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Speaker 1: Welcome the podcast. I can't hear a thing.

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Speaker 2: How about now?

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Speaker 1: Yeah, never on Welcome the podcast.

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Speaker 3: The podcast. We've sent someone on the moon. We have.

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Speaker 3: It's a wild show today. Jeez, I am gassed.

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Speaker 1: So you're actually it's a good moment.

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Speaker 4: Actually, they like pull the curtain back now that we're

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Speaker 4: you know, you're about to hear the show that went

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Speaker 4: love this afternoon.

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Speaker 1: Because so you got back.

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Speaker 4: From Paris on Monday, Sunday Sunday night. Yeah, on Sunday night.

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Speaker 4: There's a ten hour time difference. There is so jet

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Speaker 4: lags at play.

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Speaker 3: There's a been a jet lag going on.

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Speaker 4: If you've heard the week shows, that may have been evident.

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Speaker 4: But last night, so because last night was the worst

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Speaker 4: night sleep.

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Speaker 2: Yeah, yeah, how many hours?

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Speaker 3: I think I only said for about three hours last night.

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Speaker 1: I can ask you a question.

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Speaker 2: Yeah, absolutely, Again Sunday, we're in the studio group chats.

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Speaker 1: We like to call it the studio Dogs Wolf Wolf.

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Speaker 1: Oh yeah.

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Speaker 2: And we were talking about being excited coming back on

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Speaker 2: Monday for the first show of the year, and Will

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Speaker 2: sent a message back saying excited boys just landed in Darwin.

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Speaker 2: Were you worried about that at all? It was late

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Speaker 2: Sunday when we got that he was still flying back.

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Speaker 2: I'm like, we are in trouble here. The big fellow's

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Speaker 2: coming in red hot from London.

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Speaker 4: Now I stopped getting stressed about the big fellow leaving

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Speaker 4: things very tight every time.

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Speaker 1: He comes back from holiday.

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Speaker 3: I make it.

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Speaker 1: I had to stop shatting. And that's the thing I've been.

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Speaker 3: It was one holiday when I came back from Mexico

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Speaker 3: and yeah, I looked very thin.

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Speaker 4: You got in and now before the show started at

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Speaker 4: Breakfast Radio, and you got in at four.

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Speaker 1: I was straight to the show from Mexico.

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Speaker 3: Yeah, I came in that morning, came in red hot.

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Speaker 1: But then he always he always makes that.

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Speaker 4: I've been at an airport with Will and he sits

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Speaker 4: there and he'll be like, the flight's boarding, and he'll

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Speaker 4: buy a sandwich and I'm like, mate, the flight's board,

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Speaker 4: and it's like, let me just eat my sandwich first, mate,

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Speaker 4: you need to get on your plane.

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Speaker 1: And goes no, no, no. He sits there and samwich

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Speaker 1: then finally goes good, mister mcmahont gun. He's like, there's Michael.

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Speaker 3: They always go for you. They know, because they know

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Speaker 3: you've checked in. They know you for you mate, they're

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Speaker 3: checking the fie. We all know. When you get down

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Speaker 3: the race, everyone's bloody standing there. Can you hurry up?

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Speaker 3: And you get there and everyone's you know, standing down

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Speaker 3: the race with their dicks in their hands or whatever

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Speaker 3: they are hands expression, but everyone's standing there or you know,

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Speaker 3: you get on the plane even and they're still put

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Speaker 3: in the bags over here and stuff.

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Speaker 1: As you can take it.

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Speaker 3: They're just looking for the last but they know you're

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Speaker 3: in the terminal, and they know you're on the planet.

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Speaker 3: Someone's going to someone else is going to get called

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Speaker 3: it man as well be you always. It's a great reminder,

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Speaker 3: you know. It means it gives you a chance to

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Speaker 3: get a sandwich, and you also it means you don't

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Speaker 3: have to sit in the gate. You don't have to

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Speaker 3: sit at the gate and everyone's got a seat, and

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Speaker 3: it's quite hot in the gate, and you can't go

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Speaker 3: to the toilet in the gate, particularly international airports, whereas

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Speaker 3: if you loiter outside you get all the fruits of

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Speaker 3: the judy free and all these things. And they'll call

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Speaker 3: you miss mcmaon G three and then you rock up

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Speaker 3: like a king. Everyone hates you, no, no one knows

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Speaker 3: because they're alway down the race. They're already down the.

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Speaker 2: Race, seat one A as well, so he can take

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Speaker 2: his time.

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Speaker 3: I've ever flown business class ever, I've never I've never

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Speaker 3: found it, and I actually, actually, funnily enough, I don't

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Speaker 3: think I will. I had this thought to myself on

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Speaker 3: the plane on the way back. I'm not sure what.

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Speaker 3: I don't think I could ever justify spending like particularly

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Speaker 3: over Okay, let's say I'll never spend it on a

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Speaker 3: big overseas trip. Fifteen grand return to London.

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Speaker 4: It's fifteen grand to fly business.

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Speaker 3: Business class line. That is, I can't unless unless like

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Speaker 3: a company was flying me over to do a talk

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Speaker 3: or something. I don't care how much money you're running

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Speaker 3: that is so much.

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Speaker 4: Or if you already get upgraded like someone's.

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Speaker 3: Yeah in the movies, but if your Emily bad a

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Speaker 3: jask or they looked at you and they're like, right, Robbie.

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Speaker 4: No, I got give an advice dress up so we're

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Speaker 4: a full suit. When I flew to London, got moved

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Speaker 4: into business. You know that story?

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Speaker 3: No really?

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Speaker 1: Yeah, yeah, I knew a guy Qatar as well come

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Speaker 1: out probably more than Actually.

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Speaker 5: This is the will and Woody podcast.

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Speaker 3: We've got Martha Califorteta is a very Godmartha in the studios.

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Speaker 5: No problem, too big or too small. If you're having

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Speaker 5: an issue, you know who to call. It's woman Woodies,

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Speaker 5: fairy God Martha.

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Speaker 1: Welcome, heys, great to have you in the studio.

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Speaker 6: How good to be here? Hey?

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Speaker 7: Can I just say how much I love fairy God Martha? Like,

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Speaker 7: I honestly could not have coined that even if I

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Speaker 7: was paid to it.

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Speaker 3: So good.

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Speaker 6: Thank you is the wordsmith. It's neither one of you two,

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Speaker 6: is it?

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Speaker 1: I think it was actually Woody? Why do you sound

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Speaker 1: so surprised? Actually, I have a lot of good ideas.

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Speaker 3: I'm actually we're doing buffet battles at five o'clock.

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Speaker 1: It's going to be let's stick around for it. Stick

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Speaker 1: around for it. How you can stay here for the hour.

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Speaker 3: Now, let's let's let's let's talk about the big news

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Speaker 3: for you. Though you're sporting this huge rock on your

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Speaker 3: finger and you've come in you said you don't think

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Speaker 3: it's very big.

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Speaker 6: Good one, he's gonna hear that.

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Speaker 3: What you did? You came in and I was like,

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Speaker 3: that's a big and you were like, is it even

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Speaker 3: that big. That's what you said.

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Speaker 7: I'm such a bit. I honestly don't even deserve this.

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Speaker 7: I don't even deserve it.

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Speaker 1: Crime were you? Were you happy with the proposal?

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Speaker 4: Though?

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Speaker 7: The proposal was like next level, it was unbelievable. Yeah,

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Speaker 7: it was really come now, No, no, it was really nice.

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Speaker 7: It was like I didn't know what was coming at all.

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Speaker 7: But it was also like just so well planned and

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Speaker 7: thought out, and it was just really nice.

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Speaker 3: Can we hear some details? Yes, so it was.

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Speaker 7: I don't know if you guys know a place called

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Speaker 7: Bundina in New South Wales. It's just outside the National

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Speaker 7: Park anyway. It's like a really cute little town, like

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Speaker 7: no one cool goes there, but it's just so nice.

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Speaker 7: The beach is nice, it's very chill, and I have

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Speaker 7: some friends down there. I always like to go there

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Speaker 7: when I get a spare minute. And one of our

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Speaker 7: friends down there, she has an amazing house, like ridiculous house,

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Speaker 7: and I remember we went there for a party once

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Speaker 7: and I said, oh my god, this place is insane,

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Speaker 7: like what the crazy?

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Speaker 6: Sorry?

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Speaker 4: Sorry, everyone, father's getting so excited talking a proposal story.

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Speaker 1: Sorry she's dropped an F bomb.

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Speaker 6: But I won't do it again.

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Speaker 1: We're in the middle of a story.

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Speaker 6: It was I was just shocked. Okay, this house is

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Speaker 6: amazing anyway.

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Speaker 7: So they must have gone back to Michael and told

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Speaker 7: him her favorite place.

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Speaker 6: You have to do it here.

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Speaker 7: It's the best place anyway. So he hired out this house.

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Speaker 7: He obviously spoke to the woman who owns it, hired

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Speaker 7: it out, and then surprised me there like he had

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Speaker 7: made my friends kind of he had told them to

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Speaker 7: organize something in order to get me there looking like good,

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Speaker 7: because this is how I get around most days. It

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Speaker 7: looks like a fourteen year old boy.

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Speaker 1: You're in a paper clip. You're in a paper clip

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Speaker 1: on your T shirt. It's it's fashion.

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Speaker 3: That is that fashion though? Like it's fashioned on there.

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Speaker 6: Yeah, it's fashioned on.

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Speaker 3: And you've got there's a paper clip.

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Speaker 6: It's a pin.

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Speaker 1: Okay, right, potato, it's.

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Speaker 6: A safety pin. Do you know what a paper clip is?

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Speaker 3: A paper claps safety pin. Yeah, you've got a safety

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Speaker 3: pin in your shirt.

