WEBVTT - Sing it For Melbourne!

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<v Speaker 1>The Chris Joan O'Connell Breakfast Show Podcast Melbourne's Gold one

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<v Speaker 1>oh four point three Live from Level two twenty one

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<v Speaker 1>to thirty one, Goodwood Street, Wretch Mountain. This is the

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<v Speaker 1>Chris John o'conon All Breakfast Show on Melbourn's Gold one

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<v Speaker 1>oh four point three.

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<v Speaker 2>Exciting times. Everyone, we are in the charts. We're in

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<v Speaker 2>the charts. Everyone, we are in the charts. Show sixty one.

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<v Speaker 2>The song your song, sing It for Melbourne is now

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<v Speaker 2>live on iTunes. Jack, what do they need to do

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<v Speaker 2>to find it on there?

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<v Speaker 3>You just type in going to the iTunes store on

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<v Speaker 3>your phone type in sing it for Melbourne. But if

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<v Speaker 3>you've got a brand new phone, I noticed this with

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<v Speaker 3>my wife this morning as we would try to buy it.

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<v Speaker 3>If you've got one of the brand new iPhones, you've

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<v Speaker 3>got to go and download iTunes store in the app store.

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<v Speaker 2>Yeah, I had to do this. I haven't got the

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<v Speaker 2>X or the nine or anything flashed out that. But

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<v Speaker 2>I didn't have to buy a new phone when obviously

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<v Speaker 2>I moved here and yesterday I was struggling to find it,

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<v Speaker 2>even though we knew that it was in the as

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<v Speaker 2>they call it, iTunes ecosystem, but you need to download

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<v Speaker 2>the app then for iTunes.

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<v Speaker 3>iTunes store because now they're trying to do Apple Music

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<v Speaker 3>where you can just stream everything.

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<v Speaker 2>Oh it's a pain in the backside that when if

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<v Speaker 2>you try and buy a song, it wants you to

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<v Speaker 2>sign up to it. I don't want it.

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<v Speaker 3>And also with this single's going to charity. So if

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<v Speaker 3>we're just streaming it to Apple, I mean the charity's

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<v Speaker 3>getting nothing.

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<v Speaker 2>Yeah, and they've got enough. Okay, So it is singing

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<v Speaker 2>for Melbourne. I'm going to play a bit of it

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<v Speaker 2>in a minute. You can understand the song. It's two

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<v Speaker 2>dollars nineteen and like Jack said, this is a song

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<v Speaker 2>for the Starlight Foundation. All the profits go directly to them.

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<v Speaker 2>It's amazing charity right here in Melbourne. It's a Melbourne song,

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<v Speaker 2>so it should be a Melbourne charity. This charity has

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<v Speaker 2>touched actually quite a few of you listen to this show,

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<v Speaker 2>but quite a few emails and people who sadly have

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<v Speaker 2>got six children and they give them special days out

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<v Speaker 2>for them and their family in horrendous situations. It's an

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<v Speaker 2>important charity and sometimes he's less than known ones don't

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<v Speaker 2>get as much funding. So We don't know how the

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<v Speaker 2>song's going to do, but if you do it, it's

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<v Speaker 2>two bucks. It's nothing. It's half the price of a

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<v Speaker 2>cup of coffee. It's two bucks. Two dollars nineteen I

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<v Speaker 2>think is the official price for it. I don't know

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<v Speaker 2>why it's two dollars nineteen, but go figure it is

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<v Speaker 2>and it is now. You can download it right now

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<v Speaker 2>and own it and do something good for charity this morning.

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<v Speaker 2>We ask you to do that, just one thing this morning.

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<v Speaker 2>This is the song Herongen We will get.

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<v Speaker 4>Ya sifty one Charles.

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<v Speaker 5>Melbourne of liddle Day but now Vienna Lee was just

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<v Speaker 5>seconds to go, one last twelve of the die fall

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<v Speaker 5>in this future Melbourne burst out of the middle, they

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<v Speaker 5>break the Vianner tax and now another Melbourne brund of

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<v Speaker 5>Didnty somehow picks the kickaway the city Holder's red melbanweis.

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<v Speaker 2>So it's written by Jack with your suggestions as well.

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<v Speaker 2>A song for Melbourne and new Anthiemals And to get

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<v Speaker 2>about that number one crown, the number one spot from

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<v Speaker 2>Vienna of most Liverpool City. We played this for the

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<v Speaker 2>first time yesterday and already it made the weather better.

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<v Speaker 2>This we're playing that song that's how powerful this anthem is.

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<v Speaker 2>And dolphins heard it and turned up in the yarraw

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<v Speaker 2>What how can you get dolphins?

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<v Speaker 6>What kind of city is this? Vin You've got dolphins

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<v Speaker 6>in the river. Sometimes get them in the Thames. But

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<v Speaker 6>they're dead, they're just washed up, all right.

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<v Speaker 2>It's available to download now from iTunes. Two bucks nineteen

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<v Speaker 2>goes to this Starlight Foundation. It is your anthem. We're

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<v Speaker 2>going to play it in full at seven a m.

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<v Speaker 2>This morning. We can also track real time where or

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<v Speaker 2>where not we come in the charts. So it's not

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<v Speaker 2>good to me asking you to buy it. Okay, you're

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<v Speaker 2>busy people, you're working hard, you're up early. I own it,

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<v Speaker 2>and I'm going to go around the team. Brian the producer,

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<v Speaker 2>do you own the song?

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<v Speaker 7>I do own the song, and I've been reliably informed already.

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<v Speaker 7>We're seven minutes into the show and it's number eighty

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<v Speaker 7>eight on the rock chart.

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<v Speaker 2>Just mister Bright's eye, Jack, do you own it?

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<v Speaker 8>I own it and my wife owns that. We both

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<v Speaker 8>bought it this morning.

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<v Speaker 9>Great, Pat, Yes we do, Chris and I do. Thank you.

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<v Speaker 2>Great. Okay, producer, Becks, do you own it? I bought

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<v Speaker 2>it yesterday? Oh wow, okay, can we get Tommy Bananas?

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<v Speaker 2>Does Tommy Banana's on video? Tommy, have you got it?

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<v Speaker 2>Becks into microphone on that's how radio works? You got it?

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<v Speaker 2>Sophie of Socials.

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<v Speaker 8>Have you got I got it yesterday too?

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<v Speaker 2>Magoo have you got it? Or just downloaded the Hot

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<v Speaker 2>Breakfast podcast? I got a young person to do it

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<v Speaker 2>for me. Yes, well no producing Mago Becks has mark

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<v Speaker 2>on all of the audio and sound for the show.

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<v Speaker 2>Have you got it? Yes? You got ten copies? Foster

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<v Speaker 2>Tips has got it as good.

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<v Speaker 3>I don't know that means you need ten phones to

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<v Speaker 3>get ten copies.

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<v Speaker 4>Come on all.

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<v Speaker 2>Right, So if you're downloading it, please let us know

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<v Speaker 2>so we can thank you as well. Give us a

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<v Speaker 2>call this morning when you've downloaded and you've got it,

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<v Speaker 2>let me know so I can say thank you. Nine

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<v Speaker 2>four one four one oh four three. We're at number

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<v Speaker 2>eighty eight in the charts.

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<v Speaker 1>The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four point.

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<v Speaker 2>Three so sing It for Melbourne, which got it's well

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<v Speaker 2>play on the show yesterday, is available for download now.

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<v Speaker 2>You can own it two dollars nineteen. All the profits

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<v Speaker 2>going to the Starlight Foundation and on today's show we'll

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<v Speaker 2>play the full song seven eight m this morning. Got

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<v Speaker 2>a big idea how we can turn your cars into

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<v Speaker 2>a giant PA system, which I share with you just

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<v Speaker 2>before seven o'clock. So if you are downloading it, let

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<v Speaker 2>us know this morning and they'll send me a text

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<v Speaker 2>four seven five three one O four three so we

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<v Speaker 2>could say thank you. And also if you want to

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<v Speaker 2>give us a call nine four one four one O

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<v Speaker 2>four three.

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<v Speaker 10>Good morning, Tom, Good morning, question, Welcome to Australia.

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<v Speaker 2>First up, thank you very much. Tom. Where about you

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<v Speaker 2>calling in from.

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<v Speaker 10>Mate at the Malam and Hoves crossing Yep, I'll drive

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<v Speaker 10>for a living um. And I just thought I heard

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<v Speaker 10>the song sing sing it from Melbourne. I think it's

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<v Speaker 10>absolutely terrific and I reckon you shall go for an

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<v Speaker 10>s Rantham.

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<v Speaker 2>That's great, Tom. Have you downloaded it? Mate?

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<v Speaker 10>No, no, as hit, but I will be as soon

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<v Speaker 10>as I can get some money.

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<v Speaker 2>We will lend you the two dollars nineteen so you

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<v Speaker 2>can get it. But Tom, I appreciate the fact that

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<v Speaker 2>you enjoyed the song. We'll play again in pill at

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<v Speaker 2>seven am this morning. All right, yeah, again, I could

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<v Speaker 2>hear his hats as they're clicking in the background. All right,

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<v Speaker 2>So if you are downloading it, give us a call

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<v Speaker 2>coming up next to take you through our ran final.

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<v Speaker 1>The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 2>Okay, it's going international, guys. Melli, who has listened to

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<v Speaker 2>us right now in Chile Santiago has downloaded a song,

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<v Speaker 2>Thank you very much. Melie. Phil who's listened to us

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<v Speaker 2>in Lancashire in the north of England, Good old Lancashire,

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<v Speaker 2>good evening. Phil listened to us over there online. I'm

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<v Speaker 2>not sure in entuney legal fashion, but he has downloaded

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<v Speaker 2>the song in England, so thank you very much for that.

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<v Speaker 3>I love the idea of people singing sing it from

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<v Speaker 3>Melbourne in all corners of the globe.

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<v Speaker 2>Yah, he said, I'm not even from Melbourne. That is

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<v Speaker 2>a great charity though, and I like the song as well.

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<v Speaker 2>Now let's go to our official man at the charts

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<v Speaker 2>right now live we can track how the song is doing.

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<v Speaker 2>Your song sing it for Melbourne. Brian's at the charts.

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<v Speaker 2>Worrying now we were five minutes ago, we're at number

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<v Speaker 2>eighty eight.

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<v Speaker 8>That is corrected.

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<v Speaker 7>Now we are number fifty eight and we're just over

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<v Speaker 7>Dire Straits money for nothing.

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<v Speaker 2>Well done. This is exciting. This is exciting. Also, this

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<v Speaker 2>is exciting.

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<v Speaker 7>The Christian O'Connell Breakfast Show's Grand Final set.

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<v Speaker 2>Great news kicking.

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<v Speaker 7>Yes, we're on the search for Melbourne's Grand with the

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<v Speaker 7>longest kicking.

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<v Speaker 2>That's it we are. This is our Grand Final. I

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<v Speaker 2>thought maybe we wanted to get a couple of grands

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<v Speaker 2>to line up see if they can kick them all

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<v Speaker 2>the furthest and the grand that kicks at the furthest

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<v Speaker 2>wins one thousand dollars, loads and loads. I think almost

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<v Speaker 2>sixty grands have stepped forward now saying they want in.

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<v Speaker 2>We've been speaking to you every morning. We've got grands

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<v Speaker 2>in their forties, some in their fifties, some of their sixties.

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<v Speaker 2>They are up for it. Every single ground we spoke

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<v Speaker 2>to Reckons they're going to do the fifty. However, we

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<v Speaker 2>can now speak to another grand this morning is up early.

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<v Speaker 2>Maybe do some training. Seeli, good morning, good morning, how

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<v Speaker 2>are you ah very well, Ceey, welcome to the show,

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<v Speaker 2>and thank you very much for entering our Grand Final.

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<v Speaker 11>Oh my grank you.

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<v Speaker 12>I didn't know.

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<v Speaker 2>And how many grandkids have you got?

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<v Speaker 12>I've got twenty five grandchildren.

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<v Speaker 2>Oh, there's a round of oats that that is that's expensive,

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<v Speaker 2>the birthday Christmas.

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<v Speaker 12>It's wonderful, It's just wonderful. We're very blessed.

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<v Speaker 2>You know which one of the twenty five, I mean

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<v Speaker 2>that's bigger than an AFL squad. Which one of the

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<v Speaker 2>twenty five do you think has put you forward for

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<v Speaker 2>this city?

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<v Speaker 12>I know Nicholas. I know Nicholas has and then I

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<v Speaker 12>find out within the hour they all but six of

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<v Speaker 12>them had put me in for it as well.

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<v Speaker 8>So you've been nominated six times.

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<v Speaker 2>Well, this is great now, And why do you think

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<v Speaker 2>so many of your grandkids have nominated you city? What

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<v Speaker 2>is it that you do that made something that you

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<v Speaker 2>can kick it? The furthest you could be the golden grain.

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<v Speaker 12>Well, because I'm a footy tragic and I'll playfully with

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<v Speaker 12>the kids every chance I get. And when they were

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<v Speaker 12>growing up, I taught them how to kick a footy.

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<v Speaker 12>I how to hip and shoulder and the rules of

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<v Speaker 12>the game.

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<v Speaker 9>That's critical in any touch on the line.

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<v Speaker 1>Oh.

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<v Speaker 12>I had four brothers and three sons, so I just

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<v Speaker 12>had to learn to play it with, you know, get

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<v Speaker 12>in or get out?

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<v Speaker 13>Wasn't it our city?

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<v Speaker 2>I think this is incredible? So you got twenty five grandkids?

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<v Speaker 12>Yeah?

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<v Speaker 2>See how many of them? Could you name? Right now?

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<v Speaker 12>I can name are of them?

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<v Speaker 2>All right? Everyone to stop what you're doing. Okay, seen

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<v Speaker 2>he's on the line. She's got twenty five grandkids. Jack,

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<v Speaker 2>you make a note. You count them off in your hands. Okay,

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<v Speaker 2>we need we'll all need hands. I'll give you ten.

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<v Speaker 2>You have ten? Perhaps you do the other five? Were ready?

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<v Speaker 14>Ye?

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<v Speaker 2>All right? Celi, Off you go.

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<v Speaker 12>There's Tom and Nick and Zach and then and then

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<v Speaker 12>there's Jordan and Jemma and Lucas, Kelly and Bridget's go Haley,

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<v Speaker 12>Joel and Luc, David, Ashley, Jake, Josie, Aiden and Austin.

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<v Speaker 12>There's Brendan, Sam and Nathan. There's Emma and Molly. There's Isabelle, Angus,

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<v Speaker 12>Jack and Maggie, and then the foster kids. There's Max,

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<v Speaker 12>we own Madaline. How many have I got there?

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<v Speaker 8>Twenty nine?

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<v Speaker 2>Are you the grandmum for all of us?

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<v Speaker 12>Very much?

0:11:12.400 --> 0:11:15.280
<v Speaker 2>That's twenty nine grandkids in total?

0:11:15.840 --> 0:11:17.200
<v Speaker 12>Well we have seven children.

0:11:17.920 --> 0:11:20.600
<v Speaker 2>What you're the old woman that lived in the shoe

0:11:20.600 --> 0:11:22.120
<v Speaker 2>that I've heard about for seventy years.

0:11:22.280 --> 0:11:23.400
<v Speaker 12>I know, I know.

0:11:23.679 --> 0:11:25.280
<v Speaker 8>Do you mind us asking how old you are?

0:11:25.960 --> 0:11:27.160
<v Speaker 12>I'm seventy six.

