5: continues filming. He then assesses the damage to his car,

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Speaker 5: and only then does he check on his friend in

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Speaker 5: the passenger seat, because never let a bleeding friend get

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Speaker 5: in the way of a little look at Me movie. Anyway,

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Speaker 5: pretty expensive shimozzle all round.

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Speaker 3: Just it almost looked like a setup, didn't It was

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Speaker 3: so ridiculous that he is looking to.

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Speaker 5: See the color of that car, one hundred thousand dollar

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Speaker 5: McLaren and it was. It was painted like a coloring

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Speaker 5: book left out in the rain.

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Speaker 3: Well, I think, you know, there's been a bit of

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Speaker 3: a splattered paint on it and going on.

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Speaker 2: It was quite weird.

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Speaker 4: But twenty year old, when I was three hundred thousand dollars.

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Speaker 3: That was the worst part to start with, I'm thinking

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Speaker 3: the only thing better than that was if it was

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Speaker 3: Dad's you can when you go home, But three hundred

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Speaker 3: thousand dollars was his phone worth three hundred and fifty

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Speaker 3: thousand dollars because it seemed to be He's prime.

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Speaker 5: You know, he's whole Attentionally, he doesn't consider his life

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Speaker 5: or the life of his passenger worth much.

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Speaker 6: You know.

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Speaker 4: The other thing is film was himself in driving at speed.

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Speaker 3: But you know when you se him filming, when he's

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Speaker 3: got out of it, he may have been in shock,

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Speaker 3: but he also wasn't weeping.

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Speaker 2: I'll be on the ground weeping with a car like that.

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Speaker 4: Mate was rotting, you know.

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Speaker 5: I mean, anyway, we want to ask you, what's the

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Speaker 5: most expensive thing you've broken?

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Speaker 3: Did you ever break something as a kid? Maybe not

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Speaker 3: a three hundred thousand dollars motor vehicle and something.

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Speaker 2: He went, oh, we're in so much trouble. Well, I.

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Speaker 5: No, I don't think I ever broke anything. But I

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Speaker 5: wasn't filming myself like this city. But I did smash

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Speaker 5: my mum's car. Oh that's right, day after.

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Speaker 4: A a license.

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Speaker 2: Yeah, that went down well.

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Speaker 4: Didn't go down well at all.

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Speaker 2: She was bad.

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Speaker 4: Didn't go down well at all.

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Speaker 6: No.

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Speaker 3: I do remember his kids being in our sunken laund

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Speaker 3: room with the clinker brick and the universe, the plush

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Speaker 3: propile carp Yeah, yeah right. Dad had this old long

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Speaker 3: neck one bottle. This isn't care enough in the seventies,

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Speaker 3: there's this long neck one bottle.

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Speaker 4: Sorry, I'm hearing a soundtracking by.

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Speaker 2: Yeah you are.

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Speaker 7: Yeah.

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Speaker 3: This had a bit like porn music or sorry boom

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Speaker 3: what you imagined? Yeah, yeah, me too. Someone told me so.

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Speaker 3: He had this long neck wine bottle, which I think

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Speaker 3: it was like an old can't do bottle or something

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Speaker 3: or you know whatever. Those bottles were BOTTLINGO or something,

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Speaker 3: and it was it was an empty bottle, yes, right,

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Speaker 3: But we were thought and I had the sort of

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Speaker 3: woven sort of basket base that's like a ky edge bottle,

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Speaker 3: and there was no wine in it had already consumed that,

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Speaker 3: but we were led to think this was the most

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Speaker 3: expensive thing in the world. And we weren't allowed into

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Speaker 3: the lounder room because that was sitting in the corner

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Speaker 3: of dad bar bar empty.

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Speaker 2: It was empty.

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Speaker 3: Bottle was empty, but you weren't allowed to play in

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Speaker 3: his bar. Of course we did, because there were matches

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Speaker 3: and all kinds of things. Don't try this at home, kids.

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Speaker 3: There was a light, Yeah, there was some daries in

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Speaker 3: there cought a few times and clear the air for

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Speaker 3: an hour, and we broke said candy bottle the long

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Speaker 3: neck because they're not that strong.

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Speaker 2: We broke it and thought our world was over. We're

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Speaker 2: like the Murdocks. We're out of the world, and we

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Speaker 2: were going to be in a world of trouble, ruld

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Speaker 2: of pain.

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Speaker 3: And then Artie Fay rocked up, Fad Jarrett rocked up,

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Speaker 3: and we and everyone pretended everything was normal on the

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Speaker 3: Happy Claire's household.

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Speaker 2: So we got away with it the time.

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Speaker 4: She managed to blame Aunty Fayer anyway.

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Speaker 3: Probably I don't know what happened, but you know that

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Speaker 3: initial telling off period, it had waned by the time,

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Speaker 3: all right, so there you go. And Dad had already

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Speaker 3: had the candy, so why would he complain?

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Speaker 4: I don't know.

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Speaker 2: It seemed like the most expensive thing in the world

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Speaker 2: at the time.

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Speaker 4: Daniel in Miranda, good morning.

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Speaker 2: Guys, have it gone?

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Speaker 4: What did you break it?

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Speaker 2: When smartphones were a new thing and I was still

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Speaker 2: a kid, my dad ordered one from Japan, this really

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Speaker 2: fancy one, and I stilt a glass of tea all

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Speaker 2: over it straight away. Oh no, and it never worked again.

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Speaker 2: The stick and right I hadn't used it at all.

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Speaker 2: Brand spanking.

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Speaker 4: Probably didn't know about the rice.

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Speaker 2: You probably didn't. Background wouldn't have to come with russ ye, but.

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Speaker 8: I don't think that would have.

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Speaker 4: Yeah, that's a that's corroding.

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Speaker 5: Yeah, that's almost as be as thanks Daniel, thank you

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Speaker 5: lovely to look at the life or to hold if

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Speaker 5: it's broken, consider it sold.

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Speaker 2: Yeah, very good.

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Speaker 4: That's what the sign of the shop used to say.

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Speaker 3: Yeah, something like that. Yeah, keet your fingers off it

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Speaker 3: you break your pay I think it's.

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Speaker 4: Break your pie pretty much.

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Speaker 2: Yeah, like ball in the China kids and score.

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Speaker 4: Alas the passive aggressive message better too.

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Speaker 5: And it was a rhyme which was always more creative.

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Speaker 5: It's more creative talking about the most expensive thing you've broken,

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Speaker 5: John in Como, what was it?

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Speaker 6: The thing was also a point is but as stupid

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Speaker 6: as the twenty year old and let's place. I was

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Speaker 6: eighteen at the time I got my first car, which

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Speaker 6: is a nice two fourteen, and I thought, you know

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Speaker 6: what this car could do was they could do with

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Speaker 6: a sports steering wheel, not a sports steering one, which,

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Speaker 6: of course because is a very narrow turning circle, which

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Speaker 6: as eighteen, I didn't realize. So when the known a

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Speaker 6: quarter to five, I'm coming out of a petrol station

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Speaker 6: that's on top of the hill and Shepherd right in

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Speaker 6: Big Park. Yeah, coming out there, poured into heavy traffic,

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Speaker 6: doing it quite straight, it up quick enough, went up

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Speaker 6: the curb. The passenger wheels went up the side of

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Speaker 6: what are those supporting wires on a blank place?

