1
00:00:00,520 --> 00:00:05,920
Speaker 1: Same for another fringe festival at with Clezy and Lisa.

2
00:00:06,400 --> 00:00:10,680
Speaker 1: Anthony Hubmeyer aka Doctor H is doing the Monty Python

3
00:00:10,880 --> 00:00:14,920
Speaker 1: Cabaret sing Along Circus at the Ellington Jazz Club next Wednesday.

4
00:00:14,960 --> 00:00:19,560
Speaker 1: Tickets are available through fringeworld dot com dot au. And

5
00:00:19,720 --> 00:00:22,400
Speaker 1: he's with us always looking on the bright Side of life.

6
00:00:22,400 --> 00:00:27,040
Speaker 1: I guess it's mining. Hello Anthony, Hello, pleasure to speak

7
00:00:27,080 --> 00:00:28,920
Speaker 1: with you both. Well, this sounds like a show I've

8
00:00:28,920 --> 00:00:32,640
Speaker 1: been waiting for my whole life because I am a

9
00:00:32,760 --> 00:00:35,960
Speaker 1: huge Mondy Python fan. Tell us about this show.

10
00:00:36,280 --> 00:00:39,800
Speaker 2: Oh yeah, Well, clearly I have a strong connection to

11
00:00:39,880 --> 00:00:42,160
Speaker 2: the show of growing up with the music, et cetera.

12
00:00:42,640 --> 00:00:44,240
Speaker 2: So for me it was a bit of a nostalgia

13
00:00:44,240 --> 00:00:47,000
Speaker 2: and I come from a piano bar background, so being

14
00:00:47,159 --> 00:00:51,600
Speaker 2: entertaining for me is always second nature. Yeah, and I've

15
00:00:51,640 --> 00:00:53,840
Speaker 2: done a number of shows over the years and I

16
00:00:53,880 --> 00:00:56,400
Speaker 2: was looking for something a little bit more they's sure,

17
00:00:56,480 --> 00:00:58,760
Speaker 2: you could say. And I just love the satire of

18
00:00:59,280 --> 00:01:03,640
Speaker 2: the whole Montyhypen things. So it was just something I

19
00:01:03,680 --> 00:01:06,200
Speaker 2: came up with last year and took it to Edinburgh

20
00:01:06,280 --> 00:01:08,600
Speaker 2: and Sydney and Melbourne and all that sort of thing.

21
00:01:08,720 --> 00:01:10,560
Speaker 2: So now it's Peston I love.

22
00:01:10,760 --> 00:01:14,160
Speaker 1: What I love about the Monty Python songs is how

23
00:01:14,200 --> 00:01:16,360
Speaker 1: serious they kind of tape them. But we just played

24
00:01:16,360 --> 00:01:18,840
Speaker 1: a little bit of every spermish secret and you know,

25
00:01:18,920 --> 00:01:23,199
Speaker 1: that was quite the production beautiful piece in the movie

26
00:01:23,280 --> 00:01:27,400
Speaker 1: The Meaning of Life. So it mixes that sarcasm with

27
00:01:27,440 --> 00:01:29,200
Speaker 1: that big production.

28
00:01:30,200 --> 00:01:33,520
Speaker 2: Yes, and that's that has an appeal, et cetera. And

29
00:01:33,600 --> 00:01:36,600
Speaker 2: it's sort of started with well that's John Depray. He

30
00:01:36,760 --> 00:01:39,600
Speaker 2: sort of did that with the orchestral things. But yes,

31
00:01:39,760 --> 00:01:43,120
Speaker 2: like the life of Sorry Holy Grail, where they were

32
00:01:43,160 --> 00:01:45,319
Speaker 2: able to use symphonic music, et cetera, and that was

33
00:01:45,319 --> 00:01:48,520
Speaker 2: one of their big steps forward. Yeah, it's there's such

34
00:01:48,520 --> 00:01:52,000
Speaker 2: a good stories to tell and it's a nostalgia sort

35
00:01:52,040 --> 00:01:53,520
Speaker 2: of thing as well, a lot of feel good for

36
00:01:53,560 --> 00:01:56,200
Speaker 2: the audience. We've all got memories.