0:11:27.440 --> 0:11:29.080
<v Speaker 2>Seventy six? Do you know what I am? A hope,

0:11:29.080 --> 0:11:30.719
<v Speaker 2>I'm as with it and on it this time of

0:11:30.720 --> 0:11:33.040
<v Speaker 2>the morning as you are at seventy six cent. That

0:11:33.160 --> 0:11:35.719
<v Speaker 2>was you did them all. I mean, that is incredible.

0:11:36.360 --> 0:11:39.959
<v Speaker 12>We do all the birthdays and were always give them

0:11:40.000 --> 0:11:42.520
<v Speaker 12>something a little for Christmas, but we give our children

0:11:42.800 --> 0:11:47.480
<v Speaker 12>Christmas presents because the grandkids get enter and all this,

0:11:48.200 --> 0:11:50.520
<v Speaker 12>and three of our daughters in order have mums in

0:11:50.559 --> 0:11:53.439
<v Speaker 12>their lives and we make sure they get our kids

0:11:53.440 --> 0:11:54.840
<v Speaker 12>and they get nice presents.

0:11:55.440 --> 0:11:58.360
<v Speaker 3>If you're doing your kids' birthdays and grandkids' birthdays, you're

0:11:58.360 --> 0:12:00.840
<v Speaker 3>doing two birthdays a week almost fermently.

0:12:00.920 --> 0:12:04.560
<v Speaker 12>Working Santa with the Elks, well we gave monthly birthday parties.

0:12:04.559 --> 0:12:06.199
<v Speaker 12>We've just had three twenty first.

0:12:06.000 --> 0:12:13.199
<v Speaker 2>And also, you are a treat you are a treat superstar.

0:12:13.360 --> 0:12:14.880
<v Speaker 2>How far do you think you're going to kick the ball?

0:12:14.880 --> 0:12:16.600
<v Speaker 2>And because you've been kicking the ball and training the

0:12:16.600 --> 0:12:17.920
<v Speaker 2>next generation of kickers for.

0:12:17.920 --> 0:12:20.520
<v Speaker 12>Years, well I pretty much have. And we go to

0:12:21.800 --> 0:12:25.160
<v Speaker 12>off often two forty games a week with grandkids playing

0:12:25.200 --> 0:12:25.880
<v Speaker 12>and kids playing.

0:12:26.080 --> 0:12:28.000
<v Speaker 2>How do you barrack for Celia? Who do you barrack for?

0:12:28.160 --> 0:12:29.280
<v Speaker 12>Long the Cat?

0:12:29.440 --> 0:12:29.720
<v Speaker 1>Oh?

0:12:30.200 --> 0:12:32.760
<v Speaker 2>My my new team, the D's. We're playing you this Friday.

0:12:32.760 --> 0:12:34.360
<v Speaker 2>I'm going to be the worst my game.

0:12:34.960 --> 0:12:36.240
<v Speaker 12>I should be, shouldn't it?

0:12:36.280 --> 0:12:36.600
<v Speaker 2>I hope?

0:12:36.640 --> 0:12:36.720
<v Speaker 15>So?

0:12:36.880 --> 0:12:38.120
<v Speaker 2>Yeah, I already so.

0:12:38.880 --> 0:12:41.880
<v Speaker 12>I think we should get over the line, but I

0:12:41.920 --> 0:12:42.520
<v Speaker 12>am going to have.

0:12:42.480 --> 0:12:44.480
<v Speaker 2>To agree to disagree. I think the D's are going

0:12:44.520 --> 0:12:46.439
<v Speaker 2>to get over the line. But let's not falled out

0:12:46.480 --> 0:12:49.000
<v Speaker 2>right now. So how far? Two last questions, an Cidy?

0:12:49.040 --> 0:12:50.520
<v Speaker 2>How far do you think you're going to kick it?

0:12:51.440 --> 0:12:51.560
<v Speaker 16>Oh?

0:12:51.559 --> 0:12:54.679
<v Speaker 12>I reckon, I can do the fifty. I'll get down

0:12:54.679 --> 0:12:55.679
<v Speaker 12>there and do a bit of practice.

0:12:55.720 --> 0:12:57.760
<v Speaker 2>I hope you do it. I really hope you do.

0:12:58.000 --> 0:13:01.920
<v Speaker 12>I think they'd be amazing for me to practice. Came

0:13:01.960 --> 0:13:04.400
<v Speaker 12>in last with two forties. I think it's hilarious.

0:13:04.480 --> 0:13:07.760
<v Speaker 2>You gotta and we need a nickname from you then, seedy,

0:13:07.800 --> 0:13:09.760
<v Speaker 2>So what is your kicking nickname going to be?

0:13:09.800 --> 0:13:13.480
<v Speaker 12>I too, nick? Not that basically tiny back in school,

0:13:13.480 --> 0:13:16.040
<v Speaker 12>but I was surely when I played after that, surely

0:13:16.120 --> 0:13:18.040
<v Speaker 12>get it to me, shorty, shorty.

0:13:18.200 --> 0:13:20.560
<v Speaker 2>Okay, listen, Celie has been a treat to speak to

0:13:20.600 --> 0:13:23.040
<v Speaker 2>this morning. We look forward to seeing how fire kicking.

0:13:23.080 --> 0:13:26.000
<v Speaker 2>I hope you do the fifty. I have a good day,

0:13:26.000 --> 0:13:28.120
<v Speaker 2>Good luck with your training. Thanks for speaking to us.

0:13:28.200 --> 0:13:30.040
<v Speaker 12>All the grand Okay.

0:13:29.679 --> 0:13:31.600
<v Speaker 2>All right then, and I hope the Cats lose Friday

0:13:31.600 --> 0:13:32.959
<v Speaker 2>as well. Okay, bye bye Seed the.

0:13:32.960 --> 0:13:36.160
<v Speaker 1>Christian who Conwell, Breakfast show Melbourne's Gold one oh four

0:13:36.200 --> 0:13:36.720
<v Speaker 1>point three.

0:13:36.920 --> 0:13:37.360
<v Speaker 2>Time for this.

0:13:37.800 --> 0:13:40.679
<v Speaker 7>It's six thirty am and time to play the early

0:13:40.760 --> 0:13:41.400
<v Speaker 7>morning game.

0:13:41.559 --> 0:13:45.120
<v Speaker 2>It sounds like a song to me, Christian, it does,

0:13:47.360 --> 0:13:50.760
<v Speaker 2>all right, here's the clip first play yesterday, No right answers.

0:13:50.880 --> 0:13:53.560
<v Speaker 2>I think this is gettable, but it didn't go yesterday.

0:13:53.640 --> 0:13:56.360
<v Speaker 2>Maybe it's going to go this morning. I think it will.

0:13:56.880 --> 0:13:59.160
<v Speaker 2>You listen to the clues, you say what you hear?

0:13:59.559 --> 0:14:04.360
<v Speaker 2>You're trying? Yes, the song title from the clues that

0:14:05.360 --> 0:14:08.320
<v Speaker 2>is surely going to go today. We have any idea.

0:14:09.679 --> 0:14:14.439
<v Speaker 9>I thought it was something about eating perhaps.

0:14:14.040 --> 0:14:19.720
<v Speaker 2>But she's clever. That's why she's a trained journalist. Holmes

0:14:19.840 --> 0:14:20.440
<v Speaker 2>is on the case.

0:14:20.480 --> 0:14:23.440
<v Speaker 9>Everyone, we're all saved or doomed.

0:14:27.560 --> 0:14:28.360
<v Speaker 4>She's here and eating.

0:14:28.440 --> 0:14:30.840
<v Speaker 2>I didn't hear that, you know, it's like a dog whistle.

0:14:30.960 --> 0:14:33.800
<v Speaker 2>We hear nothing but Pats is hearing somewhere in this

0:14:35.560 --> 0:14:39.200
<v Speaker 2>an eating or a chomping? Would you say?

0:14:40.280 --> 0:14:40.320
<v Speaker 17>So?

0:14:40.520 --> 0:14:42.680
<v Speaker 2>I get her on that jfkk. She'll have it wrapped

0:14:42.760 --> 0:14:43.960
<v Speaker 2>up by the end of the week. Who was it

0:14:44.000 --> 0:14:50.080
<v Speaker 2>on the I'd be thinking someone got shot here? We

0:14:50.200 --> 0:14:51.880
<v Speaker 2>need to get Pat's a classic crime file.

0:14:52.400 --> 0:14:54.040
<v Speaker 9>I need a brandy, I think.

0:14:54.400 --> 0:14:57.000
<v Speaker 3>Yeah, true crime podcasts are huge of the moment, Pats,

0:14:57.040 --> 0:14:57.760
<v Speaker 3>you can do a few.

0:14:57.600 --> 0:14:59.880
<v Speaker 9>Of your Yeah, it's very funny boys.

0:15:00.640 --> 0:15:02.640
<v Speaker 2>Red Car's gone up. That's it, Get on with it,

0:15:02.760 --> 0:15:05.480
<v Speaker 2>all right, give us a cool lines up and now

0:15:05.560 --> 0:15:07.280
<v Speaker 2>what is the song? Titch? You can hear maybe you

0:15:07.280 --> 0:15:09.080
<v Speaker 2>can hear eating. I don't know. It's probably just parents.

0:15:09.080 --> 0:15:12.680
<v Speaker 2>He is picking it up. Nine four one four three.

0:15:12.800 --> 0:15:16.520
<v Speaker 2>Here are the clues. But what Melbourne is the song?

0:15:16.600 --> 0:15:18.280
<v Speaker 2>Nine four one four one o four.

0:15:18.120 --> 0:15:21.520
<v Speaker 1>Three The Christian O'Connell breakfast show, Melbourne's Gold one oh

0:15:21.640 --> 0:15:22.360
<v Speaker 1>four point three?

0:15:22.560 --> 0:15:23.920
<v Speaker 2>Will you take this down this morning?

0:15:24.200 --> 0:15:27.080
<v Speaker 7>It's six thirty am and time to play the early

0:15:27.160 --> 0:15:27.800
<v Speaker 7>morning game.

0:15:28.000 --> 0:15:32.240
<v Speaker 2>It sounds like a song to me, Christian. All right,

0:15:32.280 --> 0:15:34.480
<v Speaker 2>you say what you hear? I play you a little clip,

0:15:34.680 --> 0:15:37.200
<v Speaker 2>couple of sound effects. You're trying to work out what

0:15:37.240 --> 0:15:40.160
<v Speaker 2>the song title is from the sound effects that are

0:15:40.200 --> 0:15:45.760
<v Speaker 2>in here. Yep, that's who you game. What do you

0:15:45.800 --> 0:15:49.120
<v Speaker 2>think it is? No right answers yesterday, Bonnie, good morning,

0:15:49.840 --> 0:15:52.440
<v Speaker 2>Good morning, Good morning, Bonnie. I hope you're well this morning.

0:15:52.480 --> 0:15:53.520
<v Speaker 2>What do you think the song is?

0:15:54.960 --> 0:15:56.600
<v Speaker 12>Love fights by death leapards?

0:15:56.920 --> 0:15:57.600
<v Speaker 4>Oh?

0:15:57.760 --> 0:16:05.800
<v Speaker 18>Great, guess because Detective Petrina is on the case, Bonnie

0:16:05.880 --> 0:16:08.640
<v Speaker 18>to mate, it is not the right answer, but thanks

0:16:08.640 --> 0:16:09.640
<v Speaker 18>for carding the show and trying to.

0:16:09.640 --> 0:16:09.880
<v Speaker 19>Have a go.

0:16:10.680 --> 0:16:13.720
<v Speaker 2>Oh all right, he's devastated. They were going to get

0:16:13.720 --> 0:16:15.720
<v Speaker 2>over it. Never be the same person. Russell, good morning,

0:16:16.280 --> 0:16:20.000
<v Speaker 2>Good morning, Christy and Rusty. What do you think the

0:16:20.040 --> 0:16:20.400
<v Speaker 2>song is?

0:16:21.280 --> 0:16:24.520
<v Speaker 13>I think it's Slump by the President of the United States.

0:16:24.520 --> 0:16:27.200
<v Speaker 2>Such a great song and ages we should stick that

0:16:27.240 --> 0:16:30.600
<v Speaker 2>on all request. If someone asks, right, why do you

0:16:30.600 --> 0:16:31.200
<v Speaker 2>think lump?

0:16:33.520 --> 0:16:36.400
<v Speaker 13>Well, the chorus where it goes, she's long, She's lomp.

0:16:38.480 --> 0:16:39.400
<v Speaker 2>No, no, no not.

0:16:39.440 --> 0:16:41.720
<v Speaker 3>Why did the presidents of the United States name the

0:16:41.760 --> 0:16:42.320
<v Speaker 3>song lump?

0:16:42.760 --> 0:16:44.800
<v Speaker 8>Why do you think the clue is lump?

0:16:46.200 --> 0:16:51.280
<v Speaker 13>Sorry, just reminded me of the chorus of that song.

0:16:52.200 --> 0:16:52.560
<v Speaker 13>I like.

0:16:54.560 --> 0:16:58.400
<v Speaker 2>Chump, chump, lump, lump. All right, Russell, thank you very much, mate,

0:16:58.440 --> 0:17:02.040
<v Speaker 2>have a good day and guess no, hoppy machinery.

0:17:02.400 --> 0:17:02.920
<v Speaker 8>I don't mind.

0:17:03.080 --> 0:17:06.879
<v Speaker 2>It's a great song, David, Yes, David, what do you

0:17:06.880 --> 0:17:07.720
<v Speaker 2>think the song is? Mate?

0:17:08.680 --> 0:17:10.640
<v Speaker 13>Isn't it ironic? Anasa?

0:17:13.880 --> 0:17:16.000
<v Speaker 2>No, it is not that evil song. No, it's not

0:17:16.040 --> 0:17:19.720
<v Speaker 2>that David. Thanks according in mate, Tristan, good morning. Hey?

0:17:19.840 --> 0:17:21.120
<v Speaker 13>Is it is that fat bottom girl?

0:17:25.880 --> 0:17:29.120
<v Speaker 2>Naughty? Naughty? I've seen what you've done there, I've seen

0:17:29.200 --> 0:17:33.400
<v Speaker 2>what you've done this It is not that, okay, thanks

0:17:33.440 --> 0:17:37.760
<v Speaker 2>according in Cuts Hello, good morning cut. What do you

0:17:37.760 --> 0:17:38.399
<v Speaker 2>think the song is?

0:17:39.119 --> 0:17:39.439
<v Speaker 13>Monster?

0:17:39.520 --> 0:17:48.720
<v Speaker 2>Monster month? Yeah, it's the Monster Mash. Isn't it the Monster? Yeah?

0:17:49.520 --> 0:17:50.840
<v Speaker 13>Oh yeah, yep?

0:17:50.920 --> 0:17:53.440
<v Speaker 4>Does it matter? Very early everywhere else?

0:17:53.800 --> 0:17:57.359
<v Speaker 2>Did everyone have a big night last night? There's the weather,

0:17:57.440 --> 0:17:59.440
<v Speaker 2>isn't it? You know we're out there drinking and it's

0:17:59.480 --> 0:18:01.200
<v Speaker 2>a nice yesterday? I get it?

0:18:01.320 --> 0:18:05.280
<v Speaker 3>Ash, good morning, hey mate, I reckon it's some depeche

0:18:05.280 --> 0:18:06.480
<v Speaker 3>Mode just can't get enough?

0:18:08.800 --> 0:18:09.520
<v Speaker 15>You know that one?

0:18:09.800 --> 0:18:13.240
<v Speaker 2>Yeah, it's a classic depeche Mode song, classic British rock song.

