1 00:00:00,200 --> 00:00:00,840 Speaker 1: Got some player. 2 00:00:01,480 --> 00:00:06,400 Speaker 2: Yes, sneeze, Yeah, bless Hugh. 3 00:00:07,040 --> 00:00:09,560 Speaker 1: I felt good. I fucking love a sneeze. 4 00:00:09,160 --> 00:00:13,239 Speaker 2: A good sneeze, a good brain clearer love it. 5 00:00:13,800 --> 00:00:32,800 Speaker 1: I'm back. Welcome back to two doting dads. I'm Maddie 6 00:00:32,880 --> 00:00:37,440 Speaker 1: Jay and I'm Ash. This happens to be a podcast 7 00:00:37,520 --> 00:00:40,120 Speaker 1: that is all about parenting. It's the good, the bad, 8 00:00:40,240 --> 00:00:43,360 Speaker 1: and the relatable. And for legal reasons, we do have 9 00:00:43,440 --> 00:00:45,400 Speaker 1: to just say here, let me read the script. If 10 00:00:45,440 --> 00:00:49,000 Speaker 1: you have come for any type of advice, stop right now. 11 00:00:49,360 --> 00:00:52,480 Speaker 1: None will be given whatsoever. And if you do hear 12 00:00:52,520 --> 00:00:55,880 Speaker 1: anything that remotely sounds like advice, ignore it. It's a 13 00:00:55,920 --> 00:00:57,680 Speaker 1: shame that we're not on a cruise ship. 14 00:00:57,520 --> 00:00:59,040 Speaker 2: I know, but do you know we can make ourselves 15 00:00:59,040 --> 00:01:00,680 Speaker 2: feel like we are on a cruise ship. 16 00:01:00,800 --> 00:01:01,160 Speaker 1: Go on. 17 00:01:01,560 --> 00:01:03,600 Speaker 2: We are currently drinking a stone and wood. 18 00:01:03,760 --> 00:01:04,200 Speaker 1: It's in a. 19 00:01:04,160 --> 00:01:04,880 Speaker 2: Can this time. 20 00:01:04,959 --> 00:01:10,280 Speaker 1: Close my eyes. I'm on the balcony. Tony off. Ah, 21 00:01:13,480 --> 00:01:14,360 Speaker 1: I'm almost there. 22 00:01:14,720 --> 00:01:17,520 Speaker 2: I'm there, almost there, nice blue screens around us. 23 00:01:17,920 --> 00:01:21,040 Speaker 1: I mean, this is great. There's nothing that hits harder 24 00:01:21,480 --> 00:01:25,399 Speaker 1: than drinking a stone and wood. Pacific aale on looking 25 00:01:25,440 --> 00:01:26,040 Speaker 1: at the ocean. 26 00:01:26,080 --> 00:01:27,000 Speaker 2: Oh, it was beautiful. 27 00:01:27,080 --> 00:01:28,360 Speaker 1: That is a match made in heaven. 28 00:01:28,440 --> 00:01:30,400 Speaker 2: But that being said, we can't have it all today, 29 00:01:30,760 --> 00:01:33,120 Speaker 2: but we do have Barron Bay in a bottle or 30 00:01:33,160 --> 00:01:36,200 Speaker 2: today Barron Bay in a can. And of course it's 31 00:01:36,240 --> 00:01:41,640 Speaker 2: got fruity hops, cloudy haze and a nice refreshing finish. Now, 32 00:01:41,640 --> 00:01:43,080 Speaker 2: what do you have for me over there? So because 33 00:01:43,080 --> 00:01:45,039 Speaker 2: you've got a nice smile on your face. 34 00:01:44,840 --> 00:01:46,679 Speaker 1: I mean I'm a bit of a sucker for like 35 00:01:46,720 --> 00:01:50,400 Speaker 1: any little fact nuggett. Yes, I've got one for you. 36 00:01:50,800 --> 00:01:54,120 Speaker 1: We often talk about the Galaxy Hops from Tasmania. They 37 00:01:54,160 --> 00:01:58,040 Speaker 1: give it it's nice fruity aromas. It's also it's partly 38 00:01:58,120 --> 00:02:03,280 Speaker 1: grown in Victoria, partly grown in Tasmania. And this was 39 00:02:03,360 --> 00:02:07,360 Speaker 1: once an experimental hop until Brad he's one of the 40 00:02:07,400 --> 00:02:09,960 Speaker 1: original co founders. He came along and he was like, 41 00:02:10,600 --> 00:02:13,640 Speaker 1: I'm going to play with this. So fast forward ten years. 42 00:02:14,280 --> 00:02:17,680 Speaker 1: Everyone now is jumping on the Galaxy Hops. Everyone after 43 00:02:17,720 --> 00:02:20,440 Speaker 1: Brad had a little play with it bomb everywhere. 44 00:02:20,080 --> 00:02:22,480 Speaker 2: Else, every care as long as Stone would have it 45 00:02:22,520 --> 00:02:24,440 Speaker 2: in their pacific, I'm a happy man. 46 00:02:24,520 --> 00:02:26,480 Speaker 1: So they say here as well, Ash for those playing 47 00:02:26,480 --> 00:02:30,240 Speaker 1: at home, they dry the hop with Galaxy at the 48 00:02:30,320 --> 00:02:35,760 Speaker 1: late stages of fermentation. Creating the beer's unique tropical fruit aroma. 49 00:02:36,639 --> 00:02:38,640 Speaker 1: Dry it with the galaxy. I need to look into that. 50 00:02:39,320 --> 00:02:41,760 Speaker 1: How does that work? How are you guys doing it? 51 00:02:42,080 --> 00:02:42,360 Speaker 1: Doing that? 52 00:02:42,400 --> 00:02:44,080 Speaker 2: Do you have access to the galaxy? When you get 53 00:02:44,120 --> 00:02:48,000 Speaker 2: the milky way you've got Yeah, you've got to hire it. 54 00:02:48,200 --> 00:02:50,480 Speaker 2: Got to hire it, kenneth in. But of course we'd 55 00:02:50,480 --> 00:02:53,880 Speaker 2: like to thank Stink and would. We'd love to thank 56 00:02:53,919 --> 00:02:57,240 Speaker 2: Stone and Would of course for making this episode possible. 57 00:02:57,320 --> 00:03:03,839 Speaker 1: Cheers, cheers. One's already half empty. M Can I ask 58 00:03:03,880 --> 00:03:04,519 Speaker 1: Counts Oscar? 59 00:03:04,960 --> 00:03:07,800 Speaker 2: Look if any strange men walk past? He's quivering? 60 00:03:12,440 --> 00:03:14,760 Speaker 1: Has he asked about me? Not at all? Nothing at all. 61 00:03:15,320 --> 00:03:16,760 Speaker 2: He's at the moment he is a bit dictated on 62 00:03:16,840 --> 00:03:19,320 Speaker 2: missing mummy because mummy is away for work. 63 00:03:20,120 --> 00:03:22,600 Speaker 1: Oh that's right, yeah, no, she is away for work. 64 00:03:22,600 --> 00:03:25,880 Speaker 1: I shouldn't do that. How many she sees this? 65 00:03:26,080 --> 00:03:28,320 Speaker 2: Me doing this? Never get sex again? 66 00:03:28,400 --> 00:03:33,000 Speaker 1: I love how like when we're working, we're like overseas somewhere, 67 00:03:33,600 --> 00:03:37,680 Speaker 1: and April's like, actually like working hard in the corporate world, 68 00:03:37,960 --> 00:03:42,960 Speaker 1: and you're like, is that work? She is? 69 00:03:42,960 --> 00:03:46,440 Speaker 2: She's working very hard. If she's listening, very hard, very 70 00:03:46,440 --> 00:03:48,840 Speaker 2: proud of her. She's down to Parliament House. At the moment, 71 00:03:49,040 --> 00:03:54,600 Speaker 2: she's running for prime minister. She is good luck. The 72 00:03:54,600 --> 00:03:57,080 Speaker 2: plan to take over the country has started. So no, 73 00:03:57,200 --> 00:03:58,600 Speaker 2: she's down there working for a couple of days. So 74 00:03:58,680 --> 00:04:01,760 Speaker 2: of course I'm the primary care parent, Karen. Fuck is 75 00:04:01,800 --> 00:04:02,680 Speaker 2: wrong with me today? 76 00:04:03,320 --> 00:04:06,920 Speaker 1: Are you okay? You having a stroke? Maybe you're ruling. 77 00:04:07,240 --> 00:04:14,480 Speaker 2: I'm sweating. I am the primary parent. And what does 78 00:04:14,480 --> 00:04:17,239 Speaker 2: a primary parent do? They get their mum into help. 79 00:04:18,600 --> 00:04:20,760 Speaker 2: That's the way to do it. So mum came down 80 00:04:20,760 --> 00:04:22,520 Speaker 2: for a couple of days because we're very busy men. 81 00:04:23,000 --> 00:04:25,560 Speaker 1: We are very busy men. And your your mother, mother 82 00:04:25,600 --> 00:04:27,240 Speaker 1: Mary is lovely. 83 00:04:27,320 --> 00:04:31,520 Speaker 2: It's her birthday today. It's a birthday. Yes, happy birthday 84 00:04:32,960 --> 00:04:35,120 Speaker 2: sixty two. And she said to me this one as 85 00:04:35,120 --> 00:04:36,280 Speaker 2: he goes, I don't give a fuck about it, and 86 00:04:36,279 --> 00:04:37,840 Speaker 2: old I was like, good, who you are? 87 00:04:38,000 --> 00:04:43,440 Speaker 1: She's young, she's fit, she's vibrant. I are you trying 88 00:04:43,440 --> 00:04:46,160 Speaker 1: to fund my mouth? No? What I saw her and 89 00:04:46,240 --> 00:04:50,960 Speaker 1: the I don't want to know where one piece swim suit? 90 00:04:51,480 --> 00:04:54,799 Speaker 1: And can I just say, whatever she's doing, keep it up, Mary, 91 00:04:54,880 --> 00:05:01,000 Speaker 1: because that looks great, that looks shut. No complain. Wayne 92 00:05:01,040 --> 00:05:05,120 Speaker 1: is a lucky man. Oh my god, that's Wayne's dad. 93 00:05:07,600 --> 00:05:09,440 Speaker 1: Is she a good n Yeah, she's great. 