1 00:00:00,760 --> 00:00:02,960 Speaker 1: On AIRFM on tav All. 2 00:00:03,000 --> 00:00:05,519 Speaker 2: Listen to your heartskin Sand on iHeartRadio. 3 00:00:05,840 --> 00:00:09,560 Speaker 3: It's Cleerzy and Lisa Rewound at ninety six AIRFM. 4 00:00:09,600 --> 00:00:12,639 Speaker 1: Coming up on our podcast, ben O'Shea talks Movies. It's 5 00:00:12,640 --> 00:00:13,440 Speaker 1: how to Please a Woman. 6 00:00:13,720 --> 00:00:16,360 Speaker 3: Ronnie Cassarra's has gone from the block to the boardroom. 7 00:00:16,520 --> 00:00:19,280 Speaker 1: You say, Georgia, are you and how have you been 8 00:00:19,360 --> 00:00:21,640 Speaker 1: knocked down? You know scow Moste. 9 00:00:21,720 --> 00:00:25,520 Speaker 3: Well, it has been revealed today that Charlie Watts left 10 00:00:25,520 --> 00:00:29,560 Speaker 3: a fortune of fifty three million dollars thirty million pounds 11 00:00:29,560 --> 00:00:32,960 Speaker 3: fifty three million Australian to his family. Of course, he 12 00:00:33,000 --> 00:00:35,960 Speaker 3: passed away in August last year, aged eighty. Now fifty 13 00:00:36,000 --> 00:00:37,320 Speaker 3: three million dollars is a lot. 14 00:00:37,560 --> 00:00:38,720 Speaker 1: It is a lot of money. 15 00:00:38,760 --> 00:00:42,479 Speaker 3: By anyone's standards. But I am surprised and I'm not 16 00:00:42,520 --> 00:00:46,320 Speaker 3: alone in this, that that was Charlie's fortune when you 17 00:00:46,360 --> 00:00:49,879 Speaker 3: consider Mick has five hundred million, even Ed Sheeran has 18 00:00:49,920 --> 00:00:50,920 Speaker 3: two hundred million, a. 19 00:00:50,880 --> 00:00:53,320 Speaker 1: Lot of money and songwriters drama. Yeah, to sit in 20 00:00:53,320 --> 00:00:55,000 Speaker 1: at the back there keeping a steady beat. 21 00:00:55,360 --> 00:00:57,280 Speaker 3: To be fair, the total doesn't include the value of 22 00:00:57,320 --> 00:00:59,520 Speaker 3: his estate in France. That'll be that'll add a few 23 00:00:59,520 --> 00:01:03,360 Speaker 3: more millions, but I did think that Charlie Watts would 24 00:01:03,360 --> 00:01:05,640 Speaker 3: have had more, not that I wouldn't mind fifty three 25 00:01:05,680 --> 00:01:09,480 Speaker 3: million dollars. UK probate papers show that most of his 26 00:01:09,560 --> 00:01:12,760 Speaker 3: fortune will go to his wife, Shirley. However, he's ordered 27 00:01:12,800 --> 00:01:15,360 Speaker 3: his vehicles, some of which he never drove, and he 28 00:01:15,400 --> 00:01:19,120 Speaker 3: had a car collection. There were many. He's ordered that 29 00:01:19,200 --> 00:01:21,720 Speaker 3: they be handed out according to his wishes, which will 30 00:01:21,760 --> 00:01:24,160 Speaker 3: never be made public. So you get the feeling that 31 00:01:24,200 --> 00:01:27,240 Speaker 3: he's just irregular. Everyday people in his life that have 32 00:01:27,319 --> 00:01:29,399 Speaker 3: made some kind of impression on him are going to 33 00:01:29,440 --> 00:01:31,039 Speaker 3: get a car. Might have been the neighbor, you get 34 00:01:31,040 --> 00:01:34,080 Speaker 3: a car, You get exactly the gardener. That's what I'm 35 00:01:34,200 --> 00:01:35,520 Speaker 3: That's what I'm imagining. 36 00:01:35,840 --> 00:01:37,240 Speaker 1: Sounds like he might have had a driver if he 37 00:01:37,280 --> 00:01:38,280 Speaker 1: wasn't driving them around much. 38 00:01:38,480 --> 00:01:41,480 Speaker 3: I just sit in the car collected them. He is 39 00:01:41,560 --> 00:01:45,080 Speaker 3: the first long term member of the Rolling Stones to 40 00:01:45,120 --> 00:01:47,880 Speaker 3: die of age related doing it. Mick Jagger admitted he 41 00:01:47,880 --> 00:01:50,440 Speaker 3: found it very cathartic to get back on stage following 42 00:01:50,600 --> 00:01:52,960 Speaker 3: the passing of his friend and band mate when they 43 00:01:53,040 --> 00:01:55,760 Speaker 3: kicked off their North American and No Filter tour. They 44 00:01:55,840 --> 00:01:58,120 Speaker 3: opened that tour with a special tribute to Charlie and 45 00:01:58,160 --> 00:02:01,200 Speaker 3: Saint Louis. The gig started with an empty stage, a 46 00:02:01,280 --> 00:02:05,160 Speaker 3: drum beat, photos of Charlie appearing on a video board. 47 00:02:05,360 --> 00:02:05,640 Speaker 2: Wow. 48 00:02:05,880 --> 00:02:07,360 Speaker 1: Reread the flick with Ben. 49 00:02:09,600 --> 00:02:12,000 Speaker 3: We missed you last week, but you're feeling better now, 50 00:02:12,080 --> 00:02:14,800 Speaker 3: feeling better now had the roner I have recovered. 51 00:02:14,520 --> 00:02:16,120 Speaker 4: And so what was your excuse for going a Well, 52 00:02:17,480 --> 00:02:20,000 Speaker 4: it was fine. I was just like Ben Stiller in Zoolanders, 53 00:02:20,040 --> 00:02:22,720 Speaker 4: like it's a black lung poper. 54 00:02:24,639 --> 00:02:26,200 Speaker 1: But I survived. I survived. 55 00:02:26,400 --> 00:02:28,320 Speaker 4: And now as you say, I'm here to tell you 56 00:02:28,440 --> 00:02:29,360 Speaker 4: what women want. 57 00:02:29,320 --> 00:02:30,639 Speaker 3: Yes, tell us how to please, to. 58 00:02:30,560 --> 00:02:33,080 Speaker 4: Please a woman? Look, I can't answer that. Unfortunately, I've 59 00:02:33,080 --> 00:02:34,840 Speaker 4: been trying to figure it out. 60 00:02:35,000 --> 00:02:37,079 Speaker 1: It's funny you mentioned that Toddy, is this any kind 61 00:02:37,080 --> 00:02:38,480 Speaker 1: of link to the Mel Gibson movie? 