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Speaker 8: A little better?

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Speaker 2: If I tried, and I flicked it on the driver's side.

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Speaker 2: Even mister Bean couldn't do that.

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Speaker 6: Amazing, I realized sooner realized that the pressing this door

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Speaker 6: is opening?

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Speaker 9: Yeah, looking down at me?

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Speaker 6: Got someone cambarrassed?

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Speaker 5: Yes, my steering wheels bugger, But anyway, yeah, yeah.

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Speaker 2: You never forgot about you? Remember the straight John John,

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Speaker 2: have a good day?

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Speaker 5: Modified steering wheel? Just who good to hold on to?

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Speaker 5: Because I was just until then, Yeah, tried to turn.

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Speaker 2: The embarrassment of someone opening the passenger door.

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Speaker 4: Looking down your right, Mike and Port Kennedy, what did

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Speaker 4: you break?

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Speaker 9: I broke a whole palette of Don Perry on champagne.

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Speaker 2: Mike, Oh my god, how did that happen?

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Speaker 9: I used to be the manager at the Royal Ascott's

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Speaker 9: Wine Cellars. Yes, and we're prepping for Royal Ascott so

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Speaker 9: we we're just had to move stuff around to make

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Speaker 9: space for all the all the new Champagne cup. Yeah,

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Speaker 9: we're willing this, willing the palace, don't very on. And

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Speaker 9: then all the bosses just gave way and Champagne just

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Speaker 9: went everywhere.

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Speaker 3: You're in management, right, but what were the ramifications? What

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Speaker 3: are you doing that instance?

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Speaker 9: Well, there's not too much you cans, but just just

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Speaker 9: went to the boss, told him about it. He says, oh,

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Speaker 9: that's all right, we'll just rite off.

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Speaker 2: Okay, text loss assurance.

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Speaker 9: Yeah, that's that's like the lower scale of the Champagne

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Speaker 9: when it comes.

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Speaker 2: To fair enough, right, thank you.

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Speaker 4: Still it's not it's not Lambrisco.

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Speaker 2: Yeah, it's a little bit more up market for that.

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Speaker 3: Yeah, true than your mic Mike survived.

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Speaker 5: I don't like I had some just I already try

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Speaker 5: at once and I thought it was a bit fruity.

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Speaker 2: It's not mum, isn't I like? Well?

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Speaker 4: I prefer mum.

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Speaker 5: Yeah, I like a dryer.

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Speaker 3: We'll have that arranged by nine o'clock. Could you maybe

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Speaker 3: by eight thirty have it brought to my tent. We'll

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Speaker 3: take care of business.

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Speaker 5: Jill in rocking Ham says when she was really young,

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Speaker 5: mum had an ugly jug to her grandmother and they

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Speaker 5: didn't think it was very expensive. Just a family I

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Speaker 5: think so. Anyway, Jill's broken at one day playing.

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Speaker 4: Ball in the house.

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Speaker 5: Yeah, and I found out years later it was a

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Speaker 5: Toby jug, which is worth quite a few thousand dollars,

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Speaker 5: ugly heirloom. Donna and Yanship says she hit the accelerator

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Speaker 5: instead of the break hit a wooden fence, went through

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Speaker 5: the wooden fence through Dad's bedroom window, put scratches in

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Speaker 5: his New Chester drawers. I'm not too sure what Donna

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Speaker 5: is saying. Dad was more upset about the scratches in

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Speaker 5: his New Chester draws. All the French face that just

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Speaker 5: happened with the carguy. It is like a bit of

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Speaker 5: slight stick of everything stick on wheels. Anyway, it was

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Speaker 5: an expensive day.

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Speaker 2: That certainly was.

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Speaker 4: Natalie good, What did you break?

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Speaker 2: Can you turn tend your radio efforts? Natalie? And then

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Speaker 2: we'll be because it's bouncing back. Nice work.

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Speaker 4: Where'd you break?

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Speaker 9: Natalie?

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Speaker 6: Well?

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Speaker 10: This one for all the mums out there.

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Speaker 8: Yes, I had a top.

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Speaker 10: Of the range breast pump. Yes, and quite expensive, but

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Speaker 10: it was more emotionally expensive because it broke. Oh yeah,

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Speaker 10: and there was a lot, a lot of pain and

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Speaker 10: I had to manually express and the pain was passed

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Speaker 10: on to my husband and it was a really challenging

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Speaker 10: time and the shop wasn't open for a few days,

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Speaker 10: so we went in a very happy mood at home

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Speaker 10: for a bit.

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Speaker 3: Oh Yeahalie, thanks for the emotional one.

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Speaker 4: So we've got one last call Lisa and Hi Wickhame.

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Speaker 3: Hello, Lisa Ellae, welcome me guys.

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Speaker 1: How are you good?

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Speaker 2: It's pretty good.

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Speaker 4: What did you break?

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Speaker 11: It wasn't something I broke, for say, but my dad

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Speaker 11: when I was about nine, took me to a garden simper, Yeah,

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Speaker 11: and he said he's just going to go for a

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Speaker 11: wanderer for me to behate myself. And so I sat

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Speaker 11: there and for about forty minutes picked off every blood

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Speaker 11: I could find off the zai of bushes, sat there

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Speaker 11: and wrote my name on the ground on the path

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Speaker 11: we saw the boot.

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Speaker 2: Yeah, it's so good.

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Speaker 11: And I was waiting for him when he got back.

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Speaker 2: Yeah, but they went down well, thanks Lisa.

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Speaker 4: I think I went either.

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Speaker 3: Having a good days not making too many buddies there

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Speaker 3: We've pulling off the boat. More Lisa, more podcasts Soon.

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Speaker 5: Dion Warwick is coming to town. She's going to be

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Speaker 5: at the Riverside Theater on Saturday, January eleven. You can

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Speaker 5: get your tickets through Ticketech. Dion's tour is called One

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Speaker 5: Last Time, and she's with us this morning. Good morning, Dion, welcome,

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Speaker 5: good morning to you. Let's talk about that tour name.

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Speaker 5: Is it really going to be the last time?

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Speaker 12: It might just be never know.

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Speaker 3: I'm just looking at this list. Fifty six singles in

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Speaker 3: the Hot one hundred and twelve, Top tens, rock and

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Speaker 3: Roll Hall of Fame, six Grammys. It is incredible. Does

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Speaker 3: it feel like someone else? At times?

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Speaker 2: It is an incredible career?

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Speaker 12: Yeah, you know, And then I have to tenure myself.

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Speaker 12: Is that me?

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Speaker 4: You have been doing it a while? Deon? I say

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Speaker 4: that in the nicest possible way.

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Speaker 5: How have you stayed motivated and inspired all these years?

