1 00:00:00,840 --> 00:00:04,520 Speaker 1: Power Buddy my radio wapp from ninety six air VM 2 00:00:04,720 --> 00:00:06,560 Speaker 1: to where hearbe you're listening today? 3 00:00:06,920 --> 00:00:09,520 Speaker 2: This is Clezy and Lisa's podcast. 4 00:00:09,640 --> 00:00:11,319 Speaker 3: Can I cover the podcast? What's the show that you 5 00:00:11,360 --> 00:00:13,080 Speaker 3: want to watch when your partner's just not around? 6 00:00:13,200 --> 00:00:16,800 Speaker 4: Continuing our pub crawl, the guest is Tim Farris. 7 00:00:16,520 --> 00:00:18,759 Speaker 3: Ben O'Shea was doing a modern day bank job and 8 00:00:18,800 --> 00:00:20,000 Speaker 3: the Instigator. 9 00:00:19,840 --> 00:00:23,759 Speaker 4: And Richard Gadd finally responds to that Piers Morgan interview 10 00:00:23,840 --> 00:00:26,440 Speaker 4: with the real Martha from Baby Reindeer. Tell me what 11 00:00:26,480 --> 00:00:29,160 Speaker 4: you're planning to do today while your wife is away? 12 00:00:29,920 --> 00:00:33,000 Speaker 3: What am I planning to do? I'll be feeding the cats. Yes, 13 00:00:33,840 --> 00:00:37,160 Speaker 3: I'll be cleaning the house. Yes, actually no, I probably 14 00:00:37,159 --> 00:00:38,959 Speaker 3: won't be cleaning the house when there's no one else there. 15 00:00:39,880 --> 00:00:41,400 Speaker 3: Why what else do you think I might be doing? 16 00:00:41,440 --> 00:00:41,680 Speaker 5: Lace? 17 00:00:41,960 --> 00:00:43,240 Speaker 2: I thought you might watch a bit of TV. 18 00:00:43,600 --> 00:00:45,360 Speaker 3: Might watching I might pick a show. 19 00:00:45,240 --> 00:00:47,440 Speaker 2: Or two based on something that told me a while ago. 20 00:00:48,320 --> 00:00:48,959 Speaker 3: Do you mean this? 21 00:00:50,159 --> 00:00:52,040 Speaker 4: When we were on holidays, I was watching a bit 22 00:00:52,080 --> 00:00:55,360 Speaker 4: of the there's a documentary about the Dallas cheerleaders selection 23 00:00:55,680 --> 00:00:59,120 Speaker 4: Freegie and they open each game with thunderstruck. 24 00:00:59,560 --> 00:01:04,039 Speaker 2: They I had it stuck in my head for a week. 25 00:01:04,400 --> 00:01:07,000 Speaker 3: Yeah, yeah, I have seen that pop up, and I'm thinking, 26 00:01:07,120 --> 00:01:10,000 Speaker 3: next time Laurie's out, I'll have a look. She's always 27 00:01:10,000 --> 00:01:12,240 Speaker 3: home for two weeks. She was home every time it 28 00:01:12,240 --> 00:01:12,720 Speaker 3: popped up. 29 00:01:12,800 --> 00:01:15,240 Speaker 4: I'm sure you're I'm pretty sure you're allowed to watch 30 00:01:15,280 --> 00:01:16,200 Speaker 4: it with someone else. 31 00:01:16,040 --> 00:01:16,520 Speaker 6: In the room. 32 00:01:16,680 --> 00:01:17,679 Speaker 3: Well maybe, what do. 33 00:01:17,600 --> 00:01:18,440 Speaker 2: You think is going to happen? 34 00:01:18,520 --> 00:01:19,800 Speaker 3: But it is my choice if I want to watch 35 00:01:20,560 --> 00:01:23,600 Speaker 3: watch it alone. It's just one that keeps popping up 36 00:01:23,600 --> 00:01:25,520 Speaker 3: and I go, oh, I watch it. 37 00:01:25,600 --> 00:01:27,080 Speaker 2: I know you're watching it for the Courier. 38 00:01:27,680 --> 00:01:30,160 Speaker 3: I was a nothing outfit, so I love costume design. 39 00:01:31,360 --> 00:01:37,120 Speaker 3: Go Dallas, Dean does. Dallas was a dodgy Memories a 40 00:01:37,120 --> 00:01:41,000 Speaker 3: couple of weeks ago. We're talking about that. I might 41 00:01:41,080 --> 00:01:44,000 Speaker 3: actually watch the show because you really talked it up, Dallas. 42 00:01:44,080 --> 00:01:46,160 Speaker 2: Want to really talk it up. But it's okay. 43 00:01:46,560 --> 00:01:47,920 Speaker 3: Might get thunderstruck stuck in my head. 44 00:01:48,160 --> 00:01:51,600 Speaker 4: You will, You will definitely get thunderstruck stuck in your head. 45 00:01:52,160 --> 00:01:53,600 Speaker 2: We want is this what we're going to talk about? 46 00:01:53,640 --> 00:01:56,400 Speaker 4: We want to ask what can't you watch when your 47 00:01:56,440 --> 00:01:57,520 Speaker 4: partner is around? 48 00:01:57,920 --> 00:01:59,000 Speaker 3: Yes, you need to. 49 00:01:58,960 --> 00:02:01,000 Speaker 4: Wait until you've got that little bit of time on 50 00:02:01,040 --> 00:02:02,120 Speaker 4: your own partner. 51 00:02:02,520 --> 00:02:06,360 Speaker 3: Has gone down South for the weekend, so starting yesterday. Yes, 52 00:02:06,360 --> 00:02:08,440 Speaker 3: so it may be something that might come up on 53 00:02:08,480 --> 00:02:11,200 Speaker 3: the Telly as a choice tonight. The Dallas Cheerleaders. 54 00:02:11,560 --> 00:02:12,600 Speaker 2: I'm a Bravo fan. 55 00:02:12,639 --> 00:02:15,720 Speaker 4: I love Andy Cohen and so of course Real Housewives 56 00:02:15,720 --> 00:02:19,079 Speaker 4: of New York, Real Housewives, ay, Real Housewives of Dubai, 57 00:02:19,560 --> 00:02:21,600 Speaker 4: anything that starts with the words Real Housewives. 58 00:02:21,600 --> 00:02:22,639 Speaker 2: You have to watch on your own. 59 00:02:22,880 --> 00:02:24,440 Speaker 3: Do you have a thing where you just have your 60 00:02:24,440 --> 00:02:27,160 Speaker 3: phone on silent whenever those favorite shows are on? Because 61 00:02:27,160 --> 00:02:28,840 Speaker 3: there's some people love their show so much. 62 00:02:28,919 --> 00:02:31,360 Speaker 2: I'm okay with the pause button coming for us. 63 00:02:32,240 --> 00:02:34,400 Speaker 3: I'll ring you when it's on today. Can you not 64 00:02:34,480 --> 00:02:37,840 Speaker 3: ring me while the Dallas Cheerleaders are on? I have 65 00:02:37,919 --> 00:02:42,120 Speaker 3: my reasons. You know, those people are so obsessed you 66 00:02:42,200 --> 00:02:45,120 Speaker 3: feel like they're creep Now, so many people are obsessed 67 00:02:45,160 --> 00:02:48,440 Speaker 3: with a show like Bold and the Beautiful and their 68 00:02:48,520 --> 00:02:51,280 Speaker 3: phones off. Yes, people who love it so much, so 69 00:02:51,280 --> 00:02:52,639 Speaker 3: I don't want to miss what ridges up to it. 70 00:02:53,240 --> 00:02:55,639 Speaker 2: I haven't watched it for a while now, but for many. 71 00:02:55,480 --> 00:02:58,639 Speaker 4: Years, Days in Our Lives was a guilty Ah, yes 72 00:02:58,840 --> 00:03:02,240 Speaker 4: thing of mine, and yes, so I used to watch 73 00:03:02,240 --> 00:03:02,839 Speaker 4: that on my own. 74 00:03:03,000 --> 00:03:05,320 Speaker 3: Yeah, I mean there are some shows, you know, especially 75 00:03:05,360 --> 00:03:07,480 Speaker 3: if you're in the more people in the household. I 76 00:03:07,760 --> 00:03:09,239 Speaker 3: don't think we're sitting down this four or five of 77 00:03:09,280 --> 00:03:11,160 Speaker 3: you're trying to work out one thing to watch because 78 00:03:11,160 --> 00:03:13,840 Speaker 3: if everybody's got different tastes in that. But yeah, I 79 00:03:13,880 --> 00:03:16,000 Speaker 3: might give Dallas a bit of a look today. Okay, 80 00:03:16,240 --> 00:03:17,200 Speaker 3: check out the form. 81 00:03:17,200 --> 00:03:20,200 Speaker 2: A bit of research. Darren and Ellen Brooks says Peaky 82 00:03:20,240 --> 00:03:22,040 Speaker 2: Blinders you have to watch on your own. 83 00:03:22,400 --> 00:03:25,040 Speaker 4: You want have thought Peaky Blinders both might have enjoyed. 84 00:03:25,840 --> 00:03:29,840 Speaker 4: But Joe Anne from Byford said, definitely Bridgeton. 85 00:03:30,320 --> 00:03:32,880 Speaker 3: Oh okay, don't be disturbed on Bridgeton's You. 86 00:03:32,880 --> 00:03:35,480 Speaker 4: Don't want to be disturbed by Bridgeton. And there's some 87 00:03:35,520 --> 00:03:37,800 Speaker 4: pretty heavy duty oldie six. 88 00:03:39,280 --> 00:03:43,640 Speaker 2: Yo Yeah, yoldie. I like watching Bridgeton. 89 00:03:43,240 --> 00:03:47,760 Speaker 4: To spot the the current the modern song be done 90 00:03:48,120 --> 00:03:48,880 Speaker 4: yoldie style. 91 00:03:49,280 --> 00:03:51,680 Speaker 2: But I love Bridgeton. That's great, very nice. 92 00:03:51,720 --> 00:03:56,160 Speaker 3: Let's go to John. How are you? What are you 93 00:03:56,200 --> 00:03:56,920 Speaker 3: watching alone? 94 00:03:57,400 --> 00:04:00,320 Speaker 2: What I'm watching alone is Round Bass. 95 00:04:00,760 --> 00:04:01,440 Speaker 3: The Beautiful Game. 96 00:04:01,560 --> 00:04:05,840 Speaker 2: Oh yes you can European. 