62 00:02:39,240 --> 00:02:42,480 Speaker 4: Completely completely different and so this is a new w 63 00:02:42,520 --> 00:02:45,880 Speaker 4: a made film shot in Fremantle last year over about 64 00:02:46,080 --> 00:02:48,600 Speaker 4: just under a month, which is pretty short time. Too 65 00:02:49,040 --> 00:02:52,560 Speaker 4: quick turnaround, very quick turnaround. And the headliner is Sally 66 00:02:52,680 --> 00:02:55,760 Speaker 4: Phillips of Bridget Jones's fame. She was She was Bridget 67 00:02:55,840 --> 00:02:59,920 Speaker 4: Jones's bestie Shaza for those three Bridget Jones films and 68 00:03:00,080 --> 00:03:03,320 Speaker 4: before that was the co creator and star of the 69 00:03:03,320 --> 00:03:06,919 Speaker 4: British all female sketch comedy show Smacked the Pony, Sack 70 00:03:07,080 --> 00:03:10,680 Speaker 4: Smack the Pony, which you think back and I remember 71 00:03:10,680 --> 00:03:12,320 Speaker 4: that show, but it was actually a big deal at 72 00:03:12,320 --> 00:03:15,400 Speaker 4: the time, like in the late nineties, early two thousands, 73 00:03:15,800 --> 00:03:18,600 Speaker 4: and in the year two thousand it beat Ali g 74 00:03:18,840 --> 00:03:23,120 Speaker 4: for the International Emmy. So she really has great comedy 75 00:03:23,160 --> 00:03:25,560 Speaker 4: chops and she brings that and yeah, she brings that 76 00:03:25,600 --> 00:03:27,359 Speaker 4: to this film. I remember when she arrived in Perth 77 00:03:27,440 --> 00:03:31,040 Speaker 4: last year, you think Queen of It Also was during 78 00:03:31,040 --> 00:03:34,760 Speaker 4: the pandemic. We were a bit starved of celebrities and excitement. 79 00:03:34,880 --> 00:03:37,400 Speaker 4: We had one from Grays and from there exactly exactly 80 00:03:38,080 --> 00:03:40,640 Speaker 4: so and her son actually broke his arm when he 81 00:03:40,720 --> 00:03:45,200 Speaker 4: was over here in Perth. Yeah, yeah, so she remembers. 82 00:03:44,880 --> 00:03:48,400 Speaker 1: It pretty good, tackled by a politician. 83 00:03:49,520 --> 00:03:52,000 Speaker 4: And so and so like for this film, like it's 84 00:03:51,800 --> 00:03:54,520 Speaker 4: a you know, like Australia doesn't have the greatest track 85 00:03:54,560 --> 00:03:56,640 Speaker 4: record of doing adult comedies. 86 00:03:57,040 --> 00:04:00,360 Speaker 1: Like there's the Castle, Yes, that's it. 87 00:04:00,360 --> 00:04:03,360 Speaker 4: That's the holest crickets, that's the Australia. 88 00:04:03,400 --> 00:04:07,000 Speaker 3: And so the dish the dishes. 89 00:04:06,160 --> 00:04:08,520 Speaker 4: In it's sort of a slow burned sort of gentle comedy, 90 00:04:08,600 --> 00:04:10,480 Speaker 4: but we don't do them very well. Often they're pretty 91 00:04:10,480 --> 00:04:11,360 Speaker 4: cringe worthy. 92 00:04:11,560 --> 00:04:12,600 Speaker 3: They're so Australia. 93 00:04:12,640 --> 00:04:17,520 Speaker 4: There's so and so this film could have really been 94 00:04:17,560 --> 00:04:19,719 Speaker 4: boom or bust because it's a sort of film that 95 00:04:19,720 --> 00:04:22,960 Speaker 4: they just don't make at all. Like they don't make risky, 96 00:04:23,040 --> 00:04:26,560 Speaker 4: risky adult comedies aimed at thirty five to fifty five 97 00:04:26,640 --> 00:04:28,880 Speaker 4: year old women. That's just not a thing that exists 98 00:04:28,920 --> 00:04:32,599 Speaker 4: in the movie industry, and that don't really make movies 99 00:04:32,640 --> 00:04:36,840 Speaker 4: about that demographic as well for a lot of reasons, 100 00:04:36,839 --> 00:04:39,200 Speaker 4: like it's you know, we know all about the movie business, 101 00:04:39,720 --> 00:04:41,839 Speaker 4: and so if you can imagine, this film is a 102 00:04:41,839 --> 00:04:46,599 Speaker 4: cross between Desperate Housewives and risky business, oh, with a 103 00:04:46,600 --> 00:04:49,200 Speaker 4: bit of full Monty thrown in, right. So it's about 104 00:04:49,279 --> 00:04:53,039 Speaker 4: it's about a group of interesting fifty something housewives led 105 00:04:53,080 --> 00:04:57,359 Speaker 4: by Sally Phillips's character Gina, who I guess look to 106 00:04:57,520 --> 00:05:00,440 Speaker 4: bring a bit of excitement into the lif lives of 107 00:05:00,480 --> 00:05:04,400 Speaker 4: women their age by starting a cleaning company. They sort 108 00:05:04,400 --> 00:05:07,599 Speaker 4: of team up with this failing removalist company run by 109 00:05:07,640 --> 00:05:11,279 Speaker 4: the great Eric Thompson and get these removalists who are 110 00:05:11,320 --> 00:05:12,799 Speaker 4: a bit down on their luck and say, hey, guys, 111 00:05:13,080 --> 00:05:15,280 Speaker 4: like you know, this furniture removal is not working out 112 00:05:15,320 --> 00:05:18,440 Speaker 4: for you. We want you to moonlight as house cleaners. 113 00:05:18,720 --> 00:05:21,279 Speaker 4: And you know, maybe if you're asked to clean the chimney, 114 00:05:21,400 --> 00:05:30,040 Speaker 4: nudge nudge went. So it's unlikely as it sounds, they 115 00:05:30,080 --> 00:05:37,120 Speaker 4: get these furniture removalists to double as jigglows clean the house. 