1 00:00:00,720 --> 00:00:05,640 Speaker 1: Great per flick with benow Well, at the risk of 2 00:00:05,720 --> 00:00:11,400 Speaker 1: sounding terribly shallow, he had THEO Jans because he's a 3 00:00:11,520 --> 00:00:15,400 Speaker 1: very adsome man. But I know nothing about this movie 4 00:00:15,400 --> 00:00:16,720 Speaker 1: you're reviewing, Ben. 5 00:00:16,720 --> 00:00:20,520 Speaker 2: The Monkey World. You'll be happy to know that you 6 00:00:20,560 --> 00:00:23,120 Speaker 2: don't just get one THEO James in this movie. He's 7 00:00:23,120 --> 00:00:26,000 Speaker 2: playing twins, so you get two of them. You get two. 8 00:00:27,720 --> 00:00:30,120 Speaker 2: So what's your favorite THEO James? He was in White 9 00:00:30,160 --> 00:00:34,000 Speaker 2: Load a Gentleman. The Gentleman. Yeah, the guy Richard maybe 10 00:00:34,080 --> 00:00:38,000 Speaker 2: spin off series. He's great, So I like him having 11 00:00:38,040 --> 00:00:40,040 Speaker 2: his own accent. Ye, he's a yank, you know what 12 00:00:40,080 --> 00:00:43,680 Speaker 2: I mean. So The Monkey is a horror movie. It's 13 00:00:43,920 --> 00:00:48,600 Speaker 2: an adaptation of a Stephen King short story from nineteen eighteen. 14 00:00:49,400 --> 00:00:54,200 Speaker 2: And now the long checkered history of Stephen King adaptations 15 00:00:54,360 --> 00:00:57,280 Speaker 2: has produced some amazing films that it is, like The 16 00:00:57,440 --> 00:01:02,000 Speaker 2: Shining Misery, and some that weren't horror because he does 17 00:01:02,040 --> 00:01:06,160 Speaker 2: other things as well, Shawshank, Redemption Stand behind Me. But 18 00:01:06,680 --> 00:01:11,640 Speaker 2: it was also produced many many duds, like quite quite 19 00:01:11,680 --> 00:01:14,480 Speaker 2: recently The Dark Tower. I still don't even know what 20 00:01:14,600 --> 00:01:18,120 Speaker 2: that movie was about. It was just so terrible. It 21 00:01:18,240 --> 00:01:20,640 Speaker 2: was supposed to be this whole franchise, but that just 22 00:01:20,800 --> 00:01:24,080 Speaker 2: died in the water when it was just a complete flop. 23 00:01:24,760 --> 00:01:26,760 Speaker 2: Children of the Corn back in the day, Children of 24 00:01:26,800 --> 00:01:30,200 Speaker 2: the Corn too. There's a lot of really bad movies. 25 00:01:30,319 --> 00:01:33,080 Speaker 2: Maybe that maybe the original it was good with Tim 26 00:01:33,160 --> 00:01:37,080 Speaker 2: Curry asias. Yeah, so there are some good ones. There 27 00:01:37,080 --> 00:01:39,160 Speaker 2: are some bad ones. But in the end I would 28 00:01:39,160 --> 00:01:41,080 Speaker 2: say The Monkey probably is one of the best of 29 00:01:41,160 --> 00:01:42,360 Speaker 2: the last few years. 30 00:01:42,520 --> 00:01:42,839 Speaker 1: Okay. 31 00:01:43,319 --> 00:01:47,120 Speaker 2: It's inspired by the old monkey Paw curse, you know, 32 00:01:47,360 --> 00:01:50,440 Speaker 2: like where you get the old story from from way 33 00:01:50,520 --> 00:01:52,800 Speaker 2: back in the day, probably eighteenth century, something like that, 34 00:01:52,920 --> 00:01:56,040 Speaker 2: like a mummified monkey paw. You get three wishes and 35 00:01:56,160 --> 00:01:59,280 Speaker 2: then but each wish comes with some sort of calamity 36 00:01:59,400 --> 00:02:02,200 Speaker 2: and you can't the messages. The messages, you know, you 37 00:02:02,680 --> 00:02:05,480 Speaker 2: better be careful what you wish forking right, And so 38 00:02:05,560 --> 00:02:07,240 Speaker 2: in this case those a monkey Paul. You've got a 39 00:02:07,320 --> 00:02:09,600 Speaker 2: toy monkey, one of those ones like the Juris Cell bunny. 