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Speaker 1: It's Chusy and Dunlan.

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Speaker 2: It's totting well. I was like going on the show

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Speaker 2: today and this one ended up on the cutting room floor.

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Speaker 1: But I wanted to run.

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Speaker 3: It past you please, I'm ready to be run past.

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Speaker 1: Grandma grabed Goofy character allegedly assaulted by elderly women at

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Speaker 1: Walt Disney World.

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Speaker 3: I need to hear more.

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Speaker 1: So Goofy's there. The family has.

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Speaker 3: Gathered asking for trouble.

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Speaker 1: Goofy doesn't wear.

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Speaker 2: A collie, he wears human clothes. No, Plutoluto is a

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Speaker 2: naked dog.

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Speaker 3: So Goofy is there. He wears a waistcoat and pants.

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Speaker 2: And yeah, he's got the pants and the Goofy.

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Speaker 3: What happened?

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Speaker 2: He drives a car as well, which is side and

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Speaker 2: then Pluto is running around bear ass naked on all

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Speaker 2: fours on all fours. Or maybe that's Goofy on the

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Speaker 2: weekend as well. Anyway, A family four have gone up

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Speaker 2: to Goofy.

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Speaker 1: Three of the.

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Speaker 2: Family members posed on his right while the grandma stood

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Speaker 2: on his left side. He put her arm around him.

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Speaker 2: The victim, who was played by a thirty two year

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Speaker 2: old man inside the suit, said what it's a.

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Speaker 3: Thirty two year old man working at Disney inside the suit.

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Speaker 1: It's a living.

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Speaker 3: Isn't that a living for a nineteen year old theater

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Speaker 3: student or something?

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Speaker 1: It's a living? Sidebar? Have you ever gone inside a mascot?

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Speaker 1: Have you ever harry that?

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Speaker 3: I don't like it from what I'm reading a sidebar?

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Speaker 1: Have you ever been dressed up at a mascot? I've

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Speaker 1: done a few times.

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Speaker 3: You the roosters remember smell inside?

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Speaker 1: Yeah?

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Speaker 2: It does, but there is something freeing about it. One time,

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Speaker 2: many years ago, this is when I used to partake

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Speaker 2: and a bit of Hayman. I was working at a

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Speaker 2: radio station and I showed up at an event at

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Speaker 2: the shopping center. But I just happenstance was walking past

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Speaker 2: it and some friends that I had been smoking a little.

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Speaker 1: Bit of weed before.

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Speaker 3: We're working on the radio.

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Speaker 2: I was wearing on the radio, but that was my

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Speaker 2: day off. And one of the salespeople said, Lenny Electric.

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Speaker 2: The person that plays Lenny Electric hasn't sold showed Letny

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Speaker 2: Electric was the mascot for ill Or Electricity, which form was?

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Speaker 1: It was a lion Lenny Electric. He was a lion.

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Speaker 1: A lion makes no sense an electrical lion, electrical lion.

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Speaker 1: So they said, do you mind putting the suit on?

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Speaker 3: You have no pride.

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Speaker 2: So I put the suit on it, and I was

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Speaker 2: a stone as ten men of and it was quite

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Speaker 2: a liberating because you could do what if you want.

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Speaker 3: But this is the opposite. This is where people were

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Speaker 3: doing things to the mascot.

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Speaker 2: Yes, so what happened back to this story, So she's

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Speaker 2: placed her right hand on his butt, squeezed her hand

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Speaker 2: three times, ah, and said.

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Speaker 3: Any electric dreamed of us?

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Speaker 1: He said, woooo.

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Speaker 2: Anyway, Goofy stopped the interaction with the family and was

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Speaker 2: asking them to.

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Speaker 1: Leave, the report, said the.

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Speaker 3: Photographer, embarrassing for the kids. When grandma's gone.

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Speaker 2: The grid r the photographer over the conversation among the

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Speaker 2: family afterward, What did you do, the father asked the grandma,

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Speaker 2: and grandma said, I didn't do anything. Goofy wants us

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Speaker 2: to leave now, the victim told law enforcement the grandma

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Speaker 2: squeezed his butt over his costume. He wanted to prosecute

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Speaker 2: her for battery, but I.

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Speaker 3: Guess it's fair enough. We don't allow them to touch

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Speaker 3: you know, in the years gone by, women have been

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Speaker 3: subjected to this.

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Speaker 2: Yeah, yeah, that like honestly, I go to a few

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Speaker 2: functions and stuff, and women of a certain age will

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Speaker 2: feel free to have a bit of a you know,

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Speaker 2: when you're getting a photo, they'll touch your buttons. Really

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Speaker 2: really remember with Taylor Swift with that DJ that put

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Speaker 2: hands on her.

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Speaker 1: I think for that era, that was that was accepted.

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Speaker 1: Do you know what I mean? That was the guys

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Speaker 1: of that era.

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Speaker 2: I thought, young lady, I can I can go the

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Speaker 2: full Ralph harrisoner or something like that. But times have

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Speaker 2: shifted for men. But do you think women are going

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Speaker 2: through this now? Elderly women, you know, women in the

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Speaker 2: the middle aged women are now a target of this

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Speaker 2: that it's not acceptable to do this.

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Speaker 3: It's never been acceptable. People would have thought it's funny,

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Speaker 3: Randy old granny is kind of funny, old trope, but

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Speaker 3: absolutely no one has the right to do that to anybody.

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Speaker 3: And now we're drawing a line in the sand with

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Speaker 3: a lion in the sand.

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Speaker 1: What would Lenny Lenny Electric? I think he's been retired

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Speaker 1: of election.

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Speaker 3: I think he was retired that date.

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Speaker 1: Dope smoking days.

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Speaker 3: But imagine the family being shunted out of Disney because

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Speaker 3: Grandma went the grope on goofy, I'll see you and call.

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Speaker 4: You can leave your waistcoat arm.

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Speaker 2: Something that we didn't discuss and it ended up on

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Speaker 2: our cutting room floor, and I think it's worthy of

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Speaker 2: not being on our cutting room floor.

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Speaker 1: I think it should be.

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Speaker 2: In the greater world of broadcasting. Is things that are

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Speaker 2: embarrassing for no reason.

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Speaker 3: I came across this great list, and the reason why

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Speaker 3: they're great is because they're so small. It's not like

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Speaker 3: oh medax and it's embarrassing.

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Speaker 1: That's embarrassing.

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Speaker 3: These are really small embarrassments. Do you want some examples?

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Speaker 1: Yes, please.

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Speaker 3: Walking towards someone that you're meeting up with, so you've

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Speaker 3: agreed to meet them, but you see them from a distance.

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Speaker 1: Yeah. From addition, because you don't I don't.

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Speaker 3: Think you do, or you're smartest, yeah, yeah, and then

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Speaker 3: you have to walk that closely to each other.

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Speaker 2: I'm in one house I was living in. I was

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Speaker 2: doing a wee in the morning, just in my toilet facility.

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Speaker 3: A toilet. We aren't you a hero? You want applause

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Speaker 3: for that?

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Speaker 1: Let me finish.

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Speaker 2: And there's a window and so it's a head height.

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Speaker 2: I'm just looking at into my nighbor's garden. My neighbor's

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Speaker 2: doing some gardening at that moment. He looked up and

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Speaker 2: we made eye contact, a big embarrassment, and then we

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Speaker 2: just but all he could see was my head hot

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Speaker 2: at the at the pane.