0:18:13.880 --> 0:18:16.919
<v Speaker 2>So from this, why do you reckon it's that?

0:18:17.720 --> 0:18:20.439
<v Speaker 3>Because it's the episode of The Simpsons where Home is

0:18:20.440 --> 0:18:23.119
<v Speaker 3>getting fource fed the donuts and he wants more, so

0:18:23.280 --> 0:18:24.160
<v Speaker 3>like you can't get enough.

0:18:24.400 --> 0:18:24.639
<v Speaker 15>You know.

0:18:25.080 --> 0:18:27.919
<v Speaker 3>The line is if you love donuts, why not have

0:18:28.040 --> 0:18:29.399
<v Speaker 3>all the donuts in the world.

0:18:29.520 --> 0:18:33.119
<v Speaker 2>I like it, Ash and Ashes the rightside, just taking

0:18:33.200 --> 0:18:36.440
<v Speaker 2>it down. Day two, write it in the last called

0:18:36.520 --> 0:18:39.200
<v Speaker 2>Ash sneaks through gets it over the line, Ash, well done,

0:18:39.240 --> 0:18:44.680
<v Speaker 2>well done, Thanks guys. You win the prize, whiches, No,

0:18:44.800 --> 0:18:46.639
<v Speaker 2>you don't win the ten k and they'll repeat money

0:18:46.840 --> 0:18:51.600
<v Speaker 2>can't send it to Asia Yo, Jim's cleaning. Jim's coming round.

0:18:51.600 --> 0:18:53.480
<v Speaker 2>He's going to give you some cleaning when you know

0:18:53.600 --> 0:18:55.760
<v Speaker 2>you're not cleaning you your place for one hundred dollars.

0:18:55.760 --> 0:18:58.040
<v Speaker 13>Okay, yeah, fantastic, Thanks guys.

0:18:58.080 --> 0:18:59.879
<v Speaker 2>Hey, well done. That's really good. Yeah, just can't get

0:18:59.880 --> 0:19:01.439
<v Speaker 2>an he's eating a lot of food. There. That was

0:19:01.440 --> 0:19:03.840
<v Speaker 2>the clip. There, we need a brand new clip. Well done, Ash,

0:19:03.960 --> 0:19:04.879
<v Speaker 2>have a good day, guys.

0:19:05.280 --> 0:19:06.280
<v Speaker 15>You two all right?

0:19:06.320 --> 0:19:08.040
<v Speaker 2>What we're going to do? Then we got the news

0:19:08.080 --> 0:19:10.280
<v Speaker 2>and sport coming up next. And then the first song

0:19:10.320 --> 0:19:12.119
<v Speaker 2>you're gonna hear out of seven o'clock is going to

0:19:12.200 --> 0:19:14.960
<v Speaker 2>be your song sing it for Melbourne? Is this song.

0:19:15.040 --> 0:19:23.720
<v Speaker 2>It's available for download now. You can download this two

0:19:23.800 --> 0:19:27.199
<v Speaker 2>dollars nineteen. All the proceeds all profits go to the

0:19:27.280 --> 0:19:31.359
<v Speaker 2>Starlight Foundation, a great charity for sick kids in Melbourne.

0:19:31.560 --> 0:19:32.960
<v Speaker 2>We're going to play it right out of the seven

0:19:33.000 --> 0:19:34.640
<v Speaker 2>o'clock news. What I'd like you to do.

0:19:34.880 --> 0:19:37.920
<v Speaker 5>The seconds to go, one last travel, the guy fall

0:19:37.960 --> 0:19:40.640
<v Speaker 5>in dispute, Melbourne burst out of the middle, they break

0:19:40.640 --> 0:19:42.640
<v Speaker 5>the dinner tap and now another Melbourne.

0:19:42.640 --> 0:19:44.920
<v Speaker 8>We're under fifty somehow gets the kickaway.

0:19:45.080 --> 0:19:48.760
<v Speaker 2>The city Holder's read it still gives me goosebumps.

0:19:50.359 --> 0:19:50.600
<v Speaker 19>All right.

0:19:50.600 --> 0:19:52.440
<v Speaker 2>I wanted to do is turn your radio up. If

0:19:52.440 --> 0:19:54.920
<v Speaker 2>you're in your cars, wind the windows down and when

0:19:54.920 --> 0:19:57.000
<v Speaker 2>we play the song, turn it up so we can

0:19:57.080 --> 0:20:00.680
<v Speaker 2>turn your car radio into a giant pac them all

0:20:00.720 --> 0:20:04.080
<v Speaker 2>over this city. And then we give you details of

0:20:04.119 --> 0:20:05.679
<v Speaker 2>how we made the song and why. But we're going

0:20:05.760 --> 0:20:07.800
<v Speaker 2>to play it in full just after seven o'clock. It

0:20:07.840 --> 0:20:10.359
<v Speaker 2>is available to download now on iTunes.

0:20:09.960 --> 0:20:13.359
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:20:13.359 --> 0:20:14.000
<v Speaker 1>point three.

0:20:14.080 --> 0:20:15.840
<v Speaker 2>All right, the song we played to you yesterday for

0:20:15.880 --> 0:20:18.160
<v Speaker 2>the first time with the Law Mayor Sally cap here

0:20:18.200 --> 0:20:20.640
<v Speaker 2>in the studio with us, Your song for Melbourne, Sing

0:20:20.640 --> 0:20:23.400
<v Speaker 2>It for Melbourne is out now. It is in the charts.

0:20:23.800 --> 0:20:25.960
<v Speaker 2>Jack at the time, are right now where are we

0:20:26.000 --> 0:20:27.560
<v Speaker 2>in the iTunes charts.

0:20:27.600 --> 0:20:30.320
<v Speaker 3>We're sitting at number fifty eight, one step ahead of

0:20:30.359 --> 0:20:31.760
<v Speaker 3>Diastraates Money for Nothing.

0:20:32.119 --> 0:20:34.119
<v Speaker 2>So this is a song that we ask you'll how

0:20:34.200 --> 0:20:36.320
<v Speaker 2>been writing. We want to work give Melbourne, this great

0:20:36.359 --> 0:20:38.560
<v Speaker 2>city a song is no longer the number one most

0:20:38.560 --> 0:20:40.879
<v Speaker 2>liberal city in the world. Whatever, it will be back

0:20:40.920 --> 0:20:43.160
<v Speaker 2>at number one because it deserves to be. And so

0:20:43.280 --> 0:20:45.840
<v Speaker 2>Jack wrote this anthem. We've got a lot of people

0:20:45.840 --> 0:20:47.560
<v Speaker 2>to thank, including a lot of you that came up

0:20:47.560 --> 0:20:49.600
<v Speaker 2>with ideas for the song and have added to it.

0:20:49.640 --> 0:20:51.840
<v Speaker 2>We've got school choirs, You've got Hamis McLaughlan on it.

0:20:51.960 --> 0:20:54.400
<v Speaker 2>But the big news is it is available to download now.

0:20:54.720 --> 0:20:56.840
<v Speaker 2>Yesterday we played it in full for the first time

0:20:56.920 --> 0:20:59.399
<v Speaker 2>and the impact on it, it is the most powerful

0:20:59.440 --> 0:21:00.680
<v Speaker 2>song you're going to hear here this year. And I

0:21:00.720 --> 0:21:03.680
<v Speaker 2>can't even guarantee your safety. When you listened to it yesterday,

0:21:03.720 --> 0:21:06.800
<v Speaker 2>temperatures rose here in Melbourne, dolphins turned up and John

0:21:06.840 --> 0:21:10.040
<v Speaker 2>Melman was listening to it and the rest of sports history.

0:21:10.080 --> 0:21:12.960
<v Speaker 2>He smashes the Fed Express all because of this song.

0:21:12.960 --> 0:21:15.159
<v Speaker 2>It is two dollars nineteen. You can download it on

0:21:15.200 --> 0:21:17.639
<v Speaker 2>iTunes right now. We don't take a single buck from

0:21:17.680 --> 0:21:20.800
<v Speaker 2>it. It goes through Starlight Foundation, which is a great Melbourne

0:21:20.800 --> 0:21:23.440
<v Speaker 2>shouty for children who are going through a terrible time

0:21:23.440 --> 0:21:25.680
<v Speaker 2>in their families. Gives them a very special treat. So

0:21:25.680 --> 0:21:28.680
<v Speaker 2>it's a great cause. Two boxes nineteen. These people have

0:21:28.680 --> 0:21:29.639
<v Speaker 2>already got the song.

0:21:29.840 --> 0:21:32.760
<v Speaker 6>Good morning, Christian and Jack are well done on the

0:21:32.840 --> 0:21:35.199
<v Speaker 6>song downloaded at first thing this morning.

0:21:35.480 --> 0:21:37.320
<v Speaker 8>Awesome job guys, great song.

0:21:37.720 --> 0:21:40.640
<v Speaker 2>One guys. Jake from berri here just downloaded the song

0:21:41.000 --> 0:21:43.960
<v Speaker 2>of been calling my family making sure they downloaded, wiping

0:21:44.040 --> 0:21:46.200
<v Speaker 2>them up and we'll make sure the guys from working

0:21:46.280 --> 0:21:46.960
<v Speaker 2>on him as well.

0:21:47.080 --> 0:21:50.439
<v Speaker 8>Hi, Christian, it's Caroline from Beaconsfield. I've just downloaded the

0:21:50.480 --> 0:21:51.600
<v Speaker 8>song sing it for Melbourne.

0:21:51.720 --> 0:21:53.720
<v Speaker 20>Heard it yesterday in full for the first time and

0:21:53.840 --> 0:21:54.720
<v Speaker 20>absolutely loved it.

0:21:54.760 --> 0:21:55.399
<v Speaker 10>Made me cry.

0:21:55.760 --> 0:21:56.680
<v Speaker 2>We love Melbourne.

0:21:56.800 --> 0:21:57.520
<v Speaker 8>Have a great day.

0:21:57.640 --> 0:22:01.159
<v Speaker 20>Bye, Yes, good morning, Christian, Big John can Park just

0:22:01.240 --> 0:22:02.200
<v Speaker 20>downloaded the song.

0:22:02.280 --> 0:22:04.480
<v Speaker 8>Can't get enough but crank it up in the van.

0:22:05.760 --> 0:22:06.720
<v Speaker 2>I've got it lasting.

0:22:06.960 --> 0:22:07.919
<v Speaker 4>It's fantastic.

0:22:07.960 --> 0:22:09.160
<v Speaker 8>It's for such a good cause.

0:22:09.640 --> 0:22:14.760
<v Speaker 10>If you don't download it, you're a schmuck. Friend.

0:22:15.680 --> 0:22:21.720
<v Speaker 21>Harris m I'll meet you within the street station, the

0:22:21.920 --> 0:22:28.680
<v Speaker 21>tram cars, the street art. I threw up at Loona Park,

0:22:28.880 --> 0:22:36.159
<v Speaker 21>the State Library, the NTV, drinking coffee and run Swift

0:22:36.320 --> 0:22:41.480
<v Speaker 21>Street at Fitzroy Gardens, walked through the trees to.

0:22:41.640 --> 0:22:48.959
<v Speaker 22>Watch the food at the MCG. As the weather gets better,

0:22:49.640 --> 0:22:53.440
<v Speaker 22>we will barbe you together.

0:22:54.760 --> 0:22:56.880
<v Speaker 17>On and on this way.

0:22:57.359 --> 0:23:04.720
<v Speaker 22>And sing her name, everybody seeing it's an.

0:23:10.720 --> 0:23:12.400
<v Speaker 2>Everybody seeing it's.

0:23:17.640 --> 0:23:18.160
<v Speaker 16>My mother.

0:23:18.400 --> 0:23:29.880
<v Speaker 21>Motion for the languading culture, sporting culture, multi culturalism.

0:23:27.359 --> 0:23:34.639
<v Speaker 22>No Thenmusium, Crampolladium and the very sporting stagums.

0:23:35.160 --> 0:23:36.840
<v Speaker 4>As the weather gets.

0:23:36.600 --> 0:23:41.320
<v Speaker 21>Better, we will talk again together.

0:23:42.720 --> 0:23:46.040
<v Speaker 4>Calling on sway. I'm seeing it.

0:23:50.760 --> 0:23:55.600
<v Speaker 20>Everybody see it's alb.

0:23:58.720 --> 0:23:59.960
<v Speaker 22>Everybody see.

0:24:06.400 --> 0:24:08.720
<v Speaker 20>Melviney song.

0:24:11.400 --> 0:24:18.119
<v Speaker 17>Come yes if we want to.

0:24:18.720 --> 0:24:23.520
<v Speaker 5>Darlen answer Melbourne of led all day but now Vienna

0:24:23.600 --> 0:24:26.040
<v Speaker 5>League with just seconds to go, one last roll of

0:24:26.080 --> 0:24:27.600
<v Speaker 5>the guy call in dispute.

0:24:27.680 --> 0:24:29.119
<v Speaker 8>Melbourne bursts out of the middle.

0:24:29.200 --> 0:24:30.359
<v Speaker 19>They break the Vienna tackle.

0:24:30.480 --> 0:24:33.920
<v Speaker 5>Now another Melbourne, we're under fifty. Somehow gets the kickaway.

0:24:34.119 --> 0:24:36.600
<v Speaker 5>The city holds its bread.

0:24:36.760 --> 0:24:40.720
<v Speaker 2>Melbourne, have you got this turned up loud? This is

0:24:40.760 --> 0:24:43.119
<v Speaker 2>sing at the Melbourne. You'r and from Melbourne call me

0:24:43.160 --> 0:24:45.760
<v Speaker 2>now nine four one four one oh four three?

0:24:45.880 --> 0:25:06.200
<v Speaker 20>Where are you listening to it?

0:24:59.359 --> 0:25:34.760
<v Speaker 2>In there? It is your song. Sing it from Melbourne.

0:25:34.800 --> 0:25:36.959
<v Speaker 2>It's God one I four point three. It's to Christian O'Connor,

0:25:37.000 --> 0:25:41.320
<v Speaker 2>Breackford show. Jack Bos the composer and the writer of

0:25:41.320 --> 0:25:43.520
<v Speaker 2>the song. That's got some exciting uses and forms of

0:25:43.560 --> 0:25:46.360
<v Speaker 2>the iTunes chart. This has been out now an hour

0:25:46.400 --> 0:25:49.199
<v Speaker 2>and ten minutes. We were at fifty eight in the

0:25:49.240 --> 0:25:50.520
<v Speaker 2>iTunes Rock chart.

0:25:50.920 --> 0:25:55.679
<v Speaker 3>We have moved to number three on the iTunes Rock Chane.

0:25:55.440 --> 0:25:59.119
<v Speaker 2>Number three your song. You've made this number three and

0:25:59.200 --> 0:26:01.520
<v Speaker 2>it is only ten minutes past seven.

0:26:01.960 --> 0:26:04.240
<v Speaker 3>So thank you to everybody who's living now and telling

0:26:04.320 --> 0:26:06.480
<v Speaker 3>family and friends to download it. It is going to

0:26:06.600 --> 0:26:09.240
<v Speaker 3>a good cause. And also it's a very good song.

