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Speaker 1: The Chris Joan O'Connell Breakfast Show Podcast Melbourne's Gold one

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Speaker 1: oh four point three Live from Level two twenty one

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Speaker 1: to thirty one, Goodwood Street, Wretch Mountain. This is the

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Speaker 1: Chris John o'conon All Breakfast Show on Melbourn's Gold one

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Speaker 1: oh four point three.

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Speaker 2: Exciting times. Everyone, we are in the charts. We're in

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Speaker 2: the charts. Everyone, we are in the charts. Show sixty one.

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Speaker 2: The song your song, sing It for Melbourne is now

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Speaker 2: live on iTunes. Jack, what do they need to do

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Speaker 2: to find it on there?

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Speaker 3: You just type in going to the iTunes store on

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Speaker 3: your phone type in sing it for Melbourne. But if

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Speaker 3: you've got a brand new phone, I noticed this with

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Speaker 3: my wife this morning as we would try to buy it.

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Speaker 3: If you've got one of the brand new iPhones, you've

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Speaker 3: got to go and download iTunes store in the app store.

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Speaker 2: Yeah, I had to do this. I haven't got the

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Speaker 2: X or the nine or anything flashed out that. But

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Speaker 2: I didn't have to buy a new phone when obviously

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Speaker 2: I moved here and yesterday I was struggling to find it,

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Speaker 2: even though we knew that it was in the as

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Speaker 2: they call it, iTunes ecosystem, but you need to download

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Speaker 2: the app then for iTunes.

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Speaker 3: iTunes store because now they're trying to do Apple Music

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Speaker 3: where you can just stream everything.

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Speaker 2: Oh it's a pain in the backside that when if

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Speaker 2: you try and buy a song, it wants you to

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Speaker 2: sign up to it. I don't want it.

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Speaker 3: And also with this single's going to charity. So if

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Speaker 3: we're just streaming it to Apple, I mean the charity's

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Speaker 3: getting nothing.

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Speaker 2: Yeah, and they've got enough. Okay, So it is singing

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Speaker 2: for Melbourne. I'm going to play a bit of it

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Speaker 2: in a minute. You can understand the song. It's two

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Speaker 2: dollars nineteen and like Jack said, this is a song

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Speaker 2: for the Starlight Foundation. All the profits go directly to them.

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Speaker 2: It's amazing charity right here in Melbourne. It's a Melbourne song,

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Speaker 2: so it should be a Melbourne charity. This charity has

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Speaker 2: touched actually quite a few of you listen to this show,

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Speaker 2: but quite a few emails and people who sadly have

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Speaker 2: got six children and they give them special days out

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Speaker 2: for them and their family in horrendous situations. It's an

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Speaker 2: important charity and sometimes he's less than known ones don't

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Speaker 2: get as much funding. So We don't know how the

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Speaker 2: song's going to do, but if you do it, it's

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Speaker 2: two bucks. It's nothing. It's half the price of a

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Speaker 2: cup of coffee. It's two bucks. Two dollars nineteen I

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Speaker 2: think is the official price for it. I don't know

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Speaker 2: why it's two dollars nineteen, but go figure it is

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Speaker 2: and it is now. You can download it right now

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Speaker 2: and own it and do something good for charity this morning.

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Speaker 2: We ask you to do that, just one thing this morning.

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Speaker 2: This is the song Herongen We will get.

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Speaker 4: Ya sifty one Charles.

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Speaker 5: Melbourne of liddle Day but now Vienna Lee was just

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Speaker 5: seconds to go, one last twelve of the die fall

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Speaker 5: in this future Melbourne burst out of the middle, they

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Speaker 5: break the Vianner tax and now another Melbourne brund of

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Speaker 5: Didnty somehow picks the kickaway the city Holder's red melbanweis.

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Speaker 2: So it's written by Jack with your suggestions as well.

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Speaker 2: A song for Melbourne and new Anthiemals And to get

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Speaker 2: about that number one crown, the number one spot from

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Speaker 2: Vienna of most Liverpool City. We played this for the

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Speaker 2: first time yesterday and already it made the weather better.

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Speaker 2: This we're playing that song that's how powerful this anthem is.

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Speaker 2: And dolphins heard it and turned up in the yarraw

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Speaker 2: What how can you get dolphins?

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Speaker 6: What kind of city is this? Vin You've got dolphins

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Speaker 6: in the river. Sometimes get them in the Thames. But

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Speaker 6: they're dead, they're just washed up, all right.

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Speaker 2: It's available to download now from iTunes. Two bucks nineteen

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Speaker 2: goes to this Starlight Foundation. It is your anthem. We're

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Speaker 2: going to play it in full at seven a m.

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Speaker 2: This morning. We can also track real time where or

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Speaker 2: where not we come in the charts. So it's not

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Speaker 2: good to me asking you to buy it. Okay, you're

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Speaker 2: busy people, you're working hard, you're up early. I own it,

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Speaker 2: and I'm going to go around the team. Brian the producer,

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Speaker 2: do you own the song?

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Speaker 7: I do own the song, and I've been reliably informed already.

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Speaker 7: We're seven minutes into the show and it's number eighty

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Speaker 7: eight on the rock chart.

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Speaker 2: Just mister Bright's eye, Jack, do you own it?

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Speaker 8: I own it and my wife owns that. We both

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Speaker 8: bought it this morning.

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Speaker 9: Great, Pat, Yes we do, Chris and I do. Thank you.

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Speaker 2: Great. Okay, producer, Becks, do you own it? I bought

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Speaker 2: it yesterday? Oh wow, okay, can we get Tommy Bananas?

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Speaker 2: Does Tommy Banana's on video? Tommy, have you got it?

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Speaker 2: Becks into microphone on that's how radio works? You got it?

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Speaker 2: Sophie of Socials.

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Speaker 8: Have you got I got it yesterday too?

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Speaker 2: Magoo have you got it? Or just downloaded the Hot

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Speaker 2: Breakfast podcast? I got a young person to do it

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Speaker 2: for me. Yes, well no producing Mago Becks has mark

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Speaker 2: on all of the audio and sound for the show.

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Speaker 2: Have you got it? Yes? You got ten copies? Foster

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Speaker 2: Tips has got it as good.

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Speaker 3: I don't know that means you need ten phones to

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Speaker 3: get ten copies.

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Speaker 4: Come on all.

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Speaker 2: Right, So if you're downloading it, please let us know

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Speaker 2: so we can thank you as well. Give us a

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Speaker 2: call this morning when you've downloaded and you've got it,

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Speaker 2: let me know so I can say thank you. Nine

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Speaker 2: four one four one oh four three. We're at number

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Speaker 2: eighty eight in the charts.

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Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four point.

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Speaker 2: Three so sing It for Melbourne, which got it's well

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Speaker 2: play on the show yesterday, is available for download now.

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Speaker 2: You can own it two dollars nineteen. All the profits

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Speaker 2: going to the Starlight Foundation and on today's show we'll

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Speaker 2: play the full song seven eight m this morning. Got

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Speaker 2: a big idea how we can turn your cars into

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Speaker 2: a giant PA system, which I share with you just

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Speaker 2: before seven o'clock. So if you are downloading it, let

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Speaker 2: us know this morning and they'll send me a text

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Speaker 2: four seven five three one O four three so we

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Speaker 2: could say thank you. And also if you want to

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Speaker 2: give us a call nine four one four one O

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Speaker 2: four three.

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Speaker 10: Good morning, Tom, Good morning, question, Welcome to Australia.

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Speaker 2: First up, thank you very much. Tom. Where about you

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Speaker 2: calling in from.

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Speaker 10: Mate at the Malam and Hoves crossing Yep, I'll drive

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Speaker 10: for a living um. And I just thought I heard

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Speaker 10: the song sing sing it from Melbourne. I think it's

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Speaker 10: absolutely terrific and I reckon you shall go for an

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Speaker 10: s Rantham.

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Speaker 2: That's great, Tom. Have you downloaded it? Mate?

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Speaker 10: No, no, as hit, but I will be as soon

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Speaker 10: as I can get some money.

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Speaker 2: We will lend you the two dollars nineteen so you

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Speaker 2: can get it. But Tom, I appreciate the fact that

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Speaker 2: you enjoyed the song. We'll play again in pill at

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Speaker 2: seven am this morning. All right, yeah, again, I could

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Speaker 2: hear his hats as they're clicking in the background. All right,

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Speaker 2: So if you are downloading it, give us a call

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Speaker 2: coming up next to take you through our ran final.

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Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: Okay, it's going international, guys. Melli, who has listened to

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Speaker 2: us right now in Chile Santiago has downloaded a song,

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Speaker 2: Thank you very much. Melie. Phil who's listened to us

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Speaker 2: in Lancashire in the north of England, Good old Lancashire,

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Speaker 2: good evening. Phil listened to us over there online. I'm

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Speaker 2: not sure in entuney legal fashion, but he has downloaded

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Speaker 2: the song in England, so thank you very much for that.

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Speaker 3: I love the idea of people singing sing it from

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Speaker 3: Melbourne in all corners of the globe.

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Speaker 2: Yah, he said, I'm not even from Melbourne. That is

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Speaker 2: a great charity though, and I like the song as well.

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Speaker 2: Now let's go to our official man at the charts

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Speaker 2: right now live we can track how the song is doing.

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Speaker 2: Your song sing it for Melbourne. Brian's at the charts.

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Speaker 2: Worrying now we were five minutes ago, we're at number

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Speaker 2: eighty eight.

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Speaker 8: That is corrected.

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Speaker 7: Now we are number fifty eight and we're just over

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Speaker 7: Dire Straits money for nothing.

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Speaker 2: Well done. This is exciting. This is exciting. Also, this

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Speaker 2: is exciting.

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Speaker 7: The Christian O'Connell Breakfast Show's Grand Final set.

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Speaker 2: Great news kicking.

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Speaker 7: Yes, we're on the search for Melbourne's Grand with the

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Speaker 7: longest kicking.

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Speaker 2: That's it we are. This is our Grand Final. I

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Speaker 2: thought maybe we wanted to get a couple of grands

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Speaker 2: to line up see if they can kick them all

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Speaker 2: the furthest and the grand that kicks at the furthest

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Speaker 2: wins one thousand dollars, loads and loads. I think almost

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Speaker 2: sixty grands have stepped forward now saying they want in.

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Speaker 2: We've been speaking to you every morning. We've got grands

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Speaker 2: in their forties, some in their fifties, some of their sixties.

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Speaker 2: They are up for it. Every single ground we spoke

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Speaker 2: to Reckons they're going to do the fifty. However, we

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Speaker 2: can now speak to another grand this morning is up early.

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Speaker 2: Maybe do some training. Seeli, good morning, good morning, how

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Speaker 2: are you ah very well, Ceey, welcome to the show,

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Speaker 2: and thank you very much for entering our Grand Final.

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Speaker 11: Oh my grank you.

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Speaker 12: I didn't know.

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Speaker 2: And how many grandkids have you got?

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Speaker 12: I've got twenty five grandchildren.

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Speaker 2: Oh, there's a round of oats that that is that's expensive,

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Speaker 2: the birthday Christmas.

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Speaker 12: It's wonderful, It's just wonderful. We're very blessed.

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Speaker 2: You know which one of the twenty five, I mean

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Speaker 2: that's bigger than an AFL squad. Which one of the

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Speaker 2: twenty five do you think has put you forward for

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Speaker 2: this city?

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Speaker 12: I know Nicholas. I know Nicholas has and then I

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Speaker 12: find out within the hour they all but six of

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Speaker 12: them had put me in for it as well.

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Speaker 8: So you've been nominated six times.

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Speaker 2: Well, this is great now, And why do you think

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Speaker 2: so many of your grandkids have nominated you city? What

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Speaker 2: is it that you do that made something that you

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Speaker 2: can kick it? The furthest you could be the golden grain.

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Speaker 12: Well, because I'm a footy tragic and I'll playfully with

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Speaker 12: the kids every chance I get. And when they were

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Speaker 12: growing up, I taught them how to kick a footy.

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Speaker 12: I how to hip and shoulder and the rules of

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Speaker 12: the game.

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Speaker 9: That's critical in any touch on the line.

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Speaker 1: Oh.

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Speaker 12: I had four brothers and three sons, so I just

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Speaker 12: had to learn to play it with, you know, get

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Speaker 12: in or get out?

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Speaker 13: Wasn't it our city?

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Speaker 2: I think this is incredible? So you got twenty five grandkids?

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Speaker 12: Yeah?

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Speaker 2: See how many of them? Could you name? Right now?

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Speaker 12: I can name are of them?

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Speaker 2: All right? Everyone to stop what you're doing. Okay, seen

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Speaker 2: he's on the line. She's got twenty five grandkids. Jack,

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Speaker 2: you make a note. You count them off in your hands. Okay,

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Speaker 2: we need we'll all need hands. I'll give you ten.

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Speaker 2: You have ten? Perhaps you do the other five? Were ready?

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Speaker 14: Ye?

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Speaker 2: All right? Celi, Off you go.

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Speaker 12: There's Tom and Nick and Zach and then and then

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Speaker 12: there's Jordan and Jemma and Lucas, Kelly and Bridget's go Haley,

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Speaker 12: Joel and Luc, David, Ashley, Jake, Josie, Aiden and Austin.

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Speaker 12: There's Brendan, Sam and Nathan. There's Emma and Molly. There's Isabelle, Angus,

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Speaker 12: Jack and Maggie, and then the foster kids. There's Max,

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Speaker 12: we own Madaline. How many have I got there?

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Speaker 8: Twenty nine?

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Speaker 2: Are you the grandmum for all of us?

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Speaker 12: Very much?

