1 00:00:01,320 --> 00:00:07,480 Speaker 1: Oh hello love, would you behind the scenes twenty twenty four. 2 00:00:10,160 --> 00:00:12,559 Speaker 2: I mean, I'm gonna charge here when you're gonna take over? Well, 3 00:00:12,720 --> 00:00:14,680 Speaker 2: why did you get you stop talking? No, hang on, 4 00:00:14,720 --> 00:00:17,200 Speaker 2: hang on? Whoa whoa, whoa, whoa whoa. Let's go through 5 00:00:17,239 --> 00:00:20,920 Speaker 2: the itinerary. Hang on, let's go down here. I'm just 6 00:00:20,960 --> 00:00:26,160 Speaker 2: hoping this is very sloppy working. Well done. Thank you. 7 00:00:26,239 --> 00:00:32,400 Speaker 2: Wait anute, come on, let's go through. No, sorry, you 8 00:00:32,400 --> 00:00:38,480 Speaker 2: got time. It's ah, let's go through the itinerary. Still 9 00:00:38,479 --> 00:00:42,600 Speaker 2: can't have that word a tinerary anyway. Still you wrote 10 00:00:42,600 --> 00:00:44,879 Speaker 2: it down yesterday. You wrote down the itinerary yesterday. I 11 00:00:44,880 --> 00:00:46,960 Speaker 2: did write down. So you wrote down last night. I 12 00:00:47,000 --> 00:00:48,800 Speaker 2: can't remember you wrote it down. 13 00:00:49,200 --> 00:00:50,879 Speaker 3: You did write it down, hang on, hang on, hang on, 14 00:00:51,560 --> 00:00:55,800 Speaker 3: I just wrote itinery. Ways to make that You must 15 00:00:55,840 --> 00:00:58,080 Speaker 3: have got distracted anyway. 16 00:00:58,080 --> 00:00:58,520 Speaker 2: Think this is. 17 00:00:58,440 --> 00:01:02,200 Speaker 4: Anograa fart of the podcast. We're going to say, ways 18 00:01:02,360 --> 00:01:05,760 Speaker 4: to make will look cool in front of Tina. 19 00:01:05,840 --> 00:01:08,840 Speaker 1: A nice time, geez, I'm glad to enjoy it. 20 00:01:10,200 --> 00:01:10,400 Speaker 2: Now. 21 00:01:10,720 --> 00:01:15,840 Speaker 1: Before we get to that, we on second agenda on 22 00:01:15,880 --> 00:01:16,479 Speaker 1: the itinerary? 23 00:01:16,880 --> 00:01:17,760 Speaker 2: What what what what? What? 24 00:01:17,760 --> 00:01:18,080 Speaker 1: What? What? 25 00:01:18,080 --> 00:01:21,080 Speaker 2: What are you doing? What are you doing? I just 26 00:01:21,080 --> 00:01:24,560 Speaker 2: want to say quick day to Alex. Who's here. Ah, yes, hello, 27 00:01:25,120 --> 00:01:25,600 Speaker 2: been on. 28 00:01:25,520 --> 00:01:28,760 Speaker 1: The podcast, but we're hearing here is our number one 29 00:01:28,800 --> 00:01:31,360 Speaker 1: podcast listener. He has heard more of these podcasts than 30 00:01:31,440 --> 00:01:33,840 Speaker 1: anyone else listening right now, and he's in at the 31 00:01:33,840 --> 00:01:34,560 Speaker 1: studio today. 32 00:01:34,600 --> 00:01:38,080 Speaker 2: Alex. It's great to have you in. Oh hang on, you. 33 00:01:38,040 --> 00:01:41,080 Speaker 5: Hit the wrong, you hit the wrong, it's oh, keep 34 00:01:41,080 --> 00:01:43,880 Speaker 5: your finger on it. I thank you very much for 35 00:01:43,880 --> 00:01:45,959 Speaker 5: having I really really appreciate it. 36 00:01:46,000 --> 00:01:48,160 Speaker 3: Oh, mate, No, I actually loved I actually had a 37 00:01:48,200 --> 00:01:50,160 Speaker 3: chat with you mom before and she told. 38 00:01:50,040 --> 00:01:52,080 Speaker 2: Us that one's ever known his mum's here, but she's 39 00:01:52,080 --> 00:01:54,280 Speaker 2: not here. I called her on the on the mobile. 40 00:01:54,760 --> 00:01:57,400 Speaker 2: I called her on the mobile and she told me 41 00:01:57,840 --> 00:02:00,760 Speaker 2: in a separate phone call, it's definitely not here. She 42 00:02:00,920 --> 00:02:03,280 Speaker 2: told me that you would choose to listen to us 43 00:02:03,320 --> 00:02:05,480 Speaker 2: at the dinner table over chatting to the family. 44 00:02:06,360 --> 00:02:08,560 Speaker 5: Yeah, I had to barter her with her. She bartered 45 00:02:08,560 --> 00:02:11,320 Speaker 5: with me. She got one night a week of me 46 00:02:11,639 --> 00:02:12,600 Speaker 5: and the rest was. 47 00:02:15,880 --> 00:02:17,639 Speaker 3: So we're at the dinner table with you every night, 48 00:02:18,880 --> 00:02:20,640 Speaker 3: six nights a week. We're at the dinner table with you. 49 00:02:21,560 --> 00:02:30,360 Speaker 5: Yeah, yeah, yeah. 50 00:02:27,720 --> 00:02:31,359 Speaker 2: I love it. Now mate, apparently, do you have a thought. 51 00:02:32,080 --> 00:02:34,639 Speaker 3: So obviously, we spoke to Tina and Arena yesterday in 52 00:02:34,680 --> 00:02:39,440 Speaker 3: the podcast and Will Will was okay, obviously incredibly nervous. 