WEBVTT - When You Wake Up From A Coma & Your Fiancé’s Moved On

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<v Speaker 1>Flex and Cater.

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<v Speaker 2>It is Flex and Froome's podcast edition, which is my favorite.

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<v Speaker 2>Love a live show, but I love speaking at length

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<v Speaker 2>about stuff. No gaps for breathing, no scilla or killer.

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<v Speaker 2>Today's podcast episode is just that we really went I

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<v Speaker 2>don't want to say we went deep. I think we

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<v Speaker 2>went detailed.

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<v Speaker 3>Yeah, detailed, really tiny, little money, a.

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<v Speaker 2>Little dots impressionism. That's the one. I don't think it is.

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<v Speaker 2>I just it's the first one that came to mind.

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<v Speaker 2>But I thank you for trusting me. We talked about

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<v Speaker 2>this Australian woman who Bree. Uh, her name's Bree. Is

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<v Speaker 2>she not an Australian woman? Yeah, but the name is Brey.

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<v Speaker 2>Give her a name, okay, who fell off a ten

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<v Speaker 2>meter barrier receptory war And this is why she said

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<v Speaker 2>it was a bar because we wun't forget. But she

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<v Speaker 2>fell off headfirst and ended up in a coma for

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<v Speaker 2>three months, and in that time her fiance managed to

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<v Speaker 2>leave her find a whole new girlfriend. She wakes up

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<v Speaker 2>from the coma expecting to call her loved one, and

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<v Speaker 2>what happens next will scare you from dating and falling

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<v Speaker 2>in love. That's for sure. Falling in love. This is

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<v Speaker 2>her fiance in sickness and health. He said, yeah, sickness

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<v Speaker 2>and health, no freak injuries. I think that caveat read

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<v Speaker 2>the fine. Let's get into it.

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<v Speaker 1>This is flex and frooms.

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<v Speaker 3>I want to talk about Austin Butler's voice.

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<v Speaker 4>Now.

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<v Speaker 3>You went move to the Elvis premiere I did last weekend.

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<v Speaker 2>I think it was yes, some I don't know. Time

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<v Speaker 2>is not real.

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<v Speaker 3>You were hosting on the red carpet with a very

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<v Speaker 3>esteemed brand, a fashion brand's been around for a hundred

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<v Speaker 3>and years, Vogue.

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<v Speaker 2>Seriously just hosting. Let me only paid a picture for

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<v Speaker 2>you hosting doing an official live stream for vote at

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<v Speaker 2>the very start of the red carpet with my own

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<v Speaker 2>media wall probably about two meters wide. The rest of

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<v Speaker 2>the press was crammed into like this four meter wide space.

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<v Speaker 2>So one might I say, we're more the hour. One

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<v Speaker 2>might not say, I don't know. I'm very proud of you,

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<v Speaker 2>thank you.

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<v Speaker 3>That's an honor that no one else suits are quite

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<v Speaker 3>like you. I'd say you're wearing a gorgeous gold waterfall like.

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<v Speaker 2>Gown I gave glam. You were glaming hard. Go and

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<v Speaker 2>check it out.

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<v Speaker 3>Everybody at Flextop Mummy. You watch the Elvis movie. The

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<v Speaker 3>star of the movie is the Boston Butler.

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<v Speaker 2>Great name.

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<v Speaker 3>Now, apparently there's a conspiracy theory about his voice.

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<v Speaker 2>Let's play this TikTok.

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<v Speaker 5>Why is this man still talking in his Elvis accent?

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<v Speaker 5>Every interview I have seen of him, he is still

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<v Speaker 5>talking in his Elvis accent. And this man is from Anaheim, California.

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<v Speaker 1>I mean, that would be awesome.

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<v Speaker 2>I haven't done that in a while on a show,

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<v Speaker 2>so I mean, I'd always love to do that.

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<v Speaker 1>We'll see, We'll see.

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<v Speaker 5>This did not exist before Elvis. Here is example, and.

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<v Speaker 1>Here are my essentious store in New York.

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<v Speaker 2>And I just tried him on.

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<v Speaker 6>And that's what we have here, a nice essential carhard jacket.

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<v Speaker 5>After example, basically put the rest of my life on pause.

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<v Speaker 1>For two years. I just absorbed everything that I possibly could.

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<v Speaker 2>And after example, I've said.

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<v Speaker 1>I've said this to Priscilla and Jerry here.

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<v Speaker 2>Making them proud was really at the core of it

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<v Speaker 2>all for me.

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<v Speaker 1>Making all the people who loved it was so much

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<v Speaker 1>proud and doing justice.

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<v Speaker 2>After example, I lived this for two years.

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<v Speaker 1>I've put the rest of my life on plas So

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<v Speaker 1>you can't help. But if it becomes a part of

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<v Speaker 1>your daily life.

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<v Speaker 5>You know, are the him still talking in the accent?

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<v Speaker 5>The movie is done, the movie is out. I am

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<v Speaker 5>honestly just confused.

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<v Speaker 3>I'm sorry. He sounds like Elvis in all of them. Yes,

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<v Speaker 3>I can't figure out when he was doing the voice.

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<v Speaker 2>Well, that's the thing. People are saying that he's not

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<v Speaker 2>turning off the voice, that the he's done, so he

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<v Speaker 2>should be done with it. And you know, I've seen

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<v Speaker 2>he even addressed it recently. People are like, what's happening

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<v Speaker 2>with that? Like, let it go, letjig is up. And

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<v Speaker 2>he said that because it was so far from his

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<v Speaker 2>original accent, he really had to go full into it

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<v Speaker 2>to do it well, and do it convincingly and make

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<v Speaker 2>sure that even in those quite off moments, he was

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<v Speaker 2>still giving Elvis audibly. He also said that, like you

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<v Speaker 2>mentioned in that video before, it was two years of

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<v Speaker 2>intense Elvis where he was fully consumed by only that

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<v Speaker 2>there was no break, there was no exiting that role.

