1 00:00:00,480 --> 00:00:02,120 Speaker 1: It's the Will and Woody podcast. 2 00:00:02,279 --> 00:00:08,880 Speaker 2: A pre Queen bender Woods, something which we actually think happened. Yeah, 3 00:00:08,960 --> 00:00:10,760 Speaker 2: right after World War Two, the Queen goes on a 4 00:00:10,800 --> 00:00:12,360 Speaker 2: four day bender. You'll hear us talk about this a 5 00:00:12,360 --> 00:00:15,120 Speaker 2: little bit later on the show. And then obviously shortly 6 00:00:15,160 --> 00:00:17,760 Speaker 2: after her dad dies and then she becomes Queen of England. 7 00:00:17,840 --> 00:00:19,800 Speaker 3: Yeah, but we sort of stumbled across the idea that 8 00:00:19,840 --> 00:00:22,439 Speaker 3: this is actually a great thing to do before you 9 00:00:22,600 --> 00:00:26,040 Speaker 3: take on a huge job, whether it's the queen, whether 10 00:00:26,079 --> 00:00:28,720 Speaker 3: it's CEO of a company. I think you should be 11 00:00:28,720 --> 00:00:33,360 Speaker 3: given this one hundred and two hour period sorr. How 12 00:00:33,360 --> 00:00:37,440 Speaker 3: many hours is four? It's two hours ninety six. 13 00:00:37,880 --> 00:00:40,280 Speaker 4: This could be in this ninety six hour window where 14 00:00:40,280 --> 00:00:41,360 Speaker 4: it's like just. 15 00:00:41,400 --> 00:00:42,720 Speaker 2: Get it all out of your system. 16 00:00:42,840 --> 00:00:45,440 Speaker 3: Yeah, and then when you become the CEO or the 17 00:00:45,520 --> 00:00:48,519 Speaker 3: king or the queeneh then you know, good boy. 18 00:00:48,360 --> 00:00:50,559 Speaker 2: Good girl, good boy, good girl. 19 00:00:50,840 --> 00:00:52,920 Speaker 4: You'll be will be a good girl. 20 00:00:53,040 --> 00:00:54,160 Speaker 2: But you get it. You get to have a bit 21 00:00:54,160 --> 00:00:54,560 Speaker 2: of a risk. 22 00:00:54,760 --> 00:00:57,000 Speaker 3: I just think that's a great idea. Yeah, right before 23 00:00:57,000 --> 00:01:00,319 Speaker 3: you get drafted into the NRL or the AFL, if 24 00:01:00,320 --> 00:01:03,160 Speaker 3: you're going to get drafted into the broncos, you've got 25 00:01:03,160 --> 00:01:06,240 Speaker 3: your ninety six hour bender part of your bloody pants off. 26 00:01:06,440 --> 00:01:08,600 Speaker 5: I think getting drafted to the Broncos stops them going 27 00:01:08,600 --> 00:01:09,240 Speaker 5: on to ninety six. 28 00:01:09,480 --> 00:01:11,880 Speaker 2: I was going to say that it's really just the beginning. 29 00:01:11,920 --> 00:01:15,160 Speaker 2: It's just the beginning, isn't it. It's just license to 30 00:01:15,319 --> 00:01:15,679 Speaker 2: do that. 31 00:01:16,640 --> 00:01:18,600 Speaker 4: Just don't stop when the season ends. 32 00:01:18,640 --> 00:01:20,600 Speaker 2: Yeah, that's right. I think it's more official. I think 33 00:01:20,600 --> 00:01:22,400 Speaker 2: it more ephysical at the end of the day. We 34 00:01:22,720 --> 00:01:24,080 Speaker 2: will talk about this in a little bit as well, 35 00:01:24,080 --> 00:01:26,640 Speaker 2: but Prince Charles is going to be taking the throne. Yes, 36 00:01:26,880 --> 00:01:29,200 Speaker 2: So what sort of four day bender do you envision 37 00:01:29,280 --> 00:01:31,720 Speaker 2: Prince Charles going on before he goes becomes the King 38 00:01:31,760 --> 00:01:32,240 Speaker 2: of England. 39 00:01:32,319 --> 00:01:33,520 Speaker 3: Well, I mean, at the end of the day, it's 40 00:01:33,959 --> 00:01:37,240 Speaker 3: up to his individual interests. But knowing Charles, what would 41 00:01:37,280 --> 00:01:39,560 Speaker 3: he want to do? I reckon you just want an absolutely 42 00:01:39,480 --> 00:01:40,319 Speaker 3: lock in it a brewery. 43 00:01:40,319 --> 00:01:44,959 Speaker 2: When you're saying knowing Charles, you knowing Charles, knowing you're 44 00:01:45,000 --> 00:01:46,640 Speaker 2: trying to insinuate him from media. 45 00:01:47,280 --> 00:01:50,040 Speaker 4: Knowing Charles, No, No, I think you want to lock in. 46 00:01:50,200 --> 00:01:51,240 Speaker 2: You're locking at a brewery. 47 00:01:51,280 --> 00:01:52,240 Speaker 4: He gets his boys together. 48 00:01:52,280 --> 00:01:54,480 Speaker 6: I feel like it's going to be more extravagant than 49 00:01:54,520 --> 00:01:59,320 Speaker 6: that made Charles isn't Charles is in conducting the brewery 50 00:01:59,440 --> 00:02:01,920 Speaker 6: down in August querens, guys, do you wonder if I 51 00:02:01,960 --> 00:02:04,520 Speaker 6: book the place from twelve to six and they're going, yeah, look, 52 00:02:04,560 --> 00:02:05,000 Speaker 6: that's fine. 53 00:02:05,040 --> 00:02:07,280 Speaker 2: We've got a twenty first birthday at seven though, so 54 00:02:07,320 --> 00:02:08,320 Speaker 2: you'll have to be out of there. 55 00:02:08,600 --> 00:02:11,560 Speaker 4: Faviously said his car runs on wine or what wine? 56 00:02:11,680 --> 00:02:13,800 Speaker 5: Maybe he just goes to a winery for four days 57 00:02:13,800 --> 00:02:15,200 Speaker 5: and walks around having a little sniff. 58 00:02:15,520 --> 00:02:17,919 Speaker 2: He also spent a lot of a lot of time 59 00:02:17,960 --> 00:02:22,680 Speaker 2: at the Bunderberg Brewery run the Bunderberg Distillery, I should 60 00:02:22,680 --> 00:02:24,320 Speaker 2: say when he was in Australia, spent a lot of 61 00:02:24,360 --> 00:02:24,760 Speaker 2: time there. 62 00:02:24,800 --> 00:02:27,959 Speaker 3: I reckon, he just does a distillery slash winery slash 63 00:02:28,080 --> 00:02:28,919 Speaker 3: brewery hop. 64 00:02:29,800 --> 00:02:32,480 Speaker 4: So he just go he just do a UK. 65 00:02:32,919 --> 00:02:37,519 Speaker 3: I'm going to visit every single brewery, winery or distillery 66 00:02:37,840 --> 00:02:38,399 Speaker 3: in the UK. 67 00:02:38,760 --> 00:02:39,960 Speaker 4: Get Harry back in the family. 68 00:02:42,360 --> 00:02:51,960 Speaker 2: Harry pops up again. He's been estranged. There's full table 69 00:02:52,040 --> 00:02:57,320 Speaker 2: and some toppees. I wouldn't have thought so, would not 70 00:02:57,440 --> 00:03:00,400 Speaker 2: have thought. So anyway, we're talking about that very shortly 71 00:03:00,440 --> 00:03:04,960 Speaker 2: in the podcast. Guys, Ryan Shelton joins us and yeah, 72 00:03:05,200 --> 00:03:09,480 Speaker 2: good stuff. Enjoy. We've got one of our favorite people 73 00:03:09,600 --> 00:03:11,880 Speaker 2: in the whole world in the studio right now in 74 00:03:12,000 --> 00:03:13,080 Speaker 2: Ryan Shelton. 75 00:03:13,280 --> 00:03:14,120 Speaker 1: Our next case. 76 00:03:14,240 --> 00:03:17,920 Speaker 2: He's a writer, comedian, radio and TV host. 77 00:03:18,160 --> 00:03:21,840 Speaker 7: He's also one half of an imperfect podcast. Wait no, 78 00:03:22,280 --> 00:03:25,799 Speaker 7: let me say that one again, The Imperfect Podcast. 79 00:03:26,040 --> 00:03:28,760 Speaker 4: Ah, that's better. You can follow all of his stuff 80 00:03:28,800 --> 00:03:31,160 Speaker 4: on fro dot com. 81 00:03:31,240 --> 00:03:32,280 Speaker 1: Yep, there really is. 82 00:03:32,360 --> 00:03:34,040 Speaker 4: He liberalis in his name. 83 00:03:34,400 --> 00:03:36,680 Speaker 1: But why we may never know. 84 00:03:36,760 --> 00:03:40,880 Speaker 7: Because he's got more important things to talk about, like spreadsheets. 85 00:03:41,400 --> 00:03:44,760 Speaker 1: Oh god, this could be a thoroughly boring shot planks. 86 00:03:44,800 --> 00:03:45,760 Speaker 1: Welcome to the show. 87 00:03:46,120 --> 00:03:47,240 Speaker 7: It's Ryan Shelton. 88 00:03:48,600 --> 00:03:50,480 Speaker 8: Welcome back by Oh thanks. 89 00:03:50,640 --> 00:03:52,680 Speaker 4: It's like, it's great to be here, great to be 90 00:03:52,800 --> 00:03:54,160 Speaker 4: here on the show. 91 00:03:54,320 --> 00:03:56,880 Speaker 2: We you're you're read hot at the moment, maybe you 92 00:03:56,920 --> 00:04:03,120 Speaker 2: are red hot. You're everywhere list them Well, well, podcast 93 00:04:03,280 --> 00:04:07,200 Speaker 2: is doing incredibly well tonight, obviously avid listeners. Every week 94 00:04:07,240 --> 00:04:10,000 Speaker 2: to you and Hugh Van Kylenberg just shed layers of 95 00:04:10,040 --> 00:04:12,360 Speaker 2: your skin and make us all feel very uncomfortable about 96 00:04:12,360 --> 00:04:13,920 Speaker 2: our vulnerabilities, which is great. 97 00:04:14,160 --> 00:04:16,960 Speaker 5: Well, it's gotten to the point now where it's I'm 98 00:04:16,960 --> 00:04:20,080 Speaker 5: actually one third of the Imperfect. So there's also Hughes brother, 99 00:04:20,160 --> 00:04:24,800 Speaker 5: Josh Joshenberg, who has who didn't have a microphone at 100 00:04:24,800 --> 00:04:26,960 Speaker 5: the beginning of the podcast and has weaseled his way 101 00:04:26,960 --> 00:04:28,080 Speaker 5: in and. 102 00:04:29,320 --> 00:04:31,920 Speaker 3: Post weasel though he's no offense Ryan, but he's become 103 00:04:31,920 --> 00:04:32,520 Speaker 3: the big player. 104 00:04:32,720 --> 00:04:35,760 Speaker 4: Like Josh just asked the right questions, isn't. 105 00:04:35,520 --> 00:04:37,800 Speaker 2: He actually funnily enough? Because I'm just going to say 106 00:04:38,080 --> 00:04:40,159 Speaker 2: that I was on the imperfect so while Ago knew 107 00:04:40,160 --> 00:04:41,760 Speaker 2: it was coming out, it was coming out. 108 00:04:42,440 --> 00:04:43,440 Speaker 8: How many grabs have you got? 109 00:04:46,120 --> 00:04:47,920 Speaker 2: I actually stuck around and spoke to Josh for like 110 00:04:47,960 --> 00:04:50,120 Speaker 2: an hour after our chat because he's just such an 111 00:04:50,160 --> 00:04:51,040 Speaker 2: engaging person. 112 00:04:51,160 --> 00:04:54,760 Speaker 8: Yeah, you and I were float out. Well we're busy, 113 00:04:56,440 --> 00:04:56,720 Speaker 8: but it. 114 00:04:56,720 --> 00:05:00,159 Speaker 2: Is killing mate, And obviously Ryan with eleven wise, but 115 00:05:00,400 --> 00:05:02,279 Speaker 2: I know one of your one of your idols in 116 00:05:02,360 --> 00:05:04,520 Speaker 2: Tony Martin tweeted the other day and said just how 117 00:05:04,600 --> 00:05:06,320 Speaker 2: much he loved your work at the moment. How did 118 00:05:06,320 --> 00:05:06,919 Speaker 2: that make you feel? 119 00:05:07,440 --> 00:05:10,080 Speaker 8: I mean that that was genuinely. 120 00:05:11,000 --> 00:05:14,240 Speaker 5: Hard to It was just so thrilling, and I can't 121 00:05:14,240 --> 00:05:17,640 Speaker 5: even really say it's just so good. So good is 122 00:05:17,279 --> 00:05:20,800 Speaker 5: the underplaying it eloquent? 123 00:05:21,279 --> 00:05:22,599 Speaker 2: You can see what he's at the top of his 124 00:05:22,680 --> 00:05:23,400 Speaker 2: game right now. 125 00:05:23,720 --> 00:05:25,080 Speaker 8: But look a broadcasting. 126 00:05:26,520 --> 00:05:30,040 Speaker 5: But no, I mean Tony is like has forever just 127 00:05:30,080 --> 00:05:33,880 Speaker 5: been somewhere I've looked up to admired and yeah, the 128 00:05:33,920 --> 00:05:36,479 Speaker 5: fact that he would even look at my website and 129 00:05:36,520 --> 00:05:37,880 Speaker 5: all the stuff I've been making. 130 00:05:37,720 --> 00:05:39,000 Speaker 8: Is is hell. 131 00:05:39,080 --> 00:05:41,680 Speaker 5: But the fact that he likes it is well, yeah, 132 00:05:41,720 --> 00:05:43,200 Speaker 5: it's one of the best things that's ever happened. 133 00:05:43,600 --> 00:05:43,960 Speaker 2: Amazing. 134 00:05:44,040 --> 00:05:45,840 Speaker 4: Your bloody deserve it though. If you haven't checked out 135 00:05:45,920 --> 00:05:47,920 Speaker 4: Ryan dot com with eleven wires, go and check it out. 136 00:05:48,080 --> 00:05:50,120 Speaker 4: It's so good for a laugh. Yeah, absolutely, And a 137 00:05:50,120 --> 00:05:52,120 Speaker 4: bit of introspective question as well. You do it really 138 00:05:52,160 --> 00:05:53,840 Speaker 4: really well, mate, But I don't want to talk about 139 00:05:53,839 --> 00:05:57,360 Speaker 4: your new TV show Spreadsheet, where you play a bit 140 00:05:57,400 --> 00:06:01,000 Speaker 4: of an IT nerd. Is there a bit of IT 141 00:06:01,480 --> 00:06:05,080 Speaker 4: nerd inside of you Ryan that she sort of drew upon? 142 00:06:07,400 --> 00:06:07,560 Speaker 9: No? 143 00:06:07,680 --> 00:06:11,760 Speaker 5: There, I do love I do love gear like I 144 00:06:11,800 --> 00:06:13,360 Speaker 5: do love tech. 145 00:06:13,920 --> 00:06:16,760 Speaker 8: Oh tech yeah, yeah, yeah, yeah, sorryeez, God, how long. 146 00:06:16,680 --> 00:06:18,760 Speaker 4: Are you going to be in Sydney for? That's your 147 00:06:18,800 --> 00:06:19,960 Speaker 4: head is in the wrong. 