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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: An orchard of perversion, that's what Alec Baldwin called our chat.

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Speaker 3: He has got away with words, doesn't he? An orchard

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Speaker 3: of perversion? Just beautiful as it came out of his mouth. Yeah,

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Speaker 3: I have a question for you actually, based on the

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Speaker 3: Alec Baldwin chat. I'm pretty sure you can get the

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Speaker 3: full chat on another podcast here, just swipe up or

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Speaker 3: swipe down reviewer. But he spoke about doing a sex

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Speaker 3: scene with someone he knows.

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Speaker 2: Yeah, he said Nicole Kidman.

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Speaker 3: Didn't he know it was a Nicole Kibben film, but

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Speaker 3: he did it with.

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Speaker 4: A good friend of mine.

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Speaker 2: What is that for? Gary? What he what was the

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Speaker 2: robe that?

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Speaker 3: Yeah, we talked about robes lot. But back on sex scenes.

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Speaker 3: So he talked about how intense it was and how

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Speaker 3: difficult it was to do a sex scene with someone

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Speaker 3: he knows. If you were to do a sex scene

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Speaker 3: saying one of our Instagram videos and say, it had

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Speaker 3: to be quite quite a serious one.

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Speaker 2: Excluding your serious what do you like? It is serious?

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Speaker 2: I can't enjoy it.

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Speaker 3: It's not funny, like it's not a comedic sex.

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Speaker 2: Scene, like a like an actual sex scene.

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Speaker 3: Doing a dramatic sex scene.

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Speaker 2: Why am I doing it on Instagram? Surely I'm doing it, I.

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Speaker 3: Went on, in movies. Okay, sure, you're in a movie.

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Speaker 2: Yeah, you're a hypothetical. Well just go all the way.

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Speaker 3: Trying to make the hypothetic.

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Speaker 2: All right, mate, So you're having sex with someone on

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Speaker 2: our Instagram?

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Speaker 5: No?

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Speaker 3: No, no, okay, so you're in a movie. You have

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Speaker 3: to do a sex scene. Would you rather do that

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Speaker 3: sex scene with someone you know? So a friend so

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Speaker 3: that in a way could eliminate some of the awkwardness

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Speaker 3: or a complete.

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Speaker 2: Stranger stranger obviously?

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Speaker 3: Really? Is that that clean cut?

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Speaker 2: That is so easy?

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Speaker 3: Joel.

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Speaker 6: We've actually talked about this a lot my wife and

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Speaker 6: I in sex scenes with me No, but every time

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Speaker 6: we watch an intense sex scene, whether it's on you know,

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Speaker 6: your Game of Thrones or just some intense movie watching

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Speaker 6: sex life, that's.

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Speaker 3: Bad education, I think, is sex education? That's the one.

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Speaker 4: Yep.

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Speaker 6: We're just like blown away with how these actors managed

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Speaker 6: to do these scenes where they're basically nude on top

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Speaker 6: of each other, and how you would be able to

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Speaker 6: do that if you had a relationship with someone like

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Speaker 6: I asked her straight up, I said, would.

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Speaker 3: You allow me to go to work. That's my job.

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Speaker 3: I paid a lot of money to do it.

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Speaker 6: But I have to lie on top of that incredibly hot,

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Speaker 6: sexy woman and simulate sex.

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Speaker 3: Obviously not she's not cool with it. I wouldn't you

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Speaker 3: have to be so secure in your relationship when you

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Speaker 3: to watch your partner with, as you said, Joel, some

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Speaker 3: absolute hunk of spunk nude, and it would be and

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Speaker 3: in movies that make it like a perfect sex scenes.

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Speaker 3: Then when you have sex in the real world with

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Speaker 3: your partner again, it would just be so much shitter

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Speaker 3: compared to the sex in the movie.

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Speaker 2: Don't you think it'd turn you on a bit? I mean,

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Speaker 2: I don't want to get too here we go.

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Speaker 3: Oh bloody, ell bloody.

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Speaker 2: We're all talking about it like it would be the

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Speaker 2: worst thing world, But it would kind of be slightly arousing.

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Speaker 3: Your partner has a sex scene with Brad Pitt, Yeah,

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Speaker 3: and you're watching that at home with her in your

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Speaker 3: traggy dacks, in your rug boots, in my sloppy bars,

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Speaker 3: in my road I'm in.