94 00:05:09,480 --> 00:05:11,000 Speaker 2: Yeah. She doesn't get to see the kids near as 95 00:05:11,040 --> 00:05:14,279 Speaker 2: much because they do live in Queensland and we're in Sydney. 96 00:05:15,600 --> 00:05:18,320 Speaker 2: So any chance I can be like, hey, I'll fly 97 00:05:18,400 --> 00:05:20,320 Speaker 2: you down, spend a couple of days, spend some time 98 00:05:20,360 --> 00:05:22,440 Speaker 2: with the kids. She's happy to jump at that because 99 00:05:22,440 --> 00:05:25,720 Speaker 2: also my niece, my sister's daughter, lives in Sydney as well, 100 00:05:25,760 --> 00:05:27,400 Speaker 2: so she gets to see her as well. So it's 101 00:05:27,400 --> 00:05:30,400 Speaker 2: like it works out. But there's some things that she 102 00:05:30,440 --> 00:05:35,159 Speaker 2: can't help with, like kids wanting mum wanting dad, and 103 00:05:35,200 --> 00:05:39,120 Speaker 2: we were really busy. Mum's sleeping in our bedroom and 104 00:05:39,200 --> 00:05:43,280 Speaker 2: I'm sleeping on the floor in the kids bedroom. In hindsight, 105 00:05:43,600 --> 00:05:46,040 Speaker 2: probably wasn't the best couple of nights of sleep I've 106 00:05:46,080 --> 00:05:46,720 Speaker 2: ever had. 107 00:05:46,520 --> 00:05:48,000 Speaker 1: On the floor. What's your setup? 108 00:05:48,000 --> 00:05:50,760 Speaker 2: You got like a mattress, a mattress right next to 109 00:05:50,800 --> 00:05:51,479 Speaker 2: Oscar's bed. 110 00:05:52,360 --> 00:05:54,400 Speaker 1: So the kids must love that though, the must think 111 00:05:54,440 --> 00:05:56,080 Speaker 1: it's novelty that Dad's on the floor. 112 00:05:56,200 --> 00:05:59,480 Speaker 2: Totally. That's the problem. So the first thing is I'm 113 00:05:59,600 --> 00:06:02,320 Speaker 2: trying to get them into bed, and they both want 114 00:06:02,360 --> 00:06:03,919 Speaker 2: to sleep in my bed, but I'm not going to 115 00:06:03,920 --> 00:06:05,560 Speaker 2: bed yet because the sun's still up. 116 00:06:05,960 --> 00:06:06,760 Speaker 1: It's like six thirty. 117 00:06:06,839 --> 00:06:10,320 Speaker 2: I'd love to trust me, and I'm a busy man, 118 00:06:11,440 --> 00:06:14,160 Speaker 2: like clean the house, and so I've got to have 119 00:06:14,320 --> 00:06:16,240 Speaker 2: the meltdown of them not being able To'm like, get 120 00:06:16,240 --> 00:06:18,839 Speaker 2: into your cot Macy put her in there, Oscar into 121 00:06:18,839 --> 00:06:21,920 Speaker 2: his bed, and I'm like, don't get into my bed. 122 00:06:21,960 --> 00:06:24,320 Speaker 2: You can get into my bed later. If you wake 123 00:06:24,360 --> 00:06:25,840 Speaker 2: up in the middle of the night you want to cuddle, 124 00:06:25,920 --> 00:06:29,960 Speaker 2: you can get in again. That's a big mistake. He's bony, 125 00:06:30,960 --> 00:06:34,480 Speaker 2: and he's so oh yeah, he's yeah, he's he's so skinny. 126 00:06:34,920 --> 00:06:35,599 Speaker 1: Yeah, he is. 127 00:06:35,680 --> 00:06:38,800 Speaker 2: Honestly, like I've seen more body fat on a skeleton. 128 00:06:39,320 --> 00:06:41,800 Speaker 2: He is fucking tiny, and. 129 00:06:41,720 --> 00:06:44,400 Speaker 1: He's just he's a ribcage when we took a shirt off. 130 00:06:44,600 --> 00:06:47,200 Speaker 2: Yeah, as soon as I get I'm not starving him, 131 00:06:47,200 --> 00:06:51,280 Speaker 2: by the way, that's his health choice and dietary choices. 132 00:06:51,720 --> 00:06:53,440 Speaker 2: Literally straight away. As soon as I get into bed 133 00:06:53,520 --> 00:06:58,280 Speaker 2: at like nine o'clock last night. Bit later, obviously, I'm like, okay, 134 00:06:58,320 --> 00:07:00,599 Speaker 2: I'm not get to get into bed. And then it's 135 00:07:00,880 --> 00:07:04,800 Speaker 2: a single mattress, so he's just like falling off the mattress, 136 00:07:05,000 --> 00:07:08,200 Speaker 2: getting back up then Macey's waking up. She wants to 137 00:07:08,240 --> 00:07:10,840 Speaker 2: get in the mat. Then she's shaken on the fucking 138 00:07:10,960 --> 00:07:14,720 Speaker 2: thing and it's like on the cot ah. 139 00:07:14,840 --> 00:07:16,400 Speaker 1: Yeah, she's in like the prison set. 140 00:07:16,560 --> 00:07:21,000 Speaker 2: She's like, she's like just getting the cuddle she wants 141 00:07:21,000 --> 00:07:21,200 Speaker 2: it to. 142 00:07:21,320 --> 00:07:22,080 Speaker 1: So for two. 143 00:07:22,080 --> 00:07:25,240 Speaker 2: Nights, I like, the sleep has been dreadful. 144 00:07:26,080 --> 00:07:29,760 Speaker 1: And I mean this in the nicest way possible. You 145 00:07:29,840 --> 00:07:32,560 Speaker 1: look a little tired, thank you today. That's the look 146 00:07:32,600 --> 00:07:34,680 Speaker 1: I'm going for. I'm going for tired. I'm going for 147 00:07:34,720 --> 00:07:39,080 Speaker 1: tired dad. Actually it's really working. When does April come back? 148 00:07:39,200 --> 00:07:41,000 Speaker 2: She's back tonight, Well this afternoon. 149 00:07:41,040 --> 00:07:42,240 Speaker 1: How do you think the kids are going to go? 150 00:07:42,240 --> 00:07:44,280 Speaker 1: When you take the mattress back out? 151 00:07:44,360 --> 00:07:46,560 Speaker 2: That's going to be another problem in itself because now 152 00:07:46,600 --> 00:07:49,160 Speaker 2: Macey's like and you know what she's like. She doesn't 153 00:07:49,200 --> 00:07:52,920 Speaker 2: really say anything. She's points and I'm meant to know 154 00:07:52,960 --> 00:07:55,840 Speaker 2: what that fucking means. She means get in that bed, 155 00:07:55,840 --> 00:07:57,760 Speaker 2: like otherwise I'm not going to lay down. So the 156 00:07:57,840 --> 00:07:59,360 Speaker 2: amount of times I had to poke my head last 157 00:07:59,440 --> 00:08:02,720 Speaker 2: nar and the night before being like down, She's like 158 00:08:04,760 --> 00:08:06,800 Speaker 2: head down and then two seconds after. 159 00:08:06,640 --> 00:08:10,040 Speaker 1: Here you're like that day you remember you remember before 160 00:08:10,040 --> 00:08:13,280 Speaker 1: we started recording. Your sister said you shouldn't get so 161 00:08:13,320 --> 00:08:18,520 Speaker 1: aggressive to the kids. I'm going to pretend you and 162 00:08:18,600 --> 00:08:20,200 Speaker 1: say that. 163 00:08:23,320 --> 00:08:26,520 Speaker 2: But so April's back tonight, and April she faced times. 164 00:08:26,520 --> 00:08:28,280 Speaker 2: When you're away, right, and you're away, there's a lot 165 00:08:28,280 --> 00:08:29,800 Speaker 2: of face time going on so that you can see 166 00:08:29,800 --> 00:08:32,400 Speaker 2: each other. The kids remember that you exist. Whenever I 167 00:08:32,440 --> 00:08:34,320 Speaker 2: FaceTime when we were away, they didn't give a shit. 168 00:08:34,960 --> 00:08:39,160 Speaker 2: April facetimes and they're fucking dancing in the bath like whoa. 169 00:08:39,679 --> 00:08:41,600 Speaker 1: It's like she's gott to coax them into giving you 170 00:08:41,679 --> 00:08:43,680 Speaker 1: like second of their time on the screen. 171 00:08:43,920 --> 00:08:45,920 Speaker 2: And then I'm like, all right, say goodbye to moment 172 00:08:45,920 --> 00:08:48,319 Speaker 2: because I'm like, you're just distracting. I want to put 173 00:08:48,360 --> 00:08:52,840 Speaker 2: these kids to bed, meltdown. And she goes, she's talking 174 00:08:52,880 --> 00:08:55,439 Speaker 2: to me on loud speaking. She goes, can you make 175 00:08:55,480 --> 00:08:58,280 Speaker 2: sure that they're away late tomorrow? Because she gets home 176 00:08:58,320 --> 00:08:59,280 Speaker 2: she see, then. 177 00:08:59,160 --> 00:08:59,920 Speaker 1: How late do we talk? 178 00:09:00,120 --> 00:09:02,920 Speaker 2: So now Oscar's like, am I staying up late tonight? 