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Speaker 1: Sorry, okay, so the safety pin tea.

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Speaker 6: Yeah, he organized with my friends.

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Speaker 3: How did they? How did what did your friends say

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Speaker 3: to get you in a frock down to.

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Speaker 7: Smart? They're so slippery, they're slimmy. My friends, I don't

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Speaker 7: even know.

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Speaker 3: How sound like great people.

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Speaker 7: They were buying a new they had just moved into

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Speaker 7: a new house, and they said, you know, in order

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Speaker 7: to like say farewell to our old place, we're going

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Speaker 7: to have like a party and we're going to both

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Speaker 7: move into.

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Speaker 6: Our new homes. Like Mike the Night and then the boys.

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Speaker 7: Anyway, they are very flamboyant and they're all like, it's

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Speaker 7: going to be a met Gala themed party.

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Speaker 6: Do not swing it like anyway.

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Speaker 7: But the thing is, the timing was bad because it

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Speaker 7: was literally the day after Michael and I moved into

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Speaker 7: our apartment. So I don't know why I keep calling

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Speaker 7: it an apartment, but I'm just used to living in

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Speaker 7: an apartment.

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Speaker 3: Anyway, it's a chateau.

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Speaker 6: Yes, it's a show. Anyway.

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Speaker 7: I had no shampoo, I had no makeup. Everything was

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Speaker 7: in boxes. So they had planned the met galerin. On

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Speaker 7: the way in, I was like, look, guys, I know

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Speaker 7: it's Met Garla themed, but you'really gonna have to have

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Speaker 7: me like not Met Garla.

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Speaker 6: And they were like, are you kidding? Don't dare turn

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Speaker 6: up here? Are looking tragic?

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Speaker 7: You are not going to get into met gala if

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Speaker 7: you look tragic, and I'm like, it's too bad. I'm

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Speaker 7: coming like you.

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Speaker 1: Because Michael knows.

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Speaker 4: That was Michael trying to buy your shampoo and make

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Speaker 4: up to you know.

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Speaker 6: It was too late.

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Speaker 7: He was already there setting up, and like the thing is, yeah,

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Speaker 7: like setting up and getting organized and doing all the

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Speaker 7: little things. Anyway, the funniest thing is like I had

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Speaker 7: no idea, and like my girlfriend who I was going with,

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Speaker 7: was like, Okay.

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Speaker 8: Let's go.

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Speaker 7: We've got to get a move on. We got to

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Speaker 7: be there at three. I'm like, we're not going at three.

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Speaker 7: I go, I've made an appointment at a furniture store.

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Speaker 7: I'm going to see some furniture so they can wait

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Speaker 7: for us. She's like, no, no, mother, the boys need

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Speaker 7: to be so upset. I'm like, what's wrong with you.

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Speaker 6: I'm like, we gotta go see these furniture.

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Speaker 7: And then I'm thinking I want to get my nails

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Speaker 7: done because my nails were so bad. She's like, you're

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Speaker 7: not doing your nails. I'll go with you to the

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Speaker 7: furniture and then you're not doing your nails.

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Speaker 4: But then nails important though, for the proposal.

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Speaker 7: Photo nails take a long time. Anyway, I turned up

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Speaker 7: and the boys were like, you look tragic. They're like,

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Speaker 7: there is nothing more hideous then a putrid manicure. Your

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Speaker 7: nails are like they were flaking.

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Speaker 1: Friends really do love me.

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Speaker 7: And then it was so funny because, like thinking back

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Speaker 7: at it now, they were all wigging out, stressing, sweating,

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Speaker 7: the ironing board was on, they were drinking because they

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Speaker 7: were so stressed, and I'm like, why are these people

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Speaker 7: so stressed? Do you even care about that much? And

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Speaker 7: then we got to the house where the met gala

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Speaker 7: was gonna be and they're like, all right, They're pushing

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Speaker 7: me downstairs to go down to the beach front and

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Speaker 7: I'm like, no, I'm not going down first. You guys

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Speaker 7: go down first. Like I don't even know the people

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Speaker 7: down there, I've never really met them. They're like, you're fine,

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Speaker 7: you're an extravert, just go down. I'm like, I'm not

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Speaker 7: going downstairs first.

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Speaker 6: And they pushed me down the stairs. I killed myself.

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Speaker 7: And then as soon as I'm going down the stairs,

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Speaker 7: I see a cannon camera and it was my cannon camera,

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Speaker 7: and I'm like, why the camera set up? Why is

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Speaker 7: my camera here? That's my camera and then I walked

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Speaker 7: down a little bit more and I'm like, why Michael here,

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Speaker 7: because I wasn't expecting Michael meant toe, there was cameras everywhere,

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Speaker 7: and then Michael was standing there. And then I could

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Speaker 7: tell because Michael was like shivering, shaking like a leap.

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Speaker 7: And then I'm like, and then I just started saying, no, please,

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Speaker 7: don't do it, don't do it.

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Speaker 6: I look disgusting, Please don't do it. And then he's like,

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Speaker 6: you don't know what I'm gonna do.

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Speaker 7: I'm like, I know, please just stop not now, this

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Speaker 7: is really and then we just did it.

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Speaker 3: Anyways, Oh that's great. It was really so you went

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Speaker 3: with the Lady Gaga meat dress.

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Speaker 6: Obviously, I did the meat dress.

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Speaker 9: Beautiful, look beautiful, look just covered in raw when you

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Speaker 9: got engaged.

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Speaker 3: We've got more with Martha Calverton's right up next, fairy

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Speaker 3: God Martha in the studio on your Wednesday. Congratulations, beautiful

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Speaker 3: ring on your finger.

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Speaker 6: It's enough.

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Speaker 3: It's gorgeous. I love it.

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Speaker 4: I can't really see it from here, it's too small,

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Speaker 4: it is.

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Speaker 1: It is a bit.

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Speaker 6: You really need the down lights hitting it to.

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Speaker 3: Right now, We've got Martha calipatat is our fairy god

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Speaker 3: Martha in the studio.

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Speaker 5: It's no problem too big or too small. If you're

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Speaker 5: having an issue, you know who to call. It's women, woodies,

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Speaker 5: fairy god Martha.

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Speaker 3: Welcome back to the studio. Mates sporting a beautiful beautifully

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Speaker 3: many times?

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Speaker 6: Is he going to say this?

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Speaker 3: I'm just shocked at the size, and I'm shocked, Like

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Speaker 3: if I was going to get my partner engaging, I

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Speaker 3: would be like that would that that's huge?

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Speaker 10: Yeah?

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Speaker 6: It is. It's nice. You'd be a lucky girl if

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Speaker 6: you're expecting. I don't even know.

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Speaker 7: Honestly, I wish like I have no idea about wedding rings.

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Speaker 7: Now that I own one, I have a little bit

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Speaker 7: of you.

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Speaker 3: Looked it up. I looked it up and then immediately

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Speaker 3: what I did? What's the story that.

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Speaker 7: The night like the night that we got engaged and

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Speaker 7: Michael got so drunk the next day he was so

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Speaker 7: hungover he didn't move for like sixteen hours. And I

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Speaker 7: went through the bag that it was in and I

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Speaker 7: found a receipt much I actually felt sick, And because

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Speaker 7: I don't know.

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Speaker 3: Anything about in the bag, it wouldn't have been just

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Speaker 3: sitting on the end of the bed.

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Speaker 7: You have been like an overnight bag. Yeah, I go

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Speaker 7: through everything.

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Speaker 3: Well, you got through his phone as well.

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Speaker 6: No, not his phone.

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Speaker 7: I don't care what's in his phone, Like, there's not

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Speaker 7: what would be in there maybe.

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Speaker 4: What would be exactly, But you'll dig for a receipt

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Speaker 4: his bag.

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Speaker 1: Without I don't want to.

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Speaker 4: Ask you how much your ring is, but what was

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Speaker 4: the average engagement ring?

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Speaker 6: I don't know that answer.

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Speaker 3: Can I ask? Can we ask how much it was

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Speaker 3: a lot?

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Speaker 1: Really?

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Speaker 3: Can we play hire a lot?

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Speaker 4: I'll go play Can we both get one guess and

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Speaker 4: need to say hire a lot? Okay, yeah, you go first,

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Speaker 4: because I have no idea.

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Speaker 3: I'm going to say. I'm going to say fifty thousand

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Speaker 3: dollars higher?

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Speaker 1: Wow, in the first ten minutes. I need to think

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Speaker 1: about my guess here higher.

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Speaker 3: Than fifty grand Martha.

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Speaker 4: I know, I can't believe you called it one hundred

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Speaker 4: and ten thousand close, but just.

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Speaker 10: A bit under.

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Speaker 6: Now I'm going to have a target on my back.

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Speaker 3: You shouldn't wear that thing in public?

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Speaker 1: Ow Jesus thousand dollars from well?

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Speaker 3: No, close? I think it's probably Yeah, we're in we're

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Speaker 3: in the range. We're in the range.

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Speaker 1: He stoked with that.

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Speaker 4: Imagine though, if Michael planted that receied and it was

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Speaker 4: a fake receipt, No, he knew you'd go digging for it.

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Speaker 7: He just I thought that too. He's smart like that,

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Speaker 7: and he's a tighter. It comes with like a certificate, apparently.

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Speaker 3: Like it comes with a certification.

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Speaker 6: Yeah, you get that a gem institute. It's like it's

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Speaker 6: called ga gem. I don't know, don't.

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Speaker 3: No, no, no.

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Speaker 1: Insured. Imagine it isn't insured, its insure.

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Speaker 3: Yeah, it's And you said it was two and a half.

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Speaker 6: Carrots, Yeah, flawless diamond.

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Speaker 1: So did you did you take it to because you

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Speaker 1: were in La recently?