53 00:02:39,960 --> 00:02:42,280 Speaker 3: Do you have any thoughts on how Will can maybe 54 00:02:42,320 --> 00:02:47,399 Speaker 3: go from what was a pretty mumbling nothing conversation into 55 00:02:47,919 --> 00:02:49,120 Speaker 3: being friends with Tina? 56 00:02:50,080 --> 00:02:52,520 Speaker 5: Easy? I have. I think I have a good idea. 57 00:02:52,600 --> 00:02:55,000 Speaker 1: Okay, wow, great, allie, I've got a pen and paper, 58 00:02:55,240 --> 00:02:56,200 Speaker 1: go for it, all right. 59 00:02:56,600 --> 00:02:59,560 Speaker 5: So, because Will is good at like, you know, electronic 60 00:02:59,600 --> 00:03:02,160 Speaker 5: dubst stuff, right, it used to be a DJ. 61 00:03:04,120 --> 00:03:05,720 Speaker 2: The only reason you don't know that iscause he's very 62 00:03:05,760 --> 00:03:10,160 Speaker 2: underground the ground, yeah, an underground gig. If you haven't 63 00:03:10,160 --> 00:03:13,160 Speaker 2: heard about it, it means that it's going well yeah, yeah, exactly. 64 00:03:14,680 --> 00:03:18,200 Speaker 5: It is because we're gonna want Tina Arena to like, 65 00:03:18,520 --> 00:03:20,520 Speaker 5: she's going to want something out of it. She's going 66 00:03:20,600 --> 00:03:24,400 Speaker 5: to want from good publicity. So I think what she 67 00:03:24,440 --> 00:03:26,120 Speaker 5: should do is she should make a remix of one 68 00:03:26,120 --> 00:03:26,800 Speaker 5: of her songs. 69 00:03:27,280 --> 00:03:29,880 Speaker 2: That's actually very clever. I make a remix of one 70 00:03:29,919 --> 00:03:31,720 Speaker 2: of her songs? Is that what you're saying, Will make 71 00:03:31,760 --> 00:03:32,640 Speaker 2: a remix of one. 72 00:03:32,520 --> 00:03:35,320 Speaker 5: Of us either put it on the radio or like 73 00:03:35,720 --> 00:03:37,760 Speaker 5: just show it to her. Maybe she can do some 74 00:03:37,800 --> 00:03:39,800 Speaker 5: stuff about it, make a rex of a song, and. 75 00:03:39,680 --> 00:03:42,720 Speaker 3: Then she'll see your musical ability, because right now she's 76 00:03:42,720 --> 00:03:44,240 Speaker 3: going to this this radio host. 77 00:03:45,240 --> 00:03:47,640 Speaker 2: But then she'll go, will did you produce this? Is 78 00:03:47,680 --> 00:03:49,440 Speaker 2: that's what you're thinking. She'll go like wow. 79 00:03:49,800 --> 00:03:51,040 Speaker 3: And then you can say like, oh, yeah, I did 80 00:03:51,080 --> 00:03:53,440 Speaker 3: it on pro tools, or say a cool program. 81 00:03:53,640 --> 00:03:55,600 Speaker 2: Pick up on the pro tools thing. Thank you nice. 82 00:03:55,640 --> 00:03:57,600 Speaker 2: I did not see that coming. So I did this 83 00:03:57,640 --> 00:03:59,320 Speaker 2: on pro Tools. Where did that come from? 84 00:04:00,080 --> 00:04:04,200 Speaker 3: People talk about the tools before, so protos in my 85 00:04:04,280 --> 00:04:05,600 Speaker 3: studio at my home. 86 00:04:05,680 --> 00:04:08,440 Speaker 2: Yeah, I actually use Ableton, but yeah, well whatever we'll 87 00:04:08,520 --> 00:04:09,440 Speaker 2: drop that? Is that more cool? 88 00:04:10,520 --> 00:04:10,720 Speaker 1: Yeah? 89 00:04:11,640 --> 00:04:15,880 Speaker 2: Ableton, It's just different software. Sounds very regal. I'm I'm 90 00:04:15,880 --> 00:04:20,120 Speaker 2: on Ableton. You want per tools, I'm on Ableton. I 91 00:04:20,200 --> 00:04:23,680 Speaker 2: cut my music on Ableton. Alex. That is amazing. That 92 00:04:23,760 --> 00:04:26,279 Speaker 2: is great, great idea, Alex. Now I'm gonna think about Oh, 93 00:04:26,320 --> 00:04:28,280 Speaker 2: it's got to be greatest gift. What's that one? It's 94 00:04:28,440 --> 00:04:36,200 Speaker 2: just like that. Love love love love love love, Greg great, 95 00:04:36,200 --> 00:04:39,680 Speaker 2: Greg grade like that? What you do? Well? Yeah, yeah, 96 00:04:40,160 --> 00:04:43,040 Speaker 2: no bad idea in a brainstorm, but no throwing things around. 97 00:04:43,160 --> 00:04:45,200 Speaker 2: I said, no bad idea in a brainstorm, but no, 98 00:04:45,320 --> 00:04:47,240 Speaker 2: what oh, what would you be thinking? What would you 99 00:04:47,279 --> 00:04:48,480 Speaker 2: do to that? First thought? 100 00:04:49,800 --> 00:04:52,160 Speaker 1: I really like the there's actually like a nice drum 101 00:04:52,200 --> 00:04:55,440 Speaker 1: beat in the back there, which is really cool. It's 102 00:04:55,440 --> 00:04:58,440 Speaker 1: actually got like quite an electronic drum beat hilt already, So. 103 00:04:58,400 --> 00:05:00,280 Speaker 2: I'd probably like beep that up a little bit, paste 104 00:05:00,279 --> 00:05:02,440 Speaker 2: that up a little bit. You should sneak bag Raiders. 