148 00:06:23,240 --> 00:06:25,559 Speaker 8: No tech? Yeah, yeah, I love tech. 149 00:06:25,680 --> 00:06:28,760 Speaker 5: I love researching tech, you know, all that sort of stuff. 150 00:06:28,760 --> 00:06:30,560 Speaker 5: So I think there is a little bit of IT 151 00:06:31,279 --> 00:06:36,000 Speaker 5: guy in me for sure. The character's name's Sliman, which 152 00:06:36,640 --> 00:06:38,520 Speaker 5: which is a nick whose name Simon, but everyone calls 153 00:06:38,600 --> 00:06:39,960 Speaker 5: him Sliman behind Wow. 154 00:06:40,480 --> 00:06:41,880 Speaker 2: Do you think that and do you think that like 155 00:06:42,000 --> 00:06:46,479 Speaker 2: nerdy geeky characters are sort of like overlooked or unfairly 156 00:06:47,279 --> 00:06:50,159 Speaker 2: painted with that brush being a bit slime. 157 00:06:51,320 --> 00:06:52,960 Speaker 5: I guess it's I don't think you have to be 158 00:06:53,040 --> 00:06:56,359 Speaker 5: an it guy to be slimy. This ideal guy just 159 00:06:56,400 --> 00:06:59,320 Speaker 5: happens to be a little bit slimy in a likable way, 160 00:06:59,560 --> 00:07:01,719 Speaker 5: you know, but very easy to watch on television. 161 00:07:01,720 --> 00:07:03,760 Speaker 2: We've all got tech people and you can and you 162 00:07:03,760 --> 00:07:06,000 Speaker 2: can stream it on Paramount Plus if you'd like to 163 00:07:06,040 --> 00:07:08,120 Speaker 2: watch spreadsheet. But we've all got tech people like tea 164 00:07:08,160 --> 00:07:10,520 Speaker 2: people you know in our office who a lot of 165 00:07:10,520 --> 00:07:13,000 Speaker 2: the time, you know, just sort of like busying away 166 00:07:13,040 --> 00:07:15,040 Speaker 2: in the background. And I know one part of the 167 00:07:15,120 --> 00:07:17,120 Speaker 2: character you play in in Slimon is he's kind of 168 00:07:17,120 --> 00:07:19,200 Speaker 2: like overlooked a lot of the time from the crew. 169 00:07:19,800 --> 00:07:21,480 Speaker 2: What do you think do you think that's something that 170 00:07:21,520 --> 00:07:22,800 Speaker 2: happens like consistently right? 171 00:07:23,480 --> 00:07:24,000 Speaker 8: How do you mean? 172 00:07:24,160 --> 00:07:25,680 Speaker 2: Well, like, do you think that tech people are just 173 00:07:25,760 --> 00:07:27,600 Speaker 2: kind of like overlooked as people that are just sort 174 00:07:27,600 --> 00:07:30,560 Speaker 2: of like a cogginer machine rather than individuals. I know, 175 00:07:30,680 --> 00:07:32,160 Speaker 2: I've certainly. 176 00:07:31,920 --> 00:07:34,080 Speaker 5: Maybe yeah, I mean I think I think that's that's 177 00:07:34,120 --> 00:07:37,640 Speaker 5: possibly true, but I think in the last probably ten 178 00:07:37,960 --> 00:07:39,840 Speaker 5: twenty years, that's probably changed it. 179 00:07:39,880 --> 00:07:41,520 Speaker 8: But I think if you can code now. 180 00:07:42,320 --> 00:07:43,720 Speaker 4: You're in a pretty good spot. 181 00:07:43,880 --> 00:07:46,320 Speaker 5: Yeah, yeah, I think probably back in the back in 182 00:07:46,400 --> 00:07:50,720 Speaker 5: the in the nineties, eighties and nineties, it was daggy, 183 00:07:50,840 --> 00:07:51,400 Speaker 5: but now. 184 00:07:51,280 --> 00:07:54,120 Speaker 4: It's probably pretty pretty aspirational. 185 00:07:54,200 --> 00:07:56,080 Speaker 2: Look at Ada Kurs husband, Yeah. 186 00:07:55,920 --> 00:07:59,400 Speaker 4: Evan Spiegel, I believe his name is, Yeah, this. 187 00:07:59,520 --> 00:08:00,360 Speaker 8: Name is don't. 188 00:08:03,280 --> 00:08:03,440 Speaker 10: Now. 189 00:08:03,480 --> 00:08:03,720 Speaker 8: Ryan. 190 00:08:03,840 --> 00:08:08,520 Speaker 3: Last time you're on this show, mate, you had a 191 00:08:08,560 --> 00:08:11,120 Speaker 3: little bit of a blunder, and we actually said, do 192 00:08:11,120 --> 00:08:12,480 Speaker 3: you have the interview, that we're going to edit it 193 00:08:12,520 --> 00:08:15,240 Speaker 3: out of the interview, and rather than doing that, we've 194 00:08:15,280 --> 00:08:17,640 Speaker 3: just replayed this grab a lot on our show. 195 00:08:18,280 --> 00:08:18,400 Speaker 6: Here. 196 00:08:18,960 --> 00:08:19,640 Speaker 4: Here it is. 197 00:08:20,120 --> 00:08:24,160 Speaker 11: Lord Michaels, who's the creator and EP of Saturday Night Live, 198 00:08:24,240 --> 00:08:30,200 Speaker 11: and he's always said that, like we we don't stop. 199 00:08:30,280 --> 00:08:36,480 Speaker 4: Right a bit of a stitch up. How much do 200 00:08:36,559 --> 00:08:39,679 Speaker 4: you play that? We just talk whenever something that goes 201 00:08:39,720 --> 00:08:41,320 Speaker 4: bad 'd be pretty much go, well, not as bad 202 00:08:41,360 --> 00:08:43,000 Speaker 4: as been. Ryan Shelton was on this show and then 203 00:08:43,000 --> 00:08:44,160 Speaker 4: we just play you stuffing up. 204 00:08:44,679 --> 00:08:47,400 Speaker 5: I've noticed a plateau in my Instagram followers. 205 00:08:48,880 --> 00:08:50,599 Speaker 3: But mate, right up next, we want to give you 206 00:08:50,679 --> 00:08:52,280 Speaker 3: a chance of redemption. So we're going to go to 207 00:08:52,320 --> 00:08:54,880 Speaker 3: a song. But up next, we've got some. 208 00:08:56,600 --> 00:08:58,200 Speaker 4: To talk without stuffing up. 209 00:08:58,800 --> 00:08:59,800 Speaker 8: No, we've got some. 210 00:09:00,720 --> 00:09:03,280 Speaker 3: We've got some famous quotes up next, and we're going 211 00:09:03,360 --> 00:09:05,240 Speaker 3: to give you half of the famous quote and then 212 00:09:05,240 --> 00:09:06,920 Speaker 3: we're going to see if you can finish it. 213 00:09:07,040 --> 00:09:11,000 Speaker 4: Okay, great, awesome, Let's get to a song. You're listening 214 00:09:11,000 --> 00:09:12,360 Speaker 4: to Will and Woody Ken. 215 00:09:12,440 --> 00:09:16,000 Speaker 3: Ryan redeems himself redeem his reputation as a quotesman. 216 00:09:16,520 --> 00:09:17,240 Speaker 8: Yes he can. 217 00:09:17,960 --> 00:09:18,680 Speaker 4: It's confident. 218 00:09:19,040 --> 00:09:23,520 Speaker 2: Spreadsheet streams exclusively on Paramount Plus. Honestly, some of the 219 00:09:23,520 --> 00:09:28,600 Speaker 2: biggest hitters in Australian entertainment are in this show. Stephen 220 00:09:28,600 --> 00:09:30,360 Speaker 2: Coe we spoke to last week about it as well, 221 00:09:30,480 --> 00:09:33,640 Speaker 2: its eight part series exploring the fact that this newly 222 00:09:33,640 --> 00:09:36,959 Speaker 2: divorced woman has a spreadsheet to navigate her nose strings 223 00:09:36,960 --> 00:09:40,199 Speaker 2: attached sex life. Ryan Shelton's in the studio, so I 224 00:09:40,200 --> 00:09:41,120 Speaker 2: should have introduced him. 225 00:09:41,120 --> 00:09:42,280 Speaker 8: Don't dare you can? 226 00:09:42,360 --> 00:09:48,079 Speaker 5: I one a motto or like for a billboard for spreadsheet, 227 00:09:48,120 --> 00:09:50,000 Speaker 5: which I thought of after we shot it, because, as 228 00:09:50,000 --> 00:09:53,240 Speaker 5: you just said, it's about a woman who's got a spreadsheet, right, 229 00:09:53,320 --> 00:09:57,360 Speaker 5: and it's sleeping with lots of men. So my idea 230 00:09:57,400 --> 00:09:59,920 Speaker 5: for a billboard it was too late, but still okay. 231 00:10:00,000 --> 00:10:04,040 Speaker 5: Possibly for season two. Yeah, sex cells but c e 232 00:10:04,240 --> 00:10:09,360 Speaker 5: l l oh, God, that's that's come on, God, that's good. 233 00:10:09,520 --> 00:10:09,920 Speaker 8: That's good. 234 00:10:10,800 --> 00:10:12,920 Speaker 4: Did you pitch that to Paramount plus? Did did you 235 00:10:13,000 --> 00:10:15,079 Speaker 4: get in the room with him? I spoke to the director. 236 00:10:16,120 --> 00:10:16,960 Speaker 4: I texted him. 237 00:10:18,000 --> 00:10:21,400 Speaker 5: It wasn't it wasn't a very impassioned pitch, but just 238 00:10:21,400 --> 00:10:21,960 Speaker 5: sent it to him. 239 00:10:22,000 --> 00:10:22,480 Speaker 8: He loved it. 240 00:10:22,640 --> 00:10:24,679 Speaker 5: Yeah, I haven't seen it anyway yet, but anyway, I 241 00:10:24,760 --> 00:10:25,840 Speaker 5: just throw it out there. 242 00:10:26,120 --> 00:10:27,760 Speaker 2: When you say he loved it, did he just like 243 00:10:28,080 --> 00:10:29,840 Speaker 2: do that thing that you can do an I message 244 00:10:29,840 --> 00:10:31,920 Speaker 2: now was just react with a love heart to it. 245 00:10:32,040 --> 00:10:35,840 Speaker 2: So it's like a particularly feeble attempt to get around you, 246 00:10:35,920 --> 00:10:37,199 Speaker 2: and he just went back to No. 247 00:10:37,320 --> 00:10:40,319 Speaker 5: He genuinely said he liked it, liked it. He genuinely 248 00:10:40,400 --> 00:10:42,880 Speaker 5: liked it, just taking my claim I came up with it. 249 00:10:43,040 --> 00:10:44,000 Speaker 5: But you ever see it again? 250 00:10:44,160 --> 00:10:44,800 Speaker 8: It was my p. 251 00:10:48,559 --> 00:10:50,560 Speaker 2: Now this is the second time I've had Ryan, and 252 00:10:51,120 --> 00:10:53,320 Speaker 2: this year we're just We're really good to have him back. 253 00:10:53,360 --> 00:10:57,000 Speaker 2: But last time you did try and quote the League 254 00:10:57,040 --> 00:11:01,200 Speaker 2: creator on Saturday Night Live, right, and look, you bungled 255 00:11:01,240 --> 00:11:02,880 Speaker 2: the quote. You bungled the quote. If you missed it, 256 00:11:02,880 --> 00:11:03,200 Speaker 2: this what he. 257 00:11:03,200 --> 00:11:07,520 Speaker 11: Said, Lord Michaels, who's the creator and EP of Saturday 258 00:11:07,600 --> 00:11:12,760 Speaker 11: Night Live, and he's always said that like we we 259 00:11:12,880 --> 00:11:16,439 Speaker 11: don't stop right, can't. 260 00:11:16,240 --> 00:11:19,880 Speaker 5: Remember perfect, I don't see the I don't see the issue. 261 00:11:19,880 --> 00:11:24,080 Speaker 4: Because that is what Lord Michael said. You delivered it 262 00:11:24,160 --> 00:11:26,080 Speaker 4: so convincingly, that's quite incredible. 263 00:11:26,080 --> 00:11:30,440 Speaker 5: It's a lesser known quote, but he said, yeah, that 264 00:11:30,559 --> 00:11:34,040 Speaker 5: was that was Michael. That was actually spot on. 265 00:11:34,520 --> 00:11:36,760 Speaker 2: He definitely would have stumbled at some stage, so you 266 00:11:36,880 --> 00:11:38,160 Speaker 2: probably you've probably. 267 00:11:37,800 --> 00:11:38,280 Speaker 8: Got him there. 268 00:11:39,000 --> 00:11:42,080 Speaker 2: Now. The only other person who is awful at quoting 269 00:11:42,120 --> 00:11:44,520 Speaker 2: people is what he's sitting across from me right now. 270 00:11:44,960 --> 00:11:46,400 Speaker 2: So I reckon. You guys are going to have to 271 00:11:46,400 --> 00:11:48,040 Speaker 2: go toe to toe in a bit of a quote of. 272 00:11:48,880 --> 00:11:53,120 Speaker 3: Nice, nice, a bit of a quote off. 273 00:11:53,120 --> 00:11:54,040 Speaker 4: Oh yeah. 274 00:11:54,080 --> 00:11:56,319 Speaker 2: So the way this works, rise, I'm just going to 275 00:11:56,360 --> 00:11:58,880 Speaker 2: give you the first half of the quote and then 276 00:11:59,040 --> 00:12:01,000 Speaker 2: either you or would he can buzz in with what 277 00:12:01,040 --> 00:12:03,200 Speaker 2: you think The second half of the quote is. 278 00:12:03,160 --> 00:12:03,760 Speaker 8: Oh, sorry. 279 00:12:03,800 --> 00:12:05,400 Speaker 5: I thought he came over and I told him what 280 00:12:05,480 --> 00:12:07,280 Speaker 5: work needed to be done and he gives me a quote. 