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Speaker 4: Yeah, I took it and we were just saying during

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Speaker 4: the song that La is a bit hairy at the moment,

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Speaker 4: a lot of crimes going on there. You took it

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Speaker 4: with you, were you concerned at all that you were

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Speaker 4: going to get well?

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Speaker 7: I went over there thinking it's just like the normal

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Speaker 7: lay like sunny, beautiful La. And obviously it wasn't like

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Speaker 7: that at all, and we were warned not to wear

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Speaker 7: any jewelry once we.

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Speaker 3: Got that's where it's at. I've actually heard at the

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Speaker 3: moment in Europe that you can't wear like older men

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Speaker 3: don't wear Rolex watches down the streets.

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Speaker 7: Yea, well with everyone that would like every uber we

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Speaker 7: got into all the hotel stuff like don't wear it,

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Speaker 7: like watch watch it and wait for you to get

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Speaker 7: or they watch you, they follow you, they wait for

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Speaker 7: you to get out of your car, and because they

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Speaker 7: have guns, like you know, they just hold you at

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Speaker 7: gunpoint and take your jewelry or your watch or whatever

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Speaker 7: it is.

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Speaker 3: When did you hear this, like when you got there, when.

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Speaker 1: We got there, what did I tell you beforehand?

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Speaker 6: Because you don't see any of that on the news.

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Speaker 7: And literally the day we landed in La, like the

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Speaker 7: I think the mayor of La announced that anyone traveling

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Speaker 7: to La. Tourists planning on coming to La for a

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Speaker 7: holiday should reconsider and not come because they cannot guarantee

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Speaker 7: their safety.

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Speaker 3: Like I can't believe we didn't know that before you

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Speaker 3: before you like they lured you in there and then.

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Speaker 7: But it's just we don't get that over here. We

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Speaker 7: don't hear any of the news like that over here.

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Speaker 3: No, No, it's all about.

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Speaker 7: No, it was still all right, Like we didn't do

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Speaker 7: much in La to be honest, and you know what,

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Speaker 7: we had just finished like the most grueling two months

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Speaker 7: of work that we just chilled had from dinner. Yeah,

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Speaker 7: and then we went to Mexico and that was like

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Speaker 7: the most incredible place that I've ever been to.

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Speaker 6: And then we did New York and New York was fun.

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Speaker 7: Like New York is always like a little bit of

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Speaker 7: a hole, but it's like it's a good way.

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Speaker 1: New York's a whole in a way, Like I don't

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Speaker 1: think it's I've been described as a bit of a hole,

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Speaker 1: you know what I mean.

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Speaker 6: It's like a little bit dumb.

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Speaker 7: I mean, I love New York. It is literally one

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Speaker 7: of my favorite cities in the world. But I love

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Speaker 7: it for.

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Speaker 11: That last time you were on the show, you were

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Speaker 11: talking about traveling with Michael and he took an alleyway.

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Speaker 6: No, no, guys, you don't know. We got the Mexican

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Speaker 6: bugget again, I said. Michael is like, I don't care,

400
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Speaker 6: it's just going to clean me out.

401
00:17:53,600 --> 00:17:56,320
Speaker 7: I'm just gonna stick with it if you don't go

402
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Speaker 7: and get me emodium right now.

403
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Speaker 6: Like I'm not walking the streets with you because it literally.

404
00:18:03,560 --> 00:18:05,719
Speaker 7: And like we're in New York and I'm going to Michael,

405
00:18:06,160 --> 00:18:10,080
Speaker 7: I don't feel something. Feels something, Michael, I've got five

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Speaker 7: minutes to get back to the hotel. I was like,

407
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Speaker 7: just go to the toilet, Just go to the toilet somewhere. Anyways,

408
00:18:17,600 --> 00:18:19,720
Speaker 7: he goes, we'll go in here. He stopped at a

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Speaker 7: Mexican restaurant. I go, are you like, I'm not, like,

410
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Speaker 7: I cannot smell Mexican food, Like, get me out of

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Speaker 7: pen now. And I just made it back to the

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Speaker 7: hotel room. And then I ended up taking a medium

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Speaker 7: and then I literally did not go to the toilet

414
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Speaker 7: for ten days. I was and I turned green, like I.

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Speaker 6: Started like my skin started to turn.

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Speaker 3: Talking about we didn't get there was a story. It's

417
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Speaker 3: always going to say.

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Speaker 6: Is the Will and Woody?

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Speaker 4: And I'm sure the anticipation is killing everyone, But here

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Speaker 4: we go.

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Speaker 1: Ian, We'll be talking about it for an hour.

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00:19:08,880 --> 00:19:11,560
Speaker 4: What is buffet battles? The idea that's been on the

423
00:19:11,600 --> 00:19:14,960
Speaker 4: board somehow at primetime?

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Speaker 1: What is it? Everyone wants to know? And here we go.

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Speaker 4: It's pretty simple. Have you had a battle with a buffet?

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00:19:23,560 --> 00:19:27,000
Speaker 4: Six five is our number? Have you tried to take

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00:19:27,080 --> 00:19:30,200
Speaker 4: on a buffet? So by take it on I mean

428
00:19:30,920 --> 00:19:34,119
Speaker 4: you either tried to finish it, so you've gone into it,

429
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Speaker 4: or you can eat and.

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Speaker 1: You've gone right.

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Speaker 4: O mono mono, you and me, buffet, I'm going to

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Speaker 4: beat you, and you've you've locked yourself in and you've

433
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Speaker 4: tried to beat and by beating this, I think, yeah, ay,

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Speaker 4: there's no food.

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00:19:48,160 --> 00:19:52,439
Speaker 1: Left, which would be extraordinary, or the staff ask you

436
00:19:52,520 --> 00:19:55,200
Speaker 1: to leave because you've had too much. You had too much.

437
00:19:55,240 --> 00:19:58,000
Speaker 4: I know we said all you can you clearly, I know,

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00:19:58,160 --> 00:19:59,280
Speaker 4: but that's beating the buffet.

439
00:19:59,720 --> 00:20:01,120
Speaker 1: Sure that he's eating the rules.

440
00:20:01,119 --> 00:20:03,719
Speaker 3: Surely, if you've got a sign there that says this

441
00:20:03,840 --> 00:20:07,119
Speaker 3: isn't all you can eat buffet, you're not allowed to

442
00:20:07,160 --> 00:20:09,160
Speaker 3: tell someone they've had too much.

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00:20:09,320 --> 00:20:11,360
Speaker 4: Well, we're about to find out. And let me tell

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Speaker 4: you something, William. I should say, this is based on

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00:20:13,200 --> 00:20:16,760
Speaker 4: a news story, so this is just random. Danielle Shapiro,

446
00:20:16,880 --> 00:20:19,080
Speaker 4: an American woman went to a buffet.

447
00:20:19,320 --> 00:20:20,399
Speaker 1: She tried to beat the buffet.

448
00:20:20,520 --> 00:20:25,080
Speaker 3: That was a celebrity. Daniel Shapiro. No celebrity Shapiro.

449
00:20:25,560 --> 00:20:28,800
Speaker 1: H produce that helped me out. There's a Ben Shapiro,

450
00:20:29,119 --> 00:20:32,000
Speaker 1: who's that who's been Shapiro, who's been Shapiro.

451
00:20:32,280 --> 00:20:35,080
Speaker 3: He's a sort of right wing online commentator from the US.

452
00:20:36,119 --> 00:20:41,439
Speaker 1: Boring. Thanks for bringing that up. We love being on

453
00:20:41,440 --> 00:20:41,800
Speaker 1: this show.

454
00:20:45,240 --> 00:20:50,359
Speaker 4: Ben's Ben's far more exciting cousin, Danniel she took on

455
00:20:50,400 --> 00:20:53,040
Speaker 4: her buffet. She tried to eat him out.

456
00:20:53,640 --> 00:20:55,600
Speaker 3: So she she actually went in there with that intention.

457
00:20:56,119 --> 00:20:58,879
Speaker 3: That's totally wild, totally was that like, was it like,

458
00:20:59,119 --> 00:21:01,240
Speaker 3: has she woken up a hotel and gone, you know what,

459
00:21:01,440 --> 00:21:03,919
Speaker 3: feeling a bit feeling a bit empty? Or is she

460
00:21:04,040 --> 00:21:08,199
Speaker 3: set aside Saturday and like, you know, starved herself for

461
00:21:08,240 --> 00:21:10,000
Speaker 3: a week beforehand. These are the sorts of things you

462
00:21:10,000 --> 00:21:10,840
Speaker 3: got to ask yourself.

463
00:21:10,920 --> 00:21:13,199
Speaker 4: Yes, And I can't speak to those intentions show. You

464
00:21:13,240 --> 00:21:15,199
Speaker 4: can't get Danny on the show. All I know is

465
00:21:15,200 --> 00:21:16,000
Speaker 4: she tried to take it on.

466
00:21:16,320 --> 00:21:17,919
Speaker 3: How do you know she she went in with that

467
00:21:18,000 --> 00:21:18,720
Speaker 3: intent though.

468
00:21:18,920 --> 00:21:22,840
Speaker 4: Because she sat there all day and pretty much pretty

469
00:21:22,880 --> 00:21:25,040
Speaker 4: much ate everything. She put the whole thing on, put

470
00:21:25,080 --> 00:21:27,200
Speaker 4: the whole thing on TikTok. She was this is the

471
00:21:27,240 --> 00:21:29,320
Speaker 4: sort of gig you get on TikTok, And she ended

472
00:21:29,400 --> 00:21:30,040
Speaker 4: up in hospital.

473
00:21:31,200 --> 00:21:33,200
Speaker 3: She tried to eat the whole thing, ate way.

474
00:21:33,000 --> 00:21:36,480
Speaker 1: Too much and had to be She was taken out

475
00:21:36,480 --> 00:21:38,800
Speaker 1: of there on an.