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Speaker 1: And then he's on.

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Speaker 2: His haunches doing some weeding, and we made eye contact.

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Speaker 2: And I always thought, do you know when someone's looking

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Speaker 2: at you and you get a sense that someone's looking

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Speaker 2: at you?

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Speaker 1: Maybe that's what I thought had happened.

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Speaker 3: Would he have intuited what you were doing? Because it

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Speaker 3: is a bathroom, it's obvious that I'm doing And that's

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Speaker 3: a big embarrassment. That's not a small one. Here's some

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Speaker 3: other small ones exiting anywhere from the middle of a row.

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Speaker 1: Oh yeah, terrible.

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Speaker 3: Do you give them bum or do you give them front?

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Speaker 1: I think front'spat of them.

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Speaker 3: No, I give them bum.

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Speaker 1: No.

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Speaker 3: Otherwise you have to look at them as they look

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Speaker 3: at your front bits.

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Speaker 1: Because you're lean over there. Hey, how you doing?

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Speaker 3: As they look at your groin. I'd rather give them

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Speaker 3: bum so I can't see what they're looking.

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Speaker 1: At because I tear. Why the front is better than them?

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Speaker 2: This is your neighbor again, neighbor front, you're making eye contact.

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Speaker 1: They're not looking at your bits.

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Speaker 3: I want to avoid eye contact. I don't want to

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Speaker 3: know what they're thinking or looking at.

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Speaker 1: What about if you're in a sauna, a multi leveled sort.

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Speaker 3: I never would go into a multi leveled sauna. How

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Speaker 3: about this one.

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Speaker 1: You've been over to Switzerland.

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Speaker 3: These are things that are embarrassing for no reason. Buying

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Speaker 3: toilet paper.

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Speaker 1: I have no problem with buying toilet paper.

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Speaker 2: Since the COVID pandemic, I'm happy to buy it.

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Speaker 3: But it's about people looking at you knowing you do it.

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Speaker 2: In the old days, I used to I used to

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Speaker 2: be very ashamed of buying toilet paper. And then when

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Speaker 2: the pandemic, you know what everyone went nuts for. They

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Speaker 2: were batching crazy for toilet paper. And then my local

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Speaker 2: petrol station I always had toilet paper. I said, you

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Speaker 2: guys got toilet paper.

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Speaker 1: They had the big thirty pack of Quilton Loves your bum.

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Speaker 3: And how did you get that home on your bike?

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Speaker 1: I just strap it on in the back of my bike.

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Speaker 1: That's how proud I was. I put it on the

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Speaker 1: back of my bike.

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Speaker 3: Well, he's a nervous rider.

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Speaker 1: Riding around the philipp.

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Speaker 2: I'm riding around the Philippines. Well, it's strapped on the back,

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Speaker 2: and I don't care anymore. In fact, I don't care

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Speaker 2: so much that when I go in.

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Speaker 1: There, I get shouting. Now, I say to Vicky buying

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Speaker 1: the count, I say, it's toilet paper day. It's toilet

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Speaker 1: paper day.

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Speaker 3: You've been drinking. How about this one when anyone sings

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Speaker 3: happy birthday to you, or a big group sing happy birthday.

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Speaker 3: You do you love it, you love people making life,

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Speaker 3: you love it, you love a fuss I you love it.

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Speaker 1: I don't like it.

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Speaker 3: You love a fast How about this one? The last

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Speaker 3: few seconds of a zoom call when everyone's trying to hang.

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Speaker 1: Oh, and you're seeing the finger, and then.

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Speaker 4: Because their fingers going up to the screen, they're not

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Speaker 4: giving you the finger.

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Speaker 2: I'm chat with you, but you're trying to get the

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Speaker 2: X to shut the screen.

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Speaker 1: And then when she's over and they're sitting.

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Speaker 5: There, they're looking at you with that look and everyone's

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Speaker 5: clocked out, so their faces have dropped, and you say,

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Speaker 5: and it's just that awkward moment.

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Speaker 2: The next thing is bad is when you say bye

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Speaker 2: to someone and then you walk off in the same direction.

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Speaker 1: Happens at airports all the time because you're getting.

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Speaker 2: Off the plane, you're okay, I'll see you, and then

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Speaker 2: all of a sudden you walk.

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Speaker 3: We're also going to walk. That's a bad example because

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Speaker 3: you have no option but to walk together.

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Speaker 2: Well, I remember just sint Campbell, No, just sint to Franklin.

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Speaker 2: Now these days when we were on the dancing show together,

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Speaker 2: we catch the plane home and we say goodbye at

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Speaker 2: the arrow bridge and then we I say, oh, this

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Speaker 2: is funny, isn't it. You know we're walking along together

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Speaker 2: and you go yeah, yeah. And then I tell well,

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Speaker 2: I'll go and get some fisherman's friends from the shop,

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Speaker 2: so give her time to.

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Speaker 3: Fix your breath for the pad.

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Speaker 2: And then we kept running into each other's right, I said,

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Speaker 2: come on, what's going on?

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Speaker 1: Why even this time?

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Speaker 3: It's because she was being papped because she was going

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Speaker 3: out with Buddy Franklin. And did you think, oh, yeah,

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Speaker 3: if I hang around there, I can goon into the camera.

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Speaker 2: What world would I want that? Who wants that? You

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Speaker 2: know so little of me that you.

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Speaker 3: Think that, well, you're the guy says I love toilet paper.

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Speaker 3: I didn't know that.

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Speaker 2: About you because there was a worldwide pandemic. You remember

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Speaker 2: that and you couldn't get toilet paper, but now you can, Yeah,

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Speaker 2: you can. But I've still got the memories of that.

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Speaker 2: It's like you see old guys that were allowed live

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Speaker 2: in the last pandemic clapping out the candles on the

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Speaker 2: cake because they don't blow on the cake.

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Speaker 1: The last one, the last one hundred years ago. There's

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Speaker 1: still old blokes.

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Speaker 2: Well they're probably dead now, but there were there were

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Speaker 2: people in the in the eighties and nineties that would

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Speaker 2: clap out a cake to the head it because they

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Speaker 2: lived through the Great Pandemic.

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Speaker 3: When did you ever come across someone in the flesh

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Speaker 3: who was in that former panic.

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Speaker 2: I haven't come across anyone that live through the former pandemic.

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Speaker 1: But I'm saying to you that old habits die hard.

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Speaker 1: The old habits die hard.

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Speaker 2: And you're appreciative of not blowing on a cake because

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Speaker 2: you're on a spread death.

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Speaker 3: It is funny. We'd never do that now, and we'd

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Speaker 3: never sneeze into our hands now.

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Speaker 2: Yeah, and so in say fifty sixty years from now,

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Speaker 2: the kids are going to go what's.

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Speaker 3: No, they will never ever sneeze into their hands. They

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Speaker 3: will never go back.

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Speaker 1: I will sneeze into there.

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Speaker 3: No, they won't. Yeah they were No, they won't, they

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Speaker 3: know they won't. I'm going to keep saying this for

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Speaker 3: fifty sixty years.

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Speaker 1: I'm starting to see why this ended up on the

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Speaker 1: cutting room floor.