179 00:09:02,960 --> 00:09:07,240 Speaker 2: This is all morning? And I'm like, no, you're going 180 00:09:07,280 --> 00:09:12,959 Speaker 2: to get a bed earlier. Out of spite what I'll 181 00:09:13,000 --> 00:09:14,720 Speaker 2: keep him up for a bit, but otherwise I've got 182 00:09:14,760 --> 00:09:17,120 Speaker 2: to wait for her to get home and deal with 183 00:09:17,160 --> 00:09:18,439 Speaker 2: the cranky kids. 184 00:09:18,520 --> 00:09:19,960 Speaker 1: Just put the TV on like you normally do. 185 00:09:20,200 --> 00:09:26,560 Speaker 2: Yeah, that's cool, right, promise you're welcome anyway. That's my 186 00:09:26,679 --> 00:09:29,080 Speaker 2: week so far. And look, I'm happy to have April 187 00:09:29,080 --> 00:09:31,679 Speaker 2: back because the house is a mess. I haven't been 188 00:09:31,720 --> 00:09:34,960 Speaker 2: able to get around doing anything. Mum's helped out in 189 00:09:35,040 --> 00:09:36,959 Speaker 2: the you know where she can help out. You're doing 190 00:09:36,960 --> 00:09:38,760 Speaker 2: a great job, mate. Hey, that's all I wanted to do. 191 00:09:39,120 --> 00:09:43,360 Speaker 1: You're keeping things afloat. You're doing well. I'm proud of you. 192 00:09:44,520 --> 00:09:48,680 Speaker 1: Into sarcasm there, none at all, No, no, whatsoever. Right, 193 00:09:48,800 --> 00:09:49,720 Speaker 1: you're doing very well. 194 00:09:49,760 --> 00:09:52,440 Speaker 2: Good? What about you? Sorry? Enough about me. 195 00:09:52,679 --> 00:09:58,080 Speaker 1: We almost lost Nana. Oh not Nana, not paul Ellie. 196 00:09:58,120 --> 00:09:58,920 Speaker 1: We almost lost that. 197 00:09:59,360 --> 00:10:00,720 Speaker 2: Like how she's very slow. 198 00:10:01,280 --> 00:10:04,640 Speaker 1: Yeah, that's the problem. 199 00:10:05,160 --> 00:10:06,480 Speaker 2: That's the problem me, sir. 200 00:10:07,080 --> 00:10:10,400 Speaker 1: When we arrived back in Sydney, because for those wondering, 201 00:10:10,600 --> 00:10:13,040 Speaker 1: we finished in Brisbane, we had to fly back to 202 00:10:13,040 --> 00:10:18,080 Speaker 1: Sydney on the Saturday. And then she made the mistake 203 00:10:18,200 --> 00:10:21,440 Speaker 1: of saying once we arrived off the plane in Sydney 204 00:10:21,480 --> 00:10:25,280 Speaker 1: airport and she went, well that was pretty painless. She 205 00:10:25,440 --> 00:10:27,920 Speaker 1: was like, nothing went wrong, And I was like, why 206 00:10:27,960 --> 00:10:31,120 Speaker 1: would you say that, Why would you you just you're 207 00:10:31,120 --> 00:10:33,200 Speaker 1: now just inviting, you've invited. 208 00:10:33,240 --> 00:10:37,439 Speaker 2: It's in a TV show movie. Surely it can't get 209 00:10:37,440 --> 00:10:40,000 Speaker 2: it any worse, and it fucking immediately gets worse. 210 00:10:40,040 --> 00:10:43,320 Speaker 1: That's the universe going, what's that you want us to 211 00:10:43,360 --> 00:10:44,000 Speaker 1: function up? 212 00:10:44,240 --> 00:10:44,880 Speaker 2: Say it again? 213 00:10:45,000 --> 00:10:47,800 Speaker 1: I was like, mum, why would you say that? She 214 00:10:47,880 --> 00:10:49,960 Speaker 1: was like, what, Well, we're like we're back home now, 215 00:10:50,160 --> 00:10:56,640 Speaker 1: we're still we're closed, we're on the home stretch. Just 216 00:10:56,760 --> 00:11:01,480 Speaker 1: leave it. So we were all looking to get the 217 00:11:01,520 --> 00:11:05,640 Speaker 1: bags right. And for anyone who doesn't know Sydney Airport, 218 00:11:06,160 --> 00:11:08,520 Speaker 1: you come through the security gates, so like once you 219 00:11:08,559 --> 00:11:10,320 Speaker 1: go past the security gates, they shut behind you. 220 00:11:10,400 --> 00:11:11,240 Speaker 2: And then those ones that. 221 00:11:11,240 --> 00:11:14,920 Speaker 1: Like automatic doors deal with that's to make sure that 222 00:11:14,960 --> 00:11:19,880 Speaker 1: people can't go back in without going through security. Oh okay, yep, 223 00:11:20,080 --> 00:11:23,920 Speaker 1: that makes sense. Not no, No, I'm no expert. 224 00:11:24,160 --> 00:11:27,600 Speaker 2: Well I'm no security exp education done tick because I've 225 00:11:27,640 --> 00:11:28,160 Speaker 2: learned something. 226 00:11:28,440 --> 00:11:31,920 Speaker 1: And then from that point on there's an escalator that 227 00:11:32,040 --> 00:11:35,760 Speaker 1: goes down one level underground and that's where you collect 228 00:11:35,760 --> 00:11:39,160 Speaker 1: your bags. Yeah, I'm with your I was in front. 229 00:11:39,600 --> 00:11:42,720 Speaker 1: I had Lola in the little pram yep and she 230 00:11:42,800 --> 00:11:44,199 Speaker 1: was in front of me. So I was like leaning 231 00:11:44,280 --> 00:11:47,240 Speaker 1: the prem back on the escalator. The escalator was steps 232 00:11:47,240 --> 00:11:49,959 Speaker 1: going down. So, Lola, it's illegal, you know that, is it? 233 00:11:50,040 --> 00:11:50,760 Speaker 2: Yeah? 234 00:11:50,960 --> 00:11:53,719 Speaker 1: So I'm going down the escalator, Lola in front of me, 235 00:11:53,960 --> 00:11:58,120 Speaker 1: tilted back in the pram. Behind me is Nana and Marley. 236 00:11:59,000 --> 00:12:02,720 Speaker 1: And Marley's at an a now where she's very particular 237 00:12:03,040 --> 00:12:06,160 Speaker 1: about doing things herself. She doesn't like having a hand 238 00:12:06,320 --> 00:12:10,720 Speaker 1: held getting on the escalator's as well. Yeah, I want 239 00:12:10,720 --> 00:12:13,040 Speaker 1: to do it. I've got this. Everyone relaxed. I've got 240 00:12:13,040 --> 00:12:17,840 Speaker 1: this covered, no big deal. And I'm in front. I 241 00:12:17,840 --> 00:12:21,640 Speaker 1: know that Nana's got Marley covered. Behind me, maybe like 242 00:12:22,040 --> 00:12:24,320 Speaker 1: just before we get to the halfway point going down 243 00:12:24,320 --> 00:12:32,760 Speaker 1: the escalator, I hear a noise. I'm like, what fuck? 244 00:12:33,040 --> 00:12:38,600 Speaker 1: A turn behind me she is tumbling down down. 245 00:12:38,440 --> 00:12:41,119 Speaker 2: The escalator escalator, Your mumm. 246 00:12:40,960 --> 00:12:45,880 Speaker 1: Is she's coming for me. She's like she's falling gass 247 00:12:45,880 --> 00:12:49,640 Speaker 1: over tip boom. She missed the step. So Marley, when 248 00:12:49,679 --> 00:12:52,800 Speaker 1: she got on, she took a step on had a 249 00:12:52,880 --> 00:12:56,120 Speaker 1: split second where she panicked and then one foot started 250 00:12:56,120 --> 00:12:58,640 Speaker 1: going on the escalator. The other one was stationary on 251 00:12:58,679 --> 00:13:00,360 Speaker 1: the platform. So she was kind of doing thing doing 252 00:13:00,360 --> 00:13:07,120 Speaker 1: the splits. She starts like panicking, Mum, split second decision, 253 00:13:07,559 --> 00:13:10,920 Speaker 1: trying to rescue Marley by like bending down and like 254 00:13:11,440 --> 00:13:12,280 Speaker 1: carrying her up. 255 00:13:12,360 --> 00:13:12,520 Speaker 2: Yeah. 256 00:13:12,600 --> 00:13:15,040 Speaker 1: Yeah, but Mom's quite unsteady on her feet at the moment. 257 00:13:15,080 --> 00:13:20,040 Speaker 1: She's kind of said that recently, like stairs, she's got 258 00:13:20,040 --> 00:13:21,640 Speaker 1: bad foot. We saw it on the cruise ship. You 259 00:13:21,760 --> 00:13:24,760 Speaker 1: tap her, you blow on her, and she top. 260 00:13:26,200 --> 00:13:26,520 Speaker 2: Legs. 261 00:13:27,000 --> 00:13:29,559 Speaker 1: Yeah. She like, as she went to pick up Marley, 262 00:13:29,720 --> 00:13:33,000 Speaker 1: she fucking fell, dude, she like, not just fell. She 263 00:13:33,040 --> 00:13:35,160 Speaker 1: tried to correct herself, but as she corrected herself, she 264 00:13:35,480 --> 00:13:39,280 Speaker 1: launched out and like the stud as she was like 265 00:13:39,520 --> 00:13:42,360 Speaker 1: hitting the escalator, and she had her purse with her, 266 00:13:42,400 --> 00:13:46,959 Speaker 1: so the purse went flying. Sunglasses are out, wallet's gone out, 267 00:13:47,040 --> 00:13:49,600 Speaker 1: cards are gone everywhere, her phone's gone. And hit someone 268 00:13:49,640 --> 00:13:52,360 Speaker 1: in the holy shit. And luckily there's a guy there 269 00:13:52,400 --> 00:13:56,280 Speaker 1: standing in between mum and myself and he stopped her 270 00:13:56,559 --> 00:13:58,520 Speaker 1: and he also picked up Marley. I was like, oh 271 00:13:58,600 --> 00:14:00,480 Speaker 1: my good. So I couldn't do anything because I was 272 00:14:00,520 --> 00:14:03,079 Speaker 1: I was trapped with the trot the pram. 273 00:14:04,360 --> 00:14:06,720 Speaker 2: I can just imagine your Your mum gets startled at 274 00:14:06,720 --> 00:14:09,040 Speaker 2: the best of times when you say to Matt's mum, 275 00:14:09,120 --> 00:14:11,320 Speaker 2: you say hey, like if we're just we're sitting here 276 00:14:11,360 --> 00:14:14,200 Speaker 2: like exactly that this is, and you go, hey, Ellie, 277 00:14:14,480 --> 00:14:17,760 Speaker 2: we're just going to move table. She'd like, what what's 278 00:14:17,800 --> 00:14:19,360 Speaker 2: happening now? What are we doing? 