1 00:00:01,360 --> 00:00:10,040 Speaker 1: Oh, alrighty trying something you in the BTS today. Nice 2 00:00:11,080 --> 00:00:15,760 Speaker 1: Will is going to be graceiness on the ivory tonsils. 3 00:00:16,160 --> 00:00:20,680 Speaker 1: What are piano kids called again? The ivory? The ivory, 4 00:00:21,160 --> 00:00:23,320 Speaker 1: just tickling the ivory. It is just tickling the ivory. 5 00:00:23,320 --> 00:00:25,960 Speaker 1: Will is going to be tickling the ivory while we talk. 6 00:00:26,040 --> 00:00:28,960 Speaker 1: So are you just going to punctuate everything we say with. 7 00:00:32,040 --> 00:00:32,760 Speaker 2: So far? Yeah? 8 00:00:33,120 --> 00:00:36,800 Speaker 1: I liked that. So if I said, like yesterday, I 9 00:00:36,840 --> 00:00:38,200 Speaker 1: went for a walk through a. 10 00:00:38,080 --> 00:00:48,240 Speaker 3: Maze, This is great. 11 00:00:48,280 --> 00:00:51,280 Speaker 1: I feel like I'm in the maze. And as I 12 00:00:51,320 --> 00:00:56,240 Speaker 1: was walking through the maze, there was a rustling behind 13 00:00:56,240 --> 00:01:01,240 Speaker 1: one of the hedges. And I had a couple of beers, 14 00:01:03,040 --> 00:01:07,080 Speaker 1: so I was feeling that liquid courage. It was feeling courageous, 15 00:01:11,120 --> 00:01:13,160 Speaker 1: so sober me it would be would be cowardly and 16 00:01:13,160 --> 00:01:18,120 Speaker 1: would leave the maze, but slightly intoxicated, but responsibly intoxicated me. 17 00:01:19,280 --> 00:01:22,520 Speaker 1: I went to go and see what was rustling the hedge. 18 00:01:25,160 --> 00:01:36,759 Speaker 4: And I stepped closer and closer, and. 19 00:01:36,680 --> 00:01:40,520 Speaker 1: It was you will in a hedge, pleasure in yourself? 20 00:01:40,680 --> 00:01:50,600 Speaker 2: Oh yours? That I appreciate that. 21 00:01:50,600 --> 00:01:52,880 Speaker 1: That was great, That was awesome, That was fun. Did 22 00:01:52,880 --> 00:01:53,400 Speaker 1: you enjoy that? 23 00:01:53,720 --> 00:01:58,480 Speaker 2: Love? I did. I used to be on a radio 24 00:01:58,480 --> 00:02:14,840 Speaker 2: show as well, and I think it's and believe you 25 00:02:14,919 --> 00:02:20,080 Speaker 2: might have killed him. You know, you're not allowed to 26 00:02:20,120 --> 00:02:22,560 Speaker 2: tell anyone who you are or what you did. They're 27 00:02:22,600 --> 00:02:27,120 Speaker 2: the rules. You're silent poop. He actually, he actually, I 28 00:02:27,520 --> 00:02:28,120 Speaker 2: think you should do. 29 00:02:28,240 --> 00:02:31,079 Speaker 5: I think you should get callers on and you need 30 00:02:31,120 --> 00:02:32,640 Speaker 5: to do exactly what you did there, and you need 31 00:02:32,680 --> 00:02:35,320 Speaker 5: to play piano to their things that they say. 32 00:02:35,280 --> 00:02:37,400 Speaker 2: Oh yeah, I mean I can try. I'm not that 33 00:02:37,520 --> 00:02:38,840 Speaker 2: good though you were good. 34 00:02:39,320 --> 00:02:41,680 Speaker 1: He was working with me. But I think that's the 35 00:02:41,720 --> 00:02:44,720 Speaker 1: whole bit though, is that the will is not a professional, 36 00:02:45,160 --> 00:02:47,320 Speaker 1: but he will be doing his utmost and then you 37 00:02:47,480 --> 00:02:50,800 Speaker 1: either nail it, which is like visits Champagne and we 38 00:02:50,840 --> 00:02:52,760 Speaker 1: can get Champagne on ice for the bit if we want, 39 00:02:53,639 --> 00:02:55,800 Speaker 1: or you totally cock it and then we get to 40 00:02:55,840 --> 00:02:58,040 Speaker 1: have a lot of fun going what were you thinking there? 41 00:02:59,120 --> 00:03:00,239 Speaker 1: It means it's got running. 