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Speaker 3: Let's go home.

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Speaker 1: It's the cutting room floor.

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Speaker 2: Yeah, yeah, yeah, it's stunning room floor.

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Speaker 3: Yea yeah.

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Speaker 2: Something that ended up on the sweepings of our cutting

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Speaker 2: room floor is this discussion.

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Speaker 1: And I think it's very relevant.

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Speaker 2: That poor man that was killed on the British Airways

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Speaker 2: flight Wow Turbulence, a.

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Speaker 3: Flight to Singapore. Lots of Australians are on that flight too,

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Speaker 3: but yeah, he had a hard through the terms of

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Speaker 3: people were injured. I've seen footage of people's faces all

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Speaker 3: smashed up when the plane dropped. They all just hit

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Speaker 3: the ceiling, the ones that didn't have seatbelts on and

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Speaker 3: smashed through all the cupboards and things. Yeah, up above

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Speaker 3: their heads. People were somersaulting down the aisle and looking

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Speaker 3: at the debris. There was just stuff everywhere.

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Speaker 2: They say flight is safe, and largely it is safe.

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Speaker 2: But in the old days, wilbur an Aorvial right when

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Speaker 2: they flew from Kitty Hawk all those years ago, all

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Speaker 2: they hoped for was to get the plane in there

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Speaker 2: and land safely.

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Speaker 1: And really that still exists to this day.

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Speaker 2: But a lot of people get on plane and go, well,

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Speaker 2: I want to watch the latest Fast and the Furious franchise.

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Speaker 2: Why can't I watch it? Why is my screen not working?

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Speaker 2: I'd rather the screen not working than the plane not working.

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Speaker 3: Yeah. Well, and it's very unusual apparently that turbulence like this,

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Speaker 3: that a plane finds itself in the midst of it,

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Speaker 3: it's very unusual. In light of that story, I saw

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Speaker 3: this footage of a woman on a frontier airline's flight. Now,

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Speaker 3: the background to this story is, you know, when you

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Speaker 3: get that seat, it's got that extra leg room, it's

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Speaker 3: like the emergency bunk of seats.

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Speaker 1: Yeah, over the wing.

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Speaker 3: Yeah, And they say they have to do the speech.

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Speaker 3: If you sit here, are you prepared to you know,

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Speaker 3: open the hatch, help people and blah blah.

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Speaker 1: Open the hatch.

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Speaker 2: You've got to be compass enough to open the hatch,

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Speaker 2: push it out and then guide your passengers.

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Speaker 3: Stick around all the beer bottles that you've the beer

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Speaker 3: cans that you've left there, and see if you're compass enough.

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Speaker 1: As you say, I'm straight into that seat.

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Speaker 3: You'd love that, you would be pussy too help people. Well,

303
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Speaker 3: this woman was sitting there and she was overheard by

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Speaker 3: a couple of people saying that quote, I'm not going

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Speaker 3: to save anybody if something happens, I'm going to save

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Speaker 3: myself first. So when the flight attendant came up to

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Speaker 3: say are you prepared to blah blah blah, she said yes,

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Speaker 3: and the other people said I don't think so, and

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Speaker 3: it became this big fight.

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Speaker 1: Really were.

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Speaker 3: So the woman in question, of course, phones her attorney.

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Speaker 3: People on the flight were pleading with her to get

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Speaker 3: off the plane before the police officers arrived because they

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Speaker 3: want to take off.

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Speaker 1: Because she lied about her so called heroic capable.

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Speaker 3: Well, she made some jokes. See don't joke. She made

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Speaker 3: a joke saying I'm only going to help myself. And

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Speaker 3: so when the flight attendant came and said I prepared,

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Speaker 3: they said, no, she's not going to.

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Speaker 1: What does it sound like?

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Speaker 3: Shut your pie holes and then you can take off.

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Speaker 1: What does it sound like we've walked on the set

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Speaker 1: of Good Times? What are you doing? And so the

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Speaker 1: police were called.

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Speaker 3: The other passengers are going come on, and she got handcuffed.

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Speaker 1: Goodness and escorted off. So she was making a joke

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Speaker 1: and the other passengers.

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Speaker 3: Said, hey, I don't trust her to save me. She

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Speaker 3: should not be in that seat, and she said, I

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Speaker 3: didn't say nothing. And then the next next minute police,

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Speaker 3: she's phoning her attorney and police are called.

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Speaker 1: Goodness, you know, it travels.

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Speaker 3: Hard enough without all this, As everyone knows. When they

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Speaker 3: say to you, if you're in that seat, you're going

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Speaker 3: to help people, you go, yes, yeah, don't, but don't

336
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Speaker 3: make a joke.

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00:15:09,360 --> 00:15:12,040
Speaker 2: I'm not going to Mark Wahlberg on this, but what

338
00:15:12,080 --> 00:15:14,560
Speaker 2: does that mean? Remember when September eleventh and he said

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00:15:14,600 --> 00:15:16,520
Speaker 2: that if he was on that plane, he would have

340
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Speaker 2: averted the tragedy.

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Speaker 3: What are you going to say here?

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Speaker 2: I'm not going Mark Wahlburg on this, but what happens

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Speaker 2: in history? If we don't learn from history, then we're

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Speaker 2: doomed to just be extinct. And sometimes I wonder that

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Speaker 2: if that's actually indeed happening, But.

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Speaker 1: Not for me. I like to think I look to

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Speaker 1: history and I learn.

348
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Speaker 3: From what's the historical relevance here?

349
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Speaker 2: When I get on the plane, I'm always very mindful

350
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Speaker 2: of what's going on.

351
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Speaker 1: Who's this guy, what's that guy doing? What's she getting?

352
00:15:40,640 --> 00:15:42,480
Speaker 3: Why are those wires coming out of that backpack?

353
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Speaker 1: Exactly? All those things.

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Speaker 2: I'm always just looking, and I am always in a

355
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Speaker 2: state of vigils.

356
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Speaker 3: When I'm flown with you. You have eighteen beers before, during,

357
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Speaker 3: and after. There's no vigilance, and your mouth is open

358
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Speaker 3: in your snory. And that's a flight to Melbourne from Sydney.

359
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Speaker 2: I also see how much beer is in the beer

360
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Speaker 2: cart and see if I can sustain me during the flight.

361
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Speaker 3: I worked with a cameraman who said that he's flown

362
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Speaker 3: enough that he knows statistically knows that things can happen.

363
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Speaker 1: Things can happen.

364
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Speaker 3: And he's the guy when they say, count the number

365
00:16:15,800 --> 00:16:17,160
Speaker 3: of seats you are from the flight of the back

366
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Speaker 3: of your new exit. He will he's flown so much,

367
00:16:19,600 --> 00:16:22,040
Speaker 3: but he will turn around and see how many seats

368
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Speaker 3: there are. He follows it all.

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00:16:24,120 --> 00:16:26,600
Speaker 2: To a tea And that did you see, Sally, That's

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Speaker 2: exactly what happened.

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00:16:27,480 --> 00:16:32,520
Speaker 3: With Sully, Sandra, our newsreader.