105 00:05:02,480 --> 00:05:05,360 Speaker 2: It's got like a lot. You should sneak bag Raiders 106 00:05:05,360 --> 00:05:08,640 Speaker 2: in there. My, that's what Troy Savannah and it works well, 107 00:05:08,920 --> 00:05:12,440 Speaker 2: yeah it works. No, no, no, no, no, it's good play bad Graders, 108 00:05:12,560 --> 00:05:14,680 Speaker 2: don't play bag This is the best song ever made ever. 109 00:05:14,760 --> 00:05:21,160 Speaker 2: Bad Graders is Shooting Shoot. Shooting sucks a bit though, 110 00:05:22,080 --> 00:05:22,320 Speaker 2: a bit. 111 00:05:24,560 --> 00:05:27,359 Speaker 1: Yeah, I'm not gonna sample somebody else's song in a 112 00:05:27,400 --> 00:05:29,599 Speaker 1: Tina Arena song when I'm trying to appeal to Tina Arena. 113 00:05:29,760 --> 00:05:33,479 Speaker 3: Here goes, no, it doesn't. Should you should do this 114 00:05:33,560 --> 00:05:36,200 Speaker 3: and then turn it into her song and get hurt 115 00:05:36,279 --> 00:05:36,479 Speaker 3: of this. 116 00:05:38,720 --> 00:05:41,679 Speaker 2: So you just want Tina Reader to cover Bag Raiders 117 00:05:41,720 --> 00:05:44,560 Speaker 2: Shooting stuck. That's pretty good idea. It's pretty good idea 118 00:05:45,839 --> 00:05:48,200 Speaker 2: that she would be pretty cool. And then Tenny goes, 119 00:05:49,800 --> 00:05:57,800 Speaker 2: let's do this that would actually be very good. Okay, maybe. 120 00:06:00,120 --> 00:06:03,000 Speaker 1: Good, a bit of a scat mix of work on 121 00:06:03,120 --> 00:06:07,120 Speaker 1: it with god Alex, but hang on, but hang on, 122 00:06:07,600 --> 00:06:09,880 Speaker 1: like I think that's definitely definitely a good way to go. 123 00:06:09,920 --> 00:06:13,080 Speaker 1: Because she's touring as well, you know that it'd be 124 00:06:13,080 --> 00:06:14,080 Speaker 1: cool if she could slip. 125 00:06:13,839 --> 00:06:14,480 Speaker 2: That into the set. 126 00:06:15,320 --> 00:06:16,640 Speaker 1: And I like the fact that I can show to 127 00:06:16,640 --> 00:06:18,280 Speaker 1: her that I'm not an absolute you know, just to 128 00:06:18,480 --> 00:06:20,480 Speaker 1: you know every Tom Dick and Harry on radio. 129 00:06:21,000 --> 00:06:23,920 Speaker 2: You know I'm interested in music, because then. 130 00:06:23,880 --> 00:06:25,880 Speaker 3: Because then, because then I think she's she's going, why 131 00:06:25,920 --> 00:06:26,880 Speaker 3: do I want to have a Chardona? 132 00:06:26,960 --> 00:06:28,960 Speaker 2: Why don't want to spend my private time with this guy? 133 00:06:29,200 --> 00:06:30,320 Speaker 1: I want to have a casual chat with her. I 134 00:06:30,360 --> 00:06:31,800 Speaker 1: want to sit down to talk to her about like 135 00:06:31,839 --> 00:06:35,440 Speaker 1: you know, great walks and birds and you know chardonnais 136 00:06:35,960 --> 00:06:38,240 Speaker 1: and you know, you know the way that she does 137 00:06:38,279 --> 00:06:40,599 Speaker 1: a lamb color like that that I want to have 138 00:06:40,640 --> 00:06:41,840 Speaker 1: a casual conversation with her. 139 00:06:41,920 --> 00:06:43,520 Speaker 2: I want to get it away. I also want to 140 00:06:43,800 --> 00:06:44,599 Speaker 2: I want to be friends. 141 00:06:44,720 --> 00:06:47,240 Speaker 1: Would you don't sit down with a friend and go, 142 00:06:47,400 --> 00:06:51,000 Speaker 1: here's you know, my take on your song? Yeah, I 143 00:06:51,000 --> 00:06:52,960 Speaker 1: don't go, here's here's you you're doing? 144 00:06:53,080 --> 00:06:54,960 Speaker 2: Pay graders. I don't do that. 145 00:06:55,360 --> 00:06:57,760 Speaker 1: But I think for the chat we're having with her, 146 00:06:58,360 --> 00:06:59,960 Speaker 1: and this is what it's all about. And I love 147 00:07:00,040 --> 00:07:02,440 Speaker 1: that Alex had suggested this because before we get to 148 00:07:02,440 --> 00:07:04,360 Speaker 1: the casual shard they on a Thursday, right, I can 149 00:07:04,400 --> 00:07:10,280 Speaker 1: talk about you know, Essendon in nineteen ninety three, because 150 00:07:10,360 --> 00:07:13,800 Speaker 1: you know that's right, well, she lives, she's from album. 151 00:07:13,840 --> 00:07:19,640 Speaker 2: She's Italian, so bea but don't roll that dice. But 152 00:07:19,640 --> 00:07:21,120 Speaker 2: but but like, they're the things I want to talk 153 00:07:21,160 --> 00:07:22,720 Speaker 2: about with my friends and if I wanted to, and 154 00:07:22,720 --> 00:07:25,280 Speaker 2: I'm looking forward talking to her about that. So you 155 00:07:25,320 --> 00:07:26,960 Speaker 2: need you need, you need to play in her field 156 00:07:26,960 --> 00:07:27,960 Speaker 2: a little bit early. 