42 00:03:00,120 --> 00:03:09,600 Speaker 2: Yeah, passer and fail to be honest, well brilliant. No, 43 00:03:09,720 --> 00:03:11,320 Speaker 2: I think there is something that we do want to 44 00:03:11,320 --> 00:03:17,080 Speaker 2: talk about that I really tendery number two, Tina Arena. 45 00:03:17,880 --> 00:03:19,000 Speaker 1: Let's just let's just put it down. 46 00:03:19,000 --> 00:03:22,280 Speaker 2: I reckon, I'm in a caller not now, not now. 47 00:03:22,520 --> 00:03:25,160 Speaker 2: But we've decided that we're going to call it a 48 00:03:25,240 --> 00:03:25,720 Speaker 2: cold caller. 49 00:03:25,720 --> 00:03:27,160 Speaker 1: We should leave it a little bit of time. Let's 50 00:03:27,200 --> 00:03:30,400 Speaker 1: let's let's let this thing cool off. I gotta just 51 00:03:30,919 --> 00:03:32,000 Speaker 1: I just got it, you know. 52 00:03:32,040 --> 00:03:34,080 Speaker 2: I feel like it's like, you know, when someone breaks 53 00:03:34,160 --> 00:03:36,240 Speaker 2: up with you and you know, you have like your 54 00:03:36,320 --> 00:03:39,160 Speaker 2: last pitch where you're like, I just want to know, 55 00:03:39,280 --> 00:03:41,520 Speaker 2: like could this still be a thing? Stinks of desperation, 56 00:03:41,560 --> 00:03:42,000 Speaker 2: you know what I mean? 57 00:03:42,080 --> 00:03:43,560 Speaker 1: Yeah, I know what you mean. And it's always a 58 00:03:43,560 --> 00:03:45,120 Speaker 1: bad idea. 59 00:03:44,520 --> 00:03:46,480 Speaker 2: I know, but you know, you just want that closure. 60 00:03:46,960 --> 00:03:48,160 Speaker 2: You just want them to say to your face, I 61 00:03:48,160 --> 00:03:49,760 Speaker 2: don't love you anymore. I don't want to be Oh 62 00:03:49,800 --> 00:03:51,920 Speaker 2: that's true, and then you go, you know what, cool? 63 00:03:52,080 --> 00:03:52,360 Speaker 1: Great? 64 00:03:52,480 --> 00:03:54,280 Speaker 2: Now I know I can just you know, go and 65 00:03:54,320 --> 00:03:56,800 Speaker 2: fuck someone else. But that's you need that before you go. 66 00:03:56,840 --> 00:03:59,320 Speaker 1: And do you want the closure from Tina Arena or 67 00:03:59,400 --> 00:04:01,600 Speaker 1: do you like the idea of like, oh maybe we 68 00:04:01,640 --> 00:04:03,240 Speaker 1: could have been friends, like I would prefer to live 69 00:04:03,280 --> 00:04:04,560 Speaker 1: in that then No, for. 70 00:04:04,560 --> 00:04:07,120 Speaker 2: Sure, I want to know. I want to know. 71 00:04:07,360 --> 00:04:10,040 Speaker 1: Okay, oh, well you're a brave man. 72 00:04:11,120 --> 00:04:14,240 Speaker 2: Not actually, it's like almost like a form of cowardice 73 00:04:14,400 --> 00:04:17,000 Speaker 2: is like I'm not prepared to live in the not sure. 74 00:04:17,320 --> 00:04:19,599 Speaker 1: Oh yeah, wow, way to flip it, way to flip it. 75 00:04:19,640 --> 00:04:19,839 Speaker 4: Yeah. 76 00:04:21,320 --> 00:04:24,359 Speaker 5: I was thinking as well, yeah, do we want another in? 77 00:04:25,400 --> 00:04:26,159 Speaker 2: If you got another in? 78 00:04:26,920 --> 00:04:31,360 Speaker 5: Well, I was. I was listening to Client Liaison this more. 79 00:04:31,440 --> 00:04:34,160 Speaker 2: Oh yeah, and they've done some shows. They've done some 80 00:04:34,200 --> 00:04:35,520 Speaker 2: shows with Tina Arena. 81 00:04:35,640 --> 00:04:36,719 Speaker 1: We know Client Liaison. 82 00:04:36,880 --> 00:04:37,960 Speaker 2: I've got this song. 83 00:04:38,279 --> 00:04:39,920 Speaker 5: Yeah, it's just called Foreign Affair. 84 00:04:40,200 --> 00:04:45,560 Speaker 2: Yeah. She features on it. Yeah, she she She did 85 00:04:45,560 --> 00:04:50,599 Speaker 2: a cameo with him at a splendor. I think that's right. 