281 00:12:09,800 --> 00:12:11,240 Speaker 8: Okay, I got mixed up. 282 00:12:11,240 --> 00:12:14,959 Speaker 3: Okay, it's a more elaborate idea, just. 283 00:12:15,000 --> 00:12:16,080 Speaker 8: A pretty long game. 284 00:12:16,760 --> 00:12:19,600 Speaker 5: I'll come around tomorrow morning between nine and five, and 285 00:12:19,800 --> 00:12:21,199 Speaker 5: I'll let you know wanted to be done, and I'll 286 00:12:21,240 --> 00:12:23,640 Speaker 5: give you a quote, and then you give me quote 287 00:12:23,840 --> 00:12:24,600 Speaker 5: classic quote. 288 00:12:26,640 --> 00:12:28,439 Speaker 2: Oh god, that would. 289 00:12:28,280 --> 00:12:30,440 Speaker 4: Actually be a good TV shirt, you know, like. 290 00:12:30,440 --> 00:12:32,000 Speaker 2: You the mate. 291 00:12:34,400 --> 00:12:38,000 Speaker 8: Let's get it all right. 292 00:12:38,040 --> 00:12:40,600 Speaker 2: So first quote here is from Eleanor Roosevelt. 293 00:12:41,200 --> 00:12:41,880 Speaker 8: I'm not good with her. 294 00:12:42,120 --> 00:12:45,520 Speaker 2: Eleanor Roosevelt. These are all quite obscure. Actually, I'm not 295 00:12:45,559 --> 00:12:47,640 Speaker 2: sure who collected these, but they're all kind of like 296 00:12:47,760 --> 00:12:49,000 Speaker 2: mid twentieth century quotes. 297 00:12:49,000 --> 00:12:49,480 Speaker 8: So here we go. 298 00:12:50,320 --> 00:12:53,880 Speaker 2: The first The first half is if life were predictable? 299 00:12:55,160 --> 00:12:56,400 Speaker 2: Wants the rest of that quote? 300 00:12:56,800 --> 00:12:58,200 Speaker 8: You never know what you're going to get. 301 00:12:59,000 --> 00:13:07,800 Speaker 2: Incorrect, Ryan, If if life were predictable, you wouldn't be living? 302 00:13:08,480 --> 00:13:08,680 Speaker 8: Yeah? 303 00:13:08,760 --> 00:13:13,199 Speaker 2: No again, incorrect? Pretty closely would she said? It would 304 00:13:13,240 --> 00:13:15,559 Speaker 2: cease to be life and be without flavor. 305 00:13:15,640 --> 00:13:16,880 Speaker 4: I'm pretty much there. 306 00:13:16,720 --> 00:13:20,080 Speaker 2: Very good. Did a great job. Next one here, Oprah Wickrey. 307 00:13:20,920 --> 00:13:23,040 Speaker 2: If you look at what you have in life. 308 00:13:24,679 --> 00:13:28,160 Speaker 4: What you have in life, If you look. 309 00:13:28,000 --> 00:13:35,240 Speaker 8: At what you have in life, you can be since 310 00:13:35,280 --> 00:13:36,960 Speaker 8: you've been on airs, dive in. 311 00:13:37,200 --> 00:13:38,440 Speaker 4: If you look at what you have in life, you 312 00:13:38,440 --> 00:13:42,480 Speaker 4: don't look at what you don't have, pretty clod, I. 313 00:13:42,440 --> 00:13:44,040 Speaker 5: Was gonna, I was gonna say something like, if you 314 00:13:44,040 --> 00:13:45,880 Speaker 5: look at what you have in life, then you should 315 00:13:45,960 --> 00:13:47,400 Speaker 5: Is it something back being grateful? 316 00:13:48,280 --> 00:13:49,880 Speaker 2: Yeah, pretty much. If you look at what you have 317 00:13:49,920 --> 00:13:51,480 Speaker 2: in life, you'll always have more. 318 00:13:51,880 --> 00:13:56,760 Speaker 4: Oh yeah, I don't know. Would be considered a famous quote, 319 00:13:57,120 --> 00:13:58,400 Speaker 4: to be honest, right, thank you? 320 00:13:58,480 --> 00:14:01,000 Speaker 2: Right, none of these. I went with Eleanor Roosevelt to 321 00:14:01,040 --> 00:14:03,280 Speaker 2: start mate. I don't think that was exactly our household 322 00:14:03,320 --> 00:14:04,960 Speaker 2: name to start with. And I don't really care what 323 00:14:05,000 --> 00:14:09,640 Speaker 2: you guys. You can't judge the quote wrong. It's a 324 00:14:09,640 --> 00:14:11,800 Speaker 2: famous quote. You guys are having a guess, it's not 325 00:14:11,840 --> 00:14:13,840 Speaker 2: a famous quote. That's going to move on if I 326 00:14:13,920 --> 00:14:17,280 Speaker 2: can next one here, John Lennon, bigger name. Okay, No, 327 00:14:17,760 --> 00:14:19,200 Speaker 2: life is what happens when. 328 00:14:20,360 --> 00:14:23,760 Speaker 5: Oh when I know, life is what happens when I'll 329 00:14:23,800 --> 00:14:24,240 Speaker 5: give it to you. 330 00:14:24,880 --> 00:14:26,200 Speaker 8: Oh you know what do you don't No? 331 00:14:26,200 --> 00:14:26,840 Speaker 4: No, no, I don't know. 332 00:14:26,960 --> 00:14:27,320 Speaker 2: I don't know. 333 00:14:27,720 --> 00:14:30,640 Speaker 5: Life is what happens when something, something gets in the way, 334 00:14:30,840 --> 00:14:31,960 Speaker 5: or life is close. 335 00:14:32,160 --> 00:14:33,600 Speaker 2: When close woods. 336 00:14:33,600 --> 00:14:37,880 Speaker 3: Life is what happens when you stop, you stop thinking 337 00:14:38,040 --> 00:14:38,840 Speaker 3: about the past. 338 00:14:39,640 --> 00:14:39,920 Speaker 12: Damn it. 339 00:14:40,000 --> 00:14:40,760 Speaker 4: It's something happens. 340 00:14:41,360 --> 00:14:44,000 Speaker 2: Is what happens when you're busy making other plans? 341 00:14:47,000 --> 00:14:47,800 Speaker 8: Is what he said. 342 00:14:47,920 --> 00:14:49,720 Speaker 4: That's a good bye. 343 00:14:49,800 --> 00:14:51,800 Speaker 2: Now. It would be wrong with me not to finish 344 00:14:51,800 --> 00:14:54,520 Speaker 2: off with another eleanor Roosevelt quote, because I've got two 345 00:14:54,600 --> 00:14:54,880 Speaker 2: of them. 346 00:14:55,080 --> 00:14:55,920 Speaker 4: The phones are running. 347 00:15:01,040 --> 00:15:08,280 Speaker 2: I don't know why I've got No, she's here, I've 348 00:15:08,320 --> 00:15:08,960 Speaker 2: got some more. 349 00:15:09,080 --> 00:15:13,960 Speaker 4: Nor that should be a staple. 350 00:15:15,880 --> 00:15:18,760 Speaker 2: Oh no, here we go more eleanor Roosevelt. 351 00:15:18,840 --> 00:15:19,400 Speaker 8: Fine quote. 352 00:15:19,480 --> 00:15:26,320 Speaker 2: The future belongs to the youth. Incorrect, The future belongs 353 00:15:26,400 --> 00:15:28,000 Speaker 2: to Ryan. 354 00:15:28,040 --> 00:15:29,600 Speaker 8: You have a coat the present. 355 00:15:30,440 --> 00:15:33,960 Speaker 2: No, you've just gone for the stereotype. The future belongs 356 00:15:34,000 --> 00:15:38,280 Speaker 2: to those who believe in the beauty of their dreams. 357 00:15:38,720 --> 00:15:40,280 Speaker 4: As if we were going to get any of those. 358 00:15:41,880 --> 00:15:43,600 Speaker 2: That was the trap. It was a trap. 359 00:15:43,640 --> 00:15:47,160 Speaker 4: All along were normal A book of. 360 00:15:52,480 --> 00:15:55,320 Speaker 2: Ran Thanks for coming in this stud How you can 361 00:15:55,360 --> 00:15:59,040 Speaker 2: see spreadsheet its streams exclusively on Paramount Plus. That's the 362 00:15:59,040 --> 00:16:01,040 Speaker 2: place to check it out. One an elite cast and 363 00:16:01,080 --> 00:16:04,200 Speaker 2: a bloody good fascinating concept to see whether it works out. 364 00:16:04,360 --> 00:16:05,000 Speaker 8: It's a good show. 365 00:16:05,200 --> 00:16:05,640 Speaker 4: It's fun. 366 00:16:05,920 --> 00:16:09,040 Speaker 2: Lauren navigating her sex life no strings attached, with a 367 00:16:09,080 --> 00:16:13,720 Speaker 2: spreadsheet on her fridge said Stephen Curry's in there, but 368 00:16:13,720 --> 00:16:17,000 Speaker 2: I should probably say Ryan Shelton's in enter. You can 369 00:16:17,040 --> 00:16:20,680 Speaker 2: see him on there. Spreadsheetstrench exclsively on Paramount Plus. 370 00:16:20,840 --> 00:16:22,479 Speaker 1: It's the Will and Woody Podcast. 371 00:16:22,680 --> 00:16:24,560 Speaker 2: You can win two hundred and fifty bucks with us 372 00:16:24,640 --> 00:16:29,000 Speaker 2: every Thursday or thanks to Bonds with uncomfy questions, call. 373 00:16:28,800 --> 00:16:31,960 Speaker 4: Your boys with Bonds ex temp trunks. Visit Bonds dot 374 00:16:32,000 --> 00:16:32,600 Speaker 4: com dot. 375 00:16:32,400 --> 00:16:34,000 Speaker 10: Are you to learn more? 376 00:16:36,120 --> 00:16:40,280 Speaker 4: Will and Woodies Oh no, uncomfortable questions. 377 00:16:41,840 --> 00:16:42,440 Speaker 8: Questions? 378 00:16:43,040 --> 00:16:44,840 Speaker 2: Alright? Would so just get two people on the radio. 379 00:16:44,840 --> 00:16:46,400 Speaker 2: I got to know this person really well. That's the 380 00:16:46,400 --> 00:16:48,960 Speaker 2: only hurdle registered at with Thewoody dot com. If you'd 381 00:16:49,000 --> 00:16:50,880 Speaker 2: like to play, and you just have to answer the 382 00:16:50,920 --> 00:16:54,600 Speaker 2: same three uncomfortable questions as the person you're playing with. 383 00:16:54,680 --> 00:16:57,440 Speaker 2: It's super simple. It's all thanks to Bonds ex temp trunks. 384 00:16:57,440 --> 00:16:59,640 Speaker 2: Cool your boys with bonzx temp trunks. Visit Bonds dot 385 00:16:59,640 --> 00:17:01,880 Speaker 2: com dot you to learn more. Got a brother sister 386 00:17:01,920 --> 00:17:02,800 Speaker 2: combo on today? 387 00:17:02,920 --> 00:17:05,920 Speaker 3: Absolutely, and we have the brother of that combo on 388 00:17:05,960 --> 00:17:06,680 Speaker 3: the phone right now. 389 00:17:06,720 --> 00:17:10,720 Speaker 4: Hello Tom, very good, Thank you mate. 390 00:17:10,720 --> 00:17:13,639 Speaker 3: We're excited to hear the awkward moments you're going to 391 00:17:13,680 --> 00:17:17,160 Speaker 3: steer yourself and your sister into. Before we get into that, though, 392 00:17:17,160 --> 00:17:19,520 Speaker 3: can you tell us a bit about the relationship between 393 00:17:19,560 --> 00:17:20,000 Speaker 3: the two of you. 394 00:17:20,520 --> 00:17:23,199 Speaker 13: I was not too bad, mate, but she's I was 395 00:17:23,280 --> 00:17:25,320 Speaker 13: just on the driving road flushing balls in and then 396 00:17:25,680 --> 00:17:27,480 Speaker 13: my phone rang and like what if my sister got 397 00:17:27,480 --> 00:17:28,200 Speaker 13: me into this time? 398 00:17:28,359 --> 00:17:30,760 Speaker 4: This is probably more for you than her, mate, because 399 00:17:30,800 --> 00:17:32,800 Speaker 4: if she wins, you got the two hundred and fifty 400 00:17:32,840 --> 00:17:34,800 Speaker 4: bucks worth of bonds xtem trunks mate. 401 00:17:34,640 --> 00:17:36,639 Speaker 13: So I tell you right now I'll be lucky to 402 00:17:36,640 --> 00:17:38,160 Speaker 13: get five bucks out of that. Mauchup. 403 00:17:40,760 --> 00:17:41,119 Speaker 7: Serious? 404 00:17:41,400 --> 00:17:43,840 Speaker 8: Oh Tommy, Well let's get into it. Made. 405 00:17:43,880 --> 00:17:46,120 Speaker 2: I know you probably want to get back to flushing 406 00:17:46,119 --> 00:17:47,720 Speaker 2: a few off the stick, as you put it. 407 00:17:48,280 --> 00:17:49,400 Speaker 8: Let's get down to it, mate. 408 00:17:49,440 --> 00:17:52,719 Speaker 2: First question here, what's the most embarrassing thing that happened 409 00:17:52,760 --> 00:17:54,320 Speaker 2: to you as a kid. 410 00:17:55,560 --> 00:17:58,160 Speaker 13: Well, it's embarrassing and a little bit sort of as 411 00:17:58,160 --> 00:18:00,159 Speaker 13: you might look at it, sad or just going is 412 00:18:00,200 --> 00:18:03,440 Speaker 13: with perthige disease. Made. So that mean basically a full 413 00:18:03,600 --> 00:18:08,040 Speaker 13: hip deteriorating disease where I wasn't wasn't meant to walk again. 414 00:18:08,119 --> 00:18:10,880 Speaker 13: So I was in a scenario here, boys, so imagine 415 00:18:11,040 --> 00:18:14,679 Speaker 13: used to there were traffic lights in Melbourne there and 416 00:18:14,720 --> 00:18:16,600 Speaker 13: the corner of your eye, just see some old lady 417 00:18:16,640 --> 00:18:19,480 Speaker 13: with a seven foot skateboard with a massive be trope 418 00:18:19,520 --> 00:18:22,600 Speaker 13: attached to the skateboard and the kid plastered had to toe. 419 00:18:22,760 --> 00:18:24,439 Speaker 13: That was me just getting pushed around a. 420 00:18:24,680 --> 00:18:25,240 Speaker 12: Year and a half. 421 00:18:26,640 --> 00:18:28,800 Speaker 13: Looking back, it was pretty pretty bad stuff. So that 422 00:18:28,880 --> 00:18:31,800 Speaker 13: was kind of embarrassing. Yeah, only had two holes to 423 00:18:32,600 --> 00:18:34,399 Speaker 13: go to the toilet, and I was in that position 424 00:18:34,440 --> 00:18:35,320 Speaker 13: for about a year and a half. 425 00:18:35,440 --> 00:18:38,919 Speaker 2: Yeah, so you were plasted, like both your legs were 426 00:18:38,920 --> 00:18:41,520 Speaker 2: in plaster and you had two holes in the plasta 427 00:18:41,600 --> 00:18:42,720 Speaker 2: to go to the toilet. 