279 00:14:19,680 --> 00:14:23,040 Speaker 1: She flips on her back and she's like like a turtle. 280 00:14:23,640 --> 00:14:27,800 Speaker 2: I can imagine her like that started. I was when 281 00:14:27,840 --> 00:14:30,160 Speaker 2: I didn't see the other day. She looked frightened. 282 00:14:31,960 --> 00:14:35,920 Speaker 1: Because she's heard the stories about you. Okay, right, she said, 283 00:14:35,960 --> 00:14:37,360 Speaker 1: don't leave me alone with ash in the room. 284 00:14:37,680 --> 00:14:39,160 Speaker 2: What happens between me and your mom in a room 285 00:14:39,240 --> 00:14:40,080 Speaker 2: is nunny. 286 00:14:41,400 --> 00:14:46,080 Speaker 1: I was like, she's broken a hip. I'm like, she's 287 00:14:46,560 --> 00:14:48,640 Speaker 1: That's how people in her age die. That's that's how 288 00:14:48,640 --> 00:14:49,120 Speaker 1: it happens. 289 00:14:49,280 --> 00:14:51,640 Speaker 2: They break your hip, get pneumonia, and die in hospital. 290 00:14:51,880 --> 00:14:55,520 Speaker 2: Such a sad story happens day in day out. Not 291 00:14:55,560 --> 00:14:56,480 Speaker 2: to be morbid or anything. 292 00:14:56,720 --> 00:15:00,880 Speaker 1: It's escalators, the biggest killer of old people, the silent 293 00:15:01,000 --> 00:15:04,760 Speaker 1: killer of this country. There needs to be more wealthy. 294 00:15:05,040 --> 00:15:06,320 Speaker 2: I didn't even know I would. 295 00:15:06,080 --> 00:15:06,640 Speaker 1: Have checked on it. 296 00:15:06,720 --> 00:15:06,920 Speaker 3: Why. 297 00:15:07,360 --> 00:15:08,800 Speaker 1: So we got off and I put it. I sat 298 00:15:08,840 --> 00:15:12,960 Speaker 1: it down and I wasn't. I was like, I thought 299 00:15:12,960 --> 00:15:14,680 Speaker 1: we're gonna go to go to the hospital. Oh, I 300 00:15:14,720 --> 00:15:16,920 Speaker 1: thought she knocked herself in the head like I was. 301 00:15:17,560 --> 00:15:19,560 Speaker 1: She was like my leg and I was expecting her 302 00:15:19,560 --> 00:15:21,520 Speaker 1: to lift her skirt up and it'd be like cut 303 00:15:21,560 --> 00:15:25,320 Speaker 1: open because because it's they're sharp sharp. 304 00:15:25,120 --> 00:15:27,280 Speaker 2: And she ever fallen on an escalator before, never had 305 00:15:27,640 --> 00:15:31,520 Speaker 2: Holy fuck it heard, I got it. I made the 306 00:15:31,560 --> 00:15:35,160 Speaker 2: mind a really really really funny story. He he got 307 00:15:35,240 --> 00:15:37,320 Speaker 2: kicked out of a out of a r s L 308 00:15:37,400 --> 00:15:40,640 Speaker 2: club that had an escalator escalator, a really long one 309 00:15:40,720 --> 00:15:43,000 Speaker 2: to get to the exit out. They've been like, get down, 310 00:15:43,160 --> 00:15:46,640 Speaker 2: get out of here, whatever. And the CCTV footage we've 311 00:15:46,680 --> 00:15:49,320 Speaker 2: managed to get hold of and you see him and. 312 00:15:49,280 --> 00:15:52,160 Speaker 1: He's he's laying on the escalator all the way down. 313 00:15:52,240 --> 00:15:56,080 Speaker 2: There is on the CCTV who's the security guards behind him? 314 00:15:56,840 --> 00:15:59,600 Speaker 2: Gets up, starts to like do a break dance at 315 00:15:59,600 --> 00:16:04,800 Speaker 2: the bottom with the escalator and then just take Actually, 316 00:16:04,880 --> 00:16:06,880 Speaker 2: that's I need to get that footage. It's really great. 317 00:16:07,400 --> 00:16:10,480 Speaker 2: But I've fallen on the same set of escalators at 318 00:16:10,480 --> 00:16:14,040 Speaker 2: the at that pub rs L and fuck on. 319 00:16:14,120 --> 00:16:18,840 Speaker 1: The shin man, it's no good. They'd like so. 320 00:16:20,320 --> 00:16:22,000 Speaker 2: Serrated it's like a serrated nine. 321 00:16:22,080 --> 00:16:26,320 Speaker 1: Yeah, But whoever's designed escalators do better? 322 00:16:26,800 --> 00:16:28,280 Speaker 2: Death wish make them out of rubber. 323 00:16:28,480 --> 00:16:32,600 Speaker 1: Yeah, make them like slider. I guess you know. I'm 324 00:16:32,600 --> 00:16:34,640 Speaker 1: no engineer, but there's got to be a better way. 325 00:16:34,920 --> 00:16:37,280 Speaker 1: There has to be. Yeah, well it has to be. 326 00:16:37,800 --> 00:16:39,240 Speaker 2: Call some strings, call some people. 327 00:16:39,440 --> 00:16:41,640 Speaker 1: It was a miracle. 328 00:16:41,720 --> 00:16:44,040 Speaker 2: I've been on the world's longest escalator. Do you know 329 00:16:44,080 --> 00:16:46,240 Speaker 2: that that's a this is the fact, is not a joke. 330 00:16:47,040 --> 00:16:50,760 Speaker 1: You I'll pretend like I'm interested. You tell me that story. 331 00:16:52,200 --> 00:16:52,520 Speaker 1: Go on. 332 00:16:53,160 --> 00:16:54,400 Speaker 2: I was in Hong Kong and they have like the 333 00:16:54,400 --> 00:16:57,320 Speaker 2: world's longest escalator and you go all the way up 334 00:16:57,360 --> 00:16:59,520 Speaker 2: beside of the mountain that goes into the clouds and 335 00:16:59,560 --> 00:17:03,680 Speaker 2: there's a big viewing deck. Anyway, now back to. 336 00:17:03,520 --> 00:17:07,080 Speaker 1: What can we take your word for it, Let's go 337 00:17:07,119 --> 00:17:12,560 Speaker 1: to Google. Tell me more about For the record, anyone 338 00:17:12,600 --> 00:17:17,399 Speaker 1: who is worried Nana Johnson safe and sound is Europe. 339 00:17:17,440 --> 00:17:20,600 Speaker 1: She's going to Europe tomorrow, tomorrow, tomorrow, And that was 340 00:17:20,640 --> 00:17:23,480 Speaker 1: the big concern. She was like, fuck, she's going away 341 00:17:23,640 --> 00:17:27,760 Speaker 1: to France for two months, two months and this is 342 00:17:28,359 --> 00:17:31,719 Speaker 1: this is always had a dream as she always had 343 00:17:31,760 --> 00:17:35,960 Speaker 1: a dream, which was she taught herself French watching like 344 00:17:36,119 --> 00:17:39,520 Speaker 1: SBS and those weird pornos that are on it, like 345 00:17:39,560 --> 00:17:45,400 Speaker 1: one in the morning. Another ones. Her dream was when 346 00:17:45,400 --> 00:17:48,600 Speaker 1: she retired, she was going to go to some little 347 00:17:48,640 --> 00:17:52,680 Speaker 1: province in France. Nice little French boy and a bake. 348 00:17:53,960 --> 00:17:57,880 Speaker 1: If she messages me and says, I've found a French 349 00:17:58,040 --> 00:18:03,680 Speaker 1: man in the countryside legs and so she's going to 350 00:18:03,880 --> 00:18:07,400 Speaker 1: learn French staying in some little chateau in the countryside. 351 00:18:07,880 --> 00:18:09,280 Speaker 1: And she was like, I'm not going to be able 352 00:18:09,359 --> 00:18:11,320 Speaker 1: to go, but thankfully. 353 00:18:11,040 --> 00:18:12,760 Speaker 2: She can find a little French boarder carry around. 354 00:18:12,920 --> 00:18:15,320 Speaker 1: Surely. I mean, one can only hope. 355 00:18:15,119 --> 00:18:18,000 Speaker 2: One can only So she's fine, she's fine, she's leaving. 356 00:18:18,119 --> 00:18:19,000 Speaker 2: How long is you going for? 357 00:18:19,160 --> 00:18:22,280 Speaker 1: Two months? Okay? Two months? So it will be weird 358 00:18:22,560 --> 00:18:26,480 Speaker 1: to then have, you know, no Nanna in the house anything. Yeah, 359 00:18:26,560 --> 00:18:29,160 Speaker 1: because she's a resident. She has she's retired, she has 360 00:18:29,200 --> 00:18:32,400 Speaker 1: moved in with us. She's now leaving us, and I've 361 00:18:32,560 --> 00:18:34,919 Speaker 1: just I've just gotten used to her being around. 362 00:18:35,200 --> 00:18:36,000 Speaker 2: It used to break. 363 00:18:36,240 --> 00:18:38,960 Speaker 1: Does your mom ever, like does she do things around 364 00:18:38,960 --> 00:18:41,639 Speaker 1: the house for example, Like my mom doesn't use a 365 00:18:41,680 --> 00:18:44,399 Speaker 1: dish washer. She washes everything by hand. That's old school, 366 00:18:44,440 --> 00:18:46,640 Speaker 1: and I'm like, what are you doing? Like we have 367 00:18:46,880 --> 00:18:49,199 Speaker 1: technology for this. She's there like lighting a fire in 368 00:18:49,240 --> 00:18:51,240 Speaker 1: the backyard for hot water, and we have a kettle. 