86 00:04:50,680 --> 00:04:52,040 Speaker 1: We've spoken to them about. 87 00:04:51,760 --> 00:04:55,640 Speaker 2: That, we know. Yeah, we've got some times with the books. 88 00:04:55,680 --> 00:04:58,760 Speaker 1: Why did we go to their offices? We went to 89 00:04:58,800 --> 00:04:59,839 Speaker 1: their offices one time. 90 00:05:00,040 --> 00:05:01,080 Speaker 2: That's in wild times with them. 91 00:05:01,720 --> 00:05:03,400 Speaker 1: I don't reckon that was that wild. I got lost 92 00:05:03,400 --> 00:05:04,560 Speaker 1: in their wardrobe at one point. 93 00:05:05,680 --> 00:05:07,799 Speaker 5: They were opening that up to media at one stage. 94 00:05:07,800 --> 00:05:08,799 Speaker 1: Weren't they the office? 95 00:05:09,120 --> 00:05:10,680 Speaker 2: It was like, come and check it out. Yeah. Maybe 96 00:05:10,720 --> 00:05:11,840 Speaker 2: they spent a lot of money. 97 00:05:12,000 --> 00:05:14,599 Speaker 1: But I feel like we like met with like their 98 00:05:14,720 --> 00:05:16,960 Speaker 1: manager and like we had were. 99 00:05:17,000 --> 00:05:18,880 Speaker 2: I know, we were going to do something big with 100 00:05:18,960 --> 00:05:23,400 Speaker 2: them as part of the show. I can't remember exactly neither, 101 00:05:23,839 --> 00:05:26,000 Speaker 2: but their manager was hilarious the whole thing. It felt 102 00:05:26,000 --> 00:05:33,080 Speaker 2: like we were in like the eighties. Yeah, I'd love it. 103 00:05:33,360 --> 00:05:36,480 Speaker 2: I just love well. 104 00:05:36,520 --> 00:05:38,000 Speaker 1: They could be on the phone call we could make 105 00:05:38,040 --> 00:05:40,480 Speaker 1: But it sounds like the energy I'm getting a view 106 00:05:40,560 --> 00:05:42,839 Speaker 1: is you're getting a little bit, a little bit antsy, 107 00:05:42,880 --> 00:05:44,480 Speaker 1: a little bit frustrated with its friendship. 108 00:05:44,480 --> 00:05:45,720 Speaker 2: It's just want to go. 109 00:05:45,760 --> 00:05:47,440 Speaker 1: Directed out and go look, are we in or. 110 00:05:47,400 --> 00:05:49,880 Speaker 2: Are we it's friendship or bust it's chardonnay or ship. 111 00:05:50,120 --> 00:05:50,760 Speaker 2: That's where I'm at. 112 00:05:50,880 --> 00:05:52,240 Speaker 1: Yeah, yeah, and I'm kind of the same. 113 00:05:52,440 --> 00:05:53,920 Speaker 2: Yeah, great, I agree with you. But I think we're 114 00:05:53,920 --> 00:05:58,000 Speaker 2: gold call it at some stage, and I think this 115 00:05:58,160 --> 00:06:01,120 Speaker 2: is gonna transpire over the course of the next couple 116 00:06:01,160 --> 00:06:08,479 Speaker 2: of weeks. But I need to know. I need to 117 00:06:08,520 --> 00:06:09,280 Speaker 2: know something, and. 118 00:06:09,279 --> 00:06:11,520 Speaker 1: I can't sit down say I'm going to sit down. 119 00:06:11,560 --> 00:06:14,520 Speaker 2: I can't know it. I can't know it myself. It 120 00:06:14,600 --> 00:06:17,720 Speaker 2: needs to be an experiential thing offered to us by 121 00:06:17,760 --> 00:06:19,880 Speaker 2: our female listeners. 122 00:06:20,279 --> 00:06:23,320 Speaker 1: Have you spoken to your partner about this? Why have 123 00:06:23,360 --> 00:06:24,560 Speaker 1: you not spoken to her about it? 124 00:06:28,120 --> 00:06:30,440 Speaker 2: She's not she doesn't like tailsworft. 125 00:06:31,839 --> 00:06:34,360 Speaker 1: With what you're about to say. I don't think that matters. 