428 00:18:42,400 --> 00:18:44,359 Speaker 13: With you had to stick between my legs and I 429 00:18:44,400 --> 00:18:46,560 Speaker 13: was about up to about just under my chin at 430 00:18:46,560 --> 00:18:47,399 Speaker 13: one stat. 431 00:18:49,040 --> 00:18:50,120 Speaker 4: That you fully recovered. 432 00:18:50,160 --> 00:18:51,879 Speaker 13: I had to learn how to walk again. The doctor 433 00:18:51,920 --> 00:18:54,679 Speaker 13: said to my mom, you were He's going to have 434 00:18:54,720 --> 00:18:56,760 Speaker 13: to use his brainy life, not his body. And my 435 00:18:57,320 --> 00:19:00,680 Speaker 13: profession is a personal trainer, a competing body and stuff. 436 00:19:01,600 --> 00:19:03,320 Speaker 13: The doctors don't know much, mate, you know. 437 00:19:03,800 --> 00:19:05,800 Speaker 4: Yeah, good on you, mate, good on you. 438 00:19:07,480 --> 00:19:07,720 Speaker 8: Tell me. 439 00:19:07,800 --> 00:19:11,320 Speaker 2: Next question, what did Danny want to be when she was. 440 00:19:11,280 --> 00:19:15,040 Speaker 13: A kid, Dude, this is embarrassing, man. She wanted to 441 00:19:15,040 --> 00:19:19,000 Speaker 13: be a model, right, my sister and her. You know, 442 00:19:19,040 --> 00:19:22,320 Speaker 13: there's really daggy old army pants that like she used 443 00:19:22,359 --> 00:19:23,200 Speaker 13: to wear back in the day. 444 00:19:23,680 --> 00:19:25,880 Speaker 2: Yeah, yeah, there you goes. 445 00:19:25,880 --> 00:19:27,840 Speaker 13: She had a pair of them and thought it was 446 00:19:27,880 --> 00:19:30,080 Speaker 13: a cool idea to go buy a dodgy Kodak camera 447 00:19:30,119 --> 00:19:32,360 Speaker 13: from Cole's. So they went up to the shops, got 448 00:19:32,359 --> 00:19:35,119 Speaker 13: this three dollar camera with about ten disposable photos, and 449 00:19:35,160 --> 00:19:37,359 Speaker 13: like ran home like, Mum, we're going to send this 450 00:19:37,400 --> 00:19:39,800 Speaker 13: to ad model agency and you know, I'm going to 451 00:19:39,840 --> 00:19:42,200 Speaker 13: be the next big thing. And she goes to the 452 00:19:42,240 --> 00:19:44,280 Speaker 13: school next to us and she's trying to take these 453 00:19:44,320 --> 00:19:47,080 Speaker 13: hot cool like trying to kinky photos in a bee tree. 454 00:19:47,200 --> 00:19:49,960 Speaker 13: When she gets stung by bees. She comes run at 455 00:19:49,960 --> 00:19:53,040 Speaker 13: home trying her eyes out, and she's got a few photos. 456 00:19:53,040 --> 00:19:55,360 Speaker 13: But it was just looking back, mate, it was just horrific. 457 00:19:55,520 --> 00:19:59,800 Speaker 2: I don't know what she was thinking posing for rawn 458 00:20:00,160 --> 00:20:04,960 Speaker 2: shots in camo pants. Next question, who is more of 459 00:20:05,000 --> 00:20:06,840 Speaker 2: a tight as Tom, you or Denny. 460 00:20:07,400 --> 00:20:12,280 Speaker 13: I don't have to answer that, mat Next one, it's 461 00:20:12,280 --> 00:20:14,480 Speaker 13: her hands down, without question. 462 00:20:14,640 --> 00:20:16,560 Speaker 2: She's one of the tightest things she's ever done. 463 00:20:17,320 --> 00:20:19,200 Speaker 13: Oh well, last week down I took her and took 464 00:20:19,200 --> 00:20:21,960 Speaker 13: the nephew out to like a plane fun. It's about 465 00:20:22,160 --> 00:20:24,080 Speaker 13: ten bucks to Ginny and I reckon. She gave me 466 00:20:24,160 --> 00:20:26,280 Speaker 13: six bucks and shrapnel dead set and then I bought 467 00:20:26,359 --> 00:20:29,400 Speaker 13: him lunch and I'm like, Danny, are you It's okay? 468 00:20:29,600 --> 00:20:31,920 Speaker 13: Got it all the time, mate, She's arify. 469 00:20:32,400 --> 00:20:34,000 Speaker 2: That's great, Tom, Thank you so much. 470 00:20:34,080 --> 00:20:34,280 Speaker 8: Mate. 471 00:20:34,280 --> 00:20:36,160 Speaker 2: We're just going to check to on hold and then 472 00:20:36,480 --> 00:20:37,800 Speaker 2: we'll speak to you on the other side. 473 00:20:38,080 --> 00:20:40,120 Speaker 13: If we win, tell her we lost, and give meet 474 00:20:40,119 --> 00:20:41,120 Speaker 13: about you because I'm going. 475 00:20:41,000 --> 00:20:46,240 Speaker 2: To get out of it. It's down the line and 476 00:20:46,359 --> 00:20:48,720 Speaker 2: we've got more with tom We're going to get his 477 00:20:48,800 --> 00:20:51,199 Speaker 2: sister Danny on the phone. Right up next for Bond's 478 00:20:51,400 --> 00:20:52,880 Speaker 2: Uncomfy Questions. 479 00:20:53,160 --> 00:20:55,560 Speaker 4: Cool your Boys with Bonds ex Temp Trunks. 480 00:20:55,680 --> 00:20:57,960 Speaker 2: Visit Bonds dot com dot you to learn more. 481 00:20:58,119 --> 00:20:59,040 Speaker 13: Jesus Christ. 482 00:21:00,720 --> 00:21:04,920 Speaker 4: Will and Woodies. Oh No, Uncomfortable Questions. 483 00:21:06,480 --> 00:21:10,920 Speaker 2: Questions Radio Woods. So we've got a brother sister duo, 484 00:21:11,040 --> 00:21:13,879 Speaker 2: couple of sib lings. Yes on the show to they 485 00:21:13,880 --> 00:21:17,080 Speaker 2: would have spoke to Tommy, who's busy flushing some balls 486 00:21:17,080 --> 00:21:19,000 Speaker 2: at the driving range. We're lucky to be graced with 487 00:21:19,040 --> 00:21:21,680 Speaker 2: his presence of thanks coming back on the show. So 488 00:21:21,720 --> 00:21:24,119 Speaker 2: I'm sorry to interrupt the hit out was. 489 00:21:24,080 --> 00:21:24,760 Speaker 13: A good mate? 490 00:21:25,000 --> 00:21:26,800 Speaker 4: Did you pluck a few bangers during the song? 491 00:21:26,840 --> 00:21:27,040 Speaker 8: There? 492 00:21:27,080 --> 00:21:29,040 Speaker 13: Tell me looking good at the moment. 493 00:21:29,119 --> 00:21:31,520 Speaker 2: Now he's coming out with a good beautiful that's good 494 00:21:31,520 --> 00:21:33,560 Speaker 2: to hear man, and that's spoken like someone whos obviously 495 00:21:33,560 --> 00:21:37,040 Speaker 2: never played golf woods. We've got Danny who joins us 496 00:21:37,040 --> 00:21:40,680 Speaker 2: on thirty one and six five. Gooday, Danny, Hello guys, 497 00:21:40,880 --> 00:21:43,639 Speaker 2: Oh good you just you sound very pleasant? Can I 498 00:21:43,640 --> 00:21:46,639 Speaker 2: start by saying that, thank you very much? Certainly not 499 00:21:46,680 --> 00:21:49,399 Speaker 2: the picture that your brother Tom's just painted. 500 00:21:49,040 --> 00:21:49,520 Speaker 8: Of you, but. 501 00:21:52,000 --> 00:21:58,399 Speaker 2: Fake wow. All right, all right, Danny, So pretty simple 502 00:21:58,440 --> 00:21:59,840 Speaker 2: set up here. I'm just gonna ask you the same 503 00:21:59,880 --> 00:22:01,760 Speaker 2: thing questions and I just asked Tom, does that? 504 00:22:02,720 --> 00:22:03,040 Speaker 14: Yes? 505 00:22:03,760 --> 00:22:07,520 Speaker 2: What's the most embarrassing thing that happened to Tom as 506 00:22:07,560 --> 00:22:07,960 Speaker 2: a kid? 507 00:22:10,200 --> 00:22:11,520 Speaker 14: I've got two in mind. 508 00:22:11,920 --> 00:22:13,800 Speaker 4: Go the worst one, don't hold back, Danny. 509 00:22:14,320 --> 00:22:16,639 Speaker 14: The the worst thing that happened to him was he 510 00:22:16,680 --> 00:22:17,560 Speaker 14: bleached himself. 511 00:22:18,080 --> 00:22:19,800 Speaker 2: He bleached himself. 512 00:22:20,440 --> 00:22:24,400 Speaker 14: He bleached himself. He had shower at my mom's and 513 00:22:24,520 --> 00:22:28,560 Speaker 14: my mom's silly mother used a loafer and bleach on 514 00:22:28,600 --> 00:22:32,520 Speaker 14: the loafer, and he went in the shower and I 515 00:22:32,520 --> 00:22:35,080 Speaker 14: don't even know why you'd use anyone else's loafer anyway, 516 00:22:35,240 --> 00:22:37,159 Speaker 14: And he used the loafer with bleach on it and 517 00:22:37,200 --> 00:22:41,800 Speaker 14: bleached himself. But he had covered in bleach and he 518 00:22:41,920 --> 00:22:44,280 Speaker 14: was just about to compete in his body building competition. 519 00:22:44,400 --> 00:22:49,440 Speaker 13: Had to go to hospital a cockle your emergency and 520 00:22:49,680 --> 00:22:51,960 Speaker 13: like they've just ruled the whole prepe for twenty. 521 00:22:51,720 --> 00:22:58,200 Speaker 2: Weeks and he forgot about that. That's not what he said. 522 00:23:00,240 --> 00:23:01,120 Speaker 2: He said this. 523 00:23:01,920 --> 00:23:04,840 Speaker 13: Diagnosed with perce disease. Wasn't meant to walk again to 524 00:23:05,040 --> 00:23:07,480 Speaker 13: see some old lady with a seven foot skateboard with 525 00:23:07,560 --> 00:23:10,640 Speaker 13: a massive betrope attached to the skateboard and the kid 526 00:23:10,720 --> 00:23:13,320 Speaker 13: plastered head to toe. That was me just getting pushed 527 00:23:13,320 --> 00:23:14,280 Speaker 13: around a year. 528 00:23:14,160 --> 00:23:14,600 Speaker 2: And a half. 529 00:23:14,880 --> 00:23:15,960 Speaker 13: Tell me you got that wrong? 530 00:23:16,080 --> 00:23:17,280 Speaker 9: How did you get that wrong? 531 00:23:17,720 --> 00:23:19,760 Speaker 14: I was going to literally was going to say that 532 00:23:19,880 --> 00:23:21,800 Speaker 14: liked not just lived. 533 00:23:21,760 --> 00:23:23,480 Speaker 13: Me through the whole process of it. 534 00:23:23,520 --> 00:23:25,359 Speaker 9: And you thought, shame of what he was worse you. 535 00:23:25,640 --> 00:23:33,160 Speaker 2: Oh my god, covering his Elvin Blach. Next question, Danny, 536 00:23:33,480 --> 00:23:34,920 Speaker 2: who is more of a tight us? 537 00:23:35,280 --> 00:23:39,080 Speaker 13: Oh me, he'd say, we're going to hang up. As 538 00:23:39,080 --> 00:23:40,200 Speaker 13: she said, I tell you right. 539 00:23:40,080 --> 00:23:41,359 Speaker 8: Now, And what do you know? 540 00:23:41,880 --> 00:23:43,560 Speaker 2: And what's the most tight thing you've done. 541 00:23:46,280 --> 00:23:49,320 Speaker 14: I'm one of those people. If it's on sale, I'll 542 00:23:49,359 --> 00:23:51,000 Speaker 14: say to him, I'll give you cash. And when I 543 00:23:51,080 --> 00:23:53,080 Speaker 14: say cash, then I'll ask for even more discounts. 544 00:23:53,240 --> 00:23:58,840 Speaker 13: The boys, I don't have to answer that late. Next 545 00:23:58,840 --> 00:24:01,120 Speaker 13: one took your nephew out to a lot of playing fun. 546 00:24:01,520 --> 00:24:03,800 Speaker 13: It's about ten bucks to getny and I reckon. She 547 00:24:03,840 --> 00:24:05,960 Speaker 13: gave me six bucks and shark all dead set, and 548 00:24:05,960 --> 00:24:11,919 Speaker 13: then I bought him lunch. True, true, I gave you 549 00:24:12,000 --> 00:24:12,520 Speaker 13: ten dollars. 550 00:24:12,640 --> 00:24:14,120 Speaker 11: And about your. 551 00:24:19,040 --> 00:24:21,480 Speaker 2: Final question here for you, Danny, what did you want 552 00:24:21,520 --> 00:24:24,320 Speaker 2: to be when you were a kid, Danny, Think about this. 553 00:24:25,359 --> 00:24:26,240 Speaker 2: Think about it, Danny. 554 00:24:27,800 --> 00:24:29,000 Speaker 14: I've always wanted to be an actor. 555 00:24:29,800 --> 00:24:31,679 Speaker 2: You want to be an actor? Is there a story 556 00:24:31,680 --> 00:24:32,280 Speaker 2: that goes with that. 557 00:24:34,160 --> 00:24:37,439 Speaker 14: I just remember my sister taking lots of photos of me. 558 00:24:38,480 --> 00:24:39,560 Speaker 13: She put my head in a bush. 559 00:24:39,560 --> 00:24:40,560 Speaker 14: She would go to school. 560 00:24:40,600 --> 00:24:44,280 Speaker 8: She put so sorry, sorry, just quickly. 561 00:24:44,359 --> 00:24:46,720 Speaker 4: Your sister puts your head in a bush to test 562 00:24:46,760 --> 00:24:47,240 Speaker 4: your acting. 563 00:24:47,600 --> 00:24:50,159 Speaker 14: I literally get to take photos because you've got to 564 00:24:50,160 --> 00:24:52,400 Speaker 14: take photos to send to their actors. 565 00:24:52,440 --> 00:24:53,120 Speaker 13: You know it's all the. 566 00:24:53,040 --> 00:24:55,520 Speaker 2: Places would. 