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Speaker 1: This is the Will and Woody Podcast.

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Speaker 2: We're talking useless partners in birthing suites on thirteen one

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Speaker 2: I sixty five. If you've got a story, join the boys.

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Speaker 2: We've got Stacy who's joined us today. Stacey, Hello, how

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Speaker 2: are you so well? How useless was your partner in

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Speaker 2: a birthing suite?

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Speaker 3: Oh?

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Speaker 4: My god?

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Speaker 5: Well it wasn't in the birthing sleep Okay.

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Speaker 6: My waters broke at about nine o'clock at night and

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Speaker 6: she said, and he said, Kim, you.

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Speaker 4: Wake me up when we're ready to go at the hospital.

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Speaker 5: So I was painting till about five o'clock in the

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Speaker 5: morning on my own.

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Speaker 1: Hang on, Sorry, Stacey.

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Speaker 6: Maybe I'm ignorant here, but isn't the waters breaking the

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Speaker 6: time when you go?

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Speaker 4: Yes?

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Speaker 7: Well it was my second so I know sort of

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Speaker 7: when I can and when I can't go. But still

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Speaker 7: right matter, Yeah, and through all those contractions on my own.

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Speaker 1: Wow. And he slept like a baby until five thanks

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Speaker 1: to cure mate.

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Speaker 2: We are talking useless partners in birthing suits. I will

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Speaker 2: remind you guys of that, dominique.

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Speaker 1: Your partner was useless in the birthing suite.

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Speaker 7: Ah, very useless?

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Speaker 1: Yeah, okay, what happened?

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Speaker 3: So he kept stealing my gas and so did my mother.

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Speaker 2: What at at one point I took so long like

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Speaker 2: I had to snatch it back off them and.

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Speaker 4: I just started like whacking them with the hoes.

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Speaker 6: So how were they acting then? So they're all gasta

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Speaker 6: in there along with you. What sort of stuff were

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Speaker 6: they doing?

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Speaker 2: Thanks for joining us, Tom Sharon. We're talking partners being

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Speaker 2: useless at the birth. Your partner was useless at the birth?

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Speaker 5: Oh Hotally, Look you can imagine, you know, like last

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Speaker 5: dages of labor, and you're screaming and sweating like something

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Speaker 5: out of the Exorcist, and you just sort of collinate

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Speaker 5: your partner's name.

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Speaker 7: You know, help me, you.

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Speaker 1: Know, I can't do this.

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Speaker 5: Yeah, And you know, like Olly's reading this sort of

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Speaker 5: people Made to Do and he just sort of grabs

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Speaker 5: his hand, picks up a capstick and passes it over

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Speaker 5: to me. I mean, it's not as if it's that

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Speaker 5: hard just to give a bit of trumfort. It's like,

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Speaker 5: oh my god, I'm tired.

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Speaker 4: I played golf all day.

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Speaker 6: If the Will and Woody podcast, I think my mum

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Speaker 6: could genuinely disign me if she finds out about what

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Speaker 6: we're going to talk about.

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Speaker 1: But before I get to that, there is a story

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Speaker 1: in the news.

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Speaker 2: Why do you do this to her?

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Speaker 1: Because I think it's good entertainment.

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Speaker 2: I think it's no doubt it's entertaining. It's no but

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Speaker 2: you know, so we're watching So I was watching Gladiators

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Speaker 2: Die during the Roman Empire and it was incredibly popular,

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Speaker 2: incredibly popular, great enstainment. But people died. Yes, I feel

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Speaker 2: like we're we're heading that way with your mum. You're

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Speaker 2: safe and I was safe. She came for me last time,

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Speaker 2: did she really?

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Speaker 1: She threw me.

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Speaker 2: She embroiled me with stealing her husband's naughty magazines at

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Speaker 2: some stage during the early naughties.

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Speaker 6: You're gonna listen to this show. My mum is an

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Speaker 6: incredibly intimidating woman.

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Speaker 2: She started coming for me.

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Speaker 6: She may have been involved in a number of people

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Speaker 6: just going missing in the last twenty years.

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Speaker 1: It's all I'm going to say. She she'll be angry

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Speaker 1: about that comment as well.

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Speaker 6: Anyway, today I found in the news that there's this

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Speaker 6: toilet which has been declared that the coolest toilet in

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Speaker 6: Britain because you pressed this red button in there. It's

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Speaker 6: in East Sussex. If you want to go and see it,

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Speaker 6: you push a red button and a disco ball and

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Speaker 6: some music starts playing. Oh I saw this pretty skipped

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Speaker 6: over the story very quickly. Yeah, to be honest with you,

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Speaker 6: I will as well. I'm done with the story now

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Speaker 6: because it just reminded me of the fact that my

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Speaker 6: mum requires something very specific.

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Speaker 1: Yes, every time she goes to the toilet. Now, I

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Speaker 1: actually didn't know this.

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Speaker 6: You didn't know this, but my dad joined us on

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Speaker 6: a podcast we were doing. It has since gone missing anyway,

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Speaker 6: that's when he told us this little tidbit about my mum.

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Speaker 4: Members of the Whitelaw family, which will be unnamed, of course.

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Speaker 1: You take a phone call on the John.

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Speaker 5: Yes, and her best friend.

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Speaker 4: She knows what's going on because it helps her. It

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Speaker 4: helps her, It relaxes.

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Speaker 1: Totally wild from what I know. Mom doesn't know that's happened.

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Speaker 1: She doesn't know. Oh, she obviously didn't doesn't know that.

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Speaker 1: We know she doesn't.

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Speaker 2: Exactly neither of our moms listening to the show. No,

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Speaker 2: I hate the show actually one percent.

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Speaker 6: And I haven't spoken directly to my mum about the

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Speaker 6: fact that dad dropped it. But I just thought today

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Speaker 6: it could be interesting to hear from Candy that's my godmother.

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Speaker 1: That is the woman. You know what that sounds about, right,

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Speaker 1: I do, But you know Candy and Candy.

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Speaker 6: But so she is the woman who my mum calls

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Speaker 6: your godmother every time she needs to do number two.

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Speaker 6: And I just thought it was worth, you know, getting

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Speaker 6: her on the show and finding that from her perspective,

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Speaker 6: you know how the whole thing goes down.

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Speaker 1: Let's call it.

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Speaker 7: Hello, Edward, Hello, Candy?

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Speaker 3: What are you?

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Speaker 6: We've got you on for a very specific reason. Candy,

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Speaker 6: come on all right here it is and I.

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Speaker 1: Want to I want some honesty from you.

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Speaker 6: Is it true that when my mom is trying to

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Speaker 6: do a number two she caught?

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Speaker 7: I know what you're gonna say.

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Speaker 1: Is it true that she calls to you? I feel

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Speaker 1: like you've already answered the question. But is it true

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Speaker 1: she calls you to relax.

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Speaker 6: Her, which is the only way she can get the

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Speaker 6: bower movement to work?

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Speaker 4: Yes?

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Speaker 2: Oh my god?

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Speaker 1: How how long has this been happening for?

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Speaker 7: Well, I do the same thing to her to Okay, guys,

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Speaker 7: so how did it start and how long have you

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Speaker 7: been doing it for?

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Speaker 2: Oh? God?