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Speaker 2: A road nude from the bottom of your chest in

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Speaker 2: a pergamo.

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Speaker 3: So yeah, and you're watching her chea dust do sex

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Speaker 3: with bread Pit. You're saying you look across and like

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Speaker 3: Jesus is getting me going.

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Speaker 2: It's pretty hot. It's Brad Pitt.

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Speaker 3: Then wouldn't you be like, oh god, I can't do

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Speaker 3: what he's doing to you right now.

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Speaker 2: I'm the one having sex with her.

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Speaker 3: Yeah, we also don't think about it. No, it's not real.

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Speaker 3: And also there's like in this actually we actually had

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Speaker 3: a really great chat. You can probably do like a

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Speaker 3: search or something in the podcast, but we did a

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Speaker 3: chat with like a sex scene choreographer. Like sex scenes

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Speaker 3: are robotic now, it's so like like.

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Speaker 2: Well, they have to be. They have to be so

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Speaker 2: the actors don't feel as if crossing that line where

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Speaker 2: they are actually having to be. I. I don't know

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Speaker 2: how much I can say here, but I I used

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Speaker 2: to date somebody who was an actress and she had

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Speaker 2: a series of very public, very famous sex scenes on

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Speaker 2: austrained TV with a guy and she they started dating

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Speaker 2: each other that almost like immediately after the show because

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Speaker 2: the what they call the vanity patch, which is effectively

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Speaker 2: just a strip of material over vagina, and he used

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Speaker 2: to just wear a sock over his doodle. Yeah, balls,

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Speaker 2: I think use the word doodle and yeah, he he

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Speaker 2: just needs to have like a like a satin. I

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Speaker 2: don't know if it was sat it might have been

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Speaker 2: a bit sold changed, just like a pretty nondescript beige.

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Speaker 2: But but anyway, the potato sack was obviously pointing in

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Speaker 2: a particular direction for the whole scene because she was

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Speaker 2: she's nerude from the top. Like, so they do this

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Speaker 2: scene and it go for like half an hour, and

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Speaker 2: she said, you just couldn't get any more intimate than that,

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Speaker 2: and then she said that, like, you know, I think

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Speaker 2: effectively afterwards, they just messaged each other and it was

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Speaker 2: just like, should we just do that for real?

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Speaker 7: Like, you know, they just got rid of all the

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Speaker 7: you know, no, no, no, no, they got rid of all

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Speaker 7: the awkward like it just it's just like here you

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Speaker 7: are both nude making out like it was it was

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Speaker 7: and I suppose this is the.

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Speaker 2: Fear that you're talking about. It was a hop, skip

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Speaker 2: and a jump from the real deal. So doing the

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Speaker 2: real deal was just like it was almost like a

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Speaker 2: no brainer.

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Speaker 3: And it happens go through.

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Speaker 2: Let's go through a few of them showing Let's go

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Speaker 2: through a few of them. Cooper Garga no, never happened.

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Speaker 2: Believe that.

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Speaker 3: I believe the performances in that film.

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Speaker 2: I believe that exactly because they were in love.

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Speaker 6: Thunder on that film, like a lot of them meat

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Speaker 6: and hook up. They kissed, have to do a sex scene.

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Speaker 6: They could just romantically kiss.

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Speaker 2: Cruise and didn't. Cruise and kidman banging away. It goes

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Speaker 2: actually banging away, it goes on Eyes White Chat.

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Speaker 6: I'm pretty sure they have a film and they were married.

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Speaker 3: Red crack.

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Speaker 2: Yeah, like they actually did it on the set with

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Speaker 2: the cameras and everything.

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Speaker 3: I mean, that's that's that's porn. Well, I don't think

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Speaker 3: they did.

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Speaker 2: They actually did really, Yeah, I think I think that's

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Speaker 2: the Have you seen that movie.

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Speaker 3: I don't even think they've got a sex scene in

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Speaker 3: Eyes White Shirt. Yeah, they're neud a lot, but I

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Speaker 3: don't think the've got a sex they've got a sex scene.

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Speaker 3: We'll watch it tonight.

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Speaker 2: I'm not watching. My girlfriend's up here visiting us.

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Speaker 3: Let's turn the lights up. Let's turn the lights A.

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Speaker 2: Request to watch Stanley Cuban. It's pretty much self caught porn.

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Speaker 2: Do you feel comfortable watching that one on.