476
00:21:40,160 --> 00:21:41,600
Speaker 4: She was taken in and again that might have been

477
00:21:41,640 --> 00:21:43,080
Speaker 4: a bit of creative license from me.

478
00:21:43,480 --> 00:21:46,639
Speaker 3: Isn't it Gurney one of those high pressure hoses you

479
00:21:46,760 --> 00:21:47,280
Speaker 3: can find?

480
00:21:47,800 --> 00:21:52,120
Speaker 1: What's the what do you call the slab? What's the stretcher?

481
00:21:52,400 --> 00:21:57,840
Speaker 1: She was taken Where did Gurney come from? Anyway? Well,

482
00:21:58,240 --> 00:21:59,600
Speaker 1: now you said before.

483
00:22:03,000 --> 00:22:05,479
Speaker 3: Well would stretcher not the high pressure?

484
00:22:07,240 --> 00:22:09,479
Speaker 4: Maybe they should do it down anyway. So that's why

485
00:22:09,520 --> 00:22:11,640
Speaker 4: I'm asking the question. Thirty one oh six five years

486
00:22:11,640 --> 00:22:15,040
Speaker 4: o number. Have you ever had a battle with a buffet?

487
00:22:16,600 --> 00:22:18,600
Speaker 4: You tried to beat it? And what I will take

488
00:22:18,640 --> 00:22:21,000
Speaker 4: the losses? I will take the winds Australia. I tried

489
00:22:21,000 --> 00:22:24,239
Speaker 4: to take on a buffet in Rio Deja Niro on

490
00:22:24,320 --> 00:22:27,000
Speaker 4: Christmas Day about nine years ago.

491
00:22:27,080 --> 00:22:31,280
Speaker 3: You also took on a dumpling buffet as well. Well,

492
00:22:31,280 --> 00:22:32,320
Speaker 3: it wasn't a dumpling buffet.

493
00:22:32,400 --> 00:22:34,240
Speaker 1: Technically it was all you can eat dumplings.

494
00:22:34,320 --> 00:22:38,080
Speaker 4: I's seventy three dumplings didn't put for six days.

495
00:22:38,400 --> 00:22:40,000
Speaker 1: I was so backed up.

496
00:22:41,680 --> 00:22:45,560
Speaker 3: Everyone, just a battle of buffe.

497
00:22:46,200 --> 00:22:47,960
Speaker 1: We'll do it next to dumplings.

498
00:22:48,200 --> 00:22:50,400
Speaker 3: No, I remember you were sick, Yeah, I was sick

499
00:22:50,400 --> 00:22:53,560
Speaker 3: of it. We are fresh back to the airwaves, woods

500
00:22:53,560 --> 00:22:56,359
Speaker 3: and kicking it off with great gear like buffet battles.

501
00:22:56,560 --> 00:23:01,520
Speaker 4: Oh have you had a battle with a buffet?

502
00:23:03,440 --> 00:23:03,680
Speaker 7: One?

503
00:23:06,040 --> 00:23:06,520
Speaker 1: Buffet?

504
00:23:06,560 --> 00:23:06,800
Speaker 7: One?

505
00:23:08,920 --> 00:23:10,800
Speaker 1: So yeah, I mean, there's a reason we're doing it.

506
00:23:12,720 --> 00:23:15,439
Speaker 4: Danielle Shapiro she tried to take on a buffet in California,

507
00:23:15,720 --> 00:23:17,000
Speaker 4: ended up in hospital, and.

508
00:23:16,920 --> 00:23:18,760
Speaker 3: When we say take it on, she sat down to

509
00:23:18,760 --> 00:23:19,520
Speaker 3: eat the whole thing.

510
00:23:19,640 --> 00:23:21,280
Speaker 1: That was the goal she tried to better. I say,

511
00:23:21,280 --> 00:23:23,679
Speaker 1: there's two ways to beat a buffet. Whither eat them

512
00:23:23,680 --> 00:23:25,280
Speaker 1: out of food to the point where they go, sorry,

513
00:23:25,320 --> 00:23:28,240
Speaker 1: everyone's got to leave. We've got no food. That would

514
00:23:28,280 --> 00:23:29,320
Speaker 1: be very difficult to do.

515
00:23:29,440 --> 00:23:32,440
Speaker 3: Impossible, because I feel like every time I've been in

516
00:23:32,480 --> 00:23:35,800
Speaker 3: a breakfast buffet, when you finish the eggs, yes, and

517
00:23:35,840 --> 00:23:38,240
Speaker 3: then the chef comes out with another whole trough of eggs.

518
00:23:38,440 --> 00:23:40,360
Speaker 4: They must have so much food back there, and that's

519
00:23:40,760 --> 00:23:42,280
Speaker 4: it is a mean feed if someone's done it.

520
00:23:42,320 --> 00:23:46,040
Speaker 1: But hey, people have been to the moon. Will the

521
00:23:46,160 --> 00:23:52,280
Speaker 1: other the other way? You and the other the other ways.

522
00:23:54,119 --> 00:23:56,080
Speaker 1: The other way you can beat a buffet is if

523
00:23:56,119 --> 00:23:59,439
Speaker 1: they ask you to leave. Of course, I know, we

524
00:23:59,440 --> 00:24:01,480
Speaker 1: said all you can taking the piss bloody hell. Steve

525
00:24:01,480 --> 00:24:02,919
Speaker 1: you've been here for fourteen.

526
00:24:02,520 --> 00:24:07,800
Speaker 4: Hours and that's happened to him. Let's go to Alex

527
00:24:07,840 --> 00:24:11,200
Speaker 4: here on thirty one and six five, Alex, you took

528
00:24:11,200 --> 00:24:12,880
Speaker 4: on a mate.

529
00:24:12,880 --> 00:24:13,479
Speaker 1: We're bloody good.

530
00:24:13,480 --> 00:24:14,760
Speaker 3: Thanks twenty twenty two.

531
00:24:14,800 --> 00:24:17,520
Speaker 1: Mate, you took on a buffet, mate.

532
00:24:17,800 --> 00:24:19,360
Speaker 8: Yeah, about a couple of years ago.

533
00:24:19,520 --> 00:24:22,920
Speaker 2: Man, about six other of my mate tweet a dumpling

534
00:24:23,000 --> 00:24:24,520
Speaker 2: restaurant out of pork dumplings.

535
00:24:24,560 --> 00:24:26,760
Speaker 1: Wow, bloody impressive.

536
00:24:27,240 --> 00:24:28,960
Speaker 3: Technically not a not a buffet.

537
00:24:29,400 --> 00:24:31,959
Speaker 4: We'll get you on that one, eating the matter of dumpling?

538
00:24:32,040 --> 00:24:34,760
Speaker 4: So Alex, did you? Was that your intention to eat

539
00:24:34,800 --> 00:24:36,560
Speaker 4: the mat of pork dumplings? Or the boys just a

540
00:24:36,560 --> 00:24:38,160
Speaker 4: bit pickish?

541
00:24:38,200 --> 00:24:40,359
Speaker 3: We were all hungry, so you didn't go. You didn't

542
00:24:40,400 --> 00:24:42,639
Speaker 3: You didn't map it out beforehand. There wasn't a there

543
00:24:42,680 --> 00:24:45,040
Speaker 3: wasn't a bull's eye on the poor bastards serving up.

544
00:24:45,920 --> 00:24:48,120
Speaker 3: No never, and how many do you go through? How many?

545
00:24:48,280 --> 00:24:50,160
Speaker 3: How many fowlers? How many dumplings?

546
00:24:51,000 --> 00:24:53,200
Speaker 8: Oh? We probably didn't about sixty eight.

547
00:24:54,000 --> 00:24:58,199
Speaker 4: Jesus, I did seventy three six not a competition, but

548
00:24:58,240 --> 00:24:58,960
Speaker 4: I did seventy three.

549
00:24:59,080 --> 00:25:03,080
Speaker 3: It's not a p Thanks man, Alex, Alex Alex Quick

550
00:25:03,119 --> 00:25:06,040
Speaker 3: Christian Alex what did you do afterwards? When you when

551
00:25:06,080 --> 00:25:06,880
Speaker 3: you we moved.

552
00:25:06,720 --> 00:25:08,560
Speaker 8: On, We moved on to the chicken ones.

553
00:25:09,320 --> 00:25:17,600
Speaker 3: Oh, flegs, flegs. How many chickens did you do?

554
00:25:18,920 --> 00:25:19,120
Speaker 8: Oh?

555
00:25:19,960 --> 00:25:20,840
Speaker 12: Couldn't count them?

556
00:25:20,960 --> 00:25:21,360
Speaker 8: Too many?

557
00:25:22,040 --> 00:25:25,080
Speaker 1: Yeah, you're an impressive man, Alex, an impressive man. Let's

558
00:25:25,080 --> 00:25:26,880
Speaker 1: got to Melissa here. Count Melissa.

559
00:25:26,960 --> 00:25:29,639
Speaker 3: That's just you do a point with the dumplings. Just

560
00:25:30,080 --> 00:25:31,280
Speaker 3: number in the innumerable.

561
00:25:31,359 --> 00:25:33,400
Speaker 4: Well, the thing is, when I was eating my dumplings,

562
00:25:33,400 --> 00:25:35,000
Speaker 4: you're seventy three, My seventy three.

563
00:25:35,040 --> 00:25:35,960
Speaker 3: You're going to do that again?

564
00:25:36,200 --> 00:25:39,040
Speaker 1: Yeah, definitely. I'm a bigger guy.

565
00:25:39,160 --> 00:25:40,080
Speaker 3: So you said that.

566
00:25:40,480 --> 00:25:42,159
Speaker 4: The thing is I just started like I got a

567
00:25:42,200 --> 00:25:45,720
Speaker 4: diet coke, and you just start slugging them down like oysters.