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<v Speaker 2>And he also said that he finds it cranks up

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<v Speaker 2>more where he's triggered by Elvis paraphernalia. So at Elvis

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<v Speaker 2>events when they're asking him about Elvis. It like clicks

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<v Speaker 2>for him because that's how quickly he needed to put

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<v Speaker 2>it on when he was in the movie. He's like,

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<v Speaker 2>I noticed it in myself where I am doing Elvis,

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<v Speaker 2>because my mind is programming me to do Elvis in

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<v Speaker 2>this environment. And he also said something really interesting about

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<v Speaker 2>how naturally he gets a bit of like performance anxiety

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<v Speaker 2>or stage right, and so doing the cosplay of Elvis

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<v Speaker 2>makes him appear more confident, and it makes him almost

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<v Speaker 2>like gives him this ability to orbit these spaces with

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<v Speaker 2>a bit more ease than if he was just being himself.

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<v Speaker 3>Was he good in the movie?

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<v Speaker 2>Well, he's the thing, I'm not familiar with Elvis that much,

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<v Speaker 2>like some people who are sticklers were like, he doesn't

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<v Speaker 2>even really.

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<v Speaker 1>Sound like him.

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<v Speaker 2>But the movie was great, of course. It was a

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<v Speaker 2>very stylized version of Elvis's contribution to music history, and

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<v Speaker 2>they didn't there was nothing really demeaning about his character.

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<v Speaker 2>Anything that was about addiction or infidelity or appropriation. Was

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<v Speaker 2>very much like ah, but beautiful movie, like amazing to

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<v Speaker 2>look at, great costume, me, great acting, Like it was

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<v Speaker 2>so fun to watch. I think that's why I enjoyed it,

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<v Speaker 2>Like it didn't feel like he was acting, and I

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<v Speaker 2>was like, this feels like a like a person who's

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<v Speaker 2>a litting that. That's the best review you could ever get.

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<v Speaker 1>You're listening to flex and frooms on Kita.

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<v Speaker 2>There's been a lot of talk on the news about

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<v Speaker 2>the recession and if we're going into one. It's very

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<v Speaker 2>low vibrational conversation, like it's not really good for the

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<v Speaker 2>morale in the room. But I think it's really important

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<v Speaker 2>to talk about because historically experts always say you can't

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<v Speaker 2>predict if we're going to be in a recession. You

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<v Speaker 2>just know you're in one when you're in one, and

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<v Speaker 2>then you'd be like, we're in a recession. Ah, it sucks.

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<v Speaker 2>But I read an article on Vice that was talking

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<v Speaker 2>about how strippers and adult workers are usually the first

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<v Speaker 2>to be able to know if we're heading in that

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<v Speaker 2>direction based on the spending habits of the patrons. And

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<v Speaker 2>it's not to say that you know they have a

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<v Speaker 2>sixth sense, it's just traffic goes down, the patrons are

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<v Speaker 2>more stingy, or they're not getting private dancers anymore. They

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<v Speaker 2>are complaining, like publicly about not having the money they

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<v Speaker 2>usually have. Having open conversations about economics or just the

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<v Speaker 2>things that stereotypically men who go to shrip clubs will

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<v Speaker 2>be talking about and then the women are able to hear.

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<v Speaker 2>But also an extension of this article was talking about

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<v Speaker 2>how Only Fans workers were saying that twenty twenty two

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<v Speaker 2>Only Fans is nothing compared to twenty twenty and twenty

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<v Speaker 2>twenty one. They were saying, it's so much harder to

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<v Speaker 2>get subscribers, to increase conversion rates, to sustain recurring subscriptions

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<v Speaker 2>as well. And I don't know if that I don't

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<v Speaker 2>know if that's more so about the fact that Only

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<v Speaker 2>Fans is so overpopulated and not as new and entire,

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<v Speaker 2>sing and fresh and fun anymore, or if that's a

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<v Speaker 2>direct in direct correlation with the fact that we are

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<v Speaker 2>in fact going to recession. And as we know they say,

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<v Speaker 2>like when the cost of living goes up and wages

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<v Speaker 2>say the same, that is usually an indication is something

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<v Speaker 2>not good. So stay vigilant, to stay woke, keep your

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<v Speaker 2>coins up.

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<v Speaker 3>I reckon it's because of COVID being over, they're actually

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<v Speaker 3>going to in person strippers. Oh yeah maybe, oh yeah,

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<v Speaker 3>could be a bunch.

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<v Speaker 2>You had your digital dogs now it's time.

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<v Speaker 1>For the big league flex and frooms.

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<v Speaker 2>I want to tell you a little story. Flex.

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<v Speaker 3>It's about a woman called Bri Duval. She's a twenty

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<v Speaker 3>five year old Australian woman and she sounds like a

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<v Speaker 3>like a nineteen twenties flapper, yeah, or a detective friends dubois.

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<v Speaker 2>Okay, what's the chick from streetcar named Ziah? I don't

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<v Speaker 2>know that one who cares so.

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<v Speaker 3>Essentially, this woman, she had a fiance. She's on a

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<v Speaker 3>rooftop at a party. She falls off. She falls head

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<v Speaker 3>first onto the grounds.

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<v Speaker 2>Which is just horrifying. If I fell from just one

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<v Speaker 2>or two steps, the embarrassment will keep me down. Also

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<v Speaker 2>the injury. I don't need my body weight hitting the

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<v Speaker 2>ground from even thirty centimeters. Imagine all those stories and

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<v Speaker 2>from the head.

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<v Speaker 3>Luckily she survived, but she was in a coma. The

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<v Speaker 3>doctor said she had ten percent of living. They call

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<v Speaker 3>her family in Australia because she was living in America

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<v Speaker 3>or Canada or something, and the looks like, do you

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<v Speaker 3>want us to keep the life support on?

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<v Speaker 2>Just checking, just like we can, just if you want

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<v Speaker 2>to us a while for that? What kind of question?

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<v Speaker 3>They say, yes, they are in Australia. They can't get

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<v Speaker 3>media off. No, they say, yes, keep her alive. Oh great,

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<v Speaker 3>they can't get over there.