37
00:01:56,440 --> 00:01:58,240
Speaker 3: Yeah, there is there a song. Is there something that

38
00:01:58,280 --> 00:01:59,920
Speaker 3: Monty Python did that you have to do? The fan

39
00:02:00,160 --> 00:02:01,600
Speaker 3: just demand that you must do in your show.

40
00:02:01,880 --> 00:02:04,800
Speaker 2: Of course, the always look on the bright side of

41
00:02:04,920 --> 00:02:10,960
Speaker 2: a yeah, but there's you know, the genitalious song where

42
00:02:11,000 --> 00:02:12,600
Speaker 2: you have to sort of look a little bit at

43
00:02:12,639 --> 00:02:18,040
Speaker 2: the audience and just make sure it's okay appropriate. So, yeah,

44
00:02:18,040 --> 00:02:22,000
Speaker 2: there's been times where people have voiced that they, you know,

45
00:02:22,080 --> 00:02:25,320
Speaker 2: some songs aren't socially acceptable anymore, and you go.

46
00:02:25,360 --> 00:02:30,959
Speaker 1: Well, actually, then for god exactly go home.

47
00:02:32,600 --> 00:02:34,560
Speaker 2: Well, we do all of those ones as well, and

48
00:02:34,600 --> 00:02:36,360
Speaker 2: I have to give a little bit of a disclaimer

49
00:02:36,400 --> 00:02:38,320
Speaker 2: before it, just to go well, if you're going to

50
00:02:38,320 --> 00:02:40,960
Speaker 2: be offended, just suck it up and enjoy it for

51
00:02:41,000 --> 00:02:41,519
Speaker 2: the fun it was.

52
00:02:42,400 --> 00:02:44,720
Speaker 1: Did you not read what you were going to see?

53
00:02:45,720 --> 00:02:48,720
Speaker 1: The absolutely ridiculous.

54
00:02:48,800 --> 00:02:51,320
Speaker 2: Lots of sing along people love it. Yeah.

55
00:02:51,360 --> 00:02:55,800
Speaker 1: Absolutely. You also do a sing along pub quiz, which

56
00:02:55,840 --> 00:02:58,040
Speaker 1: you're doing I believe the Englewood.

57
00:02:59,120 --> 00:03:03,200
Speaker 2: That's correct us doing really well. There's no well, it's

58
00:03:03,200 --> 00:03:06,280
Speaker 2: the continuation again a piano bar and yet basically you

59
00:03:06,400 --> 00:03:09,440
Speaker 2: just ask questions in you sing the first verse and

60
00:03:09,480 --> 00:03:11,760
Speaker 2: the chorus and then ask a pose a question while

61
00:03:11,760 --> 00:03:13,720
Speaker 2: you're doing a bit of a piano damp and yep.

62
00:03:14,000 --> 00:03:16,639
Speaker 2: Then they have their little teens they chat, and then

63
00:03:16,760 --> 00:03:18,720
Speaker 2: you come back to the chorus again and then it's

64
00:03:18,720 --> 00:03:21,720
Speaker 2: time to the next one. And it's very continuous and

65
00:03:21,760 --> 00:03:25,760
Speaker 2: it's a load of fun and it's I did it

66
00:03:25,840 --> 00:03:28,440
Speaker 2: last year at the Ellington Jazz Club where I'm doing

67
00:03:28,520 --> 00:03:30,880
Speaker 2: the other shows. But I'm also doing a meat loaf

68
00:03:30,960 --> 00:03:36,720
Speaker 2: one and a Tom Lera show. Yeah, and that's also

69
00:03:36,800 --> 00:03:39,880
Speaker 2: at the Ellington Jazz Club. But the ingle would one. Yeah,

70
00:03:39,880 --> 00:03:41,320
Speaker 2: I'm looking forward to that Saturday night.

71
00:03:41,400 --> 00:03:43,800
Speaker 3: Na see Andy the single on pub quick because could

72
00:03:43,840 --> 00:03:44,960
Speaker 3: I come to that? Because you may have heard in

73
00:03:45,000 --> 00:03:46,880
Speaker 3: the utro lease it wasn't happy with you singing at

74
00:03:46,600 --> 00:03:47,400
Speaker 3: the mac.