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Speaker 3: The cat Anyway, we should tell this Jojun't we touch

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Speaker 3: out there, everyone.

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Speaker 2: And Joe Woods, You and I had the absolute pleasure

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Speaker 2: of catching up with Alec Baldwin. Now, I just need

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Speaker 2: to stress before we get into this. The chat we

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Speaker 2: had with him was pre the rust shooting, that tragedy

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Speaker 2: that happened on the set of one of his films.

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Speaker 2: And look, as I said before, I really actually think

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Speaker 2: this is First of all, you and I we're never

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Speaker 2: gonna grill him about that. But second of all, the

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Speaker 2: only photo, the only images, a lot of it. For

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Speaker 2: some people, the only way you know Alec Baldwin is

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Speaker 2: through the lens of that tragedy. And so I think

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Speaker 2: this is a really good chance when you look at

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Speaker 2: all the news these days about him and everything he's

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Speaker 2: going through, just to get a glimpse of the guy

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Speaker 2: who is. We do a lot of these junkets. We

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Speaker 2: sit down with people, we only get ten minutes with them,

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Speaker 2: and they can be as dismissive to us as they like.

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Speaker 2: This guy was warm, inviting, super friendly with his time.

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Speaker 2: He really was. He really made an effort extended the

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Speaker 2: time with us. And I hope you guys can hear

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Speaker 2: this and think about that when you when you see

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Speaker 2: him next in the news for something that you just

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Speaker 2: no one deserves to go through. He is obviously promoting

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Speaker 2: Boss Baby Too, which is in Cinema's Thursday. And here

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Speaker 2: we are with Alec Baldwin in my living room.

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Speaker 3: All right, we're all set.

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Speaker 4: We are now Will in which one is? Woody?

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Speaker 3: Will's in a robe?

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Speaker 4: And what a stylish robe it is. Look at that?

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Speaker 2: Thank you very much?

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Speaker 4: Who makes who makes that robe? Ferragama?

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Speaker 2: I'll find out for it. Oh look, I can't see it.

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Speaker 2: I actually stole it off my old house mat. He

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Speaker 2: spent five hundred Australian dollars on it.

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Speaker 4: It's got to be something really plush.

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Speaker 2: I'm nude from the bottom half, so I can't take

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Speaker 2: it off. And sorry, I.

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Speaker 8: Knew that I could sense down energy about you.

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Speaker 4: There's a reality about you. It's unmistakable. Well, oh, trying

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Speaker 4: to returning is right as a lobster.

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Speaker 2: Yeah, I've just got fitt into one of the biggest

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Speaker 2: sectors in the world that I'm nude from the west down. Well,

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Speaker 2: speaking to him, so, you know.

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Speaker 4: Tell me a lot of strange things. Let me tell you.

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Speaker 3: They tell me A lot of the question is a

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Speaker 3: you nude from the waist down, Alec Baldwin.

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Speaker 4: You have to pay me a lot of money to

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Speaker 4: do that. Usually there's a seven figure check involved.

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Speaker 8: But I think that we can talk about nudity in

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Speaker 8: films if you want to.

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Speaker 4: You want to do that. Boss Baby is nude. There's

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Speaker 4: a nude scene.

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Speaker 2: There's nud Baby too.

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Speaker 8: Yeah yeah, boss Baby. The original boss Baby the opening credits,

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Speaker 8: he was nude. And my kids would say every time

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Speaker 8: the credits would roll we watch the movie. Many times

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Speaker 8: they'd be like, laughing, Dad, that's your butt, that's your butt.

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Speaker 4: So I was.

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Speaker 8: So I've done nude scenes where people had at the

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Speaker 8: nude scenes where people have been.

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Speaker 2: Thrilled, been intense nudes into. I did this.

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Speaker 8: Movie Malice years ago with Nicole Kidman. That Deborah Malowney

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Speaker 8: who was married to Jimmy Farantino. She and I had

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Speaker 8: to do a sex scene in the movie Wow, and

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Speaker 8: it was one of the most It was one of

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Speaker 8: the most exhausting processes of my life.

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Speaker 4: Why I want you to because they want you to

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Speaker 4: simulate whatever.

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Speaker 2: And you have to really how long were you.

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Speaker 4: There's an art to it. There's an art to it.

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Speaker 4: There's an art to it.

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Speaker 2: Sex pretending to have sex.

