1 00:00:01,520 --> 00:00:05,360 Speaker 1: Welcome to them, Christian No Con Show podcast. Yesterday my 2 00:00:05,400 --> 00:00:07,440 Speaker 1: wife was out. The kids refused to sit down and 3 00:00:07,440 --> 00:00:09,080 Speaker 1: watch it with me because they were like, oh, hang 4 00:00:09,119 --> 00:00:10,680 Speaker 1: on a minute. When, as I said, about every movie, 5 00:00:10,680 --> 00:00:12,000 Speaker 1: would I go, let's watch a movie, go hang on it? 6 00:00:12,119 --> 00:00:14,319 Speaker 1: When was it my I went nineteen ninety, They're like, 7 00:00:14,360 --> 00:00:16,360 Speaker 1: forget it, it's an old movie, all right, to them, 8 00:00:16,440 --> 00:00:18,479 Speaker 1: that's a really old movie. Whilest what we was black 9 00:00:18,520 --> 00:00:20,360 Speaker 1: and white? Oh, they would Charlie Chaplin. 10 00:00:20,520 --> 00:00:23,680 Speaker 2: They would be disgusted with the special effects of the ghosts. 11 00:00:24,040 --> 00:00:26,960 Speaker 1: Ghost You're right, the tick Job generation aren't gonna dig go. 12 00:00:27,120 --> 00:00:31,000 Speaker 1: So basically I watched it by myself yesterday evening, and 13 00:00:31,080 --> 00:00:35,720 Speaker 1: I still found myself crying alone on the couch. Okay, 14 00:00:35,880 --> 00:00:41,040 Speaker 1: got me all those years later? What a movie? Genuinely, 15 00:00:41,120 --> 00:00:43,200 Speaker 1: I love watching it again. I forgot what a great 16 00:00:43,240 --> 00:00:45,760 Speaker 1: movie and it still stands up. I didn't do that thing. 17 00:00:45,800 --> 00:00:48,520 Speaker 1: You know now, when you're streaming sumthing you press ports 18 00:00:48,560 --> 00:00:51,239 Speaker 1: and you go, how much left on this? I'm so 19 00:00:51,880 --> 00:00:53,840 Speaker 1: we're so rude, now, aren't we. You never used to 20 00:00:53,840 --> 00:00:55,520 Speaker 1: to do that in this cinema. You just sat there 21 00:00:55,800 --> 00:00:58,000 Speaker 1: and absorbed it. You didn't even think about, like how 22 00:00:58,080 --> 00:00:59,480 Speaker 1: long is left on it? You were lucky to be 23 00:00:59,520 --> 00:01:00,320 Speaker 1: watching the movie. 24 00:01:00,360 --> 00:01:02,680 Speaker 2: I pretty much do that every week as we rewatch 25 00:01:02,680 --> 00:01:04,560 Speaker 2: an old film. It's pause and check how long it's 26 00:01:04,640 --> 00:01:08,000 Speaker 2: left on the time Ghost is an exception. I've never 27 00:01:08,000 --> 00:01:09,160 Speaker 2: seen it before, and hang on. 28 00:01:09,160 --> 00:01:11,039 Speaker 1: A minute, this is gonna be a new side category 29 00:01:11,160 --> 00:01:12,760 Speaker 1: right when we do the movies. This is a non 30 00:01:12,760 --> 00:01:13,520 Speaker 1: pauser This is. 31 00:01:13,520 --> 00:01:15,959 Speaker 2: A non pausal Wow, all the way through, without even 32 00:01:16,000 --> 00:01:17,160 Speaker 2: getting up and walking around the. 33 00:01:17,200 --> 00:01:19,720 Speaker 1: Hills, got loads going on. It was they still set. 34 00:01:19,760 --> 00:01:21,440 Speaker 1: It was at the birth of the rom com really, 35 00:01:21,480 --> 00:01:24,000 Speaker 1: because after that, you know, they became Harry met Sally 36 00:01:24,040 --> 00:01:27,080 Speaker 1: after that huge mega success of this movie. But it's 37 00:01:27,080 --> 00:01:29,640 Speaker 1: actually more than a romantic comedy. It's got a lot 38 00:01:29,640 --> 00:01:32,760 Speaker 1: in this, this stuff about the afterlife. There's action scenes 39 00:01:32,760 --> 00:01:34,880 Speaker 1: in it, a revenge story. It's brilliant. 