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<v Speaker 2>It's an inside job. That's why you were taking that outside.

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<v Speaker 2>Oh dear.

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<v Speaker 3>She has a fiance at the time. After three months,

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<v Speaker 3>she wakes up. Been in a coma for three months.

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<v Speaker 3>Finally wakes up. She has a bit of amnesia. She

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<v Speaker 3>obviously doesn't know what happened. So she wakes up and says,

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<v Speaker 3>can I have my phone, goes to call her fiance.

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<v Speaker 3>This is what happened next.

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<v Speaker 4>Hi, everyone pretty here. Thank you, everyone's so so much

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<v Speaker 4>for all the.

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<v Speaker 2>Love on my first video.

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<v Speaker 4>Is the world to me to have this kind of

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<v Speaker 4>support from all of you all around the world. Second,

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<v Speaker 4>we I would like to clarify that I did not

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<v Speaker 4>fall off of a rooftop bar. I fell off of

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<v Speaker 4>a ten meter retaining wall across from the bar. So

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<v Speaker 4>I did still plummet his head first into concrete and

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<v Speaker 4>go into a comb wa it just wasn't on a

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<v Speaker 4>rooftop bar. I just said that because it was easier

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<v Speaker 4>on the story to say the rooftop bar.

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<v Speaker 2>Okay, So this is a difficult of liberties. Then I

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<v Speaker 2>lie here to say two words.

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<v Speaker 3>Less well in the last looks like six hours. She's

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<v Speaker 3>deleted the original video, which essentially told the story of

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<v Speaker 3>how she called her fiance after being in a coma

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<v Speaker 3>for three months. A woman answers and says, don't call again.

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<v Speaker 3>I'm with this man now looks her messages. Not once

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<v Speaker 3>did he message her while she was in the coma,

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<v Speaker 3>which kind of fair enough.

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<v Speaker 2>Yeah, I get it, because she's not going to see

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<v Speaker 2>but it'd be nice.

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<v Speaker 3>To wake up to, like, so, yeah, so cute thinking

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<v Speaker 3>of you.

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<v Speaker 2>Yeah, and yeah. It turns out he just moved on

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<v Speaker 2>with her life three months to find a whole territorial

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<v Speaker 2>new girlfriend. He did the talking stage and your official

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<v Speaker 2>and she's territorial, all in three months. This is so

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<v Speaker 2>much more than a ghosting, though, not that he is

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<v Speaker 2>obliged to stay with her because they're fiances and allegedly

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<v Speaker 2>in love and about to exchange vows that definitely say

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<v Speaker 2>something about sickness and health and they hadn't done it yet.

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<v Speaker 2>They hadn't done yet, but I'm sure freak injuries would

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<v Speaker 2>have been a part of those vowels. And not only

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<v Speaker 2>he's just up and left. My thing is she's had

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<v Speaker 2>has she had any interaction with him? Did she say?

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<v Speaker 2>Or the only interaction she's had with him is through

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<v Speaker 2>his new girlfriend.

0:11:39.400 --> 0:11:42.319
<v Speaker 3>From what I can remember from the story, no contact.

0:11:42.440 --> 0:11:44.240
<v Speaker 3>The girlfriend nipped it in the bud.

0:11:44.960 --> 0:11:48.120
<v Speaker 2>This is not enough. Time has even gone past. Like

0:11:48.559 --> 0:11:51.000
<v Speaker 2>you go, you fall for a retaining wall. I don't

0:11:51.000 --> 0:11:53.520
<v Speaker 2>even know what that means. Detaining wall, not a rooftop

0:11:53.559 --> 0:11:56.240
<v Speaker 2>bar ten meters up full of a retaining wall. You're

0:11:56.280 --> 0:11:58.960
<v Speaker 2>in a coma for three months and somehow your fiance's

0:11:58.960 --> 0:12:00.960
<v Speaker 2>got a new girlfriend. What do you meant to do

0:12:01.040 --> 0:12:04.200
<v Speaker 2>with that information? I mean, I guess it's a blessing.

0:12:04.960 --> 0:12:08.040
<v Speaker 2>He was plotting on her, plotting away from her.

0:12:08.440 --> 0:12:10.520
<v Speaker 3>I'm going to assume that he is from the country

0:12:10.559 --> 0:12:13.439
<v Speaker 3>that she was in. Again, can't remember for it's America

0:12:13.520 --> 0:12:14.640
<v Speaker 3>or Canada America.

0:12:15.040 --> 0:12:18.680
<v Speaker 2>I think it was Canada. That's a whole nother discuss America.

0:12:18.760 --> 0:12:23.000
<v Speaker 3>I'm just keeping it light, switching, switching lanes, keeping on

0:12:23.040 --> 0:12:27.000
<v Speaker 3>your toes flex. I guess maybe he assumed that because

0:12:27.040 --> 0:12:29.679
<v Speaker 3>she was so ill, she was off going to be

0:12:29.960 --> 0:12:32.080
<v Speaker 3>what yeah, yeah, yeah, she was eventually going to be

0:12:32.080 --> 0:12:34.360
<v Speaker 3>moving back to Australia, So therefore it's not going to work.

0:12:34.480 --> 0:12:37.000
<v Speaker 2>Wait, no, what we do you think? I thought you

0:12:37.040 --> 0:12:39.440
<v Speaker 2>were going to say, because the doctor right off that

0:12:39.480 --> 0:12:41.440
<v Speaker 2>ten percent chance of living. He was like, well, let

0:12:41.520 --> 0:12:44.200
<v Speaker 2>me just get through the morning stage quicker because she's

0:12:44.240 --> 0:12:47.360
<v Speaker 2>not making out of this. Oh maybe like he's done

0:12:47.400 --> 0:12:50.080
<v Speaker 2>a rebound. Yeah, you know, he wants to feel safe,

0:12:50.120 --> 0:12:52.080
<v Speaker 2>he wants to mourn with someone. And then it's kind

0:12:52.080 --> 0:12:56.080
<v Speaker 2>of escalated. He's like, oh shit, you didn't die. That's awkward.