75
00:03:48,000 --> 00:03:48,760
Speaker 2: Is anyone allowed?

76
00:03:48,800 --> 00:03:50,480
Speaker 3: You can have a rotten voice like mine.

77
00:03:50,320 --> 00:03:53,880
Speaker 1: And it makes you look better, Anthony.

78
00:03:54,280 --> 00:04:01,760
Speaker 2: No, we encourage everyone because it's that inclusivity. Of course.

79
00:04:01,760 --> 00:04:06,160
Speaker 2: It's very much in the fringe tradition. Yeah, yes, and

80
00:04:06,240 --> 00:04:09,280
Speaker 2: of course you just la la the valves then they

81
00:04:09,320 --> 00:04:10,040
Speaker 2: can be optional.

82
00:04:10,160 --> 00:04:11,000
Speaker 3: Okay, yeah, yeah.

83
00:04:11,120 --> 00:04:15,000
Speaker 1: Participation, I guess in case it wasn't obvious, participation is

84
00:04:15,040 --> 00:04:16,839
Speaker 1: a must at these shows, isn't it.

85
00:04:16,839 --> 00:04:20,560
Speaker 2: It certainly is. Lots of action songs and things like that.

86
00:04:20,680 --> 00:04:22,640
Speaker 2: So people get up on this feat and there's a

87
00:04:22,680 --> 00:04:25,479
Speaker 2: lot of movement, of course, and we don't have any

88
00:04:25,600 --> 00:04:32,040
Speaker 2: lyric sheets. That's all you know, people, Yeah, don't make

89
00:04:32,080 --> 00:04:35,600
Speaker 2: it up. Yeah, common knowledge songs if that's the right term.

90
00:04:35,839 --> 00:04:39,719
Speaker 1: All right, well it's it's where Wednesday, January twenty nine,

91
00:04:39,800 --> 00:04:42,760
Speaker 1: Next Wednesday at the Ellington Jazz Club, the Monty Pyth

92
00:04:42,800 --> 00:04:45,040
Speaker 1: and Cabaret sing a long circus. Can I just ask,

93
00:04:45,160 --> 00:04:46,800
Speaker 1: do you do the Camelot song?

94
00:04:47,520 --> 00:04:53,000
Speaker 2: We certainly do, such a need to many hats, and

95
00:04:53,040 --> 00:04:55,920
Speaker 2: of course one of the ones that people really expect

96
00:04:55,920 --> 00:05:00,839
Speaker 2: to hear is the Lumberjack song. Yes, so that's the

97
00:05:01,160 --> 00:05:03,960
Speaker 2: and everything's a sing along so and I as well

98
00:05:05,080 --> 00:05:06,120
Speaker 2: love to see a crowd there.

99
00:05:06,600 --> 00:05:09,000
Speaker 1: A great last all right, agony, thank you so much,

100
00:05:09,160 --> 00:05:10,520
Speaker 1: Thanks Doc very much.

101
00:05:10,560 --> 00:05:13,040
Speaker 2: A pleasure, and look forward to being in Perth very shortly.

102
00:05:13,080 --> 00:05:16,400
Speaker 3: All right, the great right there. Look, I honestly I

103
00:05:16,440 --> 00:05:18,279
Speaker 3: can't complain about you having a crack at me with

104
00:05:18,360 --> 00:05:20,159
Speaker 3: my singing because I remember this.

105
00:05:20,279 --> 00:05:21,120
Speaker 1: And you've heard me sing.

106
00:05:21,200 --> 00:05:22,960
Speaker 3: Oh yeah, And I did tell you a zero threat

107
00:05:22,960 --> 00:05:27,040
Speaker 3: once absolutely playing the ice. It's a zero threats a

108
00:05:27,080 --> 00:05:27,800
Speaker 3: couple of years ago.

109
00:05:27,880 --> 00:05:30,719
Speaker 1: But he takes an insult and he runs with it.

110
00:05:30,600 --> 00:05:31,000
Speaker 2: It actually