40 00:01:34,920 --> 00:01:36,840 Speaker 2: I thought it would be way more sappy just from 41 00:01:36,840 --> 00:01:39,280 Speaker 2: what I knew of the trailers. But yeah, there's murder, 42 00:01:39,680 --> 00:01:44,880 Speaker 2: money laundering, drug dealers, gunfights. And the part I love 43 00:01:44,920 --> 00:01:47,080 Speaker 2: the most is like Patrick Swayze, for me, is the 44 00:01:47,120 --> 00:01:48,120 Speaker 2: best actorate that. 45 00:01:48,160 --> 00:01:50,040 Speaker 1: Is on that right. He was on like a four 46 00:01:50,120 --> 00:01:51,960 Speaker 1: movie test. So if you think about it did Dirty 47 00:01:52,040 --> 00:01:54,280 Speaker 1: Dancing in nineteen eighty seven. Then he goes to do 48 00:01:54,440 --> 00:01:57,000 Speaker 1: a year and a half later, Roadhouse, which we reviewed 49 00:01:57,040 --> 00:01:59,680 Speaker 1: on the show Non Pauser I'm getting as I loved Roadhouse. 50 00:01:59,760 --> 00:02:02,680 Speaker 1: Then a year later he does this Ghost, right, biggest 51 00:02:02,680 --> 00:02:05,320 Speaker 1: movie of the nineties, and then he does Point Break 52 00:02:05,400 --> 00:02:07,800 Speaker 1: a year later. That's quite a four movie tear. 53 00:02:07,960 --> 00:02:10,000 Speaker 2: What are you giving for acting in this movie? Because 54 00:02:10,080 --> 00:02:12,480 Speaker 2: why I loved him as a ghost. I did feel 55 00:02:12,520 --> 00:02:15,760 Speaker 2: like he hammed it up a few times during the movie, for. 56 00:02:15,760 --> 00:02:18,560 Speaker 1: Sure, when he's doing his whole convulsions when the ghosts 57 00:02:18,600 --> 00:02:21,519 Speaker 1: come through him. It's terrible. You're like, why didn't the 58 00:02:21,560 --> 00:02:22,640 Speaker 1: director yell cup? 59 00:02:22,919 --> 00:02:25,399 Speaker 2: You know you're doing a great job. 60 00:02:25,680 --> 00:02:28,040 Speaker 1: This is going to be huge at the box office. 61 00:02:28,240 --> 00:02:29,079 Speaker 1: What are you doing? 62 00:02:29,400 --> 00:02:33,000 Speaker 2: Pull back on some of those factual expressions. The one 63 00:02:33,040 --> 00:02:34,600 Speaker 2: I love the most the first time he becomes a 64 00:02:34,639 --> 00:02:37,320 Speaker 2: ghost and he realizes that he's a dead body and 65 00:02:37,400 --> 00:02:40,480 Speaker 2: he's in Demi Moore's arms. The look that he puts 66 00:02:40,520 --> 00:02:42,519 Speaker 2: on his face. Surely they wanted to cut that. 67 00:02:42,680 --> 00:02:44,880 Speaker 1: It looks like he'd watched a couple of episodes of 68 00:02:44,919 --> 00:02:48,080 Speaker 1: Home and Away and use some of these sort of 69 00:02:48,160 --> 00:02:51,520 Speaker 1: acting range in that to put it into a big 70 00:02:51,560 --> 00:02:54,720 Speaker 1: box office movie. It's so hammy and the rest of it. 71 00:02:54,760 --> 00:02:55,720 Speaker 1: He's brilliant in it. 72 00:02:55,800 --> 00:02:57,360 Speaker 2: This is his face when he looks at himself for 73 00:02:57,360 --> 00:02:57,880 Speaker 2: the first time. 74 00:02:59,320 --> 00:03:02,600 Speaker 1: That exactly now. I know it's radio, but we will 75 00:03:02,600 --> 00:03:04,440 Speaker 1: put this up on We'll do a compare of contrast 76 00:03:04,520 --> 00:03:06,480 Speaker 1: with the actual movie. See how many other things I 77 00:03:06,600 --> 00:03:08,880 Speaker 1: noticed watching it again, because I remember when this came out. 78 00:03:08,919 --> 00:03:12,120 Speaker 1: It was obviously at the cinema, right and I was 79 00:03:12,160 --> 00:03:14,760 Speaker 1: going out with a girl at the time, in nineteen ninety, 80 00:03:14,800 --> 00:03:16,640 Speaker 1: and she loved it so much we had to go 81 00:03:16,680 --> 00:03:18,919 Speaker 1: and watch it. I watched it three times with her. 82 00:03:19,160 --> 00:03:21,040 Speaker 1: You know, when you're willing into someone and you put 83 00:03:21,080 --> 00:03:22,560 Speaker 1: up with any time to do anything, You just do 84 00:03:22,600 --> 00:03:24,880 Speaker 1: anything just to be near them. I was seventeen at 85 00:03:24,880 --> 00:03:27,239 Speaker 1: the time. That's not a judged three times to see 86 00:03:27,240 --> 00:03:29,840 Speaker 1: this at the movie anyway. Watching it again, yessay, alone 87 00:03:29,840 --> 00:03:33,080 Speaker 1: on the couch, weeping in the darkness. Demi Moore wonder 88 00:03:33,080 --> 00:03:35,960 Speaker 1: ability she can crown demand out of either rye. 89 00:03:36,280 --> 00:03:39,640 Speaker 2: Did you notice that saw that separate falling tears? 