567 00:24:57,960 --> 00:25:00,359 Speaker 14: It was, Sis, I've still got the photos kind of 568 00:25:00,359 --> 00:25:02,600 Speaker 14: like in this bush thing and my hair was kind 569 00:25:02,600 --> 00:25:05,159 Speaker 14: of like with these little flowers through it. It was, 570 00:25:05,200 --> 00:25:06,800 Speaker 14: you know, it was back then. 571 00:25:09,080 --> 00:25:09,359 Speaker 2: This is what. 572 00:25:11,520 --> 00:25:13,679 Speaker 13: She wanted to be a model. Right, She's trying to 573 00:25:13,720 --> 00:25:16,160 Speaker 13: take these hot cool like trying to kiss you phoners 574 00:25:16,160 --> 00:25:18,479 Speaker 13: in a bee tree when she gets stung by bees. 575 00:25:20,800 --> 00:25:25,160 Speaker 2: No, I'm not sure what's better either you getting stung 576 00:25:25,200 --> 00:25:27,919 Speaker 2: by a bee or Tom thinking that bees grow on trees. 577 00:25:28,040 --> 00:25:30,720 Speaker 2: Either way, you guys will find yourself Jo hundred and 578 00:25:30,760 --> 00:25:32,800 Speaker 2: fifty Marc suspended Bonds. 579 00:25:33,440 --> 00:25:37,720 Speaker 13: Lovely tell me shouldn't email on me because I ain't 580 00:25:37,760 --> 00:25:38,680 Speaker 13: going to see the check. 581 00:25:38,520 --> 00:25:47,760 Speaker 2: And worries and all guys, congratulations, got a great relationship. 582 00:25:47,840 --> 00:25:50,359 Speaker 2: Thanks for playing uncomfortable questions all thanks to Bonds. Visit 583 00:25:50,359 --> 00:25:52,120 Speaker 2: bonds dot com dot are you to learn more? 584 00:25:52,320 --> 00:25:54,520 Speaker 1: It's the Will and Woody podcast Very quickly? 585 00:25:54,560 --> 00:25:57,159 Speaker 2: Would you rather be attacked by a swarm of killer 586 00:25:57,200 --> 00:25:59,120 Speaker 2: bees or deadly piranha? 587 00:25:59,640 --> 00:26:00,720 Speaker 8: Will? And what is. 588 00:26:00,760 --> 00:26:04,600 Speaker 4: Would you rather be staying to death by bees? 589 00:26:08,400 --> 00:26:14,199 Speaker 2: To death by PanAm? I worry about Prana? Feel fit 590 00:26:14,240 --> 00:26:15,440 Speaker 2: to join the conversation if you'd. 591 00:26:15,400 --> 00:26:16,920 Speaker 4: Like to absolutely join the boys. 592 00:26:17,040 --> 00:26:20,280 Speaker 3: But before I answer my question, yeah, can I get 593 00:26:20,320 --> 00:26:21,280 Speaker 3: a bit of context him? 594 00:26:22,080 --> 00:26:23,480 Speaker 2: Would you actually like to know what happened? 595 00:26:23,560 --> 00:26:23,720 Speaker 8: Yeah? 596 00:26:23,720 --> 00:26:26,159 Speaker 2: I think a bit of context that's fair enough. A 597 00:26:26,200 --> 00:26:29,560 Speaker 2: man has reportedly died in Brazil after jumping into a 598 00:26:29,640 --> 00:26:32,000 Speaker 2: lake to escape a swarm of killer bees. 599 00:26:32,680 --> 00:26:34,000 Speaker 4: What a horrific situation. 600 00:26:34,080 --> 00:26:36,800 Speaker 2: So he's the bees are going after him, he escapes, 601 00:26:37,119 --> 00:26:40,080 Speaker 2: dives into a lake, and then he has eaten bicycle 602 00:26:40,240 --> 00:26:41,800 Speaker 2: of deadly parana. 603 00:26:41,960 --> 00:26:43,800 Speaker 4: Oh mercy, okay. 604 00:26:44,040 --> 00:26:46,960 Speaker 2: And the interesting part about it is in the the 605 00:26:47,000 --> 00:26:52,000 Speaker 2: coroner's office the post mortem. The firefighters rescue him, and 606 00:26:52,160 --> 00:26:56,000 Speaker 2: the fish disfigured his face and lots of his body, 607 00:26:56,040 --> 00:26:57,560 Speaker 2: so they can't actually tell if he died from the 608 00:26:57,600 --> 00:27:00,800 Speaker 2: piranhas or the bees. Ah. Yeah, so you know, if 609 00:27:00,800 --> 00:27:03,120 Speaker 2: you're in his just you know, it's a good, good 610 00:27:03,119 --> 00:27:05,600 Speaker 2: exercise and empathy. Put yourself in the big fellow's shoes. 611 00:27:07,040 --> 00:27:07,960 Speaker 2: What would you rather. 612 00:27:09,160 --> 00:27:12,040 Speaker 3: Well if if in this situation he did have a 613 00:27:12,119 --> 00:27:16,399 Speaker 3: choice there between jumping in the lake and not, I 614 00:27:16,400 --> 00:27:17,520 Speaker 3: think I'm jumping. 615 00:27:17,280 --> 00:27:19,080 Speaker 2: You jumping you go in the pirana a Well? 616 00:27:19,119 --> 00:27:21,240 Speaker 4: I think so, because the piranha would probably it's be 617 00:27:22,480 --> 00:27:23,200 Speaker 4: just faster. 618 00:27:23,480 --> 00:27:25,160 Speaker 2: You're going to get into the specifics here. 619 00:27:25,200 --> 00:27:27,760 Speaker 3: Well, well, yeah, there's also a chance to get away 620 00:27:27,840 --> 00:27:28,880 Speaker 3: in the lake, aren't. 621 00:27:28,680 --> 00:27:29,240 Speaker 4: You as well? 622 00:27:29,880 --> 00:27:30,240 Speaker 15: In the lake? 623 00:27:30,359 --> 00:27:33,080 Speaker 4: Well, if you're being attacked by a swarm of bees, have. 624 00:27:33,040 --> 00:27:35,600 Speaker 2: You ever tried to outswim a fish? 625 00:27:35,040 --> 00:27:37,600 Speaker 3: Uh no, yeah, actually sound I'd like to try it. 626 00:27:37,800 --> 00:27:40,280 Speaker 3: But I mean but there may not have been piranhas, 627 00:27:40,440 --> 00:27:41,600 Speaker 3: or maybe the piranhas. 628 00:27:41,200 --> 00:27:42,040 Speaker 4: Have just had a feed. 629 00:27:43,240 --> 00:27:47,200 Speaker 2: I don't think you can throw in that. Maybe I 630 00:27:47,760 --> 00:27:49,320 Speaker 2: think you're altering the hypothetical. 631 00:27:49,400 --> 00:27:52,520 Speaker 3: Okay, so either way I get attacked, Yes, in this 632 00:27:52,600 --> 00:27:55,399 Speaker 3: hypothetical piranhas or bees, So your pick, I'm still piranhas. 633 00:27:55,480 --> 00:27:57,720 Speaker 2: You go in the parana and in parana, what would 634 00:27:58,240 --> 00:28:01,360 Speaker 2: over the man eating fish? Yeah, that's rather than get 635 00:28:01,359 --> 00:28:01,840 Speaker 2: attacked by. 636 00:28:01,800 --> 00:28:02,639 Speaker 4: What have you got with the bees? 637 00:28:02,680 --> 00:28:02,840 Speaker 8: Bro? 638 00:28:03,040 --> 00:28:05,240 Speaker 3: I just think it's Yeah, I just think that'd be horrific, 639 00:28:05,320 --> 00:28:08,159 Speaker 3: like you know, slow and yeah, awful. 640 00:28:08,280 --> 00:28:10,600 Speaker 4: Okay, I think I've never been attacked by a bee. 641 00:28:10,680 --> 00:28:13,480 Speaker 2: Gys called us one of six. Bees tend to defend 642 00:28:13,520 --> 00:28:18,919 Speaker 2: themselves largely, they don't know to attack people. Gie, Welcome 643 00:28:18,960 --> 00:28:20,720 Speaker 2: to the show. Hello. 644 00:28:21,160 --> 00:28:26,280 Speaker 12: My answer is paranas because I just try to swim 645 00:28:26,280 --> 00:28:28,360 Speaker 12: across the lake and get out. 646 00:28:29,280 --> 00:28:31,040 Speaker 2: Yeah, no, that was that was his logic as well. 647 00:28:31,080 --> 00:28:33,680 Speaker 2: Do you hear the question, have you have you a fish? 648 00:28:33,760 --> 00:28:33,920 Speaker 8: Gi? 649 00:28:35,400 --> 00:28:39,160 Speaker 4: No? Yeah, but but but but Gie the fish might 650 00:28:39,200 --> 00:28:44,320 Speaker 4: have been full? Yeah yeah, Samani on the I don't 651 00:28:44,400 --> 00:28:47,760 Speaker 4: think that should have a TV show Surviving the bush 652 00:28:47,800 --> 00:28:48,720 Speaker 4: with Woody and Gie. 653 00:28:49,240 --> 00:28:52,840 Speaker 2: The bana might have been fully has joined us. You 654 00:28:52,880 --> 00:28:54,560 Speaker 2: want to have to throw at the stump? See pirana 655 00:28:54,640 --> 00:28:57,840 Speaker 2: or bees? Where would you rather die? Definitely? Bees? 656 00:28:57,920 --> 00:28:58,760 Speaker 8: Why? Bees? 657 00:28:59,760 --> 00:29:02,280 Speaker 16: I'm been around bees in my whole life, so not 658 00:29:02,320 --> 00:29:04,920 Speaker 16: that scary for me, Like, yeah, what's. 659 00:29:04,760 --> 00:29:05,440 Speaker 4: The what's the key? 660 00:29:05,520 --> 00:29:05,840 Speaker 8: Actually? 661 00:29:06,120 --> 00:29:07,200 Speaker 4: Sorry, this is actually quite interesting. 662 00:29:07,360 --> 00:29:10,120 Speaker 3: If someone is getting attacked by a bee, you know, 663 00:29:10,160 --> 00:29:11,600 Speaker 3: that can be quite a traumatic experience. 664 00:29:11,720 --> 00:29:12,960 Speaker 4: What should you do? Play dead? 665 00:29:14,520 --> 00:29:17,120 Speaker 16: Well, for me, I've been attacked by b before. But 666 00:29:17,240 --> 00:29:20,120 Speaker 16: like you just got to remain calm sort of. I 667 00:29:20,160 --> 00:29:22,320 Speaker 16: think they sensed your fears. 668 00:29:22,240 --> 00:29:22,680 Speaker 4: Like a shark. 669 00:29:25,680 --> 00:29:29,000 Speaker 16: Work worked with No, No, I haven't worked with bees. 670 00:29:29,120 --> 00:29:30,280 Speaker 12: No, I haven't worked with bees. 671 00:29:30,360 --> 00:29:33,400 Speaker 16: We've had bee farms at my family, in my house. 672 00:29:33,520 --> 00:29:37,880 Speaker 2: We've all been in a meadow. They can't smell a 673 00:29:37,920 --> 00:29:40,400 Speaker 2: particle or blood of sweating a billion from a mile away. 674 00:29:40,440 --> 00:29:43,720 Speaker 2: They aren't sharks. The hypotheticals been butchered. They sent you 675 00:29:44,040 --> 00:29:45,480 Speaker 2: more by everyone. 676 00:29:46,000 --> 00:29:48,240 Speaker 1: It's the Will and Woody Podcast. 677 00:29:48,680 --> 00:29:53,040 Speaker 3: Well, Kim Kardashian is back on the horse, and that 678 00:29:53,120 --> 00:29:59,959 Speaker 3: horse's name is Pete Davidson. She was the list a 679 00:30:00,040 --> 00:30:04,000 Speaker 3: of high, high glamour women that this guy has been 680 00:30:04,040 --> 00:30:05,400 Speaker 3: with just continues to grow. 681 00:30:05,680 --> 00:30:08,680 Speaker 2: Is that way of saying beautiful women, yeah high yeah, 682 00:30:08,680 --> 00:30:11,200 Speaker 2: blamin high glamour, high clamor women. 683 00:30:11,400 --> 00:30:14,400 Speaker 4: I've got to see I've got a certain vernacular, wilshow. 684 00:30:14,920 --> 00:30:17,760 Speaker 4: But but Kim Karashan and Pete Davidson. 685 00:30:18,080 --> 00:30:21,720 Speaker 2: Sorry, can you just I am not across the HG 686 00:30:21,880 --> 00:30:23,680 Speaker 2: dubs that he is that he's dated in the past too. 687 00:30:23,720 --> 00:30:27,040 Speaker 2: We talk So Pete Davidson everyone knows from Saturday Night Live. 688 00:30:27,280 --> 00:30:28,600 Speaker 2: He was in a movie as well, called King of 689 00:30:28,600 --> 00:30:34,040 Speaker 2: Staten Islands. But he was with famously Ariana Grande for 690 00:30:34,080 --> 00:30:34,760 Speaker 2: a long time. 691 00:30:35,840 --> 00:30:38,760 Speaker 4: She said that he had big d. 692 00:30:39,320 --> 00:30:44,040 Speaker 3: Energy oh yeah, which he actually said was almost like 693 00:30:44,080 --> 00:30:46,280 Speaker 3: a bad thing because every woman he was with afterwards 694 00:30:46,320 --> 00:30:47,040 Speaker 3: expected him to. 695 00:30:47,000 --> 00:30:48,720 Speaker 4: Have a big oh right energy. 696 00:30:48,880 --> 00:30:51,040 Speaker 3: He said, he doesn't think he's got a big one, right. 697 00:30:51,280 --> 00:30:54,320 Speaker 3: But anyway, after Ariana Grande. He was with Phoebe Dinah Wore, 698 00:30:54,440 --> 00:31:01,200 Speaker 3: who was of course that sexy period Peace Bridges. Oh yeah, 699 00:31:01,280 --> 00:31:05,080 Speaker 3: Kate Beckinsale, Margaret Qualey, Kaya Kerb of the Model, Kazzie 700 00:31:05,200 --> 00:31:08,960 Speaker 3: david I mean it's a huge list, but these. 701 00:31:08,800 --> 00:31:11,480 Speaker 2: Two she lost me at the Dinosaur, but anyway, fair. 702 00:31:11,440 --> 00:31:15,160 Speaker 3: Enough, these two Kim Kardashi and Pete Davidson, that is 703 00:31:15,320 --> 00:31:18,400 Speaker 3: got tongues wagging when they were on Saturday Night Live together. 704 00:31:18,480 --> 00:31:22,480 Speaker 3: So she hosted a month ago Jimmy Kay. Yes, and 705 00:31:22,680 --> 00:31:26,000 Speaker 3: she shared a kiss with Pete Davidson when they were 706 00:31:26,000 --> 00:31:27,520 Speaker 3: in an Aladdin sketch together. 