97 00:04:07,120 --> 00:04:10,200 Speaker 3: Yeah, you don't want. 98 00:04:10,040 --> 00:04:15,720 Speaker 1: That, so I just watch that one. 99 00:04:16,279 --> 00:04:18,400 Speaker 4: Probably better to watch it by yourself because no one 100 00:04:18,440 --> 00:04:21,120 Speaker 4: wants to watch football while someone's sitting there next to 101 00:04:21,160 --> 00:04:23,040 Speaker 4: you complaining, Yeah, criticizing. 102 00:04:24,360 --> 00:04:26,440 Speaker 6: Just go then leave me alone. 103 00:04:28,440 --> 00:04:29,279 Speaker 5: Just a couple of things. 104 00:04:29,680 --> 00:04:33,880 Speaker 6: So I've been to are you in Turin? 105 00:04:34,480 --> 00:04:36,800 Speaker 5: And played to strike. 106 00:04:38,600 --> 00:04:41,760 Speaker 3: Really wall up show. 107 00:04:43,160 --> 00:04:44,240 Speaker 5: Comes out the wall Up? 108 00:04:45,120 --> 00:04:47,919 Speaker 4: Well, it's all such get you up and ready for 109 00:04:47,960 --> 00:04:49,080 Speaker 4: a battle song? 110 00:04:49,240 --> 00:04:51,320 Speaker 3: Isn't that one? 111 00:04:53,720 --> 00:04:55,520 Speaker 2: If the game was in Turin? 112 00:04:55,680 --> 00:04:58,159 Speaker 3: I'd watch absolutely. 113 00:05:01,120 --> 00:05:04,520 Speaker 5: You're looking for if you look to do this week 114 00:05:06,360 --> 00:05:07,800 Speaker 5: the first tomorrow? 115 00:05:08,560 --> 00:05:12,040 Speaker 3: Ah, yes, so it is. Yeah, what a shame. I'm 116 00:05:12,040 --> 00:05:13,840 Speaker 3: going to be quite the basket. What a shame. I'm 117 00:05:13,839 --> 00:05:16,599 Speaker 3: going to watch West People. Okay, so well, and my 118 00:05:16,640 --> 00:05:18,920 Speaker 3: neighbor's grass is growing, so we're going to go watch that. 119 00:05:19,000 --> 00:05:22,360 Speaker 3: It's going to be even Sorry Falcons, we love you, 120 00:05:23,200 --> 00:05:25,400 Speaker 3: Thanks Jo, Thanks John, Thanks Johna. Thanks for rubbing it 121 00:05:25,440 --> 00:05:27,000 Speaker 3: in the West Person near the bottom of the ladder. 122 00:05:27,360 --> 00:05:30,800 Speaker 2: I don't think perfect, is that you guys? 123 00:05:31,000 --> 00:05:31,200 Speaker 3: Yeah? 124 00:05:31,880 --> 00:05:32,159 Speaker 7: Okay? 125 00:05:32,320 --> 00:05:33,920 Speaker 2: That derby? Good luck to you. 126 00:05:34,040 --> 00:05:35,800 Speaker 3: Brails on the Falcons you're ne the top wing to 127 00:05:35,880 --> 00:05:36,280 Speaker 3: the bottom. 128 00:05:36,880 --> 00:05:39,800 Speaker 2: Andrew and Mount Helena? What are you watching on your own? 129 00:05:41,040 --> 00:05:42,599 Speaker 1: It's not what I watch alone. 130 00:05:42,680 --> 00:05:44,280 Speaker 3: It's what I can't want. 131 00:05:44,240 --> 00:05:48,400 Speaker 2: Which is home and away really not stand home and away. 132 00:05:48,400 --> 00:05:50,480 Speaker 3: Right, so you don't will leave the room? 133 00:05:50,680 --> 00:05:53,400 Speaker 1: Yep, in a time I will shovel down my food 134 00:05:53,400 --> 00:05:54,120 Speaker 1: as fast as I. 135 00:05:54,080 --> 00:05:55,000 Speaker 2: Can to get out of there. 136 00:05:55,160 --> 00:05:56,479 Speaker 3: Yes, cheveling. 137 00:05:56,720 --> 00:05:57,880 Speaker 1: Yeah, I cannot stand it. 138 00:05:57,960 --> 00:05:59,840 Speaker 3: Thursday suck because it's on for an hour. 139 00:06:00,000 --> 00:06:02,200 Speaker 4: Oh god, do you know what? And I say this 140 00:06:02,279 --> 00:06:05,239 Speaker 4: with an element of pride. I have never seen a 141 00:06:05,480 --> 00:06:10,240 Speaker 4: single episode of Home and Away in my entire never. 142 00:06:10,920 --> 00:06:11,120 Speaker 2: Never. 143 00:06:11,279 --> 00:06:14,280 Speaker 1: That's five minutes of and still know what's going on. 144 00:06:15,680 --> 00:06:20,240 Speaker 3: Change surrounded by people getting away from summer Bay. How's that? 145 00:06:20,520 --> 00:06:23,680 Speaker 2: Yeah? Okay, good for you, Andrew. 146 00:06:23,920 --> 00:06:28,800 Speaker 3: Andrew's right, Well, that's the thing. You don't want to 147 00:06:28,839 --> 00:06:32,839 Speaker 3: have someone with you who's rumping their way through your show. 148 00:06:32,640 --> 00:06:34,039 Speaker 3: How annoyed? 149 00:06:34,040 --> 00:06:38,479 Speaker 2: It worse than watching TV with a It's true. 150 00:06:38,560 --> 00:06:40,159 Speaker 3: I was trying to watch something last week and Rumfa 151 00:06:40,240 --> 00:06:41,760 Speaker 3: was sitting next to me. I love Harrumfa, but you're 152 00:06:41,800 --> 00:06:43,840 Speaker 3: sitting this man, and I'm going, look, we can change it. 153 00:06:43,880 --> 00:06:46,200 Speaker 3: If you don't like this, It's okay. 154 00:06:46,839 --> 00:06:50,480 Speaker 4: Lisa from Bay had head on the text line. 155 00:06:50,440 --> 00:06:56,200 Speaker 2: Says house house is pretty universal. 156 00:06:56,320 --> 00:06:57,440 Speaker 3: I would have thought something like that. 157 00:06:57,560 --> 00:06:59,920 Speaker 4: But also, she had a day off yesterday and saw 158 00:07:00,040 --> 00:07:02,400 Speaker 4: that she could binge watch the entire series of Beverly 159 00:07:02,480 --> 00:07:04,960 Speaker 4: Hills nine o two. I know, Oh okay, you don't 160 00:07:04,960 --> 00:07:10,880 Speaker 4: want to watch that with a hrumpat all over Dylan, Yeah, Dylan, Yeah, 161 00:07:10,960 --> 00:07:12,760 Speaker 4: talking about those things you watch on your own, not 162 00:07:12,800 --> 00:07:14,800 Speaker 4: when your partners around, because you don't want them harrumping 163 00:07:14,840 --> 00:07:19,000 Speaker 4: all the way through. Or maybe it's as in your case, 164 00:07:19,000 --> 00:07:21,880 Speaker 4: You've got to watch the Dallas cheer Boy cheer Boy, 165 00:07:22,080 --> 00:07:25,240 Speaker 4: the Dallas Cowboy Leader documentary. 166 00:07:25,240 --> 00:07:26,240 Speaker 2: It's a documentary. 167 00:07:26,280 --> 00:07:29,200 Speaker 3: It's a documentary, and I'm not a mentioned kind of guy, 168 00:07:29,320 --> 00:07:31,720 Speaker 3: so I'll get into watching that. 169 00:07:32,560 --> 00:07:38,080 Speaker 4: On the text line, an anonymous says anything zombie related. 170 00:07:37,840 --> 00:07:39,800 Speaker 2: Yeah, I can't stand. I'll be related stuff like that. 171 00:07:40,120 --> 00:07:45,160 Speaker 4: And definitely Sharknados and. 172 00:07:45,080 --> 00:07:46,320 Speaker 2: What else have we got here? 173 00:07:46,480 --> 00:07:47,720 Speaker 6: Oh guy? 174 00:07:47,760 --> 00:07:51,560 Speaker 4: And Madley says, I like kicking back with a pizza 175 00:07:51,760 --> 00:07:54,960 Speaker 4: and watching Endless Summer one or two. My family thinks 176 00:07:54,960 --> 00:07:57,360 Speaker 4: something nuts. Oh that's the surfing gos. 177 00:07:57,400 --> 00:08:00,240 Speaker 3: I like those. I love a surfing document The way 178 00:08:00,240 --> 00:08:01,600 Speaker 3: they're shot is just magnificent. 179 00:08:01,800 --> 00:08:06,040 Speaker 4: Yes, yeah, those Big Wave you know the documentaries of 180 00:08:06,120 --> 00:08:06,800 Speaker 4: that Aussie guy. 181 00:08:06,880 --> 00:08:09,520 Speaker 2: Would you know they told them out with the with 182 00:08:09,640 --> 00:08:11,720 Speaker 2: the jet skis. They're incredible. 183 00:08:11,800 --> 00:08:13,960 Speaker 3: Lead guy, he's a freak. He would go with angels, 184 00:08:13,960 --> 00:08:16,720 Speaker 3: fear to tread that blake. That's amazing. 185 00:08:17,040 --> 00:08:20,960 Speaker 4: Pall in Nangara, good morning. 186 00:08:21,440 --> 00:08:22,360 Speaker 2: What do you want? 187 00:08:24,240 --> 00:08:28,280 Speaker 5: Olympic women's speech volleyball and not not just Olympic but 188 00:08:28,400 --> 00:08:39,880 Speaker 5: international skill showcases. Lovely ladies and I'm all for that. 189 00:08:41,280 --> 00:08:46,120 Speaker 5: With that, no's everything right with that, actually, but there's. 190 00:08:45,960 --> 00:08:46,920 Speaker 2: Everything wrong with those. 191 00:08:51,760 --> 00:08:55,559 Speaker 4: Yeah, but it can't be comfortable when you try to compete. 192 00:08:55,760 --> 00:08:58,679 Speaker 3: Well, they're not briefs anymore, the strings, aren't they pretty. 193 00:08:58,440 --> 00:09:02,400 Speaker 2: Much come the men do wear g strings. 