157 00:07:28,240 --> 00:07:30,520 Speaker 1: Exactly, which is why Alex's suggested so good. So when 158 00:07:30,520 --> 00:07:32,640 Speaker 1: she comes in for the interview, which by the way, 159 00:07:33,200 --> 00:07:34,920 Speaker 1: we haven't touched yet, and I think we just need 160 00:07:34,920 --> 00:07:36,880 Speaker 1: to talk about this because if she's coming in next week, 161 00:07:37,080 --> 00:07:38,840 Speaker 1: I haven't even lot that in like, I haven't messaged 162 00:07:38,880 --> 00:07:40,000 Speaker 1: her and said let's do it. 163 00:07:40,080 --> 00:07:42,720 Speaker 2: Tina. I haven't said great chat. I think she would 164 00:07:42,720 --> 00:07:43,120 Speaker 2: say t A. 165 00:07:44,160 --> 00:07:44,600 Speaker 6: I think. 166 00:07:45,960 --> 00:07:47,880 Speaker 2: Mates two, casual mate's good mate. 167 00:07:48,240 --> 00:07:51,440 Speaker 4: I think straight to mate saying mate t W. 168 00:07:51,480 --> 00:07:54,239 Speaker 2: I put hers straight in the mate zone. Bang, hey, mate, 169 00:07:54,520 --> 00:07:57,520 Speaker 2: it's really here from radio. I'm not your mate? Why not? 170 00:07:57,600 --> 00:07:59,760 Speaker 3: Because I'm fucking ten I'm your mate, but like I'm 171 00:07:59,800 --> 00:08:01,240 Speaker 3: ten rd exactly, Like, don't call me mate? 172 00:08:01,280 --> 00:08:03,920 Speaker 2: How disrespectful? Yeah, because she was calling us kids. Yeah, 173 00:08:04,160 --> 00:08:07,800 Speaker 2: I think I loved that. I'm really quite like, oh mum, 174 00:08:07,920 --> 00:08:10,240 Speaker 2: maternal mom's not bad. And she said Dahl as well, 175 00:08:10,240 --> 00:08:11,040 Speaker 2: which I really liked. 176 00:08:11,480 --> 00:08:13,320 Speaker 1: What other things do we take from the conversation because 177 00:08:13,520 --> 00:08:14,560 Speaker 1: things that have stayed with me. 178 00:08:14,840 --> 00:08:17,560 Speaker 2: Darl's good. I'm not going to call her Dahl. She 179 00:08:17,680 --> 00:08:21,280 Speaker 2: calls me dark Gorge. Hey good? Sorry? Sorry, sorry as 180 00:08:21,280 --> 00:08:24,280 Speaker 2: it came out of math. What is with you, dude? 181 00:08:24,640 --> 00:08:29,280 Speaker 2: Platonic t as? Why hay Tina? It's her name? Hey teens? 182 00:08:30,000 --> 00:08:33,800 Speaker 2: What about everyone's doing teens? Arena teens? 183 00:08:34,120 --> 00:08:36,480 Speaker 1: What would it means to you if you came in, 184 00:08:36,520 --> 00:08:39,079 Speaker 1: you know, something like that little rhyme, little ryme to 185 00:08:39,120 --> 00:08:39,600 Speaker 1: kick it off? 186 00:08:39,840 --> 00:08:45,600 Speaker 2: And I'm doing Tinay Tina, Hey Tina, tea dog looking 187 00:08:45,640 --> 00:08:47,920 Speaker 2: forward to when I might sen you. 188 00:08:47,960 --> 00:08:51,880 Speaker 4: No, Hey Tina, it's Will from the radio show. 189 00:08:52,240 --> 00:08:54,240 Speaker 2: Don't I need to say who I am? What do 190 00:08:54,280 --> 00:08:58,880 Speaker 2: you mean? Casually? Look, guys, I'm being serious about this, 191 00:08:58,920 --> 00:09:01,480 Speaker 2: and I know that you like having fun do like 192 00:09:01,600 --> 00:09:05,199 Speaker 2: t Hey, No, you don't want to. You don't want 193 00:09:05,200 --> 00:09:07,760 Speaker 2: to that. I'm not having it with milk like she's 194 00:09:07,880 --> 00:09:13,640 Speaker 2: a good gag though, Hey with one question mark sugar, 195 00:09:14,000 --> 00:09:14,520 Speaker 2: one question. 196 00:09:15,559 --> 00:09:22,280 Speaker 7: Hey guys, yeah, this is really chat. Appreciate we start 197 00:09:22,320 --> 00:09:25,560 Speaker 7: breaking storming. Actually an apology we have to do. 198 00:09:25,640 --> 00:09:30,920 Speaker 2: To the crumpets too, pros as Bills reached out. 199 00:09:31,280 --> 00:09:34,360 Speaker 7: He has responded, should call him? Yeah, I think we 200 00:09:34,400 --> 00:09:35,120 Speaker 7: should call him. 201 00:09:35,200 --> 00:09:41,680 Speaker 2: Okay, guys, I actually need a message Tina, like I 202 00:09:41,679 --> 00:09:42,960 Speaker 2: need I need to get that out of Do that 203 00:09:43,000 --> 00:09:44,720 Speaker 2: text first, then we'll apologize Mills at the end. 204 00:09:45,120 --> 00:09:49,760 Speaker 1: Yeah, if I's going to go, Hey, Tana, great to 205 00:09:49,880 --> 00:09:50,760 Speaker 1: chat yesterday. 206 00:09:51,360 --> 00:09:54,200 Speaker 2: Yeah, how are the chops? 207 00:09:54,679 --> 00:09:54,719 Speaker 5: No? 208 00:09:57,320 --> 00:10:01,520 Speaker 2: What's wrong with was it much chopp? The chop? It's 209 00:10:01,559 --> 00:10:05,520 Speaker 2: brilliant chat? Was the chat much shop? With the chat 210 00:10:05,559 --> 00:10:08,959 Speaker 2: much chop? I hope the chat was with the chops 211 00:10:09,040 --> 00:10:13,400 Speaker 2: much chop? Just so it was dinner much chop? Yeah, brilliant. 212 00:10:13,400 --> 00:10:14,839 Speaker 2: And then do I put like a little like laughing 213 00:10:14,840 --> 00:10:17,439 Speaker 2: face in brackets, so I do a lamb cutlet emoji. 