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Speaker 2: Sully as in Captain Sullenberg, Charles Sullenberger when he put

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Speaker 2: the plane down on the Hudson River. And then if

374
00:16:38,520 --> 00:16:40,800
Speaker 2: you watch that movie, people trying to point out the

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00:16:40,800 --> 00:16:43,400
Speaker 2: insurance company's funnel up insurance company saying, oh.

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Speaker 1: Well, you know they could have You could have.

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00:16:44,920 --> 00:16:47,480
Speaker 2: Landed that plane at Tetbara or any of the other

378
00:16:47,600 --> 00:16:50,080
Speaker 2: airports around, but to choose instead, you chose to put

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Speaker 2: it in the Hudson.

380
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Speaker 1: And they said, but what about the human factor?

381
00:16:53,320 --> 00:16:57,200
Speaker 2: They didn't factor in the human factor the decision making.

382
00:16:57,560 --> 00:17:00,280
Speaker 2: And when that bird strike hit that plane, it was

383
00:17:00,320 --> 00:17:02,880
Speaker 2: at there were only like eight hundred feet off the ground.

384
00:17:03,520 --> 00:17:09,600
Speaker 2: There's no procedure for that. Both engines gone total engine failure.

385
00:17:09,920 --> 00:17:13,119
Speaker 2: That man reacted and he and he and he stood

386
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Speaker 2: up to the plate and he did it, and any

387
00:17:14,920 --> 00:17:16,760
Speaker 2: other cliches I can think of.

388
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Speaker 3: And what are you saying that you'd be that guy

389
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Speaker 3: I would be.

390
00:17:19,080 --> 00:17:21,199
Speaker 1: I'd like to think I wouldn't just sit there and.

391
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Speaker 3: Shaptain order espial meal.

392
00:17:25,480 --> 00:17:28,520
Speaker 1: Excuse me, Sally, I know this isn't a long.

393
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Speaker 3: Flight, but I did order a special men.

394
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Speaker 1: Is there a chance I could get another bit?

395
00:17:38,080 --> 00:17:39,840
Speaker 3: Anyway?

396
00:17:39,920 --> 00:17:50,159
Speaker 1: Everybody, there's some more room floor. This is cutting room floor.

397
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Speaker 2: And something we missed out on the cutting room floor today, well.

398
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Speaker 3: Something we didn't get around to talking about. And I

399
00:17:56,800 --> 00:18:02,280
Speaker 3: feel uncomfortable about this because I take incredible pleasure in

400
00:18:02,320 --> 00:18:06,119
Speaker 3: the story of someone's breakup, supposed breakup. Does that make

401
00:18:06,160 --> 00:18:08,399
Speaker 3: me a mean person? I think it does, even if

402
00:18:08,400 --> 00:18:10,400
Speaker 3: it's about j Lo and Ben Affleck.

403
00:18:10,480 --> 00:18:11,840
Speaker 1: I was happy for them to be together.

404
00:18:11,920 --> 00:18:14,160
Speaker 3: Oh, I was never happy for them to be together.

405
00:18:14,440 --> 00:18:16,119
Speaker 3: We don't know officially they've split. We'll get to that

406
00:18:16,119 --> 00:18:19,200
Speaker 3: in a minute. When they got back together, they were

407
00:18:19,359 --> 00:18:22,520
Speaker 3: so full of themselves. It was these photo shoots with her.

408
00:18:22,560 --> 00:18:24,560
Speaker 3: It asimming costume in him that I'm fifty and I

409
00:18:24,600 --> 00:18:27,440
Speaker 3: look incredible, and he was just gushing and loving. I thought,

410
00:18:27,680 --> 00:18:30,159
Speaker 3: if you want to fall in love again, great, but

411
00:18:30,960 --> 00:18:32,000
Speaker 3: I don't need to see it.

412
00:18:32,080 --> 00:18:33,720
Speaker 1: Do it on your own time, on your own time.

413
00:18:33,720 --> 00:18:35,040
Speaker 3: I don't need to see it and all these people,

414
00:18:35,080 --> 00:18:37,320
Speaker 3: he said, it gives me, It gives me faith in

415
00:18:37,359 --> 00:18:39,080
Speaker 3: the world. And I love it. I love it. I thought,

416
00:18:39,119 --> 00:18:42,000
Speaker 3: I'm not one of those people. I am predicting its demise,

417
00:18:42,119 --> 00:18:44,439
Speaker 3: and that demise is almost happening. Let me tell you,

418
00:18:46,320 --> 00:18:48,119
Speaker 3: little have a little burp there, because the universe is

419
00:18:48,119 --> 00:18:49,240
Speaker 3: punishing me.

420
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Speaker 1: I thought you were doing you were being sage.

421
00:18:53,119 --> 00:18:56,560
Speaker 3: No burping. This is a quote, and I don't know

422
00:18:56,680 --> 00:18:59,760
Speaker 3: how accurate this is. But Ben Affleck has quote come

423
00:18:59,800 --> 00:19:02,960
Speaker 3: to his senses about his failing marriage to the singer

424
00:19:03,000 --> 00:19:05,920
Speaker 3: and knows they headed for divorce, and Insider has claimed

425
00:19:06,640 --> 00:19:08,280
Speaker 3: if there was a way to divorce on grounds of

426
00:19:08,320 --> 00:19:11,160
Speaker 3: temporary insanity, he would. He feels like the last two

427
00:19:11,240 --> 00:19:13,760
Speaker 3: years have been a fever dream. He's come to his

428
00:19:13,840 --> 00:19:16,000
Speaker 3: senses and understands there is no way this is going

429
00:19:16,040 --> 00:19:19,719
Speaker 3: to work. That's all speculation. But here's what people are

430
00:19:19,720 --> 00:19:21,240
Speaker 3: basing that on, apart from the fact he's got a

431
00:19:21,240 --> 00:19:25,720
Speaker 3: constantly cranky face, is that she appeared solo at the

432
00:19:25,760 --> 00:19:28,600
Speaker 3: Metgala just a few months ago or earlier this month,

433
00:19:28,920 --> 00:19:35,440
Speaker 3: despite serving as one of the events co chairs. People

434
00:19:35,480 --> 00:19:37,600
Speaker 3: realized hadn't been photographed together in more than a month.

435
00:19:38,160 --> 00:19:40,280
Speaker 3: He has been photographed without his ring on. And these

436
00:19:40,320 --> 00:19:43,360
Speaker 3: are two people who know what imagery means. They have

437
00:19:43,400 --> 00:19:47,359
Speaker 3: played the imagery game big time. They know when they

438
00:19:47,400 --> 00:19:49,760
Speaker 3: are putting stuff out and out in public, and all

439
00:19:49,800 --> 00:19:51,800
Speaker 3: of that they know very well. People going to read

440
00:19:51,800 --> 00:19:54,080
Speaker 3: into it. So he's taken off his wedding ring, so

441
00:19:54,880 --> 00:19:58,440
Speaker 3: I read somewhere also pure speculation, But it looks like

442
00:19:58,480 --> 00:20:00,800
Speaker 3: she's been married one hundred and fifty eight times. That

443
00:20:01,200 --> 00:20:03,159
Speaker 3: he has issues with the fact she finds it very

444
00:20:03,200 --> 00:20:05,840
Speaker 3: hard to be satisfied. She's in love with love. Yeah,

445
00:20:05,880 --> 00:20:08,200
Speaker 3: and she finds it very hard to go Hey, let's

446
00:20:08,240 --> 00:20:09,680
Speaker 3: just settle down and do life now.

