WEBVTT - BONUS: Churi chats with Rita Ora

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<v Speaker 1>Is it just me? A podcast by a couple of mitches.

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<v Speaker 2>Mitch, you caught up with rider Ora recently.

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<v Speaker 1>I did.

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<v Speaker 3>This is exciting because I've spoken to her. I did

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<v Speaker 3>the Math three times, but all over phone and zoo.

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<v Speaker 3>We never met in person, so.

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<v Speaker 2>This was face to face.

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<v Speaker 1>This time, first face to face interview for me in

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<v Speaker 1>a year.

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<v Speaker 2>I should have told her to say hi on my behalf.

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<v Speaker 2>Literally a matter of hours before she came into studio

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<v Speaker 2>with you, I was filming a TikTok with her.

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<v Speaker 3>God that I saw that tiktog and because it starts

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<v Speaker 3>off you in your bedroom, I was like another.

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<v Speaker 1>Mitchell Coombs all lot scrolls, girls, girl.

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<v Speaker 2>Blog blog block.

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<v Speaker 1>And then I did watch it. I stood through and

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<v Speaker 1>it was hilarious.

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<v Speaker 2>Yeah, so that came about during Marti Gras. I got

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<v Speaker 2>an email saying we have a media opportunity for anyone

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<v Speaker 2>who wants to do it. And when they said media opportunity,

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<v Speaker 2>I thought it was going to be some fucking bullshit

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<v Speaker 2>interview I had to give a quote to like some

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<v Speaker 2>terrible online publication. It's like whatever and daily and so yeah,

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<v Speaker 2>I don't know, and I was like, sure, I'll do

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<v Speaker 2>the media opportunity, I'll spin some bullshit Wavelength Weekly. And

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<v Speaker 2>then they followed up the next day and said, hey,

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<v Speaker 2>so about that media opportunity, You're filming a TikTok with

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<v Speaker 2>Riata Aura. What I was like, huh to promote the

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<v Speaker 2>new song Bang Bang, which, by the way, no payment involved.

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<v Speaker 2>Love that song?

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<v Speaker 1>Yeah, it samples Crazy Frog. Well I learned that it samples.

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<v Speaker 2>She said that that's actually not a Crazy Frog original composition.

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<v Speaker 1>I believe it or not, but I had.

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<v Speaker 2>To jump through some fucking hoops to get that TikTok

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<v Speaker 2>up and happening.

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<v Speaker 1>Why.

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<v Speaker 2>I was on sick leave and I messaged Jenna because

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<v Speaker 2>she was at work, and I said, I don't want

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<v Speaker 2>to show my face in the office. That's not a

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<v Speaker 2>good look. So I need you to go to my

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<v Speaker 2>top drawer and find my rainbow fan. You know those

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<v Speaker 2>foldable fans that you kind of whip out. It's a

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<v Speaker 2>Pride plastic fan. I need a rainbow fan as a prop.

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<v Speaker 2>And so Jenna did that, and then it broke, and

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<v Speaker 2>then I had to super glue it together. And my

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<v Speaker 2>whole day was evolving around this stupid TikTok with Rita Aora.

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<v Speaker 2>And then I was like, what's she going to be like,

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<v Speaker 2>She's just not going to get my vibe. She's going

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<v Speaker 2>to be like what the fuck in how some British

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<v Speaker 2>people just don't get Australian humor, but.

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<v Speaker 1>Some are very similar.

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<v Speaker 2>She was so into it. Yeah, yeah, I may be paraphrasing,

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<v Speaker 2>but she said all the other TikTokers were absolute garbage,

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<v Speaker 2>but you're my fucking favorite. Really I made that up.

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<v Speaker 3>Well, she said something similar to me at the end.

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<v Speaker 3>She was like, that was such a good interview, so natural.

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<v Speaker 3>I feel like we're friends, when in reality she said,

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<v Speaker 3>can you get this fact on ow?