214 00:10:18,200 --> 00:10:20,480 Speaker 2: It was the dinner much chop? I mean it's oh, 215 00:10:20,520 --> 00:10:24,360 Speaker 2: hang on, he knows from and I think we hang 216 00:10:24,520 --> 00:10:25,720 Speaker 2: because Alex says yes. 217 00:10:25,880 --> 00:10:28,800 Speaker 1: Alex says yes, but Alex, your mum is here and 218 00:10:28,840 --> 00:10:30,920 Speaker 1: she's in the background saying no, we covered that. And 219 00:10:30,960 --> 00:10:33,800 Speaker 1: I respect and I respect the favor that Alex is 220 00:10:34,400 --> 00:10:34,800 Speaker 1: his hand. 221 00:10:36,960 --> 00:10:37,600 Speaker 2: I respect the. 222 00:10:37,520 --> 00:10:40,560 Speaker 1: Fac that Alex's mum is probably, you know, closest to 223 00:10:40,600 --> 00:10:43,360 Speaker 1: Tina Arena in age in this, and I think she's 224 00:10:43,360 --> 00:10:44,800 Speaker 1: probably got a voice on it. 225 00:10:45,360 --> 00:10:48,880 Speaker 2: Yeah, okay, So we're cutting the dinner much chop, good chop? 226 00:10:49,080 --> 00:10:55,079 Speaker 2: I mean, on Agan, what is it was dinner muchop? 227 00:10:58,720 --> 00:11:06,199 Speaker 2: I mean, I laugh, I'm Dina. We're getting no no thumbs. 228 00:11:06,400 --> 00:11:08,520 Speaker 3: Yeah, I think I think that the longest been with it, 229 00:11:08,520 --> 00:11:10,280 Speaker 3: the more you like it was doing a much chop question. 230 00:11:10,360 --> 00:11:14,240 Speaker 2: It's a bit of a slow right to chat yesterday 231 00:11:14,480 --> 00:11:16,720 Speaker 2: dinner much chop? Was dinner much chop? 232 00:11:17,600 --> 00:11:19,800 Speaker 3: And then maybe a haha or what do you reckon 233 00:11:20,600 --> 00:11:23,280 Speaker 3: it's doing a much chop question mark chopp emoticon, Well 234 00:11:23,280 --> 00:11:24,960 Speaker 3: go with a face a chopp emoticon. 235 00:11:25,040 --> 00:11:27,360 Speaker 2: I think no, I don't think there is bigger What 236 00:11:27,440 --> 00:11:29,839 Speaker 2: is there? Put a steak beef? Put a steak down? 237 00:11:30,760 --> 00:11:32,679 Speaker 2: Is there a rib? Is there a Cutlet go a steak? 238 00:11:32,679 --> 00:11:34,280 Speaker 2: Put a steak down the steak. I think it's just 239 00:11:34,320 --> 00:11:36,839 Speaker 2: a steak. Yeah, put a steak down there. Okay, it 240 00:11:36,880 --> 00:11:39,080 Speaker 2: was dinner much chopped question beef. 241 00:11:39,320 --> 00:11:42,360 Speaker 6: Alex Is Morma suggested a baby lamb emoji. 242 00:11:42,600 --> 00:11:48,240 Speaker 2: Oh that's good, Alex's mom brilliant, brilliant. Okay, so lamb, 243 00:11:48,400 --> 00:11:50,960 Speaker 2: baby lamb. It was din a much chop question mark, 244 00:11:52,559 --> 00:11:57,960 Speaker 2: that's awesome. Loll no, no, no, lo okay, Hey, great judge. 245 00:11:58,280 --> 00:11:59,840 Speaker 2: Yesterday I was dining a much. 246 00:12:00,120 --> 00:12:02,560 Speaker 3: I do lamb into a like a maybe a face 247 00:12:02,600 --> 00:12:04,520 Speaker 3: with the tongue out, like, oh no. 248 00:12:05,120 --> 00:12:08,960 Speaker 2: I love the hell Tom. 249 00:12:09,000 --> 00:12:09,560 Speaker 1: You're you're. 250 00:12:11,240 --> 00:12:12,640 Speaker 2: Tom? You really? 251 00:12:13,040 --> 00:12:16,760 Speaker 4: You are talking to a. 252 00:12:15,360 --> 00:12:19,360 Speaker 2: Fifty year old lady. She doesn't want, does yes? She does. 253 00:12:21,040 --> 00:12:22,400 Speaker 2: She likes tongue to. 254 00:12:24,800 --> 00:12:27,640 Speaker 1: Confer with some women outside because I want a platonic 255 00:12:28,440 --> 00:12:32,120 Speaker 1: on the relationship with Tina Arena, and I'm wondering that 256 00:12:32,200 --> 00:12:33,480 Speaker 1: wink and tongue is too much. 257 00:12:34,000 --> 00:12:36,480 Speaker 2: I'm happy to hear from Alex's Katrina if necessary. What 258 00:12:36,520 --> 00:12:40,440 Speaker 2: do you think she's coming? Wink and tongue, Wink and tongue. 259 00:12:40,480 --> 00:12:42,600 Speaker 2: We're getting thumbs Winking tongue is cool. 260 00:12:42,880 --> 00:12:45,120 Speaker 6: I think she says wink and tongue's fine. 261 00:12:45,480 --> 00:12:46,280 Speaker 2: Yeah, winking tongue. 262 00:12:46,280 --> 00:12:50,480 Speaker 1: I like, can you hold what do you say a 263 00:12:50,480 --> 00:12:51,320 Speaker 1: little bit to tear your voice? 264 00:12:51,320 --> 00:12:53,840 Speaker 2: What do you say? Well, that's good? What was it? 265 00:12:55,120 --> 00:12:59,520 Speaker 7: I think we're like the biggest group of people that 266 00:12:59,600 --> 00:13:03,040 Speaker 7: actually use emojis, So I think the emoji. 