568
00:25:46,080 --> 00:25:49,080
Speaker 4: Because chewing them you get too city. You gotta slug

569
00:25:49,119 --> 00:25:51,120
Speaker 4: them down. It's probably well it comes to pad. Let's

570
00:25:51,119 --> 00:25:55,240
Speaker 4: go to Melissa here. You took on a buffet, Melissa.

571
00:25:55,600 --> 00:25:58,159
Speaker 13: Yeah I did, and I got kicked out too many pawns.

572
00:26:01,359 --> 00:26:03,479
Speaker 1: So how many prawns did you go for? Melissa? How

573
00:26:03,480 --> 00:26:05,000
Speaker 1: many did you wait before they asked you to get out?

574
00:26:05,119 --> 00:26:07,320
Speaker 13: But I was out with my brother and momm and

575
00:26:08,119 --> 00:26:11,400
Speaker 13: me and my brother took out three full plates each

576
00:26:11,640 --> 00:26:12,240
Speaker 13: of prawns.

577
00:26:12,800 --> 00:26:16,840
Speaker 3: Yeah, that was how many prawns on a plate, I'd.

578
00:26:16,600 --> 00:26:21,280
Speaker 13: Say about fifteen inch. I mean it depended on how

579
00:26:21,320 --> 00:26:22,679
Speaker 13: well we stacked it. But I mean.

580
00:26:24,840 --> 00:26:28,879
Speaker 4: Obviously at that stage, I mean, it was pretty ectic.

581
00:26:28,960 --> 00:26:32,600
Speaker 13: And then you know, we're eating and I guess the

582
00:26:32,640 --> 00:26:34,720
Speaker 13: manager came up to us and it's just like, you

583
00:26:34,840 --> 00:26:36,760
Speaker 13: need to leave, and I'm like, what do you mean.

584
00:26:36,800 --> 00:26:39,480
Speaker 13: It's just like you're eating too many of our prawns.

585
00:26:39,480 --> 00:26:41,320
Speaker 13: And I'm like, but I mean we're out and all

586
00:26:41,359 --> 00:26:43,359
Speaker 13: you can eat. I guess I'm allowed to be eating

587
00:26:43,400 --> 00:26:46,560
Speaker 13: all this. No, So my mom kind of looked over

588
00:26:46,600 --> 00:26:49,320
Speaker 13: at this. She was with us, and she was just like,

589
00:26:49,359 --> 00:26:51,600
Speaker 13: I'm never ever taking you guys to and all you

590
00:26:51,600 --> 00:26:52,359
Speaker 13: can eat every again.

591
00:26:55,160 --> 00:27:01,440
Speaker 1: Embarrassed. That's kind of Timmy, Timmy, you beat the as well.

592
00:27:01,520 --> 00:27:03,120
Speaker 1: This is great stuff, Tim, It.

593
00:27:03,119 --> 00:27:06,000
Speaker 3: Is actually good. Hey, I'm enjoying it.

594
00:27:06,000 --> 00:27:06,640
Speaker 1: Tell us the story.

595
00:27:06,680 --> 00:27:09,120
Speaker 8: Tim, Yes, back in the day when Pizza Hut were

596
00:27:09,119 --> 00:27:11,639
Speaker 8: all you can eat, When he went there and was

597
00:27:11,720 --> 00:27:15,040
Speaker 8: a party of about thirty, Well, we're all cousins of thirty,

598
00:27:15,040 --> 00:27:16,159
Speaker 8: of affairs.

599
00:27:15,640 --> 00:27:18,040
Speaker 3: Thirty and you walked over the party of thirty to

600
00:27:18,080 --> 00:27:18,680
Speaker 3: Pizza hut.

601
00:27:19,400 --> 00:27:22,760
Speaker 8: You thirty at pizza Hut, Well you can eat. This

602
00:27:22,800 --> 00:27:27,120
Speaker 8: would have been about ninety two ninety three. Yeah, and yeah,

603
00:27:27,200 --> 00:27:30,800
Speaker 8: we we ate him out of place, all their pizzas

604
00:27:29,880 --> 00:27:31,800
Speaker 8: in there as to politely.

605
00:27:31,520 --> 00:27:35,080
Speaker 3: Leave pizza out of all their pieces.

606
00:27:35,720 --> 00:27:38,719
Speaker 8: Well you finished, We finished the desert. We ate all

607
00:27:38,760 --> 00:27:42,840
Speaker 8: the ice cream. There was nothing left. They asked us

608
00:27:42,920 --> 00:27:45,600
Speaker 8: to leave, and thirty minutes, forty minutes later they actually

609
00:27:45,640 --> 00:27:47,320
Speaker 8: closed the store at like five o'clock.

610
00:27:49,680 --> 00:27:51,280
Speaker 3: Will and Woody, that's the lore.

611
00:27:51,600 --> 00:27:55,680
Speaker 6: In just a bit the Will and Woody podcast, would.

612
00:27:55,960 --> 00:27:58,880
Speaker 3: Let's send the blow torch on you, mate, because I've

613
00:27:58,880 --> 00:27:59,840
Speaker 3: got something from your past.

614
00:28:00,760 --> 00:28:03,919
Speaker 1: Yeah, that's appropriate music, that's appropriate, harrowing for you.

615
00:28:06,440 --> 00:28:11,320
Speaker 3: It was handed to me yesterday. Yeah, do you recognize this.

616
00:28:12,800 --> 00:28:13,520
Speaker 1: That's not fair.

617
00:28:14,880 --> 00:28:20,160
Speaker 4: Oh no, noah, Well that you're you're incriminated here as well.

618
00:28:20,440 --> 00:28:23,280
Speaker 3: I'm absolutely not. Because I was studying at the time.

619
00:28:23,480 --> 00:28:25,159
Speaker 4: We probably did have started it, so we had it

620
00:28:25,200 --> 00:28:26,640
Speaker 4: with Well, I'll tell me what it.

621
00:28:26,600 --> 00:28:29,119
Speaker 3: Is, thank you very much. Well, I'm in charge of

622
00:28:29,160 --> 00:28:31,280
Speaker 3: the torching, and I realized I forgot to say something,

623
00:28:31,320 --> 00:28:37,359
Speaker 3: but thank you for the problem. It's an audible medium.

624
00:28:37,400 --> 00:28:40,120
Speaker 3: Audible medium, all right, So it's a it's a book

625
00:28:40,120 --> 00:28:42,880
Speaker 3: called Heidi Will and Woodi's Ideas book. All right, So

626
00:28:42,920 --> 00:28:44,120
Speaker 3: you and I used to be on a show in

627
00:28:44,160 --> 00:28:47,360
Speaker 3: Perth called Heidi Will and Woody with our friend Heidi Anderson.

628
00:28:48,480 --> 00:28:52,200
Speaker 3: And this is a book of all our ideas that

629
00:28:52,320 --> 00:28:54,680
Speaker 3: was given to our producer at by our old producer Tom.

630
00:28:54,920 --> 00:28:56,800
Speaker 1: Oh Tom, is it right?

631
00:28:56,880 --> 00:28:59,320
Speaker 3: So he's been sitting on this thing, I think, and

632
00:28:59,360 --> 00:29:01,200
Speaker 3: he told me it. He sometimes he just picked it

633
00:29:01,240 --> 00:29:06,600
Speaker 3: up for just whenever he was feeling down. Now I'll

634
00:29:08,040 --> 00:29:14,320
Speaker 3: I'll skip past mine. I'll skip past and we might

635
00:29:14,440 --> 00:29:18,640
Speaker 3: just some of your great work in my friend, because

636
00:29:18,840 --> 00:29:21,040
Speaker 3: I'll tell you what I honestly, I read this for

637
00:29:21,880 --> 00:29:24,160
Speaker 3: this is a book from ten years ago. I read

638
00:29:24,160 --> 00:29:27,440
Speaker 3: it for I reckon fifteen seconds before and I was

639
00:29:27,480 --> 00:29:30,480
Speaker 3: already crying with laughter. Now you know you've hit Woody's

640
00:29:30,520 --> 00:29:36,600
Speaker 3: idea page. When there's just a huge penis drawn on

641
00:29:36,680 --> 00:29:37,400
Speaker 3: the inside.

642
00:29:38,320 --> 00:29:40,920
Speaker 1: That was my go to gag. Every morning we did

643
00:29:40,920 --> 00:29:44,120
Speaker 1: breakfast radio and other things. I'm not jogging. We did

644
00:29:44,160 --> 00:29:46,120
Speaker 1: breakfast radio for four it was four years.

645
00:29:46,480 --> 00:29:48,600
Speaker 4: Every single morning I'd get in early just so I

646
00:29:48,640 --> 00:29:50,960
Speaker 4: could draw a big doodle on the whiteboards and everyone's like,

647
00:29:51,000 --> 00:29:52,440
Speaker 4: it's it's just not fun anymore.

648
00:29:52,840 --> 00:29:54,520
Speaker 1: Two and a half years and I'm still doing it.

649
00:29:54,840 --> 00:29:56,640
Speaker 4: I had to get up twenty minutes early than everyone

650
00:29:56,680 --> 00:29:58,280
Speaker 4: just so I could draw a big dick on the board.

651
00:29:59,080 --> 00:30:01,080
Speaker 1: Just thought I'll give the the team a bit of morale.

652
00:30:02,440 --> 00:30:05,560
Speaker 3: Alright, So al right, here we go. So let's let's

653
00:30:05,920 --> 00:30:07,800
Speaker 3: let's get into some of this gear here.

654
00:30:07,840 --> 00:30:09,160
Speaker 1: Is there anything good in there?