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Speaker 2: That's twenty nine grandkids in total?

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Speaker 12: Well we have seven children.

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Speaker 2: What you're the old woman that lived in the shoe

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Speaker 2: that I've heard about for seventy years.

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Speaker 12: I know, I know.

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Speaker 8: Do you mind us asking how old you are?

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Speaker 12: I'm seventy six.

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Speaker 2: Seventy six? Do you know what I am? A hope,

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Speaker 2: I'm as with it and on it this time of

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Speaker 2: the morning as you are at seventy six cent. That

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Speaker 2: was you did them all. I mean, that is incredible.

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Speaker 12: We do all the birthdays and were always give them

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Speaker 12: something a little for Christmas, but we give our children

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Speaker 12: Christmas presents because the grandkids get enter and all this,

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Speaker 12: and three of our daughters in order have mums in

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Speaker 12: their lives and we make sure they get our kids

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Speaker 12: and they get nice presents.

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Speaker 3: If you're doing your kids' birthdays and grandkids' birthdays, you're

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Speaker 3: doing two birthdays a week almost fermently.

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Speaker 12: Working Santa with the Elks, well we gave monthly birthday parties.

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Speaker 12: We've just had three twenty first.

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Speaker 2: And also, you are a treat you are a treat superstar.

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Speaker 2: How far do you think you're going to kick the ball?

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Speaker 2: And because you've been kicking the ball and training the

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Speaker 2: next generation of kickers for.

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Speaker 12: Years, well I pretty much have. And we go to

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Speaker 12: off often two forty games a week with grandkids playing

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Speaker 12: and kids playing.

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Speaker 2: How do you barrack for Celia? Who do you barrack for?

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Speaker 12: Long the Cat?

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Speaker 1: Oh?

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Speaker 2: My my new team, the D's. We're playing you this Friday.

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Speaker 2: I'm going to be the worst my game.

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Speaker 12: I should be, shouldn't it?

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Speaker 2: I hope?

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Speaker 15: So?

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Speaker 2: Yeah, I already so.

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Speaker 12: I think we should get over the line, but I

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Speaker 12: am going to have.

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Speaker 2: To agree to disagree. I think the D's are going

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Speaker 2: to get over the line. But let's not falled out

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Speaker 2: right now. So how far? Two last questions, an Cidy?

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Speaker 2: How far do you think you're going to kick it?

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Speaker 16: Oh?

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Speaker 12: I reckon, I can do the fifty. I'll get down

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Speaker 12: there and do a bit of practice.

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Speaker 2: I hope you do it. I really hope you do.

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Speaker 12: I think they'd be amazing for me to practice. Came

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Speaker 12: in last with two forties. I think it's hilarious.

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Speaker 2: You gotta and we need a nickname from you then, seedy,

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Speaker 2: So what is your kicking nickname going to be?

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Speaker 12: I too, nick? Not that basically tiny back in school,

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Speaker 12: but I was surely when I played after that, surely

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Speaker 12: get it to me, shorty, shorty.

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Speaker 2: Okay, listen, Celie has been a treat to speak to

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Speaker 2: this morning. We look forward to seeing how fire kicking.

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Speaker 2: I hope you do the fifty. I have a good day,

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Speaker 2: Good luck with your training. Thanks for speaking to us.

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Speaker 12: All the grand Okay.

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Speaker 2: All right then, and I hope the Cats lose Friday

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Speaker 2: as well. Okay, bye bye Seed the.

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Speaker 1: Christian who Conwell, Breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: Time for this.

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Speaker 7: It's six thirty am and time to play the early

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Speaker 7: morning game.

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Speaker 2: It sounds like a song to me, Christian, it does,

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Speaker 2: all right, here's the clip first play yesterday, No right answers.

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Speaker 2: I think this is gettable, but it didn't go yesterday.

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Speaker 2: Maybe it's going to go this morning. I think it will.

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Speaker 2: You listen to the clues, you say what you hear?

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Speaker 2: You're trying? Yes, the song title from the clues that

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Speaker 2: is surely going to go today. We have any idea.

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Speaker 9: I thought it was something about eating perhaps.

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Speaker 2: But she's clever. That's why she's a trained journalist. Holmes

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Speaker 2: is on the case.

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Speaker 9: Everyone, we're all saved or doomed.

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Speaker 4: She's here and eating.

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Speaker 2: I didn't hear that, you know, it's like a dog whistle.

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Speaker 2: We hear nothing but Pats is hearing somewhere in this

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Speaker 2: an eating or a chomping? Would you say?

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Speaker 17: So?

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Speaker 2: I get her on that jfkk. She'll have it wrapped

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Speaker 2: up by the end of the week. Who was it

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Speaker 2: on the I'd be thinking someone got shot here? We

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Speaker 2: need to get Pat's a classic crime file.

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Speaker 9: I need a brandy, I think.

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Speaker 3: Yeah, true crime podcasts are huge of the moment, Pats,

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Speaker 3: you can do a few.

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Speaker 9: Of your Yeah, it's very funny boys.

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Speaker 2: Red Car's gone up. That's it, Get on with it,

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Speaker 2: all right, give us a cool lines up and now

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Speaker 2: what is the song? Titch? You can hear maybe you

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Speaker 2: can hear eating. I don't know. It's probably just parents.

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Speaker 2: He is picking it up. Nine four one four three.

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Speaker 2: Here are the clues. But what Melbourne is the song?

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Speaker 2: Nine four one four one o four.

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Speaker 1: Three The Christian O'Connell breakfast show, Melbourne's Gold one oh

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Speaker 1: four point three?

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Speaker 2: Will you take this down this morning?

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Speaker 7: It's six thirty am and time to play the early

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Speaker 7: morning game.

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Speaker 2: It sounds like a song to me, Christian. All right,

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Speaker 2: you say what you hear? I play you a little clip,

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Speaker 2: couple of sound effects. You're trying to work out what

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Speaker 2: the song title is from the sound effects that are

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Speaker 2: in here. Yep, that's who you game. What do you

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Speaker 2: think it is? No right answers yesterday, Bonnie, good morning,

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Speaker 2: Good morning, Good morning, Bonnie. I hope you're well this morning.

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Speaker 2: What do you think the song is?

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Speaker 12: Love fights by death leapards?

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Speaker 4: Oh?

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Speaker 18: Great, guess because Detective Petrina is on the case, Bonnie

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Speaker 18: to mate, it is not the right answer, but thanks

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Speaker 18: for carding the show and trying to.

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Speaker 19: Have a go.

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Speaker 2: Oh all right, he's devastated. They were going to get

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Speaker 2: over it. Never be the same person. Russell, good morning,

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Speaker 2: Good morning, Christy and Rusty. What do you think the

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Speaker 2: song is?

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Speaker 13: I think it's Slump by the President of the United States.

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Speaker 2: Such a great song and ages we should stick that

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Speaker 2: on all request. If someone asks, right, why do you

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Speaker 2: think lump?

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Speaker 13: Well, the chorus where it goes, she's long, She's lomp.

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Speaker 2: No, no, no not.

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Speaker 3: Why did the presidents of the United States name the

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Speaker 3: song lump?

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Speaker 8: Why do you think the clue is lump?

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Speaker 13: Sorry, just reminded me of the chorus of that song.

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Speaker 13: I like.

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Speaker 2: Chump, chump, lump, lump. All right, Russell, thank you very much, mate,

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Speaker 2: have a good day and guess no, hoppy machinery.

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Speaker 8: I don't mind.

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Speaker 2: It's a great song, David, Yes, David, what do you

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Speaker 2: think the song is? Mate?

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Speaker 13: Isn't it ironic? Anasa?

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Speaker 2: No, it is not that evil song. No, it's not

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Speaker 2: that David. Thanks according in mate, Tristan, good morning. Hey?

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Speaker 13: Is it is that fat bottom girl?

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Speaker 2: Naughty? Naughty? I've seen what you've done there, I've seen

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Speaker 2: what you've done this It is not that, okay, thanks

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Speaker 2: according in Cuts Hello, good morning cut. What do you

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Speaker 2: think the song is?

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Speaker 13: Monster?

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Speaker 2: Monster month? Yeah, it's the Monster Mash. Isn't it the Monster? Yeah?

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Speaker 13: Oh yeah, yep?

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Speaker 4: Does it matter? Very early everywhere else?

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Speaker 2: Did everyone have a big night last night? There's the weather,

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Speaker 2: isn't it? You know we're out there drinking and it's

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Speaker 2: a nice yesterday? I get it?

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Speaker 3: Ash, good morning, hey mate, I reckon it's some depeche

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Speaker 3: Mode just can't get enough?

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Speaker 15: You know that one?

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Speaker 2: Yeah, it's a classic depeche Mode song, classic British rock song.

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Speaker 2: So from this, why do you reckon it's that?

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Speaker 3: Because it's the episode of The Simpsons where Home is

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Speaker 3: getting fource fed the donuts and he wants more, so

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Speaker 3: like you can't get enough.

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Speaker 15: You know.

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Speaker 3: The line is if you love donuts, why not have

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Speaker 3: all the donuts in the world.

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Speaker 2: I like it, Ash and Ashes the rightside, just taking

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Speaker 2: it down. Day two, write it in the last called

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Speaker 2: Ash sneaks through gets it over the line, Ash, well done,

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Speaker 2: well done, Thanks guys. You win the prize, whiches, No,

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Speaker 2: you don't win the ten k and they'll repeat money

398
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Speaker 2: can't send it to Asia Yo, Jim's cleaning. Jim's coming round.

399
00:18:51,600 --> 00:18:53,480
Speaker 2: He's going to give you some cleaning when you know

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Speaker 2: you're not cleaning you your place for one hundred dollars.

401
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Speaker 13: Okay, yeah, fantastic, Thanks guys.

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Speaker 2: Hey, well done. That's really good. Yeah, just can't get

403
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Speaker 2: an he's eating a lot of food. There. That was

404
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Speaker 2: the clip. There, we need a brand new clip. Well done, Ash,

405
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Speaker 2: have a good day, guys.

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Speaker 15: You two all right?

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00:19:06,320 --> 00:19:08,040
Speaker 2: What we're going to do? Then we got the news

408
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Speaker 2: and sport coming up next. And then the first song

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00:19:10,320 --> 00:19:12,119
Speaker 2: you're gonna hear out of seven o'clock is going to

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00:19:12,200 --> 00:19:14,960
Speaker 2: be your song sing it for Melbourne? Is this song.

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00:19:15,040 --> 00:19:23,720
Speaker 2: It's available for download now. You can download this two

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Speaker 2: dollars nineteen. All the proceeds all profits go to the

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Speaker 2: Starlight Foundation, a great charity for sick kids in Melbourne.

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Speaker 2: We're going to play it right out of the seven

415
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Speaker 2: o'clock news. What I'd like you to do.

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Speaker 5: The seconds to go, one last travel, the guy fall

417
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Speaker 5: in dispute, Melbourne burst out of the middle, they break

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Speaker 5: the dinner tap and now another Melbourne.

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Speaker 8: We're under fifty somehow gets the kickaway.

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Speaker 2: The city Holder's read it still gives me goosebumps.

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Speaker 19: All right.

422
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Speaker 2: I wanted to do is turn your radio up. If

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Speaker 2: you're in your cars, wind the windows down and when

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00:19:54,920 --> 00:19:57,000
Speaker 2: we play the song, turn it up so we can

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Speaker 2: turn your car radio into a giant pac them all

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Speaker 2: over this city. And then we give you details of

427
00:20:04,119 --> 00:20:05,679
Speaker 2: how we made the song and why. But we're going

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Speaker 2: to play it in full just after seven o'clock. It

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Speaker 2: is available to download now on iTunes.

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Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: All right, the song we played to you yesterday for

433
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Speaker 2: the first time with the Law Mayor Sally cap here

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Speaker 2: in the studio with us, Your song for Melbourne, Sing

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00:20:20,640 --> 00:20:23,400
Speaker 2: It for Melbourne is out now. It is in the charts.

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00:20:23,800 --> 00:20:25,960
Speaker 2: Jack at the time, are right now where are we

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Speaker 2: in the iTunes charts.

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Speaker 3: We're sitting at number fifty eight, one step ahead of

439
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Speaker 3: Diastraates Money for Nothing.

440
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Speaker 2: So this is a song that we ask you'll how

441
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Speaker 2: been writing. We want to work give Melbourne, this great

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00:20:36,359 --> 00:20:38,560
Speaker 2: city a song is no longer the number one most

443
00:20:38,560 --> 00:20:40,879
Speaker 2: liberal city in the world. Whatever, it will be back

444
00:20:40,920 --> 00:20:43,160
Speaker 2: at number one because it deserves to be. And so

445
00:20:43,280 --> 00:20:45,840
Speaker 2: Jack wrote this anthem. We've got a lot of people

446
00:20:45,840 --> 00:20:47,560
Speaker 2: to thank, including a lot of you that came up

447
00:20:47,560 --> 00:20:49,600
Speaker 2: with ideas for the song and have added to it.

448
00:20:49,640 --> 00:20:51,840
Speaker 2: We've got school choirs, You've got Hamis McLaughlan on it.

449
00:20:51,960 --> 00:20:54,400
Speaker 2: But the big news is it is available to download now.

450
00:20:54,720 --> 00:20:56,840
Speaker 2: Yesterday we played it in full for the first time

451
00:20:56,920 --> 00:20:59,399
Speaker 2: and the impact on it, it is the most powerful

452
00:20:59,440 --> 00:21:00,680
Speaker 2: song you're going to hear here this year. And I

453
00:21:00,720 --> 00:21:03,680
Speaker 2: can't even guarantee your safety. When you listened to it yesterday,

454
00:21:03,720 --> 00:21:06,800
Speaker 2: temperatures rose here in Melbourne, dolphins turned up and John

455
00:21:06,840 --> 00:21:10,040
Speaker 2: Melman was listening to it and the rest of sports history.