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Speaker 8: Tell me, well, you haven't figured you're the you're one,

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Speaker 8: you're the one coming to work with, you know, pants on,

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Speaker 8: what's real and not real? So but yeah, no, But

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Speaker 8: doing those scenes when I was younger and doing the films,

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Speaker 8: it was really bizarre, you know, because because.

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Speaker 4: You have to commit every scene you do.

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Speaker 8: If you're gonna kill somebody, if you're gonna love somebody,

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Speaker 8: if you're gonna save somebody, if you're gonna give a speech,

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Speaker 8: whatever you're asked to do, you got to go for it.

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Speaker 4: And you're there with somebody you barely know.

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Speaker 8: And I knew bro I knew Deborah, I knew we're

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Speaker 8: as an actress, and I'd run into her.

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Speaker 4: We had to do this scene and it was really

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Speaker 4: really wild.

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Speaker 2: Have you ever had any tension in those scenes? Like,

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Speaker 2: you know, you sort of get there and you're like, wow,

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Speaker 2: this is just too much for me.

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Speaker 4: You realize the movie we're here to sell us absolutely.

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Speaker 8: You know, really with your pants off, I'm sure if

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Speaker 8: you had your pants on, you wouldn't asking these questions,

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Speaker 8: But your pants off has made you feel like you

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Speaker 8: have a license to just kind of gamble into this

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Speaker 8: orchard of perversion and sex, which is kind of amazing

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Speaker 8: to me. But this is a children's film, cor Boss

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Speaker 8: Baby Family, the kids.

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Speaker 3: And spoiler us know sex says in.

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Speaker 4: Zero sexual innuendo whatsoever?

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Speaker 2: An orchard of perversion, you gamble into an orchit of perversion.

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Speaker 2: On May asking about sex says whilst I was nude

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Speaker 2: from the down in a robe in my living room.

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Speaker 3: You never thought you'd say that, did you?

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Speaker 2: Absolutely not? Are you just joining us? So you have

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Speaker 2: joined us at a great time. It's our sit down

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Speaker 2: chat with the one and only Alec Baldwin. Now this

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Speaker 2: chat happened before Rust got the Russ shooting. I've got

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Speaker 2: to stress that, guys, why don't he to grill him

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Speaker 2: about the Rust shooting? As I said before, though, I

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Speaker 2: hope this is a really good insight into how decent

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Speaker 2: this dirty is Woods and I do lots of these interviews,

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Speaker 2: and just the fact that he's so generous with his time,

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Speaker 2: so playful on it, like he's just a lot of people,

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Speaker 2: A lot of the big, big, big celebs can be

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Speaker 2: quite closed off. This guy not at all, And hopefully

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Speaker 2: that helps you paint a bit of a picture of

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Speaker 2: the man behind all those awful photos at the moment

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Speaker 2: and all the grief he's going through if.

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Speaker 3: You missed the first half. Actually he didn't need to

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Speaker 3: do this, but he fully engaged with our questions about

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Speaker 3: sex scenes that he's been in while promoting, by the way,

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Speaker 3: a movie called boss Baby Too, which has no sex scenes.

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Speaker 3: And then you also revealed to him that you were

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Speaker 3: nude under your robe. It was all pretty outrageous stuff.

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Speaker 3: If you want to get it, get it on revegae

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Speaker 3: podcasts from Will and Woody. But so rare. But I

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Speaker 3: feel like I had to salvage the situation by actually

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Speaker 3: ask me a question about Boss Baby Too. Here we go.

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Speaker 3: Something that the film does focus on, and I love

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Speaker 3: this theme is getting in touch with your inner child.

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Speaker 3: And I wanted to ask you, Eleck, how do you

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Speaker 3: in your life get in touch with you in a child?

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Speaker 4: Well, because I have so many kids. Yeah, my wife

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Speaker 4: and I have six children. I have seven children. I

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Speaker 4: have an older daughter.

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Speaker 8: But our little children, you can't help but stay in

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Speaker 8: the place just to communicate to them. Everything has to

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Speaker 8: be the fist inside the velvet glove of play and

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Speaker 8: silliness and goofing around. And my kids just like that's

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Speaker 8: all they want. So I have a terrible fear that's

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Speaker 8: going to come time to fill in applications for college

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Speaker 8: and we wouldn't even be able to write anything down.

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Speaker 4: We wouldn't even know what to say.

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Speaker 8: They're going to be complete idiots as a result of

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Speaker 8: the way I've raised them.