0:26:09.359 --> 0:26:11.359
<v Speaker 2>It's a brilliant, brilliant song. And we have a lot

0:26:11.400 --> 0:26:13.199
<v Speaker 2>of people to thank as well, the people that came

0:26:13.280 --> 0:26:15.360
<v Speaker 2>up with ideas when we first just thought the most

0:26:15.400 --> 0:26:17.200
<v Speaker 2>might be a bit of fun. Jack writing a song

0:26:17.280 --> 0:26:20.360
<v Speaker 2>for Melbourne, a brand new anthem and to rival Vienna's one,

0:26:20.920 --> 0:26:23.000
<v Speaker 2>and this is far better. I've got an email now

0:26:23.000 --> 0:26:25.280
<v Speaker 2>for midgyor right, and I've interviewed a couple times. He's

0:26:25.320 --> 0:26:26.760
<v Speaker 2>a lovely guys who a really funny block and obvious

0:26:26.800 --> 0:26:29.040
<v Speaker 2>he's the right off with ultrabox on Vienna. I'm gonna

0:26:29.080 --> 0:26:31.359
<v Speaker 2>send it to him and ask for his as much

0:26:31.359 --> 0:26:33.639
<v Speaker 2>as he can independent on viewpoint on which is actually

0:26:33.640 --> 0:26:37.840
<v Speaker 2>the better anthem ultraboxes Vienna or ah sing it for Melbourne?

0:26:37.960 --> 0:26:40.200
<v Speaker 2>Your song? So it is available to download now, it's

0:26:40.240 --> 0:26:42.479
<v Speaker 2>on the iTunes chart. If you've got one of the

0:26:42.480 --> 0:26:45.400
<v Speaker 2>new models of the iPhone, what do they need to do? Mate?

0:26:45.520 --> 0:26:48.320
<v Speaker 3>Yeah, the new models of the iPhone don't have iTunes

0:26:48.359 --> 0:26:50.840
<v Speaker 3>Store anymore, so you've got to go to the App

0:26:50.880 --> 0:26:53.920
<v Speaker 3>Store and download iTunes Store then type in Yeah.

0:26:53.920 --> 0:26:55.680
<v Speaker 2>I didn't realize this because they keep trying to push

0:26:55.720 --> 0:27:00.320
<v Speaker 2>you like a dealer. I don't want Apple Music start

0:27:00.359 --> 0:27:02.520
<v Speaker 2>trying to push me in there. So you download the

0:27:02.560 --> 0:27:04.520
<v Speaker 2>app then you can find it there. Two dollars nineteen.

0:27:05.080 --> 0:27:07.239
<v Speaker 2>All proceeds, we don't take a single penny from it

0:27:07.240 --> 0:27:11.159
<v Speaker 2>goes to the Starlight Foundation and that is a brilliant charity.

0:27:11.320 --> 0:27:13.640
<v Speaker 2>After this, I'll tell you why we've picked them as well.

0:27:13.800 --> 0:27:15.680
<v Speaker 2>Let's take some calls right now. God one oh four

0:27:15.720 --> 0:27:20.960
<v Speaker 2>point three TSH, good morning, Hi here you going Tish?

0:27:21.000 --> 0:27:22.560
<v Speaker 2>Can I just first of all said I almost called

0:27:22.600 --> 0:27:25.480
<v Speaker 2>you thrush there because MgO our producer had mistyped it

0:27:25.560 --> 0:27:27.800
<v Speaker 2>to begin with, and then corrected it. I was about

0:27:27.840 --> 0:27:29.920
<v Speaker 2>to say thrush on line one.

0:27:30.280 --> 0:27:31.679
<v Speaker 3>Thank god, I get.

0:27:31.640 --> 0:27:38.159
<v Speaker 23>Trash, Chris. You know it's just retarded.

0:27:39.960 --> 0:27:40.520
<v Speaker 2>It's not that.

0:27:40.880 --> 0:27:46.639
<v Speaker 23>But I'm driving Dan. Thank Hilda by Betroth. The singing

0:27:46.960 --> 0:27:50.760
<v Speaker 23>so blue, the pounds are blowing and I've got that

0:27:51.040 --> 0:27:53.920
<v Speaker 23>song blary and the quietest singing.

0:27:54.320 --> 0:27:56.120
<v Speaker 15>It's awesome, brilliant.

0:27:56.200 --> 0:27:59.720
<v Speaker 2>Thank you so much, trash lovely to get you called Elizabeth,

0:27:59.760 --> 0:28:01.000
<v Speaker 2>Thank you, thank you, I have giving us a call.

0:28:01.119 --> 0:28:02.280
<v Speaker 2>Le's worth. You enjoyed the song.

0:28:02.840 --> 0:28:05.440
<v Speaker 14>Oh look, I'm really really enjoying it. Thank you so much,

0:28:05.480 --> 0:28:08.080
<v Speaker 14>guys for coming up with it. Number one, number two,

0:28:08.240 --> 0:28:12.080
<v Speaker 14>it is so appropriate for Melbourne. And number three you're

0:28:12.119 --> 0:28:17.440
<v Speaker 14>not singing in American accent, fantic.

0:28:17.600 --> 0:28:18.199
<v Speaker 21>Oh thank you.

0:28:19.040 --> 0:28:21.400
<v Speaker 14>I just saw that angle and I'm singing at work

0:28:21.440 --> 0:28:23.560
<v Speaker 14>and everyone's asked me, what's that song? I said, listen

0:28:23.600 --> 0:28:27.320
<v Speaker 14>tomorrow morning, a wonderful, wonderful day. Guys, I've got to

0:28:27.359 --> 0:28:28.439
<v Speaker 14>go so by.

0:28:28.640 --> 0:28:30.360
<v Speaker 2>No, she's busy. I mean we're supposed to be busy,

0:28:30.400 --> 0:28:34.000
<v Speaker 2>but she's busier. Jack, good morning, Oh a, I'm pretty

0:28:34.000 --> 0:28:36.520
<v Speaker 2>good Jack, And you enjoyed the song singer for Melbourne.

0:28:36.840 --> 0:28:39.520
<v Speaker 11>Absolutely loving it. I only just heard it this morning.

0:28:39.520 --> 0:28:41.280
<v Speaker 11>I didn't get a chance to listen to it yesterday,

0:28:41.280 --> 0:28:43.880
<v Speaker 11>but I'm absolutely loving it. It's got me super hyped.

0:28:43.880 --> 0:28:45.760
<v Speaker 11>I've got a big day coming up, but that is

0:28:45.840 --> 0:28:46.880
<v Speaker 11>exactly what I needed.

0:28:46.960 --> 0:28:48.880
<v Speaker 2>Oh mate, that is great news. You're going to download

0:28:48.920 --> 0:28:50.360
<v Speaker 2>it as well for a great cause as well.

0:28:50.840 --> 0:28:52.280
<v Speaker 11>Yeah, of course, all right.

0:28:52.120 --> 0:28:53.880
<v Speaker 2>Tom man Jack, have a great day. Thanks for giving

0:28:53.960 --> 0:28:54.320
<v Speaker 2>us a call.

0:28:54.480 --> 0:28:57.840
<v Speaker 1>The Christian oho'connell Breakfast Show. Melbourne's Gold one oh four

0:28:57.880 --> 0:28:58.640
<v Speaker 1>point three.

0:28:58.600 --> 0:29:00.680
<v Speaker 2>Give beautyse You've made it number one in the rock

0:29:00.760 --> 0:29:03.440
<v Speaker 2>chart on iTunes. Within an hour and fifteen minutes of

0:29:03.480 --> 0:29:06.160
<v Speaker 2>the show stumbling on air, your song sing It for

0:29:06.280 --> 0:29:09.480
<v Speaker 2>Melbourne is at number one in the iTunes rock chart.

0:29:09.920 --> 0:29:12.360
<v Speaker 2>That is amazing. Thank you so much. If you are

0:29:12.400 --> 0:29:14.960
<v Speaker 2>buying it, some of you are texting please do that.

0:29:15.080 --> 0:29:16.880
<v Speaker 2>Put your name on it as el so we can

0:29:16.960 --> 0:29:19.480
<v Speaker 2>thank you. Four seven five three one oh four three

0:29:19.760 --> 0:29:23.480
<v Speaker 2>number one in the rock iTunes chart. Your song. That's unbelievable.

0:29:23.520 --> 0:29:25.239
<v Speaker 8>It's awesome. I'm so excited for us.

0:29:25.240 --> 0:29:27.280
<v Speaker 3>I Aldo said, keep jumping up there and now it's

0:29:27.280 --> 0:29:29.240
<v Speaker 3>got nowhere to go because it's a number one, all.

0:29:29.280 --> 0:29:31.480
<v Speaker 2>Right, so keep supporting it, let your friends know, let

0:29:31.480 --> 0:29:35.800
<v Speaker 2>everyone know at work that it is available black to them. Okay, yesterday,

0:29:35.840 --> 0:29:39.320
<v Speaker 2>I need to talk about this. How are dolphins in

0:29:39.360 --> 0:29:41.120
<v Speaker 2>the era? And they just run a corner from where

0:29:41.240 --> 0:29:42.360
<v Speaker 2>we are talking to you right now?

0:29:42.400 --> 0:29:44.880
<v Speaker 8>In Richmond there are stones throw away from.

0:29:44.680 --> 0:29:48.520
<v Speaker 3>Here Bridge Street, the Church Street bridge, which is like,

0:29:48.800 --> 0:29:51.560
<v Speaker 3>you know, not a k from here.

0:29:52.400 --> 0:29:53.800
<v Speaker 8>Dolphins were spotted swimming.

0:29:53.920 --> 0:29:56.920
<v Speaker 2>I've seen the video. It's crazy. Now, how are they here?

0:29:57.000 --> 0:29:59.960
<v Speaker 2>Are they lost? I know they have a very advance

0:30:00.040 --> 0:30:02.280
<v Speaker 2>it's sonar and they can navigate all over the world,

0:30:02.480 --> 0:30:05.320
<v Speaker 2>but apparently sometimes that can get being knocked off Haywy.

0:30:05.480 --> 0:30:10.960
<v Speaker 2>Now with submarines and boats radar technology, they can become confused.

0:30:11.360 --> 0:30:13.920
<v Speaker 3>Well, I'm confused of how they go from salt water

0:30:14.000 --> 0:30:15.960
<v Speaker 3>to fresh water. I know, you're not meant to put

0:30:15.960 --> 0:30:16.800
<v Speaker 3>a saltwater fish.

0:30:16.920 --> 0:30:18.840
<v Speaker 2>It's like when you change your tirees, you know, when

0:30:18.880 --> 0:30:20.760
<v Speaker 2>you go and you put on your snow tires or whatever.

0:30:20.880 --> 0:30:22.560
<v Speaker 2>Is that what they've got like a different caint set

0:30:22.560 --> 0:30:23.480
<v Speaker 2>of fins that they put on for.

0:30:23.720 --> 0:30:26.840
<v Speaker 3>Are they safe in freshwater? Do they have a limited time?

0:30:27.200 --> 0:30:32.920
<v Speaker 2>I mean, I'm no marine expert. But that yarrow looks

0:30:30.880 --> 0:30:35.480
<v Speaker 2>like it's soup. Is I don't want to be rude, Okay,

0:30:35.520 --> 0:30:38.040
<v Speaker 2>I don't want to be rude because the London where

0:30:38.080 --> 0:30:40.920
<v Speaker 2>I've been broadcasting from for years is a mankey, old,

0:30:40.920 --> 0:30:44.160
<v Speaker 2>brown looking Sialty river. Okay, it's muddy as well. It's

0:30:44.160 --> 0:30:45.960
<v Speaker 2>a city, so there's lot of stuff that gets dumped

0:30:45.960 --> 0:30:46.640
<v Speaker 2>in it. You know what.

0:30:46.760 --> 0:30:49.280
<v Speaker 3>I always thought, until just recently, that the yarrow is

0:30:49.400 --> 0:30:51.880
<v Speaker 3>naturally brown like that because it picks up all the

0:30:51.920 --> 0:30:55.440
<v Speaker 3>silk and minerals off the bank. But apparently before English

0:30:55.520 --> 0:30:57.280
<v Speaker 3>settlers came here, it was.

0:30:57.680 --> 0:31:03.840
<v Speaker 2>At the convict turns really quickly, didn't it It was

0:31:04.120 --> 0:31:05.040
<v Speaker 2>it was a clear river.

0:31:05.120 --> 0:31:07.600
<v Speaker 8>And then be bully, yeah, because we Why are.

0:31:07.520 --> 0:31:10.280
<v Speaker 2>The dolphins here now? Race issue? Who are you, Pauline Hansen?

0:31:10.920 --> 0:31:13.800
<v Speaker 2>Send the dolphins back? Send him back, everyone back.

0:31:14.120 --> 0:31:16.680
<v Speaker 3>It's because we build dams or like, tried to redirect

0:31:16.720 --> 0:31:19.080
<v Speaker 3>it that it started picking up all the silk and

0:31:19.080 --> 0:31:19.880
<v Speaker 3>that's why it's brown.

0:31:20.240 --> 0:31:21.360
<v Speaker 2>Why are the dolphins here?

0:31:21.400 --> 0:31:24.000
<v Speaker 9>Why are they to get freshwater? Dolphins? Can't you? I

0:31:24.040 --> 0:31:26.040
<v Speaker 9>think there's a species of fresh water, But.

0:31:26.040 --> 0:31:27.200
<v Speaker 8>Where have they come from?

0:31:27.240 --> 0:31:27.440
<v Speaker 19>There?

0:31:27.720 --> 0:31:30.240
<v Speaker 3>If the bay, I presume, But that's salty.

0:31:31.200 --> 0:31:31.920
<v Speaker 9>Well, that's true.

0:31:31.960 --> 0:31:34.000
<v Speaker 2>Yeah, Jack makes a good point here. We need text calls.

0:31:34.000 --> 0:31:36.760
<v Speaker 2>There must be some people who've got like some qualifications

0:31:36.760 --> 0:31:38.760
<v Speaker 2>in marine or even if biology.

0:31:39.000 --> 0:31:42.680
<v Speaker 9>Yeah, someone from the aquarium might call up, because that's right.

0:31:42.720 --> 0:31:42.960
<v Speaker 16>A lot.

0:31:43.240 --> 0:31:45.040
<v Speaker 2>They're busy feeding the penguins this tom in the morning,

0:31:45.080 --> 0:31:46.800
<v Speaker 2>you know, I think seven twenties when they feed the

0:31:46.800 --> 0:31:49.760
<v Speaker 2>old penguins of sardines nine four one four, one oh

0:31:49.800 --> 0:31:51.520
<v Speaker 2>four three. If you've got any insight as to how

0:31:51.560 --> 0:31:53.120
<v Speaker 2>dolphins are in the Yarra the.

0:31:53.160 --> 0:31:57.120
<v Speaker 1>Christian O'Connell breakfast show Melbourne's Gold one oh four point three.

0:31:57.160 --> 0:32:00.200
<v Speaker 2>So rast this morning? How can there be dolphins in

0:32:00.280 --> 0:32:05.000
<v Speaker 2>the era and right here near us in Richmond. Let's

0:32:05.080 --> 0:32:08.440
<v Speaker 2>go to Jeff. Good morning, Jeff, Oh, good morning.

0:32:08.480 --> 0:32:09.959
<v Speaker 15>How's it going pretty good?

0:32:10.040 --> 0:32:13.080
<v Speaker 2>Jeff? And why are there dolphins in the yarraw maye?

0:32:13.240 --> 0:32:16.520
<v Speaker 15>Okay, I'm with the Dolphin Research Institute and we've got

0:32:16.600 --> 0:32:19.280
<v Speaker 15>records of the dolphins the same time last.

0:32:19.120 --> 0:32:22.880
<v Speaker 2>Year, Jeff, Jeff, Jeff, what is it? What's your official

0:32:22.960 --> 0:32:24.080
<v Speaker 2>job title? What do you do sir?