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Speaker 7: I don't know which.

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Speaker 4: We just we just because we talked so so long and.

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Speaker 7: We think, oh my god, I'm going to get on

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Speaker 7: the loom now because I.

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Speaker 4: Need to go.

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Speaker 7: And she we just happen to be talking, right, and

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Speaker 7: she goes, oh, are you're going to make my bowels move?

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Speaker 7: And I said, you're probably mine too.

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Speaker 2: So you will stay on the john?

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Speaker 3: Well we just talk.

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Speaker 6: Yeah, so do you totally you do it like at

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Speaker 6: the same time, like you do it?

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Speaker 7: I really don't have a care r, right, I don't

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Speaker 7: think so.

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Speaker 6: Surely there's an announcement. Do you just do you just

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Speaker 6: continue the same sentence as you go on to the john?

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Speaker 6: Or do surely you announce that like, oh, by the way,

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Speaker 6: I'm in the chop zone now.

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Speaker 7: Well sometimes we can hear there, and so I go,

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Speaker 7: thanks Melissa, I've major bowls move again, have at I

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Speaker 7: thank you, and I go, I really appreciate that. But

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Speaker 7: you know, I do it to her as well.

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Speaker 6: It's good to know that it's did for sad and

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Speaker 6: it goes both ways.

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Speaker 1: Now, unless you have any.

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Speaker 7: More questions, will the safe house please?

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Speaker 6: Yeah, yeah, we'll send you the keys to the same Yeah,

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Speaker 6: you are in trouble.

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Speaker 7: For I am she'll never talk to me again.

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Speaker 2: Well she will if she wants to take it.

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Speaker 6: Oh, duwe al Leaper is in legal trouble, will oh dear?

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Speaker 6: So everyone knows Duel Leaper's very well known song levitating

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Speaker 6: this one.

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Speaker 1: If that's tight? I reckon that's a tight, tight song anyway.

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Speaker 6: Article sound System, who are a reggae band out of

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Speaker 6: Florida a suing jewel Leaper for claiming that she has

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Speaker 6: copied their song. Their song is called Live Your Life.

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Speaker 1: Wow, Wow, that we played that.

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Speaker 2: We played the wrong part of Dua Leaper Levitating, And I.

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Speaker 1: Think unfortunately, but we all know the song though, that

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Speaker 1: is incredibly I.

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Speaker 2: Think it might be worth while getting the actual part

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Speaker 2: of levitating.

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Speaker 6: Well, what our audio producer Tim has actually done, Will,

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Speaker 6: He's one step ahead of you. He's actually put the

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Speaker 6: two songs over each other. Okay, just to show how

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Speaker 6: similar the two songs are.

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Speaker 1: All right, I listen to this.

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Speaker 2: You still want to run away with me?

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Speaker 8: I know a galaxy and I can take you for

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Speaker 8: all right.

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Speaker 3: I had a premonition with a little with them with

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Speaker 3: the musical stuff for light Glitter in the sky, clearter

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Speaker 3: on my eyes.

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Speaker 2: If you feeling like you need a little bit of

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Speaker 2: accompany him with me. At the perfect time, I.

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Speaker 1: Got you like, wow, we you're the lawyer. Is she

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Speaker 1: in trouble?

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Speaker 2: Absolutely, there's there's a long list of people that have

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Speaker 2: been a lot of trouble recently. Yeah, Robin Thick gone, Yeah,

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Speaker 2: who are the.

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Speaker 1: Guys down under? The guys who did down under?

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Speaker 2: Yes, minute work. Yeah, that's a cookerbar sits in the

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Speaker 2: old gum tree. It is a It is a long

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Speaker 2: list of people that are dying. Farrell got done as.

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Speaker 6: Well, pretty sure was he just wrapped up in the

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Speaker 6: blurred lines some blurred line bit. Yeah, it's it's pretty interesting.

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Speaker 6: So that will continue to progress, no doubt anyway, our producer.

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Speaker 2: The problem is, like I think with I think that

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Speaker 2: you can I think that you can be I think

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Speaker 2: it's tragic that people get pinged for being inspired by

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Speaker 2: something that I think is sad because that's the way

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Speaker 2: that music works. And I've heard Farrell talk about that.

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Speaker 2: He's like, look, if you can't be inspired by something,

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Speaker 2: that's the only way people make music. I think the

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Speaker 2: tragic I think I think where you need to get

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Speaker 2: pulled up is where well, I know that The term

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Speaker 2: that they're using copyright law is if something is substantially similar,

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Speaker 2: so like in this instance, it's the same melody, didn't don't?

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Speaker 1: Could you argue parallel thinking? Though?

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Speaker 6: That's something that's brought up in the comedy game, so

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Speaker 6: they're often comedians will claim that someone stolen their joke.

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Speaker 6: The main defense is, no, we both just thought of

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Speaker 6: the same joke. Yeah, in music, is that just is

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Speaker 6: it unlikely that you couldn't?

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Speaker 2: I don't think it's unlikely that is identical though, Yeah, yeah,

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Speaker 2: it's exactly the same thing. I mean, if Tim can

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Speaker 2: put her lyrics over that backing track and it's the

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Speaker 2: same song, you got an issue.

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Speaker 1: Yeah, trouble there.

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Speaker 6: Anyway, our producers saw this story and they thought it

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Speaker 6: was a good opportunity to stitch us up.

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Speaker 1: Now.

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Speaker 6: I don't want to throw to this because it's us

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Speaker 6: looking like right, twats but Joel button pusher, what did

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Speaker 6: you do?

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Speaker 1: Mane? Well?

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Speaker 8: One of the technicians at the building here, Jack was

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Speaker 8: having his final day at work, and he was coming

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Speaker 8: around the office saying goodbye to everyone, and they were

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Speaker 8: talking about his little farewell gift he was being given.

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Speaker 8: And I knew you guys weren't at work yet. What

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Speaker 8: if you turned up Jack came into the studio and

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Speaker 8: said fairly well, thank.

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Speaker 1: You for the gift.

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Speaker 8: Will and Woody, would you without blinking claim you bought

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Speaker 8: him of a nice, fancy.

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Speaker 6: Gift and oh god, well, let's go to a song.

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Speaker 6: Why don't we go to a song and we can

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Speaker 6: play to everyone? Right up next, good defense, will strong defense,

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Speaker 6: but people will hear the evidence right up next.

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Speaker 2: Jua Lipa Yeah, in Big.

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Speaker 6: Trouble, so her song levitating this one.

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Speaker 3: Yeah.

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Speaker 6: So she is getting sued by a band called Article

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Speaker 6: Sound System. They're a reggae band out of Florida, and

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Speaker 6: their song live Your Life I mean struth Almighty, it's

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Speaker 6: incredibly similar.

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Speaker 1: So it'll be interesting to see how that plays out.

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Speaker 6: But our producers saw that story and effectively, this is

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Speaker 6: Dua claiming the hard work of other people, well potent

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Speaker 6: potentially allegedly, but.

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Speaker 2: I don't think she's claiming any hard work. Actually, we

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Speaker 2: just got to be careful here, guys, we're working. You know,

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Speaker 2: I'm going to come out in here and say Julie

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Speaker 2: for stolen the hard work. If somebody else washes in

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Speaker 2: the middle of a court case about it, it's true

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Speaker 2: and we're on commercial radio. That's actually maybe we just

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Speaker 2: rework that sentence a little bit.