369 00:18:51,280 --> 00:18:53,320 Speaker 2: It was thirty degrees yesterday and Mum put all the 370 00:18:53,400 --> 00:18:59,400 Speaker 2: washing in the dryer. Not made of fucking money, Jesus. Anyway, 371 00:18:59,760 --> 00:19:02,399 Speaker 2: I'm glad that your mom's okay, and we will miss her. Earie, 372 00:19:02,440 --> 00:19:05,320 Speaker 2: we will miss you. I will miss you the most. 373 00:19:06,600 --> 00:19:09,480 Speaker 2: Matthew Ka is bringing all the treats this easter long 374 00:19:09,520 --> 00:19:11,960 Speaker 2: we can with an action packed lineup of all your 375 00:19:12,000 --> 00:19:13,199 Speaker 2: favorite sports. 376 00:19:13,240 --> 00:19:16,520 Speaker 1: I don't know how much you love sport. I could 377 00:19:16,560 --> 00:19:20,560 Speaker 1: have been a professional athlete. I've always said that I 378 00:19:20,640 --> 00:19:23,040 Speaker 1: am such a waste of talent. I still watch you 379 00:19:23,840 --> 00:19:26,080 Speaker 1: of anything. I watched the games and I'm like, I 380 00:19:26,119 --> 00:19:27,159 Speaker 1: could do that. I could do that. 381 00:19:27,160 --> 00:19:28,880 Speaker 2: I think, why don't they run between their legs more? 382 00:19:29,040 --> 00:19:30,240 Speaker 1: But do you know how? I just quickly do you 383 00:19:30,280 --> 00:19:31,840 Speaker 1: know who I saw? And I was like, how is 384 00:19:31,920 --> 00:19:36,360 Speaker 1: he younger than me? Dale Fanukan? Oh have you seen him? 385 00:19:36,520 --> 00:19:38,760 Speaker 1: Do you know how old he is? Twenty seven? He's 386 00:19:38,760 --> 00:19:41,040 Speaker 1: thirty two, he's thirty two. 387 00:19:41,240 --> 00:19:42,200 Speaker 2: Well it looks old. 388 00:19:42,080 --> 00:19:44,240 Speaker 1: To men like Dale Fanucan is out there playing for. 389 00:19:45,680 --> 00:19:47,200 Speaker 2: You. Could do it. I could do it. 390 00:19:47,359 --> 00:19:47,719 Speaker 1: Not too late. 391 00:19:47,760 --> 00:19:48,639 Speaker 2: But what do we got coming up? 392 00:19:48,680 --> 00:19:52,199 Speaker 1: Man? We got boxing pay per view, Zoo versus Fundora 393 00:19:52,600 --> 00:19:55,879 Speaker 1: live and Ash. We had a little session with Zoo 394 00:19:55,880 --> 00:19:58,320 Speaker 1: while he that guy, he can he knows what he's doing. 395 00:19:58,359 --> 00:20:00,159 Speaker 1: He knows his way around a pair of boxing. They 396 00:20:00,240 --> 00:20:03,920 Speaker 1: or may not have broken Rip. My prediction got to 397 00:20:03,960 --> 00:20:06,240 Speaker 1: support surely he'll take a win. 398 00:20:06,480 --> 00:20:08,920 Speaker 2: You can order that now on main Event with Caro Sports. 399 00:20:09,280 --> 00:20:11,720 Speaker 2: No KO subscription needed for that one, Matt. 400 00:20:11,840 --> 00:20:14,359 Speaker 1: And we've also got AFL games. We have the big 401 00:20:14,440 --> 00:20:18,320 Speaker 1: Grand Final rematches between Brisbane and Collingwood on Thursday. 402 00:20:18,320 --> 00:20:24,040 Speaker 2: Come on Brisbane, Yes, and you alright? We've got Esid 403 00:20:24,080 --> 00:20:26,399 Speaker 2: and Ens and Killer on the Saturday, and then the 404 00:20:26,520 --> 00:20:29,840 Speaker 2: NL games of this round will be Roosters versus Panthers. 405 00:20:30,440 --> 00:20:34,240 Speaker 1: Come on, the Roosters hate the Panthers, hate them so much. 406 00:20:34,400 --> 00:20:36,960 Speaker 1: Who else you got there, Mat, Broncos versus Cowboys. That's 407 00:20:36,960 --> 00:20:38,720 Speaker 1: on the Saturday, Come on the Bronx. 408 00:20:38,800 --> 00:20:42,119 Speaker 2: Yeah. And we've also got Manly versing the St. George 409 00:20:42,160 --> 00:20:45,359 Speaker 2: Ellawarra Dragons down there at Winn Stadium up the mighty. 410 00:20:45,440 --> 00:20:47,200 Speaker 1: See how are you feeling about Manly? They got they're 411 00:20:47,200 --> 00:20:48,040 Speaker 1: playing very well. 412 00:20:48,640 --> 00:20:51,239 Speaker 2: Look a classic manly fan. We've got thinking to win 413 00:20:51,320 --> 00:20:56,359 Speaker 2: comp we will probably lose h S trade at KO. 414 00:20:56,480 --> 00:21:00,919 Speaker 2: Everyone's welcome, so get on board today with a free trial. 415 00:21:00,960 --> 00:21:04,240 Speaker 2: We'll leave link in our show notes. Matt let me 416 00:21:04,240 --> 00:21:05,080 Speaker 2: ask you a quick question. 417 00:21:05,280 --> 00:21:07,119 Speaker 1: Please, have you have you ever been on the longest 418 00:21:07,240 --> 00:21:08,600 Speaker 1: escalator in the world in Hong Kong? 419 00:21:08,680 --> 00:21:14,800 Speaker 2: It's amazing, God, God give me strength to get through it. 420 00:21:15,920 --> 00:21:18,280 Speaker 1: Have you fucking held that back from me for so long? 421 00:21:18,560 --> 00:21:19,800 Speaker 1: I feel like I don't even know you. 422 00:21:20,600 --> 00:21:26,159 Speaker 2: Okay, you don't you don't know me. That's just the 423 00:21:26,200 --> 00:21:28,640 Speaker 2: typically iceberg. Do you know how many escalators I've been on? 424 00:21:28,720 --> 00:21:30,560 Speaker 1: April's like, why are we going to Hong Kong? And 425 00:21:30,560 --> 00:21:31,159 Speaker 1: You're like, I don't know? 426 00:21:31,400 --> 00:21:34,280 Speaker 2: To prove it? 427 00:21:34,720 --> 00:21:38,520 Speaker 1: I fucking imagine my mum on that thing fall. 428 00:21:37,960 --> 00:21:40,160 Speaker 2: In the way here every time. 429 00:21:40,240 --> 00:21:40,359 Speaker 1: Man. 430 00:21:42,480 --> 00:21:44,720 Speaker 2: Anyway, I have a question for you, Matte, What do 431 00:21:44,760 --> 00:21:47,400 Speaker 2: you got for me? Have you ever been in public 432 00:21:47,680 --> 00:21:51,680 Speaker 2: with a child one of yours and you witness another 433 00:21:51,800 --> 00:21:56,439 Speaker 2: child doing something quiet, outrageous or naughty that even your 434 00:21:56,560 --> 00:21:58,640 Speaker 2: toddally goes, oh, yeah, they. 435 00:21:58,520 --> 00:22:00,399 Speaker 1: Shouldn't be doing that. On the cruise ship every night 436 00:22:00,440 --> 00:22:03,359 Speaker 1: with Oscar, oh man, he was fucking a dream. 437 00:22:03,840 --> 00:22:07,960 Speaker 2: Also, what's the deal with Oscar? What's the deal with Oscar? 438 00:22:08,600 --> 00:22:12,159 Speaker 2: All of a sudden, he's this nice boy? What do 439 00:22:12,200 --> 00:22:15,720 Speaker 2: you mean? Actually that's before we get into that. Mom's like, oh, 440 00:22:15,760 --> 00:22:20,000 Speaker 2: he's different, what do you mean? You snap out of it, bro, 441 00:22:20,680 --> 00:22:22,840 Speaker 2: He's just so sweet and nice all of a sudden. 442 00:22:22,840 --> 00:22:25,640 Speaker 2: Maybe because April was not here, that probably makes sense. 443 00:22:26,119 --> 00:22:27,680 Speaker 1: Anyway, Well, he's being nice at home. 444 00:22:28,160 --> 00:22:31,040 Speaker 2: I'll monitor it. Yeah, he's just been nice to everybody 445 00:22:31,080 --> 00:22:31,639 Speaker 2: all the time. 446 00:22:32,320 --> 00:22:33,040 Speaker 1: Dude, that's great. 447 00:22:33,240 --> 00:22:36,199 Speaker 2: Yeah, but I think it's so I'll come back to 448 00:22:36,240 --> 00:22:37,720 Speaker 2: you on that. But I just thought about it. 449 00:22:37,920 --> 00:22:40,960 Speaker 1: I have I witness in his child being naughty. Yeah, 450 00:22:41,040 --> 00:22:42,640 Speaker 1: I guess when you're at the playground. 451 00:22:43,000 --> 00:22:45,080 Speaker 2: You know, there's like playground seems like a place where 452 00:22:45,080 --> 00:22:45,439 Speaker 2: they do that. 453 00:22:45,480 --> 00:22:46,840 Speaker 1: There's a kid who you know, would push in the 454 00:22:46,880 --> 00:22:49,320 Speaker 1: slide and then they'd come over and say, oh, you know, 455 00:22:49,359 --> 00:22:53,280 Speaker 1: I watched one of the bigger kids, slightly larger, stronger 456 00:22:53,320 --> 00:22:55,439 Speaker 1: than the other kids, push their way into a line, 457 00:22:55,800 --> 00:22:58,040 Speaker 1: and May would be like, daddy, he's pushing in and 458 00:22:58,040 --> 00:23:01,680 Speaker 1: I'm like, yeah, he's a piece of shit. But you know, yeah, 459 00:23:01,880 --> 00:23:04,199 Speaker 1: you don't really I'm not gonna and I'm not going 460 00:23:04,240 --> 00:23:04,879 Speaker 1: to step in. 461 00:23:05,359 --> 00:23:08,080 Speaker 2: No, what happened with Oscar and I is we were 462 00:23:08,200 --> 00:23:16,040 Speaker 2: at the shops. Shops have aisles, Okay, as you know what, 463 00:23:16,440 --> 00:23:18,000 Speaker 2: I'm trying to set the scene. 