40 00:02:11,520 --> 00:02:14,640 Speaker 2: Wind it up, bangs on the drum, and every time 41 00:02:14,840 --> 00:02:18,519 Speaker 2: you do that, it has supernatural powers that aren't really 42 00:02:18,680 --> 00:02:24,160 Speaker 2: explained that someone in the near vicinity, some random person 43 00:02:24,400 --> 00:02:29,120 Speaker 2: will be struck down. The gruesome the gruesome accident but 44 00:02:29,200 --> 00:02:31,320 Speaker 2: there's no predicting it, and so people you know, might 45 00:02:31,360 --> 00:02:33,200 Speaker 2: wind up the monkey and go, you know, kill me 46 00:02:34,240 --> 00:02:37,000 Speaker 2: arch enemy. No, you might lose your best mate or 47 00:02:37,040 --> 00:02:38,799 Speaker 2: something like that. This is no rhyme or reasonable, And 48 00:02:38,919 --> 00:02:43,320 Speaker 2: so the film opens with severances Adam Scott, who is 49 00:02:43,400 --> 00:02:46,840 Speaker 2: so fantastic. This cameo at the start is worth the 50 00:02:46,880 --> 00:02:49,120 Speaker 2: price of the mission alone. He comes in sort of 51 00:02:49,200 --> 00:02:51,520 Speaker 2: covered in blood, holding his toy monkey into a second 52 00:02:51,560 --> 00:02:54,280 Speaker 2: hand store, going, you've got to take this thing. And 53 00:02:55,040 --> 00:02:57,040 Speaker 2: then we get a little bit of a taste of 54 00:02:57,520 --> 00:02:59,839 Speaker 2: what the monkey does, and then we sort of fast 55 00:02:59,880 --> 00:03:02,960 Speaker 2: for a couple of years, and these twin boys who 56 00:03:03,040 --> 00:03:06,600 Speaker 2: were left fatherless after Adam Scott kind of disappears out 57 00:03:06,639 --> 00:03:10,000 Speaker 2: of the picture, they find this toy monkey in the 58 00:03:10,120 --> 00:03:13,400 Speaker 2: closet of their house. They start mucking around with it. 59 00:03:13,520 --> 00:03:18,079 Speaker 2: Then you start to really realize. They start to realize, ye, yes, 60 00:03:19,760 --> 00:03:21,840 Speaker 2: there's lots of we're not gonna win. I'm working around 61 00:03:21,840 --> 00:03:27,280 Speaker 2: here and so anyway, and then we start to realize 62 00:03:27,320 --> 00:03:29,280 Speaker 2: what is actually going on here. They go, oh, okay, 63 00:03:29,360 --> 00:03:31,600 Speaker 2: this is not good. There's some people dying in really 64 00:03:31,639 --> 00:03:33,840 Speaker 2: horrible ways. We don't want to go to any more. Funerals. 65 00:03:34,040 --> 00:03:36,560 Speaker 2: Let's throw this monkey down the well and that's the 66 00:03:36,680 --> 00:03:39,760 Speaker 2: end of it. Twenty five years later, these twin boys 67 00:03:39,800 --> 00:03:43,960 Speaker 2: have grown up to be to THEO James's and there's 68 00:03:44,960 --> 00:03:48,640 Speaker 2: a new kind of spait of mysterious accidents that start 69 00:03:48,680 --> 00:03:50,200 Speaker 2: to happen, and they go, hang in a minute, I 70 00:03:50,240 --> 00:03:52,840 