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Speaker 1: The producer saw this story and thought of a very

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Speaker 1: tenuous odd link by stitching ourself. Isn't that ride button? Butcher? Joel?

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Speaker 1: How dare you? First of all? Is it having a

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Speaker 1: lawyer on the show?

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Speaker 2: Yeah?

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Speaker 8: No, we saw this article come through. What are you

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Speaker 8: were talking in our ideas? I didn't say anything. I

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Speaker 8: didn't say anything about the link. Let's just get on

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Speaker 8: with the prank show. We may or may not have

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Speaker 8: had an idea about talking about people claiming certain things

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Speaker 8: as their own. Yeah, totally random thought. Totally random thought.

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Speaker 8: Sure it was one of the technicians that are building.

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Speaker 8: His name is Jack. It's his last day at work today,

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Speaker 8: and we thought, what if Jack just walked into the

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Speaker 8: studio to say goodbye to you guys you've known it

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Speaker 8: for a couple of years, and then just held up

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Speaker 8: a nice little liquor bottle and said, by the way,

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Speaker 8: well and Woody, you didn't have to do this, Thanks

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Speaker 8: for the gift, would you? Without batting an Eyeley just

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Speaker 8: go You're welcome, boys, You're welcome.

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Speaker 2: Well, like when he said Will and Woody. Like when

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Speaker 2: you say Will and Woody in this office, there's like

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Speaker 2: ten people that respond to that, you know, like we've

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Speaker 2: got a team.

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Speaker 1: Interesting defense.

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Speaker 2: So when when he said, you know, I heard you

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Speaker 2: guys organize this, I just assumed one of you guys

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Speaker 2: had actually done something decent for somebody else in the

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Speaker 2: office for one.

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Speaker 1: All right, get around, all right, let's tells the audio.

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Speaker 2: Hey mate, I just want to say that I'm actually leaving.

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Speaker 2: Oh man, I just want to say thank you because

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Speaker 2: the guy.

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Speaker 1: Said that you guys got me this, Jim Bean, and

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Speaker 1: really appreciate it. Absolutely, absolutely pleasure, mate. We love you, mate.

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Speaker 2: I'm sorry that you're going.

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Speaker 1: It's all good. You guys have been great. So I

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Speaker 1: really appreciate working with you guys. And yeah, just again,

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Speaker 1: really appreciate it.

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Speaker 2: So thank you anytime, man, anytime, pleasure to meet your

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Speaker 2: Hopefully we bump parts in the future.

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Speaker 1: All the best, said Jack, see Jack by mate. Yeah,

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Speaker 1: oh was in a good man losing a good man.

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Speaker 1: Did you guys send Jack a bottle of jack? It's nice,

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Speaker 1: that's quite money. Got a bottle of jack for Jack? No,

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Speaker 1: it was Jim Beam. Did you do that? No, I

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Speaker 1: didn't do that, but you just claimed it.

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Speaker 2: Yeah, I assumed you guys gave it to him. And

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Speaker 2: then we were like, oh, as well.

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Speaker 1: You're trying to prop us up, you absolute dogs. Did you?

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Speaker 1: Did you say it was from the Will and Woody team?

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Speaker 1: I didn't even know he said it was from you.

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Speaker 2: When he said it was from you guys, I was like, oh,

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Speaker 2: you guys obviously got it for him. And I was like, oh, yeah,

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Speaker 2: sure well, surely someone's giving it to him. I had

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Speaker 2: nothing to do with that.

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Speaker 1: You he did, both go mate, not a problem.

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Speaker 2: Yeah, that's I assumed us from the team.

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Speaker 1: So did I. I thought you guys had done as

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Speaker 1: a solid.

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Speaker 2: Well, I still be a good guy.

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Speaker 1: It is, isn't it. You gotta take them.

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Speaker 2: You gotta take them.

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Speaker 8: Probably a good time to mention guys that that was

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Speaker 8: one hundred percent of stitch up.

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Speaker 1: Huh.

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Speaker 8: We told Jack to come in and pretend like you'd

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Speaker 8: giving him a bottle of jim Bean, and you both claimed.

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Speaker 1: It is he is he actually leaving? Was actually leaving?

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Speaker 6: Yeah, Jack, enjoy the jim Bean, big fella.

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Speaker 1: Absolutely check fastest. I was not to think do we

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Speaker 1: have that much of an impact on you? Jack?

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Speaker 2: That's been great good so good stuff, mate.

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Speaker 1: Leave the gym ben on our desk. Thanks Jack, Will and.

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Speaker 5: Woody back for more him just a bit the Will

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Speaker 5: and Woody Podcast, A little.

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Speaker 1: Bit of fun for everyone.

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Speaker 6: A bride, Will has revealed that she divorced her groom

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Speaker 6: or her husband. She divorced her husband the day after

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Speaker 6: the wedding because he broke her one rule.

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Speaker 1: At the wedding. Right the question, well, or do you know?

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Speaker 9: Do you know?

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Speaker 1: I know?

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Speaker 6: Thirteen one oh sixty five is our number? Give us

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Speaker 6: a call with what you think. Think the one rule

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Speaker 6: was that the groom broke on the wedding day.

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Speaker 2: Is it a severe? Can you give us a hint?

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00:17:06,600 --> 00:17:06,639
Speaker 5: Like?

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00:17:06,680 --> 00:17:08,879
Speaker 2: Because it could be anything? At least give us a

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Speaker 2: multiple choice. Here, do some work for God.

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Speaker 1: I've worked my ass off this show. Will.

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Speaker 6: It's something to do with the with the ceremony. Oh

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Speaker 6: share mine, Will, I didn't get a chance to share

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Speaker 6: myne Oh.

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Speaker 1: No, that's good.

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Speaker 2: Everyone's wondering what yours is? I meant that No, No,

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Speaker 2: I know it sounded sarcastic, but I'm actually of course

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Speaker 2: I want to know what yours is. This a rule

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Speaker 2: that's still carried on though yes, this is a past

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Speaker 2: rule of yours.

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00:17:31,040 --> 00:17:33,040
Speaker 1: This is the current rule. I've been a little bit

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Speaker 1: lenient with it, but hopefully and my partner's listening. And

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Speaker 1: then I don't know why. This is very big for me.

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Speaker 6: I love movies, you know I love movies. Yeah, of course,

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Speaker 6: I love nothing more than getting incredibly invested and engaged

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Speaker 6: in a film. So my one rule is just don't

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Speaker 6: be on your phone during a movie.

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Speaker 2: Oh really, you don't like that that I oh really?

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Speaker 6: Yeah, just just don't be just just engaged because I

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Speaker 6: can't help it. I'm taken out of the world of

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Speaker 6: the film if your phone's being used.

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Speaker 2: Yeah, right, okay, you're taking out of the world of

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Speaker 2: the film. God, you'd be a triggy reason to d

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Speaker 2: Let's go to the calls. You don't take me out

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Speaker 2: of the world of the film, but let's let's let's

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Speaker 2: get over to the calls.

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Speaker 1: You've got Melissa, Melissa, what's your one rule?

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Speaker 3: Hi?