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<v Speaker 2>Well, I bet I know what you're thinking. Rita Ora

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<v Speaker 2>and Jenna, No, nothing's going to happen there.

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<v Speaker 1>Well well, well, well I have met Rita Aura. Really.

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<v Speaker 2>Aman Ta Kella introduced me to her.

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<v Speaker 3>She was in the studio for the she did all

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<v Speaker 3>the shows and Jones and Amanda Kyle and Jack y Ah.

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<v Speaker 1>Yes. She came up to me and said, hello, Jenna, Yeah.

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<v Speaker 2>That's it, that's my story. Who do you think is

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<v Speaker 2>going to play you in the movie?

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<v Speaker 4>Oh?

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<v Speaker 1>I don't know, Eddie Redmond.

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<v Speaker 2>You can in an oscar for it anyway. You caught

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<v Speaker 2>up with Reader or can I let me tell you

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<v Speaker 2>about mine? I feel like she's in a good place.

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<v Speaker 2>She was very viby and very happy in every interview

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<v Speaker 2>I saw, but I haven't heard yours completely agree.

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<v Speaker 3>Our interview was brilliant, and I need to premise it

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<v Speaker 3>by this. You've all seen the video and enjuring idiots

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<v Speaker 3>of me being tackled by ninety bloody bogans wanting the

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<v Speaker 3>cash Cock, which is a segment I do for Kyle

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<v Speaker 3>and Jackie. Osher walked in. I went to uh, I

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<v Speaker 3>sat down with Reader and she goes, hey, Mitch, how

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<v Speaker 3>are you?

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<v Speaker 1>I go great, she already knows my name.

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<v Speaker 3>This is a really good in person, face to face,

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<v Speaker 3>big hug, big kiss, and then she I go, I'm

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<v Speaker 3>from kiss and she goes, no, I know, I know you.

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<v Speaker 1>Kyle and Jackie A were in the morning.

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<v Speaker 3>I went yeah. She went oh, I spoke to them

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<v Speaker 3>just before and they were amazing.

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<v Speaker 1>And I go, oh, yeah, she's what do you do there?

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<v Speaker 3>I go, oh, my god, long story this segment called

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<v Speaker 3>the cash cock. She knew the cash cock. She heard

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<v Speaker 3>it when she must have been in the studio. I

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<v Speaker 3>don't know how she knew and she said do the voice,

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<v Speaker 3>and I did the voice and then she did the voice.

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<v Speaker 1>And the funny thing.

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<v Speaker 3>Is the song bang bang sorry, you know, very good

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<v Speaker 3>five seconds sorry is bang bang and the cash Cock's

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<v Speaker 3>infamous you know voices?

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<v Speaker 1>Yes?

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<v Speaker 2>You you? Is there a word for chick noise?

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<v Speaker 4>You Kirk?

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<v Speaker 2>You Kirk on every b web.

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<v Speaker 1>That was a sad film.

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<v Speaker 3>That's done Kirk Sorry, I b Kirk and Clark and

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<v Speaker 3>Clark Clark.

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<v Speaker 1>That's the word and.

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<v Speaker 3>I I She asked if I could forward announce her song,

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<v Speaker 3>which is very app because in this show we did

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<v Speaker 3>to hit the post intro as cash Cock. So I'm

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<v Speaker 3>gonna leave it all in. It won't make sense because

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<v Speaker 3>there'll be no song played.

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<v Speaker 2>But oh my god, did you seriously say.

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<v Speaker 3>Bang?

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<v Speaker 2>Oh my god? I want to hear this play play

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<v Speaker 2>and sit.

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<v Speaker 1>Through for five This is me and read it or

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<v Speaker 1>one on one and John Chill midnight just like reader, Aura.

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<v Speaker 2>Hello, it's good to see you you too.

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<v Speaker 1>I've only had you had you That sounds a bit

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<v Speaker 1>like you avoid you had me.