126 00:06:34,520 --> 00:06:37,960 Speaker 2: Well, who knows maybe you need to be amenable to 127 00:06:38,080 --> 00:06:40,799 Speaker 2: her taking over your mind and your body. 128 00:06:40,839 --> 00:06:42,599 Speaker 1: Would you want to call my partner right now and 129 00:06:42,640 --> 00:06:47,320 Speaker 1: run this by her? Well, no, because she likes Tail Swift. 130 00:06:47,440 --> 00:06:47,760 Speaker 4: Does she. 131 00:06:49,320 --> 00:06:54,080 Speaker 1: Very angry that she didn't get tickets to go into 132 00:06:54,120 --> 00:07:00,400 Speaker 1: the She revealed to me yesterday for the first she 133 00:07:00,520 --> 00:07:03,160 Speaker 1: was like, min was feeling like a little bit, a 134 00:07:03,160 --> 00:07:04,919 Speaker 1: little bit unwell this week, and she said to me, 135 00:07:05,000 --> 00:07:07,520 Speaker 1: this week, this is just yes that She's like, listen, 136 00:07:07,640 --> 00:07:10,120 Speaker 1: I've just been sitting by pretending that nothing's going on 137 00:07:10,160 --> 00:07:12,640 Speaker 1: for a long time. But like, if there's a prank 138 00:07:12,680 --> 00:07:14,520 Speaker 1: coming up where you've got me tickets, Like, do I 139 00:07:14,560 --> 00:07:17,320 Speaker 1: need to be ready for tomorrow? 140 00:07:18,200 --> 00:07:23,160 Speaker 2: It's like, no, I'm sorry, but we did. We did 141 00:07:23,200 --> 00:07:26,000 Speaker 2: get invited to go into Universal's box, but not the 142 00:07:26,040 --> 00:07:28,960 Speaker 2: corporate box, but not her. Well, I think you could 143 00:07:29,000 --> 00:07:30,560 Speaker 2: have swung it that way, but you chose not to. 144 00:07:30,760 --> 00:07:34,960 Speaker 1: So no, no, that's not the guy. People should know 145 00:07:35,000 --> 00:07:38,880 Speaker 1: there is a guy in her. Don't say that. Cool, Well, 146 00:07:38,920 --> 00:07:42,640 Speaker 1: I'm not sure. I'm always so scared. You guys should know. 147 00:07:42,680 --> 00:07:47,560 Speaker 2: We're so scared scared around Powerful, We're so squared around 148 00:07:47,680 --> 00:07:49,480 Speaker 2: Taylor Swift. You just don't want to say the wrong thing. 149 00:07:49,520 --> 00:07:52,040 Speaker 2: You don't offend anyone. But we did get invited into 150 00:07:52,240 --> 00:07:55,000 Speaker 2: the record label's box. And and and I think you 151 00:07:55,040 --> 00:07:57,680 Speaker 2: could have maybe swung that MIM's way. You've chosen not to. 152 00:07:57,840 --> 00:07:58,320 Speaker 2: That's fine. 153 00:07:59,480 --> 00:08:01,480 Speaker 5: I don't know that you should say the next bit then. 154 00:08:02,360 --> 00:08:04,560 Speaker 1: Yeah, Jesus Christ, where we're in it now? 155 00:08:04,600 --> 00:08:06,560 Speaker 2: No, I need to say that. The next bit for 156 00:08:06,600 --> 00:08:10,680 Speaker 2: me is just science. It's purest that's sheer science, and 157 00:08:10,720 --> 00:08:11,520 Speaker 2: I'm interested by it. 158 00:08:11,520 --> 00:08:13,040 Speaker 1: Do you think her people would say it that way? 159 00:08:13,360 --> 00:08:15,960 Speaker 2: Yeah, it's just science. Everyone sees it as science. I'm 160 00:08:16,000 --> 00:08:16,480 Speaker 2: gonna say it. 161 00:08:16,840 --> 00:08:18,080 Speaker 1: So I think I think. 162 00:08:18,040 --> 00:08:19,440 Speaker 2: You know what I'm like here read back to a 163 00:08:19,480 --> 00:08:21,640 Speaker 2: ball here. Would stop telling me not to do it, wouldn't. 164 00:08:22,000 --> 00:08:23,400 Speaker 1: I was just I was just saying, like, I think 165 00:08:23,440 --> 00:08:25,920 Speaker 1: this would go down best if there was a woman. 166 00:08:26,080 --> 00:08:29,960 Speaker 1: Oh my god, I think I think this would go 167 00:08:30,000 --> 00:08:32,240 Speaker 1: down better if there was just some sort of female presence. 