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00:18:17,480 --> 00:18:19,679
Speaker 7: My one rule is do not drop your phone on

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Speaker 7: my head while they're cuddling in bed.

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00:18:22,440 --> 00:18:23,880
Speaker 1: That's a good one. Now that happens a lot though,

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Speaker 1: doesn't have Melissa, because you know you're up trying to

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Speaker 1: flick through.

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00:18:27,119 --> 00:18:27,879
Speaker 3: One more chance?

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00:18:28,520 --> 00:18:33,879
Speaker 2: Yeah, oh wow, he's got one more Yeah. Can I

385
00:18:33,960 --> 00:18:36,200
Speaker 2: just I have no idea what you're talking about? Why

386
00:18:36,240 --> 00:18:38,040
Speaker 2: the hell would you drop a phone when you're cuddling

387
00:18:40,200 --> 00:18:41,119
Speaker 2: the only one that doesn't know.

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00:18:41,119 --> 00:18:42,040
Speaker 3: What in his chest?

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00:18:42,720 --> 00:18:44,399
Speaker 6: Yeah, it's it's when you know, when you line on

390
00:18:44,440 --> 00:18:46,920
Speaker 6: your beard wheel and you're scrolling through them, you hold

391
00:18:46,920 --> 00:18:47,600
Speaker 6: the phone.

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00:18:47,359 --> 00:18:49,199
Speaker 2: Up, when the bloody hell are you doing that?

393
00:18:49,600 --> 00:18:50,560
Speaker 1: Before you go to bed?

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Speaker 6: And then sometimes you're a fair bit of the time

395
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Speaker 6: the phone slips through your hands because you're a bit tired,

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Speaker 6: and the phone just smack bang on your head.

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00:18:57,600 --> 00:19:01,399
Speaker 1: It's shocking, got a number of scars. I'm sorry? Is

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00:19:01,400 --> 00:19:02,280
Speaker 1: that sorry? Joel?

399
00:19:02,359 --> 00:19:04,159
Speaker 2: Is that a thing for you? Do? You lie and

400
00:19:04,200 --> 00:19:07,080
Speaker 2: cuddle and one of you holds the phone over your faces?

401
00:19:07,200 --> 00:19:09,639
Speaker 8: This is embarrassing for me, But I've only ever dropped

402
00:19:10,000 --> 00:19:13,320
Speaker 8: the phone on my own head. None of my partners

403
00:19:13,440 --> 00:19:15,280
Speaker 8: on your partners what I'm saying, If.

404
00:19:15,200 --> 00:19:16,879
Speaker 6: Your partner's line on your chest though, she's in the

405
00:19:16,960 --> 00:19:18,560
Speaker 6: danger zone, playing me dang design.

406
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Speaker 2: She's in the drop zone.

407
00:19:19,480 --> 00:19:24,600
Speaker 1: Give me danger Zon, the eighties rock song on stand

408
00:19:24,600 --> 00:19:30,440
Speaker 1: by Danger. No you don't, Let's go to Jesus. Great

409
00:19:30,880 --> 00:19:33,399
Speaker 1: let's go to Joe. Joe, what is your one rule

410
00:19:33,440 --> 00:19:34,399
Speaker 1: in relationships?

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00:19:35,480 --> 00:19:40,160
Speaker 3: It's not actually sleeping together through the night. So we

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00:19:40,200 --> 00:19:41,600
Speaker 3: have we sleep in separate bed.

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00:19:41,720 --> 00:19:43,720
Speaker 6: But how was it when you first brought that app

414
00:19:43,840 --> 00:19:46,119
Speaker 6: or broach that with your partner. How did that conversation go.

415
00:19:47,320 --> 00:19:50,200
Speaker 3: I'm like, I want my own bed, but I want

416
00:19:50,240 --> 00:19:52,679
Speaker 3: to sleep in the same bed. We can have nookie

417
00:19:53,160 --> 00:19:55,440
Speaker 3: in one bed, of course, but then when we're going

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00:19:55,440 --> 00:19:58,080
Speaker 3: to sleep, we have our separate beds. And it's like, okay,

419
00:19:58,320 --> 00:19:58,600
Speaker 3: oh he.

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00:19:58,680 --> 00:20:00,720
Speaker 1: Was fine with that. So which And can I ask

421
00:20:00,800 --> 00:20:02,679
Speaker 1: which bed is the nookie bed? Like do you do

422
00:20:02,760 --> 00:20:06,080
Speaker 1: you play at home? Or do you wear whoever horn?

423
00:20:12,880 --> 00:20:15,760
Speaker 2: Do you wear the away shorts? Oh my god, I'd

424
00:20:15,760 --> 00:20:19,240
Speaker 2: love it if she walked in in some white shorts

425
00:20:19,280 --> 00:20:23,159
Speaker 2: she dropped over. That would yes very quickly. Before we

426
00:20:23,200 --> 00:20:26,240
Speaker 2: get to the traffic, I actually thought maybe another rule

427
00:20:26,280 --> 00:20:33,280
Speaker 2: for you in the future. Yeah, might be don't get

428
00:20:34,040 --> 00:20:36,400
Speaker 2: pets without being fully invested in the pet.

429
00:20:36,960 --> 00:20:38,800
Speaker 1: I don't know what that's referring to. I don't know

430
00:20:38,840 --> 00:20:41,560
Speaker 1: what that's referring to. That is a wild thing to say.

431
00:20:41,720 --> 00:20:42,320
Speaker 1: Go to traffic.

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00:20:43,520 --> 00:20:46,600
Speaker 6: Love my cat, I love my cat, I love my

433
00:20:46,640 --> 00:20:50,199
Speaker 6: cat you.

434
00:20:51,760 --> 00:20:53,160
Speaker 1: No, I don't hate the cat. I love the cat.

435
00:20:53,640 --> 00:20:55,480
Speaker 1: I can't wait to see them tonight, just me and

436
00:20:55,560 --> 00:20:58,560
Speaker 1: him at home. Him's going out, just me and the boys,

437
00:20:58,600 --> 00:21:03,560
Speaker 1: just the boys to know at her last night, Will for.

438
00:21:03,640 --> 00:21:05,960
Speaker 2: Finding out who is the best of my best friends?

439
00:21:06,200 --> 00:21:12,840
Speaker 2: It's Woody versus my dog Stevie, brig my best friend.

440
00:21:13,160 --> 00:21:15,720
Speaker 1: But who really is Will's best friend?

441
00:21:15,920 --> 00:21:19,080
Speaker 2: Brought to you, Bye Dog, the feel good comedy starring

442
00:21:19,160 --> 00:21:21,840
Speaker 2: Channing Tatum, Only in cinemas seventeen.

443
00:21:23,359 --> 00:21:24,879
Speaker 1: Unless you respect my job Woods.

444
00:21:25,520 --> 00:21:27,920
Speaker 2: Stevie is not happy about being in the studio here.

445
00:21:27,920 --> 00:21:29,920
Speaker 2: I've had to nurse her in my arms, but.

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00:21:29,920 --> 00:21:32,000
Speaker 6: I'm feeling jealous. You clearly like her more. She gets

447
00:21:32,040 --> 00:21:32,800
Speaker 6: a sit on your lap.