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<v Speaker 4>I know. Really was really fun though we did have

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<v Speaker 4>a good time.

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<v Speaker 1>Bartigirl weekend, don't remember No, that was that was golden please.

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<v Speaker 1>I was talking about being a giant cock. I thought

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<v Speaker 1>I was going to be softly spoken.

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<v Speaker 4>Here, I'm the giant call.

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<v Speaker 1>Please stop with the cash cock starff. So that's fine,

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<v Speaker 1>the cash call. I am the cashcock. Welcome, still rolling.

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<v Speaker 1>Maybe I should just interview you as the cash call.

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<v Speaker 1>Do you want to hear the cash call? Boys?

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<v Speaker 3>You know what actually would be good because it's all

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<v Speaker 3>about the polosives like the bees and the piece. Because

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<v Speaker 3>I'm so bang bang announcing bang bang will be the

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<v Speaker 3>cash cock could be like.

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<v Speaker 1>We've readA URA's playing bang bang. No one's laughing. That

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<v Speaker 1>was I laughed. I'm sorry. Thank that's the cash cock.

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<v Speaker 1>Let's talk. Let's just talk us. That's my real person,

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<v Speaker 1>Mitchen reader here. Thank you so much for having me.

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<v Speaker 1>I love being here. I'm actually having the best time

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<v Speaker 1>of my life. Are you having fun?

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<v Speaker 3>Because Marti Gras is this weekend and I saw you

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<v Speaker 3>up there on that stage, first and last time you're

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<v Speaker 3>on a cricket ground, right, I.

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<v Speaker 4>Feel like that was my first but maybe not my last.

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<v Speaker 4>I might start up cricket who could?

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<v Speaker 1>You were great?

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<v Speaker 3>Though?

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<v Speaker 1>Thank you? I had the you know what I felt like?

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<v Speaker 4>Honestly, I literally felt like, I know, this might sound

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<v Speaker 4>a bit like out of the ether. It was like,

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<v Speaker 4>oh version of the Super Bowl. Yeah, because it was

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<v Speaker 4>like in a arena. The lights were kind of flashed,

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<v Speaker 4>they were the queens were dancing, everybody was happy. It

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<v Speaker 4>was something I don't think I'll ever forget for my

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<v Speaker 4>entire life, because for me, that was my first show

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<v Speaker 4>as well in a really long time. And I actually

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<v Speaker 4>had to hold back my tears, but I did warn everyone.

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<v Speaker 4>I was like, I might, I might in the middle

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<v Speaker 4>of the cricket ground because I can't tell you what

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<v Speaker 4>it feels like to perform again. And I feel like

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<v Speaker 4>I'm speaking for all the artists out there, like there

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<v Speaker 4>is nothing like it.

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<v Speaker 1>Performing, There's nothing like it, and for the gays too, exactly.

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<v Speaker 1>And then on top of that, for the games and

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<v Speaker 1>the queens, and I was thinking, ah, I was loving it.

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<v Speaker 1>I was like gathering in it. Did you do a lap?

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<v Speaker 4>Like?

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<v Speaker 1>Did you walk it at all?

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<v Speaker 3>Like?

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<v Speaker 1>Because they were breaking around the perimeter.

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<v Speaker 4>I didn't actually walk it because we had to do

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<v Speaker 4>a ton of interviews before the performance, and then the

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<v Speaker 4>parade stopped before my show.

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<v Speaker 1>Yeah, it was too much. There was a lot of

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<v Speaker 1>walking there was a lot of amazing. Look wasn't there ever?

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<v Speaker 1>And so many floats. Like I was in the crowd.

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<v Speaker 3>I was doing the radio live from the crowd, so

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<v Speaker 3>I was like standing there. Then the PA would turn

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<v Speaker 3>on and they're like Sydney toenail clippers, like the amount

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<v Speaker 3>of the Sydney Elephant Riders. Good for them.