90 00:03:39,680 --> 00:03:42,600 Speaker 1: I didn't notice sagon tears. Yeah. I actually rewound a 91 00:03:42,600 --> 00:03:45,120 Speaker 1: couple of times it's like, how did she do that? 92 00:03:45,120 --> 00:03:48,280 Speaker 1: That doesn't get enough credit? We got it, Perry put 93 00:03:48,280 --> 00:03:50,120 Speaker 1: that video up. She can crown demand, she can go 94 00:03:50,200 --> 00:03:54,360 Speaker 1: left right, both at the same time, or again left alrighty. 95 00:03:54,040 --> 00:03:56,120 Speaker 2: It's impressive, as impressive as when you see a strong 96 00:03:56,160 --> 00:03:57,480 Speaker 2: man do peck peck peck? 97 00:03:57,880 --> 00:04:02,640 Speaker 1: Which double tie? Why did she? Why is it more made? 98 00:04:03,640 --> 00:04:06,080 Speaker 1: It got two oscars. The movie Whoop be Godberg deserved 99 00:04:06,080 --> 00:04:08,480 Speaker 1: an oscar. She's incredible. Bear in mind she doesn't turn 100 00:04:08,560 --> 00:04:10,480 Speaker 1: up to the start the second third. I think she's 101 00:04:10,520 --> 00:04:13,400 Speaker 1: like forty minutes in. She's amazing and it's Swaysy's great. 102 00:04:13,400 --> 00:04:16,440 Speaker 1: You also won an oscar for about original screenplay. They 103 00:04:16,520 --> 00:04:19,120 Speaker 1: wanted to write a movie. The guy won the oscar 104 00:04:19,160 --> 00:04:21,239 Speaker 1: for it from the point of view of a ghost, 105 00:04:21,680 --> 00:04:23,919 Speaker 1: and actually, when you watch the movie knowing that you 106 00:04:24,000 --> 00:04:25,960 Speaker 1: get it is very much on Swayseey's point of view. 107 00:04:26,120 --> 00:04:30,360 Speaker 1: There are some great scenes in it. It's amazing. Moneh, 108 00:04:30,560 --> 00:04:33,280 Speaker 1: I love and say the back of the couch, tack 109 00:04:33,360 --> 00:04:36,800 Speaker 1: it with you? What about that ditto scene? Did that 110 00:04:36,960 --> 00:04:37,279 Speaker 1: movie you? 111 00:04:37,560 --> 00:04:40,400 Speaker 2: I love Yeah, me too, I love. 112 00:04:40,200 --> 00:04:47,839 Speaker 1: You, I really love you. And my other favorite scene 113 00:04:47,960 --> 00:04:50,359 Speaker 1: is the first time that Demi Moore goes to see 114 00:04:50,720 --> 00:04:54,200 Speaker 1: this mystic Whoopy Goldberg and Swaysea are man there even 115 00:04:54,240 --> 00:04:56,240 Speaker 1: though she can't see him. He's a ghost. He's there. 116 00:04:56,320 --> 00:05:00,320 Speaker 1: What a crack of ship he delivers that line. It's 117 00:05:00,480 --> 00:05:02,680 Speaker 1: so funny. I remember in the cinema still he got 118 00:05:02,800 --> 00:05:05,160 Speaker 1: such a big laugh. I just love when he goes 119 00:05:05,440 --> 00:05:09,960 Speaker 1: a crack of shit cover of the things. Watching it again, 120 00:05:10,720 --> 00:05:14,320 Speaker 1: it's a strange ending, isn't it. Where he goes into 121 00:05:14,320 --> 00:05:17,000 Speaker 1: Woody golds book. He goes into the body and at 122 00:05:17,000 --> 00:05:19,320 Speaker 1: this when we talk about it becomes an Adam Sounder movie, 123 00:05:19,360 --> 00:05:22,440 Speaker 1: doesn't it. So he goes into the body of Whoope 124 00:05:22,440 --> 00:05:27,719 Speaker 1: Goldberg and then Whoopee. But Swazy on the screen dances 125 00:05:27,800 --> 00:05:29,280 Speaker 1: with his with his wife. 126 00:05:29,040 --> 00:05:31,600 Speaker 2: With Demi Moore, and they missed a real comedy cut 127 00:05:31,600 --> 00:05:34,040 Speaker 2: there because they're showing the ghost of Swayzey dancing with 128 00:05:34,040 --> 00:05:36,400 Speaker 2: Demi Moore. They should have cut back to Whoopee. 