267 00:13:02,920 --> 00:13:06,520 Speaker 2: Did a much chop winking tongue, winking tongue after a 268 00:13:06,600 --> 00:13:08,400 Speaker 2: lamb and then a wink and tongue. 269 00:13:08,559 --> 00:13:11,800 Speaker 1: Was doing a much shop wink sheep winking tongue. Question 270 00:13:11,840 --> 00:13:14,400 Speaker 1: mark brilliant, brilliant, A great chat yesterday was. 271 00:13:14,360 --> 00:13:17,520 Speaker 2: Doing a much chop so good. And then I reckon, 272 00:13:17,520 --> 00:13:17,720 Speaker 2: we just. 273 00:13:17,720 --> 00:13:19,800 Speaker 1: Get straight to it to get you in next we'd 274 00:13:19,800 --> 00:13:20,720 Speaker 1: love to get you in next week. 275 00:13:20,720 --> 00:13:25,040 Speaker 2: If you're around, which days are you available you in next? Well? 276 00:13:25,240 --> 00:13:26,480 Speaker 2: Do you put it? Put a day down? 277 00:13:26,600 --> 00:13:31,280 Speaker 7: If you're still I feel like you're jeopardizing it, jeopardizing 278 00:13:31,280 --> 00:13:36,040 Speaker 7: it the week the emojis keep it profresh. 279 00:13:36,240 --> 00:13:37,920 Speaker 2: No, he's but he's trying to become friends. 280 00:13:38,000 --> 00:13:40,920 Speaker 7: Yeah, I've got to become friends. 281 00:13:41,080 --> 00:13:43,079 Speaker 2: I've got to see into friendship. But I've got a 282 00:13:43,120 --> 00:13:45,480 Speaker 2: segue into friendship. This is subtle. This is subtle. 283 00:13:45,800 --> 00:13:50,040 Speaker 7: I reckon, you're better in person than you are text He. 284 00:13:50,200 --> 00:13:52,480 Speaker 4: Called her last night and she picked up. 285 00:13:52,559 --> 00:13:54,560 Speaker 2: That's a good point. You can't. You don't. You have 286 00:13:54,600 --> 00:13:56,560 Speaker 2: to put all your cards on the table. A great 287 00:13:56,600 --> 00:13:59,360 Speaker 2: chat yesterday it was diner much chop and he's nervous, like. 288 00:13:59,360 --> 00:14:01,559 Speaker 7: He's a cringey I'm sorry, Yeah, no. 289 00:14:03,080 --> 00:14:05,600 Speaker 2: Do listen to kV. Well, I think you know. 290 00:14:05,640 --> 00:14:09,200 Speaker 7: I only manage your social media and know your audience too. 291 00:14:08,960 --> 00:14:12,320 Speaker 2: Well exactly, and it is not our audience. She's made 292 00:14:12,320 --> 00:14:17,199 Speaker 2: that very. 293 00:14:16,200 --> 00:14:16,960 Speaker 1: Actually she is. 294 00:14:17,040 --> 00:14:20,720 Speaker 7: She commented on our stuff, so she can't remember shake 295 00:14:20,760 --> 00:14:21,000 Speaker 7: from that. 296 00:14:21,040 --> 00:14:23,000 Speaker 2: What you will just. 297 00:14:22,960 --> 00:14:23,560 Speaker 5: Quick one to wait? 298 00:14:24,040 --> 00:14:26,960 Speaker 6: Yeah, and I just want to put you in tenis shoes. 299 00:14:27,480 --> 00:14:30,400 Speaker 6: If you received a text message with too many emojis, 300 00:14:30,720 --> 00:14:31,720 Speaker 6: are you going. 301 00:14:31,640 --> 00:14:34,040 Speaker 2: Oh, that's really funny and cute, or you're going what 302 00:14:34,240 --> 00:14:37,800 Speaker 2: we know? Yeah, it's gone. I'd be like, wait to 303 00:14:37,800 --> 00:14:41,200 Speaker 2: make did do one emoji? Cut the lamb and cut 304 00:14:41,240 --> 00:14:43,200 Speaker 2: the tongue. The tongue is not Yeah, I think the 305 00:14:43,200 --> 00:14:44,880 Speaker 2: tongue too much. I think the tongue too much. Just 306 00:14:44,920 --> 00:14:47,440 Speaker 2: we'll just go with the lamb. Just lamb. 307 00:14:47,480 --> 00:14:49,800 Speaker 1: We'll meet in the middle. Just the lamb, Yeah, just 308 00:14:49,840 --> 00:14:52,160 Speaker 1: the lamb. Just the sheap emoji. Okay, they don't give 309 00:14:52,200 --> 00:14:53,680 Speaker 1: me that face. Don't give me that face? 310 00:14:54,200 --> 00:14:57,120 Speaker 2: Did that much chop? Question mark? Is hilarious. She will 311 00:14:57,280 --> 00:14:58,280 Speaker 2: tell her friends about that. 312 00:14:58,560 --> 00:15:01,120 Speaker 7: I don't think she would like remember her voice. She's 313 00:15:01,160 --> 00:15:06,040 Speaker 7: really soft spoken and like lovely. I don't feel like 314 00:15:06,080 --> 00:15:07,960 Speaker 7: that's like like her vibe. 315 00:15:08,760 --> 00:15:11,760 Speaker 2: Katrina says that that demographic uses a lot. 316 00:15:12,040 --> 00:15:13,800 Speaker 1: Would love to get you in next week if you're 317 00:15:13,800 --> 00:15:15,360 Speaker 1: still keen, when would suit next week? 318 00:15:16,360 --> 00:15:17,720 Speaker 2: Thursday? Tuesday? 319 00:15:18,760 --> 00:15:21,960 Speaker 6: To be fair, it's Tina Arena. Let's let's give her any. 320 00:15:21,840 --> 00:15:23,560 Speaker 2: Day when. 321 00:15:26,400 --> 00:15:29,480 Speaker 4: Wednesday question We all know you've got ship game. Just 322 00:15:29,520 --> 00:15:32,520 Speaker 4: go what day would work next week? Two o'clock Wednesday? 