447
00:20:10,320 --> 00:20:11,560
Speaker 1: Yeah, she's never satisfied.

448
00:20:11,880 --> 00:20:13,520
Speaker 3: She's not going to get it from the block. Maybe

449
00:20:13,560 --> 00:20:15,240
Speaker 3: you should go back to being journie from the block

450
00:20:15,400 --> 00:20:17,560
Speaker 3: and be grateful for and just shut your pie hole.

451
00:20:17,600 --> 00:20:19,480
Speaker 1: Well, that's never going to happen.

452
00:20:19,320 --> 00:20:22,040
Speaker 3: Isn't it, Brenda. You're inside into them. It's never going

453
00:20:22,119 --> 00:20:22,520
Speaker 3: to happen.

454
00:20:23,160 --> 00:20:25,760
Speaker 1: She's not going to marry a normal guy. She's not

455
00:20:25,800 --> 00:20:26,520
Speaker 1: going to marry No.

456
00:20:26,560 --> 00:20:29,359
Speaker 3: But could she marry Ben Affleck and then be normal? No,

457
00:20:29,920 --> 00:20:33,040
Speaker 3: she's j Lo, No, she's Jalen.

458
00:20:33,320 --> 00:20:35,960
Speaker 2: Paul goes out, that's why you don't have like super people, like,

459
00:20:36,240 --> 00:20:39,679
Speaker 2: you know, amazing individuals like.

460
00:20:39,680 --> 00:20:42,760
Speaker 1: I'm just trying to think who in the movie world. DiCaprio,

461
00:20:43,680 --> 00:20:45,639
Speaker 1: he's got too much food on the tree.

462
00:20:45,720 --> 00:20:49,240
Speaker 3: Well, but what about Hugh Jackman? He and dead lasted

463
00:20:49,280 --> 00:20:50,520
Speaker 3: for years and years and years.

464
00:20:50,720 --> 00:20:51,840
Speaker 1: Yeah, and I'm not saying.

465
00:20:51,640 --> 00:20:55,199
Speaker 3: What about Paul Newman and Joanne Woodward? Yeah, as if

466
00:20:55,240 --> 00:20:56,480
Speaker 3: they didn't have options.

467
00:20:56,600 --> 00:20:58,879
Speaker 1: He said, you know, why would I go for Hamburger.

468
00:20:59,119 --> 00:21:00,000
Speaker 3: I've got steak at home.

469
00:21:00,040 --> 00:21:02,159
Speaker 2: And then Charlie Sheen said, sometimes it's good to have

470
00:21:02,200 --> 00:21:03,240
Speaker 2: a bit of hamburg.

471
00:21:05,000 --> 00:21:09,399
Speaker 3: Some fresh buns. That's but I feel bad because I

472
00:21:09,520 --> 00:21:12,359
Speaker 3: take delight in the fact it's all going pear shaped.

473
00:21:12,440 --> 00:21:16,000
Speaker 3: And that's a terrible thing to confess. And I'm sorry.

474
00:21:16,200 --> 00:21:19,160
Speaker 2: I wouldn't take delight in that. I don't take delight

475
00:21:19,200 --> 00:21:20,240
Speaker 2: in anyone's demise.

476
00:21:21,200 --> 00:21:22,399
Speaker 1: I do not. I do not.

477
00:21:22,560 --> 00:21:23,160
Speaker 3: That's not true.

478
00:21:23,200 --> 00:21:24,440
Speaker 1: Okay, give me an example.

479
00:21:25,119 --> 00:21:26,320
Speaker 3: Well, all right, I will.

480
00:21:26,400 --> 00:21:26,640
Speaker 1: Okay.

481
00:21:26,800 --> 00:21:28,439
Speaker 3: You read a review in the paper this morning of

482
00:21:28,440 --> 00:21:29,120
Speaker 3: the new Mad Max.

483
00:21:29,119 --> 00:21:30,320
Speaker 1: For me, Oh yes, you.

484
00:21:30,320 --> 00:21:33,080
Speaker 3: Said, I love that this has got a terrible review.

485
00:21:33,160 --> 00:21:35,240
Speaker 2: You know what, I would never criticize a movie I

486
00:21:35,280 --> 00:21:38,840
Speaker 2: haven't seen, but from the get go, from just the

487
00:21:38,880 --> 00:21:42,720
Speaker 2: trailer alone of Mad Max, Furiosa, I thought you have

488
00:21:42,880 --> 00:21:47,920
Speaker 2: disrespected the franchise because the movie Mad Max originally was

489
00:21:47,960 --> 00:21:50,440
Speaker 2: about the car. It was about the cars, it was

490
00:21:50,480 --> 00:21:53,520
Speaker 2: about the bikes. It was about the snappy catch phrases.

491
00:21:54,000 --> 00:21:55,919
Speaker 2: You know, the last of the V eight sucks, Nitro,

492
00:21:56,600 --> 00:21:58,399
Speaker 2: I see on the road scagged like we saw the

493
00:21:58,520 --> 00:22:01,639
Speaker 2: night Rider. You know it was That's what it was about.

494
00:22:01,720 --> 00:22:04,560
Speaker 1: And it isn't allowed to. But I would quietly fume

495
00:22:04,680 --> 00:22:06,600
Speaker 1: because I saw a lot of articles about.

496
00:22:06,320 --> 00:22:08,080
Speaker 3: It standing ovation. It can't.

497
00:22:08,119 --> 00:22:09,640
Speaker 1: Oh yeah that's and I put it.

498
00:22:09,520 --> 00:22:11,879
Speaker 3: To you that you know, you can show your school

499
00:22:11,920 --> 00:22:14,800
Speaker 3: movie and you get a standing ovation dresses. Yeah, they're

500
00:22:14,840 --> 00:22:16,679
Speaker 3: just happy to be out a bunch of guys.

501
00:22:17,160 --> 00:22:19,240
Speaker 1: How did you get it cut? Anyway?

502
00:22:19,280 --> 00:22:23,520
Speaker 2: I I just and I'm not telling you. I love

503
00:22:23,560 --> 00:22:27,960
Speaker 2: George Miller, I love Chris Hemsworth. I think these people

504
00:22:28,320 --> 00:22:30,640
Speaker 2: are all fantastic. I love that it was made in Australia.

505
00:22:30,680 --> 00:22:33,040
Speaker 1: I love all that. Love love love, love love. But

506
00:22:33,960 --> 00:22:35,960
Speaker 1: it disrespected the franchise.

507
00:22:36,080 --> 00:22:37,400
Speaker 3: Is it not to morph?

508
00:22:37,480 --> 00:22:41,600
Speaker 1: And I haven't said this hasn't moted. It's a prequel

509
00:22:42,000 --> 00:22:44,960
Speaker 1: to Mad Max five four.

510
00:22:46,040 --> 00:22:47,040
Speaker 3: See that's the problem.

511
00:22:47,040 --> 00:22:49,639
Speaker 1: That's problem. So it's a prequel to Mad Max four.