456
00:21:10,080 --> 00:21:12,960
Speaker 2: He smashes the Fed Express all because of this song.

457
00:21:12,960 --> 00:21:15,159
Speaker 2: It is two dollars nineteen. You can download it on

458
00:21:15,200 --> 00:21:17,639
Speaker 2: iTunes right now. We don't take a single buck from

459
00:21:17,680 --> 00:21:20,800
Speaker 2: it. It goes through Starlight Foundation, which is a great Melbourne

460
00:21:20,800 --> 00:21:23,440
Speaker 2: shouty for children who are going through a terrible time

461
00:21:23,440 --> 00:21:25,680
Speaker 2: in their families. Gives them a very special treat. So

462
00:21:25,680 --> 00:21:28,680
Speaker 2: it's a great cause. Two boxes nineteen. These people have

463
00:21:28,680 --> 00:21:29,639
Speaker 2: already got the song.

464
00:21:29,840 --> 00:21:32,760
Speaker 6: Good morning, Christian and Jack are well done on the

465
00:21:32,840 --> 00:21:35,199
Speaker 6: song downloaded at first thing this morning.

466
00:21:35,480 --> 00:21:37,320
Speaker 8: Awesome job guys, great song.

467
00:21:37,720 --> 00:21:40,640
Speaker 2: One guys. Jake from berri here just downloaded the song

468
00:21:41,000 --> 00:21:43,960
Speaker 2: of been calling my family making sure they downloaded, wiping

469
00:21:44,040 --> 00:21:46,200
Speaker 2: them up and we'll make sure the guys from working

470
00:21:46,280 --> 00:21:46,960
Speaker 2: on him as well.

471
00:21:47,080 --> 00:21:50,439
Speaker 8: Hi, Christian, it's Caroline from Beaconsfield. I've just downloaded the

472
00:21:50,480 --> 00:21:51,600
Speaker 8: song sing it for Melbourne.

473
00:21:51,720 --> 00:21:53,720
Speaker 20: Heard it yesterday in full for the first time and

474
00:21:53,840 --> 00:21:54,720
Speaker 20: absolutely loved it.

475
00:21:54,760 --> 00:21:55,399
Speaker 10: Made me cry.

476
00:21:55,760 --> 00:21:56,680
Speaker 2: We love Melbourne.

477
00:21:56,800 --> 00:21:57,520
Speaker 8: Have a great day.

478
00:21:57,640 --> 00:22:01,159
Speaker 20: Bye, Yes, good morning, Christian, Big John can Park just

479
00:22:01,240 --> 00:22:02,200
Speaker 20: downloaded the song.

480
00:22:02,280 --> 00:22:04,480
Speaker 8: Can't get enough but crank it up in the van.

481
00:22:05,760 --> 00:22:06,720
Speaker 2: I've got it lasting.

482
00:22:06,960 --> 00:22:07,919
Speaker 4: It's fantastic.

483
00:22:07,960 --> 00:22:09,160
Speaker 8: It's for such a good cause.

484
00:22:09,640 --> 00:22:14,760
Speaker 10: If you don't download it, you're a schmuck. Friend.

485
00:22:15,680 --> 00:22:21,720
Speaker 21: Harris m I'll meet you within the street station, the

486
00:22:21,920 --> 00:22:28,680
Speaker 21: tram cars, the street art. I threw up at Loona Park,

487
00:22:28,880 --> 00:22:36,159
Speaker 21: the State Library, the NTV, drinking coffee and run Swift

488
00:22:36,320 --> 00:22:41,480
Speaker 21: Street at Fitzroy Gardens, walked through the trees to.

489
00:22:41,640 --> 00:22:48,959
Speaker 22: Watch the food at the MCG. As the weather gets better,

490
00:22:49,640 --> 00:22:53,440
Speaker 22: we will barbe you together.

491
00:22:54,760 --> 00:22:56,880
Speaker 17: On and on this way.

492
00:22:57,359 --> 00:23:04,720
Speaker 22: And sing her name, everybody seeing it's an.

493
00:23:10,720 --> 00:23:12,400
Speaker 2: Everybody seeing it's.

494
00:23:17,640 --> 00:23:18,160
Speaker 16: My mother.

495
00:23:18,400 --> 00:23:29,880
Speaker 21: Motion for the languading culture, sporting culture, multi culturalism.

496
00:23:27,359 --> 00:23:34,639
Speaker 22: No Thenmusium, Crampolladium and the very sporting stagums.

497
00:23:35,160 --> 00:23:36,840
Speaker 4: As the weather gets.

498
00:23:36,600 --> 00:23:41,320
Speaker 21: Better, we will talk again together.

499
00:23:42,720 --> 00:23:46,040
Speaker 4: Calling on sway. I'm seeing it.

500
00:23:50,760 --> 00:23:55,600
Speaker 20: Everybody see it's alb.

501
00:23:58,720 --> 00:23:59,960
Speaker 22: Everybody see.

502
00:24:06,400 --> 00:24:08,720
Speaker 20: Melviney song.

503
00:24:11,400 --> 00:24:18,119
Speaker 17: Come yes if we want to.

504
00:24:18,720 --> 00:24:23,520
Speaker 5: Darlen answer Melbourne of led all day but now Vienna

505
00:24:23,600 --> 00:24:26,040
Speaker 5: League with just seconds to go, one last roll of

506
00:24:26,080 --> 00:24:27,600
Speaker 5: the guy call in dispute.

507
00:24:27,680 --> 00:24:29,119
Speaker 8: Melbourne bursts out of the middle.

508
00:24:29,200 --> 00:24:30,359
Speaker 19: They break the Vienna tackle.

509
00:24:30,480 --> 00:24:33,920
Speaker 5: Now another Melbourne, we're under fifty. Somehow gets the kickaway.

510
00:24:34,119 --> 00:24:36,600
Speaker 5: The city holds its bread.

511
00:24:36,760 --> 00:24:40,720
Speaker 2: Melbourne, have you got this turned up loud? This is

512
00:24:40,760 --> 00:24:43,119
Speaker 2: sing at the Melbourne. You'r and from Melbourne call me

513
00:24:43,160 --> 00:24:45,760
Speaker 2: now nine four one four one oh four three?

514
00:24:45,880 --> 00:25:06,200
Speaker 20: Where are you listening to it?

515
00:24:59,359 --> 00:25:34,760
Speaker 2: In there? It is your song. Sing it from Melbourne.

516
00:25:34,800 --> 00:25:36,959
Speaker 2: It's God one I four point three. It's to Christian O'Connor,

517
00:25:37,000 --> 00:25:41,320
Speaker 2: Breackford show. Jack Bos the composer and the writer of

518
00:25:41,320 --> 00:25:43,520
Speaker 2: the song. That's got some exciting uses and forms of

519
00:25:43,560 --> 00:25:46,360
Speaker 2: the iTunes chart. This has been out now an hour

520
00:25:46,400 --> 00:25:49,199
Speaker 2: and ten minutes. We were at fifty eight in the

521
00:25:49,240 --> 00:25:50,520
Speaker 2: iTunes Rock chart.

522
00:25:50,920 --> 00:25:55,679
Speaker 3: We have moved to number three on the iTunes Rock Chane.

523
00:25:55,440 --> 00:25:59,119
Speaker 2: Number three your song. You've made this number three and

524
00:25:59,200 --> 00:26:01,520
Speaker 2: it is only ten minutes past seven.

525
00:26:01,960 --> 00:26:04,240
Speaker 3: So thank you to everybody who's living now and telling

526
00:26:04,320 --> 00:26:06,480
Speaker 3: family and friends to download it. It is going to

527
00:26:06,600 --> 00:26:09,240
Speaker 3: a good cause. And also it's a very good song.

528
00:26:09,359 --> 00:26:11,359
Speaker 2: It's a brilliant, brilliant song. And we have a lot

529
00:26:11,400 --> 00:26:13,199
Speaker 2: of people to thank as well, the people that came

530
00:26:13,280 --> 00:26:15,360
Speaker 2: up with ideas when we first just thought the most

531
00:26:15,400 --> 00:26:17,200
Speaker 2: might be a bit of fun. Jack writing a song

532
00:26:17,280 --> 00:26:20,360
Speaker 2: for Melbourne, a brand new anthem and to rival Vienna's one,

533
00:26:20,920 --> 00:26:23,000
Speaker 2: and this is far better. I've got an email now

534
00:26:23,000 --> 00:26:25,280
Speaker 2: for midgyor right, and I've interviewed a couple times. He's

535
00:26:25,320 --> 00:26:26,760
Speaker 2: a lovely guys who a really funny block and obvious

536
00:26:26,800 --> 00:26:29,040
Speaker 2: he's the right off with ultrabox on Vienna. I'm gonna

537
00:26:29,080 --> 00:26:31,359
Speaker 2: send it to him and ask for his as much

538
00:26:31,359 --> 00:26:33,639
Speaker 2: as he can independent on viewpoint on which is actually

539
00:26:33,640 --> 00:26:37,840
Speaker 2: the better anthem ultraboxes Vienna or ah sing it for Melbourne?

540
00:26:37,960 --> 00:26:40,200
Speaker 2: Your song? So it is available to download now, it's

541
00:26:40,240 --> 00:26:42,479
Speaker 2: on the iTunes chart. If you've got one of the

542
00:26:42,480 --> 00:26:45,400
Speaker 2: new models of the iPhone, what do they need to do? Mate?

543
00:26:45,520 --> 00:26:48,320
Speaker 3: Yeah, the new models of the iPhone don't have iTunes

544
00:26:48,359 --> 00:26:50,840
Speaker 3: Store anymore, so you've got to go to the App

545
00:26:50,880 --> 00:26:53,920
Speaker 3: Store and download iTunes Store then type in Yeah.

546
00:26:53,920 --> 00:26:55,680
Speaker 2: I didn't realize this because they keep trying to push

547
00:26:55,720 --> 00:27:00,320
Speaker 2: you like a dealer. I don't want Apple Music start

548
00:27:00,359 --> 00:27:02,520
Speaker 2: trying to push me in there. So you download the

549
00:27:02,560 --> 00:27:04,520
Speaker 2: app then you can find it there. Two dollars nineteen.

550
00:27:05,080 --> 00:27:07,239
Speaker 2: All proceeds, we don't take a single penny from it

551
00:27:07,240 --> 00:27:11,159
Speaker 2: goes to the Starlight Foundation and that is a brilliant charity.

552
00:27:11,320 --> 00:27:13,640
Speaker 2: After this, I'll tell you why we've picked them as well.

553
00:27:13,800 --> 00:27:15,680
Speaker 2: Let's take some calls right now. God one oh four

554
00:27:15,720 --> 00:27:20,960
Speaker 2: point three TSH, good morning, Hi here you going Tish?

555
00:27:21,000 --> 00:27:22,560
Speaker 2: Can I just first of all said I almost called

556
00:27:22,600 --> 00:27:25,480
Speaker 2: you thrush there because MgO our producer had mistyped it

557
00:27:25,560 --> 00:27:27,800
Speaker 2: to begin with, and then corrected it. I was about

558
00:27:27,840 --> 00:27:29,920
Speaker 2: to say thrush on line one.

559
00:27:30,280 --> 00:27:31,679
Speaker 3: Thank god, I get.

560
00:27:31,640 --> 00:27:38,159
Speaker 23: Trash, Chris. You know it's just retarded.

561
00:27:39,960 --> 00:27:40,520
Speaker 2: It's not that.

562
00:27:40,880 --> 00:27:46,639
Speaker 23: But I'm driving Dan. Thank Hilda by Betroth. The singing

563
00:27:46,960 --> 00:27:50,760
Speaker 23: so blue, the pounds are blowing and I've got that

564
00:27:51,040 --> 00:27:53,920
Speaker 23: song blary and the quietest singing.

565
00:27:54,320 --> 00:27:56,120
Speaker 15: It's awesome, brilliant.

566
00:27:56,200 --> 00:27:59,720
Speaker 2: Thank you so much, trash lovely to get you called Elizabeth,

567
00:27:59,760 --> 00:28:01,000
Speaker 2: Thank you, thank you, I have giving us a call.

568
00:28:01,119 --> 00:28:02,280
Speaker 2: Le's worth. You enjoyed the song.

569
00:28:02,840 --> 00:28:05,440
Speaker 14: Oh look, I'm really really enjoying it. Thank you so much,

570
00:28:05,480 --> 00:28:08,080
Speaker 14: guys for coming up with it. Number one, number two,

571
00:28:08,240 --> 00:28:12,080
Speaker 14: it is so appropriate for Melbourne. And number three you're

572
00:28:12,119 --> 00:28:17,440
Speaker 14: not singing in American accent, fantic.

573
00:28:17,600 --> 00:28:18,199
Speaker 21: Oh thank you.

574
00:28:19,040 --> 00:28:21,400
Speaker 14: I just saw that angle and I'm singing at work

575
00:28:21,440 --> 00:28:23,560
Speaker 14: and everyone's asked me, what's that song? I said, listen

576
00:28:23,600 --> 00:28:27,320
Speaker 14: tomorrow morning, a wonderful, wonderful day. Guys, I've got to

577
00:28:27,359 --> 00:28:28,439
Speaker 14: go so by.

578
00:28:28,640 --> 00:28:30,360
Speaker 2: No, she's busy. I mean we're supposed to be busy,

579
00:28:30,400 --> 00:28:34,000
Speaker 2: but she's busier. Jack, good morning, Oh a, I'm pretty

580
00:28:34,000 --> 00:28:36,520
Speaker 2: good Jack, And you enjoyed the song singer for Melbourne.