323 00:15:32,640 --> 00:15:33,200 Speaker 4: Question mark? 324 00:15:33,400 --> 00:15:33,600 Speaker 2: Yeah? 325 00:15:33,680 --> 00:15:36,400 Speaker 3: Yeah, because I get frustrated when people ask me like 326 00:15:36,400 --> 00:15:38,240 Speaker 3: any day. Let's give me a time and then I'll 327 00:15:38,320 --> 00:15:39,720 Speaker 3: let you know if I can't make that time. 328 00:15:40,120 --> 00:15:42,720 Speaker 2: Yeah okay, Now just. 329 00:15:42,720 --> 00:15:46,120 Speaker 6: Bear in mind if you do it pre sure, you 330 00:15:46,160 --> 00:15:47,960 Speaker 6: don't know how this chat's going to go. Do you 331 00:15:48,040 --> 00:15:50,680 Speaker 6: really want to limit your time to two five minute 332 00:15:50,720 --> 00:15:54,520 Speaker 6: spots with Tina or would you rather get it to 333 00:15:54,560 --> 00:15:57,240 Speaker 6: come in poor? Sure, and you've got a bit of 334 00:15:57,320 --> 00:15:58,680 Speaker 6: a shard underneath the table. 335 00:15:58,960 --> 00:15:59,800 Speaker 2: No, no, no, no. 336 00:15:59,840 --> 00:16:01,840 Speaker 1: She has made it very clear that this is the 337 00:16:02,120 --> 00:16:05,320 Speaker 1: this is the pre Now I don't need that l jay. 338 00:16:06,680 --> 00:16:08,720 Speaker 2: No, she doesn't want to do the shardy this time. 339 00:16:09,120 --> 00:16:11,200 Speaker 2: This is the you were freak. That's a tratch up, 340 00:16:11,240 --> 00:16:14,360 Speaker 2: that would be a dishonest trap. Yeah, this is a message. 341 00:16:14,440 --> 00:16:16,920 Speaker 2: This is the message. Is everyone ready? Yeah, I'm ready. 342 00:16:17,600 --> 00:16:17,960 Speaker 6: Let's go. 343 00:16:19,320 --> 00:16:21,880 Speaker 2: Hey Tina, great to chat. Yesterday was dinner much chop? 344 00:16:23,600 --> 00:16:26,680 Speaker 2: She promoted gone, question mark, it's feeling interesting. 345 00:16:26,880 --> 00:16:28,520 Speaker 1: Would love to get you in next week if you're 346 00:16:28,520 --> 00:16:32,520 Speaker 1: still keen, And I'll say, we'd love to promote the tour. 347 00:16:32,880 --> 00:16:34,640 Speaker 2: No, no, when she knows that, Okay, she knows that. 348 00:16:34,560 --> 00:16:38,040 Speaker 1: Two pm Wednesday, question mark, we're in Richmond, cheers, will 349 00:16:39,280 --> 00:16:40,320 Speaker 1: perfect cave? 350 00:16:40,480 --> 00:16:43,040 Speaker 2: Come on? That's a pretty good Alex is keen? I'm keen, 351 00:16:43,840 --> 00:16:45,920 Speaker 2: like it just feels like a. 352 00:16:46,000 --> 00:16:48,240 Speaker 7: Cheap pickup line, like if a guy approached me at 353 00:16:48,240 --> 00:16:50,680 Speaker 7: the bar and said that, I feel like, don't talk 354 00:16:50,720 --> 00:16:53,120 Speaker 7: to me ever again, Kave. 355 00:16:53,320 --> 00:16:55,960 Speaker 1: Let's remember that Analy's had a guy hitting on her recently, 356 00:16:56,040 --> 00:16:57,720 Speaker 1: and you you ran the text there and it went 357 00:16:57,760 --> 00:17:01,440 Speaker 1: badly so and I remember that last year, and I 358 00:17:01,480 --> 00:17:02,040 Speaker 1: remember that. 359 00:17:02,560 --> 00:17:06,200 Speaker 7: I did not actually about seventeen people waiting only anlysts 360 00:17:06,240 --> 00:17:08,399 Speaker 7: she ruined it didn't she Oh, this is going to 361 00:17:08,440 --> 00:17:09,080 Speaker 7: break the sister. 362 00:17:09,200 --> 00:17:10,160 Speaker 2: Come look at this. 363 00:17:13,280 --> 00:17:16,359 Speaker 7: Don't turn an me against each other. This is not 364 00:17:16,400 --> 00:17:17,000 Speaker 7: about us. 365 00:17:17,080 --> 00:17:17,840 Speaker 2: You're deflecting. 366 00:17:18,960 --> 00:17:23,760 Speaker 3: Oh my god, this has got so real eyes out there. Okay, 367 00:17:24,680 --> 00:17:26,400 Speaker 3: I think it's a perfect message. I think it hits 368 00:17:26,440 --> 00:17:28,960 Speaker 3: in right now, do it? 369 00:17:29,320 --> 00:17:31,640 Speaker 2: Do it? You know what I'm gonna do. I'm gonna 370 00:17:31,640 --> 00:17:35,480 Speaker 2: delete the two pm Wednesday. Why I don't do that. 371 00:17:36,040 --> 00:17:38,159 Speaker 3: But it's very frustrating when someone says I can do 372 00:17:38,200 --> 00:17:40,040 Speaker 3: any time and you're just like, oh, well, what is that? 373 00:17:40,080 --> 00:17:41,480 Speaker 2: Even Wednesday's great? 374 00:17:41,640 --> 00:17:44,520 Speaker 1: Yeah, I would just say my producer says Wednesday afternoon works. 