0:32:24.760 --> 0:32:28.000
<v Speaker 15>Where I'm I'm Director of the Dolphin Research Institute based

0:32:28.040 --> 0:32:30.560
<v Speaker 15>down at on the Mornington Peninsula.

0:32:30.680 --> 0:32:33.320
<v Speaker 2>What are the chances, Jeff, that you're listening to us

0:32:33.560 --> 0:32:36.400
<v Speaker 2>gormously trying to speculate as to why there are these amazing,

0:32:36.440 --> 0:32:39.440
<v Speaker 2>beautiful animals mammals in the Yarra and you happen to

0:32:39.440 --> 0:32:41.400
<v Speaker 2>be listening to the radio at that moment.

0:32:41.880 --> 0:32:43.240
<v Speaker 15>It's mental telepathy.

0:32:46.120 --> 0:32:48.040
<v Speaker 2>So, Jeff, you're the perfect person to cool in. So

0:32:48.600 --> 0:32:49.280
<v Speaker 2>how come they here?

0:32:50.240 --> 0:32:53.320
<v Speaker 15>I look at they're moving for food. In the last week,

0:32:53.320 --> 0:32:57.880
<v Speaker 15>we've had records of dolphins in the Pattison River down

0:32:58.040 --> 0:33:00.480
<v Speaker 15>on the eastern side of the bar. We've got dolphs

0:33:01.000 --> 0:33:03.840
<v Speaker 15>up the Era for the fact the last few weeks

0:33:03.920 --> 0:33:07.640
<v Speaker 15>and also the day before up to the Maravandom, which

0:33:07.680 --> 0:33:09.880
<v Speaker 15>is a bit concerning in the marrable on considering the

0:33:09.920 --> 0:33:13.800
<v Speaker 15>pollution concerns there. Look, so it was good to hear

0:33:13.800 --> 0:33:17.040
<v Speaker 15>they're back in the Yarra yesterday, and I think part

0:33:17.120 --> 0:33:20.400
<v Speaker 15>Rode clearly even mean that some of them support the tigers.

0:33:19.920 --> 0:33:23.600
<v Speaker 2>On tomorrow night.

0:33:25.480 --> 0:33:27.640
<v Speaker 8>But Jeff, what kind of food are they looking for?

0:33:27.640 --> 0:33:28.680
<v Speaker 2>In the Era pies?

0:33:29.600 --> 0:33:33.160
<v Speaker 15>I looked. These are bottlenosed dolphins, so they'll be after

0:33:33.800 --> 0:33:37.920
<v Speaker 15>brim probably and when we haven't had much rhine. This

0:33:38.000 --> 0:33:40.680
<v Speaker 15>is sort of pretty common after the lack of rhyme

0:33:40.800 --> 0:33:44.160
<v Speaker 15>because salt goes further up up the rivers, and so

0:33:44.240 --> 0:33:47.800
<v Speaker 15>that makes sense that we've got them in most of

0:33:47.840 --> 0:33:51.040
<v Speaker 15>the rivers. And it's as I said, I looked at

0:33:51.080 --> 0:33:54.920
<v Speaker 15>the record yesterday and we've got sighting September last year.

0:33:55.720 --> 0:33:59.800
<v Speaker 15>And what's really important is the community can help with

0:33:59.840 --> 0:34:02.160
<v Speaker 15>the understanding. So when things like this happen and we

0:34:02.160 --> 0:34:03.920
<v Speaker 15>can say look back in the record and say, yeah,

0:34:03.920 --> 0:34:07.680
<v Speaker 15>it's actually pretty normal by reporting out the sightings. And

0:34:07.720 --> 0:34:11.400
<v Speaker 15>we've got people who have been reporting sightings back twenty

0:34:11.440 --> 0:34:15.520
<v Speaker 15>seven years in our organization's history, and so they can

0:34:15.520 --> 0:34:18.480
<v Speaker 15>go to our website, which is Dolphin Research dot org

0:34:18.520 --> 0:34:22.359
<v Speaker 15>dot au and report sightings online and they can even

0:34:22.440 --> 0:34:25.120
<v Speaker 15>upload videos. Yesterday we had guys uploading videos.

0:34:25.520 --> 0:34:27.600
<v Speaker 2>Some of the videos they're amazing, aren't they the callers of

0:34:27.640 --> 0:34:30.000
<v Speaker 2>the footage and they just saw are casually playing around there.

0:34:30.400 --> 0:34:32.560
<v Speaker 15>That's remarkable what we can do.

0:34:33.360 --> 0:34:35.480
<v Speaker 2>Seeing as I've got someone who is the director of

0:34:35.600 --> 0:34:39.680
<v Speaker 2>Dolphin Research, can you tell us one amazing fact about

0:34:39.680 --> 0:34:43.200
<v Speaker 2>dolphins before we go? One amazing fact about dolphins this morning?

0:34:43.840 --> 0:34:48.120
<v Speaker 15>Probably the way they use sounds. Dolphins can actually make

0:34:48.200 --> 0:34:51.040
<v Speaker 15>sound pictures like the offrasound. The doctors get, you know,

0:34:51.080 --> 0:34:53.600
<v Speaker 15>little kids before they're born in their mum's tom They

0:34:53.600 --> 0:34:56.680
<v Speaker 15>send out sound through their forward in the water and

0:34:56.719 --> 0:34:59.880
<v Speaker 15>they actually listen with their jaw, so they can actually

0:35:00.120 --> 0:35:03.239
<v Speaker 15>see octopus buried under the sand, and they can see

0:35:04.320 --> 0:35:07.120
<v Speaker 15>what's going on in the distance when it's completely dark.

0:35:07.480 --> 0:35:10.960
<v Speaker 15>And what's more, the sound is so powerful that they

0:35:10.960 --> 0:35:13.160
<v Speaker 15>can stun a fish with it. So I can go

0:35:13.239 --> 0:35:16.279
<v Speaker 15>up and give it this incredibly powerful versus sound and

0:35:16.320 --> 0:35:19.120
<v Speaker 15>stun a fish, which makes it easier to each to eat.

0:35:19.640 --> 0:35:21.680
<v Speaker 2>And he can do that, he can stun a fish

0:35:21.760 --> 0:35:26.680
<v Speaker 2>with sound. There you go that that's the dolphins going.

0:35:26.719 --> 0:35:28.319
<v Speaker 2>Why is that it's too early for that?

0:35:29.080 --> 0:35:31.200
<v Speaker 15>And look, can I put in a little plug. We

0:35:31.239 --> 0:35:33.879
<v Speaker 15>are a not for profit organization and people have been

0:35:33.920 --> 0:35:37.440
<v Speaker 15>adopting a dolphin to support our research and education programs

0:35:37.440 --> 0:35:40.240
<v Speaker 15>for twenty seven years, so people can join our action.

0:35:40.480 --> 0:35:42.279
<v Speaker 2>I'm having at that because I want to see if

0:35:42.320 --> 0:35:43.799
<v Speaker 2>I can have the next days take the kids to

0:35:43.800 --> 0:35:45.480
<v Speaker 2>come and see some of these dolphins, because they were

0:35:45.480 --> 0:35:47.360
<v Speaker 2>stunned by yesterday and they came home from school.

0:35:49.040 --> 0:35:51.799
<v Speaker 15>We're so lucky. Look every lots of other places in

0:35:51.840 --> 0:35:55.280
<v Speaker 15>the world and even Australia are losing their resident dolphins

0:35:55.320 --> 0:35:58.760
<v Speaker 15>close to capital cities. And we've got a very healthy

0:35:58.840 --> 0:36:02.600
<v Speaker 15>group of bottle dolphins. But we're the only place in

0:36:02.600 --> 0:36:05.040
<v Speaker 15>the world where about fifteen years ago we also had

0:36:05.080 --> 0:36:08.439
<v Speaker 15>iceanic common dolphins come into Port Phillip buy a nice

0:36:08.520 --> 0:36:10.840
<v Speaker 15>style and so the rest of the world's looking at

0:36:10.840 --> 0:36:14.480
<v Speaker 15>our wonderful buy and side by. This is remarkable and

0:36:14.520 --> 0:36:16.920
<v Speaker 15>so we're very lucky. And so we've got to look after.

0:36:16.800 --> 0:36:20.040
<v Speaker 2>Jan hasn't got dolphins staying, not as coming. They stay.

0:36:20.400 --> 0:36:23.040
<v Speaker 2>Come for the error, stay for the vibe. All right,

0:36:23.080 --> 0:36:24.840
<v Speaker 2>Lit and Jeff, thank you very much for going to school.

0:36:24.840 --> 0:36:26.040
<v Speaker 2>You're doing great important work.

0:36:26.080 --> 0:36:28.279
<v Speaker 15>Okay, pleasure, thank you so much.

0:36:28.400 --> 0:36:31.480
<v Speaker 1>The Christian who Conwell Breakfast show Melbourn's Gold one oh

0:36:31.560 --> 0:36:32.319
<v Speaker 1>four point three.

0:36:32.480 --> 0:36:35.040
<v Speaker 2>All right, So yesterday we were doing five to a

0:36:35.160 --> 0:36:37.520
<v Speaker 2>Tuesday and one of five topics that you were calling

0:36:37.520 --> 0:36:39.600
<v Speaker 2>in about with your awesome stories was it was about

0:36:39.600 --> 0:36:42.520
<v Speaker 2>weavery spotted a celebrity and a dal or every day

0:36:42.640 --> 0:36:44.439
<v Speaker 2>setting and we got this great call.

0:36:44.800 --> 0:36:47.719
<v Speaker 16>I had Mel Gibson rocked up at my parents' house

0:36:47.920 --> 0:36:49.280
<v Speaker 16>in the mid nineteen nineties.

0:36:49.480 --> 0:36:51.960
<v Speaker 2>What led the actor Mel Gibson to go around to

0:36:52.000 --> 0:36:52.680
<v Speaker 2>your folks place.

0:36:53.320 --> 0:36:56.719
<v Speaker 16>Well, he his car broke down on the country days are.

0:36:56.960 --> 0:36:59.040
<v Speaker 16>It was a time before mobile phones and he needed

0:36:59.040 --> 0:37:01.640
<v Speaker 16>to call the RACV. So walked up the driveway, knocked

0:37:01.640 --> 0:37:03.239
<v Speaker 16>on the door, and came in and had a cup

0:37:03.280 --> 0:37:04.080
<v Speaker 16>of tea while we waited for the.

0:37:04.160 --> 0:37:05.120
<v Speaker 13>RACV to arrive.

0:37:05.280 --> 0:37:06.920
<v Speaker 2>Did you have biscuits by the way with the tea?

0:37:07.520 --> 0:37:11.360
<v Speaker 16>I so?

0:37:11.440 --> 0:37:13.879
<v Speaker 2>I loved doing five juice there. That's such a great call.

0:37:14.120 --> 0:37:15.640
<v Speaker 2>All right, So here's the thing. Then we thought we

0:37:15.719 --> 0:37:18.680
<v Speaker 2>got it. There's a part two to this. Has anyone

0:37:18.719 --> 0:37:21.279
<v Speaker 2>famous come round to your house? I don't know if

0:37:21.280 --> 0:37:23.640
<v Speaker 2>we get any calls on this. There might be zero calls.

0:37:23.680 --> 0:37:25.840
<v Speaker 2>They can't all have mel Gibson aunt your place, your

0:37:25.880 --> 0:37:29.280
<v Speaker 2>mom and dad's house for team biscuits. But has anyone

0:37:29.320 --> 0:37:32.160
<v Speaker 2>famous ever been round to yours? If they have, give

0:37:32.200 --> 0:37:35.200
<v Speaker 2>me a call nine four one four one o four three.

0:37:35.160 --> 0:37:38.560
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four

0:37:38.560 --> 0:37:39.200
<v Speaker 1>point three.

0:37:39.360 --> 0:37:42.480
<v Speaker 2>So we stumbled on air this morning sing it for Melbourne.

0:37:42.600 --> 0:37:46.840
<v Speaker 2>Your song all proceeds going to the Starlight Foundation. Wasn't

0:37:46.920 --> 0:37:50.160
<v Speaker 2>number eighty eight in the rock chart? Well, that's fair enough.

0:37:50.360 --> 0:37:53.040
<v Speaker 2>You know, we'll see what happens this morning. I thought,

0:37:53.080 --> 0:37:54.600
<v Speaker 2>if you broke in the top fifty, it'll be a

0:37:54.719 --> 0:37:58.120
<v Speaker 2>huge achievement. It's just two bucks eighteen, and then it

0:37:58.160 --> 0:38:00.160
<v Speaker 2>went up to fifty eight, and then I went to

0:38:00.239 --> 0:38:02.360
<v Speaker 2>number three, and now it is number one on the

0:38:02.400 --> 0:38:05.560
<v Speaker 2>iTunes Rock chart. Now let's go on to the big chart, okay,

0:38:05.560 --> 0:38:08.040
<v Speaker 2>which is a really really hard one. Obviously, you know

0:38:08.080 --> 0:38:11.719
<v Speaker 2>you've got your EDG shearings. Ariana Grande. Where are we now? Chat?

0:38:11.800 --> 0:38:13.040
<v Speaker 2>This is incredible.

0:38:13.040 --> 0:38:15.480
<v Speaker 3>This is the true top forty so of any songs,

0:38:15.680 --> 0:38:17.640
<v Speaker 3>we're sitting now at number thirty two.

0:38:18.200 --> 0:38:21.719
<v Speaker 2>That's unbelievable. Eminem dropped his new album last week and

0:38:21.719 --> 0:38:23.799
<v Speaker 2>here's one of the songs from it. Where above that?

0:38:24.160 --> 0:38:26.560
<v Speaker 8>Eminem, I don't know what to say.

0:38:26.600 --> 0:38:30.479
<v Speaker 2>We're above edge sharing's perfect and Ariander Grande as well.

0:38:30.520 --> 0:38:33.600
<v Speaker 2>And you're doing this. This is happening. We might, We

0:38:33.680 --> 0:38:36.040
<v Speaker 2>might if you're generous enough to keep downloading it to

0:38:36.080 --> 0:38:38.120
<v Speaker 2>an offense to do it break the top twenty by

0:38:38.160 --> 0:38:40.240
<v Speaker 2>the time we finished today at ten o'clock.

0:38:40.600 --> 0:38:42.560
<v Speaker 3>If you want to buy it, search sing it for

0:38:42.640 --> 0:38:45.680
<v Speaker 3>Melbourne on Itunese on the iTunes store or the iTunes

0:38:45.719 --> 0:38:46.959
<v Speaker 3>desktop at as well?

0:38:47.560 --> 0:38:51.160
<v Speaker 2>And which you better tell me this? Which the Munday

0:38:51.239 --> 0:38:52.640
<v Speaker 2>radio stations I've had done a down do the O

0:38:54.280 --> 0:38:56.360
<v Speaker 2>no move this week at number twenty nine.

0:38:56.480 --> 0:38:58.640
<v Speaker 8>Well the station I came from Fox.

0:38:58.520 --> 0:39:01.920
<v Speaker 3>FM every night place we're still doing that thirty every

0:39:02.040 --> 0:39:04.080
<v Speaker 3>night every night filler.

0:39:03.920 --> 0:39:07.120
<v Speaker 2>Radio people just find it out who cares? These days?

0:39:07.239 --> 0:39:07.680
<v Speaker 8>Every night?

0:39:07.719 --> 0:39:11.960
<v Speaker 2>From seven the number this week's free number four Julie

0:39:12.040 --> 0:39:13.800
<v Speaker 2>Bar have a song that sounded like the one you

0:39:13.840 --> 0:39:14.680
<v Speaker 2>heard an hour ago.