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Speaker 4: So I'm care about them.

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Speaker 3: Did they find you funny, eleck? Or are they critical

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Speaker 3: of your humor?

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Speaker 8: When my wife's not around, they think I'm funny, right,

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Speaker 8: And when I'm alone with my kids, they love me.

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Speaker 8: They think I'm funny. Well my wife, my wife doesn't

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Speaker 8: think I'm funny. Oh, when she comes home, and my

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Speaker 8: wife's kind of bored with all that, She's like, she's

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Speaker 8: seen all that. Yeah, so when she's around, they kind

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Speaker 8: of take their cues from her, you know that I'm

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Speaker 8: I'm my wife has kind of seen that, done that,

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Speaker 8: you know. But the kids are all kids are the same.

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Speaker 8: They want to play, they want to just have fun.

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Speaker 8: All they want to do is have fun and laugh.

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Speaker 8: And some of the things they say and some of

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Speaker 8: the things they do, it's becoming really shocking.

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Speaker 4: I Mean, there's some words that complying out of their mouths.

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Speaker 2: Now you've obviously been. I don't know if it's been

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Speaker 2: the same in the US, but as you said, you've

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Speaker 2: got six kids, you've obviously been living with them quite

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Speaker 2: intensively like the parents here in Australia.

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Speaker 4: Yeah.

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Speaker 2: Yeah, Well you inspired through your intense experiences with your

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Speaker 2: children to do Boss Baby too, Like if you've drawn

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Speaker 2: on some of them, I.

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Speaker 8: Would basically, I would basically have gotten a job as

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Speaker 8: a crossing guard if it got me out of my house.

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Speaker 8: I needed to get out of the house with some

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Speaker 8: regularity for these kids. But the no, I love my kids,

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Speaker 8: and I love being with my kids, and I spent

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Speaker 8: a lot of time with my kids. But I described

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Speaker 8: I've used the same tired phrase now to describe what

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Speaker 8: the pandemic was like with our house. I said, it's

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Speaker 8: like the little rascals meets the shining every day.

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Speaker 3: That's terrifying.

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Speaker 4: That's true.

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Speaker 8: So kids are going around the hotel and acts chopping

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Speaker 8: everything up and blood shooting all over the house.

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Speaker 4: And it was horrible, horrible, it's tough.

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Speaker 3: Well, what isn't horrible is Boss Baby too. There's no axes,

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Speaker 3: there's no sex scenes. There is a nerd of you though.

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Speaker 3: Alec as a baby.

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Speaker 4: Yes, my butt looks great. My butt looks great.

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Speaker 8: It's never I'm complete. I have a full on nude

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Speaker 8: scene and boss Baby one. It's glorious.

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Speaker 4: But I'm going to do I don't think people really

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Speaker 4: want me to do nudes.

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Speaker 2: No, I was gonna say, you're also a nude baby,

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Speaker 2: so maybe we should leave it at that.

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Speaker 4: I'm going to call that a picture I'm new to.

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Speaker 8: That look great in basking I'm new to my latest film.

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Speaker 4: Anyway, Thank you both.

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Speaker 1: It's the podcast.

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Speaker 3: Did you see something outrageous because of your job? So

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Speaker 3: because of the job you're hold, did you did you

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Speaker 3: see something outrageous because of the access you get? Et cetera.

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Speaker 3: Because minds were blown today when cinema workers or a

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Speaker 3: cinema worker revealed on TikTok that they can see everything.

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Speaker 2: What am I everything like the screen? Well, you mean

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Speaker 2: the crowd?

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Speaker 3: That if everything in the crowd. I think before this

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Speaker 3: bloke blew it up on TikTok, thought that the cinema

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Speaker 3: was a great place to maybe get a little bit physical,

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Speaker 3: maybe get a little bit handsy.

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Speaker 2: Turns out, nearly everyone's first kiss happened in the movies

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Speaker 2: because you felt safe that was the place to go

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Speaker 2: in the darkness.

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Speaker 3: Yeah, once the movie started and those little lights at

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Speaker 3: the curtains went off, game time, baby, being sure.

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Speaker 2: I had a number of like romances when I was

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Speaker 2: kind of like twelve or thirteen, where I would you

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Speaker 2: would you would only kiss in the cinema. Oh yeah,

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Speaker 2: that was the only place that you felt could. You'd

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Speaker 2: go with your best mate in their partner, sure, and

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Speaker 2: then they'd sit next to you, sure, and they'd kind

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Speaker 2: of just wait for you to mack on it. It

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Speaker 2: was a strange time.