707 00:31:27,640 --> 00:31:28,400 Speaker 4: Here's the audio of that. 708 00:31:28,840 --> 00:31:29,400 Speaker 2: Look at us. 709 00:31:29,480 --> 00:31:32,880 Speaker 10: You're a lot of women, and I'm so fraid because 710 00:31:32,920 --> 00:31:34,280 Speaker 10: all I either stolen. 711 00:31:33,960 --> 00:31:37,080 Speaker 1: Bread Aladdin Relax. 712 00:31:37,400 --> 00:31:39,440 Speaker 15: I really like you, I really do. 713 00:31:39,560 --> 00:31:41,560 Speaker 2: And I really like you too. 714 00:31:41,640 --> 00:31:42,920 Speaker 15: Now are you gonna kiss me or not? 715 00:31:43,720 --> 00:31:44,240 Speaker 14: I sure? 716 00:31:44,240 --> 00:31:45,080 Speaker 8: I am Jasmine. 717 00:31:46,560 --> 00:31:48,600 Speaker 4: Oh so yeah, she had a kiss. 718 00:31:48,640 --> 00:31:51,160 Speaker 2: Wiz so the punchline. 719 00:31:51,240 --> 00:31:54,040 Speaker 4: Of the sketch. I don't know. I don't think a 720 00:31:54,200 --> 00:31:55,920 Speaker 4: kiss was the punchline of the sketch. 721 00:31:56,600 --> 00:31:58,680 Speaker 3: But you know, people got talking after that, and then 722 00:31:58,720 --> 00:32:01,440 Speaker 3: they were seen hanging out a little bit, and just 723 00:32:01,600 --> 00:32:05,520 Speaker 3: last night it appears that Pete Davidson took Kim Kardashian 724 00:32:05,600 --> 00:32:10,000 Speaker 3: to his local pizzeria so kept it nice in cash. 725 00:32:10,480 --> 00:32:13,960 Speaker 3: But here's my thoughts on it will please and I 726 00:32:14,080 --> 00:32:16,280 Speaker 3: hate to be, you know, breaking this to Pete Davidson 727 00:32:16,360 --> 00:32:20,800 Speaker 3: if he is listening. But given that Kim Kardashian broke 728 00:32:20,880 --> 00:32:24,320 Speaker 3: up with Kanye West earlier this year, yep, I think 729 00:32:24,440 --> 00:32:31,200 Speaker 3: Pete might just be a rebound. Is that a fair 730 00:32:31,240 --> 00:32:34,440 Speaker 3: coll I just think she's divorced Kanye and is the 731 00:32:34,440 --> 00:32:38,360 Speaker 3: first person that Kim Kardashian's been with. He appears to 732 00:32:38,480 --> 00:32:40,760 Speaker 3: just be that bounce back, that rebound just to get 733 00:32:40,840 --> 00:32:42,320 Speaker 3: Kanye out of her mind. 734 00:32:42,360 --> 00:32:44,640 Speaker 2: What's the giveaway of a rebound? Like, why are you 735 00:32:44,680 --> 00:32:47,240 Speaker 2: suggesting he's a rebound? What is it about him? 736 00:32:47,680 --> 00:32:49,920 Speaker 3: There's a couple of things. I would say that it 737 00:32:50,040 --> 00:32:52,640 Speaker 3: is completely out of the blue. You know that they 738 00:32:52,680 --> 00:32:55,200 Speaker 3: didn't know each other before, and it's happened quite fast 739 00:32:55,440 --> 00:32:59,040 Speaker 3: after her and Kanye ended. And if you look at 740 00:32:59,120 --> 00:33:02,920 Speaker 3: Kim kardashian track record of guys, it's just not her type. 741 00:33:03,640 --> 00:33:04,800 Speaker 2: Yeah right, what is her time? 742 00:33:07,680 --> 00:33:14,680 Speaker 7: Well, bigger guys, guys, guys, guys with muscles, guys, guys 743 00:33:14,680 --> 00:33:17,680 Speaker 7: with guys that are more stereotypically known as like heart throbs, 744 00:33:17,720 --> 00:33:20,560 Speaker 7: Kanye West, Chris Humphries the basketball. 745 00:33:21,000 --> 00:33:28,480 Speaker 2: Both of them absolute big, the big muscle guys. I 746 00:33:28,520 --> 00:33:31,440 Speaker 2: think truly basically saying that Pete Davidson hasn't got the 747 00:33:31,480 --> 00:33:32,720 Speaker 2: chops of the previous guys. 748 00:33:32,960 --> 00:33:34,480 Speaker 3: That's what I'm saying. And I think we're going to 749 00:33:34,520 --> 00:33:36,360 Speaker 3: find out. They're going to be over very very shortly, 750 00:33:36,400 --> 00:33:37,200 Speaker 3: but it's going to be. 751 00:33:37,160 --> 00:33:39,240 Speaker 4: Clear that he is a rebound. 752 00:33:39,320 --> 00:33:39,400 Speaker 11: Now. 753 00:33:39,440 --> 00:33:41,800 Speaker 4: I'd love to take some calls here thirty one six five. 754 00:33:41,880 --> 00:33:44,880 Speaker 4: What do you think did you realize you were the rebound? 755 00:33:45,400 --> 00:33:47,800 Speaker 3: Because because because I have realized that before, I think 756 00:33:47,840 --> 00:33:50,160 Speaker 3: Pete Davidson is going to figure it out pretty shortly 757 00:33:50,480 --> 00:33:52,960 Speaker 3: that he is just a rebound. But I figured out 758 00:33:52,960 --> 00:33:55,720 Speaker 3: I was a rebound once when Again, the big part 759 00:33:55,760 --> 00:33:57,560 Speaker 3: of it was that was totally out of the blue 760 00:33:57,680 --> 00:34:01,600 Speaker 3: with me and this girl, and then straight after things 761 00:34:01,600 --> 00:34:02,560 Speaker 3: happened really fast. 762 00:34:02,880 --> 00:34:05,000 Speaker 4: That was the other thing. And then the third. 763 00:34:04,720 --> 00:34:06,840 Speaker 3: Part of it was then she just disappeared, just stopped 764 00:34:06,880 --> 00:34:09,319 Speaker 3: messaging me very very suddenly. So I feel like if 765 00:34:09,320 --> 00:34:12,960 Speaker 3: it happens out of the blue, almost feels really random 766 00:34:13,160 --> 00:34:13,879 Speaker 3: and then it's done. 767 00:34:14,760 --> 00:34:15,880 Speaker 4: You know you're the rebound? 768 00:34:15,960 --> 00:34:17,440 Speaker 2: Is that it isn't that bad. I know there's a 769 00:34:17,440 --> 00:34:20,359 Speaker 2: lot of shame associated with the word rebound because you're 770 00:34:20,400 --> 00:34:22,279 Speaker 2: not considered a legitimate option. But at the end of 771 00:34:22,320 --> 00:34:24,600 Speaker 2: the day, like, I don't think Pete Davidson's in a 772 00:34:24,640 --> 00:34:27,239 Speaker 2: bad spot. And even if he is the rebound. 773 00:34:26,960 --> 00:34:30,120 Speaker 4: Unless he really likes her, yes, that'll be shattering to 774 00:34:30,120 --> 00:34:31,920 Speaker 4: find out that he is just a rebound. 775 00:34:31,960 --> 00:34:35,200 Speaker 2: It'd be tough. But at the same time, we'd love 776 00:34:35,239 --> 00:34:37,560 Speaker 2: to hear from you. One six five Did you realize 777 00:34:37,560 --> 00:34:38,560 Speaker 2: that you were the rebound? 778 00:34:38,719 --> 00:34:39,640 Speaker 4: How'd you realize? 779 00:34:39,719 --> 00:34:41,239 Speaker 2: I love to hear from you right now? Third and 780 00:34:41,360 --> 00:34:46,400 Speaker 2: one of six five Did you realize you were the rebound? 781 00:34:50,000 --> 00:34:52,799 Speaker 3: Talking about it because I think Pete Davidson is going 782 00:34:52,800 --> 00:34:55,040 Speaker 3: to realize he's the rebound for Kim Kardashian. 783 00:34:55,760 --> 00:34:58,840 Speaker 4: She broke up with Kanye where it's pretty recently. I 784 00:34:58,840 --> 00:35:01,560 Speaker 4: think it's pretty out of the lou this relationship, and 785 00:35:01,600 --> 00:35:05,800 Speaker 4: I think they are telltale signs of rebound behavior. 786 00:35:06,160 --> 00:35:06,359 Speaker 8: Yeah. 787 00:35:06,560 --> 00:35:08,880 Speaker 2: Another thing, he said that he wasn't her type and 788 00:35:08,920 --> 00:35:11,440 Speaker 2: were yet to establish exactly what her type is. No, 789 00:35:11,640 --> 00:35:12,960 Speaker 2: we've gone with bigger guys. 790 00:35:13,760 --> 00:35:17,879 Speaker 4: Chris Humphries was a humongous man. Ray J huge guy. Yeah, 791 00:35:17,960 --> 00:35:23,120 Speaker 4: RAJ big, big, big, mustly guy. Well, actually, well actually 792 00:35:23,200 --> 00:35:24,800 Speaker 4: it's it's like it's singers and athletes. 793 00:35:24,960 --> 00:35:31,279 Speaker 2: Yeah, okay, you're trying to find her type, isn't ray 794 00:35:31,360 --> 00:35:32,680 Speaker 2: J a rapper is singer? 795 00:35:33,400 --> 00:35:36,960 Speaker 3: Rapper, Kane rapper, slash singer, and then you've got the 796 00:35:37,000 --> 00:35:38,080 Speaker 3: Chris Humphries is. 797 00:35:38,080 --> 00:35:41,960 Speaker 2: Named three boyfriends and just found group. We don't know 798 00:35:41,960 --> 00:35:43,799 Speaker 2: what her type is, No, we don't know what. We 799 00:35:43,800 --> 00:35:45,680 Speaker 2: don't know what Kim well, I don't think we can 800 00:35:45,760 --> 00:35:48,760 Speaker 2: say Kim K's type is bigger singers for slash athletes. 801 00:35:48,840 --> 00:35:51,200 Speaker 3: Okay, but is it fair to say that no one 802 00:35:51,320 --> 00:35:52,520 Speaker 3: saw her hooking up with people? 803 00:35:52,600 --> 00:35:54,799 Speaker 2: That's because I think that we that we assume. But 804 00:35:54,840 --> 00:35:57,200 Speaker 2: Pete Davidson continues to buck the trend. You went through 805 00:35:57,200 --> 00:36:01,239 Speaker 2: it before, Phoebe the Dinosaur, Kate beckhasal Riana Grande. Yeah, 806 00:36:01,280 --> 00:36:03,640 Speaker 2: I mean all these people, they're attractive people that he 807 00:36:03,760 --> 00:36:06,120 Speaker 2: ends up with. Yeah, maybe maybe he's the real deal. 808 00:36:06,160 --> 00:36:07,920 Speaker 2: But I think that what we're trying to say, though, 809 00:36:07,960 --> 00:36:10,400 Speaker 2: is if you are the rebound, naturally, that's got a 810 00:36:10,440 --> 00:36:14,920 Speaker 2: really bad connotation to it. But the truth is Pete 811 00:36:14,960 --> 00:36:19,120 Speaker 2: Davidson's laughing all the way into Kim Kardashian's bedroom right now. 812 00:36:19,320 --> 00:36:21,600 Speaker 2: Rebound or not, I just don't think being a rebound's 813 00:36:21,600 --> 00:36:22,279 Speaker 2: all that bad a. 814 00:36:22,239 --> 00:36:24,800 Speaker 4: Deal unless he really likes her and then he's potentially 815 00:36:24,840 --> 00:36:26,200 Speaker 4: going to get hurt. Let's go to Mel. 816 00:36:26,719 --> 00:36:27,160 Speaker 2: That's fair. 817 00:36:27,360 --> 00:36:28,239 Speaker 4: I'm thirty six. 818 00:36:28,520 --> 00:36:30,799 Speaker 2: I have a reba have for Mel. I mean what 819 00:36:30,920 --> 00:36:32,520 Speaker 2: he brought up a bit of a sappy point there, 820 00:36:32,560 --> 00:36:35,239 Speaker 2: but he's right. I think you know, if you are 821 00:36:35,280 --> 00:36:38,680 Speaker 2: a rebound, acknowledging that you're a rebounds probably not a 822 00:36:38,680 --> 00:36:40,960 Speaker 2: bad thing. If you know that you're a rebound. 823 00:36:40,680 --> 00:36:44,720 Speaker 12: Right, I'd say so, I'd honestly say, I've just realized 824 00:36:44,760 --> 00:36:47,200 Speaker 12: on the rebound. As you were talking about it, I will, like, 825 00:36:47,280 --> 00:36:50,640 Speaker 12: hang on a second. In one situation, I reckon I 826 00:36:50,800 --> 00:36:51,600 Speaker 12: was the rebound. 827 00:36:51,960 --> 00:36:52,800 Speaker 4: What was the situation? 828 00:36:53,880 --> 00:36:54,000 Speaker 9: So? 829 00:36:54,239 --> 00:36:56,120 Speaker 12: I was in high school. I was in year eleventh. 830 00:36:56,160 --> 00:36:59,480 Speaker 12: I was only seventeen, but I started out in new school. 831 00:37:00,040 --> 00:37:03,000 Speaker 12: I met this guy and we started dating like a 832 00:37:03,000 --> 00:37:06,520 Speaker 12: week after school started. Yeah, got to like five weeks 833 00:37:06,520 --> 00:37:09,040 Speaker 12: in and he was like, oh, this girl that. 834 00:37:09,000 --> 00:37:09,759 Speaker 14: I used to like. 835 00:37:11,000 --> 00:37:11,160 Speaker 16: Oh. 836 00:37:11,360 --> 00:37:15,520 Speaker 2: He starts mentioning it. 837 00:37:14,760 --> 00:37:17,319 Speaker 12: I was like, oh, I had jealousy and past relationships, 838 00:37:17,360 --> 00:37:20,479 Speaker 12: so I'll just help you out. I helped him out. 839 00:37:20,880 --> 00:37:23,000 Speaker 12: O heay, he left me for her. 840 00:37:25,200 --> 00:37:28,520 Speaker 2: Oh so you liked him? 841 00:37:28,640 --> 00:37:29,239 Speaker 8: You liked him? 842 00:37:30,440 --> 00:37:30,879 Speaker 13: I did. 843 00:37:31,520 --> 00:37:33,680 Speaker 2: Yeah, that's when the rebound sucks. 844 00:37:33,680 --> 00:37:35,080 Speaker 4: Fair enough, let's go to Peter. 845 00:37:35,200 --> 00:37:35,799 Speaker 8: Now, fair enough. 846 00:37:35,840 --> 00:37:37,600 Speaker 2: Do you think that maybe someone should have to tell 847 00:37:37,640 --> 00:37:39,920 Speaker 2: you beforehand that they're they're the rebound? 