116 00:05:38,600 --> 00:05:40,640 Speaker 4: And then you know, like if you if you're required 117 00:05:40,640 --> 00:05:42,719 Speaker 4: to do something a bit extra, well that's part of 118 00:05:42,720 --> 00:05:46,520 Speaker 4: the job. And it seems like such a bizarre idea 119 00:05:46,560 --> 00:05:49,479 Speaker 4: for a movie, but it's actually inspired by a true story. 120 00:05:49,680 --> 00:05:52,400 Speaker 4: Now incredibly, there was there was there was a couple 121 00:05:52,400 --> 00:05:55,400 Speaker 4: of housewives in Melbourne a few years ago Melbourne who 122 00:05:55,440 --> 00:05:59,000 Speaker 4: did this very thing, who had a sort of a ran, 123 00:05:59,440 --> 00:06:04,159 Speaker 4: who ran a sort of a jigger aimed at other 124 00:06:04,160 --> 00:06:08,160 Speaker 4: housewives in that same age bracket. And because it's it's 125 00:06:08,200 --> 00:06:11,440 Speaker 4: kind of like a forgotten, forgotten demographic in society, right, 126 00:06:11,520 --> 00:06:14,040 Speaker 4: Like I think the tendency is to look at these 127 00:06:14,240 --> 00:06:16,080 Speaker 4: to look at women, to look at these women, and 128 00:06:16,120 --> 00:06:17,960 Speaker 4: to look at these women and say, well, their mums, 129 00:06:18,080 --> 00:06:20,839 Speaker 4: their moms or grandma's or and that's and that's kind 130 00:06:20,839 --> 00:06:23,640 Speaker 4: of all they are and that and that maybe their 131 00:06:23,680 --> 00:06:26,760 Speaker 4: needs aren't as important, which is not the case for 132 00:06:26,800 --> 00:06:28,760 Speaker 4: blokes that age. You know, it's like, you know they 133 00:06:28,800 --> 00:06:31,400 Speaker 4: shuck up with you girls. 134 00:06:31,720 --> 00:06:36,839 Speaker 1: Can you hear someone? Ben, you've been very quiet. 135 00:06:36,880 --> 00:06:39,440 Speaker 4: Least you can chip on anytime you want, and so 136 00:06:40,080 --> 00:06:43,080 Speaker 4: and so it unfolds from there, right, it is a 137 00:06:43,120 --> 00:06:45,039 Speaker 4: little risk gay, but it's it's still it's still a 138 00:06:45,120 --> 00:06:49,080 Speaker 4: very gentle comedy directed by Renee Webster, who's done a 139 00:06:49,120 --> 00:06:51,359 Speaker 4: few episodes of The Heights and this is her first 140 00:06:51,440 --> 00:06:55,479 Speaker 4: feature film, and so she she brings like an interesting aesthetic. 141 00:06:56,320 --> 00:06:59,560 Speaker 4: And but the reason it works is firstly because of 142 00:06:59,600 --> 00:07:02,520 Speaker 4: Sally Lips, like her comic timing is just so good. 143 00:07:02,800 --> 00:07:05,919 Speaker 4: And secondly because you know, like even that would have 144 00:07:05,920 --> 00:07:09,479 Speaker 4: been very easy to objectify. You know, these these blokes, 145 00:07:09,520 --> 00:07:12,280 Speaker 4: briefcase the beefcakes, they're far from beefcakes, Like, they're very 146 00:07:12,360 --> 00:07:16,280 Speaker 4: ordinary kind of dudes. And the film uses this kind 147 00:07:16,320 --> 00:07:20,120 Speaker 4: of sex work as a vehicle for like improving their 148 00:07:20,160 --> 00:07:22,120 Speaker 4: own self confidence, which has taken a bit of a 149 00:07:22,200 --> 00:07:25,000 Speaker 4: dark because of their their business has kind of gone downhill. 150 00:07:25,680 --> 00:07:28,040 Speaker 4: So that which is where the full, which is where 151 00:07:28,080 --> 00:07:31,720 Speaker 4: the four monthy vibes come in and obviously risky business. 152 00:07:32,000 --> 00:07:34,240 Speaker 4: You know, Tom Cruise doing something we've seen Dave after 153 00:07:34,280 --> 00:07:39,320 Speaker 4: and I think he strips down to his his his 154 00:07:39,440 --> 00:07:42,200 Speaker 4: jocks there at one point. There's Alexander England in it 155 00:07:42,240 --> 00:07:47,120 Speaker 4: as well. Who else is in it? Cameron Daddy makes 156 00:07:47,120 --> 00:07:52,400 Speaker 4: a bit of an appearance, Miles Pollard, Tasma Walton, Caroline Brazier. 157 00:07:52,480 --> 00:07:54,840 Speaker 4: So it's really the kind of the who's who of 158 00:07:54,960 --> 00:07:57,680 Speaker 4: Australian actors who are all kind of sitting around sort 159 00:07:57,680 --> 00:07:59,680 Speaker 4: of early on in the pandemic with not much to do. 160 00:08:00,360 --> 00:08:02,880 Speaker 4: And so from that perspective, it's really really good. It's 161 00:08:02,880 --> 00:08:05,640 Speaker 4: not a perfect film, like you know, like there's definitely 162 00:08:05,680 --> 00:08:09,920 Speaker 4: some limitations, but the good thing about it, the notable 163 00:08:09,920 --> 00:08:12,200 Speaker 4: thing about it is it's reaching a demographic that just 164 00:08:12,240 --> 00:08:13,960 Speaker 4: they don't make movies for. And I think that's cool. 165 00:08:14,880 --> 00:08:17,400 Speaker 3: Really throw us poor old ladies a bone? Are you 166 00:08:17,440 --> 00:08:17,800 Speaker 3: giving you? 167 00:08:20,200 --> 00:08:22,760 Speaker 4: I'm in that demographic myself. So look, if you're an 168 00:08:22,800 --> 00:08:24,960 Speaker 4: eighteen year old dude going to watch this film, yeah, 169 00:08:25,040 --> 00:08:27,160 Speaker 4: like I reckon, you'd probably rather walking on your mum 170 00:08:27,160 --> 00:08:33,840 Speaker 4: having a shower, butting in that if you're if you're 171 00:08:33,840 --> 00:08:37,439 Speaker 4: in that target demographic, it's a super solid three star film. 172 00:08:37,559 --> 00:08:40,199 Speaker 3: Okay, all right, there you go and filmed in for you, 173 00:08:40,360 --> 00:08:43,280 Speaker 3: which is always fun when you're filmed in places that 174 00:08:43,360 --> 00:08:45,240 Speaker 3: you play spot the I've been. 175 00:08:45,120 --> 00:08:48,920 Speaker 1: There and she should get an award for speeding filming. 