129 00:05:36,800 --> 00:05:39,239 Speaker 1: If I was directing that movie, you you have top 130 00:05:39,240 --> 00:05:42,479 Speaker 1: puff Swayzey, bottom half Whoopee, and then you keep flip 131 00:05:42,560 --> 00:05:44,880 Speaker 1: around like suddenly it's the it's the head of Whoopee 132 00:05:44,920 --> 00:05:46,880 Speaker 1: on the on the body like a photo shop. That's 133 00:05:46,880 --> 00:05:48,000 Speaker 1: how they should have done it. Basically. 134 00:05:48,000 --> 00:05:50,640 Speaker 2: The other thing about that, which is the most famous 135 00:05:50,640 --> 00:05:52,839 Speaker 2: scene of the movie is the dance with the ghost. 136 00:05:52,960 --> 00:05:56,040 Speaker 2: At the end, they know that somebody is on there, 137 00:05:56,240 --> 00:05:58,480 Speaker 2: on his way to kill Demi Moore, yet. 138 00:05:58,560 --> 00:06:00,880 Speaker 1: His wife, who who he can't leave behind to go 139 00:06:00,960 --> 00:06:01,400 Speaker 1: to heaven. 140 00:06:01,480 --> 00:06:04,000 Speaker 2: He's on his way. He's minutes from walking through the 141 00:06:04,000 --> 00:06:06,200 Speaker 2: door with the knife to kill her. Except he's got 142 00:06:06,200 --> 00:06:06,920 Speaker 2: time for. 143 00:06:06,880 --> 00:06:11,320 Speaker 1: A slow There's always time for one last dance. You say, 144 00:06:11,320 --> 00:06:15,039 Speaker 1: most famous scene. No, let's talk about the pottery scene. 145 00:06:17,240 --> 00:06:23,159 Speaker 1: It's beyond phanic. No, no, no, no, come on, it's a 146 00:06:23,279 --> 00:06:24,279 Speaker 1: meter long schlong. 147 00:06:24,480 --> 00:06:25,279 Speaker 2: I didn't wonder. 148 00:06:25,760 --> 00:06:27,920 Speaker 1: I did wonder. And that's how she's getting over her husband. 149 00:06:28,000 --> 00:06:30,080 Speaker 1: She's keeping his memory alive by this. 150 00:06:30,800 --> 00:06:33,200 Speaker 2: I didn't wonder. What's going to needed to be? 151 00:06:34,200 --> 00:06:39,440 Speaker 1: How big are these flowers? How stats while swayzy, we'll 152 00:06:39,480 --> 00:06:41,840 Speaker 1: never know? Okay, wait, we'll never know. By the way 153 00:06:41,960 --> 00:06:44,520 Speaker 1: side note, our thirty something producer Real just goes to 154 00:06:44,640 --> 00:06:47,520 Speaker 1: jacket Iron join the song. Just look on im TV 155 00:06:47,960 --> 00:06:53,120 Speaker 1: hasn't done much lately. Hard to when you're dead, it's 156 00:06:53,120 --> 00:06:56,960 Speaker 1: hard to get work. And anyway, he googled it like 157 00:06:57,000 --> 00:06:59,080 Speaker 1: we were like fake news. So are we learning about 158 00:06:59,080 --> 00:07:04,920 Speaker 1: Swaze and dice? Okay? Oh guys, anyway, it's beyond phanic 159 00:07:04,960 --> 00:07:07,520 Speaker 1: and then that's her thing, right, it's obviously pottery. She's 160 00:07:07,560 --> 00:07:12,040 Speaker 1: actually very good. She's made a meet a long right, 161 00:07:12,360 --> 00:07:15,040 Speaker 1: and then the ghost Swayze turns, and Sticky's fingering and 162 00:07:15,120 --> 00:07:18,600 Speaker 1: it goes everywhere. If my wife's hobby was pottery, and 163 00:07:18,640 --> 00:07:21,680 Speaker 1: she's made this beautiful, big vast okay, and then I 164 00:07:21,760 --> 00:07:23,680 Speaker 1: do turn up and put my finger on it. We're 165 00:07:23,720 --> 00:07:26,239 Speaker 1: not having sex on the floor. She's in a bad mood. 166 00:07:26,280 --> 00:07:30,880 Speaker 1: I've ruined her hobby. For Christian O'Connell's show podcast