194 00:09:04,840 --> 00:09:09,199 Speaker 3: That can be arranged. When the women's beach volleyballs on 195 00:09:09,240 --> 00:09:12,000 Speaker 3: at the Games, and when I'm watching Dallas hillers, we'll 196 00:09:12,000 --> 00:09:14,120 Speaker 3: both wear g strings, not together. What do you reckon? 197 00:09:14,200 --> 00:09:16,000 Speaker 5: Oh no, the world doesn't need that. 198 00:09:16,760 --> 00:09:20,720 Speaker 3: Okay, we'll just get the man keen eating. Thanks Paul. 199 00:09:23,160 --> 00:09:25,120 Speaker 3: See you made me sound like it's just a big perv. Now, 200 00:09:25,200 --> 00:09:27,280 Speaker 3: Lias and I'll watch Dallas cheerleaders. I want to watch 201 00:09:27,320 --> 00:09:30,000 Speaker 3: it for the skills. It's good, pretty good. 202 00:09:29,960 --> 00:09:31,000 Speaker 2: It's okay with a look. 203 00:09:31,000 --> 00:09:32,920 Speaker 4: A lot of people are saying it's a bit controversial 204 00:09:32,920 --> 00:09:36,640 Speaker 4: because you know, they expect the girls to be really skinny, Obviously. 205 00:09:36,840 --> 00:09:39,000 Speaker 3: They didn't get paid much today they didn't get paid, 206 00:09:39,000 --> 00:09:41,120 Speaker 3: but how talented they were. Okay, but these. 207 00:09:40,880 --> 00:09:43,640 Speaker 2: Girls are like chomping at the bit to do it. 208 00:09:43,960 --> 00:09:44,880 Speaker 2: No one's forcing them. 209 00:09:44,960 --> 00:09:49,319 Speaker 4: Yeah, fair enough anyway, I can't go down there. 210 00:09:50,280 --> 00:09:52,160 Speaker 2: I'm talking about you don't have the energy. 211 00:09:51,880 --> 00:09:54,439 Speaker 3: Talk about the lets from the day in the early eighties. 212 00:09:54,920 --> 00:09:56,760 Speaker 4: I don't have enough time in my day for all 213 00:09:56,760 --> 00:09:59,959 Speaker 4: the outrage that's required in this modern world. 214 00:10:00,080 --> 00:10:01,959 Speaker 3: Funny that, isn't it. Well, you do look at the 215 00:10:01,960 --> 00:10:04,480 Speaker 3: online comments. People are out register outraged for you. 216 00:10:04,559 --> 00:10:06,800 Speaker 4: Chris from Haynes says, I watched the quiz shows like 217 00:10:06,800 --> 00:10:08,880 Speaker 4: The Chase or The One Percent Club by myself because 218 00:10:09,040 --> 00:10:12,160 Speaker 4: I don't want my wife thinking that I'm smarter than her. 219 00:10:12,280 --> 00:10:14,320 Speaker 4: That's on a good day, but then on a bad day, 220 00:10:14,600 --> 00:10:16,120 Speaker 4: I don't want to look stupid in front of her. 221 00:10:16,160 --> 00:10:17,840 Speaker 4: Are they and make it thinks she's smarter than me? 222 00:10:18,160 --> 00:10:20,800 Speaker 4: So yeah, I like to watch The Chase on. 223 00:10:20,679 --> 00:10:24,040 Speaker 3: My own too, Just in case you're having some poor forms, 224 00:10:24,640 --> 00:10:29,600 Speaker 3: really obvious, I feel like a dummy, exactly, Hilaria, Anna, Anna, 225 00:10:29,640 --> 00:10:31,600 Speaker 3: what are you watching? What do you prefer to watch alone? 226 00:10:32,000 --> 00:10:32,440 Speaker 5: Well? 227 00:10:32,760 --> 00:10:34,880 Speaker 2: Any so, he's really Bowling The Beautiful. 228 00:10:35,080 --> 00:10:36,640 Speaker 3: I mean, I can't watch it with. 229 00:10:36,480 --> 00:10:37,960 Speaker 2: My husband there and you don't like. 230 00:10:38,040 --> 00:10:40,160 Speaker 3: Horror moves ear there and I really like watching horror. 231 00:10:40,200 --> 00:10:44,320 Speaker 4: Moo from the Beautiful to a horror movie. 232 00:10:44,800 --> 00:10:50,120 Speaker 7: Horror yeah, yeah, And he thinks, he thinks, like, really, 233 00:10:50,320 --> 00:10:52,760 Speaker 7: what would you want to I guess he says, it's 234 00:10:52,840 --> 00:10:54,040 Speaker 7: enough horror in the world, is it. 235 00:10:54,440 --> 00:10:56,400 Speaker 2: Do you want to bother watching horror movies? 236 00:10:57,240 --> 00:10:57,480 Speaker 1: Yeah? 237 00:10:57,640 --> 00:11:00,640 Speaker 3: Mind you. I've seen some horror type episodes of Bowl. Yeah, 238 00:11:00,720 --> 00:11:02,920 Speaker 3: when it was going on with Baby Douglas. 239 00:11:04,160 --> 00:11:07,720 Speaker 6: Had some bad work. Oh yeah, I think. 240 00:11:07,559 --> 00:11:09,280 Speaker 3: I go from morning stream to the other. 241 00:11:10,720 --> 00:11:12,679 Speaker 2: And you don't have to think about the other one 242 00:11:13,160 --> 00:11:15,360 Speaker 2: on each watch. 243 00:11:15,280 --> 00:11:16,800 Speaker 3: For the jumps, those jump scars. 244 00:11:18,480 --> 00:11:20,480 Speaker 2: Thanks Anna, no worries. 245 00:11:20,559 --> 00:11:23,280 Speaker 3: Thanks, she's some of those actresses on Bold and Beautiful. 246 00:11:23,280 --> 00:11:24,840 Speaker 3: I get a jump scare out of what they look like. Now, 247 00:11:24,880 --> 00:11:26,359 Speaker 3: absolutely that's the same actress. 248 00:11:26,640 --> 00:11:26,920 Speaker 6: Yeah. 249 00:11:27,000 --> 00:11:28,559 Speaker 2: When they do that sudden head turn. 250 00:11:28,400 --> 00:11:32,760 Speaker 3: Into the camera, yeah, and jumps is staying stare yes 251 00:11:32,960 --> 00:11:35,040 Speaker 3: at the end of an episode cracks me out. 252 00:11:35,800 --> 00:11:39,920 Speaker 4: Melissa and Morley watches foreign movies alone because I don't 253 00:11:39,920 --> 00:11:43,320 Speaker 4: think her partner likes subtimes. 254 00:11:43,000 --> 00:11:45,320 Speaker 3: It's annoyed by sometimes yeah, it is a bit harder 255 00:11:45,320 --> 00:11:47,040 Speaker 3: when you're eating. You're eating on your lap. 256 00:11:47,520 --> 00:11:50,520 Speaker 4: On the text line on the subject of things that 257 00:11:50,600 --> 00:11:52,720 Speaker 4: you can only watch when your partner is not around, 258 00:11:52,840 --> 00:11:55,960 Speaker 4: Lisa and Kingsley said Emily in Paris, I hear you 259 00:11:56,120 --> 00:11:59,480 Speaker 4: that one. Yeah, she said. Habby took one look at 260 00:11:59,480 --> 00:12:01,800 Speaker 4: it and said, you can watch that on your can. 261 00:12:01,679 --> 00:12:02,640 Speaker 3: I tell you? I say the same thing. 262 00:12:04,640 --> 00:12:06,240 Speaker 2: It's definitely one for the girl. 263 00:12:06,440 --> 00:12:10,640 Speaker 3: Yeah, we like it. It's going to Woodridge gel What 264 00:12:10,760 --> 00:12:11,680 Speaker 3: is it you watch alone? 265 00:12:12,480 --> 00:12:13,480 Speaker 7: Oh? Get a crazy? 266 00:12:13,480 --> 00:12:16,320 Speaker 3: At least they very good? Do you go for us? 267 00:12:17,120 --> 00:12:20,280 Speaker 7: I have to watch the news on my own because 268 00:12:20,679 --> 00:12:25,320 Speaker 7: my husband can relate to that Skyhook song like horror 269 00:12:25,360 --> 00:12:31,400 Speaker 7: movie there on my TV. Yeah, news, which is six 270 00:12:31,400 --> 00:12:32,120 Speaker 7: o'clock now. 271 00:12:32,640 --> 00:12:33,079 Speaker 3: That's right. 272 00:12:33,160 --> 00:12:36,240 Speaker 4: Yeah, yeah, I feel a bit like that sometimes too. 273 00:12:38,920 --> 00:12:42,640 Speaker 7: Yeah, he's just it's all ye, good news on it. 274 00:12:42,960 --> 00:12:43,960 Speaker 2: Sometimes I want to go. 275 00:12:46,080 --> 00:12:47,920 Speaker 3: Some nights it's like four or five in a row, 276 00:12:48,000 --> 00:12:51,720 Speaker 3: hits you like a sucker punches some Yeah, good's. 277 00:12:52,440 --> 00:12:57,200 Speaker 7: He's outside and at six o'clock every night, I'm watching 278 00:12:57,280 --> 00:12:58,199 Speaker 7: the news. 279 00:12:58,200 --> 00:13:01,680 Speaker 3: You know, if it's not murder and wars, it's cost 280 00:13:01,679 --> 00:13:02,960 Speaker 3: of living. So you don't really want to hear all 281 00:13:03,000 --> 00:13:03,120 Speaker 3: of it. 282 00:13:03,320 --> 00:13:07,760 Speaker 2: Yeah, yeah, that's bank smell. See ya Urry have a 283 00:13:07,760 --> 00:13:09,120 Speaker 2: good guy true. 284 00:13:10,600 --> 00:13:16,800 Speaker 4: The Sure Report on ninety six AIRM Baby Reindeers. Richard 285 00:13:16,840 --> 00:13:20,360 Speaker 4: Gadd has finally responded to Piers Morgan's interview with Fiona 286 00:13:20,400 --> 00:13:23,640 Speaker 4: Harvey understood to be the real life Martha. He shared 287 00:13:23,679 --> 00:13:26,360 Speaker 4: a statement in a court filing in relation to Fiona 288 00:13:26,440 --> 00:13:30,040 Speaker 4: Harvey's defamation lawsuit against Netflix for the depiction of her. 289 00:13:30,360 --> 00:13:33,760 Speaker 4: He states the show was emotionally true and that he 290 00:13:33,840 --> 00:13:36,560 Speaker 4: did struggle with years of her stalking. He said, I 291 00:13:36,559 --> 00:13:38,680 Speaker 4: have personal knowledge of the fact set forth and if 292 00:13:38,760 --> 00:13:41,920 Speaker 4: called as a witness, could and would testify competently. 