168 00:08:32,280 --> 00:08:33,360 Speaker 2: As you said it, Oh, would you have me to 169 00:08:33,360 --> 00:08:40,559 Speaker 2: get Sam on the phone. Yeah, okay, Sam's number. Hang on. Yeah, 170 00:08:40,600 --> 00:08:42,520 Speaker 2: I'm going to put it in the screen so people listen. 171 00:08:43,320 --> 00:08:45,120 Speaker 2: I was going to edit it out, but yeah, sure, 172 00:08:46,840 --> 00:08:47,400 Speaker 2: we're gonna do it. 173 00:08:47,400 --> 00:08:50,280 Speaker 1: This way old school. Leave the MIC's running. 174 00:08:50,320 --> 00:08:51,040 Speaker 2: We don't edit this. 175 00:08:52,600 --> 00:08:54,400 Speaker 1: You might have to edit out the name I said 176 00:08:54,440 --> 00:08:55,160 Speaker 1: before though. 177 00:08:55,120 --> 00:08:56,800 Speaker 2: You didn't say name. Absolutely I did. 178 00:08:56,920 --> 00:08:57,600 Speaker 1: I half said it. 179 00:08:58,040 --> 00:08:59,560 Speaker 2: We beaped it like that. 180 00:09:00,840 --> 00:09:03,000 Speaker 1: He is, I mean, he's not, damn it. 181 00:09:03,800 --> 00:09:04,839 Speaker 5: I have to be that as well. 182 00:09:05,000 --> 00:09:11,120 Speaker 2: Not no, that's fine. Oh god. Yeah, she was scared 183 00:09:11,160 --> 00:09:12,920 Speaker 2: of him when we spoke to her about him. You 184 00:09:12,920 --> 00:09:13,880 Speaker 2: could hear it in her voice. 185 00:09:14,080 --> 00:09:14,400 Speaker 3: Wow. 186 00:09:15,440 --> 00:09:17,559 Speaker 1: Yeah. But I don't think it's a fear out of 187 00:09:17,720 --> 00:09:19,319 Speaker 1: him as a person. I think he's just how powerful. 188 00:09:23,200 --> 00:09:24,120 Speaker 3: I'm gonna look him up. 189 00:09:24,880 --> 00:09:29,800 Speaker 2: H I don't know Sam's going to pick up and 190 00:09:29,840 --> 00:09:32,760 Speaker 2: what she's doing. She's probably well, she will be looking 191 00:09:32,760 --> 00:09:35,959 Speaker 2: after our daughter. You hope the person you are calling 192 00:09:37,559 --> 00:09:39,120 Speaker 2: call him in. I'll just call her off the phone. 193 00:09:39,280 --> 00:09:39,760 Speaker 1: I did that. 194 00:09:40,760 --> 00:09:43,520 Speaker 2: Ah, okay, here we go. 195 00:09:45,280 --> 00:09:46,160 Speaker 4: See she answers. 196 00:09:46,280 --> 00:09:48,600 Speaker 2: We got along. So so what am I doing? I 197 00:09:48,640 --> 00:09:52,360 Speaker 2: just need to get a woman on him for me. Yeah, 198 00:09:52,440 --> 00:09:56,800 Speaker 2: trying to call you off the radio studio desk. Oh okay, yeah, 199 00:09:56,800 --> 00:09:58,160 Speaker 2: I don't need anything too much. I just want to 200 00:09:58,160 --> 00:10:00,280 Speaker 2: ask you something very quickly. What do you is here? 201 00:10:00,280 --> 00:10:05,240 Speaker 2: We're just we're just recording the podcast. Okay, Uh, how 202 00:10:05,280 --> 00:10:09,960 Speaker 2: do you got to say? Oh wait, you're oh yeah, yeah, yeah, 203 00:10:09,960 --> 00:10:13,760 Speaker 2: I'm in the car. Okay, is Max there? 204 00:10:15,000 --> 00:10:15,720 Speaker 3: Yeah she is. 205 00:10:19,040 --> 00:10:19,360 Speaker 2: Nothing. 206 00:10:20,040 --> 00:10:23,800 Speaker 1: Damn she's smiling. 207 00:10:24,080 --> 00:10:31,120 Speaker 2: Okay, so oh god, yeah no, No, it's just a theory. 208 00:10:31,320 --> 00:10:32,880 Speaker 2: I've just got I've just got a theory that I 209 00:10:32,960 --> 00:10:38,120 Speaker 2: want to run by. So you know how women's periods 210 00:10:38,160 --> 00:10:38,720 Speaker 2: sync up? 211 00:10:40,240 --> 00:10:40,640 Speaker 5: Yeah? 212 00:10:41,360 --> 00:10:43,640 Speaker 1: So are you currently sinking? 