512
00:22:50,560 --> 00:22:52,399
Speaker 2: So this is Mad Max five, but it's prequel to

513
00:22:52,440 --> 00:22:56,199
Speaker 2: Mad Math to Fury Raid, which I thought was just

514
00:22:56,400 --> 00:22:59,240
Speaker 2: on the cusp of great. It was just on the

515
00:22:59,280 --> 00:23:02,360
Speaker 2: cusp I I got it. I thought, yeah, okay, that's

516
00:23:02,359 --> 00:23:05,360
Speaker 2: what you know. It's evolved from Mad Max three. This

517
00:23:05,440 --> 00:23:07,440
Speaker 2: has sandwiched him between.

518
00:23:08,720 --> 00:23:12,520
Speaker 3: Three and five, and so so this is four Yeah,

519
00:23:12,600 --> 00:23:13,400
Speaker 3: your mass is great.

520
00:23:13,480 --> 00:23:15,880
Speaker 2: And you know, if you know what bugs me about

521
00:23:15,880 --> 00:23:17,960
Speaker 2: the Old Man Max franchise, if Mel Gibson hadn't have

522
00:23:18,000 --> 00:23:22,400
Speaker 2: gone batshit crazy, etcetera, he could be quite easily been

523
00:23:22,440 --> 00:23:25,399
Speaker 2: throughout this whole franchise and it would be fantastic. But

524
00:23:25,480 --> 00:23:29,119
Speaker 2: he mucked around, he left around and found out, and

525
00:23:29,160 --> 00:23:32,080
Speaker 2: now he's been ostracized from the Hollywood community, so he

526
00:23:32,119 --> 00:23:34,119
Speaker 2: can't come back. So what they're trying to do is

527
00:23:34,280 --> 00:23:36,639
Speaker 2: and it's a money making exercise. People are gonna go

528
00:23:36,680 --> 00:23:37,440
Speaker 2: and see it's.

529
00:23:37,200 --> 00:23:38,600
Speaker 3: Been in this one because it's a prequel.

530
00:23:39,320 --> 00:23:40,040
Speaker 1: No, he can't.

531
00:23:40,080 --> 00:23:41,160
Speaker 3: He would have been Benjamin Button.

532
00:23:41,440 --> 00:23:43,680
Speaker 2: He would have more existed in this one because Mad

533
00:23:43,760 --> 00:23:46,840
Speaker 2: Max three you have to be younger. No, because Mad

534
00:23:46,920 --> 00:23:51,720
Speaker 2: Max Okay, Ma Max three, antie entity, Tina Turner, little kids.

535
00:23:51,840 --> 00:23:55,000
Speaker 2: We don't need another hero, Okay, Mad Max three goes,

536
00:23:55,440 --> 00:23:58,000
Speaker 2: Max goes back out into the wasteland.

537
00:23:58,480 --> 00:24:01,879
Speaker 1: Mad Max five. What was the English guy that couldn't

538
00:24:01,880 --> 00:24:04,600
Speaker 1: be eighty Mad Max five? What was his name?

539
00:24:04,720 --> 00:24:04,800
Speaker 4: Oh?

540
00:24:04,880 --> 00:24:05,800
Speaker 1: Mate? The English actor?

541
00:24:05,840 --> 00:24:08,840
Speaker 2: So Tom Hardy, Tom Hardy, he played Mel Gibson's character,

542
00:24:09,200 --> 00:24:10,280
Speaker 2: So Mel.

543
00:24:10,160 --> 00:24:13,040
Speaker 1: Could have easily sandwiched him between the two. And you

544
00:24:13,040 --> 00:24:13,360
Speaker 1: know what.

545
00:24:13,680 --> 00:24:15,960
Speaker 2: I knew this movie was in trouble when they had

546
00:24:15,960 --> 00:24:19,800
Speaker 2: the big gala premiere in Sydney and they focused on

547
00:24:20,280 --> 00:24:22,680
Speaker 2: the least of the They focused on those little pasty

548
00:24:22,920 --> 00:24:25,480
Speaker 2: faced desert kids, but not the cars.

549
00:24:25,760 --> 00:24:27,760
Speaker 1: The cars are the stars of that movie.

550
00:24:27,920 --> 00:24:29,640
Speaker 3: The cars didn't get to walk the red carpet.

551
00:24:30,119 --> 00:24:33,199
Speaker 2: The xp GT two door coop was just sitting in

552
00:24:33,240 --> 00:24:35,440
Speaker 2: the background, and that just burns me up.

553
00:24:36,280 --> 00:24:38,840
Speaker 3: So for the guy who says, you've never want to

554
00:24:39,240 --> 00:24:43,000
Speaker 3: will wish ill on anyone, you took great delight in

555
00:24:43,000 --> 00:24:44,160
Speaker 3: that terrible review this morning.

556
00:24:44,640 --> 00:24:47,240
Speaker 2: What I did when I read this, It just said

557
00:24:47,320 --> 00:24:51,000
Speaker 2: road to Nowhere, Hi octane prequel hits the skids thanks

558
00:24:51,040 --> 00:24:53,679
Speaker 2: to a plodding plot and bad actor.

559
00:24:53,440 --> 00:24:56,480
Speaker 3: And you cheered the small Don't make me feel bad.

560
00:24:57,600 --> 00:25:00,000
Speaker 1: I love Hems and I know I think he's great.

561
00:25:00,119 --> 00:25:05,080
Speaker 3: I think he's all day, but I think he's all.

562
00:25:04,640 --> 00:25:08,840
Speaker 2: But it's like Rambo five. Okay, he disrespected the franchise.

563
00:25:08,880 --> 00:25:11,000
Speaker 1: Do you know what I'm talking about? John J. Rambo

564
00:25:11,040 --> 00:25:11,800
Speaker 1: and Rambo five?

565
00:25:14,119 --> 00:25:17,560
Speaker 2: He should not have walked into that Mexican gang's enclave.

566
00:25:17,960 --> 00:25:20,000
Speaker 1: John J. Rambo is smarter than that.

567
00:25:21,640 --> 00:25:22,760
Speaker 3: You know, they're not real people.

568
00:25:23,200 --> 00:25:25,919
Speaker 1: I know that. I know. Okay, you just stick to

569
00:25:26,160 --> 00:25:28,200
Speaker 1: the real people the movies.

570
00:25:30,240 --> 00:25:33,280
Speaker 2: You stick to the real relationship of j Lo and

571
00:25:33,280 --> 00:25:36,600
Speaker 2: Ben Affleck and I'll stick to my randy about movies.

572
00:25:37,200 --> 00:25:39,080
Speaker 3: Well, I think we've done our dash here. I mean

573
00:25:39,119 --> 00:25:41,240
Speaker 3: we have, I mean we have.

574
00:25:42,400 --> 00:25:51,560
Speaker 1: Hey, everybody, it's time for Jonesianamander's curtain, room floor. Time

575
00:25:51,600 --> 00:25:54,480
Speaker 1: for cut and room floor. I dropped the G on purpose?

576
00:25:55,560 --> 00:25:59,159
Speaker 1: Have you dropped the G? You know, see me go

577
00:25:59,280 --> 00:25:59,960
Speaker 1: for McKenny and A.

578
00:26:00,600 --> 00:26:04,359
Speaker 3: No. And also, you know I don't like you know, abbreviations.

579
00:26:04,400 --> 00:26:05,639
Speaker 3: You know, I don't like lazy.

580
00:26:05,960 --> 00:26:08,360
Speaker 1: You'd like to call it. It's a true name.