0:12:56.160 --> 0:12:57.599
<v Speaker 3>Well, you know what, maybe he get her on the

0:12:57.600 --> 0:13:02.240
<v Speaker 3>show because the fact that she has stille, she'll probably

0:13:02.240 --> 0:13:04.040
<v Speaker 3>come on, we should get it on the show. The

0:13:04.080 --> 0:13:06.880
<v Speaker 3>fact that she's deleted that original video. I have a

0:13:06.920 --> 0:13:10.040
<v Speaker 3>sneaking suspicion that he's actually gone back on his word

0:13:10.720 --> 0:13:12.560
<v Speaker 3>and said I just had to not be around you

0:13:12.559 --> 0:13:14.920
<v Speaker 3>because it was making me so sad. But it was

0:13:14.960 --> 0:13:17.160
<v Speaker 3>just a rebound. I actually miss you. Let's get back together.

0:13:18.400 --> 0:13:20.400
<v Speaker 2>Ooh see. And I want to I want to see

0:13:20.400 --> 0:13:24.280
<v Speaker 2>if that's true. You think she'd tell you. Yeah.

0:13:24.360 --> 0:13:31.120
<v Speaker 3>Her TikTok is called hot coma Girl One, Hot coma

0:13:31.200 --> 0:13:33.760
<v Speaker 3>Girl One, which is a reference to the movie Senior

0:13:33.840 --> 0:13:36.920
<v Speaker 3>Year where Rebel Wilson gets into a comra and then

0:13:36.960 --> 0:13:40.679
<v Speaker 3>wakes up ten years after her twelve year whatever, and

0:13:40.760 --> 0:13:42.600
<v Speaker 3>her online handle was hot Comer Girl one.

0:13:43.000 --> 0:13:45.560
<v Speaker 2>So funny. She has a sense of humor. Yeah, that's funny.

0:13:45.600 --> 0:13:48.640
<v Speaker 3>She would definitely fit in the flex and firm's ecosystem.

0:13:48.679 --> 0:13:51.240
<v Speaker 2>I don't think anybody's really prepared for what happens when

0:13:51.280 --> 0:13:54.240
<v Speaker 2>you share something so personal, because I always think once

0:13:54.280 --> 0:13:56.800
<v Speaker 2>you publish something that personal on the Internet, it's not

0:13:57.160 --> 0:13:59.719
<v Speaker 2>you no longer control what happened to that information, how

0:13:59.720 --> 0:14:03.480
<v Speaker 2>it gets perceived, the narrative that like spawns out of

0:14:03.520 --> 0:14:06.880
<v Speaker 2>your experience. I just think that it's one thing to

0:14:06.880 --> 0:14:09.600
<v Speaker 2>go through something traumatic. Have the braveries put on the internet,

0:14:09.600 --> 0:14:11.880
<v Speaker 2>and I have people like mumbling and cackling in the comments.

0:14:11.960 --> 0:14:17.000
<v Speaker 2>It's like I was just here to share. Do not deliberate,

0:14:17.520 --> 0:14:20.120
<v Speaker 2>because people would have been saying cruel things, Oh my god,

0:14:20.160 --> 0:14:22.920
<v Speaker 2>that's so sad, how embarrassing he left you it, or

0:14:22.960 --> 0:14:25.520
<v Speaker 2>even worse, like I feel really bad for you. Stay strong, babe,

0:14:25.680 --> 0:14:28.840
<v Speaker 2>like you know you'll meet someone either way. The comments

0:14:28.840 --> 0:14:31.360
<v Speaker 2>would not be helping her healing journey. Do you reckon?

0:14:31.400 --> 0:14:34.560
<v Speaker 3>Our podcasts would be that's not for me to decide.

0:14:35.080 --> 0:14:38.080
<v Speaker 2>It doesn't really suit you. I will answer no further questions.

0:14:38.920 --> 0:14:41.520
<v Speaker 1>You're listening to flex and frooms on kit.

0:14:41.760 --> 0:14:43.800
<v Speaker 2>I used to say that TikTok was the place where

0:14:43.840 --> 0:14:46.360
<v Speaker 2>discourse went to die, because I feel like people just

0:14:46.440 --> 0:14:49.640
<v Speaker 2>find these buzzwords and they rinse them without knowing what

0:14:49.680 --> 0:14:52.840
<v Speaker 2>they mean. Like people think the male gaze is just

0:14:52.880 --> 0:14:56.960
<v Speaker 2>what happens when men perceive you, like, oh no, a

0:14:57.000 --> 0:14:59.280
<v Speaker 2>man's looking at me. This is the male gaze, and

0:14:59.560 --> 0:15:01.680
<v Speaker 2>the female gay is like when girls look at you.

0:15:04.280 --> 0:15:07.360
<v Speaker 2>And that's not the point of this. But I see

0:15:07.400 --> 0:15:09.880
<v Speaker 2>a lot of I don't want to call them buzz phrases,

0:15:09.960 --> 0:15:15.440
<v Speaker 2>but a lot of complicated words mashed together that gives

0:15:15.480 --> 0:15:18.240
<v Speaker 2>a meant to signal something important. But I don't understand them.

0:15:18.280 --> 0:15:22.520
<v Speaker 2>Bushpig no, not like that, like the hi like the

0:15:22.600 --> 0:15:31.760
<v Speaker 2>romanticization of bush piggery. No, the romanticization of localization of

0:15:31.800 --> 0:15:33.600
<v Speaker 2>the so on and so forth. And you're kind of like,

0:15:34.880 --> 0:15:39.080
<v Speaker 2>so when people go to New York anyway. I saw

0:15:39.080 --> 0:15:45.040
<v Speaker 2>this video about this phenomena called beauty overstimulation, and the

0:15:45.080 --> 0:15:47.960
<v Speaker 2>one thing that remains true that the video didn't really

0:15:48.000 --> 0:15:51.560
<v Speaker 2>explain what it is. It just explains the impact of it.