655
00:30:09,720 --> 00:30:11,840
Speaker 3: Mate? To be honest, I only got too deep before

656
00:30:11,840 --> 00:30:13,640
Speaker 3: and I had to close it, and because I got

657
00:30:13,720 --> 00:30:15,960
Speaker 3: told to keep the powder dry. But I'll go through

658
00:30:15,960 --> 00:30:20,520
Speaker 3: some of the ones that I've already read. Yeah, why

659
00:30:20,520 --> 00:30:25,080
Speaker 3: don't Why don't sweep sixties anymore?

660
00:30:27,800 --> 00:30:30,120
Speaker 4: I actually remember that. That's actually a good question. Where

661
00:30:30,160 --> 00:30:32,960
Speaker 4: where have chimney sweeps gone? Because chimneys are still here? No,

662
00:30:33,120 --> 00:30:36,480
Speaker 4: that's actually I remember that because I pitched that. I

663
00:30:36,520 --> 00:30:37,560
Speaker 4: actually pitched that a lot.

664
00:30:37,720 --> 00:30:38,880
Speaker 3: O love that.

665
00:30:38,920 --> 00:30:41,200
Speaker 1: Where did they go? How do you clean your chimney

666
00:30:41,200 --> 00:30:41,520
Speaker 1: these days?

667
00:30:41,560 --> 00:30:43,920
Speaker 3: You're just sweeping out yourself, mate, You just you just

668
00:30:43,960 --> 00:30:45,560
Speaker 3: get a brush and you get a dust band and

669
00:30:45,600 --> 00:30:48,560
Speaker 3: broom and you sweeping out. All right. Now, I've been

670
00:30:48,600 --> 00:30:49,920
Speaker 3: told we might be able to do one of these

671
00:30:49,920 --> 00:30:50,920
Speaker 3: on air if we find a.

672
00:30:51,160 --> 00:30:53,440
Speaker 1: If we find a good one, well you found one.

673
00:30:55,080 --> 00:30:59,600
Speaker 3: Next one? Here? What happened when you lost your glasses?

674
00:31:01,760 --> 00:31:05,880
Speaker 1: Here's the thing I can say, Spec Savers.

675
00:31:05,960 --> 00:31:08,800
Speaker 4: That's their whole ad campaign at the moment. Is the

676
00:31:08,960 --> 00:31:12,520
Speaker 4: whole Spec Savors and campaign. That's I should be in marketing.

677
00:31:12,720 --> 00:31:14,600
Speaker 1: Okay, that Specsators and staring there.

678
00:31:15,000 --> 00:31:16,560
Speaker 3: You want to do that one, we can do it

679
00:31:16,560 --> 00:31:19,120
Speaker 3: if you want Spec you want to keep that one?

680
00:31:19,160 --> 00:31:20,720
Speaker 1: We missed that. We missed that because Specsavers.

681
00:31:21,360 --> 00:31:28,200
Speaker 3: Okay, nigs onyon ye, niggs onon just something like I

682
00:31:28,200 --> 00:31:29,400
Speaker 3: don't even know.

683
00:31:30,000 --> 00:31:31,360
Speaker 1: They might be half baked idea.

684
00:31:31,360 --> 00:31:33,360
Speaker 3: Cute couple competitions?

685
00:31:34,200 --> 00:31:35,480
Speaker 1: It was it cute couple of competition.

686
00:31:35,760 --> 00:31:39,880
Speaker 3: Couple competitions that could be what does it even imagine?

687
00:31:39,880 --> 00:31:43,200
Speaker 1: It's just cute couples comparing do cute things. I don't know.

688
00:31:45,440 --> 00:31:48,160
Speaker 4: That could be a reality showd couple?

689
00:31:48,920 --> 00:31:51,800
Speaker 3: Okay, this is this one I think could be up there.

690
00:31:51,680 --> 00:31:54,320
Speaker 1: Though with a good one? Are the worst?

691
00:31:54,960 --> 00:31:57,040
Speaker 3: Well, this is the great thing about you, mate, I

692
00:31:57,080 --> 00:31:59,720
Speaker 3: don't know, you know, it's right on the line and

693
00:32:00,880 --> 00:32:03,520
Speaker 3: it's almost got a finger in both pies. Sure is

694
00:32:03,560 --> 00:32:04,840
Speaker 3: it genius? Is it awful?

695
00:32:04,920 --> 00:32:05,120
Speaker 8: Yeah?

696
00:32:05,160 --> 00:32:05,400
Speaker 1: Sure?

697
00:32:06,480 --> 00:32:08,000
Speaker 3: Hit me hot knees?

698
00:32:09,520 --> 00:32:09,960
Speaker 10: Is that it?

699
00:32:10,200 --> 00:32:12,920
Speaker 1: That's the idea. I might be one of my loose funds,

700
00:32:14,400 --> 00:32:15,360
Speaker 1: those funds, and.

701
00:32:15,320 --> 00:32:17,000
Speaker 3: I think we should do that. What do you mean

702
00:32:17,040 --> 00:32:17,840
Speaker 3: I think we should do it?

703
00:32:18,080 --> 00:32:19,880
Speaker 1: I don't know what the idea is the hot knees?

704
00:32:21,200 --> 00:32:21,440
Speaker 3: Tell me?

705
00:32:21,720 --> 00:32:22,480
Speaker 1: Did I continue?

706
00:32:23,120 --> 00:32:24,480
Speaker 3: Yeah? Do hot knees exist?

707
00:32:25,360 --> 00:32:30,800
Speaker 1: Okay, okay, we've elaborated. Well it's a good question, isn't it.

708
00:32:31,240 --> 00:32:35,040
Speaker 1: What do you reckon? Dragon? Do I ever look at

709
00:32:35,040 --> 00:32:35,560
Speaker 1: my knees?

710
00:32:36,080 --> 00:32:36,320
Speaker 10: Yeah?

711
00:32:36,400 --> 00:32:40,080
Speaker 3: Sure, sure, sure looks let's get into it dragon.

712
00:32:39,840 --> 00:32:40,719
Speaker 1: I've got hot knees.

713
00:32:41,120 --> 00:32:43,120
Speaker 4: If I squeeze, if I squeeze, I reckon, I've got

714
00:32:43,120 --> 00:32:43,840
Speaker 4: a pretty hot Yeah.

715
00:32:43,840 --> 00:32:46,120
Speaker 3: But now now we're talking about you're in about your top. Look,

716
00:32:46,200 --> 00:32:47,640
Speaker 3: let's get into it up next. I think it is

717
00:32:47,680 --> 00:32:49,520
Speaker 3: a good discussion. Point thirty one or six fives of

718
00:32:49,560 --> 00:32:52,720
Speaker 3: phone number. Do you know someone who has hot knees?

719
00:32:52,840 --> 00:32:53,800
Speaker 1: Or do you have hot knee?

720
00:32:53,880 --> 00:32:56,560
Speaker 3: Do you do you think you've got hot knees?

721
00:32:56,600 --> 00:32:57,719
Speaker 1: Do you lead with the knee?

722
00:32:57,840 --> 00:33:00,480
Speaker 4: Do you yes to use your daddy apps photo of

723
00:33:00,480 --> 00:33:01,120
Speaker 4: your knee?

724
00:33:02,120 --> 00:33:06,640
Speaker 3: Capsule knees? Right now? I mean this, this really does

725
00:33:06,680 --> 00:33:08,880
Speaker 3: tickle me. Woods. I have a scrap book of some

726
00:33:08,960 --> 00:33:11,120
Speaker 3: old ideas from yours from a radio show we did

727
00:33:11,120 --> 00:33:15,840
Speaker 3: ten years ago over in Perth, and jeez, is this

728
00:33:15,600 --> 00:33:17,400
Speaker 3: and this, this is this is.

729
00:33:17,400 --> 00:33:19,640
Speaker 1: Some great stuff I reckon with a light polish. There's

730
00:33:19,640 --> 00:33:20,800
Speaker 1: some absolute gold in there.

731
00:33:20,880 --> 00:33:25,320
Speaker 3: Can I just say, how would you polish? Why don't

732
00:33:25,360 --> 00:33:26,920
Speaker 3: chimney sweeps exist anymore?

733
00:33:27,040 --> 00:33:30,760
Speaker 4: Because you watch a movie like Mary Poppins Popp'in's and

734
00:33:30,800 --> 00:33:34,600
Speaker 4: you see the bloke what's his name, Dick van Dyke, Ye, Dicky,

735
00:33:35,000 --> 00:33:38,680
Speaker 4: he's in there, and you say to yourself, the characters okay,

736
00:33:38,720 --> 00:33:41,040
Speaker 4: and you say to yourself, we still have chimneys.

737
00:33:41,160 --> 00:33:43,560
Speaker 3: Where the sweep's gone. Yeah, I don't think you polished

738
00:33:43,560 --> 00:33:43,920
Speaker 3: that at all.

739
00:33:44,880 --> 00:33:46,360
Speaker 1: Let's get probably scratching a bit there.

740
00:33:46,440 --> 00:33:48,600
Speaker 3: Let's get down to the one that I look and

741
00:33:48,680 --> 00:33:50,040
Speaker 3: I think this is a good litmus test to see

742
00:33:50,080 --> 00:33:52,160
Speaker 3: whether these ideas still work. The idea that we've ended

743
00:33:52,240 --> 00:33:57,200
Speaker 3: up on is doo hot knees exist, which I think

744
00:33:57,400 --> 00:33:59,920
Speaker 3: is just one of the most rageous questions.

745
00:34:00,400 --> 00:34:03,400
Speaker 1: It's an interesting question, Charlene.

746
00:34:03,560 --> 00:34:06,280
Speaker 3: Charlene, you've got some feedback for Woody's idea to hot

747
00:34:06,320 --> 00:34:06,960
Speaker 3: knees exist.