176 00:08:48,920 --> 00:08:50,640 Speaker 1: They've had a lot of money. You're filming a. 177 00:08:50,640 --> 00:08:54,720 Speaker 3: Month A good all right, thank you guys. 178 00:08:54,160 --> 00:08:59,040 Speaker 2: More Lisa More podcast Soon ninety six. 179 00:09:01,200 --> 00:09:05,800 Speaker 1: The Sure Report on ninety six air FM. 180 00:09:06,000 --> 00:09:09,760 Speaker 3: Margo Robbie is in talks to permanently replace Johnny Depp 181 00:09:10,160 --> 00:09:13,760 Speaker 3: in the Pirates of the Caribbean franchise. So will she 182 00:09:13,800 --> 00:09:15,040 Speaker 3: be the Sparrow? 183 00:09:15,440 --> 00:09:17,640 Speaker 1: Maybe she Jane Sparrow, Jane Sparrow. 184 00:09:17,840 --> 00:09:20,880 Speaker 3: I think that would be great. Producer Jerry Bruckheimer says 185 00:09:20,960 --> 00:09:27,000 Speaker 3: Johnny's unlikely to return at this point. To do is 186 00:09:27,120 --> 00:09:30,160 Speaker 3: very unlikely to return at any point, I think. Bruckheimer 187 00:09:30,200 --> 00:09:32,960 Speaker 3: says the future is yet to be decided, but responding 188 00:09:33,000 --> 00:09:36,200 Speaker 3: to the long tilted female fronted reboot, he seemed to 189 00:09:36,200 --> 00:09:37,240 Speaker 3: be there for it. 190 00:09:37,240 --> 00:09:38,200 Speaker 1: We'll see interesting. 191 00:09:38,679 --> 00:09:42,800 Speaker 3: Puff Daddy, p Diddy, Puffy Diddy, did we doo dah? 192 00:09:43,120 --> 00:09:45,840 Speaker 3: Who ever knows? But he makes it fun. Music mogul 193 00:09:45,920 --> 00:09:49,040 Speaker 3: Sean Combs has gone by several names. Over the years. 194 00:09:49,200 --> 00:09:51,320 Speaker 3: This week, he's stopped by The Ellen DeGeneres Show for 195 00:09:51,360 --> 00:09:54,480 Speaker 3: his seventeenth and final appearance on the long running show, 196 00:09:54,480 --> 00:09:56,960 Speaker 3: which is coming to an end. What's your name now? Seriously? 197 00:09:57,040 --> 00:09:59,400 Speaker 3: Is it Sean? Is it Diddy? 198 00:09:59,480 --> 00:09:59,920 Speaker 2: Is it daddy? 199 00:10:00,200 --> 00:10:00,520 Speaker 3: Puppy? 200 00:10:00,720 --> 00:10:07,400 Speaker 5: See, after all these years, it's blessed me with the right. 201 00:10:08,720 --> 00:10:10,480 Speaker 1: To be any name that I want to be. 202 00:10:11,440 --> 00:10:12,240 Speaker 2: So I wake up. 203 00:10:12,320 --> 00:10:14,520 Speaker 4: If I wake up and I'm feeling like puff, daddy, 204 00:10:14,520 --> 00:10:15,160 Speaker 4: that's what I am. 205 00:10:15,200 --> 00:10:17,000 Speaker 3: What are you feeling like today right now? 206 00:10:17,080 --> 00:10:20,280 Speaker 4: I mean most of the time, I feel like puff. 207 00:10:20,200 --> 00:10:22,040 Speaker 3: Puff, Oh not puppy puff. 208 00:10:23,240 --> 00:10:23,920 Speaker 1: I just never know. 209 00:10:24,320 --> 00:10:27,440 Speaker 6: My close close friends call me puff, so I would 210 00:10:27,480 --> 00:10:28,000 Speaker 6: call me puff. 211 00:10:28,400 --> 00:10:30,680 Speaker 3: Okay, I'll call you puff. I never know when I 212 00:10:30,679 --> 00:10:32,600 Speaker 3: say it. Just go hey because I don't know. 213 00:10:35,000 --> 00:10:35,520 Speaker 1: Someone's name. 214 00:10:35,600 --> 00:10:38,520 Speaker 3: But he later explained that he's just going to go 215 00:10:38,600 --> 00:10:42,400 Speaker 3: by Diddy. However, he did recently change his legal name 216 00:10:42,640 --> 00:10:45,520 Speaker 3: to Love. He explains that away by saying, did he 217 00:10:45,679 --> 00:10:48,360 Speaker 3: is my nickname? Love is my real name. I just 218 00:10:48,480 --> 00:10:51,800 Speaker 3: changed my name to Love. Sean Love Coombs is what 219 00:10:51,840 --> 00:10:54,320 Speaker 3: it says on my driver's license. That's my official name. 220 00:10:55,080 --> 00:10:56,960 Speaker 3: And once again I remain. 221 00:10:56,840 --> 00:10:59,920 Speaker 1: Confused, confused, let's get a bit prince like, isn't it. 222 00:11:00,160 --> 00:11:05,640 Speaker 1: I love symbol. You're talking about playing grid iron? 223 00:11:05,960 --> 00:11:08,559 Speaker 3: That was what they were playing. What were they playing? Well, 224 00:11:08,600 --> 00:11:10,840 Speaker 3: we've all seen Got Morrison. 225 00:11:11,160 --> 00:11:12,839 Speaker 1: There was a tackle on. It was a tackle of 226 00:11:12,880 --> 00:11:14,240 Speaker 1: a child down in Devonport. 227 00:11:14,679 --> 00:11:16,840 Speaker 3: I think it was an accidental tackle, no doubt. 228 00:11:16,840 --> 00:11:18,640 Speaker 1: He didn't see the kid out of his peripheral visions. 