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<v Speaker 1>I was like, good for why you representation for the

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<v Speaker 1>elephant Riders? If you were like doing live radio, You're like,

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<v Speaker 1>one second, can you guys please shut up?

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<v Speaker 4>I was.

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<v Speaker 3>I was like kind of rude because I wanted the energy,

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<v Speaker 3>but then I also wanted them to stop. I like

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<v Speaker 3>Harry Potter, I'm like, I like try to conduct them.

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<v Speaker 3>I'm like, stop, it's so much fun. But yeah, I've

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<v Speaker 3>kind of gotta be the ring master. But you're brilliant.

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<v Speaker 3>It was it was like in your element.

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<v Speaker 4>Yeah, yes, And I just had the best time and

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<v Speaker 4>every all the dancers were super stoked, and the outfit

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<v Speaker 4>was great and I just.

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<v Speaker 1>Loved I loved, you know, I love dressing up. I've

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<v Speaker 1>always been like that, so any excuse for some glitter.

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<v Speaker 3>Yeah, you put a big gay audience though. Keep you

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<v Speaker 3>when you make music, are you like I'm gonna make

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<v Speaker 3>I'm gonna make a butt for the gays. Let's give

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<v Speaker 3>you what they want.

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<v Speaker 4>I think everything I do, especially with my dance music side,

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<v Speaker 4>because I've always been a collaborator with dance DJs ever

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<v Speaker 4>since twenty twelve. When I came out with Hot Right Now,

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<v Speaker 4>you know, I always think would I bop to it

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<v Speaker 4>with my gaze in the club?

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<v Speaker 1>Would I would they look at me and be like

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<v Speaker 1>you killed it?

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<v Speaker 4>Because I always think about that because I have a

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<v Speaker 4>lot of friends in the community, and I always think

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<v Speaker 4>would they like it? So yeah, It's definitely my first

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<v Speaker 4>sort of like go to in my brain when I'm

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<v Speaker 4>in the.

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<v Speaker 1>Studio, shoot the text like air drop them the song. Now,

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<v Speaker 1>I'm like, tell me what we think? Does this make

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<v Speaker 1>you want to dances's make you want to?

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<v Speaker 3>Like bar?

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<v Speaker 1>It needs more bass?

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<v Speaker 4>You're like, okay, And if I like it and I

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<v Speaker 4>feel good, then I'm hoping everybody else will.

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<v Speaker 1>We love your stuff.

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<v Speaker 3>But we met the King of the guys and not

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<v Speaker 3>Draw the cash cock definitely the biggest cock king of

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<v Speaker 3>the guys.

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<v Speaker 1>But we love your music. Bang Bang's my favorite banks.

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<v Speaker 1>It's so fun to perform. Goes off it just bangs. Yeah,

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<v Speaker 1>and on the radio too. I don't know what we do.

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<v Speaker 3>I mean, I guess we can press the audio when

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<v Speaker 3>we play it out through the hours, but it sounds,

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<v Speaker 3>oh nah, like I'm doing the chef hand kiss on

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<v Speaker 3>the he.

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<v Speaker 1>Somebody I had to sample the xcel sample. We had

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<v Speaker 1>somebody at right, I've been waiting.

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<v Speaker 3>We know that as the Crazy Frog. So how many

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<v Speaker 3>times people ask you about Crazy Frog all.

0:09:34.600 --> 0:09:38.000
<v Speaker 1>The time, but I like to say Beverly Hills Cops instead. Yeah, okay,

0:09:38.400 --> 0:09:42.120
<v Speaker 1>that's the oglas. Yeah, crazy Frog was sampling Beverly Hills Cop. Yes,

0:09:42.240 --> 0:09:43.439
<v Speaker 1>but it's fine whatever. I mean.