293 00:13:42,320 --> 00:13:46,400 Speaker 2: There too, legal judging there too. 294 00:13:47,120 --> 00:13:50,199 Speaker 4: He says he was surprised she appeared on Morgan's Uncensored 295 00:13:50,240 --> 00:13:53,400 Speaker 4: program and that since our interview other individuals have contacted 296 00:13:53,480 --> 00:13:56,960 Speaker 4: him to say they were also harassed by Harvey. There 297 00:13:57,080 --> 00:13:59,680 Speaker 4: is a film coming out by a pic about Saturday 298 00:13:59,760 --> 00:14:04,040 Speaker 4: Night Live SNL launched in nineteen seventy five, so this 299 00:14:04,160 --> 00:14:08,160 Speaker 4: celebrates its upcoming fiftieth anniversary, and you know it keeps 300 00:14:08,240 --> 00:14:11,800 Speaker 4: on going because of American election. Of course, is one 301 00:14:11,800 --> 00:14:13,920 Speaker 4: of the things I think that stokes the fire so 302 00:14:14,000 --> 00:14:17,080 Speaker 4: much fodder, so much fodder. Fleetwood Mac is releasing a 303 00:14:17,120 --> 00:14:21,040 Speaker 4: live album next month, Mirage Tour eighty two. That's taken 304 00:14:21,080 --> 00:14:23,800 Speaker 4: a while come out, has twenty two tracks on her 305 00:14:23,840 --> 00:14:27,160 Speaker 4: It'll be out September the twentieth. And she's long been 306 00:14:27,240 --> 00:14:31,040 Speaker 4: famous for wearing them. Now Diane Keaton is finally designing 307 00:14:31,080 --> 00:14:34,520 Speaker 4: her own range of glasses. She's partnered with eyewear brand 308 00:14:34,640 --> 00:14:37,080 Speaker 4: look Optic to release a pair for only one pair 309 00:14:37,080 --> 00:14:40,160 Speaker 4: at the stage called the Keaton, The founder of Look 310 00:14:40,240 --> 00:14:43,520 Speaker 4: Optic says, when you think of iconic women that wear glasses, 311 00:14:43,680 --> 00:14:46,200 Speaker 4: there is no one more iconic than Diane Keaton. 312 00:14:46,560 --> 00:14:47,080 Speaker 6: Very true. 313 00:14:47,200 --> 00:14:49,720 Speaker 3: Yeah, absolutely. Now that we've lost Amenda, of course. 314 00:14:51,280 --> 00:14:54,400 Speaker 2: More Clezy, more Lisa, more podcasts. 315 00:14:54,560 --> 00:14:56,800 Speaker 7: Soon we will be. 316 00:14:56,800 --> 00:14:59,480 Speaker 3: Seeing a minute works on to twelve hundred people. 317 00:15:00,080 --> 00:15:01,600 Speaker 6: Everything down the roads did the. 318 00:15:01,520 --> 00:15:03,320 Speaker 3: People party and then the bands. 319 00:15:03,320 --> 00:15:06,440 Speaker 6: It was a way of Lizy and Lisa's pub draw. 320 00:15:06,920 --> 00:15:09,400 Speaker 3: Yeah, let's keep it going least. The Perth pub Crawl 321 00:15:09,400 --> 00:15:11,760 Speaker 3: continues with a band of brothers. Three of the six 322 00:15:11,840 --> 00:15:14,800 Speaker 3: were about to take on the world and win. Let's speak, 323 00:15:14,800 --> 00:15:16,800 Speaker 3: of course a bit excess. But when the Faris Brothers 324 00:15:16,800 --> 00:15:19,160 Speaker 3: were in Perth, and their early manager and lead guitarist 325 00:15:19,440 --> 00:15:20,040 Speaker 3: was Tim Farris. 326 00:15:21,280 --> 00:15:21,640 Speaker 2: Morning. 327 00:15:21,840 --> 00:15:24,680 Speaker 5: Okay, guys, I'm not too bad. It's been a long time. 328 00:15:25,800 --> 00:15:27,800 Speaker 2: About to take on the world as an understatement. 329 00:15:27,880 --> 00:15:30,760 Speaker 4: Now, what's interesting is, at a time when so many 330 00:15:30,840 --> 00:15:35,080 Speaker 4: bands in Perth relocated from Perth to Sydney, you originally 331 00:15:35,440 --> 00:15:37,560 Speaker 4: relocated from Sydney to Perth. 332 00:15:37,920 --> 00:15:39,800 Speaker 2: Talk us how through how that happened. 333 00:15:40,200 --> 00:15:45,080 Speaker 5: Well, I had this idea about forming the band in 334 00:15:45,120 --> 00:15:48,560 Speaker 5: the first place, but Johnny and Andrew were still in 335 00:15:48,600 --> 00:15:53,120 Speaker 5: school right and they and my mum and dad were 336 00:15:53,120 --> 00:15:56,480 Speaker 5: moving back to Perth, and I really wanted us to 337 00:15:57,160 --> 00:15:59,720 Speaker 5: be a band and stay together. So I thought, well, look, 338 00:16:00,040 --> 00:16:02,240 Speaker 5: one of the best ways we could possibly do this 339 00:16:02,800 --> 00:16:05,840 Speaker 5: is to all rely on music and the band for 340 00:16:05,880 --> 00:16:10,680 Speaker 5: a living. So I said to Kirk and Michael and Gary, look, 341 00:16:11,920 --> 00:16:15,640 Speaker 5: I've got this wild idea that the virus is moving 342 00:16:15,640 --> 00:16:19,200 Speaker 5: back to Perth. Why don't I fly over as well. 343 00:16:20,000 --> 00:16:22,040 Speaker 5: I can stay with mom and Dad and I'll get 344 00:16:22,120 --> 00:16:25,160 Speaker 5: us a whole bunch of gigs and residencies there, and 345 00:16:25,200 --> 00:16:26,760 Speaker 5: then the whole bank can go there and we just 346 00:16:26,800 --> 00:16:29,880 Speaker 5: live there and be a band and live off you know, 347 00:16:30,160 --> 00:16:36,320 Speaker 5: the gigs I get, which was a very bold and 348 00:16:37,640 --> 00:16:41,960 Speaker 5: somehow Kirk was the last to agree, but we did. 349 00:16:42,000 --> 00:16:45,080 Speaker 5: We all left our girlfriends and jobs and whatnot and 350 00:16:46,000 --> 00:16:55,520 Speaker 5: packed up our bags and moved to Beverly. But it 351 00:16:55,560 --> 00:16:58,720 Speaker 5: was but it was it was a real it really 352 00:16:58,920 --> 00:17:02,040 Speaker 5: was a great expert and we all lived well, well, 353 00:17:02,520 --> 00:17:04,679 Speaker 5: Andrew and John didn't, but the rest of us all 354 00:17:04,720 --> 00:17:10,040 Speaker 5: lived in this one house right in Subiaco. And and 355 00:17:10,080 --> 00:17:14,880 Speaker 5: we rehearsed every day, you know. And and then I 356 00:17:14,960 --> 00:17:17,320 Speaker 5: was busy. I met the slow called Desert Joe's. 357 00:17:17,520 --> 00:17:19,880 Speaker 3: Yes, the agent ran. 358 00:17:19,840 --> 00:17:22,119 Speaker 5: The agency there, and he got us a lot of 359 00:17:22,119 --> 00:17:24,159 Speaker 5: gigs and he said, you know, he was very that 360 00:17:24,240 --> 00:17:29,120 Speaker 5: we we played covers, you know, yeah, not too many 361 00:17:29,160 --> 00:17:32,560 Speaker 5: of your own songs. 362 00:17:32,600 --> 00:17:38,160 Speaker 3: Sure, whatever you say has come up a few. 363 00:17:38,000 --> 00:17:42,960 Speaker 5: Times, yeah, exactly. And it was a brilliant place to 364 00:17:43,200 --> 00:17:46,000 Speaker 5: We just wanted to get away out of Sydney, focus 365 00:17:46,080 --> 00:17:50,080 Speaker 5: on being a band and improving our skills and whatnot, 366 00:17:50,680 --> 00:17:53,199 Speaker 5: and and that's what we did, and it was it 367 00:17:53,280 --> 00:17:55,240 Speaker 5: was a great deal of fun. And it was a 368 00:17:55,240 --> 00:17:57,359 Speaker 5: bit like you remember that show from the eighties, School 369 00:17:57,800 --> 00:17:59,320 Speaker 5: the Young One. 370 00:18:00,280 --> 00:18:04,399 Speaker 8: Well, the houses kind of a good law were you, 371 00:18:04,600 --> 00:18:11,520 Speaker 8: Neil Laura? 372 00:18:12,200 --> 00:18:16,080 Speaker 4: Hello John Gott you were you that guy. 373 00:18:16,359 --> 00:18:19,760 Speaker 5: It was very it was very very funny actually, and 374 00:18:19,520 --> 00:18:21,920 Speaker 5: and and then you know, everything just sort of progressed 375 00:18:21,920 --> 00:18:24,879 Speaker 5: from there, and it was it was it was amazing really, 376 00:18:25,960 --> 00:18:29,959 Speaker 5: you know. The residencies had were really fun and they 377 00:18:29,960 --> 00:18:32,879 Speaker 5: are all good chance to build an audience, which is 378 00:18:32,880 --> 00:18:33,440 Speaker 5: what we did. 379 00:18:33,720 --> 00:18:38,320 Speaker 4: Yeah, I've always thought Tim that some of the best 380 00:18:38,359 --> 00:18:43,600 Speaker 4: bands through history based around you know, it starts with siblings. 