0:15:51.680 --> 0:15:54.040
<v Speaker 2>So let's listen to it. Not only are we being

0:15:54.120 --> 0:15:56.800
<v Speaker 2>exposed to more beautiful faces on a daily basis, but

0:15:56.840 --> 0:15:59.040
<v Speaker 2>people are making themselves more beautiful than ever.

0:15:59.240 --> 0:15:59.920
<v Speaker 1>This is true.

0:16:00.000 --> 0:16:01.920
<v Speaker 6>In twenty twenty, we made a video explaining how the

0:16:01.920 --> 0:16:05.320
<v Speaker 6>TikTok algorithm pushes beautiful faces to the front. If you

0:16:05.360 --> 0:16:07.320
<v Speaker 6>go through your four you page without being logged in,

0:16:07.440 --> 0:16:09.760
<v Speaker 6>all you see is an overstimulating amount of women.

0:16:09.920 --> 0:16:10.880
<v Speaker 1>It's mindless.

0:16:11.040 --> 0:16:14.320
<v Speaker 6>American psychologist Douglas Kenrick decided to explore this and found

0:16:14.320 --> 0:16:17.560
<v Speaker 6>that when men were overstimulated, they overestimated the number of

0:16:17.560 --> 0:16:21.160
<v Speaker 6>beautiful women that were out there. Female subjects also overestimated

0:16:21.160 --> 0:16:24.200
<v Speaker 6>the frequency of gorgeous women in the presented crowds, but

0:16:24.240 --> 0:16:27.600
<v Speaker 6>they didn't overestimate the frequency of handsome men. He explains

0:16:27.600 --> 0:16:29.520
<v Speaker 6>this by saying that a beautiful woman can hold a

0:16:29.560 --> 0:16:32.000
<v Speaker 6>man's attention for much longer than a beautiful man can

0:16:32.000 --> 0:16:32.960
<v Speaker 6>hold a woman's attention.

0:16:33.360 --> 0:16:34.720
<v Speaker 2>When both men and women.

0:16:34.520 --> 0:16:37.400
<v Speaker 6>Were overstimulated by beauty, they tended to rate average looking

0:16:37.400 --> 0:16:40.840
<v Speaker 6>women as significantly lower at Because we're well aware of

0:16:40.840 --> 0:16:42.960
<v Speaker 6>this effect, we work with faces for a living, so

0:16:43.000 --> 0:16:45.120
<v Speaker 6>we tell our doctors to take breaks every two hours.

0:16:45.160 --> 0:16:47.000
<v Speaker 6>If you're on TikTok, try to change your four you

0:16:47.160 --> 0:16:50.320
<v Speaker 6>page so it doesn't show so much mindless softcore pornography.

0:16:50.440 --> 0:16:52.640
<v Speaker 6>You may catch yourself scrolling on TikTok for longer and

0:16:52.680 --> 0:16:55.320
<v Speaker 6>longer each day. There's a very good reason why TikTok

0:16:55.360 --> 0:16:58.200
<v Speaker 6>pushes the most attractive faces to the front of the app.

0:16:58.520 --> 0:17:01.320
<v Speaker 2>Not him saying that seeing beautiful faces on TikTok is

0:17:01.360 --> 0:17:06.399
<v Speaker 2>equivalent to soft core pornography. Does that mean when you're

0:17:06.400 --> 0:17:08.879
<v Speaker 2>perpetuating an issue, babe? Not you?

0:17:08.960 --> 0:17:09.200
<v Speaker 6>Him?

0:17:09.760 --> 0:17:13.280
<v Speaker 2>Yeah, let you, That's not the point. This is the thing.

0:17:13.320 --> 0:17:15.920
<v Speaker 2>I feel like that video was speaking to a lot

0:17:16.000 --> 0:17:20.480
<v Speaker 2>of different factors, but like, what is beauty over stimulation

0:17:20.600 --> 0:17:23.119
<v Speaker 2>and what is the issue with it? Why can't we

0:17:23.200 --> 0:17:25.760
<v Speaker 2>just see beautiful faces all day long? What is the

0:17:25.800 --> 0:17:28.040
<v Speaker 2>big issue with people trying to make themselves more beautiful?

0:17:28.520 --> 0:17:32.040
<v Speaker 2>Is that there is no ceiling? Do you see? I

0:17:32.040 --> 0:17:33.479
<v Speaker 2>have to do some thinking on my own for this one,

0:17:33.520 --> 0:17:34.800
<v Speaker 2>because I was like in the comments, like, what is

0:17:34.840 --> 0:17:36.760
<v Speaker 2>the point? What is the point? Sat with my thoughts

0:17:36.760 --> 0:17:38.600
<v Speaker 2>for a second, and I said, Okay, great, if the

0:17:38.640 --> 0:17:42.840
<v Speaker 2>average person is being exposed to more beautiful faces than

0:17:42.840 --> 0:17:46.399
<v Speaker 2>ever before, that means number one, your perception of beauty

0:17:46.600 --> 0:17:53.040
<v Speaker 2>is warped and skewed to a unattainable place, because if

0:17:53.080 --> 0:17:56.440
<v Speaker 2>you're perceiving the average person to be ten out of ten,

0:17:57.040 --> 0:17:59.960
<v Speaker 2>then your aspiration is already too far out of your league.

0:18:00.520 --> 0:18:03.880
<v Speaker 2>If the average is no longer five and the average

0:18:03.960 --> 0:18:09.000
<v Speaker 2>is nine, then there's this really really unattainable degree of

0:18:09.080 --> 0:18:12.320
<v Speaker 2>beauty we keep aspiring to. And who knows what length

0:18:12.359 --> 0:18:14.840
<v Speaker 2>will do well? Length will go to to get there?

0:18:15.400 --> 0:18:19.959
<v Speaker 2>What is going to happen? A generation of lonely, offensively

0:18:20.040 --> 0:18:24.600
<v Speaker 2>beautiful and disgustingly ugly people can nothing in the middle.

0:18:25.240 --> 0:18:25.400
<v Speaker 4>Yeah.