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Speaker 12: Well, let me say, you know, this has been sixty

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Speaker 12: two years. So long it's been.

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Speaker 4: Yeah, And I.

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Speaker 12: Have seventy wonderful grant children who have kind of kept

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Speaker 12: me abreast of what was going on musically because I

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Speaker 12: listened to my peers mostly and they'll come up with

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Speaker 12: a limit of a song as Ramyles say this one,

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Speaker 12: you know, and I do so that's how I say

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Speaker 12: as current as I am.

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Speaker 4: Ah.

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Speaker 3: I know you talking that documentary that you made three

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Speaker 3: years ago, and I know it was a long time

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Speaker 3: in the making.

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Speaker 2: Don't make me over? Was its name?

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Speaker 3: You have a special link with the Apollo, don't you?

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Speaker 3: From way back? And is it true you saw that

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Speaker 3: documentary the first time of the Apollo?

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Speaker 12: Yes, absolutely the same.

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Speaker 2: How incredible? That must be very special.

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Speaker 12: For you, no doubt, you know, to first of all,

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Speaker 12: to be able to not only perform at the Apollo,

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Speaker 12: but to during that period of time to win imgurate.

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Speaker 12: It was amazing, exactly, John.

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Speaker 5: You've become a bit of an icon on Twitter or

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Speaker 5: x as they call it now in recent times with

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Speaker 5: the post, especially once towards the you know, towards other celebs.

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Speaker 5: Did you ever find out why chance the rapper finds

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Speaker 5: the need to put the rapper in his we know.

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Speaker 4: You're around there?

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Speaker 11: I was.

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Speaker 12: I was shocked that he even responded to meat.

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Speaker 4: Not shocked.

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Speaker 12: He never really answered that.

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Speaker 1: Oh.

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Speaker 2: Well, I means snoop, he's a friend of yours. Any

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Speaker 2: Snoop Dogg.

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Speaker 12: Oh, yeah she is. He's a wonderful young man.

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Speaker 2: I love Snoop. It was all over the Olympics. It's great.

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Speaker 12: He's grown into quite an entrepreneur. Yes, yeah, he's become

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Speaker 12: quite Maine Now, I.

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Speaker 5: Really sixty two years of performing? Is there a song

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Speaker 5: you're sick of playing?

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Speaker 7: Yet?

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Speaker 12: How do you argue with success?

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Speaker 4: That's true?

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Speaker 12: Yeah, okay, is exactly.

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Speaker 3: I was lucky enough twenty years ago, a couple of

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Speaker 3: twenty years ago to introduce you at Sandleford Winery for

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Speaker 3: a couple of nights in two thousand and four with

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Speaker 3: the double I sent for the orchestra, and as you

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Speaker 3: walked on stage, the crowd erupted both nights.

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Speaker 2: How does that? How does that feel? With that love

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Speaker 2: from the fans.

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Speaker 12: It's sensational, absolutely amazing to know that people for law

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Speaker 12: have enjoyed. But I give them musically, and I appreciate

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Speaker 12: that I've given them, so I know it's the rewards

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Speaker 12: that you get all the good work that you do.

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Speaker 5: You've given of yourself in a lot of ways. You're

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Speaker 5: you're very well known for your philanthropy, especially when it

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Speaker 5: comes to aids, charities, stuffing done with the un You

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Speaker 5: were honored by a fire earlier this year for your

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Speaker 5: decades of work, so congratulations on that. But that moment

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Speaker 5: with Elton John, Gladys Knight and Stevie Wonder, and that's

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Speaker 5: what friends are for. How was it getting them to

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Speaker 5: collaborate with you? Was it hard or were they? Did

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Speaker 5: you make one phone call? And they said, Dion, I mean.

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Speaker 12: Yeah, basically, you know, I ran into Elston actually in

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Speaker 12: grocery store.

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Speaker 4: Real, yeah, I'm shopping at the wrong shop.

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Speaker 12: He was shopping. He's doing a birthday party for his manager.

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Speaker 12: And I approached him and I said, Hey, what are

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Speaker 12: you doing tomorrow night? And he said, well, I'm playing

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Speaker 12: in the party. I said, well, are you working tomorrow

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Speaker 12: night as this party? He said no. I said, well,

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Speaker 12: I know where you're going to be and I told

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Speaker 12: him what I was doing and he said absolutely, and

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Speaker 12: he said I will be home. And I said, then

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Speaker 12: you're going to come right to the studio and go

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Speaker 12: out and I picked her up on my car. Oh god,

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Speaker 12: think very much.

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Speaker 4: I'm not leaving till you get in the car. Yeah, fantastic.

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Speaker 3: And did Elizabeth Tayler really say I want you to

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Speaker 3: give us the song. In other words, all the prophets

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Speaker 3: is that how it was?

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Speaker 12: Yes, she certainly did. She said, yeah, can iself before

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Speaker 12: men las? Yeah? Yeah, And we went into a little

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Speaker 12: corner and she said, listen, that song is something I

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Speaker 12: deal with the very beneficial to the eighth problem. Could

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Speaker 12: you would you consider giving me that song? As he

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Speaker 12: and some for the teritorborization I'm starting called them for. Well,

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Speaker 12: let's ask the other three folks in there. They had

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Speaker 12: as much to do with this as I do. And

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Speaker 12: we all figured that we all have felt the statement

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Speaker 12: of age and by talent just going to make a difference,

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Speaker 12: find that and that's what we did.

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Speaker 2: Yea to this day, very generous.

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Speaker 12: You know, it's something that we felt we had no

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Speaker 12: choice but to do. Yeah, you know, we got people

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Speaker 12: to understand what we were doing and why we were

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Speaker 12: doing it, and how they said be of help.

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Speaker 2: Yeah, well you'd all lost too many friends already, hadn't

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Speaker 2: you by that stage.

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Speaker 5: Because people don't understand people, you know, today a lot

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Speaker 5: don't understand just how controversial it was at the time

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Speaker 5: in terms of people talking about it and understanding it.

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Speaker 5: And we had to get that, you know, discussion going.

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Speaker 12: Absolutely and music has a very magical way of doing that.

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Speaker 4: Absolutely.

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Speaker 12: But the song did.

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Speaker 5: Yes, Yes, You've won six Grammys over the many years,

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Speaker 5: which one means the most to you.

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Speaker 4: Are they all like your children?

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Speaker 8: Oh?

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Speaker 12: Yeah, you know they're the very many other songs that

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Speaker 12: have gone at the praise of my peers. Is that

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Speaker 12: during a share the Time to Live won the grant me.

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Speaker 12: That's how we were voted in by those who are

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Speaker 12: in the industry as well. And it's a wonderful feeling

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Speaker 12: to know that your peers think that, yeah, you did

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Speaker 12: it this year, so you deserve it.

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Speaker 3: Yeah, we're all said. By the loss of Burt Backerg

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Speaker 3: last year, what an incredible life. But he just kept

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Speaker 3: coming up with those gifts, Toney, those wonderful songs.