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Speaker 3: Bloody, and turns out all the cameras inside cinema, so

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Speaker 3: the CCTV inside it all it's night vision. Wow, so

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Speaker 3: it's just daylight for these poor cinema workers. They just

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Speaker 3: have to like watch for security. Obviously someone watching the

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Speaker 3: whole time. Someone's watching the screens for security, and they're

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Speaker 3: just effectively watching a brothel. So some people have seen

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Speaker 3: it going.

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Speaker 2: For someone would have seen you piss your pants last night,

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Speaker 2: as someone I did.

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Speaker 3: I did. Will is talking about the fact that I

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Speaker 3: saw James Bond yesterday and.

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Speaker 2: You wet yourself in the cinema.

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Speaker 3: Someone very clearly saw a man run to the aisle first,

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Speaker 3: there were still ten minutes to go in the movie.

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Speaker 3: But because I had to go so much.

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Speaker 2: You watched it standing up.

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Speaker 3: The last time I watched the last team innute standing

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Speaker 3: up doing like a side to side jig. So someone's

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Speaker 3: watching the cameras going, there's a dude dancing in the

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Speaker 3: aisle for some reason, and then I pissed my pants.

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Speaker 3: So yes, that's what cinema workers see. But yeah, I

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Speaker 3: want to take this to other jobs. So let's think

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Speaker 3: about the job that you hold, and what's something outrageous

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Speaker 3: you have seen just in the position that.

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Speaker 2: You hold because of the position you hold.

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Speaker 3: Yeah, I know that our executive produced Ed. He's got

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Speaker 3: a bit of a high rise apartment. He's a high

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Speaker 3: flower in the radio world.

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Speaker 2: Yeah, it's true. It's true. He's making his way up

403
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Speaker 2: the ranks, isn't he?

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Speaker 3: And definitely not the show Wow whack. But Ed, you've

405
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Speaker 3: got a crane outside your window at the moment, and

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Speaker 3: you were telling me before the show that you were

407
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Speaker 3: engaging in a toasted sandwich early this morning and some

408
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Speaker 3: sauce popped out on you in a thigh and the

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Speaker 3: crane driver. You made eyes with a crane driver who

410
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Speaker 3: saw you licking sauce off, you're in a thigh? True story?

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Speaker 2: Was I telling you that? What he was?

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Speaker 3: You're definitely telling them that it's a true story. Don't

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Speaker 3: deny you wrecked the bit.

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Speaker 2: But crane driver is a good example of someone who,

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Speaker 2: because of their job, whether it's whether it's a thirty

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Speaker 2: year old man looking source off he's in a thigh

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Speaker 2: or not, would see a lot of gear because of

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Speaker 2: his job.

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Speaker 3: Cleaners. Maybe people have access to people's homes that they've

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Speaker 3: seen some wild stuff proven Australia.

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Speaker 2: What outrageous thing did you see because of your job?

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Speaker 2: Give us a call.

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Speaker 3: That is because minds were blown today when a cinema

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Speaker 3: worker on TikTok revealed that cinema workers can see everything.

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Speaker 3: They've got night vision cameras in the we're.

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Speaker 2: Talking about looking at the crowd by the way, it's

427
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Speaker 2: like they've got a bad view of the screen. No, no, no,

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Speaker 2: that is the second time. You haven't specified that fair enough.

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Speaker 3: They're super boring if that's what they could see.

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Speaker 2: But they see everything in the crowd.

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Speaker 3: So, I mean, we all know cinemas are a place

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Speaker 3: for a little bit of well what we thought was

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Speaker 3: private hanky panky time?

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Speaker 2: Do you still do that? Like as an adult though,

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Speaker 2: I know when I was a teenager that's where you

436
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Speaker 2: used to go and hook up with your girlfriend. But like,

437
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Speaker 2: are you going to the Cinema's going? Like? Oh gee

438
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Speaker 2: is like someone kisses me in the cinema. I'm like,

439
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Speaker 2: get off me. I am you here to watch a film?

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Speaker 3: It depends on the film and sometimes, you know, at

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Speaker 3: the moment gets you a little bit the spontaneity.

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Speaker 2: They do, like going to the cinemas by yourself.