0:39:14.880 --> 0:39:18.120
<v Speaker 3>I think technically if we break the top thirty, they

0:39:18.160 --> 0:39:18.799
<v Speaker 3>have to play it.

0:39:18.920 --> 0:39:22.879
<v Speaker 2>I think, oh that's that's that's something that's a life goal.

0:39:23.000 --> 0:39:23.160
<v Speaker 19>Right.

0:39:23.520 --> 0:39:26.480
<v Speaker 2>They will hate that, trust me, they will do everything

0:39:26.520 --> 0:39:28.840
<v Speaker 2>they can not to play that song. But is there

0:39:28.880 --> 0:39:30.520
<v Speaker 2>a lord? Do they have to play what they're going

0:39:30.560 --> 0:39:35.040
<v Speaker 2>to do instead? At number thirty, let's move on, moving from.

0:39:34.960 --> 0:39:36.680
<v Speaker 3>Number twenty seven to number twenty five.

0:39:36.760 --> 0:39:38.400
<v Speaker 2>Do you know what they're gonna do. They're gonna rush

0:39:38.520 --> 0:39:41.480
<v Speaker 2>Eddie McGuire into a into a studio Anther or Feefee

0:39:41.480 --> 0:39:43.120
<v Speaker 2>to do some kind of song for Melbourne to try

0:39:43.160 --> 0:39:44.839
<v Speaker 2>and get up the chance ahead of us. All right,

0:39:45.000 --> 0:39:47.600
<v Speaker 2>so this morning asking have you ever had someone famous

0:39:47.880 --> 0:39:50.719
<v Speaker 2>round at your house. Ready's on the line.

0:39:50.719 --> 0:39:53.520
<v Speaker 17>Good morning, Good morning, Christian, good morning everyone.

0:39:53.680 --> 0:39:55.759
<v Speaker 2>Wow, and everyone says good morning. But ready, who you

0:39:55.800 --> 0:39:57.080
<v Speaker 2>had round at yours?

0:39:57.640 --> 0:40:01.400
<v Speaker 17>Well, it was actually about ten years old, a girlfriend's house,

0:40:01.440 --> 0:40:04.040
<v Speaker 17>having a playdate, and Kylie Minot rocked around.

0:40:04.920 --> 0:40:07.759
<v Speaker 2>Yeah what do you mean she rocked her out her playdate.

0:40:08.920 --> 0:40:12.440
<v Speaker 17>Yeah, well, no, not not to see us, but but

0:40:12.800 --> 0:40:15.400
<v Speaker 17>she she came on into the house. And my girlfriend's

0:40:15.440 --> 0:40:18.080
<v Speaker 17>father was a producer and at the time Kylie was

0:40:18.120 --> 0:40:20.880
<v Speaker 17>really famous. It was about eighty five and.

0:40:21.520 --> 0:40:24.920
<v Speaker 2>Peak, that's Pete Kylie. I mean also in England. She's

0:40:25.239 --> 0:40:28.000
<v Speaker 2>huge over there. She shifts loads of tickets in the UK.

0:40:28.120 --> 0:40:30.440
<v Speaker 2>She's almost bigger over there than she is over here.

0:40:30.480 --> 0:40:34.000
<v Speaker 17>She's massive, huge fame and a tiny little person. I

0:40:34.080 --> 0:40:35.400
<v Speaker 17>mean I was ten years old and were about the

0:40:35.440 --> 0:40:35.799
<v Speaker 17>same heigh.

0:40:36.080 --> 0:40:38.279
<v Speaker 2>She People don't realize that she's only a foot She's

0:40:38.320 --> 0:40:40.360
<v Speaker 2>a foot tool. She lives in the skirting walls like

0:40:40.440 --> 0:40:43.319
<v Speaker 2>the borrowers. She's like a pixie when she down here.

0:40:43.880 --> 0:40:46.040
<v Speaker 2>You don't realize about that. And then she did you

0:40:46.160 --> 0:40:48.040
<v Speaker 2>chat to her or get her autograph?

0:40:48.239 --> 0:40:51.640
<v Speaker 17>Yeah, well she came around because my girlfriend's father was

0:40:51.640 --> 0:40:55.319
<v Speaker 17>a producer and Kylie had she was in a little

0:40:55.320 --> 0:40:58.440
<v Speaker 17>little Australian series called The Henderson Kids. So I believe

0:40:58.520 --> 0:41:00.520
<v Speaker 17>she was coming around to pick up part of script

0:41:00.600 --> 0:41:03.279
<v Speaker 17>for that. Yeah, she was very very friendly. She was

0:41:03.280 --> 0:41:04.759
<v Speaker 17>in a hurry, but she did sit down and have

0:41:04.800 --> 0:41:08.440
<v Speaker 17>a quick chat with us. So friend who she obviously

0:41:08.600 --> 0:41:10.520
<v Speaker 17>you know, saw quite a few famous people coming in

0:41:10.520 --> 0:41:11.120
<v Speaker 17>and out at times.

0:41:11.160 --> 0:41:12.040
<v Speaker 14>She was impressed.

0:41:12.040 --> 0:41:14.759
<v Speaker 2>But I was great work of your dad's job. You

0:41:14.760 --> 0:41:17.040
<v Speaker 2>get all these kind of recording arts coming round. Tell

0:41:17.040 --> 0:41:19.319
<v Speaker 2>me this just quickly to last questions. Did she have

0:41:19.360 --> 0:41:20.440
<v Speaker 2>a cup of tea coffee?

0:41:21.480 --> 0:41:24.439
<v Speaker 17>She didn't they offered her, but she was in a hurry,

0:41:24.440 --> 0:41:26.760
<v Speaker 17>and I believe there was somebody she had a boyfriend

0:41:26.880 --> 0:41:28.600
<v Speaker 17>or something that had dropped her off to pick up

0:41:28.640 --> 0:41:31.160
<v Speaker 17>the script. So she stayed longer than what I'd thought.

0:41:31.200 --> 0:41:32.799
<v Speaker 8>So so he was just waiting in the car.

0:41:33.400 --> 0:41:35.800
<v Speaker 3>Yeah, oh yeah, Oh he had the engine running outside.

0:41:36.560 --> 0:41:38.240
<v Speaker 2>You were too, You were too if you had Kylie's

0:41:38.239 --> 0:41:39.719
<v Speaker 2>your girl and you keep that engine runny, get out

0:41:39.719 --> 0:41:46.040
<v Speaker 2>there quick show don't go upstairs in that producer as well.

0:41:47.040 --> 0:41:48.640
<v Speaker 2>All right, thank you very much. You kill have a

0:41:48.680 --> 0:41:49.040
<v Speaker 2>good day.

0:41:49.160 --> 0:41:50.440
<v Speaker 17>Welcome, have a good day, kids.

0:41:50.440 --> 0:41:53.480
<v Speaker 1>The Christian Who Connell Breakfast Show, Melbourne's Gold one oh

0:41:53.560 --> 0:41:54.279
<v Speaker 1>four point three.

0:41:54.440 --> 0:41:55.600
<v Speaker 2>Oh right, and then we're just about to give you

0:41:55.600 --> 0:41:57.440
<v Speaker 2>another clue. Jack's going another clue to help you win

0:41:57.480 --> 0:42:01.480
<v Speaker 2>the ten thousand dollars on the ten Canete on Monday.

0:42:01.520 --> 0:42:04.080
<v Speaker 2>We're asking you for five songs. Five songs. Give us

0:42:04.120 --> 0:42:05.920
<v Speaker 2>five songs. We'll picked one of these with the song

0:42:05.960 --> 0:42:08.319
<v Speaker 2>that is played twice between now and six o'clock either

0:42:08.360 --> 0:42:11.640
<v Speaker 2>the rest of today, Tomorrow or Friday is definitely going

0:42:11.719 --> 0:42:13.719
<v Speaker 2>this week. Here are the five songs it could be.

0:42:24.719 --> 0:42:32.560
<v Speaker 2>It's going to be one of these five. Yesterday Jack

0:42:32.600 --> 0:42:34.759
<v Speaker 2>gave the first clue as to which one it's going

0:42:34.840 --> 0:42:39.000
<v Speaker 2>to be, which was this album Sorry, this Old House.

0:42:39.920 --> 0:42:43.040
<v Speaker 3>The album version of this song runs for over four

0:42:43.120 --> 0:42:43.839
<v Speaker 3>minutes long.

0:42:45.320 --> 0:42:46.360
<v Speaker 8>Today's clue.

0:42:47.680 --> 0:42:51.560
<v Speaker 3>The song has featured in Deadpool two, Daddy's Home and

0:42:51.760 --> 0:42:52.840
<v Speaker 3>Varsity Blues.

0:42:53.600 --> 0:42:55.120
<v Speaker 2>Oh then, that is a clue.

0:42:55.120 --> 0:42:55.920
<v Speaker 9>It's a big clue.

0:42:56.000 --> 0:42:59.319
<v Speaker 2>All right, then, so their clue once more, never put

0:42:59.320 --> 0:43:01.040
<v Speaker 2>it down until I to put it down. Whatever I

0:43:01.040 --> 0:43:01.960
<v Speaker 2>told you so to come on.

0:43:02.280 --> 0:43:05.719
<v Speaker 3>The song has featured in Deadpool two, Daddy's Home, and

0:43:05.840 --> 0:43:06.800
<v Speaker 3>Varsity Blues.

0:43:07.800 --> 0:43:09.799
<v Speaker 2>All right, that's your second clue. It's one of those

0:43:09.840 --> 0:43:12.480
<v Speaker 2>five songs. Could we going today? Could we going tomorrow?

0:43:12.560 --> 0:43:14.839
<v Speaker 2>Can we go on Friday? Definitely going before the end

0:43:14.840 --> 0:43:17.839
<v Speaker 2>of this week, all right, Phil Collins. Tickets finally going

0:43:17.880 --> 0:43:21.040
<v Speaker 2>to sell one o'clock today through ticket Tech. You don't

0:43:21.040 --> 0:43:22.719
<v Speaker 2>have to wait until one o'clock. We've got a pair

0:43:22.760 --> 0:43:24.600
<v Speaker 2>of tickets which we're gonna give away, and I tell

0:43:24.640 --> 0:43:27.879
<v Speaker 2>you how next after this from p Diddy, don't lose

0:43:27.880 --> 0:43:28.640
<v Speaker 2>my number.

0:43:29.680 --> 0:43:33.080
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:43:33.120 --> 0:43:33.760
<v Speaker 1>point three.

0:43:33.920 --> 0:43:36.160
<v Speaker 2>So we're all gonna go. You can get your tickets

0:43:36.160 --> 0:43:39.040
<v Speaker 2>so you can be there Friday, the first of February

0:43:39.120 --> 0:43:42.120
<v Speaker 2>next year. Phil Collins Live at the Amy. It's gonna

0:43:42.120 --> 0:43:44.960
<v Speaker 2>be amazing. Not Dead Yet Live Tour. One of the

0:43:45.000 --> 0:43:47.320
<v Speaker 2>greatest tour names ever. I don't think there is a

0:43:47.360 --> 0:43:48.640
<v Speaker 2>great one that not ted yet.

0:43:48.680 --> 0:43:48.799
<v Speaker 14>Well.

0:43:48.840 --> 0:43:49.680
<v Speaker 8>Every time I hear the.

0:43:49.960 --> 0:43:51.800
<v Speaker 3>Promo run around on the stage, can sketch.

0:43:52.400 --> 0:43:54.000
<v Speaker 2>I don't know what I got high pitched then a

0:43:54.000 --> 0:43:57.399
<v Speaker 2>little bit anyway. Tickets going sell one o'clock today. It's

0:43:57.400 --> 0:43:59.680
<v Speaker 2>gonna set out so quickly that well, and you can

0:43:59.680 --> 0:44:02.399
<v Speaker 2>get the through Ticketech one o'clock today, ticketek have got

0:44:02.400 --> 0:44:04.520
<v Speaker 2>the tickets. Good luck, you can get them. We're all

0:44:04.560 --> 0:44:06.960
<v Speaker 2>gonna go. We have a pair of tickets right now

0:44:07.080 --> 0:44:09.719
<v Speaker 2>for you to win. Gig Pigs, get your trout out

0:44:09.760 --> 0:44:12.120
<v Speaker 2>of my trough. Haven't told you yet. Don't even pick

0:44:12.200 --> 0:44:14.080
<v Speaker 2>up that phone. Okay, go off the fox and get

0:44:14.120 --> 0:44:16.720
<v Speaker 2>something easily. You've got to work for these tickets, Okay,

0:44:16.880 --> 0:44:19.799
<v Speaker 2>Phil Collins, you think about Phil Collins, You think about this,

0:44:19.960 --> 0:44:33.160
<v Speaker 2>the power the drums. What I want you to do

0:44:33.200 --> 0:44:34.920
<v Speaker 2>with your mouth is I want you to be the

0:44:34.960 --> 0:44:40.040
<v Speaker 2>Phil Collins drum break this that that's what you gotta do.

0:44:40.160 --> 0:44:41.400
<v Speaker 2>I say, what you got to do. We've got to

0:44:41.440 --> 0:44:46.920
<v Speaker 2>do it really well. This is Phil Collins mouth drummer.

0:44:46.960 --> 0:44:53.080
<v Speaker 9>Ookie, that's such a great drum. He's good at the

0:44:53.080 --> 0:44:53.600
<v Speaker 9>air drums.

0:44:56.520 --> 0:44:59.839
<v Speaker 2>Air drums won't work on the radio, Pats. So here's

0:44:59.880 --> 0:45:01.880
<v Speaker 2>what you gotta do. You just do this with your mouth.

0:45:02.080 --> 0:45:04.720
<v Speaker 2>Jack will demonstrate doo doo.

0:45:04.560 --> 0:45:06.359
<v Speaker 8>Doo doo doo doo doo doo doo doo.

0:45:07.680 --> 0:45:11.920
<v Speaker 2>Oh sa seamless peraps you reckon? You can ever go?

0:45:12.160 --> 0:45:20.040
<v Speaker 2>Are the guy? All right? Go there you go. That's

0:45:20.040 --> 0:45:22.080
<v Speaker 2>what we need to do to win the Phil Collins

0:45:22.120 --> 0:45:24.760
<v Speaker 2>tickets nine four one four, one oh four three.

0:45:24.719 --> 0:45:28.080
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:45:28.120 --> 0:45:28.720
<v Speaker 1>point three.

0:45:28.840 --> 0:45:31.920
<v Speaker 2>So Phil Collins tickets go on sell one o'clock this

0:45:31.960 --> 0:45:34.759
<v Speaker 2>afternoon through ticket Tech for the gig Friday night, the

0:45:34.760 --> 0:45:37.680
<v Speaker 2>first half February at the Amy, and we got to

0:45:37.680 --> 0:45:39.640
<v Speaker 2>pay tickets. You can win. Right now, we're looking for

0:45:39.719 --> 0:45:42.480
<v Speaker 2>you to do this. It is Phil Collins mouth drummy,

0:45:42.520 --> 0:45:53.799
<v Speaker 2>Oki with your mouth, do this, I play this, Bring

0:45:53.840 --> 0:45:56.640
<v Speaker 2>on the drums, let's go to the lines. Good morning, Julium. Hello,

0:45:57.040 --> 0:45:59.879
<v Speaker 2>hello Julium. Yeah, pretty good. You ready to do Phil

0:46:00.000 --> 0:46:00.800
<v Speaker 2>Collins on the drums.

0:46:00.960 --> 0:46:01.560
<v Speaker 21>Let's go for it.