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Speaker 12: He came up with, wonderful melodies, And we shall not

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Speaker 12: forget how did it gave us those words for me

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Speaker 12: to sing? And if we were not for how baby,

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Speaker 12: we'd all be humming instead.

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Speaker 3: Of saying whistling, whistling or something I did.

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Speaker 5: I had a great joy of seeing Burt back around

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Speaker 5: a few years ago, and it was such an amazing

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Speaker 5: show because so many of those incredible songs, like I say,

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Speaker 5: a little prayer and all all squeezed into a medley

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Speaker 5: because there were so many, too many songs to do.

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Speaker 4: Yeah, yeah, but amazing well.

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Speaker 12: Direct songs were written for me and good bye now

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Speaker 12: and you know much appreciated.

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Speaker 5: Yeah, well you you brought them to life, that's for sure,

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Speaker 5: and we can't wait to see you do it on

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Speaker 5: your one last time tour at the Riverside Theater January eleven.

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Speaker 5: Tickets are available through ticer Tech Dion. We look forward

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Speaker 5: to having you back in town. Thank you for chatting

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Speaker 5: with us this morning.

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Speaker 2: Not Leisure Do twenty is on Terrific all the.

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Speaker 5: Best, Bye Bye bye, Cy and Lisa's how It's a

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Speaker 5: Made in wa Bring this son, I'll make.

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Speaker 2: You a start.

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Speaker 5: Continuing our series about getting into the ever burgeoning movie

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Speaker 5: biz that w Way is pulsing with at the moment,

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Speaker 5: our guest today is Ben Callman, who is a film

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Speaker 5: and TV audio and sound person, a boom operator. Good morning, Ben,

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Speaker 5: Good morning. You're holding the big fairy thing just out

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Speaker 5: of shot.

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Speaker 8: Sorry, that's me, absolutely yeah, telescopic pole, the Big fairy Thing.

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Speaker 4: One of the many things. I'm sure, what exactly is

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Speaker 4: it that you do?

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Speaker 8: Well, I'm a boom operator. So first and foremost I

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Speaker 8: operate a boom pole, which is a telescopic pole, and

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Speaker 8: that allows me to extend it with a microphone on

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Speaker 8: the end and then hold it above actors on screen

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Speaker 8: move it around in shots to follow the dialogue as

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Speaker 8: it moves around a table or a kitchen or wherever

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Speaker 8: we're at. On top of that, I do hide a

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Speaker 8: Lavalier Mappel microphone on actors, touching it to their costumes,

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Speaker 8: to their skin, yes, putting it in their hair sometimes. Yes,

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Speaker 8: you may see them in shows. You'll see a little

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Speaker 8: thing poking out the bottom of a tie that upply

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Speaker 8: a radio microphone.

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Speaker 5: I'm on a Christmas card basis with anyone who's ever

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Speaker 5: had to attach one, because you know they've got to

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Speaker 5: slide it down the back of your top.

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Speaker 2: Absolutely, oh yes, I do.

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Speaker 8: We get up close and personal. A good bit of

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Speaker 8: a polar building goes along with apology.

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Speaker 2: I think I was doing it too.

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Speaker 8: Absolutely, you have.

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Speaker 3: To be been as one of the greatest fe years

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Speaker 3: with that big fuzzy thing you're talking about, getting it

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Speaker 3: in shot and getting told off, you.

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Speaker 8: Know, certainly once once a day is sort of my aim.

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Speaker 8: If you're not putting it to shot, you're not doing

449
00:21:15,520 --> 00:21:18,160
Speaker 8: good enough job. By times, I think, OK, fair enough,

450
00:21:18,440 --> 00:21:21,600
Speaker 8: but yeah, that's certainly the goal is to keep it out.

451
00:21:22,880 --> 00:21:25,240
Speaker 4: So how did you get into film and television?

452
00:21:25,280 --> 00:21:26,640
Speaker 8: Well, it was a little bit of a crossing road

453
00:21:26,720 --> 00:21:28,240
Speaker 8: across roads in my life, and I didn't really know

454
00:21:28,240 --> 00:21:30,199
Speaker 8: what I wanted to do, and I sort of started

455
00:21:30,200 --> 00:21:33,199
Speaker 8: asking myself what I actually like and I was like

456
00:21:33,200 --> 00:21:38,120
Speaker 8: probably twenty two thirty one now, and you know, film,

457
00:21:38,240 --> 00:21:40,080
Speaker 8: film and TV came up because it's all I did

458
00:21:40,640 --> 00:21:43,119
Speaker 8: with my spare time. And I went to Tafe in

459
00:21:43,160 --> 00:21:44,760
Speaker 8: the end for a couple of years and sort of

460
00:21:44,800 --> 00:21:48,440
Speaker 8: landed a gig straight out of Tafe. And that's kind

461
00:21:48,440 --> 00:21:50,480
Speaker 8: of all she wrote. It was, you know, eight years.

462
00:21:50,480 --> 00:21:52,760
Speaker 8: It's been eight years now since I finished and loving it.

463
00:21:52,840 --> 00:21:53,240
Speaker 2: That's great.

464
00:21:53,480 --> 00:21:55,400
Speaker 3: It's an impressive list of work. Now, can you drop

465
00:21:55,440 --> 00:21:56,960
Speaker 3: a few names for us? So at least some of

466
00:21:56,960 --> 00:21:58,720
Speaker 3: the work is that you're quite incredible.

467
00:21:58,800 --> 00:21:59,040
Speaker 9: Sure.

468
00:21:59,080 --> 00:22:01,560
Speaker 8: I mean, I've been quite lucky in that I've had

469
00:22:01,560 --> 00:22:03,199
Speaker 8: a lot of work here in WA and we've had

470
00:22:03,240 --> 00:22:05,359
Speaker 8: some great cast and crew come through. So it's been

471
00:22:05,400 --> 00:22:08,520
Speaker 8: a lot of really fascinating, interesting people. Because like Derek Banner,

472
00:22:09,480 --> 00:22:12,200
Speaker 8: Eric Peterson to name a couple of people who've come here.

473
00:22:12,680 --> 00:22:14,480
Speaker 8: But also I've done a little bit of work over

474
00:22:14,520 --> 00:22:16,680
Speaker 8: in Sydney as well, taking myself out there on my own

475
00:22:16,720 --> 00:22:19,960
Speaker 8: dim and working on most recently Kingdom of the Planet

476
00:22:20,040 --> 00:22:23,199
Speaker 8: of the Apes. All right, I think maybe just finishing

477
00:22:23,280 --> 00:22:27,800
Speaker 8: up it's theatrical release now as well as anyone but you,

478
00:22:27,880 --> 00:22:31,359
Speaker 8: which has a bit of a global meme phenomenon.

479
00:22:30,760 --> 00:22:31,400
Speaker 2: For a while there.

480
00:22:31,520 --> 00:22:34,600
Speaker 8: Yeah, Sydney Sweeney Glen Powell to name a couple, and

481
00:22:34,680 --> 00:22:36,560
Speaker 8: I did a little picked up a couple of days

482
00:22:36,560 --> 00:22:39,040
Speaker 8: on Full Guy as well, so Ryan Gosling, Emily Blunt.