581
00:28:36,840 --> 00:28:39,520
Speaker 11: Absolutely loving it. I only just heard it this morning.

582
00:28:39,520 --> 00:28:41,280
Speaker 11: I didn't get a chance to listen to it yesterday,

583
00:28:41,280 --> 00:28:43,880
Speaker 11: but I'm absolutely loving it. It's got me super hyped.

584
00:28:43,880 --> 00:28:45,760
Speaker 11: I've got a big day coming up, but that is

585
00:28:45,840 --> 00:28:46,880
Speaker 11: exactly what I needed.

586
00:28:46,960 --> 00:28:48,880
Speaker 2: Oh mate, that is great news. You're going to download

587
00:28:48,920 --> 00:28:50,360
Speaker 2: it as well for a great cause as well.

588
00:28:50,840 --> 00:28:52,280
Speaker 11: Yeah, of course, all right.

589
00:28:52,120 --> 00:28:53,880
Speaker 2: Tom man Jack, have a great day. Thanks for giving

590
00:28:53,960 --> 00:28:54,320
Speaker 2: us a call.

591
00:28:54,480 --> 00:28:57,840
Speaker 1: The Christian oho'connell Breakfast Show. Melbourne's Gold one oh four

592
00:28:57,880 --> 00:28:58,640
Speaker 1: point three.

593
00:28:58,600 --> 00:29:00,680
Speaker 2: Give beautyse You've made it number one in the rock

594
00:29:00,760 --> 00:29:03,440
Speaker 2: chart on iTunes. Within an hour and fifteen minutes of

595
00:29:03,480 --> 00:29:06,160
Speaker 2: the show stumbling on air, your song sing It for

596
00:29:06,280 --> 00:29:09,480
Speaker 2: Melbourne is at number one in the iTunes rock chart.

597
00:29:09,920 --> 00:29:12,360
Speaker 2: That is amazing. Thank you so much. If you are

598
00:29:12,400 --> 00:29:14,960
Speaker 2: buying it, some of you are texting please do that.

599
00:29:15,080 --> 00:29:16,880
Speaker 2: Put your name on it as el so we can

600
00:29:16,960 --> 00:29:19,480
Speaker 2: thank you. Four seven five three one oh four three

601
00:29:19,760 --> 00:29:23,480
Speaker 2: number one in the rock iTunes chart. Your song. That's unbelievable.

602
00:29:23,520 --> 00:29:25,239
Speaker 8: It's awesome. I'm so excited for us.

603
00:29:25,240 --> 00:29:27,280
Speaker 3: I Aldo said, keep jumping up there and now it's

604
00:29:27,280 --> 00:29:29,240
Speaker 3: got nowhere to go because it's a number one, all.

605
00:29:29,280 --> 00:29:31,480
Speaker 2: Right, so keep supporting it, let your friends know, let

606
00:29:31,480 --> 00:29:35,800
Speaker 2: everyone know at work that it is available black to them. Okay, yesterday,

607
00:29:35,840 --> 00:29:39,320
Speaker 2: I need to talk about this. How are dolphins in

608
00:29:39,360 --> 00:29:41,120
Speaker 2: the era? And they just run a corner from where

609
00:29:41,240 --> 00:29:42,360
Speaker 2: we are talking to you right now?

610
00:29:42,400 --> 00:29:44,880
Speaker 8: In Richmond there are stones throw away from.

611
00:29:44,680 --> 00:29:48,520
Speaker 3: Here Bridge Street, the Church Street bridge, which is like,

612
00:29:48,800 --> 00:29:51,560
Speaker 3: you know, not a k from here.

613
00:29:52,400 --> 00:29:53,800
Speaker 8: Dolphins were spotted swimming.

614
00:29:53,920 --> 00:29:56,920
Speaker 2: I've seen the video. It's crazy. Now, how are they here?

615
00:29:57,000 --> 00:29:59,960
Speaker 2: Are they lost? I know they have a very advance

616
00:30:00,040 --> 00:30:02,280
Speaker 2: it's sonar and they can navigate all over the world,

617
00:30:02,480 --> 00:30:05,320
Speaker 2: but apparently sometimes that can get being knocked off Haywy.

618
00:30:05,480 --> 00:30:10,960
Speaker 2: Now with submarines and boats radar technology, they can become confused.

619
00:30:11,360 --> 00:30:13,920
Speaker 3: Well, I'm confused of how they go from salt water

620
00:30:14,000 --> 00:30:15,960
Speaker 3: to fresh water. I know, you're not meant to put

621
00:30:15,960 --> 00:30:16,800
Speaker 3: a saltwater fish.

622
00:30:16,920 --> 00:30:18,840
Speaker 2: It's like when you change your tirees, you know, when

623
00:30:18,880 --> 00:30:20,760
Speaker 2: you go and you put on your snow tires or whatever.

624
00:30:20,880 --> 00:30:22,560
Speaker 2: Is that what they've got like a different caint set

625
00:30:22,560 --> 00:30:23,480
Speaker 2: of fins that they put on for.

626
00:30:23,720 --> 00:30:26,840
Speaker 3: Are they safe in freshwater? Do they have a limited time?

627
00:30:27,200 --> 00:30:32,920
Speaker 2: I mean, I'm no marine expert. But that yarrow looks

628
00:30:30,880 --> 00:30:35,480
Speaker 2: like it's soup. Is I don't want to be rude, Okay,

629
00:30:35,520 --> 00:30:38,040
Speaker 2: I don't want to be rude because the London where

630
00:30:38,080 --> 00:30:40,920
Speaker 2: I've been broadcasting from for years is a mankey, old,

631
00:30:40,920 --> 00:30:44,160
Speaker 2: brown looking Sialty river. Okay, it's muddy as well. It's

632
00:30:44,160 --> 00:30:45,960
Speaker 2: a city, so there's lot of stuff that gets dumped

633
00:30:45,960 --> 00:30:46,640
Speaker 2: in it. You know what.

634
00:30:46,760 --> 00:30:49,280
Speaker 3: I always thought, until just recently, that the yarrow is

635
00:30:49,400 --> 00:30:51,880
Speaker 3: naturally brown like that because it picks up all the

636
00:30:51,920 --> 00:30:55,440
Speaker 3: silk and minerals off the bank. But apparently before English

637
00:30:55,520 --> 00:30:57,280
Speaker 3: settlers came here, it was.

638
00:30:57,680 --> 00:31:03,840
Speaker 2: At the convict turns really quickly, didn't it It was

639
00:31:04,120 --> 00:31:05,040
Speaker 2: it was a clear river.

640
00:31:05,120 --> 00:31:07,600
Speaker 8: And then be bully, yeah, because we Why are.

641
00:31:07,520 --> 00:31:10,280
Speaker 2: The dolphins here now? Race issue? Who are you, Pauline Hansen?

642
00:31:10,920 --> 00:31:13,800
Speaker 2: Send the dolphins back? Send him back, everyone back.

643
00:31:14,120 --> 00:31:16,680
Speaker 3: It's because we build dams or like, tried to redirect

644
00:31:16,720 --> 00:31:19,080
Speaker 3: it that it started picking up all the silk and

645
00:31:19,080 --> 00:31:19,880
Speaker 3: that's why it's brown.

646
00:31:20,240 --> 00:31:21,360
Speaker 2: Why are the dolphins here?

647
00:31:21,400 --> 00:31:24,000
Speaker 9: Why are they to get freshwater? Dolphins? Can't you? I

648
00:31:24,040 --> 00:31:26,040
Speaker 9: think there's a species of fresh water, But.

649
00:31:26,040 --> 00:31:27,200
Speaker 8: Where have they come from?

650
00:31:27,240 --> 00:31:27,440
Speaker 19: There?

651
00:31:27,720 --> 00:31:30,240
Speaker 3: If the bay, I presume, But that's salty.

652
00:31:31,200 --> 00:31:31,920
Speaker 9: Well, that's true.

653
00:31:31,960 --> 00:31:34,000
Speaker 2: Yeah, Jack makes a good point here. We need text calls.

654
00:31:34,000 --> 00:31:36,760
Speaker 2: There must be some people who've got like some qualifications

655
00:31:36,760 --> 00:31:38,760
Speaker 2: in marine or even if biology.

656
00:31:39,000 --> 00:31:42,680
Speaker 9: Yeah, someone from the aquarium might call up, because that's right.

657
00:31:42,720 --> 00:31:42,960
Speaker 16: A lot.

658
00:31:43,240 --> 00:31:45,040
Speaker 2: They're busy feeding the penguins this tom in the morning,

659
00:31:45,080 --> 00:31:46,800
Speaker 2: you know, I think seven twenties when they feed the

660
00:31:46,800 --> 00:31:49,760
Speaker 2: old penguins of sardines nine four one four, one oh

661
00:31:49,800 --> 00:31:51,520
Speaker 2: four three. If you've got any insight as to how

662
00:31:51,560 --> 00:31:53,120
Speaker 2: dolphins are in the Yarra the.

663
00:31:53,160 --> 00:31:57,120
Speaker 1: Christian O'Connell breakfast show Melbourne's Gold one oh four point three.

664
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Speaker 2: So rast this morning? How can there be dolphins in

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Speaker 2: the era and right here near us in Richmond. Let's

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Speaker 2: go to Jeff. Good morning, Jeff, Oh, good morning.

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Speaker 15: How's it going pretty good?

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Speaker 2: Jeff? And why are there dolphins in the yarraw maye?

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Speaker 15: Okay, I'm with the Dolphin Research Institute and we've got

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Speaker 15: records of the dolphins the same time last.

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Speaker 2: Year, Jeff, Jeff, Jeff, what is it? What's your official

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00:32:22,960 --> 00:32:24,080
Speaker 2: job title? What do you do sir?

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Speaker 15: Where I'm I'm Director of the Dolphin Research Institute based

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Speaker 15: down at on the Mornington Peninsula.

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Speaker 2: What are the chances, Jeff, that you're listening to us

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00:32:33,560 --> 00:32:36,400
Speaker 2: gormously trying to speculate as to why there are these amazing,

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Speaker 2: beautiful animals mammals in the Yarra and you happen to

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Speaker 2: be listening to the radio at that moment.

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Speaker 15: It's mental telepathy.

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Speaker 2: So, Jeff, you're the perfect person to cool in. So

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Speaker 2: how come they here?

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Speaker 15: I look at they're moving for food. In the last week,

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Speaker 15: we've had records of dolphins in the Pattison River down

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Speaker 15: on the eastern side of the bar. We've got dolphs

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Speaker 15: up the Era for the fact the last few weeks

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Speaker 15: and also the day before up to the Maravandom, which

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Speaker 15: is a bit concerning in the marrable on considering the

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Speaker 15: pollution concerns there. Look, so it was good to hear

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Speaker 15: they're back in the Yarra yesterday, and I think part

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Speaker 15: Rode clearly even mean that some of them support the tigers.

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Speaker 2: On tomorrow night.

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Speaker 8: But Jeff, what kind of food are they looking for?

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Speaker 2: In the Era pies?

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Speaker 15: I looked. These are bottlenosed dolphins, so they'll be after

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Speaker 15: brim probably and when we haven't had much rhine. This

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Speaker 15: is sort of pretty common after the lack of rhyme

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Speaker 15: because salt goes further up up the rivers, and so

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Speaker 15: that makes sense that we've got them in most of

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Speaker 15: the rivers. And it's as I said, I looked at

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Speaker 15: the record yesterday and we've got sighting September last year.

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Speaker 15: And what's really important is the community can help with

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Speaker 15: the understanding. So when things like this happen and we

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00:34:02,160 --> 00:34:03,920
Speaker 15: can say look back in the record and say, yeah,

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Speaker 15: it's actually pretty normal by reporting out the sightings. And

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Speaker 15: we've got people who have been reporting sightings back twenty

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Speaker 15: seven years in our organization's history, and so they can

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Speaker 15: go to our website, which is Dolphin Research dot org

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Speaker 15: dot au and report sightings online and they can even

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Speaker 15: upload videos. Yesterday we had guys uploading videos.

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Speaker 2: Some of the videos they're amazing, aren't they the callers of

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Speaker 2: the footage and they just saw are casually playing around there.

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Speaker 15: That's remarkable what we can do.

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Speaker 2: Seeing as I've got someone who is the director of

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Speaker 2: Dolphin Research, can you tell us one amazing fact about

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Speaker 2: dolphins before we go? One amazing fact about dolphins this morning?

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Speaker 15: Probably the way they use sounds. Dolphins can actually make

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Speaker 15: sound pictures like the offrasound. The doctors get, you know,

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Speaker 15: little kids before they're born in their mum's tom They

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Speaker 15: send out sound through their forward in the water and

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Speaker 15: they actually listen with their jaw, so they can actually

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Speaker 15: see octopus buried under the sand, and they can see

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Speaker 15: what's going on in the distance when it's completely dark.

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Speaker 15: And what's more, the sound is so powerful that they

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Speaker 15: can stun a fish with it. So I can go

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Speaker 15: up and give it this incredibly powerful versus sound and

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Speaker 15: stun a fish, which makes it easier to each to eat.

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Speaker 2: And he can do that, he can stun a fish

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Speaker 2: with sound. There you go that that's the dolphins going.

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Speaker 2: Why is that it's too early for that?

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Speaker 15: And look, can I put in a little plug. We

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Speaker 15: are a not for profit organization and people have been

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Speaker 15: adopting a dolphin to support our research and education programs

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Speaker 15: for twenty seven years, so people can join our action.