748
00:34:08,800 --> 00:34:12,000
Speaker 12: I'm going to start with your idea. It's a bit questionable,

749
00:34:12,440 --> 00:34:17,520
Speaker 12: fair enough in saying about how dodgy question is the

750
00:34:17,840 --> 00:34:20,720
Speaker 12: idea is. I'm gonna have to be honest. My partner

751
00:34:20,760 --> 00:34:22,600
Speaker 12: has got some of the best needs I've ever seen

752
00:34:23,960 --> 00:34:26,839
Speaker 12: they want in masculine. I always want him to wear

753
00:34:26,880 --> 00:34:27,719
Speaker 12: his short.

754
00:34:28,080 --> 00:34:33,239
Speaker 3: Yeah, aquad that we're talking about there, because because for me,

755
00:34:33,320 --> 00:34:35,279
Speaker 3: I don't think it only just like what makes a

756
00:34:35,280 --> 00:34:37,359
Speaker 3: hot knee, Charlene, let's start with that. That's a good question.

757
00:34:37,800 --> 00:34:40,800
Speaker 14: There's a good shape, exactly right color.

758
00:34:40,840 --> 00:34:42,640
Speaker 3: All right, So I think we've been we're in the

759
00:34:42,640 --> 00:34:43,640
Speaker 3: middle of proving.

760
00:34:43,360 --> 00:34:46,920
Speaker 4: That it's the split in the kneecap, isn't it, Charlene.

761
00:34:46,960 --> 00:34:49,799
Speaker 4: The split is a little split. When you squeeze it,

762
00:34:49,840 --> 00:34:52,040
Speaker 4: you get a little bit of a split, just like

763
00:34:52,160 --> 00:34:54,160
Speaker 4: a bit of a because you get the top of

764
00:34:54,200 --> 00:34:58,160
Speaker 4: your your femur with the top of your fibula, sorry tibia,

765
00:34:58,480 --> 00:35:01,040
Speaker 4: which provides a split which I think is quite sexy.

766
00:35:01,040 --> 00:35:03,560
Speaker 1: But the hair there as well, Charley and I imagine, yeah, yeah,

767
00:35:05,600 --> 00:35:06,440
Speaker 1: head cap are you?

768
00:35:06,800 --> 00:35:08,640
Speaker 3: Is a head cap preferred to a non head cap?

769
00:35:08,800 --> 00:35:11,720
Speaker 12: Oh look, I like a manly man. I'm not interested

770
00:35:11,760 --> 00:35:13,320
Speaker 12: in a guy that shaves his legs.

771
00:35:13,440 --> 00:35:16,080
Speaker 3: You're into a minute of hair on the cap. Look,

772
00:35:16,280 --> 00:35:20,960
Speaker 3: I think we're proving this is a shocking job conversation. Maya,

773
00:35:21,040 --> 00:35:23,680
Speaker 3: hot knees. Are you attracted to someone's knees?

774
00:35:25,040 --> 00:35:28,440
Speaker 4: Yeah, I am, okay, talk to talk to me.

775
00:35:29,160 --> 00:35:32,600
Speaker 15: So I actually have my partner who has and in

776
00:35:32,640 --> 00:35:34,879
Speaker 15: the beginning of the relationship, we were talking about how

777
00:35:34,960 --> 00:35:39,799
Speaker 15: he has hot knees because I got I was in

778
00:35:39,840 --> 00:35:43,000
Speaker 15: a group chat with his ex because there was a

779
00:35:43,120 --> 00:35:46,600
Speaker 15: mutual party being thrown and she started trying to gate

780
00:35:46,680 --> 00:35:49,600
Speaker 15: keep his knees, so I fought her for his knees.

781
00:35:49,760 --> 00:35:52,120
Speaker 4: Well, what does what if you're a gatekeeper knee? What

782
00:35:52,160 --> 00:35:53,840
Speaker 4: does that mean? So that might be a young lingo

783
00:35:53,920 --> 00:35:57,920
Speaker 4: that we're not down with. What do you mean gatekeeper knee?

784
00:35:58,880 --> 00:36:01,960
Speaker 15: Because she was his X, and you know, obviously she

785
00:36:02,080 --> 00:36:04,360
Speaker 15: still seemed like she was into him. She was trying

786
00:36:04,360 --> 00:36:06,640
Speaker 15: to be like, oh, my knees all the one and

787
00:36:06,640 --> 00:36:08,160
Speaker 15: I'm like, no, they're my knees.

788
00:36:08,960 --> 00:36:13,040
Speaker 4: You were fighting over your current boy friend's knees when

789
00:36:13,160 --> 00:36:25,840
Speaker 4: the former what.

790
00:36:19,880 --> 00:36:21,960
Speaker 3: What are they? What are they? What's so good about him? Maya,

791
00:36:23,080 --> 00:36:23,520
Speaker 3: I don't know.

792
00:36:23,640 --> 00:36:26,360
Speaker 15: They're like really soft and they're actually kind of like

793
00:36:26,520 --> 00:36:29,640
Speaker 15: freckenly looks like nice knees.

794
00:36:30,160 --> 00:36:32,080
Speaker 1: Can you send us a photo of these knees?

795
00:36:33,800 --> 00:36:35,800
Speaker 3: I can have you kiss Do you kissed the knees?

796
00:36:37,640 --> 00:36:38,560
Speaker 3: Do you kiss the knees?

797
00:36:39,440 --> 00:36:44,000
Speaker 1: Of course I do, Bud Wow Wow.

798
00:36:44,840 --> 00:36:46,800
Speaker 4: So you just go and kiss his knees. You go

799
00:36:46,920 --> 00:36:48,759
Speaker 4: down there and you kiss his knees. But that's the

800
00:36:48,760 --> 00:36:51,759
Speaker 4: only reason you're going down there, sneak is. I'm just

801
00:36:51,800 --> 00:36:54,200
Speaker 4: saying that's the intention. If that's the that might be

802
00:36:54,239 --> 00:37:01,080
Speaker 4: a bit of a question. Sorry, what right now?

803
00:37:01,120 --> 00:37:04,440
Speaker 3: We are doing pick the Brits all our governments a

804
00:37:04,600 --> 00:37:05,439
Speaker 3: spot of tea.

805
00:37:06,520 --> 00:37:09,600
Speaker 1: It's peak the brit.

806
00:37:12,680 --> 00:37:14,440
Speaker 3: Is that whose voice that?

807
00:37:14,960 --> 00:37:15,120
Speaker 7: Well?

808
00:37:15,280 --> 00:37:18,080
Speaker 1: End up producers audio producer Tim wasn't it was that.

809
00:37:18,040 --> 00:37:20,000
Speaker 3: Our audio producer Tim whose voice that?

810
00:37:20,560 --> 00:37:21,080
Speaker 1: Who was it?

811
00:37:21,200 --> 00:37:22,680
Speaker 2: I think it was Timid did it? And then I

812
00:37:22,680 --> 00:37:26,080
Speaker 2: did the Winston church all bit you're putting up there.

813
00:37:26,320 --> 00:37:29,000
Speaker 3: Oh here is I wasn't looking at you tell what

814
00:37:29,080 --> 00:37:29,319
Speaker 3: it was.

815
00:37:29,719 --> 00:37:30,960
Speaker 2: It was a bit of me bit of timm.

816
00:37:30,840 --> 00:37:35,920
Speaker 3: All right, well done, fellas. Now the reason we're talking

817
00:37:35,960 --> 00:37:41,360
Speaker 3: about this is British tennis star Emma Radicanoe. Ready Canoe,

818
00:37:41,440 --> 00:37:43,799
Speaker 3: I said that correctly, RERADICANU read a canoe. You think

819
00:37:43,840 --> 00:37:44,600
Speaker 3: it's ready canoe?

820
00:37:44,600 --> 00:37:45,080
Speaker 1: She wrote a.

821
00:37:45,000 --> 00:37:49,120
Speaker 4: Canoe, read a canoe. She she won the US Open.

822
00:37:49,320 --> 00:37:51,239
Speaker 4: You know, we won the US Open at nineteen years old.

823
00:37:51,400 --> 00:37:51,960
Speaker 1: Unbelievable.

824
00:37:52,000 --> 00:37:56,000
Speaker 3: So she's nineteen, she's nineteen. She's born in born in Canada,

825
00:37:56,200 --> 00:37:59,359
Speaker 3: but she is she is from the UK. She came

826
00:37:59,800 --> 00:38:03,360
Speaker 3: so before a match yesterday, she got in front of

827
00:38:03,360 --> 00:38:06,959
Speaker 3: a few cameras and did her Australian accent and.

828
00:38:07,680 --> 00:38:13,160
Speaker 10: Mate, I haven't armor melt flat white? No, that was awful.

829
00:38:13,360 --> 00:38:16,000
Speaker 3: Stop that actually was awful?

830
00:38:16,280 --> 00:38:16,879
Speaker 1: Yeah, no, good.

831
00:38:16,920 --> 00:38:18,919
Speaker 3: I got the article said it was pretty good.

832
00:38:19,520 --> 00:38:22,160
Speaker 4: The headline is she sounds like a native.

833
00:38:22,480 --> 00:38:26,200
Speaker 3: Perfect, she sounds like a native. Can I hear that

834
00:38:26,239 --> 00:38:26,759
Speaker 3: one more time?

835
00:38:27,400 --> 00:38:31,640
Speaker 10: I mate, I haven't armor melt flat white.

836
00:38:31,960 --> 00:38:33,080
Speaker 1: No, that was awful.

837
00:38:33,280 --> 00:38:35,360
Speaker 10: Stop that was awful.

838
00:38:36,080 --> 00:38:38,440
Speaker 3: Ordering an almond milk flat white. Get the body hell

839
00:38:38,480 --> 00:38:38,959
Speaker 3: out of here.