464 00:23:18,080 --> 00:23:22,320 Speaker 1: Like, yeah, I think I like sweat. I just I wasn't. 465 00:23:21,960 --> 00:23:25,760 Speaker 1: I didn't know how shops work were laid out. But yeah, 466 00:23:25,840 --> 00:23:27,800 Speaker 1: depending on the shop they have, they do have aisles. 467 00:23:27,880 --> 00:23:30,360 Speaker 2: So let's just go grocery shops. I have certain aisles 468 00:23:30,400 --> 00:23:32,520 Speaker 2: which you get things from. 469 00:23:34,359 --> 00:23:35,679 Speaker 1: Go on, I'm with you. 470 00:23:35,680 --> 00:23:36,960 Speaker 2: You're ruining my story. 471 00:23:37,080 --> 00:23:37,960 Speaker 1: I'm on the same page. 472 00:23:38,000 --> 00:23:41,680 Speaker 2: Okay, So I'm in the shops. Obviously with Oscar, we're 473 00:23:41,680 --> 00:23:43,760 Speaker 2: in an aisle down the aisle, and I hear a 474 00:23:43,760 --> 00:23:47,399 Speaker 2: bit of a commotion down the aisle, and before I 475 00:23:47,400 --> 00:23:50,359 Speaker 2: could get my phone out to film anything, a little 476 00:23:50,400 --> 00:23:54,159 Speaker 2: boy has ridden his pushbike with training wheels. Might I 477 00:23:54,200 --> 00:23:57,840 Speaker 2: add similar age to Oscar into the grocery shop off 478 00:23:57,880 --> 00:23:58,399 Speaker 2: the street. 479 00:23:58,800 --> 00:23:59,960 Speaker 1: No no, no, no, no no no. 480 00:24:01,359 --> 00:24:04,160 Speaker 2: First thought you think he's going to get off at 481 00:24:04,160 --> 00:24:06,520 Speaker 2: the start of the shop, he's bringing the bike into. 482 00:24:06,760 --> 00:24:11,639 Speaker 1: Say a is a bike not too different from a pram? 483 00:24:11,840 --> 00:24:14,399 Speaker 2: No, it's very different. And I feel like he was 484 00:24:14,480 --> 00:24:17,200 Speaker 2: like like. 485 00:24:17,240 --> 00:24:18,120 Speaker 1: He was all over the shop. 486 00:24:18,160 --> 00:24:19,280 Speaker 2: He was all over the shop. I thought he was 487 00:24:19,280 --> 00:24:20,200 Speaker 2: just going to get off at the front of the 488 00:24:20,240 --> 00:24:22,080 Speaker 2: shop leave bike there. And first of all, I was like, 489 00:24:22,080 --> 00:24:24,480 Speaker 2: where are your fucking parents. He's ridden way ahead of 490 00:24:24,480 --> 00:24:29,959 Speaker 2: his parents. Yeah, helmet on, thank god. And I was like, 491 00:24:30,520 --> 00:24:33,439 Speaker 2: it's strange and didn't think a whole heap of it. 492 00:24:33,560 --> 00:24:36,479 Speaker 2: And then I hear a commotion, another one. I hear 493 00:24:36,520 --> 00:24:41,480 Speaker 2: a commotion, another comm second commotion, second commotion up further 494 00:24:41,520 --> 00:24:44,880 Speaker 2: in the shop. This kid's riding up and down the aisles, 495 00:24:44,920 --> 00:24:48,200 Speaker 2: and Oscar's like, what the fuck is going on? Either 496 00:24:48,240 --> 00:24:49,959 Speaker 2: what the fuck's going on? Or what have I been 497 00:24:49,960 --> 00:24:55,160 Speaker 2: missing out? Hell of a time? And I was like, 498 00:24:55,600 --> 00:24:57,800 Speaker 2: this kid's out of control. And the parents come in. 499 00:24:57,800 --> 00:25:00,720 Speaker 2: They've all got off their bikes, all with helmets on, 500 00:25:00,840 --> 00:25:04,080 Speaker 2: running up and down the aisle trying to catch this kid. 501 00:25:04,119 --> 00:25:06,240 Speaker 2: And they're like which isle is and he's got siblings 502 00:25:06,600 --> 00:25:08,440 Speaker 2: and they're like, oh, this one, this one, And you 503 00:25:08,440 --> 00:25:10,280 Speaker 2: could just hear it was just like a huge commotion. 504 00:25:10,520 --> 00:25:12,800 Speaker 1: What were the staff doing. They don't want to do 505 00:25:12,920 --> 00:25:13,640 Speaker 1: everyone'sdn't shot. 506 00:25:13,720 --> 00:25:16,520 Speaker 2: Everyone was just like I was like, what the fuck? 507 00:25:16,600 --> 00:25:19,680 Speaker 2: I was trying to film because I thinking he was 508 00:25:19,720 --> 00:25:21,320 Speaker 2: coming up the aisle I was in, I couldn't I 509 00:25:21,359 --> 00:25:23,080 Speaker 2: was riding the mills, I couldn't get to the end. 510 00:25:23,840 --> 00:25:26,680 Speaker 1: And Oscar was just like, what, like, he shouldn't be. 511 00:25:26,640 --> 00:25:30,040 Speaker 2: Doing this, he shouldn't be doing and the parents are 512 00:25:30,119 --> 00:25:33,240 Speaker 2: yelling out, and they started yelling out his name. And 513 00:25:33,280 --> 00:25:34,479 Speaker 2: have you guess what his name was? 514 00:25:35,480 --> 00:25:35,880 Speaker 1: Dennis? 515 00:25:35,960 --> 00:25:43,760 Speaker 2: The men close Maverick. Ah, it's in the name. You think. 516 00:25:43,760 --> 00:25:45,560 Speaker 2: It's just doing whatever the fuck he wants. 517 00:25:45,840 --> 00:25:48,199 Speaker 1: Parents have no one to blame but themselves for that. 518 00:25:48,320 --> 00:25:53,080 Speaker 1: He's like, well, have you seen top gun? And he's 519 00:25:53,119 --> 00:25:55,000 Speaker 1: just like at the end of it, they're. 520 00:25:54,840 --> 00:26:00,920 Speaker 2: Like and he's like, right, I just see him right 521 00:26:01,160 --> 00:26:03,960 Speaker 2: out the shop door and off down the street like 522 00:26:04,040 --> 00:26:06,680 Speaker 2: nothing fucking happened. It just made me think I'm doing 523 00:26:06,680 --> 00:26:11,040 Speaker 2: all right over here. Things aren't so bad after all. 524 00:26:11,200 --> 00:26:14,119 Speaker 2: And don't name you kid, Maverick. No, but Oscar was 525 00:26:14,160 --> 00:26:15,000 Speaker 2: in shop. 526 00:26:15,119 --> 00:26:17,560 Speaker 1: You have to be like, that's not how you behave Oscar. 527 00:26:18,280 --> 00:26:19,320 Speaker 2: He knew that was wrong. 528 00:26:19,680 --> 00:26:22,200 Speaker 1: Maverick is a fucking rogue child who. 529 00:26:25,320 --> 00:26:28,800 Speaker 2: Because I wish you name me Maverick. It's time for 530 00:26:28,840 --> 00:26:34,800 Speaker 2: our favorite segment, Matt Meltdown or tantrum of the week. 531 00:26:39,680 --> 00:27:00,160 Speaker 3: It's a fun. 532 00:26:52,880 --> 00:26:55,800 Speaker 2: It'sn't fun? Okay, cool mat would you like? 533 00:26:55,800 --> 00:26:59,880 Speaker 1: Can I just say interrupt for one second? I find 534 00:26:59,880 --> 00:27:04,560 Speaker 1: that intro song hilarious. We did people, We did some 535 00:27:04,600 --> 00:27:09,280 Speaker 1: stories on Instagram asking for feedback can improve and a 536 00:27:09,480 --> 00:27:12,200 Speaker 1: lot of people said change the intro song. 537 00:27:12,240 --> 00:27:13,800 Speaker 2: Well, the jokes on you because we're going to do 538 00:27:13,800 --> 00:27:14,200 Speaker 2: it last. 539 00:27:17,000 --> 00:27:20,280 Speaker 1: If you want it to stay, can you just message us. 540 00:27:20,640 --> 00:27:23,479 Speaker 2: I think it's the best thing we've ever done. Okay, 541 00:27:23,600 --> 00:27:30,120 Speaker 2: Oh quit very show. This is from Stevie. Stevie has 542 00:27:30,119 --> 00:27:34,200 Speaker 2: written in and said at three am this morning, when 543 00:27:34,240 --> 00:27:37,840 Speaker 2: my two year old woke up, he started insisting that 544 00:27:37,960 --> 00:27:40,639 Speaker 2: I read him a book about spiders. He says in 545 00:27:40,680 --> 00:27:46,159 Speaker 2: brackets here picture specific a hardcover, large educational book about spiders. 546 00:27:46,880 --> 00:27:50,320 Speaker 1: And when I said no, it's three am and time 547 00:27:50,359 --> 00:27:52,640 Speaker 1: to go back to sleep, he started wailing and flailing 548 00:27:52,640 --> 00:27:56,840 Speaker 1: his limbs around in bed, begging me whilst crying, please Mummy, please, 549 00:27:56,880 --> 00:28:01,040 Speaker 1: a spider book, please, please please, And he carried on 550 00:28:01,160 --> 00:28:06,880 Speaker 1: for a solid amount of time. What the fuck there 551 00:28:06,960 --> 00:28:09,879 Speaker 1: is nothing more annoying when the kids wake up, And 552 00:28:09,920 --> 00:28:11,879 Speaker 1: that when we were talking about that window between like 553 00:28:12,119 --> 00:28:14,760 Speaker 1: two to five o'clock, where there's a risk they may 554 00:28:14,760 --> 00:28:15,480 Speaker 1: not go back to bed. 555 00:28:15,520 --> 00:28:17,159 Speaker 2: You never know what we're going to get. Where did 556 00:28:17,200 --> 00:28:22,000 Speaker 2: they get a cyclopedia of very good? I've got one 557 00:28:22,040 --> 00:28:26,159 Speaker 2: for you, Jordi with an I is currently pregnant. Congratulations 558 00:28:26,160 --> 00:28:27,080 Speaker 2: with morning sickness. 