448
00:21:32,880 --> 00:21:33,359
Speaker 2: She does get it.

449
00:21:33,760 --> 00:21:34,760
Speaker 1: I've never been allowed.

450
00:21:34,520 --> 00:21:38,199
Speaker 6: To sit on your lap in the studio together, the

451
00:21:38,200 --> 00:21:39,399
Speaker 6: amount of times I've wanted to.

452
00:21:39,640 --> 00:21:42,320
Speaker 2: All Right, we're going to get down to, uh, the

453
00:21:42,600 --> 00:21:44,560
Speaker 2: what we're here for, which is the final part of

454
00:21:44,600 --> 00:21:46,760
Speaker 2: the who is Will's best friend, my dog Stevie or

455
00:21:46,800 --> 00:21:49,840
Speaker 2: my best mate Woodie? And that's via finding out what

456
00:21:50,000 --> 00:21:52,480
Speaker 2: Stevie thinks of me? And Amanda's going to do it

457
00:21:52,480 --> 00:21:54,959
Speaker 2: with both of you. She is Amanda de Warren are

458
00:21:55,560 --> 00:21:58,680
Speaker 2: pet psychologist. Get in contact Amanda de Warren dot com

459
00:21:58,800 --> 00:22:00,960
Speaker 2: dot au. This is the as to who is my

460
00:22:01,000 --> 00:22:03,560
Speaker 2: best friend? Amanda? Welcome to the show.

461
00:22:04,200 --> 00:22:07,439
Speaker 3: Hi guys again, how are you all really good? Act?

462
00:22:07,640 --> 00:22:09,359
Speaker 6: Last time you were on, Amanda, you told me that

463
00:22:09,640 --> 00:22:11,639
Speaker 6: my cat was trying to sleep with my girlfriend.

464
00:22:12,960 --> 00:22:14,200
Speaker 1: So real treat to have you back.

465
00:22:15,080 --> 00:22:20,200
Speaker 3: Yeah, what great news have I got for this time? Devastating?

466
00:22:20,280 --> 00:22:23,639
Speaker 3: I'm not really sure, but yeah, well I think that

467
00:22:23,760 --> 00:22:29,400
Speaker 3: Stevie is is there is there a woman in your life?

468
00:22:29,440 --> 00:22:30,800
Speaker 3: If there's a female in your life?

469
00:22:31,040 --> 00:22:31,720
Speaker 2: Is yes?

470
00:22:31,760 --> 00:22:34,160
Speaker 3: There is she really close? Is she really close to her?

471
00:22:34,320 --> 00:22:37,520
Speaker 2: Yeah? Yeah, that's like Stevie's like your daughter.

472
00:22:38,840 --> 00:22:42,399
Speaker 3: Think got the feeling that neither of you is like

473
00:22:42,800 --> 00:22:44,120
Speaker 3: I love my mummy?

474
00:22:44,359 --> 00:22:44,679
Speaker 1: Sorry?

475
00:22:45,040 --> 00:22:47,520
Speaker 3: Sorry? What she loves? She loves your partner?

476
00:22:48,240 --> 00:22:49,560
Speaker 2: She does love my partner.

477
00:22:50,560 --> 00:22:54,080
Speaker 3: Doesn't mean to say, does me to say that you

478
00:22:54,119 --> 00:22:55,720
Speaker 3: know that that's her best friend?

479
00:22:55,960 --> 00:22:57,919
Speaker 6: So hang on, So Amanda, let's get down to brass

480
00:22:57,960 --> 00:23:02,520
Speaker 6: tax here. Does Stevie believe that Will is her best friend?

481
00:23:04,160 --> 00:23:06,399
Speaker 3: I'm Sam and she's just sort of saying who she

482
00:23:06,480 --> 00:23:11,640
Speaker 3: loves and who she she likes. She does love Woody.

483
00:23:12,359 --> 00:23:14,359
Speaker 1: We've actually bonded this week. We have We have bonded

484
00:23:14,359 --> 00:23:16,960
Speaker 1: a lot, haven't we, Stevie, What do you think? What

485
00:23:17,040 --> 00:23:17,800
Speaker 1: do he thinks of me?

486
00:23:18,560 --> 00:23:25,480
Speaker 3: What? U oh, dear, let me see, there is definitely

487
00:23:26,680 --> 00:23:30,880
Speaker 3: a lot of emotional issues between you. On a good

488
00:23:31,000 --> 00:23:33,720
Speaker 3: positive level. I think that the two of you are

489
00:23:33,920 --> 00:23:36,040
Speaker 3: actually very competitive with each other.

490
00:23:39,560 --> 00:23:41,800
Speaker 1: Believe it or not, it gets easier, gets easier.

491
00:23:42,680 --> 00:23:45,480
Speaker 3: Yeah, okay, because I feel like there's a lot of components,

492
00:23:45,520 --> 00:23:49,280
Speaker 3: but most of them are very, very positive and very good.

493
00:23:49,600 --> 00:23:53,040
Speaker 3: But you also are extremely competitive with each other. But

494
00:23:53,400 --> 00:23:56,920
Speaker 3: having said that, there is very much a supportive if

495
00:23:57,240 --> 00:23:59,520
Speaker 3: it's like in the school yard if one was getting

496
00:23:59,520 --> 00:24:01,520
Speaker 3: bullied and the other one would come up and be

497
00:24:01,600 --> 00:24:04,880
Speaker 3: your backbone. It's like, you know, the bully in the head.

498
00:24:05,119 --> 00:24:09,480
Speaker 3: So you guys have an extraordinary and a very unique relationship.

499
00:24:10,119 --> 00:24:13,080
Speaker 3: If somebody comes to try and sort of muzzle in

500
00:24:13,400 --> 00:24:15,920
Speaker 3: on and being a third wheel, it's not going to

501
00:24:16,000 --> 00:24:16,680
Speaker 3: happen like.

502
00:24:16,640 --> 00:24:20,080
Speaker 1: The dog, Like the dog, Amanda Warren. So, who's my

503
00:24:20,160 --> 00:24:20,680
Speaker 1: best friend?

504
00:24:20,680 --> 00:24:23,680
Speaker 2: Amanda? Who's my best friend? Is Stevie or is it Woody?

505
00:24:24,440 --> 00:24:34,080
Speaker 3: Oh? I have to be Stevie when it comes very

506
00:24:34,280 --> 00:24:42,000
Speaker 3: very close. Second almost parallel, very very very tiny mind

507
00:24:42,040 --> 00:24:47,119
Speaker 3: new differences between you know, she just loves everybody and

508
00:24:47,160 --> 00:24:48,959
Speaker 3: everything that everybody does for her.

509
00:24:49,040 --> 00:24:53,920
Speaker 2: You know that's good to know, you budding out mate.

510
00:24:53,960 --> 00:24:55,000
Speaker 1: Thanks so much for that.

511
00:24:55,960 --> 00:24:58,120
Speaker 3: You are so welcome guy. It's always a pleasure.

512
00:25:00,200 --> 00:25:03,439
Speaker 2: Amanda Warren dot com dot are you Amandada Warren dot

513
00:25:03,480 --> 00:25:04,480
Speaker 2: com Dot you Wards.

514
00:25:04,480 --> 00:25:06,320
Speaker 1: I'm sorry, it's all over star. He's the word.