848 00:37:40,040 --> 00:37:41,160 Speaker 4: That would be the nice thing to do. 849 00:37:41,320 --> 00:37:43,399 Speaker 3: Just go, hey, before we do anything, Yeah, don't get 850 00:37:43,400 --> 00:37:46,799 Speaker 3: any feelings for me, because this is just a rebound. 851 00:37:46,600 --> 00:37:48,040 Speaker 4: And then's up to the other person. You go, yeah, 852 00:37:48,040 --> 00:37:49,520 Speaker 4: I'm hapy to be a rebound. Let's do this thing. 853 00:37:49,560 --> 00:37:54,000 Speaker 2: Yeah, yeah, I'll rebound there. Anyway, Let's go to Peter. Peter, 854 00:37:54,120 --> 00:37:57,400 Speaker 2: how are you mate? You realize you're a rebound? 855 00:37:57,440 --> 00:38:01,920 Speaker 10: Mateh yes, So I up with my girlfriend of four 856 00:38:02,000 --> 00:38:04,719 Speaker 10: years and I ended up rebounding this gill, but she 857 00:38:04,880 --> 00:38:06,359 Speaker 10: was rebounding me at the same time. 858 00:38:06,960 --> 00:38:09,520 Speaker 4: That's rebound double rebound. 859 00:38:10,200 --> 00:38:13,719 Speaker 3: That's a perfect sau You actually see that a bit 860 00:38:13,800 --> 00:38:16,680 Speaker 3: with to like if you get broken up with you 861 00:38:16,680 --> 00:38:19,560 Speaker 3: see the two exes getting together. Sometimes it's a classic 862 00:38:19,600 --> 00:38:20,080 Speaker 3: double read. 863 00:38:20,239 --> 00:38:25,080 Speaker 2: That's a double double rebound. You know it's nineteen ninety 864 00:38:25,160 --> 00:38:29,080 Speaker 2: nine Sampress pat Raft of Volley Exchange at the net. 865 00:38:29,200 --> 00:38:31,840 Speaker 2: You know it's quick, it's rapid. Yeah, everyone enjoys it. 866 00:38:31,880 --> 00:38:34,080 Speaker 4: Yeah, I enjoys it. It's got a Dean here. Dean, 867 00:38:34,120 --> 00:38:35,120 Speaker 4: what are your thoughts on this? 868 00:38:35,239 --> 00:38:35,399 Speaker 10: Mate? 869 00:38:35,440 --> 00:38:36,200 Speaker 4: You're the rebound? 870 00:38:37,239 --> 00:38:38,360 Speaker 9: Never been a rebound? 871 00:38:39,800 --> 00:38:41,279 Speaker 2: Not thought up for the wrong topic then, Mane, what 872 00:38:41,320 --> 00:38:41,840 Speaker 2: are you calling for? 873 00:38:44,080 --> 00:38:49,680 Speaker 9: Well, look what you girls said. I figure you've got 874 00:38:49,680 --> 00:38:52,600 Speaker 9: to there's gotta be rebounders out there. How are we 875 00:38:52,640 --> 00:38:54,959 Speaker 9: going to get people to get back in the game? 876 00:38:55,040 --> 00:38:57,399 Speaker 9: And you know, be called from again? You use me out? 877 00:38:58,360 --> 00:39:00,640 Speaker 2: That's right, you're you're so Pete. I'm just going to 878 00:39:00,680 --> 00:39:02,600 Speaker 2: try and paraphrase what you said, because I think most 879 00:39:02,640 --> 00:39:05,200 Speaker 2: of Australia has no idea what you're on about. But effectively, 880 00:39:05,239 --> 00:39:08,120 Speaker 2: what you're saying is that there has to be rebounders. 881 00:39:08,320 --> 00:39:12,040 Speaker 2: Everybody needs a rebound at some stage. Is that right? 882 00:39:12,719 --> 00:39:14,520 Speaker 9: It's a confidence builder? 883 00:39:14,840 --> 00:39:16,600 Speaker 2: Wait, that's exactly I got to get the monkey off 884 00:39:16,600 --> 00:39:18,359 Speaker 2: the back somehow. Now, Pete, why have you never been 885 00:39:18,400 --> 00:39:19,959 Speaker 2: a rebound? What is it about you? Mate? 886 00:39:21,520 --> 00:39:25,040 Speaker 9: I know what it is, I just I don't know. 887 00:39:25,280 --> 00:39:27,520 Speaker 9: Just always been a long term. 888 00:39:27,960 --> 00:39:31,600 Speaker 4: Yeah, you're too good. You're too good. People have thought 889 00:39:31,640 --> 00:39:33,840 Speaker 4: you're a rebound before then they fell in love with you. 890 00:39:34,640 --> 00:39:36,759 Speaker 2: They couldn't resist themselves a certain. 891 00:39:36,520 --> 00:39:37,200 Speaker 4: Way with your works. 892 00:39:40,280 --> 00:39:43,520 Speaker 2: Podcast thirtame one of six ' five. What story do 893 00:39:43,719 --> 00:39:46,040 Speaker 2: your parents tell that your suss on? 894 00:39:46,520 --> 00:39:46,640 Speaker 13: So? 895 00:39:46,920 --> 00:39:50,399 Speaker 2: Do your parents tell a story where they've obviously put 896 00:39:50,480 --> 00:39:53,239 Speaker 2: mayo on it? And they love telling this story. They 897 00:39:53,280 --> 00:39:55,600 Speaker 2: go to a bit, but the story gets more and 898 00:39:55,719 --> 00:39:58,479 Speaker 2: more exaggerated every time you hear it. You just watch 899 00:39:58,480 --> 00:40:01,840 Speaker 2: it evolved absolutely a time, it becomes a story in itself. 900 00:40:02,280 --> 00:40:04,400 Speaker 2: So thirty one and six five if your folks have 901 00:40:04,480 --> 00:40:06,640 Speaker 2: got a tail, a tall tale that they love to 902 00:40:06,680 --> 00:40:08,360 Speaker 2: go to thirty one and six five, If that's you. 903 00:40:08,400 --> 00:40:11,919 Speaker 2: And the reason we're bringing this up is because, well 904 00:40:11,920 --> 00:40:14,520 Speaker 2: I'm not going to say facts, but information revealed today 905 00:40:14,520 --> 00:40:16,600 Speaker 2: that Queen Elizabeth. 906 00:40:16,560 --> 00:40:22,200 Speaker 15: Lizzy, or she was back in the day, Princess Elizabeth, 907 00:40:23,400 --> 00:40:27,280 Speaker 15: partied for four days straight. 908 00:40:27,520 --> 00:40:30,879 Speaker 2: Ye weird to celebrate the end of World War two. 909 00:40:31,560 --> 00:40:33,680 Speaker 4: Oh good cause, it's a bloody good cause. 910 00:40:33,760 --> 00:40:34,120 Speaker 2: What's that? 911 00:40:34,680 --> 00:40:35,319 Speaker 4: Well, the end of. 912 00:40:37,360 --> 00:40:38,000 Speaker 2: That's a great time. 913 00:40:38,120 --> 00:40:39,719 Speaker 4: Absolutely, what are you doing? Let your head out? 914 00:40:39,719 --> 00:40:42,880 Speaker 2: Had a bit of a wild side to her Lizzie. 915 00:40:43,040 --> 00:40:43,760 Speaker 4: She still does. 916 00:40:44,120 --> 00:40:46,160 Speaker 2: Yeah, well, she really mixed it with the common man. 917 00:40:46,960 --> 00:40:50,200 Speaker 2: She said she ran through the Ritz. 918 00:40:50,880 --> 00:40:52,879 Speaker 4: She ran through the Ritz. Is that a hotel? Yeah, 919 00:40:52,920 --> 00:40:54,840 Speaker 4: that's pretty wild. 920 00:40:56,440 --> 00:40:59,400 Speaker 2: Before they walked miles and then drank in Dorchester. 921 00:41:00,600 --> 00:41:03,800 Speaker 4: So walking miles this party, Yeah. 922 00:41:03,640 --> 00:41:05,279 Speaker 2: I don't know. I think times have changed a bit, 923 00:41:05,560 --> 00:41:07,360 Speaker 2: but there is something really nice about the idea of 924 00:41:07,360 --> 00:41:10,640 Speaker 2: the queen being out in a four day bender with everybody. 925 00:41:14,239 --> 00:41:17,879 Speaker 2: Take it to the drop boys. She had a great time. 926 00:41:17,920 --> 00:41:19,879 Speaker 2: So she was nineteen years old. I think the really 927 00:41:19,920 --> 00:41:22,359 Speaker 2: interesting part about this story wards is that she so 928 00:41:22,400 --> 00:41:25,680 Speaker 2: she's nineteen years old. I'm was because phones and photos, 929 00:41:25,960 --> 00:41:31,279 Speaker 2: more importantly, weren't all that popular, all that commonplace. She 930 00:41:31,440 --> 00:41:34,360 Speaker 2: was unrecognizable, so she was able to just hang She 931 00:41:34,400 --> 00:41:37,479 Speaker 2: was in her army, she was in a full army uniform, 932 00:41:37,480 --> 00:41:38,799 Speaker 2: and she was able to just hang out with the 933 00:41:38,800 --> 00:41:42,760 Speaker 2: common man and yeah, just get amongst it. Honestly sounds 934 00:41:42,760 --> 00:41:43,960 Speaker 2: like one of the happiest times of her life. And 935 00:41:43,960 --> 00:41:46,480 Speaker 2: obviously her dad dies pretty shortly after that, and then 936 00:41:46,520 --> 00:41:49,400 Speaker 2: she has to take over being well the monarch that 937 00:41:49,440 --> 00:41:50,000 Speaker 2: we know now. 938 00:41:50,080 --> 00:41:52,120 Speaker 4: I'm glad you got a bender in before she became 939 00:41:52,160 --> 00:41:52,520 Speaker 4: the queen. 940 00:41:52,640 --> 00:41:57,000 Speaker 2: No quite seriously, thench the pre queen bender. Everyone's got 941 00:41:57,000 --> 00:41:57,800 Speaker 2: to have one, don't. 942 00:41:57,920 --> 00:41:59,759 Speaker 4: Had to be a thing? Yeah, before Will takes over 943 00:42:00,320 --> 00:42:00,640 Speaker 4: an X. 944 00:42:00,600 --> 00:42:03,080 Speaker 2: Sorry, yeah it'll be Charles. Charles takes over. 945 00:42:03,200 --> 00:42:05,560 Speaker 3: Well, he gets a bender before he takes the you know, 946 00:42:05,640 --> 00:42:06,680 Speaker 3: and you know when answers. 947 00:42:06,360 --> 00:42:08,640 Speaker 4: To the UK, you go, Charles was gone on his bender. 948 00:42:08,719 --> 00:42:12,279 Speaker 4: Now get around him. He's king at the end of 949 00:42:12,320 --> 00:42:16,040 Speaker 4: four days. I think that's actually that's nice. Get it 950 00:42:16,040 --> 00:42:16,800 Speaker 4: out of your systems. 951 00:42:16,840 --> 00:42:18,880 Speaker 2: And then no way, Charles is going on a bender 952 00:42:18,960 --> 00:42:19,680 Speaker 2: before he comes. 953 00:42:19,760 --> 00:42:22,239 Speaker 4: Everyone turn your phones off. Let him have a good time. 954 00:42:24,000 --> 00:42:25,720 Speaker 4: Prince Harry did it in Vegas. 955 00:42:26,840 --> 00:42:29,560 Speaker 2: So the story here is that she partied for four days, 956 00:42:29,600 --> 00:42:31,480 Speaker 2: four days straight. So it sounds pretty wide and I'm 957 00:42:31,480 --> 00:42:34,680 Speaker 2: sure that's the story that she tells everyone. But then 958 00:42:35,080 --> 00:42:36,640 Speaker 2: if you actually have a look properly at the story 959 00:42:36,680 --> 00:42:39,719 Speaker 2: she actually just wrote written in her diary and I 960 00:42:39,840 --> 00:42:43,400 Speaker 2: quote saw parents on balcony at twelve thirty eight, partied 961 00:42:43,640 --> 00:42:46,200 Speaker 2: bed at three am, So I mean, not quite the 962 00:42:46,239 --> 00:42:46,760 Speaker 2: full bender. 963 00:42:46,960 --> 00:42:48,719 Speaker 4: It doesn't really had a late night. 964 00:42:48,880 --> 00:42:49,080 Speaker 8: Yeah. 965 00:42:49,120 --> 00:42:49,520 Speaker 4: Absolutely. 966 00:42:49,600 --> 00:42:51,600 Speaker 3: It sort of reminds me of my dad and a 967 00:42:51,640 --> 00:42:54,000 Speaker 3: story that he tells yeah, and again thirty one or 968 00:42:54,000 --> 00:42:56,200 Speaker 3: sixty five, you can relate to this. Your parents telling 969 00:42:56,239 --> 00:42:59,600 Speaker 3: porky bars are exaggerating their stories. But my dad tells 970 00:42:59,600 --> 00:43:04,279 Speaker 3: the story about meeting Jack Thompson. Yes, who's an Australian actor. 971 00:43:04,560 --> 00:43:06,920 Speaker 3: And at the time that Dad met him, Jack Thompson 972 00:43:07,000 --> 00:43:09,800 Speaker 3: was huge, and this was in London. And I actually 973 00:43:09,840 --> 00:43:12,680 Speaker 3: believe that he saw Jack Thompson in a bar. But 974 00:43:12,719 --> 00:43:15,440 Speaker 3: then the stories just evolved. 975 00:43:16,320 --> 00:43:17,040 Speaker 4: All of a sudden. 976 00:43:17,200 --> 00:43:19,960 Speaker 3: They were just so they were really tight, like best 977 00:43:20,000 --> 00:43:22,279 Speaker 3: mates in a bar together, that they drank all night, 978 00:43:22,360 --> 00:43:24,720 Speaker 3: and then apparently the whole bar. 979 00:43:24,880 --> 00:43:29,080 Speaker 4: Watched them have an Indian arm wrestle. 980 00:43:29,160 --> 00:43:30,879 Speaker 2: I think it's just just an extra bit of mayo 981 00:43:30,920 --> 00:43:32,680 Speaker 2: that he's put on there. What's better than an arm wrestle, 982 00:43:32,760 --> 00:43:33,920 Speaker 2: bluddy Indian mxactly? 