229 00:11:18,800 --> 00:11:21,280 Speaker 3: And yeah, I know it was a heavy landing, but 230 00:11:21,320 --> 00:11:24,080 Speaker 3: he didn't mean too fell on the kid. 231 00:11:24,080 --> 00:11:26,240 Speaker 1: In fact, he hit the kid fairly hard, but then 232 00:11:26,280 --> 00:11:27,960 Speaker 1: he sort of caught him and then you know, like 233 00:11:28,000 --> 00:11:30,280 Speaker 1: a cuddly ted he did. He did protect him because 234 00:11:30,280 --> 00:11:30,560 Speaker 1: you don't. 235 00:11:30,840 --> 00:11:35,000 Speaker 3: And he has also since phoned him. Oh so sorry mate, 236 00:11:35,440 --> 00:11:36,199 Speaker 3: sorry little fellow. 237 00:11:36,280 --> 00:11:37,800 Speaker 1: I reckon we should have done account on how many 238 00:11:37,800 --> 00:11:40,640 Speaker 1: times that's been shown on the TV, on the news. 239 00:11:39,920 --> 00:11:42,319 Speaker 3: It's paralleled the slap. 240 00:11:42,080 --> 00:11:43,640 Speaker 1: Because I've seen about forty times. 241 00:11:44,040 --> 00:11:46,200 Speaker 3: But the thing is it was from so many more 242 00:11:46,240 --> 00:11:50,720 Speaker 3: angles in the will Smith's slab, so there was some variety. 243 00:11:51,000 --> 00:11:53,400 Speaker 3: If you haven't seen it, I don't know where you've been. 244 00:11:53,440 --> 00:11:57,360 Speaker 3: And the kid is okay, kid's fine, They're they're resilient. 245 00:11:58,200 --> 00:12:00,600 Speaker 1: I don't want to injure a child in two days 246 00:12:00,600 --> 00:12:01,480 Speaker 1: from a federal election. 247 00:12:02,080 --> 00:12:06,880 Speaker 3: But it's got us talking this morning about what's knocked 248 00:12:06,880 --> 00:12:10,200 Speaker 3: you down? What's knocked you over? Ever been on the 249 00:12:10,200 --> 00:12:12,920 Speaker 3: wrong side of a fence at a farm? Oh yeah, 250 00:12:13,080 --> 00:12:16,280 Speaker 3: knockdown by all manner of things. Goats. Goats are knockers 251 00:12:16,280 --> 00:12:17,160 Speaker 3: down as could. 252 00:12:17,000 --> 00:12:19,320 Speaker 1: You have been, you know, clipped by someone who's a 253 00:12:19,400 --> 00:12:25,240 Speaker 1: learner driver. Or maybe I did get knocked down by 254 00:12:25,240 --> 00:12:27,560 Speaker 1: my best mate once. We're playing footy against Bellcatter at 255 00:12:27,559 --> 00:12:30,160 Speaker 1: Greenwood and the ruckman from the opposition didn't like me 256 00:12:30,160 --> 00:12:31,600 Speaker 1: the way my mate was playing up and I was 257 00:12:31,640 --> 00:12:33,280 Speaker 1: playing up a bit. So he picked up my mate 258 00:12:33,320 --> 00:12:35,199 Speaker 1: and threw him across the pack and we hit heads 259 00:12:35,240 --> 00:12:37,760 Speaker 1: through him. Sure he's a little dude through because we 260 00:12:37,800 --> 00:12:41,120 Speaker 1: hit heads. So I got knocked down by my own mate. Terrific. 261 00:12:41,200 --> 00:12:44,760 Speaker 3: Wow, what knocked you down? Julian bayfed, Hey, how. 262 00:12:44,760 --> 00:12:47,720 Speaker 5: You going good? Yeah? I wasn't actually knocked down, but 263 00:12:47,760 --> 00:12:50,280 Speaker 5: I did take out a whole class of kids on 264 00:12:50,320 --> 00:12:54,920 Speaker 5: a skiing holiday once. I was having skiing lessons and 265 00:12:54,920 --> 00:12:57,360 Speaker 5: the instructor said to me, just going a straight line 266 00:12:57,400 --> 00:12:59,400 Speaker 5: down there. I said, no, I will take those children out, 267 00:12:59,440 --> 00:13:01,319 Speaker 5: And he said you'll be fine, just go in that direction. 268 00:13:01,400 --> 00:13:04,120 Speaker 5: I said, no, you don't understand. I cannot go in 269 00:13:04,160 --> 00:13:05,760 Speaker 5: I can't go in a straight line. And you said, 270 00:13:05,760 --> 00:13:07,800 Speaker 5: just go for it. So I did, and I went 271 00:13:07,840 --> 00:13:11,120 Speaker 5: down and I took this whole class of little children 272 00:13:11,200 --> 00:13:13,400 Speaker 5: out and hit the first one and they all went 273 00:13:13,440 --> 00:13:14,360 Speaker 5: down like dominoes. 274 00:13:14,640 --> 00:13:17,240 Speaker 1: Oh no, that was the insurance, Julie. Was it okay? 275 00:13:18,120 --> 00:13:20,920 Speaker 5: They were all good? Yeah, but my pride was probably 276 00:13:21,000 --> 00:13:22,840 Speaker 5: her the rule than they were lovely. 277 00:13:22,880 --> 00:13:24,080 Speaker 3: They were close to the ground. 278 00:13:24,920 --> 00:13:26,720 Speaker 5: Well, that is true, so was I. At the end 279 00:13:26,720 --> 00:13:27,679 Speaker 5: of it. 280 00:13:28,679 --> 00:13:30,400 Speaker 1: There was a race. You could have done a Bradburan one, 281 00:13:30,440 --> 00:13:33,280 Speaker 1: but it wasn't really was it very embarrassing. 282 00:13:33,280 --> 00:13:37,760 Speaker 3: I thank you, Julie. Julie, as long as there were 283 00:13:37,800 --> 00:13:39,400 Speaker 3: no broken limbs. 284 00:13:39,120 --> 00:13:44,000 Speaker 1: Yeah, that's right, it's all good. No litigation from the parents. 285 00:13:44,240 --> 00:13:46,880 Speaker 3: What knocked you down is what we're asking this morning. 286 00:13:47,520 --> 00:13:49,200 Speaker 3: Jeannette in Thornleigh. 