0:18:25.440 --> 0:18:28.240
<v Speaker 3>I think the issue with it is switching people's confidence

0:18:28.800 --> 0:18:32.879
<v Speaker 3>into negative territory for being a five, because on this metric,

0:18:33.080 --> 0:18:33.920
<v Speaker 3>a five is a two.

0:18:34.000 --> 0:18:36.120
<v Speaker 2>There's a two. Have you seen this trend on TikTok?

0:18:36.359 --> 0:18:38.880
<v Speaker 2>It goes like this, he is a two out of ten,

0:18:39.880 --> 0:18:43.760
<v Speaker 2>but he's really really attentive and remembers everything you tell him.

0:18:44.119 --> 0:18:45.520
<v Speaker 2>Is he still a two or is he more like

0:18:45.520 --> 0:18:50.040
<v Speaker 2>a five? He's a nine out of ten, but he

0:18:50.119 --> 0:18:54.680
<v Speaker 2>sucks his thumb when he's talking to you. Two that's

0:18:54.800 --> 0:19:01.880
<v Speaker 2>two type behavior. Yeah, Ill, when there's a lull in conversation,

0:19:01.960 --> 0:19:06.879
<v Speaker 2>he's full thumb in mouth sucking like a pacifier. Yeah, exactly, tas.

0:19:06.800 --> 0:19:11.000
<v Speaker 3>Like chicken, all right, he's a ten out of ten. Yeah,

0:19:11.160 --> 0:19:12.679
<v Speaker 3>but he farts every two minutes.

0:19:13.400 --> 0:19:15.119
<v Speaker 1>I can't breathe.

0:19:15.840 --> 0:19:18.800
<v Speaker 2>That's no, that's like a zero. I can't do it.

0:19:19.080 --> 0:19:22.840
<v Speaker 2>I like that. And my Lex walked in. He farted ill.

0:19:23.160 --> 0:19:25.640
<v Speaker 2>Gavin Rubins farted out.

0:19:26.720 --> 0:19:29.320
<v Speaker 1>This is flex and frooms on Kita.

0:19:29.440 --> 0:19:32.800
<v Speaker 2>We started the show talking about how economists might not

0:19:32.960 --> 0:19:36.880
<v Speaker 2>know when we're about to hit a recession, but strippers do, right.

0:19:36.960 --> 0:19:40.080
<v Speaker 2>They say that when wager stay the same and the

0:19:40.119 --> 0:19:43.400
<v Speaker 2>cost of living goes up, that is a course for concern.

0:19:43.840 --> 0:19:47.399
<v Speaker 2>And I am concerned because right now, the cost of

0:19:47.440 --> 0:19:50.760
<v Speaker 2>a head of letters is twelve dollars in New South

0:19:50.800 --> 0:19:57.920
<v Speaker 2>Wales twelve whole dollars. A kilo of tomatoes ten dollars.

0:19:57.960 --> 0:20:00.240
<v Speaker 2>But let's not get into the grocery are. Let's with

0:20:00.320 --> 0:20:03.040
<v Speaker 2>a lettuce thing, because to me, lettuce is one of

0:20:03.080 --> 0:20:07.200
<v Speaker 2>those veggies that should be so staple. It should never

0:20:07.200 --> 0:20:09.359
<v Speaker 2>cost you more than two bucks for a head it is.

0:20:09.680 --> 0:20:11.479
<v Speaker 2>Why are you looking like that? I feel like, why

0:20:11.520 --> 0:20:14.240
<v Speaker 2>are you smoldering right now? Let's talk about something so

0:20:14.320 --> 0:20:18.240
<v Speaker 2>sad and you're trying to do sexy eyes, sexy eyes.

0:20:20.160 --> 0:20:21.320
<v Speaker 2>The footage will say other.

0:20:23.000 --> 0:20:26.080
<v Speaker 3>No, I'm just confused when you say that lettuce is

0:20:26.119 --> 0:20:30.240
<v Speaker 3>a staple vegetable because it's not. It isn't no, because

0:20:30.240 --> 0:20:32.720
<v Speaker 3>it like goes limp and stuff really staple.

0:20:32.520 --> 0:20:37.080
<v Speaker 2>In terms of like really accessible. It's okay. In my head,

0:20:37.119 --> 0:20:43.359
<v Speaker 2>staple vegetables are lettuce, tomato, cucumber, onion, potato.

0:20:43.520 --> 0:20:46.160
<v Speaker 3>Not cucumber. But all, oh yeah, no, it sticks around for.

0:20:46.440 --> 0:20:49.439
<v Speaker 2>Like, are they're always in the supermarket easily accessible.

0:20:49.000 --> 0:20:51.600
<v Speaker 3>Garlic, apples, banana, oranges.

0:20:51.720 --> 0:20:53.800
<v Speaker 2>I'm talking veggies. But that's all good. I could go

0:20:53.880 --> 0:20:56.720
<v Speaker 2>into any supermarket and get a lettuce on the cheap,

0:20:57.119 --> 0:20:59.560
<v Speaker 2>like I'm not stressed about all, Like can I find

0:20:59.640 --> 0:21:02.199
<v Speaker 2>lettuce day for example, if I want a passion for it.

0:21:02.280 --> 0:21:05.440
<v Speaker 2>That's not a staple like that seasonal weares anyway. So

0:21:05.440 --> 0:21:07.159
<v Speaker 2>I'm reading the news and they're saying the cost of

0:21:07.200 --> 0:21:10.159
<v Speaker 2>letuce has gone up so much for various reasons, the weather,

0:21:10.400 --> 0:21:13.240
<v Speaker 2>how we're having this arctic freeze at the moment, supply

0:21:13.359 --> 0:21:17.680
<v Speaker 2>chain issues, COVID, a bunch of excuses. I don't want

0:21:17.680 --> 0:21:19.840
<v Speaker 2>to hear it, but this is what's happening so much

0:21:19.920 --> 0:21:23.520
<v Speaker 2>so that KFC put out a statement recently that said,

0:21:23.720 --> 0:21:25.679
<v Speaker 2>listen to this. They're going to be cutting their lettuce

0:21:25.720 --> 0:21:32.960
<v Speaker 2>with cabbage to make it stretch. You're joking, really so sorry,

0:21:33.280 --> 0:21:37.359
<v Speaker 2>but we cannot give you pure lettuce. No, we're gonna

0:21:37.359 --> 0:21:40.280
<v Speaker 2>have to cut it up with something like to just

0:21:41.119 --> 0:21:44.400
<v Speaker 2>CAFC she can confirm her cabbage.