515
00:25:06,960 --> 00:25:11,680
Speaker 6: Drug, a crush, the best Friends, Great.

516
00:25:11,600 --> 00:25:14,160
Speaker 2: Job, Dogs Eat Cinema's March seventeen.

517
00:25:14,600 --> 00:25:17,600
Speaker 1: I'm just I'm so off that because she said, Amanda Warren,

518
00:25:17,640 --> 00:25:19,680
Speaker 1: she speaks the truth. You know she does. Yeah, I

519
00:25:19,720 --> 00:25:22,600
Speaker 1: know she's nostradamas. Yeah, she doesn't get a miss. She

520
00:25:22,640 --> 00:25:23,439
Speaker 1: doesn't get a miss to.

521
00:25:23,440 --> 00:25:25,960
Speaker 2: Warren, to her intently, there was like get me out

522
00:25:25,960 --> 00:25:26,399
Speaker 2: of here.

523
00:25:26,840 --> 00:25:29,080
Speaker 9: It's all brought to you by Dog, the feel good

524
00:25:29,080 --> 00:25:34,640
Speaker 9: comedy starring Channing Tatum, only in Cinema's March sevent Right, now,

525
00:25:34,680 --> 00:25:36,560
Speaker 9: try and convince you in the car with somebody else

526
00:25:36,600 --> 00:25:37,080
Speaker 9: on your Friday.

527
00:25:37,119 --> 00:25:39,560
Speaker 2: It's time for a final wooland Woodies.

528
00:25:41,040 --> 00:25:46,840
Speaker 1: Hello, alright, let's crack in. We got Kelly here, Kelly, Hello, Hello,

529
00:25:47,280 --> 00:25:49,679
Speaker 1: who are you in the car with kel My daughter?

530
00:25:49,960 --> 00:25:52,480
Speaker 1: Piper your daughter, Pepa. How old is Pip?

531
00:25:53,040 --> 00:25:54,520
Speaker 3: Pip is fourteen?

532
00:25:55,000 --> 00:25:55,720
Speaker 1: She's fourteen?

533
00:25:55,760 --> 00:25:56,800
Speaker 2: Fourteen? Is she?

534
00:25:58,480 --> 00:25:58,679
Speaker 7: You know?

535
00:25:58,720 --> 00:25:59,159
Speaker 1: What's that for?

536
00:26:00,160 --> 00:26:02,399
Speaker 2: No? I don't. I don't well, I don't actually, I

537
00:26:02,400 --> 00:26:03,960
Speaker 2: don't know what it's like to be a girl, or

538
00:26:04,040 --> 00:26:07,680
Speaker 2: to be I've been fourteen, haven't had fourteen. No, I

539
00:26:07,720 --> 00:26:09,280
Speaker 2: don't know what it's like to have a daughter either, Kel.

540
00:26:09,320 --> 00:26:11,840
Speaker 2: But in a word, what is it like?

541
00:26:12,640 --> 00:26:16,480
Speaker 7: Diff wonderful?

542
00:26:17,119 --> 00:26:20,240
Speaker 6: Oh yeah, right, because you're making it seem like she's right.

543
00:26:20,280 --> 00:26:23,480
Speaker 6: They're not a bad acting there, Kel. Or let's let's

544
00:26:23,480 --> 00:26:25,080
Speaker 6: put that. Let's put her on the phone there kill

545
00:26:25,240 --> 00:26:26,200
Speaker 6: name Pip.

546
00:26:26,240 --> 00:26:27,040
Speaker 1: Pip, Pip?

547
00:26:28,840 --> 00:26:29,080
Speaker 4: Hello?

548
00:26:31,000 --> 00:26:31,520
Speaker 2: Can I Pip?

549
00:26:33,080 --> 00:26:33,359
Speaker 6: Hello?

550
00:26:34,080 --> 00:26:35,879
Speaker 1: Hey Pip? Your mom just said that you're a bit

551
00:26:35,920 --> 00:26:37,960
Speaker 1: of a hard time to deal with? Is that true?

552
00:26:39,520 --> 00:26:42,919
Speaker 3: No? I told her I didn't want to go on

553
00:26:42,920 --> 00:26:43,520
Speaker 3: the phone.

554
00:26:44,760 --> 00:26:46,800
Speaker 1: Oh yeah, right, okay, why don't you want to talk

555
00:26:46,840 --> 00:26:47,640
Speaker 1: to the boys? Pip?

556
00:26:48,800 --> 00:26:49,520
Speaker 5: Embarrassing?

557
00:26:50,320 --> 00:26:52,520
Speaker 2: Did you do you listen to us? Pip? Isn't a

558
00:26:52,520 --> 00:26:53,800
Speaker 2: wild No?

559
00:26:56,400 --> 00:26:59,199
Speaker 1: That sounds like a mom love? Kel, I think it is?

560
00:26:59,200 --> 00:27:00,000
Speaker 1: There by yourself?

561
00:27:00,720 --> 00:27:03,920
Speaker 7: Yes, could try, Kel.

562
00:27:04,040 --> 00:27:06,360
Speaker 2: I didn't mind that I had some there, not bad,

563
00:27:07,000 --> 00:27:10,200
Speaker 2: not bad at the start Bailey's called the n't want

564
00:27:10,200 --> 00:27:11,240
Speaker 2: to six ' five Bailey.

565
00:27:11,040 --> 00:27:12,639
Speaker 4: Who a you in the car with I'm in the

566
00:27:12,800 --> 00:27:13,879
Speaker 4: carp with my twin.

567
00:27:15,320 --> 00:27:16,840
Speaker 2: So your twin brother, Josh? Was it?

568
00:27:17,520 --> 00:27:17,720
Speaker 4: Yeah?

569
00:27:18,119 --> 00:27:18,399
Speaker 3: All right?

570
00:27:18,480 --> 00:27:18,919
Speaker 2: Check you out?

571
00:27:19,640 --> 00:27:19,840
Speaker 3: Yeah.

572
00:27:19,840 --> 00:27:23,560
Speaker 4: Oh, I got to put on speaking, that's right.

573
00:27:23,600 --> 00:27:24,879
Speaker 2: I'm not sure if that was a little ploy as

574
00:27:24,880 --> 00:27:28,639
Speaker 2: well as he's very sneaky toy. Was nice bit of

575
00:27:28,680 --> 00:27:29,240
Speaker 2: acting going on.

576
00:27:29,400 --> 00:27:32,760
Speaker 1: Hey, Josh has gone guys, Yeah, good mate. Why are

577
00:27:32,800 --> 00:27:35,280
Speaker 1: you better looking than your brother? Bailey?

578
00:27:35,840 --> 00:27:38,359
Speaker 4: Oh yeah, he won't want to hear that, but I

579
00:27:38,440 --> 00:27:40,720
Speaker 4: definitely think I am. I think it was I was

580
00:27:40,760 --> 00:27:41,440
Speaker 4: born first, you know.

581
00:27:42,000 --> 00:27:42,240
Speaker 2: Ah.

582
00:27:43,160 --> 00:27:46,160
Speaker 1: So Bailey, do you think you're better looking than Josh?