287 00:13:48,720 --> 00:13:51,240 Speaker 6: Hello, Hi, how are you going good? 288 00:13:51,400 --> 00:13:52,240 Speaker 3: What knocked you down? 289 00:13:52,960 --> 00:13:55,840 Speaker 6: Wells that nine o'clock at night, I was out walking 290 00:13:55,880 --> 00:13:58,560 Speaker 6: my two dogs, which happened to be two German shepherds, 291 00:13:58,600 --> 00:14:00,440 Speaker 6: So I had one in one hand and one in 292 00:14:00,480 --> 00:14:04,360 Speaker 6: the other, and one walked in front of me, and 293 00:14:04,640 --> 00:14:07,280 Speaker 6: which meant I lost my footing and I face planted 294 00:14:07,280 --> 00:14:11,600 Speaker 6: the ash felt I couldn't put my hands down to 295 00:14:11,600 --> 00:14:13,880 Speaker 6: stop me, so I ended up having to go to 296 00:14:13,920 --> 00:14:16,960 Speaker 6: the emergency department and have five pitches put in my 297 00:14:17,080 --> 00:14:18,760 Speaker 6: upper lips into my nose. 298 00:14:20,000 --> 00:14:23,400 Speaker 3: I'd be curious to know the statistics on dog walking 299 00:14:23,560 --> 00:14:26,360 Speaker 3: injuries where you get tangled up, because the dam things, 300 00:14:26,400 --> 00:14:30,080 Speaker 3: why are they always walking around you and the diagonal 301 00:14:30,280 --> 00:14:32,320 Speaker 3: and getting getting you all tangled up in leeds and 302 00:14:32,360 --> 00:14:36,000 Speaker 3: if you're trying to do two at once, it's like 303 00:14:36,040 --> 00:14:39,400 Speaker 3: a skill and then you've got no hand to stop you. 304 00:14:39,440 --> 00:14:41,040 Speaker 1: When you're fall You could have landed on a dog 305 00:14:41,080 --> 00:14:42,080 Speaker 1: and they would have broken. 306 00:14:41,840 --> 00:14:45,240 Speaker 7: Your fore it could have The funniest thing was that 307 00:14:45,240 --> 00:14:46,960 Speaker 7: I was laying in the middle of the ground helping, 308 00:14:47,240 --> 00:14:50,760 Speaker 7: hoping that nobody came and helped me, because of course, 309 00:14:50,960 --> 00:14:52,880 Speaker 7: and they thought that it was the funniest thing. So 310 00:14:52,960 --> 00:14:54,960 Speaker 7: they'd ended up jumping all over the top of me 311 00:14:55,040 --> 00:14:55,400 Speaker 7: as well. 312 00:14:55,840 --> 00:14:59,040 Speaker 1: They yes, they were they better as well? Or were 313 00:14:59,080 --> 00:14:59,680 Speaker 1: they just jumping? 314 00:15:00,520 --> 00:15:00,760 Speaker 2: No? 315 00:15:00,760 --> 00:15:03,760 Speaker 7: No, they're just like jumping game. 316 00:15:06,240 --> 00:15:06,480 Speaker 2: Thanks. 317 00:15:06,520 --> 00:15:09,160 Speaker 7: The thing was actually the thing was the needle up 318 00:15:09,200 --> 00:15:09,640 Speaker 7: my nose. 319 00:15:13,240 --> 00:15:15,360 Speaker 3: That's like the roof of your mouth from getting gentle work. 320 00:15:15,960 --> 00:15:20,560 Speaker 3: I hate the roof of the mouth needle. That's the worst. 321 00:15:21,360 --> 00:15:26,160 Speaker 1: Bye, two dogs, I'll take you out not good place. 322 00:15:26,280 --> 00:15:29,680 Speaker 1: On Sunday on nine at seven pm, Celebrity Apprentices Back. 323 00:15:29,760 --> 00:15:32,280 Speaker 3: Who is back with Ronnie? Who is joining us? 324 00:15:32,320 --> 00:15:32,600 Speaker 8: Now? 325 00:15:32,640 --> 00:15:36,400 Speaker 1: Hello Ronnie Good. 326 00:15:36,440 --> 00:15:38,480 Speaker 3: The reason I keep saying Ronny without saying your surname 327 00:15:38,560 --> 00:15:40,800 Speaker 3: is because I thought your surname was and Georgia. 328 00:15:40,880 --> 00:15:41,200 Speaker 4: And b. 329 00:15:43,440 --> 00:15:51,479 Speaker 3: Pronounce it with me. We both leave, Sarahs joinus. Celebri 330 00:15:51,600 --> 00:15:52,960 Speaker 3: thank you. I will get that. 331 00:15:53,320 --> 00:15:55,680 Speaker 1: I'm not surprising because the Georgie, because the two of 332 00:15:55,720 --> 00:15:56,560 Speaker 1: you have been together a lot. 333 00:15:56,560 --> 00:16:00,760 Speaker 2: On the Telly, yes absolutely, if she let me go, 334 00:16:00,920 --> 00:16:03,560 Speaker 2: she let the ron Dog wrote on. 335 00:16:03,480 --> 00:16:06,680 Speaker 3: The loose, Dog is Reagan. Yeah, that's a show in itself, 336 00:16:06,800 --> 00:16:10,720 Speaker 3: Ron Dog, Reagan, Sydney. Now what can we expect this season? 337 00:16:12,120 --> 00:16:15,880 Speaker 2: Oh boy, put a whole bunch of celebrities to do 338 00:16:15,960 --> 00:16:19,920 Speaker 2: a challenge with all the egos. My god, it is 339 00:16:19,960 --> 00:16:24,800 Speaker 2: from the very first episode. It is drama, drama, drama. 340 00:16:24,000 --> 00:16:25,760 Speaker 1: Of course, it is the egos. 341 00:16:26,400 --> 00:16:29,480 Speaker 3: Give me, give me just one with a particularly large ego. 342 00:16:30,480 --> 00:16:32,640 Speaker 2: You think you think the ron Dog's got an ego here. 343 00:16:32,640 --> 00:16:34,200 Speaker 2: You guys have no idea. 344 00:16:34,960 --> 00:16:36,720 Speaker 3: Yeah, but what we love about you is you don't 345 00:16:36,760 --> 00:16:37,560 Speaker 3: mind saying. 