213 00:10:44,559 --> 00:10:44,760 Speaker 4: Who? 214 00:10:44,840 --> 00:10:47,400 Speaker 2: She thinks asking the question, I'm just asking the vision. 215 00:10:47,559 --> 00:10:51,040 Speaker 1: Maybe the next one neighbor you sink sinking? 216 00:10:51,360 --> 00:10:52,240 Speaker 2: Who's the last time? 217 00:10:52,320 --> 00:10:52,840 Speaker 1: But I did? 218 00:10:53,600 --> 00:11:00,080 Speaker 2: I did? Yeah, it doesn't really matter, but yeah, what 219 00:11:00,080 --> 00:11:01,200 Speaker 2: what happened? You did it? What? 220 00:11:03,720 --> 00:11:06,000 Speaker 1: I just think I should fell a story. But then 221 00:11:06,080 --> 00:11:07,160 Speaker 1: I was like, doesn't matter. 222 00:11:07,280 --> 00:11:12,520 Speaker 2: Yes, you've sunk it. You've sunk in the past though, yes, obviously. 223 00:11:12,320 --> 00:11:18,080 Speaker 1: With housemates, with housemates housemates, yeah yeah, house mates. Yeah, okay, yeah, okay, 224 00:11:18,120 --> 00:11:18,760 Speaker 1: that makes sense. 225 00:11:19,920 --> 00:11:23,679 Speaker 2: So do you know, like when you're sinking, who you 226 00:11:23,720 --> 00:11:27,000 Speaker 2: like who you sink with? Like? Do you sorry? Do 227 00:11:27,040 --> 00:11:30,199 Speaker 2: you know? Is there like a dominant in the sync relationship? 228 00:11:30,320 --> 00:11:34,200 Speaker 2: Like do you is it like like an alpha? Like 229 00:11:34,240 --> 00:11:40,400 Speaker 2: if you I or do you meet in the middle? 230 00:11:43,160 --> 00:11:45,360 Speaker 2: I don't know. It's interesting isn't it. I don't think 231 00:11:45,360 --> 00:11:49,240 Speaker 2: anyone knows well, But I also don't get my period anymore, 232 00:11:49,720 --> 00:11:51,760 Speaker 2: so I wouldn't know. Well, you said you had your 233 00:11:51,760 --> 00:11:52,720 Speaker 2: period a couple of days ago. 234 00:11:54,080 --> 00:11:57,760 Speaker 4: Yeah, well no, mate, period as. 235 00:11:57,600 --> 00:11:58,400 Speaker 2: A pretend period? 236 00:11:59,559 --> 00:12:01,800 Speaker 1: What's a pre tenth period? 237 00:12:02,160 --> 00:12:05,640 Speaker 2: Excuse just a smoke screen for you, for you being 238 00:12:06,200 --> 00:12:07,760 Speaker 2: turtle bitch? Is that the. 239 00:12:11,000 --> 00:12:13,000 Speaker 1: Brilliant Sam? Brilliant? 240 00:12:13,760 --> 00:12:17,920 Speaker 2: No, No, I have to explain you fake perioded information. 241 00:12:18,320 --> 00:12:19,600 Speaker 1: No, but you haven't. 242 00:12:19,720 --> 00:12:21,600 Speaker 4: I haven't. I so I don't really. 243 00:12:23,200 --> 00:12:27,920 Speaker 2: You have a coil but fil and but I do 244 00:12:28,040 --> 00:12:34,240 Speaker 2: get sled. You get watching, you get blotching, spotting, spot 245 00:12:35,080 --> 00:12:39,679 Speaker 2: spotted spotting, watching, watch, watching, watching. 246 00:12:40,880 --> 00:12:46,280 Speaker 1: That's so sad when you when you've previously sinked up. Sem, 247 00:12:46,760 --> 00:12:50,880 Speaker 1: did your did your period move and theirs stayed the same? 248 00:12:51,200 --> 00:12:53,400 Speaker 1: Or did you both move and like meet in the middle. 249 00:12:54,720 --> 00:12:58,280 Speaker 2: I cannot remember. Okay, I don't think anyone knows. Well, 250 00:12:58,280 --> 00:12:59,920 Speaker 2: maybe they don't know. But Sam, this is why I 251 00:13:00,000 --> 00:13:02,200 Speaker 2: want you, because I got to get to the point. Okay. 252 00:13:03,240 --> 00:13:03,959 Speaker 2: So the point is. 253 00:13:05,400 --> 00:13:09,080 Speaker 1: It's one of the point. It's one of many points. 