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Speaker 2: I'm having at that because I want to see if

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Speaker 2: I can have the next days take the kids to

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Speaker 2: come and see some of these dolphins, because they were

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Speaker 2: stunned by yesterday and they came home from school.

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Speaker 15: We're so lucky. Look every lots of other places in

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Speaker 15: the world and even Australia are losing their resident dolphins

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Speaker 15: close to capital cities. And we've got a very healthy

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Speaker 15: group of bottle dolphins. But we're the only place in

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Speaker 15: the world where about fifteen years ago we also had

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Speaker 15: iceanic common dolphins come into Port Phillip buy a nice

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Speaker 15: style and so the rest of the world's looking at

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Speaker 15: our wonderful buy and side by. This is remarkable and

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Speaker 15: so we're very lucky. And so we've got to look after.

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Speaker 2: Jan hasn't got dolphins staying, not as coming. They stay.

748
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Speaker 2: Come for the error, stay for the vibe. All right,

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Speaker 2: Lit and Jeff, thank you very much for going to school.

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Speaker 2: You're doing great important work.

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00:36:26,080 --> 00:36:28,279
Speaker 15: Okay, pleasure, thank you so much.

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Speaker 1: The Christian who Conwell Breakfast show Melbourn's Gold one oh

753
00:36:31,560 --> 00:36:32,319
Speaker 1: four point three.

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00:36:32,480 --> 00:36:35,040
Speaker 2: All right, So yesterday we were doing five to a

755
00:36:35,160 --> 00:36:37,520
Speaker 2: Tuesday and one of five topics that you were calling

756
00:36:37,520 --> 00:36:39,600
Speaker 2: in about with your awesome stories was it was about

757
00:36:39,600 --> 00:36:42,520
Speaker 2: weavery spotted a celebrity and a dal or every day

758
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Speaker 2: setting and we got this great call.

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Speaker 16: I had Mel Gibson rocked up at my parents' house

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Speaker 16: in the mid nineteen nineties.

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00:36:49,480 --> 00:36:51,960
Speaker 2: What led the actor Mel Gibson to go around to

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Speaker 2: your folks place.

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Speaker 16: Well, he his car broke down on the country days are.

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Speaker 16: It was a time before mobile phones and he needed

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Speaker 16: to call the RACV. So walked up the driveway, knocked

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00:37:01,640 --> 00:37:03,239
Speaker 16: on the door, and came in and had a cup

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Speaker 16: of tea while we waited for the.

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Speaker 13: RACV to arrive.

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Speaker 2: Did you have biscuits by the way with the tea?

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Speaker 16: I so?

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Speaker 2: I loved doing five juice there. That's such a great call.

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Speaker 2: All right, So here's the thing. Then we thought we

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Speaker 2: got it. There's a part two to this. Has anyone

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00:37:18,719 --> 00:37:21,279
Speaker 2: famous come round to your house? I don't know if

775
00:37:21,280 --> 00:37:23,640
Speaker 2: we get any calls on this. There might be zero calls.

776
00:37:23,680 --> 00:37:25,840
Speaker 2: They can't all have mel Gibson aunt your place, your

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00:37:25,880 --> 00:37:29,280
Speaker 2: mom and dad's house for team biscuits. But has anyone

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00:37:29,320 --> 00:37:32,160
Speaker 2: famous ever been round to yours? If they have, give

779
00:37:32,200 --> 00:37:35,200
Speaker 2: me a call nine four one four one o four three.

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00:37:35,160 --> 00:37:38,560
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

781
00:37:38,560 --> 00:37:39,200
Speaker 1: point three.

782
00:37:39,360 --> 00:37:42,480
Speaker 2: So we stumbled on air this morning sing it for Melbourne.

783
00:37:42,600 --> 00:37:46,840
Speaker 2: Your song all proceeds going to the Starlight Foundation. Wasn't

784
00:37:46,920 --> 00:37:50,160
Speaker 2: number eighty eight in the rock chart? Well, that's fair enough.

785
00:37:50,360 --> 00:37:53,040
Speaker 2: You know, we'll see what happens this morning. I thought,

786
00:37:53,080 --> 00:37:54,600
Speaker 2: if you broke in the top fifty, it'll be a

787
00:37:54,719 --> 00:37:58,120
Speaker 2: huge achievement. It's just two bucks eighteen, and then it

788
00:37:58,160 --> 00:38:00,160
Speaker 2: went up to fifty eight, and then I went to

789
00:38:00,239 --> 00:38:02,360
Speaker 2: number three, and now it is number one on the

790
00:38:02,400 --> 00:38:05,560
Speaker 2: iTunes Rock chart. Now let's go on to the big chart, okay,

791
00:38:05,560 --> 00:38:08,040
Speaker 2: which is a really really hard one. Obviously, you know

792
00:38:08,080 --> 00:38:11,719
Speaker 2: you've got your EDG shearings. Ariana Grande. Where are we now? Chat?

793
00:38:11,800 --> 00:38:13,040
Speaker 2: This is incredible.

794
00:38:13,040 --> 00:38:15,480
Speaker 3: This is the true top forty so of any songs,

795
00:38:15,680 --> 00:38:17,640
Speaker 3: we're sitting now at number thirty two.

796
00:38:18,200 --> 00:38:21,719
Speaker 2: That's unbelievable. Eminem dropped his new album last week and

797
00:38:21,719 --> 00:38:23,799
Speaker 2: here's one of the songs from it. Where above that?

798
00:38:24,160 --> 00:38:26,560
Speaker 8: Eminem, I don't know what to say.

799
00:38:26,600 --> 00:38:30,479
Speaker 2: We're above edge sharing's perfect and Ariander Grande as well.

800
00:38:30,520 --> 00:38:33,600
Speaker 2: And you're doing this. This is happening. We might, We

801
00:38:33,680 --> 00:38:36,040
Speaker 2: might if you're generous enough to keep downloading it to

802
00:38:36,080 --> 00:38:38,120
Speaker 2: an offense to do it break the top twenty by

803
00:38:38,160 --> 00:38:40,240
Speaker 2: the time we finished today at ten o'clock.

804
00:38:40,600 --> 00:38:42,560
Speaker 3: If you want to buy it, search sing it for

805
00:38:42,640 --> 00:38:45,680
Speaker 3: Melbourne on Itunese on the iTunes store or the iTunes

806
00:38:45,719 --> 00:38:46,959
Speaker 3: desktop at as well?

807
00:38:47,560 --> 00:38:51,160
Speaker 2: And which you better tell me this? Which the Munday

808
00:38:51,239 --> 00:38:52,640
Speaker 2: radio stations I've had done a down do the O

809
00:38:54,280 --> 00:38:56,360
Speaker 2: no move this week at number twenty nine.

810
00:38:56,480 --> 00:38:58,640
Speaker 8: Well the station I came from Fox.

811
00:38:58,520 --> 00:39:01,920
Speaker 3: FM every night place we're still doing that thirty every

812
00:39:02,040 --> 00:39:04,080
Speaker 3: night every night filler.

813
00:39:03,920 --> 00:39:07,120
Speaker 2: Radio people just find it out who cares? These days?

814
00:39:07,239 --> 00:39:07,680
Speaker 8: Every night?

815
00:39:07,719 --> 00:39:11,960
Speaker 2: From seven the number this week's free number four Julie

816
00:39:12,040 --> 00:39:13,800
Speaker 2: Bar have a song that sounded like the one you

817
00:39:13,840 --> 00:39:14,680
Speaker 2: heard an hour ago.

818
00:39:14,880 --> 00:39:18,120
Speaker 3: I think technically if we break the top thirty, they

819
00:39:18,160 --> 00:39:18,799
Speaker 3: have to play it.

820
00:39:18,920 --> 00:39:22,879
Speaker 2: I think, oh that's that's that's something that's a life goal.

821
00:39:23,000 --> 00:39:23,160
Speaker 19: Right.

822
00:39:23,520 --> 00:39:26,480
Speaker 2: They will hate that, trust me, they will do everything

823
00:39:26,520 --> 00:39:28,840
Speaker 2: they can not to play that song. But is there

824
00:39:28,880 --> 00:39:30,520
Speaker 2: a lord? Do they have to play what they're going

825
00:39:30,560 --> 00:39:35,040
Speaker 2: to do instead? At number thirty, let's move on, moving from.

826
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Speaker 3: Number twenty seven to number twenty five.

827
00:39:36,760 --> 00:39:38,400
Speaker 2: Do you know what they're gonna do. They're gonna rush

828
00:39:38,520 --> 00:39:41,480
Speaker 2: Eddie McGuire into a into a studio Anther or Feefee

829
00:39:41,480 --> 00:39:43,120
Speaker 2: to do some kind of song for Melbourne to try

830
00:39:43,160 --> 00:39:44,839
Speaker 2: and get up the chance ahead of us. All right,

831
00:39:45,000 --> 00:39:47,600
Speaker 2: so this morning asking have you ever had someone famous

832
00:39:47,880 --> 00:39:50,719
Speaker 2: round at your house. Ready's on the line.

833
00:39:50,719 --> 00:39:53,520
Speaker 17: Good morning, Good morning, Christian, good morning everyone.

834
00:39:53,680 --> 00:39:55,759
Speaker 2: Wow, and everyone says good morning. But ready, who you

835
00:39:55,800 --> 00:39:57,080
Speaker 2: had round at yours?

836
00:39:57,640 --> 00:40:01,400
Speaker 17: Well, it was actually about ten years old, a girlfriend's house,

837
00:40:01,440 --> 00:40:04,040
Speaker 17: having a playdate, and Kylie Minot rocked around.

838
00:40:04,920 --> 00:40:07,759
Speaker 2: Yeah what do you mean she rocked her out her playdate.

839
00:40:08,920 --> 00:40:12,440
Speaker 17: Yeah, well, no, not not to see us, but but

840
00:40:12,800 --> 00:40:15,400
Speaker 17: she she came on into the house. And my girlfriend's

841
00:40:15,440 --> 00:40:18,080
Speaker 17: father was a producer and at the time Kylie was

842
00:40:18,120 --> 00:40:20,880
Speaker 17: really famous. It was about eighty five and.

843
00:40:21,520 --> 00:40:24,920
Speaker 2: Peak, that's Pete Kylie. I mean also in England. She's

844
00:40:25,239 --> 00:40:28,000
Speaker 2: huge over there. She shifts loads of tickets in the UK.

845
00:40:28,120 --> 00:40:30,440
Speaker 2: She's almost bigger over there than she is over here.

846
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Speaker 17: She's massive, huge fame and a tiny little person. I

847
00:40:34,080 --> 00:40:35,400
Speaker 17: mean I was ten years old and were about the

848
00:40:35,440 --> 00:40:35,799
Speaker 17: same heigh.

849
00:40:36,080 --> 00:40:38,279
Speaker 2: She People don't realize that she's only a foot She's

850
00:40:38,320 --> 00:40:40,360
Speaker 2: a foot tool. She lives in the skirting walls like

851
00:40:40,440 --> 00:40:43,319
Speaker 2: the borrowers. She's like a pixie when she down here.

852
00:40:43,880 --> 00:40:46,040
Speaker 2: You don't realize about that. And then she did you

853
00:40:46,160 --> 00:40:48,040
Speaker 2: chat to her or get her autograph?

854
00:40:48,239 --> 00:40:51,640
Speaker 17: Yeah, well she came around because my girlfriend's father was

855
00:40:51,640 --> 00:40:55,319
Speaker 17: a producer and Kylie had she was in a little

856
00:40:55,320 --> 00:40:58,440
Speaker 17: little Australian series called The Henderson Kids. So I believe

857
00:40:58,520 --> 00:41:00,520
Speaker 17: she was coming around to pick up part of script

858
00:41:00,600 --> 00:41:03,279
Speaker 17: for that. Yeah, she was very very friendly. She was

859
00:41:03,280 --> 00:41:04,759
Speaker 17: in a hurry, but she did sit down and have

860
00:41:04,800 --> 00:41:08,440
Speaker 17: a quick chat with us. So friend who she obviously

861
00:41:08,600 --> 00:41:10,520
Speaker 17: you know, saw quite a few famous people coming in

862
00:41:10,520 --> 00:41:11,120
Speaker 17: and out at times.

863
00:41:11,160 --> 00:41:12,040
Speaker 14: She was impressed.

864
00:41:12,040 --> 00:41:14,759
Speaker 2: But I was great work of your dad's job. You

865
00:41:14,760 --> 00:41:17,040
Speaker 2: get all these kind of recording arts coming round. Tell

866
00:41:17,040 --> 00:41:19,319
Speaker 2: me this just quickly to last questions. Did she have

867
00:41:19,360 --> 00:41:20,440
Speaker 2: a cup of tea coffee?

868
00:41:21,480 --> 00:41:24,439
Speaker 17: She didn't they offered her, but she was in a hurry,

869
00:41:24,440 --> 00:41:26,760
Speaker 17: and I believe there was somebody she had a boyfriend

870
00:41:26,880 --> 00:41:28,600
Speaker 17: or something that had dropped her off to pick up

871
00:41:28,640 --> 00:41:31,160
Speaker 17: the script. So she stayed longer than what I'd thought.

872
00:41:31,200 --> 00:41:32,799
Speaker 8: So so he was just waiting in the car.

873
00:41:33,400 --> 00:41:35,800
Speaker 3: Yeah, oh yeah, Oh he had the engine running outside.

874
00:41:36,560 --> 00:41:38,240
Speaker 2: You were too, You were too if you had Kylie's

875
00:41:38,239 --> 00:41:39,719
Speaker 2: your girl and you keep that engine runny, get out

876
00:41:39,719 --> 00:41:46,040
Speaker 2: there quick show don't go upstairs in that producer as well.