559 00:28:27,119 --> 00:28:27,800 Speaker 1: Oh that sucks. 560 00:28:28,440 --> 00:28:31,159 Speaker 2: And my toddler lost it this morning crying because I 561 00:28:31,200 --> 00:28:36,600 Speaker 2: wouldn't let her play with my vomit back. I wasn't 562 00:28:36,640 --> 00:28:39,920 Speaker 2: ready for that. 563 00:28:39,920 --> 00:28:42,720 Speaker 1: That reminds me of April's morning sickness. 564 00:28:43,120 --> 00:28:45,040 Speaker 2: And we used to have to travel the city every 565 00:28:45,080 --> 00:28:48,320 Speaker 2: day for work, and April is a trooper. She used 566 00:28:48,360 --> 00:28:50,800 Speaker 2: to get on the bars and vomit on the inner 567 00:28:50,840 --> 00:28:54,800 Speaker 2: vomit bag on the bars, and she would refuse to 568 00:28:54,920 --> 00:28:57,320 Speaker 2: not get the bars or refuse. Her boss is like, 569 00:28:57,400 --> 00:28:59,680 Speaker 2: you can work from home, and she was like no. 570 00:29:00,840 --> 00:29:02,560 Speaker 2: Do you know how many times I've had to physically 571 00:29:02,560 --> 00:29:04,640 Speaker 2: get her off the bars to get an uber into 572 00:29:04,680 --> 00:29:06,120 Speaker 2: work when she had morning sicknesses. 573 00:29:06,280 --> 00:29:07,640 Speaker 1: How were people reacting? 574 00:29:07,720 --> 00:29:09,760 Speaker 2: I guess did she look very sneaky? Oh? 575 00:29:09,800 --> 00:29:11,640 Speaker 1: Were people like this chick's on a still on a 576 00:29:11,640 --> 00:29:12,400 Speaker 1: bender from the night mat. 577 00:29:12,480 --> 00:29:14,480 Speaker 2: She look pregnant. I think the belly gave it away. 578 00:29:14,720 --> 00:29:19,760 Speaker 1: Will people just start to move away politely dunk. Yeah, 579 00:29:20,960 --> 00:29:23,360 Speaker 1: she was pretty good at containing it. She's like, I'm 580 00:29:23,360 --> 00:29:24,920 Speaker 1: only going to eat nice smelling food and that. 581 00:29:25,240 --> 00:29:26,440 Speaker 2: Anyway, What have you. 582 00:29:26,400 --> 00:29:27,400 Speaker 1: Got from me, young Ashton? 583 00:29:27,680 --> 00:29:30,400 Speaker 2: What have I got for you, young Matthew? List of 584 00:29:30,520 --> 00:29:33,680 Speaker 2: questions matt did you sleep train your kids by letting 585 00:29:33,720 --> 00:29:35,960 Speaker 2: them cry themselves to sleep? If so, how did you 586 00:29:36,000 --> 00:29:39,120 Speaker 2: cope with them screaming? My daughter is eight months old 587 00:29:39,160 --> 00:29:40,880 Speaker 2: and we're trying to get her to sleep with us 588 00:29:40,920 --> 00:29:43,800 Speaker 2: being in the room. She screams and breaks my heart 589 00:29:43,880 --> 00:29:45,040 Speaker 2: and I have to go and help her. 590 00:29:45,160 --> 00:29:46,320 Speaker 1: It's tough, isn't it. 591 00:29:46,800 --> 00:29:50,080 Speaker 2: Look there's going to be people against screaming and not screaming. 592 00:29:50,320 --> 00:29:52,240 Speaker 2: First of all, with Mary, we did it in two 593 00:29:52,280 --> 00:29:54,479 Speaker 2: different ways. With Marley, I look back and I think 594 00:29:54,480 --> 00:29:57,040 Speaker 2: I spoken about this before on the podcast. I look 595 00:29:57,120 --> 00:30:00,040 Speaker 2: back and I'm like, gosh, I was so stupid. She 596 00:30:00,280 --> 00:30:03,600 Speaker 2: used to put Marley to sleep by rocking her in 597 00:30:03,680 --> 00:30:07,680 Speaker 2: our arms every single time she had a nap during 598 00:30:07,720 --> 00:30:10,800 Speaker 2: the day. At nighttime in the morning, she would go 599 00:30:10,840 --> 00:30:13,200 Speaker 2: to sleep in our arms. We would then transition her 600 00:30:13,360 --> 00:30:16,160 Speaker 2: into the cop which, as any parent knows, it's so 601 00:30:16,240 --> 00:30:19,160 Speaker 2: bloody hard to transition from like it doesn't matter if 602 00:30:19,200 --> 00:30:21,080 Speaker 2: it's like a meter. As soon as we would put 603 00:30:21,120 --> 00:30:22,520 Speaker 2: her in the cop she would kind of wake up, 604 00:30:22,560 --> 00:30:24,360 Speaker 2: so it would take forever. 605 00:30:25,240 --> 00:30:29,080 Speaker 1: And then in the opposite of that was was Lola. 606 00:30:29,480 --> 00:30:32,000 Speaker 1: She was a screamer, and so we would have to 607 00:30:32,080 --> 00:30:34,840 Speaker 1: just put her down, let her scream for five minutes, 608 00:30:34,920 --> 00:30:39,920 Speaker 1: go in, pat her on the bottom, and then repeat 609 00:30:39,920 --> 00:30:42,800 Speaker 1: that process. And eventually she would get so tired from 610 00:30:42,880 --> 00:30:46,160 Speaker 1: screaming that she would then fall asleep, almost from exhaustion 611 00:30:46,320 --> 00:30:49,239 Speaker 1: from the crying. And I know it sounds bad, and 612 00:30:49,480 --> 00:30:52,760 Speaker 1: it was hard, more so for Laura. I could almost 613 00:30:52,800 --> 00:30:55,280 Speaker 1: block it out. It's just white noise for me, whereas 614 00:30:55,320 --> 00:30:59,040 Speaker 1: it would break Laura's heart hearing our daughter screen. 615 00:30:59,160 --> 00:31:01,040 Speaker 2: No doubt about it, there's no doubt about it. I 616 00:31:01,120 --> 00:31:03,200 Speaker 2: know you're trying to do what's best in the long run. 617 00:31:03,600 --> 00:31:06,120 Speaker 2: But like I think I was told when we because 618 00:31:06,120 --> 00:31:09,880 Speaker 2: we had a sleep consultant in, I was told that, look, 619 00:31:10,080 --> 00:31:12,680 Speaker 2: if they're going up and down, up and down, it's okay, 620 00:31:12,680 --> 00:31:14,760 Speaker 2: But when they're up and they're not coming back down, 621 00:31:14,840 --> 00:31:17,280 Speaker 2: then you need to go in because then it could 622 00:31:17,320 --> 00:31:19,640 Speaker 2: be you know, because they're going to be upset if 623 00:31:19,640 --> 00:31:21,560 Speaker 2: you're not there, depending on at what level of upset 624 00:31:21,600 --> 00:31:24,160 Speaker 2: that is. So like we add a similar combination to 625 00:31:24,200 --> 00:31:26,320 Speaker 2: what you did, rock them to sleep for so long, 626 00:31:26,440 --> 00:31:28,480 Speaker 2: and then you transition and they wake up and they're 627 00:31:28,480 --> 00:31:33,280 Speaker 2: not in your arms and be like what and then yeah, 628 00:31:33,640 --> 00:31:36,040 Speaker 2: then trying all these different ways to transition. Maybe we'll 629 00:31:36,080 --> 00:31:38,600 Speaker 2: try and unpack that a bit more on another episode, 630 00:31:38,640 --> 00:31:39,760 Speaker 2: because there's all different ways. 631 00:31:40,160 --> 00:31:43,800 Speaker 1: I mean, even even now, if we hear a slight 632 00:31:43,960 --> 00:31:47,920 Speaker 1: murmur in the kids room, Laura's like, Mommy's coming and 633 00:31:48,000 --> 00:31:51,000 Speaker 1: I'm grabbing and I'm like, just give give them in 634 00:31:51,000 --> 00:31:53,400 Speaker 1: a second, just see if they settle back down. It's 635 00:31:53,440 --> 00:31:54,400 Speaker 1: not rush in there. 636 00:31:54,640 --> 00:31:57,080 Speaker 2: It's also your bat hearing. As a parent, you're just 637 00:31:57,120 --> 00:31:59,600 Speaker 2: like sonar hearing. You can hear them move a little bit, 638 00:31:59,680 --> 00:32:00,760 Speaker 2: you like someone's moving. 639 00:32:00,880 --> 00:32:02,040 Speaker 1: I can't'm deaf as anything. 640 00:32:02,200 --> 00:32:05,840 Speaker 2: Oh really, I'm like literally like a dog whistle. 641 00:32:05,600 --> 00:32:08,040 Speaker 1: A mouse is walking across the floor and Laura's like, 642 00:32:08,480 --> 00:32:12,520 Speaker 1: there's something up there, quick save them. I've got a 643 00:32:12,600 --> 00:32:15,560 Speaker 1: question for you, and this is off the back of 644 00:32:15,600 --> 00:32:18,880 Speaker 1: an interview. You know, Lily Allen, the pop star, the 645 00:32:18,920 --> 00:32:21,520 Speaker 1: pop star, big fan, this singer. I thought you would 646 00:32:21,600 --> 00:32:24,239 Speaker 1: be did you see what she said recently in an 647 00:32:24,240 --> 00:32:28,520 Speaker 1: interview about being a mum enlightened me? So? Yes, Lily 648 00:32:28,560 --> 00:32:34,560 Speaker 1: Allen has said, and I quote, my children ruined my career. 