483
00:22:39,200 --> 00:22:39,880
Speaker 9: That's pretty cool.

484
00:22:40,000 --> 00:22:42,920
Speaker 5: That's awesome. And you're working on the third installment of

485
00:22:42,960 --> 00:22:43,920
Speaker 5: the twelve now.

486
00:22:44,000 --> 00:22:48,600
Speaker 8: Absolutely, Oh dear Sam Neil, he's really great and so

487
00:22:48,640 --> 00:22:49,320
Speaker 8: far as going.

488
00:22:49,200 --> 00:22:53,920
Speaker 5: Pretty well, Yeah, sound must come with so many challenges

489
00:22:53,960 --> 00:22:58,560
Speaker 5: because you cannot control the thing that's going to fly over.

490
00:22:58,600 --> 00:23:02,399
Speaker 4: Drive paths, just make a general clang of some sort.

491
00:23:03,200 --> 00:23:06,680
Speaker 8: Absolutely, we try our best, you know, especially other departments

492
00:23:06,760 --> 00:23:08,480
Speaker 8: do what they can for us, you know, parking the

493
00:23:08,560 --> 00:23:12,479
Speaker 8: generator further away, having quieter props in the scene that

494
00:23:12,520 --> 00:23:16,959
Speaker 8: they use, you know, camera fans turning off when we

495
00:23:17,040 --> 00:23:19,800
Speaker 8: hit records. We do what we do our best and

496
00:23:19,840 --> 00:23:22,840
Speaker 8: so to other people. But as you said, you can't

497
00:23:22,840 --> 00:23:25,360
Speaker 8: always control it. And you know, sometimes they're thick. Locations

498
00:23:25,440 --> 00:23:27,280
Speaker 8: need to flight pass, you know, out in the middle

499
00:23:28,720 --> 00:23:30,720
Speaker 8: you're watching the flight radar every five minutes, you know,

500
00:23:30,840 --> 00:23:33,280
Speaker 8: waiting for a window you get your game.

501
00:23:33,400 --> 00:23:35,080
Speaker 3: And also catering have to do the right thing and

502
00:23:35,080 --> 00:23:36,679
Speaker 3: not have such chewy food you might.

503
00:23:36,520 --> 00:23:36,760
Speaker 10: Hear the.

504
00:23:39,440 --> 00:23:40,360
Speaker 8: True right.

505
00:23:40,680 --> 00:23:42,600
Speaker 4: Do you ever get to your clad on the set?

506
00:23:43,720 --> 00:23:46,000
Speaker 8: You know, I've definitely done it many times when people

507
00:23:46,040 --> 00:23:49,400
Speaker 8: don't get the message. But you know that's not really

508
00:23:49,440 --> 00:23:51,720
Speaker 8: my job. Actually, that's more of an assistant director thing.

509
00:23:51,760 --> 00:23:54,080
Speaker 8: So I live it stepping on their toes, you know,

510
00:23:54,240 --> 00:23:54,919
Speaker 8: I don't want to do that.

511
00:23:55,720 --> 00:23:57,600
Speaker 3: Did you meet Nicholas Cage or work with him on

512
00:23:57,640 --> 00:23:58,440
Speaker 3: the Surfer down South?

513
00:23:58,640 --> 00:24:00,480
Speaker 8: I did a couple of weeks on that, yeah, taking

514
00:24:00,480 --> 00:24:03,280
Speaker 8: over for a friend, and met him very briefly. He

515
00:24:03,320 --> 00:24:05,720
Speaker 8: is a man of few words, very private man. You

516
00:24:06,080 --> 00:24:08,480
Speaker 8: try not to bother them. But that was pretty cool

517
00:24:08,480 --> 00:24:10,920
Speaker 8: shooting and I think it's not out yet, but that'll

518
00:24:10,960 --> 00:24:12,800
Speaker 8: be a very very fun film to watch.

519
00:24:12,840 --> 00:24:15,960
Speaker 5: I think, Yeah, we've been doing this, Ben because of

520
00:24:16,160 --> 00:24:19,439
Speaker 5: the you know, we've got the Malaga Studios being built

521
00:24:19,440 --> 00:24:24,080
Speaker 5: at the moment, We've got so many different groups realizing

522
00:24:24,119 --> 00:24:27,679
Speaker 5: what great locations WA has, and a lot of stuff

523
00:24:27,760 --> 00:24:32,159
Speaker 5: is really growing. You must be thrilled at how WA

524
00:24:32,600 --> 00:24:35,760
Speaker 5: is reaching new heights as the place to be at

525
00:24:35,800 --> 00:24:36,200
Speaker 5: the moment.

526
00:24:36,520 --> 00:24:39,399
Speaker 8: Absolutely. I mean, when I started eight years ago, the

527
00:24:39,400 --> 00:24:42,639
Speaker 8: only studio we've really had that was being utilized was

528
00:24:42,680 --> 00:24:45,560
Speaker 8: the ABC Studios in these perth and you know, for

529
00:24:45,600 --> 00:24:47,320
Speaker 8: the most part it was going under utilized. There's only

530
00:24:47,320 --> 00:24:49,160
Speaker 8: really been a handful of productions that have come through

531
00:24:49,160 --> 00:24:51,000
Speaker 8: that have used it when you know, I'm sure they

532
00:24:51,000 --> 00:24:52,639
Speaker 8: would have loved to have had a bigger budget or

533
00:24:53,320 --> 00:24:56,040
Speaker 8: a script that required it. But the best thing about

534
00:24:56,080 --> 00:24:57,760
Speaker 8: these new studios coming up is that they're going to

535
00:24:57,800 --> 00:25:00,879
Speaker 8: be incentivizing more product to come here on top of

536
00:25:00,920 --> 00:25:03,320
Speaker 8: what we already do. So that extra bit of funding

537
00:25:03,320 --> 00:25:05,320
Speaker 8: will go a long way with bringing in you know,

538
00:25:05,400 --> 00:25:07,880
Speaker 8: bigger and better films, bigger and better TV shows, which

539
00:25:07,920 --> 00:25:11,240
Speaker 8: you'll only add to know, more crew getting hired, more

540
00:25:11,240 --> 00:25:13,760
Speaker 8: cart getting hired locally, which will just inject a little

541
00:25:13,760 --> 00:25:16,000
Speaker 8: bit of money into the industry here, you know, and

542
00:25:16,040 --> 00:25:17,400
Speaker 8: outside the industry even as well.

543
00:25:18,119 --> 00:25:19,520
Speaker 3: Ben, You know how you said you stopped me and thought,

544
00:25:19,520 --> 00:25:21,200
Speaker 3: what do I really like? Are there times on set

545
00:25:21,240 --> 00:25:22,960
Speaker 3: you're holding that boom up there, or you're doing whatever

546
00:25:23,000 --> 00:25:25,040
Speaker 3: in your part of your job, and you go, I

547
00:25:25,119 --> 00:25:26,280
Speaker 3: cannot believe on doing this?