581
00:26:08,440 --> 00:26:11,359
Speaker 2: GHB, grievous bodily harm a GBH.

582
00:26:11,520 --> 00:26:11,600
Speaker 5: No.

583
00:26:11,720 --> 00:26:14,879
Speaker 3: I meant, I don't want you to say cutting. It's cutting.

584
00:26:15,280 --> 00:26:17,639
Speaker 1: Well that's what happens on the cottin room floor, my friend.

585
00:26:17,760 --> 00:26:18,960
Speaker 1: You can do whatever you want.

586
00:26:19,040 --> 00:26:23,640
Speaker 3: You're a broadcaster. Yes, yes, and never forget it. Let

587
00:26:23,640 --> 00:26:27,080
Speaker 3: me ask you about this. This footage has gone viral.

588
00:26:27,760 --> 00:26:31,679
Speaker 3: It is of a woman running a marathon. She's not

589
00:26:31,920 --> 00:26:33,840
Speaker 3: she's probably what I've shown you the pictures there.

590
00:26:33,840 --> 00:26:34,440
Speaker 1: She's probably fifty.

591
00:26:34,440 --> 00:26:36,320
Speaker 3: I've seen the footage of it. She's probably fifty meters

592
00:26:36,359 --> 00:26:40,680
Speaker 3: from the finish line, yep, and her husband runs out

593
00:26:40,920 --> 00:26:46,360
Speaker 3: onto the track with her little kids and wants her

594
00:26:46,480 --> 00:26:49,200
Speaker 3: to I think there's three little kids. Wants her to

595
00:26:49,240 --> 00:26:52,560
Speaker 3: carry them or run with them across the finish line.

596
00:26:52,880 --> 00:26:55,840
Speaker 3: She deviates and runs around him because also he's holding

597
00:26:55,880 --> 00:26:58,040
Speaker 3: up other people who are also trying to run, and in

598
00:26:58,080 --> 00:27:00,560
Speaker 3: the footage you can see him going, hey, come on, guys,

599
00:27:01,080 --> 00:27:03,960
Speaker 3: this is your is your kids, take them across the

600
00:27:03,960 --> 00:27:06,159
Speaker 3: finish line with you, because there's a trope at the

601
00:27:06,200 --> 00:27:08,960
Speaker 3: moment where people run across the finish line of some

602
00:27:09,040 --> 00:27:12,000
Speaker 3: big race with their kids. But normally the ones I've seen,

603
00:27:12,400 --> 00:27:15,399
Speaker 3: the kid gets handed to the person. Yeah, led to

604
00:27:15,440 --> 00:27:17,800
Speaker 3: the dad or whatever. Right at the end of the race.

605
00:27:17,840 --> 00:27:20,239
Speaker 3: You've already clocked your time. You know where you're going

606
00:27:20,280 --> 00:27:22,960
Speaker 3: to be doing it. Here, this is fifty meters out

607
00:27:23,080 --> 00:27:25,080
Speaker 3: and those kids are too small to run on their own,

608
00:27:25,359 --> 00:27:26,920
Speaker 3: so her time would be way out.

609
00:27:27,080 --> 00:27:28,920
Speaker 1: She would ruin her time. I'm just looking at the

610
00:27:29,320 --> 00:27:29,800
Speaker 1: time lap.

611
00:27:29,920 --> 00:27:33,520
Speaker 2: So the man comes at a minute forty and forty nine,

612
00:27:34,280 --> 00:27:36,800
Speaker 2: and then at a minute forty and fifty two, she

613
00:27:37,280 --> 00:27:39,679
Speaker 2: skirts around the kids, so she finishes up at a

614
00:27:39,720 --> 00:27:40,600
Speaker 2: minute forty.

615
00:27:40,359 --> 00:27:41,200
Speaker 1: And fifty six.

616
00:27:41,320 --> 00:27:42,160
Speaker 3: Tell me what that means.

617
00:27:42,160 --> 00:27:44,560
Speaker 1: Well, it means that I don't think that he impeded

618
00:27:44,600 --> 00:27:45,240
Speaker 1: her in any way.

619
00:27:45,280 --> 00:27:48,520
Speaker 3: But if she stopped to run with the kids Jimmy.

620
00:27:48,240 --> 00:27:50,600
Speaker 1: And Tommy and said, come on, let's go. But you know,

621
00:27:50,640 --> 00:27:51,680
Speaker 1: what a dobek, what.

622
00:27:51,680 --> 00:27:53,240
Speaker 3: A douchebag, and the fact at the end of it

623
00:27:53,280 --> 00:27:56,040
Speaker 3: is going, come on, you've ignored your kids. People are

624
00:27:56,040 --> 00:27:58,399
Speaker 3: outrageous saying this is such an entire back from a

625
00:27:58,440 --> 00:28:01,840
Speaker 3: man as if mummy's hobby and let's mum's only mum,

626
00:28:01,880 --> 00:28:02,360
Speaker 3: it's a mum.

627
00:28:02,520 --> 00:28:04,240
Speaker 1: First, Is he a Spanish?

628
00:28:04,520 --> 00:28:08,520
Speaker 2: I'm detecting a Spanish shine because it's in Spanish.

629
00:28:09,080 --> 00:28:10,920
Speaker 3: She might have traveled to Spain for this race.

630
00:28:11,119 --> 00:28:14,879
Speaker 2: No, I'm feeling Spanish because like there's a little bit

631
00:28:14,880 --> 00:28:16,520
Speaker 2: of a sexist race email in Spain.

632
00:28:17,119 --> 00:28:20,800
Speaker 3: Well, but people all over the place in that country included,

633
00:28:21,040 --> 00:28:24,000
Speaker 3: have It's had nine million views on tipwal and people

634
00:28:24,000 --> 00:28:24,679
Speaker 3: are saying he's.

635
00:28:24,520 --> 00:28:26,400
Speaker 1: A douchebag, he is a giant, and people.

636
00:28:26,200 --> 00:28:29,560
Speaker 3: Are saying this sort of reveals a lot of how

637
00:28:29,600 --> 00:28:32,240
Speaker 3: women are seen in their marriages. He goes, that's nice

638
00:28:32,240 --> 00:28:33,680
Speaker 3: for you to have that little hobby, But you're a

639
00:28:33,760 --> 00:28:34,399
Speaker 3: mom first.

640
00:28:35,040 --> 00:28:39,000
Speaker 2: Yeah, yeah, she's she's a serious runner up. She's that

641
00:28:39,160 --> 00:28:42,240
Speaker 2: time one minute and forty and fifty six. That's a

642
00:28:42,280 --> 00:28:45,200
Speaker 2: respectable time. That's under the two hours. So I don't

643
00:28:45,240 --> 00:28:47,080
Speaker 2: know how long the marathon was for.

644
00:28:47,200 --> 00:28:48,560
Speaker 3: But she didn't just get out of a car at

645
00:28:48,600 --> 00:28:49,280
Speaker 3: the top of the hill.

646
00:28:49,400 --> 00:28:52,160
Speaker 1: Yeah, she's doing it. She's having a fair crack there.