346 00:16:37,320 --> 00:16:41,960 Speaker 2: So no, absolutely one thing that he's for certain that 347 00:16:42,000 --> 00:16:45,600 Speaker 2: I am the same guy from the block on Celebrity Apprentice, 348 00:16:46,000 --> 00:16:48,000 Speaker 2: And that's the only way to be. You can only 349 00:16:48,000 --> 00:16:50,440 Speaker 2: be yourself, right, Yeah, Aron Dog? 350 00:16:50,440 --> 00:16:52,200 Speaker 1: Can you throw us at bone? Mate? Just tell us? 351 00:16:52,240 --> 00:16:54,560 Speaker 1: Is there someone early on that you fell out with? 352 00:16:54,720 --> 00:16:55,920 Speaker 1: Can you give something away? 353 00:16:58,440 --> 00:17:04,240 Speaker 2: I can't. I can't see Ronnie. I'm going to say, 354 00:17:03,800 --> 00:17:09,040 Speaker 2: is guys tune in on Channel seven? That's all right? Honestly, 355 00:17:09,280 --> 00:17:11,800 Speaker 2: I cannot give away too much. My contract will be 356 00:17:11,880 --> 00:17:13,320 Speaker 2: ripped underneath my feet. 357 00:17:14,520 --> 00:17:18,760 Speaker 3: Just got ripped, Runny. In the ad, I heard someone 358 00:17:18,760 --> 00:17:25,000 Speaker 3: get called a D list celebrity is I'm not naming names, 359 00:17:25,200 --> 00:17:28,199 Speaker 3: but was that you that said it? Of course it 360 00:17:28,400 --> 00:17:31,000 Speaker 3: was I recognized, but. 361 00:17:30,960 --> 00:17:33,440 Speaker 1: We couldn't work out for him, couldn't work out who 362 00:17:33,440 --> 00:17:34,520 Speaker 1: you said it about. 363 00:17:35,440 --> 00:17:37,800 Speaker 2: Well, well, I can tell you that that was for Darren. 364 00:17:37,920 --> 00:17:41,240 Speaker 3: I think, okay, because I thought you're not going to 365 00:17:41,280 --> 00:17:44,040 Speaker 3: say that to Vince colosso he'll put him, you know 366 00:17:44,160 --> 00:17:44,800 Speaker 3: he was. 367 00:17:46,480 --> 00:17:50,320 Speaker 2: I mean, I've seen underbelly, mate, I understand how that 368 00:17:50,359 --> 00:17:53,840 Speaker 2: works the friend of mine during the show and still 369 00:17:53,880 --> 00:17:55,840 Speaker 2: remains today. 370 00:17:56,040 --> 00:17:57,680 Speaker 1: Jodie Gordon, this is going to be so. 371 00:17:59,520 --> 00:18:02,679 Speaker 3: Now, Lord Sugar, how did it go meeting him? Is 372 00:18:02,720 --> 00:18:03,520 Speaker 3: it imposing? 373 00:18:04,600 --> 00:18:06,600 Speaker 2: Well, I'll be honest, it's the first time I've actually 374 00:18:06,640 --> 00:18:10,080 Speaker 2: met a billionaire. Yeah, he looked up to his reputation. 375 00:18:10,280 --> 00:18:13,960 Speaker 2: I'll tell you what. He walks slowly, he shakes you. 376 00:18:14,359 --> 00:18:16,080 Speaker 2: When he shakes your hand, he looks you dead in 377 00:18:16,119 --> 00:18:20,080 Speaker 2: the eye. He's very intimidating. I'll tell you what. 378 00:18:21,960 --> 00:18:22,520 Speaker 1: Did you do it all? 379 00:18:22,720 --> 00:18:24,280 Speaker 3: See become a billion effort? You know? 380 00:18:24,320 --> 00:18:25,840 Speaker 1: No, that's right. They've got to be ruthless. Did you 381 00:18:25,880 --> 00:18:27,840 Speaker 1: see him? Did you spot him off camera at some 382 00:18:27,880 --> 00:18:30,040 Speaker 1: stage when he was out of that character? Mate? You 383 00:18:30,040 --> 00:18:31,880 Speaker 1: see a little smile or look. 384 00:18:32,000 --> 00:18:33,879 Speaker 2: I was one of the I was one of the 385 00:18:33,920 --> 00:18:36,000 Speaker 2: only ones my family. I was lucky enough to have 386 00:18:36,080 --> 00:18:39,560 Speaker 2: my family in Sydney, right, and that he loves kids 387 00:18:39,640 --> 00:18:41,480 Speaker 2: and I've got Leo and Charlotte. 388 00:18:41,480 --> 00:18:45,199 Speaker 8: Of course, he sat him down in the boardroom, he 389 00:18:45,280 --> 00:18:47,840 Speaker 8: put him in his chair and he got the kids. 390 00:18:50,480 --> 00:18:53,600 Speaker 8: He has got an incredible side and to us, to 391 00:18:53,680 --> 00:18:56,160 Speaker 8: all the guys that were working for him very hard, 392 00:18:56,880 --> 00:18:59,840 Speaker 8: haven't you assume that in business, but comes the kids 393 00:18:59,840 --> 00:19:03,480 Speaker 8: made he absolutely melts. So so yeah, he's a great guy. 394 00:19:03,600 --> 00:19:05,720 Speaker 3: How long does it take before you sort of forget 395 00:19:05,720 --> 00:19:08,320 Speaker 3: you're on a TV show and you just think I'm 396 00:19:08,359 --> 00:19:10,480 Speaker 3: in a fight for my life. 397 00:19:11,200 --> 00:19:13,600 Speaker 2: Yeah, I reckon it's about fifteen to twenty second. 398 00:19:13,800 --> 00:19:14,920 Speaker 3: Yeah, yeah, right. 399 00:19:15,680 --> 00:19:17,439 Speaker 2: I think what you've got to understand is that you 400 00:19:17,480 --> 00:19:18,920 Speaker 2: are fighting for charity. 401 00:19:19,320 --> 00:19:21,960 Speaker 1: Yes, of course you are put up when. 402 00:19:21,800 --> 00:19:24,240 Speaker 2: You're put up in that boardroom. And it's safe to 403 00:19:24,280 --> 00:19:25,919 Speaker 2: say I was put up a couple of times in 404 00:19:25,960 --> 00:19:28,879 Speaker 2: that boardroom. Yeah, you fight for your. 405 00:19:28,800 --> 00:19:32,120 Speaker 3: Charity, so you as your charity Ronnie. 406 00:19:32,520 --> 00:19:38,399 Speaker 2: Habitat for Humanity Australia lovely appropriate. So you have to 407 00:19:38,760 --> 00:19:41,760 Speaker 2: you really have to fight for it. And I had 408 00:19:41,920 --> 00:19:44,520 Speaker 2: such a great time filming it. It was one of 409 00:19:44,560 --> 00:19:46,600 Speaker 2: the I can't believe I did it by myself, like 410 00:19:46,640 --> 00:19:51,120 Speaker 2: that was what I's attempt to do it without George. Yeah, 411 00:19:51,280 --> 00:19:53,320 Speaker 2: she's a better half and she's the one that keeps 412 00:19:53,359 --> 00:19:55,399 Speaker 2: me in check. She's the one giving elbows to the 413 00:19:55,480 --> 00:20:00,600 Speaker 2: ribs and able saying don't go there. But but because 414 00:20:00,600 --> 00:20:02,280 Speaker 2: I said to it, baby, you've got nothing to worry about. 