548
00:25:26,359 --> 00:25:28,240
Speaker 2: How good is this? It's pretty great?

549
00:25:28,359 --> 00:25:28,600
Speaker 11: You know.

550
00:25:28,840 --> 00:25:31,440
Speaker 8: The only times I've ever asked that is when it's

551
00:25:31,480 --> 00:25:34,040
Speaker 8: been something so bizarre and weird that I couldn't believe

552
00:25:34,040 --> 00:25:35,720
Speaker 8: I was filming it. I feel like one of the

553
00:25:35,720 --> 00:25:38,920
Speaker 8: ones that earliest in my memory was in twenty eighteen.

554
00:25:38,920 --> 00:25:40,919
Speaker 8: We were shooting a film called Naked Wonder. I think

555
00:25:40,960 --> 00:25:43,720
Speaker 8: it's been renamed now, but yeah, we're filming a scene

556
00:25:43,720 --> 00:25:46,840
Speaker 8: where a guy gets stung by jellyfish and he is,

557
00:25:47,080 --> 00:25:50,040
Speaker 8: you know, doing a certain acts to try and relieve

558
00:25:50,040 --> 00:25:52,520
Speaker 8: the pain on himself, and I did think, what the

559
00:25:52,560 --> 00:25:53,439
Speaker 8: hell am I doing here?

560
00:25:55,040 --> 00:25:57,760
Speaker 5: But also there must be times where you're holding that

561
00:25:57,800 --> 00:25:59,920
Speaker 5: thing aloft, thinking would you get it?

562
00:26:00,160 --> 00:26:02,200
Speaker 4: Did this take? My arm is killing me?

563
00:26:03,440 --> 00:26:06,560
Speaker 8: Yeah? Sometimes when you start hearing take twelve, that's what question?

564
00:26:06,960 --> 00:26:10,280
Speaker 3: Yeah, action as you and the camera operators the chemos

565
00:26:10,280 --> 00:26:13,040
Speaker 3: always complain about that, especially with in sport.

566
00:26:12,440 --> 00:26:14,280
Speaker 2: The hold this blood even all day.

567
00:26:15,720 --> 00:26:18,960
Speaker 5: Absolutely absolutely, man for people who are thinking now's my

568
00:26:19,040 --> 00:26:22,360
Speaker 5: moment to you know, to embrace what's happening in w way.

569
00:26:22,400 --> 00:26:24,800
Speaker 4: What's your your one tip for getting into the industry.

570
00:26:24,960 --> 00:26:28,360
Speaker 8: My one tip would probably be quite a bit multifaceted really,

571
00:26:28,400 --> 00:26:33,040
Speaker 8: but checking out our local state run provider. So Screen

572
00:26:33,080 --> 00:26:35,199
Speaker 8: West does a lot of funding and a lot of

573
00:26:35,280 --> 00:26:38,879
Speaker 8: incentivizing towards getting attachments in various different roles and departments.

574
00:26:39,440 --> 00:26:41,359
Speaker 8: So keep an eye out for Screen West stuff. And

575
00:26:41,480 --> 00:26:43,840
Speaker 8: you can even go beyond and looking at screen Australia

576
00:26:43,960 --> 00:26:46,240
Speaker 8: and then looking through the Guild as well. So I'm

577
00:26:46,280 --> 00:26:48,880
Speaker 8: a member of the Australian Screen Sound Guild and our

578
00:26:48,960 --> 00:26:51,200
Speaker 8: w AA branch here. You know, there's a cinematography one,

579
00:26:51,240 --> 00:26:55,000
Speaker 8: there's a costume one, there's a production design one. You know.

580
00:26:55,040 --> 00:26:58,040
Speaker 8: So if you're interested in a certain subset of filmmaking already,

581
00:26:58,080 --> 00:27:00,200
Speaker 8: like just check out the guild and see what they've

582
00:27:00,200 --> 00:27:02,160
Speaker 8: got offering. They might have a talk of free talking,

583
00:27:02,280 --> 00:27:05,360
Speaker 8: go to and meet people, connect to network there.

584
00:27:05,520 --> 00:27:07,800
Speaker 3: Yeah yeah, well I guess beyond that, it's it's the

585
00:27:07,840 --> 00:27:10,280
Speaker 3: context and then the bloody hard work, like any feel yes.

586
00:27:10,160 --> 00:27:12,639
Speaker 8: Absolutely put your head down, do the work show you

587
00:27:12,720 --> 00:27:14,400
Speaker 8: better than anywhere else, and you'll get some work.

588
00:27:14,520 --> 00:27:14,720
Speaker 2: Nice.

589
00:27:14,720 --> 00:27:17,720
Speaker 5: That's good advice. Then, thank you so much for joining us.

590
00:27:17,840 --> 00:27:20,160
Speaker 5: We'll let you get back to working with Sam Neil.

591
00:27:20,280 --> 00:27:21,240
Speaker 5: Please give him my love.

592
00:27:21,320 --> 00:27:24,680
Speaker 3: Yeah, I'm very quite, Yes.

593
00:27:24,600 --> 00:27:24,960
Speaker 10: Thank you.

594
00:27:25,000 --> 00:27:34,879
Speaker 1: Ben takes more Crazy More Lisa, More podcasts soon, The

595
00:27:35,119 --> 00:27:35,880
Speaker 1: Sure Report.

596
00:27:36,080 --> 00:27:37,119
Speaker 2: On ninety six a.

597
00:27:37,200 --> 00:27:42,720
Speaker 5: FM, Cissy Houston, the two time Grammy winner and mother

598
00:27:42,760 --> 00:27:45,720
Speaker 5: of the late Whitney Houston, has died. She was ninety one.

599
00:27:45,880 --> 00:27:49,360
Speaker 5: Cissy was in the vocal group The Sweet Inspirations. They

600
00:27:49,440 --> 00:27:52,080
Speaker 5: sang back up for a variety of soul singers including

601
00:27:52,160 --> 00:27:55,760
Speaker 5: Otis Redding, Lou Rawls, and The Drifters. The Sweet Inspirations

602
00:27:55,800 --> 00:27:59,080
Speaker 5: appeared on Van Morrison's Brown Eyed Girl and saying background

603
00:27:59,119 --> 00:28:03,280
Speaker 5: vocals for the g Hendrix's Experience. After performing alongside Aretha

604
00:28:03,320 --> 00:28:07,439
Speaker 5: Franklin and Elvis Presley, Houston became an in demand session singer.

605
00:28:07,560 --> 00:28:10,040
Speaker 5: Her vocals can be heard on songs from artists like

606
00:28:10,119 --> 00:28:15,280
Speaker 5: Shaka Khan, Luther Vandross Beyonce, Paul Simon, ROBERTA. Flack, and

607
00:28:15,320 --> 00:28:19,800
Speaker 5: of course her daughter Whitney. Two amazing voices, One lived

608
00:28:19,840 --> 00:28:23,720
Speaker 5: an amazing you know, long life. The other a huge waste.