0:21:43.560 --> 0:21:45.200
<v Speaker 3>Disgusting.

0:21:45.560 --> 0:21:47.840
<v Speaker 2>Damn. I've actually been craving CAFC lately and I saw

0:21:47.960 --> 0:21:50.480
<v Speaker 2>child Girl. Charlie has made a bit of a meme

0:21:50.560 --> 0:21:53.000
<v Speaker 2>post to say, like, we're still doing straight lettuce.

0:21:52.800 --> 0:21:54.920
<v Speaker 3>Because I got it last night and there's a tub

0:21:54.960 --> 0:21:55.760
<v Speaker 3>of it sitting at home.

0:21:55.840 --> 0:21:58.400
<v Speaker 2>Yeah, I forgot to bring in elite. Can we get

0:21:58.400 --> 0:22:00.879
<v Speaker 2>back to the boo? Sorry? And that was your tangent.

0:22:01.040 --> 0:22:04.680
<v Speaker 2>I'm so sorry. Yes, price of lettuce has gone up,

0:22:04.760 --> 0:22:07.480
<v Speaker 2>and it's indicative of the fact that stuff is scary

0:22:07.640 --> 0:22:10.679
<v Speaker 2>and everything. The price of everything is going up. I

0:22:10.760 --> 0:22:13.440
<v Speaker 2>thought it would be luxuries that would be expensive, right,

0:22:13.760 --> 0:22:16.639
<v Speaker 2>But if you can't go get a common lettuce for

0:22:16.760 --> 0:22:19.280
<v Speaker 2>three dollars, if you can't get a killo of tomato

0:22:19.440 --> 0:22:21.920
<v Speaker 2>for three dollars, what are we going to be eating?

0:22:22.680 --> 0:22:25.720
<v Speaker 2>I couldn't imagine a lifetime where a corporation would say

0:22:25.720 --> 0:22:28.159
<v Speaker 2>to me, Hey, I know that this is what it

0:22:28.240 --> 0:22:30.840
<v Speaker 2>usually costs, but because we cannot get that produce at

0:22:30.880 --> 0:22:34.080
<v Speaker 2>a reasonable cost, we're gonna have to upcharge you. And

0:22:34.160 --> 0:22:36.240
<v Speaker 2>I was thinking in terms of supermarkets at the moment.

0:22:36.240 --> 0:22:37.520
<v Speaker 2>I was like, how do they even make their money?

0:22:37.520 --> 0:22:40.600
<v Speaker 2>Because I could imagine, like there's not a huge margin

0:22:40.640 --> 0:22:44.320
<v Speaker 2>if you're selling fruits and vegetables for a couple dollars, Like,

0:22:44.359 --> 0:22:47.160
<v Speaker 2>where is the money coming from? It turns out it's

0:22:47.160 --> 0:22:52.480
<v Speaker 2>on like luxury items like confectionery and I scream and

0:22:52.520 --> 0:22:56.119
<v Speaker 2>all these other things that have an absurd markup. Those

0:22:56.240 --> 0:23:00.159
<v Speaker 2>things are driving the supermarket industry. So if for some

0:23:00.280 --> 0:23:04.840
<v Speaker 2>reason it like the cost of cow goes up, well,

0:23:04.920 --> 0:23:06.399
<v Speaker 2>your little magnums an't gonna be affected.

0:23:06.520 --> 0:23:09.520
<v Speaker 3>Oh no, yeah, because I'm keeping them in business.

0:23:10.040 --> 0:23:12.679
<v Speaker 2>It makes me think that the business model around supermarket

0:23:12.840 --> 0:23:15.080
<v Speaker 2>isn't that good. If a little bit of wet weather,

0:23:15.600 --> 0:23:18.480
<v Speaker 2>a little bit of cold means now you gotta raise

0:23:18.560 --> 0:23:21.040
<v Speaker 2>the prices that much, Like you can't even factoring the

0:23:21.040 --> 0:23:22.560
<v Speaker 2>cost for a little bit, like you just pay you

0:23:22.600 --> 0:23:24.879
<v Speaker 2>cop it for a bit macing like I eat vegetables.

0:23:25.920 --> 0:23:29.040
<v Speaker 2>You have no business appropriating this culture. It is what

0:23:29.080 --> 0:23:30.320
<v Speaker 2>it is. I'm glad we had to chat about it.

0:23:30.320 --> 0:23:32.680
<v Speaker 2>I'm gonn got off my chest. You know that feels better.

0:23:32.840 --> 0:23:34.640
<v Speaker 1>This is flex and frooms.

0:23:36.000 --> 0:23:39.240
<v Speaker 3>I was learning about pregnancy the other day and apparently,

0:23:39.280 --> 0:23:41.960
<v Speaker 3>you know the umbilical cord. I'm always like, how does

0:23:42.000 --> 0:23:45.720
<v Speaker 3>the belly button come of that? Apparently, whether or not

0:23:45.760 --> 0:23:47.679
<v Speaker 3>you haven't inny ear an audi is how close they

0:23:47.760 --> 0:23:49.000
<v Speaker 3>snipped the umbilical cord.

0:23:49.040 --> 0:23:53.720
<v Speaker 2>Yeah, so dodgy work. Yeah, it's very clear. Do you

0:23:53.760 --> 0:23:56.720
<v Speaker 2>like a belly button? Yeah, mine's cute in any audi,

0:23:57.840 --> 0:24:00.440
<v Speaker 2>that's any that's a well decorated any.

0:24:00.640 --> 0:24:03.359
<v Speaker 3>Oh, we got tattoo around it too, very nice.