375 00:17:44,760 --> 00:17:47,440 Speaker 2: Yeah, No, that's that's us, that's doue. I like that. 376 00:17:48,480 --> 00:17:50,399 Speaker 2: But then she'll go like, oh yeah three. Then we 377 00:17:50,400 --> 00:17:52,600 Speaker 2: have to go, oh no, we're quite like chilling. Yeah 378 00:17:52,600 --> 00:17:54,520 Speaker 2: for the show thunesday two pm. Why are you so 379 00:17:54,600 --> 00:17:55,560 Speaker 2: against the two pm thing? 380 00:17:55,600 --> 00:17:58,640 Speaker 1: Because it's fucking Tina Arena. Guys like, I'm not I'm 381 00:17:58,640 --> 00:17:59,840 Speaker 1: not going to put it in. I'm not going to 382 00:18:00,119 --> 00:18:00,640 Speaker 1: not going to put. 383 00:18:03,440 --> 00:18:06,320 Speaker 2: You're not You're going what works next week? Wednesday two pm? 384 00:18:06,400 --> 00:18:07,640 Speaker 2: Question to get you in next week? 385 00:18:07,680 --> 00:18:10,560 Speaker 1: If you're still ken my producer says, Wednesday afternoon works. 386 00:18:10,640 --> 00:18:14,680 Speaker 3: We're enrichment you this little lammy. My producer says, you 387 00:18:15,000 --> 00:18:17,320 Speaker 3: control this ship, my friend. No, it's time to put 388 00:18:17,320 --> 00:18:20,000 Speaker 3: the foot down. You're o chart, you're the captain. 389 00:18:20,160 --> 00:18:21,840 Speaker 1: No, because it was If I say my producer it, 390 00:18:21,840 --> 00:18:23,760 Speaker 1: you know, it makes it look you know we've got producers. 391 00:18:24,000 --> 00:18:26,400 Speaker 2: Oh yeah, yeah, yeah, we've got we've got we've got stuff, 392 00:18:26,440 --> 00:18:32,320 Speaker 2: We've got people. Okay, here we go. Cheers, will champagne, 393 00:18:32,320 --> 00:18:38,280 Speaker 2: glasses chinking. Okay, cave kV will stab you if you'm paign. 394 00:18:38,359 --> 00:18:41,639 Speaker 3: Oh my god, he did it. He did it, he 395 00:18:41,720 --> 00:18:44,240 Speaker 3: did it. That chop gag was pretty bad. Yeah, yeah, 396 00:18:44,240 --> 00:18:46,800 Speaker 3: I wouldn't have said that shocking GAGKAV was bagged on. 397 00:18:47,320 --> 00:18:48,840 Speaker 2: I can still, I can, I can understand. I can 398 00:18:48,920 --> 00:18:52,080 Speaker 2: und because then she'll see you uncentered and then all 399 00:18:52,080 --> 00:18:56,119 Speaker 2: the more ship. All right, well it's out there. Let's 400 00:18:56,320 --> 00:19:06,879 Speaker 2: dance right now when this song drops. Yeah. Yeah, the 401 00:19:06,960 --> 00:19:08,760 Speaker 2: gag was awful, but we had to do it. That's 402 00:19:08,800 --> 00:19:11,200 Speaker 2: good fun. That's good fun. That's good fun. I can't 403 00:19:11,480 --> 00:19:12,840 Speaker 2: listening to the CAV. She was the only one who 404 00:19:12,880 --> 00:19:15,440 Speaker 2: really cared. That was very nice of your Cave. 405 00:19:15,400 --> 00:19:18,040 Speaker 6: I'm always honest, believe me all the time. 406 00:19:18,160 --> 00:19:19,080 Speaker 2: She should have listened to kV. 407 00:19:19,400 --> 00:19:24,000 Speaker 1: I was scarred by that interaction. That guy A mental note, 408 00:19:24,080 --> 00:19:26,879 Speaker 1: Kv's got ship game. If I'm ever single again, don't 409 00:19:26,880 --> 00:19:28,159 Speaker 1: listen to her when writing a message. 410 00:19:28,240 --> 00:19:30,120 Speaker 2: You're not trying. 411 00:19:29,960 --> 00:19:32,239 Speaker 7: To seduce it, I comment on Analys, isn't it? 412 00:19:32,320 --> 00:19:34,879 Speaker 1: No, Analyst is still single and you've been, you know, 413 00:19:35,119 --> 00:19:36,320 Speaker 1: helping her with all of her messages. 414 00:19:36,480 --> 00:19:38,600 Speaker 3: Let's not let's not get into that. That and this 415 00:19:38,680 --> 00:19:40,840 Speaker 3: is not You're not trying to seduce it. 416 00:19:41,080 --> 00:19:44,800 Speaker 2: She's happily single. Summer of Fly we're in spring. But 417 00:19:44,920 --> 00:19:45,520 Speaker 2: summer of fly? 418 00:19:46,160 --> 00:19:46,200 Speaker 7: What? 419 00:19:46,760 --> 00:19:47,119 Speaker 5: What? 420 00:19:47,119 --> 00:19:49,360 Speaker 2: What is it? What season is it? That summer? We're 421 00:19:49,359 --> 00:19:51,480 Speaker 2: gonna go Summer of Fly. I see you guys tomorrow. 422 00:19:53,040 --> 00:19:55,240 Speaker 2: Oh god, let's find out tomorrow. This is the best 423 00:19:55,240 --> 00:19:58,479 Speaker 2: song ever, isn't it? So it's good. It's pretty good, 424 00:19:58,520 --> 00:20:02,560 Speaker 2: isn't it. Australian guys, Yes, may stray nice? Yep? What 425 00:20:02,680 --> 00:20:05,520 Speaker 2: I do now? You want to get them on the 426 00:20:05,560 --> 00:20:08,480 Speaker 2: show and we can start the next dark Give me 427 00:20:08,560 --> 00:20:13,320 Speaker 2: a message. Bag Raiders pre message the bag Raiders, who 428 00:20:13,320 --> 00:20:15,480 Speaker 2: are they alright? 429 00:20:15,480 --> 00:20:15,600 Speaker 5: By