0:09:43.760 --> 0:09:46.800
<v Speaker 4>Somebody had to do they did, and I'm happy I did,

0:09:46.960 --> 0:09:49.560
<v Speaker 4>me too, because it reminds me of my childhood, my youth,

0:09:49.800 --> 0:09:51.800
<v Speaker 4>and I was in the in the studio on my own.

0:09:51.880 --> 0:09:54.199
<v Speaker 4>By the way, this whole ep was like made of

0:09:54.840 --> 0:09:57.480
<v Speaker 4>literally no one around me, product of isolation, and I

0:09:57.679 --> 0:10:00.880
<v Speaker 4>just thought I need to hear something like this, and

0:10:01.000 --> 0:10:03.200
<v Speaker 4>I did it, and I'm happy because like everyone dances

0:10:03.240 --> 0:10:03.439
<v Speaker 4>to it.

0:10:03.520 --> 0:10:06.000
<v Speaker 1>The reaction is this phenomenal, and I'm actually just really

0:10:06.040 --> 0:10:06.439
<v Speaker 1>proud of it.

0:10:06.480 --> 0:10:08.240
<v Speaker 3>It's kind of funny when you sample something like that,

0:10:08.480 --> 0:10:10.319
<v Speaker 3>people already know it, so they like they know what's

0:10:10.320 --> 0:10:11.440
<v Speaker 3>gonna happen, Like it's coming up.

0:10:11.480 --> 0:10:15.120
<v Speaker 1>Crazy Frogs are little motorbike, Like, is he gonna make

0:10:15.120 --> 0:10:17.480
<v Speaker 1>a cameo? Have you seen crazy? Oh my god, Crazy

0:10:17.520 --> 0:10:20.640
<v Speaker 1>Frog cameo? This little frog Dickie, Oh my god, we're

0:10:20.720 --> 0:10:23.080
<v Speaker 1>all doing a cameo. Let's go back to Beverly Hills Cord.

0:10:23.120 --> 0:10:25.679
<v Speaker 3>Okay, so well that that would be great Crazy Frogs.

0:10:27.320 --> 0:10:30.520
<v Speaker 3>Was that the sample early on? Did you have that

0:10:30.600 --> 0:10:31.480
<v Speaker 3>before you had what.

0:10:31.600 --> 0:10:32.040
<v Speaker 4>We have now?

0:10:32.200 --> 0:10:34.160
<v Speaker 1>Yeah, it was all based around the sample.

0:10:34.400 --> 0:10:37.120
<v Speaker 4>I got the track Eman Beck, who did the whole

0:10:37.160 --> 0:10:40.760
<v Speaker 4>ep with me, amazing kid literally from Kazakhstan, doesn't speak

0:10:40.760 --> 0:10:42.719
<v Speaker 4>a word of English. We made the whole ep like

0:10:43.720 --> 0:10:47.960
<v Speaker 4>as Jesus is gonna sound through music. Music literally saved

0:10:48.000 --> 0:10:49.640
<v Speaker 4>us in the sense of talking to each other.

0:10:50.120 --> 0:10:51.920
<v Speaker 1>And then we got David Getter involved, and.

0:10:52.040 --> 0:10:55.480
<v Speaker 4>Gunner involved, and Kia who is an amazing rapper from Argentina.

0:10:55.840 --> 0:10:58.560
<v Speaker 4>So it's like a global affair genuinely from my living

0:10:58.679 --> 0:11:02.640
<v Speaker 4>room and this Excel record was like maybe. Beck was

0:11:02.679 --> 0:11:05.120
<v Speaker 4>like is this crazy? I was like yeah, but this

0:11:05.280 --> 0:11:08.520
<v Speaker 4>whole product, this whole product that we've created is kind

0:11:08.520 --> 0:11:12.200
<v Speaker 4>of crazy. Yeah, we're making music literally through zoom, which

0:11:12.480 --> 0:11:14.959
<v Speaker 4>for me is like not the best way. I'm like

0:11:15.040 --> 0:11:19.600
<v Speaker 4>a very musician music person in the room, hearing the vibes,

0:11:19.880 --> 0:11:22.199
<v Speaker 4>seeing what the band's doing, it unleashes something else in

0:11:22.280 --> 0:11:24.679
<v Speaker 4>my head and blah blah blah. So yeah, it was

0:11:24.800 --> 0:11:28.160
<v Speaker 4>I was like, who cares at this point, everything's crazy.