0:24:03.640 --> 0:24:06.760
<v Speaker 2>I was thinking about how there's just so much stuff

0:24:06.840 --> 0:24:09.480
<v Speaker 2>in the world. This was off the back of the

0:24:09.520 --> 0:24:13.720
<v Speaker 2>news that misguided the fast fashion retailer went into liquidation

0:24:14.040 --> 0:24:16.880
<v Speaker 2>and within a date took down their whole website, their

0:24:16.880 --> 0:24:22.199
<v Speaker 2>whole Instagram's gone, just done. Do people like have orders that?

0:24:23.119 --> 0:24:25.520
<v Speaker 2>Yeah exactly, it's like, sorry, the orders aren't going to

0:24:25.560 --> 0:24:27.760
<v Speaker 2>be put through. Who knows if they're getting reading funds.

0:24:27.840 --> 0:24:31.440
<v Speaker 2>It's just done. The company does not exist, and that

0:24:31.480 --> 0:24:35.040
<v Speaker 2>then led into a thought about like over consumption, all

0:24:35.080 --> 0:24:37.440
<v Speaker 2>the stuff we have, and I was just like, look,

0:24:37.680 --> 0:24:39.320
<v Speaker 2>we can only fix one problem at a time. But

0:24:39.320 --> 0:24:41.000
<v Speaker 2>what I would love to see more of. We're going

0:24:41.040 --> 0:24:45.399
<v Speaker 2>to make more stuff. It's just more genius inventions, like

0:24:45.760 --> 0:24:50.000
<v Speaker 2>products that are actually creating solutions to real problems and

0:24:50.119 --> 0:24:53.960
<v Speaker 2>really niche problems too, like ones we're like, gosh, I

0:24:54.000 --> 0:24:57.399
<v Speaker 2>would love if that existed. Bring that in. Like the

0:24:57.480 --> 0:25:00.400
<v Speaker 2>other day, I was scrolling and I saw this new

0:25:00.440 --> 0:25:02.440
<v Speaker 2>small business. I wish I could find it now because

0:25:02.480 --> 0:25:04.879
<v Speaker 2>I want to buy the product, but I would just

0:25:04.880 --> 0:25:08.320
<v Speaker 2>scroll past it. But I don't know if you know,

0:25:08.800 --> 0:25:11.800
<v Speaker 2>but when you are washing your face and cleansing at night,

0:25:11.880 --> 0:25:16.080
<v Speaker 2>do you ever find that when you're like lathering up,

0:25:16.560 --> 0:25:20.439
<v Speaker 2>like driplets of water start going down your forearm to

0:25:20.520 --> 0:25:24.720
<v Speaker 2>your elbow and now it's soiling the countertop. It's fairal behavior.

0:25:24.800 --> 0:25:28.360
<v Speaker 2>I really don't like. It happens every night, right. I

0:25:28.400 --> 0:25:32.720
<v Speaker 2>saw somebody sell what I could only describe as terrytowel

0:25:32.760 --> 0:25:36.320
<v Speaker 2>lets sweatbands that go on your wrists like scrunchies to

0:25:36.440 --> 0:25:40.000
<v Speaker 2>catch the excess water. So when you're washing your face

0:25:40.119 --> 0:25:43.000
<v Speaker 2>and there's stuff dripping, it's just being caught by these

0:25:43.080 --> 0:25:45.639
<v Speaker 2>cute little scrunchies. I said, no, that's a genius idea,

0:25:45.960 --> 0:25:48.760
<v Speaker 2>because that's something I need. Yeah, me too, Right, what

0:25:48.840 --> 0:25:51.800
<v Speaker 2>I don't need is another spanded extress Like I might

0:25:51.920 --> 0:25:54.520
<v Speaker 2>like one, I might even buy one, but I don't

0:25:54.520 --> 0:25:57.840
<v Speaker 2>need it. See, I want and try it on the shop.

0:25:58.000 --> 0:26:00.280
<v Speaker 2>I can't find the I've used and it's there's a

0:26:00.320 --> 0:26:03.800
<v Speaker 2>small fledgling brand. I've used all the keywords, so you

0:26:03.800 --> 0:26:07.879
<v Speaker 2>need to get scr if you're listening, I can't find it. Like,

0:26:08.040 --> 0:26:11.320
<v Speaker 2>all I want is to buy it. Just try it out,

0:26:11.520 --> 0:26:14.080
<v Speaker 2>because I also part of me feels like we get

0:26:14.160 --> 0:26:19.560
<v Speaker 2>so accustomed to discomfort or like slightly irritating things, and

0:26:19.600 --> 0:26:21.320
<v Speaker 2>even if I bought it, I might not use it.

0:26:21.800 --> 0:26:23.320
<v Speaker 2>They'd be like, oh, this is fine, like just let

0:26:23.320 --> 0:26:27.840
<v Speaker 2>the water drig see if I give you them? Right anyway,

0:26:28.000 --> 0:26:31.400
<v Speaker 2>if you have any genius ideas, I want to make them,

0:26:31.760 --> 0:26:35.760
<v Speaker 2>so just get it out there. Let me know I'm

0:26:35.880 --> 0:26:38.840
<v Speaker 2>talking like those real irritable things. You're just like, ah,

0:26:39.280 --> 0:26:41.920
<v Speaker 2>why hasn't anyone made a thing for that yet? That's

0:26:41.960 --> 0:26:42.560
<v Speaker 2>what I'm after.

0:26:43.200 --> 0:26:44.560
<v Speaker 3>Okay, I have a think, And what are you going

0:26:44.640 --> 0:26:45.280
<v Speaker 3>to finance it?

0:26:45.320 --> 0:26:48.080
<v Speaker 2>With a steak? You'll finance it okay.

0:26:49.040 --> 0:26:51.840
<v Speaker 1>You've been listening to the Flex and Frooms catch up podcasts.

0:26:52.080 --> 0:26:55.080
<v Speaker 1>For more, tune Inticata on DAB, or check it out

0:26:55.119 --> 0:26:56.560
<v Speaker 1>right here on iHeartRadio