877
00:41:47,040 --> 00:41:48,640
Speaker 2: All right, thank you very much. You kill have a

878
00:41:48,680 --> 00:41:49,040
Speaker 2: good day.

879
00:41:49,160 --> 00:41:50,440
Speaker 17: Welcome, have a good day, kids.

880
00:41:50,440 --> 00:41:53,480
Speaker 1: The Christian Who Connell Breakfast Show, Melbourne's Gold one oh

881
00:41:53,560 --> 00:41:54,279
Speaker 1: four point three.

882
00:41:54,440 --> 00:41:55,600
Speaker 2: Oh right, and then we're just about to give you

883
00:41:55,600 --> 00:41:57,440
Speaker 2: another clue. Jack's going another clue to help you win

884
00:41:57,480 --> 00:42:01,480
Speaker 2: the ten thousand dollars on the ten Canete on Monday.

885
00:42:01,520 --> 00:42:04,080
Speaker 2: We're asking you for five songs. Five songs. Give us

886
00:42:04,120 --> 00:42:05,920
Speaker 2: five songs. We'll picked one of these with the song

887
00:42:05,960 --> 00:42:08,319
Speaker 2: that is played twice between now and six o'clock either

888
00:42:08,360 --> 00:42:11,640
Speaker 2: the rest of today, Tomorrow or Friday is definitely going

889
00:42:11,719 --> 00:42:13,719
Speaker 2: this week. Here are the five songs it could be.

890
00:42:24,719 --> 00:42:32,560
Speaker 2: It's going to be one of these five. Yesterday Jack

891
00:42:32,600 --> 00:42:34,759
Speaker 2: gave the first clue as to which one it's going

892
00:42:34,840 --> 00:42:39,000
Speaker 2: to be, which was this album Sorry, this Old House.

893
00:42:39,920 --> 00:42:43,040
Speaker 3: The album version of this song runs for over four

894
00:42:43,120 --> 00:42:43,839
Speaker 3: minutes long.

895
00:42:45,320 --> 00:42:46,360
Speaker 8: Today's clue.

896
00:42:47,680 --> 00:42:51,560
Speaker 3: The song has featured in Deadpool two, Daddy's Home and

897
00:42:51,760 --> 00:42:52,840
Speaker 3: Varsity Blues.

898
00:42:53,600 --> 00:42:55,120
Speaker 2: Oh then, that is a clue.

899
00:42:55,120 --> 00:42:55,920
Speaker 9: It's a big clue.

900
00:42:56,000 --> 00:42:59,319
Speaker 2: All right, then, so their clue once more, never put

901
00:42:59,320 --> 00:43:01,040
Speaker 2: it down until I to put it down. Whatever I

902
00:43:01,040 --> 00:43:01,960
Speaker 2: told you so to come on.

903
00:43:02,280 --> 00:43:05,719
Speaker 3: The song has featured in Deadpool two, Daddy's Home, and

904
00:43:05,840 --> 00:43:06,800
Speaker 3: Varsity Blues.

905
00:43:07,800 --> 00:43:09,799
Speaker 2: All right, that's your second clue. It's one of those

906
00:43:09,840 --> 00:43:12,480
Speaker 2: five songs. Could we going today? Could we going tomorrow?

907
00:43:12,560 --> 00:43:14,839
Speaker 2: Can we go on Friday? Definitely going before the end

908
00:43:14,840 --> 00:43:17,839
Speaker 2: of this week, all right, Phil Collins. Tickets finally going

909
00:43:17,880 --> 00:43:21,040
Speaker 2: to sell one o'clock today through ticket Tech. You don't

910
00:43:21,040 --> 00:43:22,719
Speaker 2: have to wait until one o'clock. We've got a pair

911
00:43:22,760 --> 00:43:24,600
Speaker 2: of tickets which we're gonna give away, and I tell

912
00:43:24,640 --> 00:43:27,879
Speaker 2: you how next after this from p Diddy, don't lose

913
00:43:27,880 --> 00:43:28,640
Speaker 2: my number.

914
00:43:29,680 --> 00:43:33,080
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

915
00:43:33,120 --> 00:43:33,760
Speaker 1: point three.

916
00:43:33,920 --> 00:43:36,160
Speaker 2: So we're all gonna go. You can get your tickets

917
00:43:36,160 --> 00:43:39,040
Speaker 2: so you can be there Friday, the first of February

918
00:43:39,120 --> 00:43:42,120
Speaker 2: next year. Phil Collins Live at the Amy. It's gonna

919
00:43:42,120 --> 00:43:44,960
Speaker 2: be amazing. Not Dead Yet Live Tour. One of the

920
00:43:45,000 --> 00:43:47,320
Speaker 2: greatest tour names ever. I don't think there is a

921
00:43:47,360 --> 00:43:48,640
Speaker 2: great one that not ted yet.

922
00:43:48,680 --> 00:43:48,799
Speaker 14: Well.

923
00:43:48,840 --> 00:43:49,680
Speaker 8: Every time I hear the.

924
00:43:49,960 --> 00:43:51,800
Speaker 3: Promo run around on the stage, can sketch.

925
00:43:52,400 --> 00:43:54,000
Speaker 2: I don't know what I got high pitched then a

926
00:43:54,000 --> 00:43:57,399
Speaker 2: little bit anyway. Tickets going sell one o'clock today. It's

927
00:43:57,400 --> 00:43:59,680
Speaker 2: gonna set out so quickly that well, and you can

928
00:43:59,680 --> 00:44:02,399
Speaker 2: get the through Ticketech one o'clock today, ticketek have got

929
00:44:02,400 --> 00:44:04,520
Speaker 2: the tickets. Good luck, you can get them. We're all

930
00:44:04,560 --> 00:44:06,960
Speaker 2: gonna go. We have a pair of tickets right now

931
00:44:07,080 --> 00:44:09,719
Speaker 2: for you to win. Gig Pigs, get your trout out

932
00:44:09,760 --> 00:44:12,120
Speaker 2: of my trough. Haven't told you yet. Don't even pick

933
00:44:12,200 --> 00:44:14,080
Speaker 2: up that phone. Okay, go off the fox and get

934
00:44:14,120 --> 00:44:16,720
Speaker 2: something easily. You've got to work for these tickets, Okay,

935
00:44:16,880 --> 00:44:19,799
Speaker 2: Phil Collins, you think about Phil Collins, You think about this,

936
00:44:19,960 --> 00:44:33,160
Speaker 2: the power the drums. What I want you to do

937
00:44:33,200 --> 00:44:34,920
Speaker 2: with your mouth is I want you to be the

938
00:44:34,960 --> 00:44:40,040
Speaker 2: Phil Collins drum break this that that's what you gotta do.

939
00:44:40,160 --> 00:44:41,400
Speaker 2: I say, what you got to do. We've got to

940
00:44:41,440 --> 00:44:46,920
Speaker 2: do it really well. This is Phil Collins mouth drummer.

941
00:44:46,960 --> 00:44:53,080
Speaker 9: Ookie, that's such a great drum. He's good at the

942
00:44:53,080 --> 00:44:53,600
Speaker 9: air drums.

943
00:44:56,520 --> 00:44:59,839
Speaker 2: Air drums won't work on the radio, Pats. So here's

944
00:44:59,880 --> 00:45:01,880
Speaker 2: what you gotta do. You just do this with your mouth.

945
00:45:02,080 --> 00:45:04,720
Speaker 2: Jack will demonstrate doo doo.

946
00:45:04,560 --> 00:45:06,359
Speaker 8: Doo doo doo doo doo doo doo doo.

947
00:45:07,680 --> 00:45:11,920
Speaker 2: Oh sa seamless peraps you reckon? You can ever go?

948
00:45:12,160 --> 00:45:20,040
Speaker 2: Are the guy? All right? Go there you go. That's

949
00:45:20,040 --> 00:45:22,080
Speaker 2: what we need to do to win the Phil Collins

950
00:45:22,120 --> 00:45:24,760
Speaker 2: tickets nine four one four, one oh four three.

951
00:45:24,719 --> 00:45:28,080
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

952
00:45:28,120 --> 00:45:28,720
Speaker 1: point three.

953
00:45:28,840 --> 00:45:31,920
Speaker 2: So Phil Collins tickets go on sell one o'clock this

954
00:45:31,960 --> 00:45:34,759
Speaker 2: afternoon through ticket Tech for the gig Friday night, the

955
00:45:34,760 --> 00:45:37,680
Speaker 2: first half February at the Amy, and we got to

956
00:45:37,680 --> 00:45:39,640
Speaker 2: pay tickets. You can win. Right now, we're looking for

957
00:45:39,719 --> 00:45:42,480
Speaker 2: you to do this. It is Phil Collins mouth drummy,

958
00:45:42,520 --> 00:45:53,799
Speaker 2: Oki with your mouth, do this, I play this, Bring

959
00:45:53,840 --> 00:45:56,640
Speaker 2: on the drums, let's go to the lines. Good morning, Julium. Hello,

960
00:45:57,040 --> 00:45:59,879
Speaker 2: hello Julium. Yeah, pretty good. You ready to do Phil

961
00:46:00,000 --> 00:46:00,800
Speaker 2: Collins on the drums.

962
00:46:00,960 --> 00:46:01,560
Speaker 21: Let's go for it.

963
00:46:01,560 --> 00:46:03,040
Speaker 19: I'll do a drum and field.

964
00:46:06,680 --> 00:46:11,360
Speaker 2: All right, buddy, off you go, okay, do do do

965
00:46:11,800 --> 00:46:19,920
Speaker 2: do very Judie and you set a high standard there.

966
00:46:20,040 --> 00:46:22,920
Speaker 12: All of the ones on on the.

967
00:46:24,120 --> 00:46:28,879
Speaker 2: This is Angie Andie right there.

968
00:46:29,440 --> 00:46:31,440
Speaker 14: Can I tell you a bit of a story first, Christian.

969
00:46:31,520 --> 00:46:32,880
Speaker 13: I'm so sorry to do this here.

970
00:46:33,040 --> 00:46:35,080
Speaker 2: No, I sorry, Angie. We don't have time are I

971
00:46:35,080 --> 00:46:37,240
Speaker 2: don't mean rudes, but there are loads of people calling

972
00:46:37,239 --> 00:46:37,959
Speaker 2: in who want to whin.

973
00:46:37,840 --> 00:46:40,720
Speaker 23: They fail And I'm feeling a bit threatened by Julian

974
00:46:40,760 --> 00:46:41,960
Speaker 23: because he sounded pretty amazing.

975
00:46:42,200 --> 00:46:45,520
Speaker 2: Yeah, the standards high. Maybe another time for that story hopefully.

976
00:46:46,040 --> 00:46:51,880
Speaker 2: All right, okay, so I need you to do this, Angie, Angie.

977
00:46:51,600 --> 00:46:53,120
Speaker 14: Drums, you're ready?

978
00:46:53,440 --> 00:47:03,759
Speaker 4: Yeah right, Angie, well, very very good.

979
00:47:03,760 --> 00:47:07,080
Speaker 2: Dost it with the story. Hayden, Good morning, Good on,

980
00:47:10,640 --> 00:47:18,000
Speaker 2: Hayden three two one go some extra bits in there,

981
00:47:18,840 --> 00:47:20,640
Speaker 2: nice flourished there from Hayden.

982
00:47:20,760 --> 00:47:22,359
Speaker 3: Hey, we got time for a quick story as well

983
00:47:22,360 --> 00:47:23,280
Speaker 3: as you.

984
00:47:25,040 --> 00:47:29,920
Speaker 2: Uh Ari, we're good. Ari. You ready to do the drums?

985
00:47:30,280 --> 00:47:31,319
Speaker 13: I'm ready to rock and roll?

986
00:47:31,360 --> 00:47:33,239
Speaker 2: All right? We want some big sounds. It needs a

987
00:47:33,320 --> 00:47:44,480
Speaker 2: sound off. You go, not that big, not big enough

988
00:47:44,480 --> 00:47:46,640
Speaker 2: to win the tickets I'm afraid of for Ari. Kate

989
00:47:46,760 --> 00:47:56,240
Speaker 2: you ready if I am big drums? Kate go sounded

990
00:47:56,320 --> 00:48:03,359
Speaker 2: like all right, do we take wam more? Okay, let's

991
00:48:03,360 --> 00:48:05,239
Speaker 2: take one more becks. We've got a really great one.

992
00:48:05,239 --> 00:48:09,120
Speaker 2: Put them through and then he's the one to beat

993
00:48:09,200 --> 00:48:13,240
Speaker 2: the moment. Alright, let's try Sylvia. Good morning, Sylvia, Good morning.

994
00:48:13,480 --> 00:48:15,560
Speaker 2: All right, Sylvia, well done and getting through. You're ready

995
00:48:15,560 --> 00:48:16,279
Speaker 2: to bring some break.

996
00:48:16,400 --> 00:48:20,200
Speaker 21: We need big drums, thank you?

997
00:48:20,200 --> 00:48:23,240
Speaker 2: No where is that a touchdown phone?

998
00:48:23,719 --> 00:48:23,879
Speaker 1: From?

999
00:48:25,320 --> 00:48:29,640
Speaker 2: Try again? Sylvia? Okay, it's moller, it's like that. Okay,

1000
00:48:29,719 --> 00:48:35,160
Speaker 2: all right, try again, take too, Sylvia. Off we go, Sylvi, No,

1001
00:48:35,280 --> 00:48:37,440
Speaker 2: try again. I know the last and final take, Sylvia,

1002
00:48:37,480 --> 00:48:50,560
Speaker 2: it's more. Can you do that? All right? Sylvia? Once more?

1003
00:48:50,840 --> 00:49:00,600
Speaker 2: For the tickets? Go? I just.