381 00:18:43,680 --> 00:18:47,280 Speaker 4: I mean, I've just watched the Bloody Beach Boys movie 382 00:18:47,280 --> 00:18:48,320 Speaker 4: and that's a great example. 383 00:18:48,359 --> 00:18:50,520 Speaker 2: But you you know, we've got. 384 00:18:50,359 --> 00:18:53,880 Speaker 4: The Farris brothers. Is it is it just a convenience thing. 385 00:18:53,880 --> 00:18:56,480 Speaker 4: You're all there together. You'll get a musical instrument for Christmas, 386 00:18:56,480 --> 00:18:57,439 Speaker 4: so you all play together? 387 00:18:57,560 --> 00:18:59,800 Speaker 2: Or does it? Is it hereditary? 388 00:19:00,600 --> 00:19:03,960 Speaker 5: That's a good question. I don't know about the hereditary thing, 389 00:19:06,119 --> 00:19:11,000 Speaker 5: except that you know, we all seem to understand each 390 00:19:11,040 --> 00:19:14,760 Speaker 5: other and in a musical sense we were kind of 391 00:19:15,040 --> 00:19:17,960 Speaker 5: in some ways. Well, when you're young, you know, a 392 00:19:18,000 --> 00:19:20,800 Speaker 5: couple of years apart is a lot more than it 393 00:19:20,840 --> 00:19:25,080 Speaker 5: is when you're older. Of course, Yes, So you know, 394 00:19:25,560 --> 00:19:27,320 Speaker 5: I think the boys looked up to me being the 395 00:19:27,320 --> 00:19:31,520 Speaker 5: older brother and that sort of thing where they don't now, 396 00:19:31,800 --> 00:19:38,720 Speaker 5: you know, no respect back then we get more respect. 397 00:19:39,920 --> 00:19:43,160 Speaker 5: But but we you know, we and we were sort 398 00:19:43,160 --> 00:19:46,159 Speaker 5: of felt a bond but which was sort of catching 399 00:19:46,520 --> 00:19:50,160 Speaker 5: with the other guy's Kirk was my best mate, uh, 400 00:19:50,320 --> 00:19:52,880 Speaker 5: you know, and we all just looked after each other 401 00:19:52,960 --> 00:19:55,399 Speaker 5: and it was we were like one big family really 402 00:19:55,440 --> 00:19:59,119 Speaker 5: in a sense. But it was like a rebonded that 403 00:19:59,280 --> 00:20:02,800 Speaker 5: should I say. Yeah, And we were sitting in Perth 404 00:20:02,960 --> 00:20:06,040 Speaker 5: one night after a show and the guys that all 405 00:20:06,400 --> 00:20:10,679 Speaker 5: complained to me about Michael because we always lug our 406 00:20:10,720 --> 00:20:15,040 Speaker 5: own gear in and out and Michael never lugged any 407 00:20:15,040 --> 00:20:19,720 Speaker 5: gear because he didn't have any carry We have to 408 00:20:19,760 --> 00:20:21,520 Speaker 5: carry his microphone. 409 00:20:22,840 --> 00:20:24,120 Speaker 3: Which is probably there already. 410 00:20:25,760 --> 00:20:28,120 Speaker 5: To st Michael down one night and have a chat 411 00:20:28,119 --> 00:20:30,919 Speaker 5: with him and say, listen, mate, let's get let's get 412 00:20:30,960 --> 00:20:34,639 Speaker 5: pull your socks up. Have to do something about this. 413 00:20:36,400 --> 00:20:38,960 Speaker 5: And so he did. He helped for a little while. 414 00:20:41,560 --> 00:20:42,320 Speaker 5: The girls, of. 415 00:20:42,240 --> 00:20:46,320 Speaker 3: Course it was Michael. Yeah, we did mention in the 416 00:20:47,480 --> 00:20:49,960 Speaker 3: Yeah exactly. It was pretty good at it. Like we 417 00:20:50,040 --> 00:20:53,600 Speaker 3: mentioned in the manager maybe unnamed manager of the bandit 418 00:20:53,760 --> 00:20:55,880 Speaker 3: So it was happening. But this was a long time 419 00:20:55,880 --> 00:20:58,320 Speaker 3: before you met and started working with Chris Murphy. But 420 00:20:58,680 --> 00:21:00,360 Speaker 3: did you have to pull rank with the boys a bit? 421 00:21:01,480 --> 00:21:04,240 Speaker 5: Oh, yes, to know, they sort of looked at me 422 00:21:04,760 --> 00:21:06,800 Speaker 5: as one responsible for everything. 423 00:21:06,920 --> 00:21:08,480 Speaker 3: Yeah, it was. 424 00:21:08,520 --> 00:21:12,520 Speaker 5: It was more just a sense of responsibility that if 425 00:21:12,560 --> 00:21:16,959 Speaker 5: I didn't pull through, what would we do. So I 426 00:21:17,080 --> 00:21:20,679 Speaker 5: was very busy ring venues and whatnot, and you know, 427 00:21:20,720 --> 00:21:24,360 Speaker 5: I was just remembering to this morning how we did 428 00:21:24,359 --> 00:21:26,320 Speaker 5: this show. I think it was one of the shows 429 00:21:26,400 --> 00:21:31,240 Speaker 5: we did at the Herdsman from memory, and there was 430 00:21:31,280 --> 00:21:34,679 Speaker 5: this big fella came up and so I said to 431 00:21:34,760 --> 00:21:36,960 Speaker 5: us afterwards, you know who's in charge of the band, 432 00:21:37,040 --> 00:21:41,400 Speaker 5: And I said, I am, you know, And he said, well, well, 433 00:21:41,480 --> 00:21:45,760 Speaker 5: I'm the entertainment officer or whatever for the mining company 434 00:21:45,800 --> 00:21:50,240 Speaker 5: up and shay Gap and Goldsworthy and we'd like to 435 00:21:50,720 --> 00:21:53,439 Speaker 5: you guys to come up. So he said, you know, 436 00:21:53,560 --> 00:21:56,760 Speaker 5: we'll pay for your airfairs and your gear and to 437 00:21:56,800 --> 00:22:01,640 Speaker 5: get up there and the whole bit. You'll stay there 438 00:22:01,680 --> 00:22:05,680 Speaker 5: for the Christmas new period. And we still thought, oh, jee, 439 00:22:05,680 --> 00:22:09,040 Speaker 5: there's a bit of money in this and and so 440 00:22:08,840 --> 00:22:11,280 Speaker 5: I put it to him that he give us the 441 00:22:11,280 --> 00:22:16,440 Speaker 5: money for the air fares and we'll drive up. So 442 00:22:16,560 --> 00:22:19,440 Speaker 5: we hired we hired these we hide these two vans 443 00:22:20,240 --> 00:22:24,120 Speaker 5: and packed them full of our gear and off off 444 00:22:24,119 --> 00:22:28,280 Speaker 5: we set, and we thought we'd be smart, and there 445 00:22:28,320 --> 00:22:30,600 Speaker 5: was two ways. There was we could see on a map. 446 00:22:30,680 --> 00:22:32,639 Speaker 5: There was this kind of short way but it was 447 00:22:32,680 --> 00:22:36,880 Speaker 5: all off road. And then there was the tarred road 448 00:22:36,960 --> 00:22:39,679 Speaker 5: that we looked like it was a lot longer, so 449 00:22:39,800 --> 00:22:43,760 Speaker 5: we took we took the off and of course we 450 00:22:43,840 --> 00:22:49,160 Speaker 5: did and it was, I'm still to this day amazing 451 00:22:49,240 --> 00:22:51,440 Speaker 5: we ever got there, you know. 452 00:22:52,080 --> 00:22:54,320 Speaker 6: And at one point, at one point recovery. 453 00:22:55,520 --> 00:22:58,320 Speaker 5: Which it was really was hilarious. And at one point 454 00:22:58,840 --> 00:23:00,719 Speaker 5: because there was three of us in the van up 455 00:23:00,760 --> 00:23:05,639 Speaker 5: in the front and I remember there was John Kirk 456 00:23:05,680 --> 00:23:10,160 Speaker 5: and I were in one van and Michael, Andrew and 457 00:23:10,200 --> 00:23:14,480 Speaker 5: Gary were in another. And this particular day because we 458 00:23:14,600 --> 00:23:17,119 Speaker 5: had to pull over and just slip it rough on 459 00:23:17,200 --> 00:23:18,919 Speaker 5: the side of the road one night because we were 460 00:23:18,920 --> 00:23:21,639 Speaker 5: about to run out of fuel and we had no 461 00:23:22,359 --> 00:23:25,360 Speaker 5: there was no idea of knowing where the next garage 462 00:23:25,400 --> 00:23:27,359 Speaker 5: was or whatever, so we just pulled over and slept 463 00:23:27,440 --> 00:23:30,000 Speaker 5: on the side of the road and woke up in 464 00:23:30,040 --> 00:23:34,879 Speaker 5: the morning next to road killed, you know. Yeah, But anyway, 465 00:23:34,920 --> 00:23:38,080 Speaker 5: we set off on our way and John pointed out 466 00:23:38,080 --> 00:23:41,000 Speaker 5: that the back door on the the van in front 467 00:23:41,359 --> 00:23:43,920 Speaker 5: was starting to open. We were all in our gear 468 00:23:43,960 --> 00:23:47,119 Speaker 5: in it and yeah, and we couldn't and it was 469 00:23:47,119 --> 00:23:49,760 Speaker 5: so much dust and stuff. We couldn't catch up to Michael, 470 00:23:50,440 --> 00:23:55,200 Speaker 5: Gary and you know, Andrew, and the door was opening 471 00:23:55,200 --> 00:23:57,600 Speaker 5: further down. Finally it was opened all the way and 472 00:23:57,640 --> 00:24:00,920 Speaker 5: they were just driving along merrily out and it was 473 00:24:00,960 --> 00:24:02,560 Speaker 5: a microphone standard fall out. 474 00:24:03,080 --> 00:24:06,080 Speaker 6: Oh my god, you know. 475 00:24:06,160 --> 00:24:08,680 Speaker 5: And we were like, oh no, we couldn't, there's nothing 476 00:24:08,720 --> 00:24:11,200 Speaker 5: we could do. Were honking and waving and they waved back. 477 00:24:13,160 --> 00:24:13,760 Speaker 7: It was. 478 00:24:15,480 --> 00:24:17,120 Speaker 5: We thought we were going to get there only half 479 00:24:17,119 --> 00:24:21,680 Speaker 5: our year, but it was a happy ending. We got there. 