649 00:32:35,080 --> 00:32:38,160 Speaker 1: I love them and they complete me, but in terms 650 00:32:38,200 --> 00:32:42,720 Speaker 1: of pop stardom, they totally ruined it. Okay. I get 651 00:32:42,760 --> 00:32:45,040 Speaker 1: really annoyed when people say you can have it all, 652 00:32:45,200 --> 00:32:50,760 Speaker 1: because quite frankly, you can't. What are your thoughts on that? A? 653 00:32:51,400 --> 00:32:53,760 Speaker 1: Is it too harsh for her to say that ruined my. 654 00:32:53,680 --> 00:33:00,959 Speaker 2: Pop star career a chance instead of chats? Look, I 655 00:33:01,000 --> 00:33:03,640 Speaker 2: can't really totally agree because that My kids are pretty 656 00:33:03,720 --> 00:33:06,840 Speaker 2: much my whole career right now. I'm in a fucking 657 00:33:06,920 --> 00:33:10,160 Speaker 2: dad podcast. I host a dad podcast and next to 658 00:33:10,160 --> 00:33:13,480 Speaker 2: another dad. I'd be nothing without that, nothing without you, 659 00:33:13,640 --> 00:33:15,720 Speaker 2: But I'd be everything without you as well. I'd be 660 00:33:15,720 --> 00:33:18,160 Speaker 2: a pop star. We could start this, we could start 661 00:33:18,200 --> 00:33:21,560 Speaker 2: a boy band anyway. Look, I agree you can't have 662 00:33:21,640 --> 00:33:23,440 Speaker 2: it all all the time. I think you can have 663 00:33:23,520 --> 00:33:25,880 Speaker 2: it all in certain areas at certain times. 664 00:33:25,920 --> 00:33:29,320 Speaker 1: Although I haven't, I haven't heard anyone go public with 665 00:33:29,440 --> 00:33:32,320 Speaker 1: that narrative. I kind of think it's pretty unanimous at 666 00:33:32,360 --> 00:33:36,040 Speaker 1: any any parent out there, None of them are saying 667 00:33:36,080 --> 00:33:38,640 Speaker 1: you can have it all, like, surely not. I'm not 668 00:33:38,800 --> 00:33:41,360 Speaker 1: thinking it. I'm yet to hear anyone say that because 669 00:33:41,400 --> 00:33:42,040 Speaker 1: we put. 670 00:33:41,840 --> 00:33:43,480 Speaker 2: A pole out there. Do you think you can have 671 00:33:43,520 --> 00:33:43,760 Speaker 2: it all? 672 00:33:43,840 --> 00:33:46,120 Speaker 1: Yeah, I mean, hey, we will put a pole out there, 673 00:33:46,560 --> 00:33:50,280 Speaker 1: camparent have it all? I think you can't. You've always 674 00:33:50,280 --> 00:33:53,120 Speaker 1: got to sacrifice something, whether it's friends, whether it's your career, 675 00:33:53,200 --> 00:33:56,200 Speaker 1: where it's being a parent, like I know that, you know, 676 00:33:56,560 --> 00:33:59,760 Speaker 1: like Laura, like, I don't know how the hell she 677 00:33:59,800 --> 00:34:02,760 Speaker 1: does it. She's got her jewelry business, she's got the podcast. 678 00:34:02,840 --> 00:34:05,560 Speaker 1: Say she has it all. No, she doesn't. Okay what 679 00:34:05,680 --> 00:34:06,080 Speaker 1: she's listen. 680 00:34:06,600 --> 00:34:09,160 Speaker 2: She will go love and affection from manager. 681 00:34:09,560 --> 00:34:12,360 Speaker 1: She still gets that. Oh yeah, I bet you. We 682 00:34:12,440 --> 00:34:14,440 Speaker 1: managed to squeeze that in there. Don't you worry. 683 00:34:14,600 --> 00:34:15,640 Speaker 2: I'm not worried at all. 684 00:34:15,960 --> 00:34:19,720 Speaker 1: Mine was a joke. She will go long periods where 685 00:34:20,239 --> 00:34:23,880 Speaker 1: she doesn't see her friends, like she doesn't socialize because 686 00:34:23,880 --> 00:34:26,719 Speaker 1: she's just working non stop. You her best friend, man, 687 00:34:26,920 --> 00:34:30,680 Speaker 1: I thank you, thank you. You are correct. 688 00:34:31,640 --> 00:34:33,520 Speaker 2: So she hit in fact has it all. 689 00:34:33,880 --> 00:34:36,799 Speaker 1: And then and then there's times when you know she 690 00:34:36,920 --> 00:34:38,719 Speaker 1: has to then realize she's like, I'm not you know, 691 00:34:38,760 --> 00:34:40,200 Speaker 1: I've got to go out. I've got to see the girls, 692 00:34:40,320 --> 00:34:43,520 Speaker 1: her girlfriends, because that area of her life gets totally 693 00:34:43,520 --> 00:34:48,040 Speaker 1: neglected because she's so focused on me, but her career 694 00:34:48,120 --> 00:34:48,720 Speaker 1: and the kids. 695 00:34:48,920 --> 00:34:51,480 Speaker 2: It depends what you're all is as well, right, what 696 00:34:51,640 --> 00:34:54,480 Speaker 2: is it all exactly? You're all could be so much 697 00:34:54,480 --> 00:34:57,239 Speaker 2: smaller than Laura at all. You're all could be your 698 00:34:57,280 --> 00:35:00,200 Speaker 2: family and then you have it all. But I do philosophy. 699 00:35:00,400 --> 00:35:03,040 Speaker 2: Thank you there. Now, that's all we have time for. 700 00:35:03,239 --> 00:35:04,960 Speaker 1: I will just say just before we go, I will 701 00:35:04,960 --> 00:35:08,200 Speaker 1: say that I disagree why I agree with her sentiment. 702 00:35:08,239 --> 00:35:09,960 Speaker 1: This is Lily Allen that you can't have it all, 703 00:35:10,120 --> 00:35:13,320 Speaker 1: But I totally disagree that. Hey, there are plenty of 704 00:35:13,360 --> 00:35:17,280 Speaker 1: pop stars out there, like Beyonce. Look at Pink for example. 705 00:35:17,320 --> 00:35:18,279 Speaker 1: Pink's on stage when. 706 00:35:18,200 --> 00:35:19,759 Speaker 2: It comes down to how much money you've got? 707 00:35:20,080 --> 00:35:22,959 Speaker 1: No, but like Lily Allen, like she. 708 00:35:22,680 --> 00:35:27,000 Speaker 2: Is not as successful as Beyonce. Is no one as 709 00:35:27,000 --> 00:35:28,880 Speaker 2: successful as Beyonce and I won't hear it. 710 00:35:28,960 --> 00:35:32,280 Speaker 1: But when you look at someone like Pink and she's 711 00:35:32,520 --> 00:35:36,000 Speaker 1: really obviously she's got a very talented daughter, She's released 712 00:35:36,000 --> 00:35:38,800 Speaker 1: songs with her daughter, she's on tour with her entire family. 713 00:35:38,840 --> 00:35:40,080 Speaker 1: She's got a daughter on stage. 714 00:35:40,360 --> 00:35:43,239 Speaker 2: Be more flexible. No, I'm just saying it can happen. 715 00:35:43,480 --> 00:35:46,120 Speaker 1: Happen. I don't think. I don't think as a as 716 00:35:46,160 --> 00:35:49,200 Speaker 1: a blanket statement that being a parent is the bullet 717 00:35:49,239 --> 00:35:52,280 Speaker 1: into your career. No, be more like Pink a spider monkey. 718 00:35:53,280 --> 00:35:55,399 Speaker 1: And on that note, yes, I do want to say 719 00:35:55,400 --> 00:35:58,120 Speaker 1: also thank you to everyone who gave us their feedback 720 00:35:58,200 --> 00:36:02,960 Speaker 1: on stories. Yes, coming up to a year anniversary. Obviously 721 00:36:02,960 --> 00:36:05,279 Speaker 1: we care about the product. We care about data vice. 722 00:36:05,600 --> 00:36:06,680 Speaker 2: If you will that of it. 723 00:36:06,920 --> 00:36:09,000 Speaker 1: I have an idea that we should do something. It's 724 00:36:09,040 --> 00:36:12,080 Speaker 1: coming up on the twenty six next month. We'll plan 725 00:36:12,160 --> 00:36:14,360 Speaker 1: something for that. But if there the feedback that you, 726 00:36:14,400 --> 00:36:16,680 Speaker 1: as a listener wants to give us, we are all 727 00:36:16,760 --> 00:36:20,920 Speaker 1: ears either dm us, email us or leader of you 728 00:36:21,040 --> 00:36:23,680 Speaker 1: enough a podcast, we'd love that it will be the dream. 729 00:36:23,880 --> 00:36:29,840 Speaker 2: And on that note, getting out bye, so yeah bye bye. 730 00:36:33,640 --> 00:36:33,799 Speaker 3: Two. 731 00:36:33,840 --> 00:36:37,640 Speaker 1: Doting Dad's podcast acknowledges the traditional custodians of country throughout 732 00:36:37,719 --> 00:36:40,960 Speaker 1: Australia and the connections to land, see and community. 733 00:36:41,200 --> 00:36:43,760 Speaker 2: We pay our respects to their elders past and present 734 00:36:43,800 --> 00:36:46,560 Speaker 2: and extend that respect to all Aboriginal and Torres Straight 735 00:36:46,600 --> 00:36:50,560 Speaker 2: Islander people's today This episode was recorded on gadagal Land.