254 00:13:09,200 --> 00:13:11,360 Speaker 2: Yeah, it's one of me, it's one of men. So 255 00:13:14,040 --> 00:13:17,800 Speaker 2: feels like that okay. So my theory is and I. 256 00:13:18,200 --> 00:13:19,560 Speaker 1: Could be still my period or. 257 00:13:21,800 --> 00:13:25,200 Speaker 2: Just that was that was that was a joke. Sorry, 258 00:13:27,600 --> 00:13:30,600 Speaker 2: that was just a note to sell. That was an 259 00:13:30,600 --> 00:13:38,480 Speaker 2: out loud thought. No through, no entry, no all right, listen. 260 00:13:38,760 --> 00:13:43,559 Speaker 2: So my theory is that like it's like period, Oh 261 00:13:43,600 --> 00:13:46,240 Speaker 2: my god, what is going on there? Period? Thinking? 262 00:13:47,160 --> 00:13:49,479 Speaker 1: I have to do it like a complete turn. 263 00:13:49,360 --> 00:13:53,160 Speaker 2: Well careful road. It's called a U turn, called a 264 00:13:53,280 --> 00:13:53,760 Speaker 2: U tune. 265 00:13:53,960 --> 00:13:57,559 Speaker 1: So it's what they say, you said, you said a 266 00:13:57,640 --> 00:13:59,160 Speaker 1: complete something. 267 00:13:59,760 --> 00:14:03,920 Speaker 2: Any listen, Sam, I need to get hid all right, 268 00:14:03,960 --> 00:14:06,559 Speaker 2: so I need to get to the point. So I 269 00:14:06,600 --> 00:14:09,319 Speaker 2: think that like when you're sinking periods with someone, there's 270 00:14:09,360 --> 00:14:13,480 Speaker 2: an alpha woman in the relationship and the she sets 271 00:14:13,520 --> 00:14:15,839 Speaker 2: the tone and then if you're the if you're the 272 00:14:15,880 --> 00:14:20,680 Speaker 2: submissive to use different language that kind of applies, then 273 00:14:20,760 --> 00:14:24,160 Speaker 2: you would sync up to the two more dominant females period. 274 00:14:24,560 --> 00:14:32,800 Speaker 1: Right, how come males are talking about female alphabet? 275 00:14:37,040 --> 00:14:43,000 Speaker 2: You're the token woman in this conversation. So just to sorry, 276 00:14:43,720 --> 00:14:47,560 Speaker 2: So there's a dominant, there's a dominant in the period 277 00:14:47,600 --> 00:14:50,880 Speaker 2: sinking relationship, right, and that she's the one who everyone 278 00:14:50,960 --> 00:14:56,720 Speaker 2: else's period sinks. If Beyonce walks into a building. All 279 00:14:56,840 --> 00:15:01,080 Speaker 2: other females period sinks exactly right. So do you think 280 00:15:01,160 --> 00:15:04,680 Speaker 2: given that Taylor Swift arrived here at one o'clock this morning, 281 00:15:04,920 --> 00:15:15,240 Speaker 2: we're going to do you think Taylor Swift? Everything goes 282 00:15:15,240 --> 00:15:17,240 Speaker 2: back to Tayler Swift these days? You should know that. 283 00:15:17,560 --> 00:15:21,000 Speaker 2: Do you think that that people who go and see 284 00:15:21,040 --> 00:15:23,040 Speaker 2: her concert their period is going to sync up to 285 00:15:23,080 --> 00:15:24,360 Speaker 2: Taylor Swift's. 286 00:15:27,880 --> 00:15:31,000 Speaker 1: No what what what do you think? 287 00:15:31,040 --> 00:15:31,520 Speaker 2: So or not? 288 00:15:31,640 --> 00:15:34,120 Speaker 1: I think you no, no, no, I don't because I 289 00:15:34,120 --> 00:15:36,960 Speaker 1: think you have to be physically interacting with these people. 290 00:15:37,040 --> 00:15:40,600 Speaker 1: But they'll they'll all be in the same space. Can 291 00:15:40,640 --> 00:15:43,600 Speaker 1: you imagine if that would have been like I mean 292 00:15:43,640 --> 00:15:46,160 Speaker 1: in another universe where that would have been the key, 293 00:15:46,320 --> 00:15:49,120 Speaker 1: So it would be crazy, right, we could be in 294 00:15:49,120 --> 00:15:49,760 Speaker 1: that universe. 