415 00:20:02,640 --> 00:20:06,159 Speaker 2: You know, you've married You've known me for over eighteen years. 416 00:20:07,040 --> 00:20:09,520 Speaker 2: I'm not going to change going on the show. So yeah, 417 00:20:09,560 --> 00:20:10,040 Speaker 2: and I did that. 418 00:20:10,040 --> 00:20:11,480 Speaker 1: But what we're finding around Ronnie is a lot of 419 00:20:11,520 --> 00:20:13,479 Speaker 1: people with these shows, they're bringing back people have been 420 00:20:13,520 --> 00:20:15,840 Speaker 1: on them before, or they're bringing celebrities that people know. 421 00:20:16,000 --> 00:20:18,080 Speaker 1: You know, it's a guarantee for ratings and that. But 422 00:20:18,080 --> 00:20:19,400 Speaker 1: it is the only one you walked on the set 423 00:20:19,400 --> 00:20:21,879 Speaker 1: and you went, I actually know that celebrity. Who the 424 00:20:21,880 --> 00:20:23,600 Speaker 1: hell's that? At that moment? 425 00:20:24,320 --> 00:20:28,600 Speaker 2: Carla from Bankstown? Oh yeah, we didn't know who she was. 426 00:20:28,680 --> 00:20:29,640 Speaker 3: What about Gamble? 427 00:20:31,040 --> 00:20:31,320 Speaker 6: You know? 428 00:20:31,680 --> 00:20:34,960 Speaker 2: I look, I'm a big fan of Real Housewise. Yeah 429 00:20:35,040 --> 00:20:35,800 Speaker 2: I knew exactly. 430 00:20:35,920 --> 00:20:38,000 Speaker 3: I know her housewife in history. 431 00:20:38,119 --> 00:20:40,639 Speaker 2: And more importantly, I thought she was a huge threat 432 00:20:40,720 --> 00:20:43,000 Speaker 2: because you know, she knows, she knows a lot of 433 00:20:43,000 --> 00:20:44,000 Speaker 2: people with a lot of cash. 434 00:20:44,119 --> 00:20:46,600 Speaker 3: Yeah, you're right, and that's key. 435 00:20:46,880 --> 00:20:48,560 Speaker 2: So you got to care for well, Ronnie. 436 00:20:48,640 --> 00:20:51,960 Speaker 3: It's seven o'clock Sunday night on nine A Celebrity Apprentice 437 00:20:52,000 --> 00:20:53,800 Speaker 3: Australia Returns. 438 00:20:54,600 --> 00:20:57,119 Speaker 1: Played the music Nervous There it is. 439 00:20:57,840 --> 00:20:59,000 Speaker 3: I love this music. 440 00:20:59,119 --> 00:20:59,399 Speaker 1: It is. 441 00:20:59,440 --> 00:21:00,960 Speaker 3: We look forward seeing how you go. 442 00:21:02,040 --> 00:21:07,040 Speaker 2: Thank you very much more, Lisa. 443 00:21:07,240 --> 00:21:09,879 Speaker 8: More podcasts soon ninety six. 444 00:21:10,640 --> 00:21:12,439 Speaker 3: There's a lot of people have had a sneak peek 445 00:21:12,840 --> 00:21:16,840 Speaker 3: talking about how realistic the scenes in Top Gun. Maverick 446 00:21:18,160 --> 00:21:21,720 Speaker 3: G Four's face distortion real. I don't know they were 447 00:21:21,800 --> 00:21:25,520 Speaker 3: going for this reel, though. Tom Cruiser's fighter jet was 448 00:21:25,680 --> 00:21:29,360 Speaker 3: tracked by a Chinese satellite while they were filming. Top Gun. 449 00:21:29,440 --> 00:21:32,119 Speaker 3: Producer Jerry Bruckheimer has revealed a jet used in the 450 00:21:32,160 --> 00:21:34,679 Speaker 3: new film looked so realistic that it caught the attention 451 00:21:34,760 --> 00:21:37,280 Speaker 3: of a Chinese satellite. Now. Tom's well known for taking 452 00:21:37,280 --> 00:21:40,479 Speaker 3: on extreme challenges for the sake of his movies, and 453 00:21:40,640 --> 00:21:43,080 Speaker 3: he has said he was not going to do with 454 00:21:43,160 --> 00:21:46,560 Speaker 3: the CGI stuff when it came to creating this one. 455 00:21:46,840 --> 00:21:49,320 Speaker 3: So he really can be seen in the film flying 456 00:21:49,320 --> 00:21:52,120 Speaker 3: a P fifty one propeller driven fighter plane, as well 457 00:21:52,160 --> 00:21:55,320 Speaker 3: as some helicopters. But there was one aircraft that they 458 00:21:55,359 --> 00:22:01,320 Speaker 3: had to fake on set, Cruisers super hypersonic jet. So 459 00:22:01,359 --> 00:22:04,800 Speaker 3: they worked with proper aircraft engineers to build a full 460 00:22:04,840 --> 00:22:07,680 Speaker 3: scale model of Dark Star, with the collaboration resulting in 461 00:22:07,720 --> 00:22:11,119 Speaker 3: a prop so realistic it managed to dupe those in 462 00:22:11,240 --> 00:22:15,520 Speaker 3: charge of the satellite. Brukhaimer said the Navy told them 463 00:22:15,840 --> 00:22:18,280 Speaker 3: that a Chinese satellite turned around and had it on 464 00:22:18,320 --> 00:22:21,880 Speaker 3: a different route to photograph the plane because they thought 465 00:22:21,880 --> 00:22:25,399 Speaker 3: it was real. Now though Darkstar was not a real plane, 466 00:22:25,520 --> 00:22:27,720 Speaker 3: the actors in the film do ride in the cockpits 467 00:22:27,760 --> 00:22:32,280 Speaker 3: of actual US Navy FA eighteen super hornets while shooting scenes, 468 00:22:32,320 --> 00:22:35,639 Speaker 3: resulting in as I said, that real G force experience 469 00:22:35,680 --> 00:22:36,399 Speaker 3: caught on camera. 470 00:22:36,480 --> 00:22:37,960 Speaker 1: Yeah, probably a bit vomiting in their helmet. 471 00:22:38,640 --> 00:22:40,800 Speaker 3: Yes, really such funny. 472 00:22:40,880 --> 00:22:43,199 Speaker 2: SIXFM Clezi and Lisa