1004
00:49:02,719 --> 00:49:05,360
Speaker 8: I just bet Angie's listening to all this going? Is

1005
00:49:05,400 --> 00:49:07,120
Speaker 8: my story really worse than all.

1006
00:49:07,080 --> 00:49:09,360
Speaker 2: The story about a dream I had last night at

1007
00:49:09,400 --> 00:49:12,800
Speaker 2: my start sign Julian's back everyone, the King of drums

1008
00:49:12,800 --> 00:49:13,640
Speaker 2: this morning, Julian.

1009
00:49:14,280 --> 00:49:15,719
Speaker 16: Yet, thanks good.

1010
00:49:17,800 --> 00:49:18,719
Speaker 4: This morning. I love it.

1011
00:49:19,040 --> 00:49:21,520
Speaker 2: Julian. Once more, then show them how it's done.

1012
00:49:22,080 --> 00:49:33,120
Speaker 24: Okay, tickets, the tickets, gets the tickets, Julie, And well done.

1013
00:49:33,160 --> 00:49:35,480
Speaker 2: We will see there Friday night, the first of February.

1014
00:49:35,520 --> 00:49:38,759
Speaker 8: Okay, well, Julian, sounds like a sound effects for.

1015
00:49:40,239 --> 00:49:42,319
Speaker 2: All right. You can buy your tickets one o'clock this

1016
00:49:42,400 --> 00:49:43,800
Speaker 2: afternoon through ticket Tech.

1017
00:49:43,719 --> 00:49:47,080
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1018
00:49:47,120 --> 00:49:47,600
Speaker 1: point three.

1019
00:49:47,760 --> 00:49:50,160
Speaker 2: All right, So the last couple of weeks of us

1020
00:49:50,200 --> 00:49:52,640
Speaker 2: trying to work the song through to get to the

1021
00:49:52,640 --> 00:49:54,920
Speaker 2: point where and you know what, Originally it was just

1022
00:49:54,960 --> 00:49:56,719
Speaker 2: a bit fun and then it's sort of snowboard and

1023
00:49:56,760 --> 00:50:00,160
Speaker 2: your enthusiasm and joined for it has carried us on

1024
00:50:00,239 --> 00:50:02,560
Speaker 2: as well, and now it's available for download and it's

1025
00:50:02,640 --> 00:50:04,640
Speaker 2: racing up the chances, which is amazing. You're doing all this,

1026
00:50:05,360 --> 00:50:08,879
Speaker 2: Jackets saying to me him, I.

1027
00:50:08,760 --> 00:50:12,360
Speaker 8: Don't talk like that.

1028
00:50:15,000 --> 00:50:17,400
Speaker 2: He was saying how he knows Dvance Joy and I

1029
00:50:17,440 --> 00:50:20,480
Speaker 2: was like, well, that's amazing, right, He's brilliant and he

1030
00:50:20,480 --> 00:50:22,319
Speaker 2: could sing on the song. It's like yeah, of course.

1031
00:50:22,320 --> 00:50:24,560
Speaker 2: And Jack from day one when I first met him

1032
00:50:24,600 --> 00:50:26,640
Speaker 2: and this radio station flew him over to London for

1033
00:50:26,640 --> 00:50:28,920
Speaker 2: an interview, was like, I can get you access to

1034
00:50:28,960 --> 00:50:32,400
Speaker 2: the stars. The sports stars have got the biggest AFL

1035
00:50:32,840 --> 00:50:36,319
Speaker 2: Inside Inside AFL podcast in the country. You know, working

1036
00:50:36,360 --> 00:50:39,000
Speaker 2: with the Hamish nany Fe years, I know the stars,

1037
00:50:39,000 --> 00:50:42,759
Speaker 2: so I think Advance joined that incredible. The path went

1038
00:50:42,800 --> 00:50:44,920
Speaker 2: a bit cold, okay, and that's that's great. You know,

1039
00:50:45,000 --> 00:50:47,319
Speaker 2: we got some great people the songs on the port

1040
00:50:47,440 --> 00:50:51,399
Speaker 2: for it, and then the sadness of yesterday. I went

1041
00:50:51,440 --> 00:50:53,239
Speaker 2: to go and another meeting. When I came up from

1042
00:50:53,280 --> 00:50:55,279
Speaker 2: the meeting, I said, where's Jack And I said he's

1043
00:50:55,280 --> 00:50:57,080
Speaker 2: in the medical bay. He's had a tough he's had

1044
00:50:57,080 --> 00:51:01,160
Speaker 2: a tough time. France Joy was in reception mate of

1045
00:51:01,320 --> 00:51:02,800
Speaker 2: Jack's what happened?

1046
00:51:04,280 --> 00:51:08,239
Speaker 8: I said, hello to your.

1047
00:51:08,160 --> 00:51:09,960
Speaker 2: Friend Vance Joy, who you were going to get to

1048
00:51:09,960 --> 00:51:10,600
Speaker 2: sing on the song.

1049
00:51:11,040 --> 00:51:13,920
Speaker 3: I just can I tell you this anecdote first, It's

1050
00:51:13,960 --> 00:51:17,160
Speaker 3: just like Angie, this isn't.

1051
00:51:16,920 --> 00:51:18,399
Speaker 2: A long story, Okay, what you got?

1052
00:51:18,560 --> 00:51:18,719
Speaker 8: So?

1053
00:51:19,160 --> 00:51:22,720
Speaker 3: I know Van's Joy from Hamish and Andy Lake, you must.

1054
00:51:23,920 --> 00:51:25,840
Speaker 3: I saw him at a cafe and I had my

1055
00:51:25,880 --> 00:51:28,120
Speaker 3: head down, tapping away on my laptop, and he came

1056
00:51:28,160 --> 00:51:29,959
Speaker 3: up to me and said, Jack, how are you going

1057
00:51:29,960 --> 00:51:31,200
Speaker 3: blah blah blah, I'm doing this and that.

1058
00:51:31,760 --> 00:51:33,880
Speaker 2: Then he's remembered who outside of the studio and the

1059
00:51:33,920 --> 00:51:35,200
Speaker 2: boys friendship outside.

1060
00:51:35,239 --> 00:51:38,840
Speaker 8: So that was last summer. Six months has passed. I

1061
00:51:38,920 --> 00:51:40,120
Speaker 8: see him for the first.

1062
00:51:39,840 --> 00:51:42,960
Speaker 3: Time now in the reception and I go to him

1063
00:51:42,960 --> 00:51:44,040
Speaker 3: with the same enthusiasm.

1064
00:51:44,080 --> 00:51:46,359
Speaker 8: Of course, Oh great to see you. How are you.

1065
00:51:46,880 --> 00:51:50,359
Speaker 8: He's with his record label. He goes to her, Oh,

1066
00:51:50,480 --> 00:51:51,120
Speaker 8: this is Dan.

1067
00:51:53,000 --> 00:51:58,919
Speaker 2: This is Dan out what did you say? You can't

1068
00:51:58,960 --> 00:51:59,440
Speaker 2: correct him?

1069
00:51:59,480 --> 00:52:02,040
Speaker 8: I pretend, oh, I said this is Hi.

1070
00:52:02,120 --> 00:52:04,720
Speaker 2: I'm Jack to the Oh you didn't correct him? Okay,

1071
00:52:07,000 --> 00:52:09,440
Speaker 2: well yeah no, you big dog him like that? Wow, okay,

1072
00:52:09,480 --> 00:52:10,080
Speaker 2: power play.

1073
00:52:10,400 --> 00:52:12,839
Speaker 3: I said this is Jack and I said, Ben, stuff please,

1074
00:52:12,840 --> 00:52:14,080
Speaker 3: I don't expect you to remember me.

1075
00:52:14,120 --> 00:52:15,360
Speaker 8: We only met that one time.

1076
00:52:16,560 --> 00:52:19,120
Speaker 3: I think what happened is yesterday I was wearing my

1077
00:52:19,160 --> 00:52:19,880
Speaker 3: cap backwards.

1078
00:52:20,040 --> 00:52:21,880
Speaker 8: I don't know why is that what you told yourself?

1079
00:52:22,960 --> 00:52:24,280
Speaker 8: I didn't look.

1080
00:52:24,680 --> 00:52:27,520
Speaker 2: He didn't say this, you really did. At no point

1081
00:52:27,560 --> 00:52:29,799
Speaker 2: where people wondering around going with you with a backwards baby?

1082
00:52:29,960 --> 00:52:32,239
Speaker 2: But where is he? Who is this mysterious man?

1083
00:52:32,320 --> 00:52:33,040
Speaker 8: It's just you with.

1084
00:52:33,280 --> 00:52:35,520
Speaker 3: I realized I look different when I got like a

1085
00:52:35,640 --> 00:52:38,759
Speaker 3: Dan I actually have when I let my curly hair flow,

1086
00:52:38,840 --> 00:52:41,160
Speaker 3: I actually have very similar haired bands. So he probably

1087
00:52:41,200 --> 00:52:43,160
Speaker 3: recognizes me by the hair and goes, oh, that's the

1088
00:52:43,200 --> 00:52:46,040
Speaker 3: boy with a similar hair to me. That's Jack yesterday

1089
00:52:46,120 --> 00:52:46,919
Speaker 3: with the baseball cap.

1090
00:52:46,960 --> 00:52:49,440
Speaker 8: I didn't have that. That's why I didn't recognize me.

1091
00:52:49,480 --> 00:52:51,480
Speaker 2: I'm sorry. I'm not buying any of that. And if

1092
00:52:51,480 --> 00:52:53,160
Speaker 2: that's what you've got to tell us to yourself, sleep

1093
00:52:53,200 --> 00:52:58,520
Speaker 2: at night. Distinctive man, he means nothing to you. He

1094
00:52:58,719 --> 00:53:01,480
Speaker 2: was like Dan Jackie as a matter on vance Joy.

1095
00:53:01,560 --> 00:53:03,879
Speaker 3: The only thing, the only bit of sweetness we've got

1096
00:53:04,040 --> 00:53:07,239
Speaker 3: is vance Joy, currently sitting at number sixteen in the

1097
00:53:07,280 --> 00:53:08,200
Speaker 3: iTunes Top forty.

1098
00:53:08,239 --> 00:53:10,120
Speaker 8: We're going home. We just overtook it.

1099
00:53:10,200 --> 00:53:12,520
Speaker 2: He's going lower in the charts Review Mirror.

1100
00:53:12,320 --> 00:53:16,640
Speaker 3: Folders singing the Melbourne at number fourteen, Dan.

1101
00:53:16,640 --> 00:53:20,120
Speaker 1: Song, the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

1102
00:53:20,239 --> 00:53:24,880
Speaker 1: four point three.

1103
00:53:25,320 --> 00:53:28,319
Speaker 2: It is your midweek mixtape, an hour power. We give

1104
00:53:28,360 --> 00:53:31,000
Speaker 2: you the theme, you pick all the songs. What's a

1105
00:53:31,160 --> 00:53:33,160
Speaker 2: stunning hour we've got coming up for you as well?

1106
00:53:33,200 --> 00:53:36,760
Speaker 2: You've picked all these great songs, songs with amazing sax

1107
00:53:36,840 --> 00:53:40,480
Speaker 2: appeal in It's the Saxophone Hour, the sax Hour.

1108
00:53:40,920 --> 00:53:43,160
Speaker 3: We went through lots of instruments that didn't make it,

1109
00:53:43,200 --> 00:53:44,000
Speaker 3: The clarinet Hour.

1110
00:53:44,080 --> 00:53:46,160
Speaker 2: Yea hobo hour. Oh no, I think we do those

1111
00:53:46,160 --> 00:53:48,000
Speaker 2: before over Christmas when there's no one listening. All right,

1112
00:53:48,000 --> 00:53:50,000
Speaker 2: we'll just get those away then Hi before that at

1113
00:53:50,040 --> 00:53:53,160
Speaker 2: work time. Way stuff, This is big news. This could

1114
00:53:53,160 --> 00:53:57,600
Speaker 2: come over here. An Abba themed restaurant is coming to London,

1115
00:53:58,760 --> 00:54:00,960
Speaker 2: so we're going to try and build them. You an

1116
00:54:01,000 --> 00:54:03,600
Speaker 2: Abba themed restaurant, So take an Abba song? How can

1117
00:54:03,640 --> 00:54:06,799
Speaker 2: you turn that into something on the menu. I've got

1118
00:54:07,680 --> 00:54:13,520
Speaker 2: Fernando Balls, one of their big songs. Yeah, but like meatballs,

1119
00:54:13,680 --> 00:54:19,240
Speaker 2: no doballs you never heard of? Yeah, Fernandobles water. Where's

1120
00:54:19,280 --> 00:54:25,880
Speaker 2: the loop? Please water, where's the loop? Please give me

1121
00:54:25,920 --> 00:54:27,439
Speaker 2: gim me, give me the bill, Please win a rush,

1122
00:54:27,960 --> 00:54:32,160
Speaker 2: give me, give me a man go chicken Waterloo? Where's water?

1123
00:54:32,239 --> 00:54:37,479
Speaker 2: Where's the loop? Please? Bernandos. You only do them once

1124
00:54:37,880 --> 00:54:39,840
Speaker 2: one of us is gluten free. I've gotten their b

1125
00:54:40,000 --> 00:54:44,919
Speaker 2: size now all right? What's on the Abba restaurant menu?

1126
00:54:45,040 --> 00:54:51,360
Speaker 3: Jack the donnaka Baba, nice chicken and sweet beyond soup.

1127
00:54:53,239 --> 00:54:56,200
Speaker 2: And I liked that? And what are you gone to

1128
00:54:56,239 --> 00:54:56,759
Speaker 2: take a chance?