480 00:24:21,440 --> 00:24:24,159 Speaker 5: We got there and the fellow gave us, gave us 481 00:24:24,160 --> 00:24:29,840 Speaker 5: a bag hot beer each five times, and it was 482 00:24:30,480 --> 00:24:33,720 Speaker 5: and we used that money to fund a lot of 483 00:24:33,720 --> 00:24:37,480 Speaker 5: our existence over there and then and then we did 484 00:24:37,480 --> 00:24:40,639 Speaker 5: it again and that funded our whole trip back to 485 00:24:40,680 --> 00:24:44,360 Speaker 5: Sydney where we became an excess. 486 00:24:45,080 --> 00:24:49,760 Speaker 4: Cast your mind back to that rental in Subiaco and 487 00:24:49,800 --> 00:24:53,760 Speaker 4: you're playing the Perth pub scene there. Did you do 488 00:24:53,800 --> 00:24:55,879 Speaker 4: the Shanton Park Hotel because you could have staggered up 489 00:24:55,880 --> 00:24:56,320 Speaker 4: to that one. 490 00:24:56,640 --> 00:24:59,320 Speaker 5: Yes, absolutely, Yeah, we did. The one that I have 491 00:24:59,560 --> 00:25:07,520 Speaker 5: the moment memory of though, was the Broadway Tavern. Yeah, 492 00:25:07,840 --> 00:25:11,240 Speaker 5: and that was ended up. We had a real sort 493 00:25:11,240 --> 00:25:15,320 Speaker 5: of solid following there and and it was it was 494 00:25:15,359 --> 00:25:18,440 Speaker 5: just great. And I remember the very last night before 495 00:25:18,440 --> 00:25:21,040 Speaker 5: we came back to Sydney, we had a goodbye show 496 00:25:21,880 --> 00:25:26,720 Speaker 5: and we caught ourselves the Vegetables for the night and yeah, 497 00:25:26,840 --> 00:25:29,680 Speaker 5: and I kind of wrote the song we Are the Vegetables, 498 00:25:30,200 --> 00:25:36,159 Speaker 5: set it up as the B side on Silent So 499 00:25:36,920 --> 00:25:41,439 Speaker 5: and and it was fancy dress and Andrew and on 500 00:25:41,560 --> 00:25:46,680 Speaker 5: over for get Andrew dressed up as a chicken, and 501 00:25:46,680 --> 00:25:50,040 Speaker 5: and he got up on stage and started long train. 502 00:25:49,920 --> 00:25:58,480 Speaker 9: Running song by the then Chickens sad playing a long 503 00:25:58,520 --> 00:26:00,880 Speaker 9: train running funny. 504 00:26:00,960 --> 00:26:01,480 Speaker 4: Yeah, that. 505 00:26:03,080 --> 00:26:05,000 Speaker 3: House you mentioned about the Young Ones, was it a 506 00:26:05,040 --> 00:26:07,080 Speaker 3: bit like Animal House. It must have been a mess. 507 00:26:07,240 --> 00:26:09,760 Speaker 5: Yeah, yeah, absolutely as well. 508 00:26:09,880 --> 00:26:13,000 Speaker 3: Yeah, sorry about motorbike being inside the house at one stay. 509 00:26:13,320 --> 00:26:19,040 Speaker 5: Yeah, well, yes, Michael always loved his mot bike, but 510 00:26:19,880 --> 00:26:22,879 Speaker 5: not so much, not so much then because we didn't 511 00:26:22,960 --> 00:26:26,639 Speaker 5: he couldn't afford it, but he would write ride his 512 00:26:26,680 --> 00:26:31,320 Speaker 5: Harley Davidson into rehearsals back here in Sydney, and yeah, 513 00:26:31,720 --> 00:26:34,639 Speaker 5: which is makes a bit sad thing that actually. But 514 00:26:36,200 --> 00:26:41,399 Speaker 5: I remember after one of our last rehearsals with Michael, 515 00:26:41,600 --> 00:26:44,600 Speaker 5: he had ridden the Harley Davidson into the ABC studio 516 00:26:45,080 --> 00:26:48,840 Speaker 5: where we were rehearsing and and he said, see a 517 00:26:48,880 --> 00:26:52,320 Speaker 5: fellows who did this big Willy and let us speak 518 00:26:52,440 --> 00:26:57,439 Speaker 5: black Mark floor And then not not that well, you know, 519 00:26:57,520 --> 00:27:00,000 Speaker 5: within the year or whatever it was when we were 520 00:27:00,080 --> 00:27:04,040 Speaker 5: us Terence Trent Derby there, when clarens sang with us, 521 00:27:04,280 --> 00:27:06,400 Speaker 5: we were in the same steer, the big black Mark 522 00:27:06,520 --> 00:27:07,119 Speaker 5: was still around. 523 00:27:08,760 --> 00:27:12,680 Speaker 3: Wow. Wow as a moment you boys, Yeah. 524 00:27:12,320 --> 00:27:13,359 Speaker 5: Exactly, there was. 525 00:27:13,800 --> 00:27:16,440 Speaker 4: There were so many venues to perform in and you'd 526 00:27:16,440 --> 00:27:18,639 Speaker 4: get that, you'd get the whatever it was, the Daily 527 00:27:18,640 --> 00:27:20,719 Speaker 4: News or whatever. The gig guide came in and you 528 00:27:20,760 --> 00:27:23,760 Speaker 4: could go every single night. And of course we were 529 00:27:23,760 --> 00:27:27,439 Speaker 4: talking before about how the Sunday Session at that time 530 00:27:28,000 --> 00:27:31,520 Speaker 4: was such an institution. Do you remember any of those 531 00:27:31,560 --> 00:27:32,960 Speaker 4: Sunday Session shows? 532 00:27:33,160 --> 00:27:36,360 Speaker 5: Oh, very very well. I mean the Sunday sessions were 533 00:27:36,400 --> 00:27:39,560 Speaker 5: they were like that didn't happen anywhere else. No, No, 534 00:27:39,720 --> 00:27:43,000 Speaker 5: it was a Perth thing and it was really great, 535 00:27:43,280 --> 00:27:46,680 Speaker 5: you know, I mean it was just a relaxing thing 536 00:27:46,720 --> 00:27:50,040 Speaker 5: to do on a Sunday afternoon. Yeah, yeah, yeah, well 537 00:27:50,080 --> 00:27:52,480 Speaker 5: I remember one particularly, I think that was at the 538 00:27:52,480 --> 00:27:57,119 Speaker 5: Great Ocean Hotel and yes, yeah, and it was just 539 00:27:57,160 --> 00:28:04,400 Speaker 5: such a magic place to play, you know, h yeah, yeah, yeah, yeah, yeah, 540 00:28:04,040 --> 00:28:05,880 Speaker 5: yeah yeah. 541 00:28:05,520 --> 00:28:07,480 Speaker 3: But you've got to play those gigs in Perth as 542 00:28:07,520 --> 00:28:09,840 Speaker 3: the Firest Brothers. I know that, you know, the in 543 00:28:09,920 --> 00:28:11,639 Speaker 3: excess thing was to come when your head back to Sydney. 544 00:28:11,640 --> 00:28:13,680 Speaker 3: But you've got to hone your craft and yeah, maybe 545 00:28:13,760 --> 00:28:15,879 Speaker 3: make some mistakes and all that stuff, and that paid 546 00:28:15,920 --> 00:28:18,080 Speaker 3: off for the Wembley's and they're touring the States and 547 00:28:18,160 --> 00:28:19,680 Speaker 3: Europe later on, didn't. 548 00:28:19,440 --> 00:28:23,000 Speaker 5: It absolutely did. Yeah. I mean that was the thing. 549 00:28:23,040 --> 00:28:26,720 Speaker 5: We didn't have anything else to do, so we literally 550 00:28:26,760 --> 00:28:31,639 Speaker 5: put mattresses up against the wall and turned one room 551 00:28:31,680 --> 00:28:34,840 Speaker 5: in the house into a rehearsal space and that's where 552 00:28:34,840 --> 00:28:41,560 Speaker 5: we really really practiced and rehearsed. I remember Michael going 553 00:28:41,600 --> 00:28:46,800 Speaker 5: to Fierucci and buying his red pants. He then ward 554 00:28:47,040 --> 00:28:48,600 Speaker 5: about every gig for the next year. 555 00:28:51,640 --> 00:28:54,960 Speaker 4: Everyone we've spoken to, Tim talks about the great camaraderie 556 00:28:55,120 --> 00:28:57,080 Speaker 4: of everyone that was sort of on the scene at 557 00:28:57,080 --> 00:29:00,840 Speaker 4: the time. Did you did others and so did you 558 00:29:00,880 --> 00:29:04,200 Speaker 4: get the feeling from them that they just knew with 559 00:29:04,400 --> 00:29:08,640 Speaker 4: you guys there was something in the future for you guys, 560 00:29:08,640 --> 00:29:10,680 Speaker 4: it was just even extra special. 561 00:29:11,320 --> 00:29:15,040 Speaker 5: Yeah, I think so, because we didn't get that feeling. 