609
00:28:24,040 --> 00:28:26,639
Speaker 5: It looks like it could be over between Kanye West

610
00:28:26,680 --> 00:28:28,399
Speaker 5: and that poor girl that looks like she needs a

611
00:28:28,440 --> 00:28:30,280
Speaker 5: safe word not to mention some pants.

612
00:28:30,680 --> 00:28:33,080
Speaker 4: Tm z's reporting or TMZ.

613
00:28:33,200 --> 00:28:35,080
Speaker 5: Never know what to do when it's a well known

614
00:28:35,280 --> 00:28:37,680
Speaker 5: kind of you know, I think it's trademark.

615
00:28:37,320 --> 00:28:38,080
Speaker 4: So I've got to say Z.

616
00:28:38,240 --> 00:28:39,240
Speaker 2: Everyone in the state says Z.

617
00:28:39,720 --> 00:28:41,680
Speaker 4: Yeah, but we're Australian and we say ZED.

618
00:28:41,840 --> 00:28:43,320
Speaker 2: But it's so you're compromised.

619
00:28:43,520 --> 00:28:45,719
Speaker 4: Yeah, TMS is reporting.

620
00:28:45,760 --> 00:28:49,520
Speaker 5: An insider says Kanye and Bianca Sensori split up two

621
00:28:49,520 --> 00:28:51,840
Speaker 5: weeks ago, and multiple sources report they.

622
00:28:51,720 --> 00:28:52,600
Speaker 4: Are getting divorced.

623
00:28:52,720 --> 00:28:56,000
Speaker 5: Bianca has been spotted this week with her family in Australia.

624
00:28:56,640 --> 00:29:01,040
Speaker 5: Safe Reese Witherspoon is heading into uncharted territory. She's co

625
00:29:01,120 --> 00:29:03,960
Speaker 5: writing a book with best selling thriller author Harlan Cobe

626
00:29:03,960 --> 00:29:06,440
Speaker 5: and I love Real Island Covid. I can knock out

627
00:29:06,440 --> 00:29:08,880
Speaker 5: one of his books in an afternoon. It's so good

628
00:29:09,520 --> 00:29:12,680
Speaker 5: down well, yeah, some of his books have been made

629
00:29:12,680 --> 00:29:15,960
Speaker 5: into Netflix series like Safe and The Stranger and Stay

630
00:29:16,040 --> 00:29:19,520
Speaker 5: Close and most recently for Me Once So well, we'll

631
00:29:19,520 --> 00:29:22,200
Speaker 5: see what happens there with Race and with the Australian

632
00:29:22,240 --> 00:29:25,600
Speaker 5: Oasis shows locked in for October thirty one next year

633
00:29:25,640 --> 00:29:29,480
Speaker 5: in Melbourne and November seventh in Sydney. Pre sale registration

634
00:29:30,040 --> 00:29:33,760
Speaker 5: is open until five AMR time tomorrow. Tickets go on

635
00:29:33,840 --> 00:29:37,040
Speaker 5: sale seven AMR time next Tuesday for the Melbourne show

636
00:29:37,120 --> 00:29:40,160
Speaker 5: and nine AMR time. Wasn't beget a stay light safekeeping

637
00:29:40,520 --> 00:29:43,640
Speaker 5: nine AMR time for the Sydney show. And that's all

638
00:29:43,640 --> 00:29:44,560
Speaker 5: through Live Nation.

639
00:29:44,880 --> 00:29:46,960
Speaker 2: Okay, you're gonna be careful with stuff like that, don't you,

640
00:29:47,000 --> 00:29:47,600
Speaker 2: with daylight.

641
00:29:47,440 --> 00:29:50,160
Speaker 5: Saving what Yes, if you get in an hour late,

642
00:29:50,200 --> 00:29:50,720
Speaker 5: you won't again.

643
00:29:51,600 --> 00:29:54,040
Speaker 2: Yeah, yeah, you'll you'll be as angry as one of

644
00:29:54,080 --> 00:29:54,520
Speaker 2: the brothers.

645
00:29:54,800 --> 00:29:56,920
Speaker 5: The one hundred with Andy Lee is on tonight eight

646
00:29:57,000 --> 00:29:59,880
Speaker 5: fifty on nine and he's with us now, good morning.

647
00:30:01,720 --> 00:30:03,400
Speaker 2: How are you both good? Very well?

648
00:30:03,440 --> 00:30:08,240
Speaker 5: Now, I believe unless this was just people's particular fashion choices,

649
00:30:08,280 --> 00:30:10,000
Speaker 5: I'm just going by the ads I've seen in.

650
00:30:10,080 --> 00:30:10,720
Speaker 2: The run up.

651
00:30:12,280 --> 00:30:15,280
Speaker 4: Today. Tonight is an animal.

652
00:30:14,920 --> 00:30:19,000
Speaker 7: Theme night, Yes, Animal special tonight and one hundred you'll

653
00:30:19,040 --> 00:30:22,640
Speaker 7: see Huey dress of the dog, Abby Chatterfield is a rabbit,

654
00:30:23,000 --> 00:30:26,800
Speaker 7: and and and my gold feed a chicken.

655
00:30:27,400 --> 00:30:29,480
Speaker 13: I was wearing a Safari outfit. I want to make

656
00:30:29,520 --> 00:30:33,320
Speaker 13: that really clear. I'm not wearing a hunting outfit. People like,

657
00:30:33,800 --> 00:30:35,680
Speaker 13: are you trying to hunt the animals on this show?

658
00:30:35,680 --> 00:30:37,960
Speaker 13: And no, it hasn't turned to the home to Hunger Games.

659
00:30:38,360 --> 00:30:40,160
Speaker 13: But we're going to cover off all the stats on

660
00:30:40,200 --> 00:30:41,480
Speaker 13: Australia about animals.

661
00:30:41,560 --> 00:30:43,280
Speaker 4: I think you looks smashing in a pith helmet.

662
00:30:43,320 --> 00:30:49,320
Speaker 2: I was going to take the pith helmet. Yeh, yeh, kill.

663
00:30:48,840 --> 00:30:55,160
Speaker 14: Straight from are a sidekick? Kind of a couple of

664
00:30:56,080 --> 00:31:00,080
Speaker 14: questions right out of Okay.

665
00:30:59,800 --> 00:31:01,680
Speaker 13: This one's the one that for us heading into summer.

666
00:31:01,960 --> 00:31:05,040
Speaker 13: What percent of Australians won't go in the ocean because

667
00:31:05,080 --> 00:31:07,520
Speaker 13: of sharks? Will not step a foot in the ocean?

668
00:31:08,720 --> 00:31:12,680
Speaker 2: A few people we reckon thirty five percent. I reckon

669
00:31:12,720 --> 00:31:16,480
Speaker 2: eighteen twenty nine percent difference.

670
00:31:17,720 --> 00:31:19,560
Speaker 5: One Listen, I'm not very good at maths, but I

671
00:31:19,560 --> 00:31:23,360
Speaker 5: think thirty five was a lot closer to twenty difference.