583
00:27:47,240 --> 00:27:50,760
Speaker 4: I mean you heard it. Definitely think I'm better looking

584
00:27:50,840 --> 00:27:52,960
Speaker 4: than Josh. But I feel like you talk the way

585
00:27:53,000 --> 00:27:53,440
Speaker 4: he talks.

586
00:27:54,280 --> 00:27:55,560
Speaker 1: Yeah, it's close, isn't it.

587
00:27:55,800 --> 00:27:59,800
Speaker 6: There seems to be a slight difference there, Josh, what

588
00:28:00,280 --> 00:28:01,800
Speaker 6: what's the meanest thing Bally's done to you?

589
00:28:03,000 --> 00:28:03,200
Speaker 3: Off?

590
00:28:03,880 --> 00:28:06,359
Speaker 4: The amount of times he's gone talk to people pretending

591
00:28:06,400 --> 00:28:09,000
Speaker 4: to be me because we're right identical, right, He'll just

592
00:28:09,080 --> 00:28:10,720
Speaker 4: talk to people in school and you'll pretend to be

593
00:28:10,840 --> 00:28:12,840
Speaker 4: me and to cause a bit of havoc and get

594
00:28:12,880 --> 00:28:16,119
Speaker 4: me in trouble more times than yes, A few times now.

595
00:28:16,160 --> 00:28:19,200
Speaker 2: Actually, I think the only test that I can think

596
00:28:19,240 --> 00:28:20,600
Speaker 2: on here this is I mean, it's the ultimate. We

597
00:28:20,680 --> 00:28:24,600
Speaker 2: only do this for very hard ones. But Bailey and Josh,

598
00:28:24,600 --> 00:28:25,960
Speaker 2: they are gonna have to get you, guys to split

599
00:28:26,000 --> 00:28:28,840
Speaker 2: the lyrics of Rick Astley's never going to give You Up.

600
00:28:30,480 --> 00:28:32,520
Speaker 2: So Bailey, I don't know if you guys know the words,

601
00:28:32,560 --> 00:28:33,919
Speaker 2: but if the first one of you could sing never

602
00:28:33,960 --> 00:28:35,800
Speaker 2: going to give you up, and the next one, and

603
00:28:35,920 --> 00:28:38,360
Speaker 2: if Josh you could then sing never going to bring

604
00:28:38,440 --> 00:28:41,560
Speaker 2: you down? And look, if you want to alternate again

605
00:28:41,600 --> 00:28:43,200
Speaker 2: and go for the whole thing, one of you can

606
00:28:43,280 --> 00:28:46,240
Speaker 2: then sing never going to throw you around and hurt you.

607
00:28:46,760 --> 00:28:47,440
Speaker 1: That'd be huge.

608
00:28:47,560 --> 00:28:49,160
Speaker 2: But I'll throw over to you guys. Are you ready?

609
00:28:49,880 --> 00:28:50,080
Speaker 4: Yeah?

610
00:28:50,720 --> 00:28:50,960
Speaker 2: Okay?

611
00:28:51,040 --> 00:28:54,040
Speaker 4: If you go there, you go first, never going to

612
00:28:54,120 --> 00:29:00,800
Speaker 4: give you up, never gonna turn around, never run ound too,

613
00:29:01,400 --> 00:29:05,680
Speaker 4: gee whiz, make you cry, never gonna say goodbye?

614
00:29:11,040 --> 00:29:16,080
Speaker 2: All congratulations, And the lyrics and songs itself was very impressive.

615
00:29:17,720 --> 00:29:20,200
Speaker 2: Oh nice, nice, But the more impressive thing here for

616
00:29:20,320 --> 00:29:24,400
Speaker 2: me woulds we're not closer to figuring out that's so different, Flood.

617
00:29:24,560 --> 00:29:27,640
Speaker 1: I think I heard a sniff of somebody a fail safe.

618
00:29:27,720 --> 00:29:29,320
Speaker 6: No, I know they've done it incredibly well, there's no

619
00:29:29,360 --> 00:29:31,240
Speaker 6: doubt about it. But let's get down to business, will Yeah,

620
00:29:31,320 --> 00:29:32,680
Speaker 6: let's get do these two tip rats.

621
00:29:32,720 --> 00:29:33,480
Speaker 1: Let's get down the business.

622
00:29:33,920 --> 00:29:35,960
Speaker 6: I think I detected a sense of someone trying to

623
00:29:35,960 --> 00:29:38,040
Speaker 6: put on a deeper voice halfway through that Rick Astley

624
00:29:38,080 --> 00:29:39,880
Speaker 6: song You Reckon it's one guy, and I think they

625
00:29:39,880 --> 00:29:43,280
Speaker 6: were trying to bum steer us, right, so I think, oh, geez,

626
00:29:43,320 --> 00:29:44,040
Speaker 6: I think it's only one.

627
00:29:44,080 --> 00:29:44,280
Speaker 3: What do you?

628
00:29:44,400 --> 00:29:45,520
Speaker 2: What's you back your instincts?

629
00:29:45,560 --> 00:29:47,280
Speaker 1: Mate, Bailey? We think you're there by yourself.

630
00:29:47,560 --> 00:29:48,280
Speaker 3: Yeah you got.

631
00:29:50,960 --> 00:29:51,520
Speaker 1: Hotly?

632
00:29:53,960 --> 00:29:54,200
Speaker 3: Wow?

633
00:29:54,360 --> 00:29:55,080
Speaker 2: No, well done?

634
00:29:55,200 --> 00:29:55,400
Speaker 3: Yeah?

635
00:29:56,600 --> 00:29:58,560
Speaker 2: Absolutely now you're almost too good?

636
00:29:59,800 --> 00:29:59,920
Speaker 3: Right?

637
00:30:00,640 --> 00:30:05,600
Speaker 2: Podcasting now is well wards, There's absolutely no doubt about it.

638
00:30:05,720 --> 00:30:09,560
Speaker 2: Ninety seven percent on Rotten Tomatoes. The news is that

639
00:30:09,680 --> 00:30:18,680
Speaker 2: the brand new Batman movie with Robert Pattinson is good, unventured.

640
00:30:22,400 --> 00:30:26,120
Speaker 2: I haven't changed like sound effects of movie punches like

641
00:30:26,160 --> 00:30:28,560
Speaker 2: I feel like you can hear the blood in their

642
00:30:28,680 --> 00:30:29,520
Speaker 2: nose when.

643
00:30:29,400 --> 00:30:30,080
Speaker 1: It gets broken.

644
00:30:30,160 --> 00:30:34,320
Speaker 2: With the hits, there very real graphic somethe gonna hit

645
00:30:34,360 --> 00:30:35,680
Speaker 2: the face doesn't sound like that.

646
00:30:36,240 --> 00:30:38,080
Speaker 1: I wouldn't know, mate, I've never hit someone in.

647
00:30:38,080 --> 00:30:40,480
Speaker 2: The face, in the face I've heard. So I've been

648
00:30:40,560 --> 00:30:42,360
Speaker 2: standing around when someone's been hitting the face and you

649
00:30:42,440 --> 00:30:46,160
Speaker 2: don't hear his yet. I mean, he's a microphone in

650
00:30:46,240 --> 00:30:46,640
Speaker 2: his nose.

651
00:30:48,640 --> 00:30:51,200
Speaker 1: Oh come on, what does it sound like. I've never

652
00:30:51,240 --> 00:30:52,040
Speaker 1: been next to someone again.