0:46:01.560 --> 0:46:03.040
<v Speaker 19>I'll do a drum and field.

0:46:06.680 --> 0:46:11.360
<v Speaker 2>All right, buddy, off you go, okay, do do do

0:46:11.800 --> 0:46:19.920
<v Speaker 2>do very Judie and you set a high standard there.

0:46:20.040 --> 0:46:22.920
<v Speaker 12>All of the ones on on the.

0:46:24.120 --> 0:46:28.879
<v Speaker 2>This is Angie Andie right there.

0:46:29.440 --> 0:46:31.440
<v Speaker 14>Can I tell you a bit of a story first, Christian.

0:46:31.520 --> 0:46:32.880
<v Speaker 13>I'm so sorry to do this here.

0:46:33.040 --> 0:46:35.080
<v Speaker 2>No, I sorry, Angie. We don't have time are I

0:46:35.080 --> 0:46:37.240
<v Speaker 2>don't mean rudes, but there are loads of people calling

0:46:37.239 --> 0:46:37.959
<v Speaker 2>in who want to whin.

0:46:37.840 --> 0:46:40.720
<v Speaker 23>They fail And I'm feeling a bit threatened by Julian

0:46:40.760 --> 0:46:41.960
<v Speaker 23>because he sounded pretty amazing.

0:46:42.200 --> 0:46:45.520
<v Speaker 2>Yeah, the standards high. Maybe another time for that story hopefully.

0:46:46.040 --> 0:46:51.880
<v Speaker 2>All right, okay, so I need you to do this, Angie, Angie.

0:46:51.600 --> 0:46:53.120
<v Speaker 14>Drums, you're ready?

0:46:53.440 --> 0:47:03.759
<v Speaker 4>Yeah right, Angie, well, very very good.

0:47:03.760 --> 0:47:07.080
<v Speaker 2>Dost it with the story. Hayden, Good morning, Good on,

0:47:10.640 --> 0:47:18.000
<v Speaker 2>Hayden three two one go some extra bits in there,

0:47:18.840 --> 0:47:20.640
<v Speaker 2>nice flourished there from Hayden.

0:47:20.760 --> 0:47:22.359
<v Speaker 3>Hey, we got time for a quick story as well

0:47:22.360 --> 0:47:23.280
<v Speaker 3>as you.

0:47:25.040 --> 0:47:29.920
<v Speaker 2>Uh Ari, we're good. Ari. You ready to do the drums?

0:47:30.280 --> 0:47:31.319
<v Speaker 13>I'm ready to rock and roll?

0:47:31.360 --> 0:47:33.239
<v Speaker 2>All right? We want some big sounds. It needs a

0:47:33.320 --> 0:47:44.480
<v Speaker 2>sound off. You go, not that big, not big enough

0:47:44.480 --> 0:47:46.640
<v Speaker 2>to win the tickets I'm afraid of for Ari. Kate

0:47:46.760 --> 0:47:56.240
<v Speaker 2>you ready if I am big drums? Kate go sounded

0:47:56.320 --> 0:48:03.359
<v Speaker 2>like all right, do we take wam more? Okay, let's

0:48:03.360 --> 0:48:05.239
<v Speaker 2>take one more becks. We've got a really great one.

0:48:05.239 --> 0:48:09.120
<v Speaker 2>Put them through and then he's the one to beat

0:48:09.200 --> 0:48:13.240
<v Speaker 2>the moment. Alright, let's try Sylvia. Good morning, Sylvia, Good morning.

0:48:13.480 --> 0:48:15.560
<v Speaker 2>All right, Sylvia, well done and getting through. You're ready

0:48:15.560 --> 0:48:16.279
<v Speaker 2>to bring some break.

0:48:16.400 --> 0:48:20.200
<v Speaker 21>We need big drums, thank you?

0:48:20.200 --> 0:48:23.240
<v Speaker 2>No where is that a touchdown phone?

0:48:23.719 --> 0:48:23.879
<v Speaker 1>From?

0:48:25.320 --> 0:48:29.640
<v Speaker 2>Try again? Sylvia? Okay, it's moller, it's like that. Okay,

0:48:29.719 --> 0:48:35.160
<v Speaker 2>all right, try again, take too, Sylvia. Off we go, Sylvi, No,

0:48:35.280 --> 0:48:37.440
<v Speaker 2>try again. I know the last and final take, Sylvia,

0:48:37.480 --> 0:48:50.560
<v Speaker 2>it's more. Can you do that? All right? Sylvia? Once more?

0:48:50.840 --> 0:49:00.600
<v Speaker 2>For the tickets? Go? I just.

0:49:02.719 --> 0:49:05.360
<v Speaker 8>I just bet Angie's listening to all this going? Is

0:49:05.400 --> 0:49:07.120
<v Speaker 8>my story really worse than all.

0:49:07.080 --> 0:49:09.360
<v Speaker 2>The story about a dream I had last night at

0:49:09.400 --> 0:49:12.800
<v Speaker 2>my start sign Julian's back everyone, the King of drums

0:49:12.800 --> 0:49:13.640
<v Speaker 2>this morning, Julian.

0:49:14.280 --> 0:49:15.719
<v Speaker 16>Yet, thanks good.

0:49:17.800 --> 0:49:18.719
<v Speaker 4>This morning. I love it.

0:49:19.040 --> 0:49:21.520
<v Speaker 2>Julian. Once more, then show them how it's done.

0:49:22.080 --> 0:49:33.120
<v Speaker 24>Okay, tickets, the tickets, gets the tickets, Julie, And well done.

0:49:33.160 --> 0:49:35.480
<v Speaker 2>We will see there Friday night, the first of February.

0:49:35.520 --> 0:49:38.759
<v Speaker 8>Okay, well, Julian, sounds like a sound effects for.

0:49:40.239 --> 0:49:42.319
<v Speaker 2>All right. You can buy your tickets one o'clock this

0:49:42.400 --> 0:49:43.800
<v Speaker 2>afternoon through ticket Tech.

0:49:43.719 --> 0:49:47.080
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:49:47.120 --> 0:49:47.600
<v Speaker 1>point three.

0:49:47.760 --> 0:49:50.160
<v Speaker 2>All right, So the last couple of weeks of us

0:49:50.200 --> 0:49:52.640
<v Speaker 2>trying to work the song through to get to the

0:49:52.640 --> 0:49:54.920
<v Speaker 2>point where and you know what, Originally it was just

0:49:54.960 --> 0:49:56.719
<v Speaker 2>a bit fun and then it's sort of snowboard and

0:49:56.760 --> 0:50:00.160
<v Speaker 2>your enthusiasm and joined for it has carried us on

0:50:00.239 --> 0:50:02.560
<v Speaker 2>as well, and now it's available for download and it's

0:50:02.640 --> 0:50:04.640
<v Speaker 2>racing up the chances, which is amazing. You're doing all this,

0:50:05.360 --> 0:50:08.879
<v Speaker 2>Jackets saying to me him, I.

0:50:08.760 --> 0:50:12.360
<v Speaker 8>Don't talk like that.

0:50:15.000 --> 0:50:17.400
<v Speaker 2>He was saying how he knows Dvance Joy and I

0:50:17.440 --> 0:50:20.480
<v Speaker 2>was like, well, that's amazing, right, He's brilliant and he

0:50:20.480 --> 0:50:22.319
<v Speaker 2>could sing on the song. It's like yeah, of course.

0:50:22.320 --> 0:50:24.560
<v Speaker 2>And Jack from day one when I first met him

0:50:24.600 --> 0:50:26.640
<v Speaker 2>and this radio station flew him over to London for

0:50:26.640 --> 0:50:28.920
<v Speaker 2>an interview, was like, I can get you access to

0:50:28.960 --> 0:50:32.400
<v Speaker 2>the stars. The sports stars have got the biggest AFL

0:50:32.840 --> 0:50:36.319
<v Speaker 2>Inside Inside AFL podcast in the country. You know, working

0:50:36.360 --> 0:50:39.000
<v Speaker 2>with the Hamish nany Fe years, I know the stars,

0:50:39.000 --> 0:50:42.759
<v Speaker 2>so I think Advance joined that incredible. The path went

0:50:42.800 --> 0:50:44.920
<v Speaker 2>a bit cold, okay, and that's that's great. You know,

0:50:45.000 --> 0:50:47.319
<v Speaker 2>we got some great people the songs on the port

0:50:47.440 --> 0:50:51.399
<v Speaker 2>for it, and then the sadness of yesterday. I went

0:50:51.440 --> 0:50:53.239
<v Speaker 2>to go and another meeting. When I came up from

0:50:53.280 --> 0:50:55.279
<v Speaker 2>the meeting, I said, where's Jack And I said he's

0:50:55.280 --> 0:50:57.080
<v Speaker 2>in the medical bay. He's had a tough he's had

0:50:57.080 --> 0:51:01.160
<v Speaker 2>a tough time. France Joy was in reception mate of

0:51:01.320 --> 0:51:02.800
<v Speaker 2>Jack's what happened?

0:51:04.280 --> 0:51:08.239
<v Speaker 8>I said, hello to your.

0:51:08.160 --> 0:51:09.960
<v Speaker 2>Friend Vance Joy, who you were going to get to

0:51:09.960 --> 0:51:10.600
<v Speaker 2>sing on the song.

0:51:11.040 --> 0:51:13.920
<v Speaker 3>I just can I tell you this anecdote first, It's

0:51:13.960 --> 0:51:17.160
<v Speaker 3>just like Angie, this isn't.

0:51:16.920 --> 0:51:18.399
<v Speaker 2>A long story, Okay, what you got?

0:51:18.560 --> 0:51:18.719
<v Speaker 8>So?

0:51:19.160 --> 0:51:22.720
<v Speaker 3>I know Van's Joy from Hamish and Andy Lake, you must.

0:51:23.920 --> 0:51:25.840
<v Speaker 3>I saw him at a cafe and I had my

0:51:25.880 --> 0:51:28.120
<v Speaker 3>head down, tapping away on my laptop, and he came

0:51:28.160 --> 0:51:29.959
<v Speaker 3>up to me and said, Jack, how are you going

0:51:29.960 --> 0:51:31.200
<v Speaker 3>blah blah blah, I'm doing this and that.

0:51:31.760 --> 0:51:33.880
<v Speaker 2>Then he's remembered who outside of the studio and the

0:51:33.920 --> 0:51:35.200
<v Speaker 2>boys friendship outside.

0:51:35.239 --> 0:51:38.840
<v Speaker 8>So that was last summer. Six months has passed. I

0:51:38.920 --> 0:51:40.120
<v Speaker 8>see him for the first.

0:51:39.840 --> 0:51:42.960
<v Speaker 3>Time now in the reception and I go to him

0:51:42.960 --> 0:51:44.040
<v Speaker 3>with the same enthusiasm.

0:51:44.080 --> 0:51:46.359
<v Speaker 8>Of course, Oh great to see you. How are you.

0:51:46.880 --> 0:51:50.359
<v Speaker 8>He's with his record label. He goes to her, Oh,

0:51:50.480 --> 0:51:51.120
<v Speaker 8>this is Dan.

0:51:53.000 --> 0:51:58.919
<v Speaker 2>This is Dan out what did you say? You can't

0:51:58.960 --> 0:51:59.440
<v Speaker 2>correct him?

0:51:59.480 --> 0:52:02.040
<v Speaker 8>I pretend, oh, I said this is Hi.

0:52:02.120 --> 0:52:04.720
<v Speaker 2>I'm Jack to the Oh you didn't correct him? Okay,

0:52:07.000 --> 0:52:09.440
<v Speaker 2>well yeah no, you big dog him like that? Wow, okay,

0:52:09.480 --> 0:52:10.080
<v Speaker 2>power play.

0:52:10.400 --> 0:52:12.839
<v Speaker 3>I said this is Jack and I said, Ben, stuff please,

0:52:12.840 --> 0:52:14.080
<v Speaker 3>I don't expect you to remember me.

0:52:14.120 --> 0:52:15.360
<v Speaker 8>We only met that one time.

0:52:16.560 --> 0:52:19.120
<v Speaker 3>I think what happened is yesterday I was wearing my

0:52:19.160 --> 0:52:19.880
<v Speaker 3>cap backwards.

0:52:20.040 --> 0:52:21.880
<v Speaker 8>I don't know why is that what you told yourself?

0:52:22.960 --> 0:52:24.280
<v Speaker 8>I didn't look.

0:52:24.680 --> 0:52:27.520
<v Speaker 2>He didn't say this, you really did. At no point

0:52:27.560 --> 0:52:29.799
<v Speaker 2>where people wondering around going with you with a backwards baby?

0:52:29.960 --> 0:52:32.239
<v Speaker 2>But where is he? Who is this mysterious man?

0:52:32.320 --> 0:52:33.040
<v Speaker 8>It's just you with.

0:52:33.280 --> 0:52:35.520
<v Speaker 3>I realized I look different when I got like a

0:52:35.640 --> 0:52:38.759
<v Speaker 3>Dan I actually have when I let my curly hair flow,

0:52:38.840 --> 0:52:41.160
<v Speaker 3>I actually have very similar haired bands. So he probably

0:52:41.200 --> 0:52:43.160
<v Speaker 3>recognizes me by the hair and goes, oh, that's the

0:52:43.200 --> 0:52:46.040
<v Speaker 3>boy with a similar hair to me. That's Jack yesterday

0:52:46.120 --> 0:52:46.919
<v Speaker 3>with the baseball cap.

0:52:46.960 --> 0:52:49.440
<v Speaker 8>I didn't have that. That's why I didn't recognize me.

0:52:49.480 --> 0:52:51.480
<v Speaker 2>I'm sorry. I'm not buying any of that. And if

0:52:51.480 --> 0:52:53.160
<v Speaker 2>that's what you've got to tell us to yourself, sleep

0:52:53.200 --> 0:52:58.520
<v Speaker 2>at night. Distinctive man, he means nothing to you. He

0:52:58.719 --> 0:53:01.480
<v Speaker 2>was like Dan Jackie as a matter on vance Joy.

0:53:01.560 --> 0:53:03.879
<v Speaker 3>The only thing, the only bit of sweetness we've got

0:53:04.040 --> 0:53:07.239
<v Speaker 3>is vance Joy, currently sitting at number sixteen in the

0:53:07.280 --> 0:53:08.200
<v Speaker 3>iTunes Top forty.

0:53:08.239 --> 0:53:10.120
<v Speaker 8>We're going home. We just overtook it.

0:53:10.200 --> 0:53:12.520
<v Speaker 2>He's going lower in the charts Review Mirror.

0:53:12.320 --> 0:53:16.640
<v Speaker 3>Folders singing the Melbourne at number fourteen, Dan.

0:53:16.640 --> 0:53:20.120
<v Speaker 1>Song, the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

0:53:20.239 --> 0:53:24.880
<v Speaker 1>four point three.

0:53:25.320 --> 0:53:28.319
<v Speaker 2>It is your midweek mixtape, an hour power. We give

0:53:28.360 --> 0:53:31.000
<v Speaker 2>you the theme, you pick all the songs. What's a

0:53:31.160 --> 0:53:33.160
<v Speaker 2>stunning hour we've got coming up for you as well?

0:53:33.200 --> 0:53:36.760
<v Speaker 2>You've picked all these great songs, songs with amazing sax

0:53:36.840 --> 0:53:40.480
<v Speaker 2>appeal in It's the Saxophone Hour, the sax Hour.

0:53:40.920 --> 0:53:43.160
<v Speaker 3>We went through lots of instruments that didn't make it,

0:53:43.200 --> 0:53:44.000
<v Speaker 3>The clarinet Hour.