983 00:43:34,000 --> 00:43:36,160 Speaker 3: This is what Dad continues, that it's exaggerated, and now 984 00:43:36,200 --> 00:43:38,840 Speaker 3: apparently the whole bars chanting while Jack Thompson and my 985 00:43:38,920 --> 00:43:40,799 Speaker 3: dad are having an arm wrestle in a bar. 986 00:43:40,920 --> 00:43:42,759 Speaker 4: And the other bit of mayo is he said the 987 00:43:42,800 --> 00:43:45,439 Speaker 4: script of his next movie was in his leather. 988 00:43:46,719 --> 00:43:51,640 Speaker 2: Dad, come on, you wrest the rights to the film. Well, look, 989 00:43:51,640 --> 00:43:53,560 Speaker 2: we all know our parents have got to go to 990 00:43:53,600 --> 00:43:56,520 Speaker 2: a story which has got a serious dollop of mayo 991 00:43:56,640 --> 00:43:58,439 Speaker 2: on it, So I'd love to hear from you guys. 992 00:43:58,480 --> 00:44:00,759 Speaker 2: Thirty one and six five, Have you folks got a 993 00:44:00,840 --> 00:44:04,160 Speaker 2: story which is heavily exaggerated? They love wheeling it out. 994 00:44:04,560 --> 00:44:06,120 Speaker 2: Love to hear from you guys on the other side, 995 00:44:06,280 --> 00:44:09,080 Speaker 2: thirty and one O six five join the boys. What 996 00:44:09,320 --> 00:44:13,480 Speaker 2: story do your parents tell? Which obviously has loads of 997 00:44:13,560 --> 00:44:17,400 Speaker 2: mayo on it? And that's because rumors have been swelling 998 00:44:17,400 --> 00:44:22,360 Speaker 2: that the queen went on a four day bender after 999 00:44:22,400 --> 00:44:23,160 Speaker 2: World War Two? 1000 00:44:24,360 --> 00:44:28,640 Speaker 4: Yeah, which actually makes sense, I reckon. Yeah, I've imagine 1001 00:44:28,719 --> 00:44:30,680 Speaker 4: imagine the end of World War two. 1002 00:44:30,520 --> 00:44:31,879 Speaker 2: Would have been a bit would have been a couple 1003 00:44:31,880 --> 00:44:32,680 Speaker 2: of big nights in there. 1004 00:44:32,800 --> 00:44:35,080 Speaker 4: Blood and you deserve it? Do you deserve it? 1005 00:44:35,160 --> 00:44:37,000 Speaker 3: And then, of course, you know there's news that she 1006 00:44:37,560 --> 00:44:41,200 Speaker 3: has three to four gen t's before morning tea these days. 1007 00:44:41,239 --> 00:44:42,880 Speaker 4: So yeah, you started to, you know, put a few 1008 00:44:42,880 --> 00:44:46,040 Speaker 4: of these together. She probably had ah a bit Wildah, 1009 00:44:46,120 --> 00:44:48,560 Speaker 4: she's a bit wild anyway. Look turns out she went 1010 00:44:48,560 --> 00:44:49,640 Speaker 4: for a bit of a high tea at the Ritz 1011 00:44:49,680 --> 00:44:50,960 Speaker 4: and was in bed by midnight. 1012 00:44:50,880 --> 00:44:52,640 Speaker 2: So I know, I think it's just a natural thing 1013 00:44:52,640 --> 00:44:54,959 Speaker 2: that parents do. The Obviously they're living in a time 1014 00:44:55,000 --> 00:44:57,080 Speaker 2: where they've got a chance to exaggerate a story that 1015 00:44:57,120 --> 00:44:59,160 Speaker 2: they just keep telling. So thirty one and six five, 1016 00:44:59,160 --> 00:45:02,160 Speaker 2: if that's you, we would absolutely love to hear from you. Woods. 1017 00:45:02,200 --> 00:45:04,760 Speaker 2: You were saying before that your dad's got a story 1018 00:45:04,800 --> 00:45:09,080 Speaker 2: where he arm wrestled famous actor Jack Thompson in a 1019 00:45:09,120 --> 00:45:11,280 Speaker 2: bar Indian Indian arm wrestler. 1020 00:45:11,320 --> 00:45:13,960 Speaker 4: I believe huge night with Jack Thompson. 1021 00:45:14,040 --> 00:45:16,000 Speaker 3: Not only did they have an Indian arm wrestle over 1022 00:45:16,040 --> 00:45:18,920 Speaker 3: the bar, but apparently the whole bar was chanting their names, 1023 00:45:18,920 --> 00:45:21,920 Speaker 3: getting right around him, and Jack Thompson had the movie 1024 00:45:21,960 --> 00:45:25,000 Speaker 3: script that he was working on inside his leather jacket. 1025 00:45:25,120 --> 00:45:25,440 Speaker 8: That's right. 1026 00:45:25,440 --> 00:45:27,040 Speaker 2: It sounds like I think it's just this scene out 1027 00:45:27,080 --> 00:45:29,600 Speaker 2: of Vidiota Jones. Anyway, we'll talk about that a little 1028 00:45:29,600 --> 00:45:32,640 Speaker 2: bit later on. We've got Steph has called us on 1029 00:45:32,680 --> 00:45:33,719 Speaker 2: thirty one and sixty five. 1030 00:45:33,880 --> 00:45:36,800 Speaker 17: Steph, Hi, guys. 1031 00:45:36,440 --> 00:45:39,160 Speaker 2: Okay, mate, what's the story your dad puts MAO on? 1032 00:45:40,280 --> 00:45:44,040 Speaker 17: So in twenty seventeen, he went to the Richmond and 1033 00:45:44,080 --> 00:45:47,879 Speaker 17: Grand Final because he's a massive Richmond fan, and he 1034 00:45:47,960 --> 00:45:51,360 Speaker 17: reckons that after one of the boys kicked a goal, 1035 00:45:51,920 --> 00:45:53,960 Speaker 17: he was the one that caught the ball in the 1036 00:45:54,000 --> 00:45:57,120 Speaker 17: crowd and he was still back on the field. 1037 00:45:57,520 --> 00:46:01,640 Speaker 3: That's not that impressive. So why do you think he's 1038 00:46:01,680 --> 00:46:03,759 Speaker 3: lying That sounds. 1039 00:46:03,520 --> 00:46:06,560 Speaker 2: It happens at least twenty times a year that someone 1040 00:46:06,600 --> 00:46:07,200 Speaker 2: has to do that. 1041 00:46:07,680 --> 00:46:09,960 Speaker 17: I think it's not impressive because it's a Richmond supporter, 1042 00:46:10,120 --> 00:46:11,319 Speaker 17: So I mean, you know. 1043 00:46:12,960 --> 00:46:15,680 Speaker 3: Right, yeah, I mean again, if your dad's lying about that, 1044 00:46:15,680 --> 00:46:16,600 Speaker 3: that is so tragic. 1045 00:46:16,719 --> 00:46:18,279 Speaker 2: He just need something to put it in the game. 1046 00:46:18,640 --> 00:46:21,760 Speaker 4: It's a lion that cadging and ball in the ground. 1047 00:46:21,920 --> 00:46:25,520 Speaker 2: We've got Dana's gold Dane. Your dad's got a cricket 1048 00:46:25,560 --> 00:46:27,160 Speaker 2: related story that he always puts. 1049 00:46:26,920 --> 00:46:30,120 Speaker 13: My o oh, it's a bit of a Glemograth sawy. 1050 00:46:30,120 --> 00:46:34,480 Speaker 9: This one from the same home. They're from the same hometown. 1051 00:46:34,560 --> 00:46:38,279 Speaker 13: No minds outside double and they went there. 1052 00:46:38,320 --> 00:46:40,960 Speaker 17: There's back in the eighties and you know Glenmorgo had 1053 00:46:41,000 --> 00:46:42,560 Speaker 17: a bit of a cricket thing getting. 1054 00:46:42,280 --> 00:46:45,080 Speaker 13: Together and my dad would likes to sew the first 1055 00:46:45,080 --> 00:46:47,600 Speaker 13: reality hit Glemograth for a sixth but little do we 1056 00:46:47,640 --> 00:46:51,719 Speaker 13: all know that was first ball out for a duck really, so. 1057 00:46:51,719 --> 00:46:55,640 Speaker 2: It's moved from it's moved from hitting Glenn McGrath for 1058 00:46:55,680 --> 00:46:58,320 Speaker 2: a six and he was actually it was actually bold 1059 00:46:58,320 --> 00:46:58,799 Speaker 2: for a duck. 1060 00:47:00,560 --> 00:47:02,800 Speaker 13: Who in the right mind can actually spin that story 1061 00:47:02,840 --> 00:47:04,080 Speaker 13: that he hit for a summer. 1062 00:47:06,320 --> 00:47:09,040 Speaker 2: But he still goes right, I, buddy, love that Glenn 1063 00:47:09,080 --> 00:47:12,680 Speaker 2: McGrath found he's lost his bra and his girlfriend's car. 1064 00:47:12,800 --> 00:47:14,759 Speaker 2: Is I believe how that used to little run used 1065 00:47:14,760 --> 00:47:15,239 Speaker 2: to end up. 1066 00:47:15,320 --> 00:47:17,440 Speaker 4: That's the next line. I do remember that. 1067 00:47:18,239 --> 00:47:20,960 Speaker 2: McGrath lost his girl friends. 1068 00:47:21,800 --> 00:47:22,479 Speaker 4: It's a good time. 1069 00:47:22,520 --> 00:47:25,479 Speaker 2: It's an outrageous bit. Now, this is what I wanted 1070 00:47:25,520 --> 00:47:27,319 Speaker 2: a little bit of retribution here. Would you were saying 1071 00:47:27,320 --> 00:47:30,000 Speaker 2: your dad always put story puts Mayo on the story 1072 00:47:30,000 --> 00:47:33,080 Speaker 2: that he Indian arm wrestled famous actor Jack Thompson in 1073 00:47:33,160 --> 00:47:36,960 Speaker 2: a bar in London. Yes, and Jack Thompson was nursing 1074 00:47:37,120 --> 00:47:39,839 Speaker 2: the film script for his next movie under his arm 1075 00:47:40,239 --> 00:47:43,360 Speaker 2: and the entire bar was chanting as they arm wrestled. 1076 00:47:44,400 --> 00:47:46,240 Speaker 2: We've got your dad, Steve on the show. 1077 00:47:49,280 --> 00:47:53,800 Speaker 4: Dad, Yes, boy, you sound angry. 1078 00:47:54,360 --> 00:47:58,160 Speaker 10: Dad speculated because the story is not true. 1079 00:47:59,520 --> 00:48:01,600 Speaker 2: I can't belie is there any Mayo on the story 1080 00:48:01,640 --> 00:48:01,880 Speaker 2: at all? 1081 00:48:01,960 --> 00:48:04,320 Speaker 10: Said absolutely, no Mayo. 1082 00:48:05,640 --> 00:48:08,960 Speaker 2: So he was nursing. He was nursing his next film 1083 00:48:08,960 --> 00:48:10,080 Speaker 2: script under his arm. 1084 00:48:10,320 --> 00:48:14,719 Speaker 10: He walked into the bar. Yeah, man, the bunch of 1085 00:48:14,719 --> 00:48:18,200 Speaker 10: Greats Hotel with nich Bridge. Yeah, Friday night. I was 1086 00:48:18,320 --> 00:48:20,839 Speaker 10: having a drink with a few mates. He walks into 1087 00:48:20,840 --> 00:48:25,480 Speaker 10: the sidebar leather jacket, script under his arms with Jack Thompson. 1088 00:48:25,600 --> 00:48:28,440 Speaker 10: So we start talking. We spend all night. You know, 1089 00:48:28,719 --> 00:48:31,239 Speaker 10: we went to a nightclub and we went to a party. 1090 00:48:32,040 --> 00:48:34,080 Speaker 2: Hung out with him all night. It wasn't just like. 1091 00:48:34,080 --> 00:48:35,799 Speaker 10: Absolutely I couldn't get rid of him. 1092 00:48:36,960 --> 00:48:42,520 Speaker 2: Got it, dials up, climb that guy? Right? So what 1093 00:48:42,680 --> 00:48:44,319 Speaker 2: was the script that he had under his arm? 1094 00:48:45,239 --> 00:48:47,840 Speaker 10: Uh to tell you, I don't know. But he'd just 1095 00:48:47,920 --> 00:48:50,759 Speaker 10: come from the Cannes Film Festival where the Chance of 1096 00:48:50,840 --> 00:48:54,520 Speaker 10: Jimmy Blacksmith and had had a very good review. 1097 00:48:54,680 --> 00:48:57,040 Speaker 3: Okay, I got to stand in ovation. I believe in 1098 00:48:57,080 --> 00:48:59,239 Speaker 3: can that year right now? So, Sad, I think we 1099 00:48:59,239 --> 00:49:01,719 Speaker 3: need to get Jack tim on the show. I think 1100 00:49:01,760 --> 00:49:03,399 Speaker 3: that needs to happen. I think we need to get 1101 00:49:03,440 --> 00:49:04,760 Speaker 3: Jack Thompson on the show. 1102 00:49:05,320 --> 00:49:08,160 Speaker 10: I won't have honor on my to do list. I've 1103 00:49:08,160 --> 00:49:12,160 Speaker 10: got Jack Thompson trying to talk to program your station 1104 00:49:12,880 --> 00:49:16,440 Speaker 10: into getting Jack Thompson on the Bar studio, and I 1105 00:49:16,480 --> 00:49:18,360 Speaker 10: want to confront him and I want to prove that 1106 00:49:18,400 --> 00:49:21,359 Speaker 10: there's no Mayo on that story to the rest of the. 1107 00:49:21,280 --> 00:49:25,960 Speaker 2: World, because I mean there is a quantum leap in there. 1108 00:49:26,120 --> 00:49:28,239 Speaker 2: Jack Thompson walks into a bars. The film skipt done 1109 00:49:28,239 --> 00:49:30,719 Speaker 2: to his oars. Story has come from Cahn. How do 1110 00:49:30,920 --> 00:49:35,400 Speaker 2: you end up Indian arm wrestling him? 1111 00:49:35,560 --> 00:49:38,320 Speaker 10: Well, it's a smunk change in the story. It didn't 1112 00:49:38,320 --> 00:49:41,239 Speaker 10: happen at the bar, and they weren't chanting at the bar. 1113 00:49:42,840 --> 00:49:45,600 Speaker 10: It was at a at a party that was about 1114 00:49:45,800 --> 00:49:49,480 Speaker 10: two o'clock in the morning, and we cleared the table 1115 00:49:50,000 --> 00:49:52,680 Speaker 10: and at the party everyone was around and chanting and 1116 00:49:52,719 --> 00:49:53,319 Speaker 10: it was a draw. 1117 00:49:53,520 --> 00:50:00,200 Speaker 2: And it just gets and spicy and doesn't could to 1118 00:50:00,239 --> 00:50:03,000 Speaker 2: separate you and the great Jack Thompson could those days