562 00:29:15,080 --> 00:29:17,560 Speaker 5: We could see the camaraderie between other bands. 563 00:29:17,320 --> 00:29:19,320 Speaker 6: But yeah, a little bit for us. 564 00:29:19,360 --> 00:29:19,719 Speaker 2: Really. 565 00:29:20,320 --> 00:29:24,959 Speaker 5: We never never really understood why I can retrospect now 566 00:29:25,040 --> 00:29:31,400 Speaker 5: I do. But but and also we weren't really from Perth. Yeah, 567 00:29:31,560 --> 00:29:36,120 Speaker 5: as far as they were concerned, you know, the. 568 00:29:36,040 --> 00:29:39,960 Speaker 2: Infiltrated exactly from Sydney. 569 00:29:39,720 --> 00:29:41,480 Speaker 5: I was born here. 570 00:29:41,600 --> 00:29:44,560 Speaker 4: Yeah, I tell everyone in excess as a per. 571 00:29:44,640 --> 00:29:48,040 Speaker 5: Band, yes, and we thought we were. 572 00:29:48,320 --> 00:29:50,840 Speaker 3: Hey, Timmy, if someone had told you back then, you know, 573 00:29:50,840 --> 00:29:53,000 Speaker 3: you're a few years away from that second album. But 574 00:29:53,040 --> 00:29:54,680 Speaker 3: if someone had told you in the late seventies in 575 00:29:54,720 --> 00:29:56,920 Speaker 3: Perth that you guys would move to city and they'd 576 00:29:56,960 --> 00:29:59,080 Speaker 3: be working with the great Richard Clapton on an album 577 00:29:59,160 --> 00:30:01,280 Speaker 3: as producer for Ender Colors, would you believe that? 578 00:30:02,240 --> 00:30:02,400 Speaker 1: No? 579 00:30:02,560 --> 00:30:08,080 Speaker 5: Probably not, you know, I mean a little oone what 580 00:30:08,440 --> 00:30:12,120 Speaker 5: we do after that. But but you know, Richard, Richard 581 00:30:12,160 --> 00:30:14,880 Speaker 5: was a lovely fellow and were opened for him for 582 00:30:15,000 --> 00:30:19,680 Speaker 5: quite a while. And that was a very organic sort 583 00:30:19,720 --> 00:30:21,959 Speaker 5: of thing to happen that we'd end up using him 584 00:30:22,000 --> 00:30:24,760 Speaker 5: as a producer. You know, he was a big fan 585 00:30:24,880 --> 00:30:29,280 Speaker 5: more than anything, so you know, it was mus but 586 00:30:29,360 --> 00:30:33,320 Speaker 5: it was there were all great times and all part 587 00:30:33,320 --> 00:30:34,080 Speaker 5: of the learning curve. 588 00:30:34,800 --> 00:30:37,560 Speaker 4: Well, it's a big year this year, big birthday, big anniversary, 589 00:30:37,600 --> 00:30:40,000 Speaker 4: the swing for the Big four. 590 00:30:40,320 --> 00:30:42,200 Speaker 3: Yeah, we spoke to Andrew earlier in the year about it. 591 00:30:42,480 --> 00:30:43,880 Speaker 2: Can you believe it? 592 00:30:45,240 --> 00:30:49,720 Speaker 5: Yes? I can? Well, yeah, exactly. Well it's the big 593 00:30:49,800 --> 00:30:51,240 Speaker 5: five zero for the band. 594 00:30:51,120 --> 00:30:54,520 Speaker 6: Coming up right, yes, yeah, so yeah. 595 00:30:54,560 --> 00:30:55,880 Speaker 5: That's a very big one. 596 00:30:56,080 --> 00:30:58,360 Speaker 3: Yeah, because and the Angels are going through that right 597 00:30:58,400 --> 00:31:01,240 Speaker 3: now without fifty so just behind the boys, but the 598 00:31:01,240 --> 00:31:02,600 Speaker 3: Grady era of Bussie pub. 599 00:31:02,520 --> 00:31:05,120 Speaker 5: Rock, Yeah, that's right. And then I mean when we 600 00:31:05,160 --> 00:31:07,800 Speaker 5: did come back to Sydney, the pub's scene here was 601 00:31:08,240 --> 00:31:11,800 Speaker 5: just as big, but there was like ten times as 602 00:31:11,800 --> 00:31:15,920 Speaker 5: many people in pubs the same size, you know, which 603 00:31:16,360 --> 00:31:19,520 Speaker 5: is kind of ludicrous and there's no way you could 604 00:31:19,560 --> 00:31:22,920 Speaker 5: do it today. Yeah, it's just too illegal. 605 00:31:23,680 --> 00:31:25,240 Speaker 3: And what was the spark to go back to Sydney 606 00:31:25,280 --> 00:31:26,720 Speaker 3: make Was there a date that you said we're going 607 00:31:26,760 --> 00:31:28,080 Speaker 3: back then or did you just feel it was right 608 00:31:28,080 --> 00:31:28,760 Speaker 3: at the right time. 609 00:31:29,400 --> 00:31:33,080 Speaker 5: Yeah, there was a date because Ronnie said would be 610 00:31:33,120 --> 00:31:36,400 Speaker 5: in Percy years so I spoked and we just sort 611 00:31:36,440 --> 00:31:39,960 Speaker 5: of felt like we played everywhere. There was nothing left 612 00:31:40,000 --> 00:31:42,600 Speaker 5: to do. We needed to go back to Sydney to 613 00:31:42,720 --> 00:31:47,440 Speaker 5: get signed to a record company, and as well, we 614 00:31:47,560 --> 00:31:51,400 Speaker 5: got sick of playing so many covers. You know, Jose 615 00:31:51,560 --> 00:31:55,160 Speaker 5: was pretty pretty adamant that we weren't playing enough covers. 616 00:31:55,920 --> 00:31:58,520 Speaker 5: We started playing so many of our own songs. We 617 00:31:58,520 --> 00:32:00,920 Speaker 5: were like, well, well that's where that's for us, you know, 618 00:32:00,960 --> 00:32:02,680 Speaker 5: we want to play our own music. 619 00:32:03,400 --> 00:32:06,200 Speaker 6: The moment was right well out of town. 620 00:32:07,920 --> 00:32:11,720 Speaker 4: Well, without giving anything away, with the Big five oh 621 00:32:11,880 --> 00:32:18,800 Speaker 4: coming up and everything, can we expect some kind of celebration, maybe. 622 00:32:18,480 --> 00:32:22,280 Speaker 5: Some kind of celebration also, I can't really give the. 623 00:32:22,280 --> 00:32:25,360 Speaker 2: Away, no, just enough to know that there will be. 624 00:32:26,840 --> 00:32:29,520 Speaker 8: Yeah, it's going to be epic, a big party in 625 00:32:29,560 --> 00:32:29,960 Speaker 8: the works. 626 00:32:30,080 --> 00:32:32,640 Speaker 3: Yeah, it includes playing you get a good cowboy head 627 00:32:32,640 --> 00:32:36,400 Speaker 3: off your brother, your brother just for a little while, 628 00:32:36,480 --> 00:32:40,200 Speaker 3: because he's loving it. I don't know where I put 629 00:32:40,240 --> 00:32:42,840 Speaker 3: that thing, he is loving it. We spoke to him 630 00:32:42,960 --> 00:32:45,160 Speaker 3: about the swing celebrations a few weeks ago. 631 00:32:45,400 --> 00:32:49,240 Speaker 4: Well, Tim Farriss, we are glad that you didn't listen 632 00:32:49,240 --> 00:32:52,320 Speaker 4: to the insistence that you already play covers and It's 633 00:32:52,360 --> 00:32:55,960 Speaker 4: been fantastic to reminisce with you today on our pub 634 00:32:56,040 --> 00:32:58,360 Speaker 4: crawl and we look forward to hearing what the big 635 00:32:58,360 --> 00:32:59,360 Speaker 4: party is going to be all about. 636 00:32:59,480 --> 00:33:03,080 Speaker 3: Thanks for telling any any come to person. Yeah, I 637 00:33:03,120 --> 00:33:07,000 Speaker 3: would love to see you yet love it. Thanks brother Jim, 638 00:33:07,600 --> 00:33:13,720 Speaker 3: Thank you, guys. More Cley More Lisa More podcast soon. 639 00:33:15,320 --> 00:33:19,720 Speaker 2: Great to flick with Ben o'she Good morning, Ben, Good 640 00:33:19,720 --> 00:33:20,240 Speaker 2: morning guys. 641 00:33:20,240 --> 00:33:23,560 Speaker 1: Do you have a favorite heist film? 642 00:33:24,240 --> 00:33:28,320 Speaker 2: The Italian Job, The Italian Job, the originally. 