1129
00:54:56,800 --> 00:54:56,920
Speaker 17: I was.

1130
00:54:56,960 --> 00:54:57,680
Speaker 2: I couldn't think of him.

1131
00:54:57,760 --> 00:54:58,680
Speaker 8: Take a chance on meat.

1132
00:54:59,200 --> 00:55:01,760
Speaker 2: Ah ah, a chance on the meat platter.

1133
00:55:01,840 --> 00:55:04,080
Speaker 3: And if they ask you for steal sparkling, you go

1134
00:55:04,480 --> 00:55:05,560
Speaker 3: just tap waterloo?

1135
00:55:05,640 --> 00:55:06,040
Speaker 8: Thank you?

1136
00:55:06,320 --> 00:55:11,640
Speaker 2: Ahobles, give me, give me, gimme a mango chicken. All right,

1137
00:55:11,640 --> 00:55:14,320
Speaker 2: then let's kick off. The first song what a great

1138
00:55:14,360 --> 00:55:17,000
Speaker 2: one in our sacks out between nine and ten o'clock.

1139
00:55:17,040 --> 00:55:19,480
Speaker 2: Then an hour of songs was sex apeal. We kick

1140
00:55:19,520 --> 00:55:22,320
Speaker 2: off with this great one from George Michael Careless whisper

1141
00:55:22,760 --> 00:55:25,120
Speaker 2: Kerrie in Merrick picked this one. We've got some brilliant

1142
00:55:25,120 --> 00:55:27,240
Speaker 2: ones coming up. When mark your at work time wasster

1143
00:55:27,320 --> 00:55:27,880
Speaker 2: in ten minutes.

1144
00:55:28,000 --> 00:55:31,399
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1145
00:55:31,400 --> 00:55:32,399
Speaker 1: point three.

1146
00:55:32,200 --> 00:55:35,040
Speaker 2: Heavy Wednesday with it is. We call it the Midweek Mixtape.

1147
00:55:35,200 --> 00:55:36,880
Speaker 2: We give you a theme, you pick up blue of

1148
00:55:36,880 --> 00:55:42,200
Speaker 2: your music. This hour is sas specials. I saw so

1149
00:55:42,280 --> 00:55:44,759
Speaker 2: let You Boot Johnny Croyd and Billy Whereby went with

1150
00:55:44,920 --> 00:55:48,000
Speaker 2: what an awesome song? Bat to the Bone George Thorogan

1151
00:55:49,280 --> 00:55:52,400
Speaker 2: and kicking off George Michael's Careless Whisper and Carrion Berrick.

1152
00:55:52,880 --> 00:55:54,560
Speaker 2: A lot of people, a lot of people call in

1153
00:55:54,600 --> 00:55:57,080
Speaker 2: the station yesterday demanding that we play scenes from an

1154
00:55:57,120 --> 00:56:01,200
Speaker 2: Italian restaurant by Billy Joel. So hey, you call me up,

1155
00:56:01,600 --> 00:56:04,239
Speaker 2: Oh listen, I will play scenes in Italian restaurant b

1156
00:56:04,239 --> 00:56:06,160
Speaker 2: Billy Joelre you familiar with that song Jack.

1157
00:56:06,000 --> 00:56:08,919
Speaker 8: Of Course or the sacks in it? Billy's voice, love

1158
00:56:08,960 --> 00:56:09,560
Speaker 8: it got it all.

1159
00:56:09,600 --> 00:56:13,000
Speaker 2: It's a story. It's a story in a song, vignettes

1160
00:56:13,040 --> 00:56:15,560
Speaker 2: If you want all right, then So this Abba theme

1161
00:56:15,640 --> 00:56:18,840
Speaker 2: restaurant opening up in London, which I use their songs

1162
00:56:18,880 --> 00:56:20,399
Speaker 2: to make the menu. You ready to mark?

1163
00:56:20,480 --> 00:56:23,520
Speaker 3: Yes, I'll be giving away Abba Gold because Abba Gold

1164
00:56:23,560 --> 00:56:25,680
Speaker 3: is the name of their greatest hit album.

1165
00:56:25,440 --> 00:56:29,120
Speaker 2: This Guy's All Radio. Can you hear the drumsticks? Fernandos.

1166
00:56:30,600 --> 00:56:31,560
Speaker 2: That is so good.

1167
00:56:31,640 --> 00:56:33,760
Speaker 8: That's up there with chicken and sweet beyond soup.

1168
00:56:34,520 --> 00:56:37,200
Speaker 2: That's a gold and up there with water. Where's the

1169
00:56:37,280 --> 00:56:43,560
Speaker 2: loop please? Thanks for the music, Rob, thanks music, Thanks

1170
00:56:43,600 --> 00:56:44,200
Speaker 2: for the musie.

1171
00:56:44,960 --> 00:56:46,720
Speaker 8: That's a gold, abber gold tick.

1172
00:56:46,600 --> 00:56:48,680
Speaker 2: A chance on me? Really annoyed. I didn't get that. Ken,

1173
00:56:48,680 --> 00:56:51,600
Speaker 2: You're a smart amount of nuts in forest hills. Take

1174
00:56:51,600 --> 00:56:53,960
Speaker 2: a chance for me, ticker, look a chicken ticker curry

1175
00:56:54,239 --> 00:57:00,000
Speaker 2: ticke a chance chance, Yes, dancing meats instead of dancing

1176
00:57:00,040 --> 00:57:02,760
Speaker 2: wing doesn't quite scam and it made me laugh. It's funny.

1177
00:57:02,840 --> 00:57:05,640
Speaker 8: Make it from the menu a dancing ham.

1178
00:57:05,680 --> 00:57:11,120
Speaker 2: Sorry, does your mamma dough dough pizza dough? Does your

1179
00:57:11,120 --> 00:57:12,319
Speaker 2: mamma do men?

1180
00:57:12,760 --> 00:57:13,319
Speaker 4: Yes you do?

1181
00:57:13,480 --> 00:57:15,719
Speaker 2: You have balls with garlet to dip.

1182
00:57:15,520 --> 00:57:16,280
Speaker 8: In these dobules.

1183
00:57:16,360 --> 00:57:19,760
Speaker 3: Can't stop hearing about the all right, it's a gold.

1184
00:57:19,800 --> 00:57:22,560
Speaker 2: Does your mamma dough dancing breen?

1185
00:57:24,720 --> 00:57:26,880
Speaker 8: What's the brain fish? Okay?

1186
00:57:27,280 --> 00:57:30,480
Speaker 3: Because I was laughing about it, didn't get it.

1187
00:57:32,240 --> 00:57:35,040
Speaker 2: The chart success fan's joy is gone to dance head

1188
00:57:35,680 --> 00:57:40,240
Speaker 2: a gold, all right, super grouper. That's another fish there

1189
00:57:40,240 --> 00:57:48,240
Speaker 2: it is, Scott. Thank you for the noodles, No, thank

1190
00:57:48,280 --> 00:57:51,640
Speaker 2: you for the noodles. It works. Give me your ham

1191
00:57:51,680 --> 00:57:54,120
Speaker 2: after midnight, so to give me a man Oh yeah,

1192
00:57:54,320 --> 00:57:56,480
Speaker 2: sivil plus the winger takes it all.

1193
00:57:59,320 --> 00:58:02,959
Speaker 8: God World, I'm Peter uh dancing.

1194
00:58:02,680 --> 00:58:08,760
Speaker 2: Keiche has an a gold amand in rosebud. Well done.

1195
00:58:10,320 --> 00:58:11,560
Speaker 2: Knowing me knowing soup.

1196
00:58:12,480 --> 00:58:15,200
Speaker 8: No, it's a double knowing me knowing you no meat,

1197
00:58:15,280 --> 00:58:15,800
Speaker 8: knowing soup.

1198
00:58:15,920 --> 00:58:19,920
Speaker 2: I like it gold Mama Chia cheer cheer. You know

1199
00:58:19,960 --> 00:58:22,320
Speaker 2: people have the old cheer seeds, don't they. You don't

1200
00:58:22,400 --> 00:58:25,320
Speaker 2: order it, don't otherwise you'd live your boring old lunch.

1201
00:58:25,400 --> 00:58:29,800
Speaker 2: I just have the cheers seeds. Nothing else. Silver, No

1202
00:58:29,880 --> 00:58:31,800
Speaker 2: one's rubbish. Okay, which one do you think is the

1203
00:58:31,800 --> 00:58:35,280
Speaker 2: best one today? I think Dancing Keish, Dancing Keish is

1204
00:58:35,320 --> 00:58:36,200
Speaker 2: the winner. Well done.

1205
00:58:36,240 --> 00:58:39,240
Speaker 1: The Christian oho' connell breakfast Show Melbourne's Gold one oh

1206
00:58:39,360 --> 00:58:40,240
Speaker 1: four point three.

1207
00:58:41,240 --> 00:58:44,440
Speaker 2: That is for young listener of ours. Christian and Bayside

1208
00:58:44,680 --> 00:58:47,120
Speaker 2: Billy Joels scenes from an Italian restaurant and I don't

1209
00:58:47,120 --> 00:58:50,000
Speaker 2: realize I actually worked with Philistines. No one appreciate what

1210
00:58:50,040 --> 00:58:52,360
Speaker 2: a beautiful song that was. You were just like raising

1211
00:58:52,400 --> 00:58:54,960
Speaker 2: your eyes because it's not some angry three minute song

1212
00:58:55,160 --> 00:58:56,200
Speaker 2: by Green Day.

1213
00:58:56,200 --> 00:58:57,160
Speaker 8: Was that just one song.

1214
00:58:57,960 --> 00:59:00,680
Speaker 3: I thought, sorry, I thought that was the Billy Joel discography.

1215
00:59:02,000 --> 00:59:04,680
Speaker 2: I'm sorry. You don't appreciate music when it becomes more

1216
00:59:04,680 --> 00:59:05,760
Speaker 2: of a chamber mood piece.

1217
00:59:06,920 --> 00:59:07,919
Speaker 8: That's actually a nice song.

1218
00:59:08,080 --> 00:59:09,080
Speaker 2: It's a beautiful song.

1219
00:59:09,920 --> 00:59:16,840
Speaker 3: Is a fact like there is some room to trimma.

1220
00:59:15,880 --> 00:59:17,320
Speaker 8: You get out of that?

1221
00:59:17,360 --> 00:59:22,320
Speaker 2: Really? Could you? This chart success has gon to someone's

1222
00:59:22,320 --> 00:59:25,680
Speaker 2: head on the show. But okay, we've got some breaking news.

1223
00:59:25,760 --> 00:59:28,240
Speaker 2: Sing it for the Albourne your song, this song has

1224
00:59:28,280 --> 00:59:37,360
Speaker 2: gone too not quite number one.

1225
00:59:38,280 --> 00:59:41,720
Speaker 3: Well, it's number one in the rock chart iTunes bright chart,

1226
00:59:41,760 --> 00:59:42,640
Speaker 3: the number one.

1227
00:59:42,720 --> 00:59:45,040
Speaker 2: Number one in the rock chart in this country. Number

1228
00:59:45,040 --> 00:59:47,360
Speaker 2: ten in the rock charts in the UK. We're talking

1229
00:59:47,400 --> 00:59:50,479
Speaker 2: about an international hit now and then the big top

1230
00:59:50,560 --> 00:59:51,880
Speaker 2: forty in this country.

1231
00:59:51,960 --> 00:59:55,360
Speaker 3: These are the real chart YEP iTunes top forty.

1232
00:59:55,680 --> 00:59:57,760
Speaker 8: We have broaken into the top ten.

1233
00:59:57,640 --> 01:00:02,479
Speaker 2: World ten ten in with a bang at number ten.

1234
01:00:02,600 --> 01:00:06,680
Speaker 2: So download the song today and we could we should

1235
01:00:06,880 --> 01:00:09,240
Speaker 2: break top ten with your songs. Sing it for Melbourne?

1236
01:00:09,320 --> 01:00:11,160
Speaker 8: Well with number ten? Is that breaking the top.

1237
01:00:11,000 --> 01:00:13,000
Speaker 2: Ten on I reckon the nine of the eight. It's

1238
01:00:13,040 --> 01:00:14,440
Speaker 2: for a Starlight foundation.

1239
01:00:14,800 --> 01:00:35,040
Speaker 19: Just two dollars nineteen, everybody, all right?

1240
01:00:35,080 --> 01:00:37,240
Speaker 2: Turner Today Show. Then is sing It from Me and

1241
01:00:37,320 --> 01:00:39,600
Speaker 2: it's out now. It's a number ten, number one of

1242
01:00:39,600 --> 01:00:41,160
Speaker 2: the Rock Charts, number ten of the Rock chart in

1243
01:00:41,160 --> 01:00:45,160
Speaker 2: the UK, but number ten in the official Top forty charts.

1244
01:00:45,200 --> 01:00:46,120
Speaker 2: This is amazing.

1245
01:00:46,840 --> 01:00:51,240
Speaker 3: Search for singing for Melbourne on iTunes on the iTunes store.

1246
01:00:51,280 --> 01:00:53,760
Speaker 2: Two dollars nineteen. Thank you very much for your support

1247
01:00:53,760 --> 01:00:55,919
Speaker 2: this morning. Keep download the song, telling her your family

1248
01:00:55,920 --> 01:00:58,440
Speaker 2: and friends about it. Huggy is coming up next. We're

1249
01:00:58,480 --> 01:01:01,840
Speaker 2: back tomorrow Morning Talent. Today's show sing at the Melbourne

1250
01:01:01,960 --> 01:01:05,320
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1251
01:01:05,360 --> 01:01:05,880
Speaker 1: point three