295 00:15:50,040 --> 00:15:52,080 Speaker 2: Why why is that people would. 296 00:15:51,840 --> 00:15:57,760 Speaker 1: Have kids at exactly the same time, like like yeah, it. 297 00:15:57,720 --> 00:16:00,239 Speaker 2: Would affect their ovulation cycles. So then people. 298 00:16:00,920 --> 00:16:04,280 Speaker 1: Oulated like at the same time as Taylor. 299 00:16:04,440 --> 00:16:07,520 Speaker 2: Yeah, so like the eras tour would like dictate the 300 00:16:07,520 --> 00:16:10,200 Speaker 2: fact that there's like a whole bunch of kids in 301 00:16:10,240 --> 00:16:14,360 Speaker 2: the same She's affecting the economy. Children aboard all my 302 00:16:16,080 --> 00:16:18,600 Speaker 2: good thought. Anyway, you said another universe. Do you think 303 00:16:18,600 --> 00:16:22,280 Speaker 2: that could be happening in this universe? Nor? 304 00:16:22,920 --> 00:16:24,760 Speaker 1: I know, and I don't have any like. 305 00:16:26,240 --> 00:16:27,440 Speaker 4: Funny gags. 306 00:16:27,520 --> 00:16:30,440 Speaker 2: No, there's no gay. It's quite serious, serious business. You 307 00:16:30,480 --> 00:16:34,960 Speaker 2: know what I mean what she said you will? Yeah, 308 00:16:35,040 --> 00:16:36,440 Speaker 2: you've never had any gags? What's that? 309 00:16:37,280 --> 00:16:40,720 Speaker 1: No, I'm surely that is not something that you actually 310 00:16:40,760 --> 00:16:42,600 Speaker 1: think you're. 311 00:16:42,600 --> 00:16:43,720 Speaker 4: Like he does. 312 00:16:44,520 --> 00:16:46,080 Speaker 2: No, it's a bit of a gag, bit of a bit. 313 00:16:46,360 --> 00:16:49,080 Speaker 2: I agree, all fun and games here, all. 314 00:16:48,960 --> 00:16:51,200 Speaker 1: The jokes blind. You've been talking about this all day. 315 00:16:51,200 --> 00:16:53,840 Speaker 2: It's a joke. Good stuff, Sammy, thanks for being a 316 00:16:53,880 --> 00:16:57,480 Speaker 2: part of the gag. Good gear. Can you ask if 317 00:16:57,520 --> 00:17:01,680 Speaker 2: PP is finished your book? Kids. That's a very very 318 00:17:01,800 --> 00:17:05,320 Speaker 2: niche conversation in our digital producer of reading the same 319 00:17:05,320 --> 00:17:06,000 Speaker 2: book at the moment. 320 00:17:06,080 --> 00:17:12,320 Speaker 1: So book yeah, she said, no, I'm like three quarters away. 321 00:17:12,359 --> 00:17:15,480 Speaker 2: Okay, we're going to wrap this. Very good, very good 322 00:17:15,520 --> 00:17:16,480 Speaker 2: Love you by MESI. 323 00:17:16,640 --> 00:17:21,800 Speaker 1: The book House Flaming Shadow, House of Flaming Shadow. 324 00:17:21,600 --> 00:17:22,760 Speaker 2: Flame and Shadow. 325 00:17:23,080 --> 00:17:26,440 Speaker 1: Wow, sounds amazing. 326 00:17:25,960 --> 00:17:28,560 Speaker 2: By Sammy, love you, thank you. 327 00:17:28,680 --> 00:17:30,359 Speaker 1: What's a House of Flame and Shadow about you? 328 00:17:30,359 --> 00:17:31,720 Speaker 2: He's still talking about the book. Yeah, I was saying 329 00:17:31,720 --> 00:17:32,440 Speaker 2: goodbye to my daughter. 330 00:17:32,480 --> 00:17:35,360 Speaker 1: Oh sorry, talk to me about it later. 331 00:17:35,440 --> 00:17:38,399 Speaker 2: It's erotic, erotic fantasy fiction. 332 00:17:38,600 --> 00:17:42,639 Speaker 1: Oh perfect, so good. I'm reading Hello Beautiful. At the 333 00:17:42,640 --> 00:17:48,680 Speaker 1: moment it is getting spicy. 334 00:17:49,320 --> 00:17:53,600 Speaker 2: Depends what are you reading. He's reading, he's reading. He's 335 00:17:53,640 --> 00:18:02,200 Speaker 2: reading Tom Bainbridge, a memoir of the radio days by 336 00:18:02,520 --> 00:18:05,920 Speaker 2: edited out. All right, I got it out. H