0:11:28.360 --> 0:11:29.920
<v Speaker 4>Let's just do whatever we think we can do that

0:11:30.000 --> 0:11:32.200
<v Speaker 4>we wouldn't be able to do in our own stuff.

0:11:32.440 --> 0:11:35.320
<v Speaker 1>And nobody knows. Nobody knows what to do, Like everyone's

0:11:35.440 --> 0:11:37.920
<v Speaker 1>in that same vibe, right, yeah, And that's why I

0:11:38.000 --> 0:11:39.640
<v Speaker 1>wanted this to be an EP and on album.

0:11:39.880 --> 0:11:41.840
<v Speaker 4>You know. I didn't want this to be like, oh,

0:11:41.920 --> 0:11:43.559
<v Speaker 4>this is a retour album. I wanted to be like,

0:11:43.720 --> 0:11:45.200
<v Speaker 4>this is a project that I've done with my.

0:11:45.240 --> 0:11:48.959
<v Speaker 1>Mates, right. And the artwork hot, yeah, thank you. The

0:11:49.080 --> 0:11:51.000
<v Speaker 1>artwork was just kind. I just wanted like sex yea.

0:11:51.000 --> 0:11:56.480
<v Speaker 4>I wanted to do like sexy, confident, powerful, we did

0:11:56.559 --> 0:11:57.960
<v Speaker 4>this ourselves type of approach.

0:11:58.000 --> 0:11:59.920
<v Speaker 1>Because we did. Nobody was like, hey, you should do this.

0:12:00.440 --> 0:12:00.880
<v Speaker 3>It was just me.

0:12:01.000 --> 0:12:02.839
<v Speaker 1>I reached out to him and back, do you want

0:12:02.840 --> 0:12:05.120
<v Speaker 1>to do something? He was like yeah, I was like cool,

0:12:05.559 --> 0:12:06.400
<v Speaker 1>do anything else?

0:12:06.559 --> 0:12:07.839
<v Speaker 4>Here we go he was.

0:12:07.920 --> 0:12:10.120
<v Speaker 3>It was really post sex, like real sweat, like real

0:12:10.160 --> 0:12:13.240
<v Speaker 3>sort of glistening like you were stunning. Thank you.

0:12:14.240 --> 0:12:17.400
<v Speaker 1>Let's talk the voice. Okay, you we judge the best

0:12:17.520 --> 0:12:19.199
<v Speaker 1>do you have? Let's rewind that because they're going the

0:12:19.240 --> 0:12:21.720
<v Speaker 1>my productive producers will kill me. I'm a coach. Oh

0:12:21.840 --> 0:12:24.040
<v Speaker 1>I'm so sorry. No, no, no, yeah, coach, let's go. Yeah,

0:12:26.720 --> 0:12:28.800
<v Speaker 1>let's talk the voice. Yes, because you're a coach. Yes,

0:12:28.880 --> 0:12:29.760
<v Speaker 1>I am. That's exciting.

0:12:30.000 --> 0:12:33.480
<v Speaker 4>I know. It's fantastic working with Keith Urban, right, Jess

0:12:33.559 --> 0:12:34.920
<v Speaker 4>and guy, it's all very exciting.

0:12:34.960 --> 0:12:37.679
<v Speaker 1>Yeah, good penal, like a real good group of people. Yeah,

0:12:37.960 --> 0:12:40.160
<v Speaker 1>it's all diverse too, in like their own way. Yeah,

0:12:40.320 --> 0:12:42.040
<v Speaker 1>did you meet Nicole? If you met Nicola, she come

0:12:42.080 --> 0:12:42.360
<v Speaker 1>to film.