647
00:28:52,360 --> 00:28:54,040
Speaker 3: It's like, why don't I just step out in hands

648
00:28:54,200 --> 00:28:56,960
Speaker 3: on an anvil? And so they do the last fifty

649
00:28:56,960 --> 00:28:59,280
Speaker 3: minutes with this because this is my emotional support. Anvil,

650
00:28:59,400 --> 00:29:00,360
Speaker 3: take it across the line.

651
00:29:00,400 --> 00:29:03,200
Speaker 1: Why did you do this for the kids? The anvil challenge? Mom?

652
00:29:03,240 --> 00:29:03,640
Speaker 1: Come on?

653
00:29:03,960 --> 00:29:06,160
Speaker 2: You know he didn't see this in Cliff Young's day. Actually,

654
00:29:06,160 --> 00:29:08,440
Speaker 2: if his kid kid ran out when he was crossing,

655
00:29:08,480 --> 00:29:14,640
Speaker 2: they were still on the bench about fifty.

656
00:29:14,680 --> 00:29:19,240
Speaker 3: His kids are too old to run. When he got

657
00:29:19,240 --> 00:29:21,560
Speaker 3: married on the stage at Westfield, he got married to

658
00:29:21,560 --> 00:29:25,240
Speaker 3: a much younger woman who was religious. Mary Cliff, for

659
00:29:25,280 --> 00:29:28,880
Speaker 3: those that don't know, was a potato farmer and he

660
00:29:29,600 --> 00:29:31,800
Speaker 3: took up marathon running and he used to do this

661
00:29:31,880 --> 00:29:33,880
Speaker 3: really slow shuffle. He used to run in gum boots

662
00:29:33,920 --> 00:29:34,280
Speaker 3: and things.

663
00:29:34,280 --> 00:29:36,240
Speaker 1: When he ran from Sydney to Melbourne and.

664
00:29:36,280 --> 00:29:39,840
Speaker 3: He became a giant cultural pop culture hero. He was

665
00:29:39,840 --> 00:29:44,040
Speaker 3: on the midday show all that stuff, and then he

666
00:29:44,120 --> 00:29:47,320
Speaker 3: was sponsored by Westfield. I think who arranged for him

667
00:29:47,360 --> 00:29:50,320
Speaker 3: to be married to the much younger Mary on stage

668
00:29:50,360 --> 00:29:51,000
Speaker 3: at Westfield?

669
00:29:51,080 --> 00:29:53,640
Speaker 2: Didn't Westfield get him to run around to all their shops,

670
00:29:53,920 --> 00:29:58,960
Speaker 2: like all around the country and he had wheeled out

671
00:29:59,000 --> 00:30:02,320
Speaker 2: on stage. People had sort of looked slack jeored at him.

672
00:30:02,320 --> 00:30:03,600
Speaker 2: Who is this guy in gum boots?

673
00:30:03,680 --> 00:30:06,000
Speaker 3: Now that marriage didn't last? In my surprise, you no

674
00:30:06,280 --> 00:30:06,840
Speaker 3: what happened?

675
00:30:06,840 --> 00:30:07,000
Speaker 1: Then?

676
00:30:07,240 --> 00:30:08,280
Speaker 3: Shall I google it? Yeah?

677
00:30:08,360 --> 00:30:08,560
Speaker 1: Talk?

678
00:30:08,600 --> 00:30:10,400
Speaker 3: Can you talk to the people while I google?

679
00:30:10,520 --> 00:30:12,640
Speaker 1: Now, well, Cliff, this is my time to show.

680
00:30:12,400 --> 00:30:14,960
Speaker 3: I'm I'm going to google Cliff Young marriage. If I

681
00:30:14,960 --> 00:30:20,320
Speaker 3: google Cliff Richard marriage, by mistake, nothing's going to come up. Okay,

682
00:30:20,360 --> 00:30:24,840
Speaker 3: here are you ready? Cliff young Mary. Cliff had never married,

683
00:30:24,920 --> 00:30:28,560
Speaker 3: but after the nineteen eighty three race at sixty two

684
00:30:28,600 --> 00:30:33,000
Speaker 3: years of age, he's my age, Oh my god, oh

685
00:30:33,080 --> 00:30:36,320
Speaker 3: my god. He wasn't an elderly man. He was sixty two.

686
00:30:36,680 --> 00:30:38,920
Speaker 1: I thought he was about at least seventy five.

687
00:30:38,960 --> 00:30:42,640
Speaker 3: Wow, he married a twenty three year old sixty two? Yeah,

688
00:30:42,720 --> 00:30:44,560
Speaker 3: let's happened? What happened to a Cliff's wife?

689
00:30:44,960 --> 00:30:46,560
Speaker 1: Sixty two just doesn't go into twenty.

690
00:30:46,680 --> 00:30:49,440
Speaker 3: The race sponsor, Westfield, hosted the wedding for the entertainment

691
00:30:49,480 --> 00:30:53,280
Speaker 3: of shoppers. They divorced five years later. In the All

692
00:30:53,320 --> 00:30:55,200
Speaker 3: three with the Red Sports scially.

693
00:30:54,720 --> 00:30:58,520
Speaker 2: Two, how Cliff would be passed, he blon, god by

694
00:30:58,560 --> 00:30:59,240
Speaker 2: now I think so?

695
00:30:59,360 --> 00:31:02,440
Speaker 3: How much money Cliff Young win? Doing? For his money?

696
00:31:02,720 --> 00:31:04,960
Speaker 3: He got a check for ten thousand dollars.

697
00:31:05,760 --> 00:31:07,680
Speaker 1: That was back in nineteen eighty three. That was good

698
00:31:07,720 --> 00:31:08,280
Speaker 1: Money's true?

699
00:31:08,320 --> 00:31:10,280
Speaker 3: He told the organizers he wasn't aware there was a

700
00:31:10,280 --> 00:31:14,080
Speaker 3: prize for winning, so anyway, Yeah, he seems like he

701
00:31:14,120 --> 00:31:18,160
Speaker 3: was a very inspirational man. Was Cliff Young vegetarian? Is

702
00:31:18,200 --> 00:31:21,160
Speaker 3: the question here? He was a vegetarian from birth until death.

703
00:31:21,720 --> 00:31:23,520
Speaker 3: He lived in his family home with his mother and

704
00:31:23,560 --> 00:31:26,440
Speaker 3: his brother Sid, who was single. Until after the race

705
00:31:26,480 --> 00:31:29,960
Speaker 3: he met the girl of his dreams, twenty.

706
00:31:29,680 --> 00:31:32,120
Speaker 1: Three year old, a girl of everyone's.

707
00:31:31,640 --> 00:31:34,880
Speaker 3: Dreams and whose dream isn't it to marry? On the

708
00:31:34,920 --> 00:31:38,320
Speaker 3: center stage at Westfield sixty two. Let's just knock the

709
00:31:38,360 --> 00:31:39,360
Speaker 3: wind out of my sale.

710
00:31:39,440 --> 00:31:40,920
Speaker 1: Maybe we should get you some gum boots.

711
00:31:42,920 --> 00:31:48,040
Speaker 3: Miss tweeting from chickens go in, bars, come out. Oh

712
00:31:48,080 --> 00:31:49,160
Speaker 3: this has ended badly.

713
00:31:49,600 --> 00:31:50,880
Speaker 1: I'm off to.

714
00:31:50,840 --> 00:32:03,200
Speaker 3: Get some injectables. Twenty and the band that's counting