643 00:33:28,080 --> 00:33:33,440 Speaker 1: The Bloody Doors. Michael, Yeah, that's the Italian Job, The 644 00:33:33,440 --> 00:33:36,440 Speaker 1: Original Italian Job, what a climsic. But Thomas Crown Affair, 645 00:33:36,840 --> 00:33:41,800 Speaker 1: the original remake with the with the Pierce Brosnan not 646 00:33:41,840 --> 00:33:45,720 Speaker 1: so bad. But yeah, the highest heist movies. They either 647 00:33:45,880 --> 00:33:49,760 Speaker 1: range from you know, sort of the snappy, witty comedy 648 00:33:49,840 --> 00:33:54,440 Speaker 1: heist movies to the real tense thriller heist movies like 649 00:33:54,600 --> 00:33:57,560 Speaker 1: Heat or or The Town. 650 00:33:57,760 --> 00:33:58,960 Speaker 3: He was wonderful here. 651 00:34:00,960 --> 00:34:04,880 Speaker 1: But it's a very very popular genre. So there's a 652 00:34:04,920 --> 00:34:09,280 Speaker 1: new one coming to Apple TV Plus and it stars 653 00:34:09,320 --> 00:34:15,040 Speaker 1: Matt Damon and Casey Affleck as these unlikely allies in 654 00:34:15,080 --> 00:34:18,880 Speaker 1: a plot to rob the Mayor of Boston, who's a 655 00:34:19,000 --> 00:34:23,600 Speaker 1: dodgy dude played by Ron Perlman, who's got he's so 656 00:34:23,680 --> 00:34:27,040 Speaker 1: good and it's perfect as perfect as a dodgy mayor 657 00:34:27,360 --> 00:34:30,960 Speaker 1: who's got tens of millions of dollars stashed in a 658 00:34:31,000 --> 00:34:34,760 Speaker 1: slush fund in his office. And so it's basically about, 659 00:34:34,840 --> 00:34:37,759 Speaker 1: you know, it's one of those highest movies where the 660 00:34:38,360 --> 00:34:40,799 Speaker 1: crooks are the good guys because it's kind of a 661 00:34:40,840 --> 00:34:43,279 Speaker 1: robin Hood thing where they're you know, stealing from the rich, 662 00:34:43,320 --> 00:34:46,640 Speaker 1: and the rich are pretty dodgy. So you know, well, 663 00:34:46,840 --> 00:34:50,080 Speaker 1: Victima's crime not that they're planning on giving them money 664 00:34:50,080 --> 00:34:52,839 Speaker 1: to the poor. They're keeping it for themselves. But you know, 665 00:34:53,000 --> 00:34:56,600 Speaker 1: that's how it goes. And the interesting thing about this 666 00:34:56,640 --> 00:34:59,800 Speaker 1: film is, I guess how much you enjoy it is 667 00:35:00,120 --> 00:35:03,840 Speaker 1: to depend on how much you can get your head around. 668 00:35:03,920 --> 00:35:08,160 Speaker 1: Casey Afflex comeback because he's kind of been in the 669 00:35:08,360 --> 00:35:12,320 Speaker 1: canceled wilderness for the past few years. He might remember 670 00:35:12,560 --> 00:35:15,960 Speaker 1: going back to twenty sixteen, twenty seventeen, he was he 671 00:35:16,000 --> 00:35:18,400 Speaker 1: won the Oscar for Best Actor for Manchester by the 672 00:35:18,440 --> 00:35:21,719 Speaker 1: Seas and it looked like, you know, he had the 673 00:35:21,840 --> 00:35:25,319 Speaker 1: entertainment world at his feet, but as he kind of 674 00:35:25,400 --> 00:35:28,880 Speaker 1: was climbing up that mountain. All of these allegations emerged 675 00:35:28,920 --> 00:35:31,480 Speaker 1: about some of his behavior on set from a twenty 676 00:35:31,560 --> 00:35:34,920 Speaker 1: ten movie I'm Still Here with Wuck in Phoenix that 677 00:35:35,040 --> 00:35:38,840 Speaker 1: resulted in civil lawsuits. He settled them for multiple millions 678 00:35:38,880 --> 00:35:41,480 Speaker 1: of dollars and kind of ever since then, he's been 679 00:35:41,520 --> 00:35:44,640 Speaker 1: a bit on the nose. He had a comeback last 680 00:35:44,719 --> 00:35:47,360 Speaker 1: year in Oppenheimer, but he played, you know, he played 681 00:35:47,360 --> 00:35:52,720 Speaker 1: a kind of you know, pretty evil, mysterious military intelligence officer. 682 00:35:53,040 --> 00:35:56,320 Speaker 1: So the vibe kind of fit with what most people 683 00:35:56,320 --> 00:35:58,320 Speaker 1: were kind of thinking about Casey Defflick anyway, So the 684 00:35:58,440 --> 00:36:02,640 Speaker 1: audience has kind of accepted it. But now this movie 685 00:36:02,760 --> 00:36:05,440 Speaker 1: is kind of expecting you to think, you know, remember 686 00:36:05,520 --> 00:36:09,080 Speaker 1: him from Ocean's eleven where he's kind of this lovable Alarican, 687 00:36:10,960 --> 00:36:13,440 Speaker 1: And that could be a stretch for some people watching 688 00:36:13,480 --> 00:36:17,160 Speaker 1: this movie, which is probably why Apple has decided to 689 00:36:17,200 --> 00:36:21,640 Speaker 1: market it. Mostly based around Matt Damon, who's the biggest 690 00:36:21,680 --> 00:36:26,480 Speaker 1: star anyway, and he plays a former marine who needs 691 00:36:26,520 --> 00:36:29,920 Speaker 1: to get the money so he can pay off his 692 00:36:30,600 --> 00:36:33,040 Speaker 1: child support stuff and see his son again who hasn't 693 00:36:33,080 --> 00:36:35,960 Speaker 1: seen for a little while. And he's kind of talking 694 00:36:35,960 --> 00:36:39,359 Speaker 1: all of this through with his therapist played by Hong Chow, 695 00:36:39,440 --> 00:36:41,800 Speaker 1: who was in The Whale with Brendan Fraser and was 696 00:36:41,800 --> 00:36:44,759 Speaker 1: also with Matt Damon in Downsizing a few years ago. 697 00:36:44,880 --> 00:36:49,200 Speaker 1: She's great, and so as the heist goes off the rails, 698 00:36:50,320 --> 00:36:54,160 Speaker 1: Matt Damon and Casey Affleck's characters end up taking the 699 00:36:54,160 --> 00:36:56,600 Speaker 1: therapist hostage even though she's kind of a bit of 700 00:36:56,600 --> 00:36:59,520 Speaker 1: a willing participant, and go on the run with the 701 00:36:59,520 --> 00:37:02,080 Speaker 1: authority's taste chasing them, and you know, they get into 702 00:37:02,080 --> 00:37:05,560 Speaker 1: all sorts of mischief along the way. Now, it's directed 703 00:37:05,560 --> 00:37:08,960 Speaker 1: by Doug Lehman, who really did some amazing work with 704 00:37:09,000 --> 00:37:11,560 Speaker 1: Matt Damon on The Bourne Identity. He kind of changed 705 00:37:11,600 --> 00:37:14,959 Speaker 1: action movies forever. And this is a director who also 706 00:37:15,000 --> 00:37:18,399 Speaker 1: did Mister and Missus Smith and a bunch of other 707 00:37:19,680 --> 00:37:21,799 Speaker 1: Swingers and Go Back in the Day. So he's done 708 00:37:21,800 --> 00:37:25,480 Speaker 1: a lot of interesting movies and he brings all of 709 00:37:25,480 --> 00:37:29,080 Speaker 1: that experience to this movie. It's it's pretty well made, 710 00:37:29,600 --> 00:37:32,920 Speaker 1: but it's one of those films that probably doesn't quite 711 00:37:32,960 --> 00:37:36,240 Speaker 1: reach the heights of those other heist movies from the past. 712 00:37:36,239 --> 00:37:39,280 Speaker 1: It's kind of like a you know, fairly fairly basic 713 00:37:39,480 --> 00:37:43,919 Speaker 1: generic plot. Matt Damon is great without being spectacular. Casey 714 00:37:43,960 --> 00:37:46,400 Speaker 1: Affleck is kind of just doing his thing that he 715 00:37:46,440 --> 00:37:53,040 Speaker 1: always does. Pretty much all star cast, Michael Stohberg, Toby Jones, 716 00:37:53,200 --> 00:37:56,840 Speaker 1: Alfred Molina. So you've got a lot of those actors 717 00:37:56,840 --> 00:37:57,799 Speaker 1: who are pretty well known. 718 00:37:57,920 --> 00:38:00,880 Speaker 2: Michael Stebam was in Your Honor. 719 00:38:02,640 --> 00:38:06,200 Speaker 1: He's fantastic, he's such he's such a good performer. And 720 00:38:06,239 --> 00:38:08,879 Speaker 1: so because it's got a really solid cast, it's it's 721 00:38:08,880 --> 00:38:11,879 Speaker 1: a very watchable movie. It's just not one that you're 722 00:38:11,920 --> 00:38:14,160 Speaker 1: going to walk away from going oh wow, that was 723 00:38:14,239 --> 00:38:17,080 Speaker 1: just fantastic. It's kind of like a classic streaming movie 724 00:38:17,080 --> 00:38:18,480 Speaker 1: that you watch and you go, oh, well, you know 725 00:38:18,480 --> 00:38:19,560 Speaker 1: that killed a night on the couch. 726 00:38:20,200 --> 00:38:22,319 Speaker 3: Okay, we've got we've got to. 727 00:38:22,239 --> 00:38:27,480 Speaker 1: Take away thy food and we microwave some popcorn. Everyone's happy. 728 00:38:27,600 --> 00:38:30,279 Speaker 3: Okay, So more Jason Stathan bank job than blowing the 729 00:38:30,320 --> 00:38:32,359 Speaker 3: bloody doors off your bank. 730 00:38:34,000 --> 00:38:36,120 Speaker 4: I'm thinking of the one where they, you know, that 731 00:38:36,400 --> 00:38:43,799 Speaker 4: after something and they find Princess Margaret's photos and I 732 00:38:43,840 --> 00:38:44,919 Speaker 4: loved that that great. 733 00:38:45,880 --> 00:38:47,879 Speaker 1: Definitely definitely won't blood your bloody doors. 734 00:38:49,280 --> 00:38:51,440 Speaker 2: Now, how many bloody doors does it blow off? 735 00:38:51,480 --> 00:38:51,640 Speaker 1: There? 736 00:38:52,880 --> 00:39:00,520 Speaker 3: With? Three? Yeah? 737 00:39:00,560 --> 00:39:02,520 Speaker 2: Thank you, thank you. 738 00:39:03,520 --> 00:39:04,319 Speaker 3: I'll see you soon. 739 00:39:05,480 --> 00:39:07,640 Speaker 2: Yeah, if you're not still quoting the line, it's fifty 740 00:39:07,719 --> 00:39:08,839 Speaker 2: years down to do it. 741 00:39:09,360 --> 00:39:13,720 Speaker 3: Michael Caine, what an ledge? Clezi and Lisa ninety six 742 00:39:13,800 --> 00:39:14,120 Speaker 3: am