0:12:43.040 --> 0:12:44.840
<v Speaker 4>I actually met her like a couple of years back

0:12:44.880 --> 0:12:49.040
<v Speaker 4>at the Arias with Keith. So I was definitely starstruck because.

0:12:48.760 --> 0:12:50.920
<v Speaker 1>I performed I think twenty eighteen or something, and I

0:12:51.080 --> 0:12:53.640
<v Speaker 1>was kind of like she was like front row and

0:12:53.720 --> 0:12:55.160
<v Speaker 1>I was just like staring at her the whole time.

0:12:55.360 --> 0:12:57.360
<v Speaker 1>It might have been creepy. Yeah, that's fine, she's stuning.

0:12:57.360 --> 0:13:00.640
<v Speaker 1>She's just so terrible. Yeah, it's terrible.

0:13:00.760 --> 0:13:05.880
<v Speaker 4>I'm like, you are everything like together They're like the ah,

0:13:06.400 --> 0:13:10.320
<v Speaker 4>he is so warm and caring and giving and very

0:13:10.600 --> 0:13:12.160
<v Speaker 4>very uplifting.

0:13:12.360 --> 0:13:15.480
<v Speaker 1>Actually, I'm very uplifted by Keith. Have you got your

0:13:16.000 --> 0:13:16.880
<v Speaker 1>buzzy hit down?

0:13:16.960 --> 0:13:17.160
<v Speaker 4>Pat?

0:13:17.559 --> 0:13:19.599
<v Speaker 1>Like, have you worked? Did you practice at home? Like

0:13:19.679 --> 0:13:22.200
<v Speaker 1>on like a can of coat? Just how you slamed

0:13:22.240 --> 0:13:22.839
<v Speaker 1>that buzzer down?

0:13:22.920 --> 0:13:24.880
<v Speaker 4>I was like, how many ways can I slam a buzzer?

0:13:25.480 --> 0:13:27.880
<v Speaker 4>I was like, sit down by my bar with my hand.

0:13:29.080 --> 0:13:30.679
<v Speaker 4>I did it in the UK like a couple of

0:13:30.760 --> 0:13:33.719
<v Speaker 4>years ago, and I remember using my feet doing this.

0:13:33.920 --> 0:13:36.960
<v Speaker 4>But I was wearing a very different type of outfit,

0:13:37.040 --> 0:13:38.800
<v Speaker 4>so I couldn't be that experimental, of.

0:13:38.840 --> 0:13:41.680
<v Speaker 3>Course, so I had to Delta has a lot of options.

0:13:42.120 --> 0:13:45.000
<v Speaker 3>Del Delta was a foot and she loves an ankle tap.

0:13:45.200 --> 0:13:48.760
<v Speaker 3>She loves an ankle taper. I mean there's some fetishes

0:13:48.800 --> 0:13:49.240
<v Speaker 3>in this world.

0:13:49.440 --> 0:13:51.520
<v Speaker 1>If it works, you never know what can we expect

0:13:51.520 --> 0:13:52.520
<v Speaker 1>from the season this year?

0:13:53.280 --> 0:13:55.599
<v Speaker 4>You know, you can expect a lot of diversity and

0:13:55.720 --> 0:14:00.679
<v Speaker 4>vocal vocally, creatively musically. And I think what's amazing is

0:14:00.760 --> 0:14:03.760
<v Speaker 4>like how much we like really went hard for our pictures.

0:14:04.760 --> 0:14:06.839
<v Speaker 1>I am I don't know if you know this. I'm

0:14:06.840 --> 0:14:11.360
<v Speaker 1>a bit competitive. No, no, you what the Aura shocks me.