653
00:30:52,560 --> 00:30:59,880
Speaker 2: Slap really hard? Yeah, slap that. That's that's squelchy. It's

654
00:31:00,520 --> 00:31:02,120
Speaker 2: where are they? Are they fighting in the mud? There?

655
00:31:02,240 --> 00:31:04,720
Speaker 1: John, it's in like a subway tunnel.

656
00:31:04,840 --> 00:31:09,760
Speaker 2: Yeah, it's wet though, makes a bit more sense, well

657
00:31:10,040 --> 00:31:13,960
Speaker 2: squelled anyway, Look, apparently it's very good, very long, Joel.

658
00:31:14,080 --> 00:31:17,320
Speaker 8: You've seen it close to three hours. Jesus Christ Batman,

659
00:31:17,400 --> 00:31:20,280
Speaker 8: but that was a bit long. Yeah, too long too,

660
00:31:20,400 --> 00:31:22,160
Speaker 8: I've taken two and a half. But you know, it's

661
00:31:22,720 --> 00:31:23,240
Speaker 8: it's amazing.

662
00:31:23,280 --> 00:31:25,720
Speaker 2: It's an origin story, though, so you need it. You

663
00:31:25,760 --> 00:31:28,040
Speaker 2: need a bit more time in the origin stories. Okay,

664
00:31:28,320 --> 00:31:30,600
Speaker 2: you know, just three hours they come from who's the

665
00:31:30,680 --> 00:31:31,280
Speaker 2: love interest?

666
00:31:31,560 --> 00:31:31,800
Speaker 1: Sure?

667
00:31:31,880 --> 00:31:34,440
Speaker 2: What thing did you see in the first thirty seconds

668
00:31:34,440 --> 00:31:36,160
Speaker 2: which is going to come back and save them in

669
00:31:36,240 --> 00:31:38,280
Speaker 2: the last thirty seconds. That's what I always look for

670
00:31:38,360 --> 00:31:39,320
Speaker 2: in the origin stories.

671
00:31:39,400 --> 00:31:39,600
Speaker 3: Yeah.

672
00:31:39,680 --> 00:31:44,120
Speaker 2: Sure, he's used a match box. He'll light the villain

673
00:31:44,160 --> 00:31:44,880
Speaker 2: on fire at the end.

674
00:31:45,000 --> 00:31:49,000
Speaker 1: Do you know what I mean? It happens very deliberate scenes.

675
00:31:49,160 --> 00:31:51,160
Speaker 1: The only ones are very deliberate scenes when you think

676
00:31:51,200 --> 00:31:51,840
Speaker 1: nothing's happening.

677
00:31:51,960 --> 00:31:55,040
Speaker 2: Yes, take no, it's all strategic. So look, I am

678
00:31:55,080 --> 00:31:58,280
Speaker 2: looking forward to seeing it. A lot of people pumped

679
00:31:58,320 --> 00:31:59,880
Speaker 2: all around the world to go and see this. One

680
00:32:00,040 --> 00:32:04,719
Speaker 2: woulds although although some Batman fan was a little bit

681
00:32:04,920 --> 00:32:13,520
Speaker 2: over zealous in a Northwest astin that's a Texas, Austin, Texas. Uh,

682
00:32:14,200 --> 00:32:15,920
Speaker 2: someone was a little bit too keen to go and

683
00:32:15,960 --> 00:32:18,600
Speaker 2: see Batman, and so overn goes in to see the

684
00:32:18,680 --> 00:32:22,560
Speaker 2: movie and someone let out a real live.

685
00:32:22,600 --> 00:32:27,840
Speaker 1: Bat brilliant in the that's brilliant. That's hilarious. How scared

686
00:32:27,880 --> 00:32:30,280
Speaker 1: would you be? Terrifying?

687
00:32:31,400 --> 00:32:33,120
Speaker 2: Thought it was something of the production company.

688
00:32:33,160 --> 00:32:33,640
Speaker 1: Do you reckon?

689
00:32:33,760 --> 00:32:33,920
Speaker 3: Yeah?

690
00:32:34,000 --> 00:32:35,920
Speaker 1: Right, yeah, premiere.

691
00:32:36,080 --> 00:32:36,280
Speaker 3: Yeah.

692
00:32:36,560 --> 00:32:39,120
Speaker 1: I don't think if you had a bat batholder there,

693
00:32:39,240 --> 00:32:45,120
Speaker 1: or have you had a professional there. I think that's

694
00:32:45,160 --> 00:32:45,880
Speaker 1: a great idea.

695
00:32:45,960 --> 00:32:49,560
Speaker 2: I think I don't think bat handling is I think

696
00:32:49,760 --> 00:32:53,600
Speaker 2: so hands get handled, they just.

697
00:32:55,080 --> 00:32:55,520
Speaker 1: I don't think that.

698
00:32:55,560 --> 00:32:59,840
Speaker 2: Would you remember bats are blind? Yeah, you know, I

699
00:33:00,480 --> 00:33:02,520
Speaker 2: don't think taking it into a cinem where it's surrounded

700
00:33:02,560 --> 00:33:07,160
Speaker 2: by five point one Dolby's rounds. Yeah, ling for a

701
00:33:07,720 --> 00:33:12,000
Speaker 2: nice thing to do to a bat. So the bat

702
00:33:12,080 --> 00:33:13,920
Speaker 2: gets let out. They shut the cinema down there.

703
00:33:13,960 --> 00:33:16,400
Speaker 1: It was a random. It was a random who brought Yes, it.

704
00:33:16,480 --> 00:33:20,280
Speaker 2: Wasn't the production company mate, it wasn't DC Comics. They're not.

705
00:33:20,560 --> 00:33:23,720
Speaker 2: They're not releasing a bat at every screening, every.

706
00:33:23,640 --> 00:33:31,480
Speaker 1: First opportunity missed, but random. Every production company did.

707
00:33:31,440 --> 00:33:33,280
Speaker 2: That for the start of the movie in the cinema.

708
00:33:33,400 --> 00:33:36,240
Speaker 2: You just get like, then, there's a new movie Dog

709
00:33:36,360 --> 00:33:41,080
Speaker 2: with Channing Tatum, which is coming out, Dobbies, brilliant, good

710
00:33:41,120 --> 00:33:46,600
Speaker 2: to the cinema, Gatsby, Champagne, Champagne Dances.

711
00:33:47,680 --> 00:33:50,560
Speaker 1: That's done. I got given a lay.

712
00:33:50,720 --> 00:33:54,240
Speaker 6: I got given a lay in the film Bradley Cooper,

713
00:33:54,280 --> 00:33:56,520
Speaker 6: the Shocking film, and I got given a lay.

714
00:33:56,600 --> 00:33:58,240
Speaker 2: Oh, they should have given you a piece of ship,

715
00:33:58,320 --> 00:33:58,880
Speaker 2: because that's.

716
00:33:58,760 --> 00:33:59,200
Speaker 4: What that was.

717
00:33:59,920 --> 00:34:04,080
Speaker 1: I would have been more appropriate. And here is your

718
00:34:04,160 --> 00:34:06,920
Speaker 1: bag of poo because this is a terrible film.