0:53:44.080 --> 0:53:46.160
<v Speaker 2>Yea hobo hour. Oh no, I think we do those

0:53:46.160 --> 0:53:48.000
<v Speaker 2>before over Christmas when there's no one listening. All right,

0:53:48.000 --> 0:53:50.000
<v Speaker 2>we'll just get those away then Hi before that at

0:53:50.040 --> 0:53:53.160
<v Speaker 2>work time. Way stuff, This is big news. This could

0:53:53.160 --> 0:53:57.600
<v Speaker 2>come over here. An Abba themed restaurant is coming to London,

0:53:58.760 --> 0:54:00.960
<v Speaker 2>so we're going to try and build them. You an

0:54:01.000 --> 0:54:03.600
<v Speaker 2>Abba themed restaurant, So take an Abba song? How can

0:54:03.640 --> 0:54:06.799
<v Speaker 2>you turn that into something on the menu. I've got

0:54:07.680 --> 0:54:13.520
<v Speaker 2>Fernando Balls, one of their big songs. Yeah, but like meatballs,

0:54:13.680 --> 0:54:19.240
<v Speaker 2>no doballs you never heard of? Yeah, Fernandobles water. Where's

0:54:19.280 --> 0:54:25.880
<v Speaker 2>the loop? Please water, where's the loop? Please give me

0:54:25.920 --> 0:54:27.439
<v Speaker 2>gim me, give me the bill, Please win a rush,

0:54:27.960 --> 0:54:32.160
<v Speaker 2>give me, give me a man go chicken Waterloo? Where's water?

0:54:32.239 --> 0:54:37.479
<v Speaker 2>Where's the loop? Please? Bernandos. You only do them once

0:54:37.880 --> 0:54:39.840
<v Speaker 2>one of us is gluten free. I've gotten their b

0:54:40.000 --> 0:54:44.919
<v Speaker 2>size now all right? What's on the Abba restaurant menu?

0:54:45.040 --> 0:54:51.360
<v Speaker 3>Jack the donnaka Baba, nice chicken and sweet beyond soup.

0:54:53.239 --> 0:54:56.200
<v Speaker 2>And I liked that? And what are you gone to

0:54:56.239 --> 0:54:56.759
<v Speaker 2>take a chance?

0:54:56.800 --> 0:54:56.920
<v Speaker 17>I was.

0:54:56.960 --> 0:54:57.680
<v Speaker 2>I couldn't think of him.

0:54:57.760 --> 0:54:58.680
<v Speaker 8>Take a chance on meat.

0:54:59.200 --> 0:55:01.760
<v Speaker 2>Ah ah, a chance on the meat platter.

0:55:01.840 --> 0:55:04.080
<v Speaker 3>And if they ask you for steal sparkling, you go

0:55:04.480 --> 0:55:05.560
<v Speaker 3>just tap waterloo?

0:55:05.640 --> 0:55:06.040
<v Speaker 8>Thank you?

0:55:06.320 --> 0:55:11.640
<v Speaker 2>Ahobles, give me, give me, gimme a mango chicken. All right,

0:55:11.640 --> 0:55:14.320
<v Speaker 2>then let's kick off. The first song what a great

0:55:14.360 --> 0:55:17.000
<v Speaker 2>one in our sacks out between nine and ten o'clock.

0:55:17.040 --> 0:55:19.480
<v Speaker 2>Then an hour of songs was sex apeal. We kick

0:55:19.520 --> 0:55:22.320
<v Speaker 2>off with this great one from George Michael Careless whisper

0:55:22.760 --> 0:55:25.120
<v Speaker 2>Kerrie in Merrick picked this one. We've got some brilliant

0:55:25.120 --> 0:55:27.240
<v Speaker 2>ones coming up. When mark your at work time wasster

0:55:27.320 --> 0:55:27.880
<v Speaker 2>in ten minutes.

0:55:28.000 --> 0:55:31.399
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:55:31.400 --> 0:55:32.399
<v Speaker 1>point three.

0:55:32.200 --> 0:55:35.040
<v Speaker 2>Heavy Wednesday with it is. We call it the Midweek Mixtape.

0:55:35.200 --> 0:55:36.880
<v Speaker 2>We give you a theme, you pick up blue of

0:55:36.880 --> 0:55:42.200
<v Speaker 2>your music. This hour is sas specials. I saw so

0:55:42.280 --> 0:55:44.759
<v Speaker 2>let You Boot Johnny Croyd and Billy Whereby went with

0:55:44.920 --> 0:55:48.000
<v Speaker 2>what an awesome song? Bat to the Bone George Thorogan

0:55:49.280 --> 0:55:52.400
<v Speaker 2>and kicking off George Michael's Careless Whisper and Carrion Berrick.

0:55:52.880 --> 0:55:54.560
<v Speaker 2>A lot of people, a lot of people call in

0:55:54.600 --> 0:55:57.080
<v Speaker 2>the station yesterday demanding that we play scenes from an

0:55:57.120 --> 0:56:01.200
<v Speaker 2>Italian restaurant by Billy Joel. So hey, you call me up,

0:56:01.600 --> 0:56:04.239
<v Speaker 2>Oh listen, I will play scenes in Italian restaurant b

0:56:04.239 --> 0:56:06.160
<v Speaker 2>Billy Joelre you familiar with that song Jack.

0:56:06.000 --> 0:56:08.919
<v Speaker 8>Of Course or the sacks in it? Billy's voice, love

0:56:08.960 --> 0:56:09.560
<v Speaker 8>it got it all.

0:56:09.600 --> 0:56:13.000
<v Speaker 2>It's a story. It's a story in a song, vignettes

0:56:13.040 --> 0:56:15.560
<v Speaker 2>If you want all right, then So this Abba theme

0:56:15.640 --> 0:56:18.840
<v Speaker 2>restaurant opening up in London, which I use their songs

0:56:18.880 --> 0:56:20.399
<v Speaker 2>to make the menu. You ready to mark?

0:56:20.480 --> 0:56:23.520
<v Speaker 3>Yes, I'll be giving away Abba Gold because Abba Gold

0:56:23.560 --> 0:56:25.680
<v Speaker 3>is the name of their greatest hit album.

0:56:25.440 --> 0:56:29.120
<v Speaker 2>This Guy's All Radio. Can you hear the drumsticks? Fernandos.

0:56:30.600 --> 0:56:31.560
<v Speaker 2>That is so good.

0:56:31.640 --> 0:56:33.760
<v Speaker 8>That's up there with chicken and sweet beyond soup.

0:56:34.520 --> 0:56:37.200
<v Speaker 2>That's a gold and up there with water. Where's the

0:56:37.280 --> 0:56:43.560
<v Speaker 2>loop please? Thanks for the music, Rob, thanks music, Thanks

0:56:43.600 --> 0:56:44.200
<v Speaker 2>for the musie.

0:56:44.960 --> 0:56:46.720
<v Speaker 8>That's a gold, abber gold tick.

0:56:46.600 --> 0:56:48.680
<v Speaker 2>A chance on me? Really annoyed. I didn't get that. Ken,

0:56:48.680 --> 0:56:51.600
<v Speaker 2>You're a smart amount of nuts in forest hills. Take

0:56:51.600 --> 0:56:53.960
<v Speaker 2>a chance for me, ticker, look a chicken ticker curry

0:56:54.239 --> 0:57:00.000
<v Speaker 2>ticke a chance chance, Yes, dancing meats instead of dancing

0:57:00.040 --> 0:57:02.760
<v Speaker 2>wing doesn't quite scam and it made me laugh. It's funny.

0:57:02.840 --> 0:57:05.640
<v Speaker 8>Make it from the menu a dancing ham.

0:57:05.680 --> 0:57:11.120
<v Speaker 2>Sorry, does your mamma dough dough pizza dough? Does your

0:57:11.120 --> 0:57:12.319
<v Speaker 2>mamma do men?

0:57:12.760 --> 0:57:13.319
<v Speaker 4>Yes you do?

0:57:13.480 --> 0:57:15.719
<v Speaker 2>You have balls with garlet to dip.

0:57:15.520 --> 0:57:16.280
<v Speaker 8>In these dobules.

0:57:16.360 --> 0:57:19.760
<v Speaker 3>Can't stop hearing about the all right, it's a gold.

0:57:19.800 --> 0:57:22.560
<v Speaker 2>Does your mamma dough dancing breen?

0:57:24.720 --> 0:57:26.880
<v Speaker 8>What's the brain fish? Okay?

0:57:27.280 --> 0:57:30.480
<v Speaker 3>Because I was laughing about it, didn't get it.

0:57:32.240 --> 0:57:35.040
<v Speaker 2>The chart success fan's joy is gone to dance head

0:57:35.680 --> 0:57:40.240
<v Speaker 2>a gold, all right, super grouper. That's another fish there

0:57:40.240 --> 0:57:48.240
<v Speaker 2>it is, Scott. Thank you for the noodles, No, thank

0:57:48.280 --> 0:57:51.640
<v Speaker 2>you for the noodles. It works. Give me your ham

0:57:51.680 --> 0:57:54.120
<v Speaker 2>after midnight, so to give me a man Oh yeah,

0:57:54.320 --> 0:57:56.480
<v Speaker 2>sivil plus the winger takes it all.

0:57:59.320 --> 0:58:02.959
<v Speaker 8>God World, I'm Peter uh dancing.

0:58:02.680 --> 0:58:08.760
<v Speaker 2>Keiche has an a gold amand in rosebud. Well done.

0:58:10.320 --> 0:58:11.560
<v Speaker 2>Knowing me knowing soup.

0:58:12.480 --> 0:58:15.200
<v Speaker 8>No, it's a double knowing me knowing you no meat,

0:58:15.280 --> 0:58:15.800
<v Speaker 8>knowing soup.

0:58:15.920 --> 0:58:19.920
<v Speaker 2>I like it gold Mama Chia cheer cheer. You know

0:58:19.960 --> 0:58:22.320
<v Speaker 2>people have the old cheer seeds, don't they. You don't

0:58:22.400 --> 0:58:25.320
<v Speaker 2>order it, don't otherwise you'd live your boring old lunch.

0:58:25.400 --> 0:58:29.800
<v Speaker 2>I just have the cheers seeds. Nothing else. Silver, No

0:58:29.880 --> 0:58:31.800
<v Speaker 2>one's rubbish. Okay, which one do you think is the

0:58:31.800 --> 0:58:35.280
<v Speaker 2>best one today? I think Dancing Keish, Dancing Keish is

0:58:35.320 --> 0:58:36.200
<v Speaker 2>the winner. Well done.

0:58:36.240 --> 0:58:39.240
<v Speaker 1>The Christian oho' connell breakfast Show Melbourne's Gold one oh

0:58:39.360 --> 0:58:40.240
<v Speaker 1>four point three.

0:58:41.240 --> 0:58:44.440
<v Speaker 2>That is for young listener of ours. Christian and Bayside

0:58:44.680 --> 0:58:47.120
<v Speaker 2>Billy Joels scenes from an Italian restaurant and I don't

0:58:47.120 --> 0:58:50.000
<v Speaker 2>realize I actually worked with Philistines. No one appreciate what

0:58:50.040 --> 0:58:52.360
<v Speaker 2>a beautiful song that was. You were just like raising

0:58:52.400 --> 0:58:54.960
<v Speaker 2>your eyes because it's not some angry three minute song

0:58:55.160 --> 0:58:56.200
<v Speaker 2>by Green Day.

0:58:56.200 --> 0:58:57.160
<v Speaker 8>Was that just one song.

0:58:57.960 --> 0:59:00.680
<v Speaker 3>I thought, sorry, I thought that was the Billy Joel discography.

0:59:02.000 --> 0:59:04.680
<v Speaker 2>I'm sorry. You don't appreciate music when it becomes more

0:59:04.680 --> 0:59:05.760
<v Speaker 2>of a chamber mood piece.

0:59:06.920 --> 0:59:07.919
<v Speaker 8>That's actually a nice song.

0:59:08.080 --> 0:59:09.080
<v Speaker 2>It's a beautiful song.

0:59:09.920 --> 0:59:16.840
<v Speaker 3>Is a fact like there is some room to trimma.

0:59:15.880 --> 0:59:17.320
<v Speaker 8>You get out of that?

0:59:17.360 --> 0:59:22.320
<v Speaker 2>Really? Could you? This chart success has gon to someone's

0:59:22.320 --> 0:59:25.680
<v Speaker 2>head on the show. But okay, we've got some breaking news.

0:59:25.760 --> 0:59:28.240
<v Speaker 2>Sing it for the Albourne your song, this song has

0:59:28.280 --> 0:59:37.360
<v Speaker 2>gone too not quite number one.

0:59:38.280 --> 0:59:41.720
<v Speaker 3>Well, it's number one in the rock chart iTunes bright chart,

0:59:41.760 --> 0:59:42.640
<v Speaker 3>the number one.

0:59:42.720 --> 0:59:45.040
<v Speaker 2>Number one in the rock chart in this country. Number

0:59:45.040 --> 0:59:47.360
<v Speaker 2>ten in the rock charts in the UK. We're talking

0:59:47.400 --> 0:59:50.479
<v Speaker 2>about an international hit now and then the big top

0:59:50.560 --> 0:59:51.880
<v Speaker 2>forty in this country.

0:59:51.960 --> 0:59:55.360
<v Speaker 3>These are the real chart YEP iTunes top forty.

0:59:55.680 --> 0:59:57.760
<v Speaker 8>We have broaken into the top ten.

0:59:57.640 --> 1:00:02.479
<v Speaker 2>World ten ten in with a bang at number ten.

1:00:02.600 --> 1:00:06.680
<v Speaker 2>So download the song today and we could we should

1:00:06.880 --> 1:00:09.240
<v Speaker 2>break top ten with your songs. Sing it for Melbourne?

1:00:09.320 --> 1:00:11.160
<v Speaker 8>Well with number ten? Is that breaking the top.

1:00:11.000 --> 1:00:13.000
<v Speaker 2>Ten on I reckon the nine of the eight. It's

1:00:13.040 --> 1:00:14.440
<v Speaker 2>for a Starlight foundation.

1:00:14.800 --> 1:00:35.040
<v Speaker 19>Just two dollars nineteen, everybody, all right?

1:00:35.080 --> 1:00:37.240
<v Speaker 2>Turner Today Show. Then is sing It from Me and

1:00:37.320 --> 1:00:39.600
<v Speaker 2>it's out now. It's a number ten, number one of

1:00:39.600 --> 1:00:41.160
<v Speaker 2>the Rock Charts, number ten of the Rock chart in

1:00:41.160 --> 1:00:45.160
<v Speaker 2>the UK, but number ten in the official Top forty charts.

1:00:45.200 --> 1:00:46.120
<v Speaker 2>This is amazing.

1:00:46.840 --> 1:00:51.240
<v Speaker 3>Search for singing for Melbourne on iTunes on the iTunes store.

1:00:51.280 --> 1:00:53.760
<v Speaker 2>Two dollars nineteen. Thank you very much for your support

1:00:53.760 --> 1:00:55.919
<v Speaker 2>this morning. Keep download the song, telling her your family

1:00:55.920 --> 1:00:58.440
<v Speaker 2>and friends about it. Huggy is coming up next. We're

1:00:58.480 --> 1:01:01.840
<v Speaker 2>back tomorrow Morning Talent. Today's show sing at the Melbourne

1:01:01.960 --> 1:01:05.320
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1:01:05.360 --> 1:01:05.880
<v Speaker 1>point three