672
00:31:23,400 --> 00:31:27,480
Speaker 4: Excuse me, but the difference was good. Differences around.

673
00:31:29,760 --> 00:31:30,360
Speaker 13: Around the house.

674
00:31:33,040 --> 00:31:34,440
Speaker 2: We'll talk about your renovation soon.

675
00:31:35,080 --> 00:31:35,560
Speaker 4: Was another one?

676
00:31:35,800 --> 00:31:38,120
Speaker 2: Give us another one pans here?

677
00:31:38,280 --> 00:31:41,040
Speaker 13: What percent of Australian thing it's okay to give a

678
00:31:41,080 --> 00:31:42,720
Speaker 13: pet as a surprise gift?

679
00:31:43,120 --> 00:31:46,120
Speaker 2: Oh no, it's not six.

680
00:31:46,960 --> 00:31:51,560
Speaker 4: I reckon forty or twenty two.

681
00:31:53,480 --> 00:32:00,040
Speaker 13: The difference about that one, I'll take it.

682
00:32:00,320 --> 00:32:04,280
Speaker 3: Wow, I need to be on the schoolboard is sixteen anyway,

683
00:32:04,640 --> 00:32:05,360
Speaker 3: that's terrible.

684
00:32:05,400 --> 00:32:07,720
Speaker 4: You shouldn't give us something you cannot do that.

685
00:32:08,640 --> 00:32:12,200
Speaker 5: I agree, I mean, I'm open to it, but I

686
00:32:12,320 --> 00:32:14,080
Speaker 5: have to be protected from myself.

687
00:32:14,160 --> 00:32:17,920
Speaker 2: You've got enough. No, that's the one.

688
00:32:18,440 --> 00:32:22,160
Speaker 13: He's one, particularly for those in perfect have to travel

689
00:32:22,440 --> 00:32:28,760
Speaker 13: far when they go anywhere. What percent of as you

690
00:32:28,840 --> 00:32:32,200
Speaker 13: think dogs should be allowed on domestic flights?

691
00:32:34,160 --> 00:32:37,240
Speaker 5: Well, I know that my dog is better behaved than

692
00:32:37,280 --> 00:32:42,560
Speaker 5: most children that sit behind me kicking my seat. So

693
00:32:43,200 --> 00:32:47,720
Speaker 5: I reckon sixty eight percent, sixty eight.

694
00:32:47,880 --> 00:32:51,120
Speaker 2: I think it's a growing number. I go high thirty thirty.

695
00:32:50,960 --> 00:32:52,960
Speaker 13: Eight at least for the win fifty nine.

696
00:32:53,840 --> 00:32:54,400
Speaker 2: Well done.

697
00:32:55,160 --> 00:33:00,520
Speaker 13: It's incredible we are in Australia. We do humans.

698
00:33:00,160 --> 00:33:04,360
Speaker 3: Yeah, lots of two dog homes noticing perflately.

699
00:33:04,000 --> 00:33:07,960
Speaker 4: Yeah, I have a one dog and two cat.

700
00:33:07,800 --> 00:33:11,120
Speaker 3: Homes, more animals than you've got on the panel.

701
00:33:12,680 --> 00:33:14,040
Speaker 2: It's incredible.

702
00:33:16,000 --> 00:33:16,720
Speaker 8: We have got there.

703
00:33:17,480 --> 00:33:20,320
Speaker 2: You feel right at home watching I will, I will.

704
00:33:20,560 --> 00:33:23,440
Speaker 5: I am particularly keen to see how many people think

705
00:33:23,440 --> 00:33:38,000
Speaker 5: it's okay to flush a dead Goldfish enjoy.

706
00:33:29,880 --> 00:33:36,120
Speaker 3: Finding how your renold's going. Were you're talking about renovations

707
00:33:36,120 --> 00:33:38,000
Speaker 3: in Sorry, I've.

708
00:33:37,840 --> 00:33:39,520
Speaker 8: Got to scape for you.

709
00:33:40,600 --> 00:33:44,160
Speaker 13: Yeah, I'm heading I might have to go on the

710
00:33:44,160 --> 00:33:50,720
Speaker 13: block and try and win some money. Well, yesterday we

711
00:33:50,800 --> 00:33:53,200
Speaker 13: found out that and I probably post something about this

712
00:33:53,240 --> 00:33:58,680
Speaker 13: on Instagram later today or tomorrow. But managing internal walls

713
00:33:58,720 --> 00:34:00,880
Speaker 13: were structurally strong enough because it was good in eighteen

714
00:34:00,920 --> 00:34:05,000
Speaker 13: seventy six and a lot of water damage come through. Yeah,

715
00:34:05,120 --> 00:34:08,400
Speaker 13: the bricks and the mortar had kind of turned to mush,

716
00:34:08,480 --> 00:34:08,960
Speaker 13: so they.

717
00:34:08,840 --> 00:34:11,560
Speaker 8: Had to break out every single wall.

718
00:34:11,640 --> 00:34:13,719
Speaker 13: They've kept as many bricks as possible that were in

719
00:34:13,719 --> 00:34:17,719
Speaker 13: good condition, and then we'll have to rebuild all the interior.

720
00:34:19,480 --> 00:34:21,920
Speaker 3: No brand designs episode where the people will go to

721
00:34:21,920 --> 00:34:23,160
Speaker 3: start crying crying.

722
00:34:23,520 --> 00:34:27,000
Speaker 5: Yeah, but eighteen sixty gosh, it's going to be beautiful.

723
00:34:27,200 --> 00:34:28,680
Speaker 5: It's it'll be brand new.

724
00:34:28,719 --> 00:34:31,160
Speaker 13: It will be beautiful. Yeah. But Beck and I will

725
00:34:31,160 --> 00:34:34,160
Speaker 13: be in that little caravan aside to the side of

726
00:34:34,160 --> 00:34:37,640
Speaker 13: the house at some point, yes, cooking, kids running around

727
00:34:37,680 --> 00:34:40,000
Speaker 13: annoyed exactly.

728
00:34:40,480 --> 00:34:42,319
Speaker 2: That is an old house man. Were you to Burke

729
00:34:42,360 --> 00:34:44,200
Speaker 2: and Wills it's extending?

730
00:34:45,120 --> 00:34:45,560
Speaker 9: Wow?

731
00:34:46,160 --> 00:34:50,760
Speaker 5: Well Andy tonight eight fifty all those things and more answer,

732
00:34:51,000 --> 00:34:52,720
Speaker 5: Thanks for chatting to us this morning.

733
00:34:52,760 --> 00:34:54,440
Speaker 3: Thanks always a pleasure.

734
00:34:54,480 --> 00:34:55,280
Speaker 13: Thanks so much guys.

735
00:34:55,239 --> 00:34:57,360
Speaker 2: For giving the difference. Next time we catch up.

736
00:34:59,239 --> 00:35:06,440
Speaker 5: Thanks Andy, Bye, Crazy and Lisa ninety six AVEM M