0:14:12.360 --> 0:14:15.640
<v Speaker 4>I love to I'm a workaholic, you know, and I

0:14:15.800 --> 0:14:18.199
<v Speaker 4>like to get what I want sometimes, and so I

0:14:18.520 --> 0:14:22.040
<v Speaker 4>really went hard with the pictures, and I think I

0:14:22.120 --> 0:14:24.400
<v Speaker 4>really shocked everyone else, really because I think that they

0:14:24.440 --> 0:14:27.960
<v Speaker 4>will all vouch and Saya is a really dark horse

0:14:28.000 --> 0:14:28.920
<v Speaker 4>in this world of pitching.

0:14:29.040 --> 0:14:31.200
<v Speaker 1>Did you ever play Pokemon growing up your Pokemon?

0:14:31.560 --> 0:14:31.760
<v Speaker 4>Yeah?

0:14:31.760 --> 0:14:35.560
<v Speaker 1>I also in the movie Oh shit, Yeah, I prepared

0:14:36.440 --> 0:14:38.840
<v Speaker 1>the way. No one has ever been blown away as

0:14:38.880 --> 0:14:41.000
<v Speaker 1>beautifully and as grace it was.

0:14:41.680 --> 0:14:43.440
<v Speaker 4>It's so crazy because I just did the soundtrack for

0:14:43.520 --> 0:14:44.400
<v Speaker 4>it and he was like, hey, you want to do

0:14:44.400 --> 0:14:48.240
<v Speaker 4>a cameo. I was like, sure, I mean Pokemon.

0:14:48.880 --> 0:14:49.360
<v Speaker 1>Where I'm going.

0:14:49.400 --> 0:14:50.720
<v Speaker 3>I do have a point is that you know when

0:14:50.800 --> 0:14:52.440
<v Speaker 3>like you stack your team, like when you're playing Pokemon,

0:14:52.640 --> 0:14:55.320
<v Speaker 3>like you get your Pokemon, like it's like building a voice.

0:14:55.120 --> 0:14:58.520
<v Speaker 1>Team, right. Basically they're all Pokemons, Yeah, Graby, Pikachu get

0:14:58.560 --> 0:14:59.040
<v Speaker 1>you strong.

0:14:58.920 --> 0:15:01.520
<v Speaker 4>Just wondering who they are because you know, there's like

0:15:01.640 --> 0:15:06.120
<v Speaker 4>a zillion Pokemons, but my team it's strong.

0:15:06.920 --> 0:15:09.120
<v Speaker 1>We're excited to see thank you, We're excited to have you.

0:15:09.360 --> 0:15:11.320
<v Speaker 1>I'm excited to be I feel like the country just

0:15:11.360 --> 0:15:14.080
<v Speaker 1>feels different. We feel lighter. It's been a ship twelve months,

0:15:14.080 --> 0:15:15.520
<v Speaker 1>so yeah, there's something.

0:15:15.360 --> 0:15:15.680
<v Speaker 2>In the air.

0:15:15.760 --> 0:15:18.680
<v Speaker 1>It feels thank you. Well, I mean, you have no

0:15:18.800 --> 0:15:21.440
<v Speaker 1>idea what this place is doing for me, so I'm

0:15:21.560 --> 0:15:23.640
<v Speaker 1>very grateful to be. You're keeping us saying as well,

0:15:23.760 --> 0:15:25.320
<v Speaker 1>thank you, We love you. You're welcome anytime.

0:15:25.400 --> 0:15:29.800
<v Speaker 3>Okay, come on back, Okay, I sorry, we'll play Bang

0:15:29.840 --> 0:15:33.720
<v Speaker 3>Bang now here.

0:15:35.040 --> 0:15:36.680
<v Speaker 1>Why don't we? Why don't we play?

0:15:40.000 --> 0:15:41.240
<v Speaker 4>Is It Just Me?

0:15:42.120 --> 0:15:44.080
<v Speaker 1>Podcast by a couple of meches.