Speaker 2: think someone's found this monkey. We need to find a 71 00:03:52,880 --> 00:03:57,640 Speaker 2: way to beat the monkey. And he did say Spain, 72 00:03:57,840 --> 00:04:01,520 Speaker 2: it's okay, yep so, and so that it unfolds from there, 73 00:04:01,600 --> 00:04:04,880 Speaker 2: and one of the THEO James's has his own son 74 00:04:05,040 --> 00:04:08,640 Speaker 2: by this point and an estranged relationship, and so he's 75 00:04:08,760 --> 00:04:11,200 Speaker 2: juggling that situation as well as trying to figure out 76 00:04:11,240 --> 00:04:13,119 Speaker 2: what's going on. You get a little a larger wood 77 00:04:13,240 --> 00:04:16,680 Speaker 2: cameo in here, as well as a stepdad who's a 78 00:04:16,800 --> 00:04:19,120 Speaker 2: fathering expert. Is just the biggest kind of pain in 79 00:04:19,160 --> 00:04:22,240 Speaker 2: the fact you can ever imagine. But the great thing 80 00:04:22,240 --> 00:04:24,520 Speaker 2: about this film it's directed by Osgode Perkins, who gave 81 00:04:24,600 --> 00:04:27,520 Speaker 2: us Long Legs last year. That really love that scary movie. 82 00:04:28,480 --> 00:04:31,280 Speaker 2: It was unsettling, haunt your dreams kind of material. In 83 00:04:31,400 --> 00:04:34,600 Speaker 2: this case, he's not. It's kind of a silly plot, 84 00:04:34,640 --> 00:04:36,320 Speaker 2: right like as a toy monkey that kills people for 85 00:04:36,400 --> 00:04:38,840 Speaker 2: reasons that you're you're not ever sure or why, and 86 00:04:38,920 --> 00:04:41,520 Speaker 2: so instead of taking it seriously, he plays it all 87 00:04:41,680 --> 00:04:45,120 Speaker 2: for jokes and that actually is quite effective. Like it's 88 00:04:45,160 --> 00:04:47,360 Speaker 2: kind of like Nightmare on Elm Street with Freddie. It's 89 00:04:47,400 --> 00:04:49,480 Speaker 2: kind of funny most of the time. You don't take 90 00:04:49,560 --> 00:04:52,720 Speaker 2: it seriously that the horror stuff, the gory stuff is 91 00:04:52,880 --> 00:04:55,520 Speaker 2: so over the top that you sort of find yourself 92 00:04:55,680 --> 00:04:58,040 Speaker 2: are covering your eyes and going oh no, but you 93 00:04:58,400 --> 00:05:00,360 Speaker 2: don't really ever take it that seriously, and so it's 94 00:05:00,360 --> 00:05:02,760 Speaker 2: a bit of fun from that perspective. And some of 95 00:05:02,800 --> 00:05:05,719 Speaker 2: the ways these poor people get knocked off by the monkey, 96 00:05:05,800 --> 00:05:09,280 Speaker 2: it's just like it's just it's it's just yeah, just 97 00:05:09,360 --> 00:05:11,880 Speaker 2: like each one just keeps escalating. So yeah, it's a 98 00:05:11,960 --> 00:05:13,400 Speaker 2: bit of fun, but it's it's you know, look, it's 99 00:05:13,480 --> 00:05:16,200 Speaker 2: not it's not high browse cinema. Take it too seriously. 100 00:05:16,279 --> 00:05:18,159 Speaker 2: Don't take it serious monkey business. 101 00:05:18,279 --> 00:05:22,000 Speaker 1: So how many not monkey man's are you giving it? 102 00:05:22,320 --> 00:05:25,680 Speaker 2: I'm going to give it three solid if you like this, 103 00:05:26,520 --> 00:05:30,839 Speaker 2: we're seeing a lot with Robbie Williams and exactly the monkey. Yeah, 104 00:05:30,960 --> 00:05:32,360 Speaker 2: lots of monkeys around. Ben o'she