840
00:38:39,040 --> 00:38:43,120
Speaker 1: That's a delicious beverage. It's a delicious beverage. Her good,

841
00:38:43,120 --> 00:38:43,959
Speaker 1: A mate, is not bad?

842
00:38:44,160 --> 00:38:46,360
Speaker 3: Yeah, good, mate, was good. We'll give it. That what

843
00:38:46,400 --> 00:38:48,960
Speaker 3: we're gonna do right now though, thirty one six five,

844
00:38:49,200 --> 00:38:50,839
Speaker 3: Because I know we are sitting up in our high

845
00:38:50,880 --> 00:38:53,799
Speaker 3: tower here saying, well, you can't do our accent. Every

846
00:38:53,840 --> 00:38:55,799
Speaker 3: Australian things they do a pretty good British.

847
00:38:55,480 --> 00:38:58,880
Speaker 1: Accent, including the audio producer Tim.

848
00:38:58,680 --> 00:39:03,480
Speaker 3: And Push Joe. So what we're going to do if

849
00:39:03,480 --> 00:39:05,000
Speaker 3: you think you do a good Bridge accent, give us

850
00:39:05,000 --> 00:39:07,080
Speaker 3: a call thirty one and six five produced are going

851
00:39:07,120 --> 00:39:09,279
Speaker 3: to put a real brit in the calls. You and

852
00:39:09,320 --> 00:39:10,680
Speaker 3: I have to try and guess which one is the

853
00:39:10,719 --> 00:39:13,440
Speaker 3: real Bridge. Smoke him out now to spice this up

854
00:39:13,440 --> 00:39:15,279
Speaker 3: a little bit as well. Woods, you also think you

855
00:39:15,320 --> 00:39:16,440
Speaker 3: do a pretty good Bridge accent.

856
00:39:16,440 --> 00:39:18,640
Speaker 16: It's not bad, mate, It's not bad. If I do

857
00:39:18,800 --> 00:39:20,799
Speaker 16: say so myself, it's not bad mate. It's a bit

858
00:39:20,880 --> 00:39:23,400
Speaker 16: more of a Chelsea one, you know what I meant me,

859
00:39:23,560 --> 00:39:25,520
Speaker 16: But it's not bad. At the end of the day

860
00:39:26,120 --> 00:39:28,080
Speaker 16: when I come right into the mot I it's not bad.

861
00:39:28,160 --> 00:39:32,879
Speaker 1: It's just you, just a little bit of the big

862
00:39:34,280 --> 00:39:37,680
Speaker 1: Tony's son absolutely and bloody love to.

863
00:39:38,040 --> 00:39:39,719
Speaker 3: So you're going to be in the call bank as well.

864
00:39:39,880 --> 00:39:42,080
Speaker 1: Nah to be embarrassing.

865
00:39:42,120 --> 00:39:47,800
Speaker 4: Get out, but the background always is the important.

866
00:39:47,800 --> 00:39:51,520
Speaker 1: Get out.

867
00:39:51,840 --> 00:39:54,680
Speaker 3: I'm next pick the bit over the body of you

868
00:39:54,680 --> 00:39:56,719
Speaker 3: guys having a wonderful Wednesday afternoon. Woods is going to

869
00:39:56,800 --> 00:39:59,480
Speaker 3: try and slink his way in there as well.

870
00:40:00,719 --> 00:40:09,240
Speaker 9: We are doing a game called the Bridge the brit

871
00:40:10,200 --> 00:40:10,920
Speaker 9: Pick the Bridge, all.

872
00:40:10,920 --> 00:40:13,759
Speaker 3: Right, so oh damn my throne, up a piece of paper.

873
00:40:15,200 --> 00:40:20,440
Speaker 3: Emily Redicanoe read a canoe. Thank you, yeah Redikanu. She

874
00:40:20,719 --> 00:40:24,320
Speaker 3: is a Canadian British Canadian born British tennis player who's

875
00:40:24,320 --> 00:40:26,120
Speaker 3: a nineteen year old. She won the US Open and

876
00:40:26,120 --> 00:40:27,720
Speaker 3: she's come down here and reckoned. She can do aretty

877
00:40:27,719 --> 00:40:30,120
Speaker 3: god Ossi accent. This is what this is her yesterday.

878
00:40:30,760 --> 00:40:35,719
Speaker 10: Did I mate, I'll haven't alma milk flat white? No,

879
00:40:35,880 --> 00:40:36,640
Speaker 10: that was awful.

880
00:40:36,840 --> 00:40:41,920
Speaker 3: Stop radio. So the thing is we were sitting in

881
00:40:41,920 --> 00:40:46,279
Speaker 3: our Australian high towers here judging her for doing an

882
00:40:46,280 --> 00:40:48,680
Speaker 3: aust which all ossies do. By the way, if you're

883
00:40:48,719 --> 00:40:50,480
Speaker 3: not an Aussie and you're trying to an Ausia accent,

884
00:40:50,480 --> 00:40:53,200
Speaker 3: no matter how good it is, we're all like, oh yeah, good, good, good,

885
00:40:53,239 --> 00:40:55,279
Speaker 3: try mate. So we're gonna do is gonna flip it

886
00:40:56,120 --> 00:40:58,480
Speaker 3: because I think this is fair. Every Aussie thinks that

887
00:40:58,560 --> 00:41:02,239
Speaker 3: they do a great British accent. So we're going to

888
00:41:02,239 --> 00:41:04,799
Speaker 3: do a segment called pick the brit We've got a

889
00:41:04,840 --> 00:41:06,680
Speaker 3: whole bank of calls here with a whole bunch of

890
00:41:06,680 --> 00:41:09,720
Speaker 3: people who called up thinking they do a good British accent.

891
00:41:10,360 --> 00:41:13,800
Speaker 3: One of them is actually British, and one of them,

892
00:41:15,760 --> 00:41:18,480
Speaker 3: this is the bit that really tickles me, is Woody.

893
00:41:19,600 --> 00:41:21,719
Speaker 3: So let's see how we go here. I'll see if

894
00:41:21,719 --> 00:41:23,479
Speaker 3: I can pick Woody out of the lineup. But also

895
00:41:23,480 --> 00:41:25,000
Speaker 3: I've got to try and pick the brit as well.

896
00:41:25,040 --> 00:41:26,959
Speaker 3: All right, let's get into it. Call the number one,

897
00:41:29,000 --> 00:41:34,359
Speaker 3: Elloie Will how are you? Are you very well? Call

898
00:41:34,480 --> 00:41:36,040
Speaker 3: number one? What did you get up to today?

899
00:41:37,920 --> 00:41:38,600
Speaker 13: Not too much?

900
00:41:38,680 --> 00:41:40,160
Speaker 12: Had a little bit of yogurt and.

901
00:41:41,560 --> 00:41:48,279
Speaker 3: You're not British? Thank you? Go Call the number two.

902
00:41:50,200 --> 00:41:51,520
Speaker 8: Oh, my name is George.

903
00:41:51,719 --> 00:41:52,920
Speaker 15: I love drinking tea.

904
00:41:54,520 --> 00:41:56,120
Speaker 3: What's your favorite tea? George?

905
00:41:57,160 --> 00:41:58,240
Speaker 8: Lemographs and ginger.

906
00:41:58,400 --> 00:42:01,600
Speaker 3: Yeah, you're not British. First, well English breakfast was the

907
00:42:01,640 --> 00:42:04,239
Speaker 3: answer to that question. You gave it up in context

908
00:42:04,400 --> 00:42:07,000
Speaker 3: and content. Call he number.

909
00:42:06,719 --> 00:42:09,359
Speaker 14: Three, Telly Ho, Well, how are you?

910
00:42:10,920 --> 00:42:14,440
Speaker 3: Oh jeez, that's sounding pretty buddy British, I reckon er.

911
00:42:16,719 --> 00:42:18,640
Speaker 3: Who's your favorite beetle? Call on number three.

912
00:42:19,080 --> 00:42:21,960
Speaker 13: Oh, I would say John Lennon. I would say why

913
00:42:23,160 --> 00:42:24,320
Speaker 13: because he's the best beatle.

914
00:42:25,040 --> 00:42:26,759
Speaker 3: Yeah, I think he is the best beatle as well.

915
00:42:26,800 --> 00:42:30,359
Speaker 3: He was, he was, Yeah, look calling number three, stay there,

916
00:42:30,520 --> 00:42:32,080
Speaker 3: I think you could be British. I'm just going to

917
00:42:32,160 --> 00:42:34,120
Speaker 3: go to call on number four. Before that, call on

918
00:42:34,200 --> 00:42:42,359
Speaker 3: number four. Sorry, hello number four, very well.

919
00:42:42,480 --> 00:42:45,480
Speaker 14: Are you having a couple of bps? Actually as were?

920
00:42:47,920 --> 00:42:50,600
Speaker 14: Sorry I using are It's an English academics an English

921
00:42:50,600 --> 00:42:56,600
Speaker 14: breakfast obviously, very well, thank.

922
00:42:56,400 --> 00:43:01,959
Speaker 3: You very well? He k what he managed to pick

923
00:43:02,000 --> 00:43:04,000
Speaker 3: the neddle on the had deck there calling number three,

924
00:43:04,080 --> 00:43:05,440
Speaker 3: you are actually British?

925
00:43:06,160 --> 00:43:06,600
Speaker 8: Correct?

926
00:43:06,960 --> 00:43:10,879
Speaker 3: Yeah? Where you're from? Mate? Where you're from?

927
00:43:11,400 --> 00:43:12,760
Speaker 13: I'm from Essex in England.

928
00:43:13,040 --> 00:43:19,920
Speaker 3: Beautiful. Nobody cares, thanks for calling. Oh that's how post

929
00:43:19,960 --> 00:43:27,480
Speaker 3: Tony you are kidnaping. Still nobody cares. We got