443
00:20:38,119 --> 00:20:40,920
Speaker 3: Yeah, because I can't I can't help myself with my girlfriend.

444
00:20:41,119 --> 00:20:44,800
Speaker 3: Oh that's not true. We're mature adults and we can

445
00:20:44,840 --> 00:20:48,040
Speaker 3: watch a film together anyway. Thirty one or six five over?

446
00:20:48,160 --> 00:20:49,880
Speaker 3: What did you see? Because of your job, we got

447
00:20:49,920 --> 00:20:53,360
Speaker 3: Mark here. Now, Mark, you worked in surveillance at a casino.

448
00:20:53,440 --> 00:20:54,399
Speaker 3: What did you see? Mate?

449
00:20:55,800 --> 00:20:56,000
Speaker 9: Yeah?

450
00:20:56,000 --> 00:21:00,639
Speaker 10: I think just a complete woody story of a driver

451
00:21:01,320 --> 00:21:04,159
Speaker 10: watching something that perhaps he shouldn't have been watching.

452
00:21:04,359 --> 00:21:05,480
Speaker 3: Yeah, we were.

453
00:21:05,320 --> 00:21:09,760
Speaker 10: Watching the crane driver. So during construction, we had a

454
00:21:09,800 --> 00:21:15,040
Speaker 10: crane driver, let's say, entertaining himself where he saw something

455
00:21:15,080 --> 00:21:18,840
Speaker 10: that he was interested in through through a window and

456
00:21:19,640 --> 00:21:21,159
Speaker 10: that he was the one being watched.

457
00:21:21,760 --> 00:21:27,359
Speaker 2: What Wow, hell we what what in the like like

458
00:21:27,520 --> 00:21:29,840
Speaker 2: in the crane, Like he's up there, like forty meters

459
00:21:29,880 --> 00:21:30,320
Speaker 2: in the air.

460
00:21:31,400 --> 00:21:34,120
Speaker 10: Yeah, I guess he thought that he was pretty much

461
00:21:34,200 --> 00:21:34,880
Speaker 10: by himself.

462
00:21:35,480 --> 00:21:38,080
Speaker 3: Yeah, fair enough, No, fear.

463
00:21:38,040 --> 00:21:41,680
Speaker 2: Enough ended in a glass box. Sorry, the fair enough

464
00:21:42,320 --> 00:21:45,320
Speaker 2: above a city that was based on fair enough at all?

465
00:21:45,400 --> 00:21:46,240
Speaker 3: I think you're alive.

466
00:21:46,400 --> 00:21:47,480
Speaker 2: No, but I don't care.

467
00:21:47,560 --> 00:21:48,359
Speaker 4: You're on the job.

468
00:21:48,440 --> 00:21:50,600
Speaker 2: Someone else is going to get into the crane up nere.

469
00:21:50,680 --> 00:21:53,200
Speaker 3: You feel like Batman overlooking the city, you know.

470
00:21:53,960 --> 00:21:57,320
Speaker 2: Driving Miss Daisy from on top of the skyscrave realized

471
00:21:57,359 --> 00:21:59,359
Speaker 2: that Batman is guad appropriate.

472
00:21:59,440 --> 00:22:02,080
Speaker 3: Anyway, Let's go to Josh your thirty six five. Joshi,

473
00:22:02,960 --> 00:22:04,440
Speaker 3: what did you see because of your job?

474
00:22:06,280 --> 00:22:07,440
Speaker 10: Yeah, I'm a plumber.

475
00:22:07,640 --> 00:22:13,320
Speaker 2: And they had a stew a blockage and we found a.

476
00:22:12,080 --> 00:22:16,480
Speaker 10: Silicon, a woman's silicon boyfriend popped out.

477
00:22:18,160 --> 00:22:20,280
Speaker 2: Did they blocked the whole drain?

478
00:22:21,440 --> 00:22:23,119
Speaker 11: They blocked the sewer system?

479
00:22:23,560 --> 00:22:26,159
Speaker 3: Did you bring this up with the person, Josh? Or

480
00:22:26,160 --> 00:22:27,960
Speaker 3: did you just throw it away and all good?

481
00:22:28,920 --> 00:22:29,120
Speaker 9: Nah?

482
00:22:29,200 --> 00:22:30,199
Speaker 4: She was well aware of it.

483
00:22:30,840 --> 00:22:32,680
Speaker 2: Oh, she knew that it was down there.

484
00:22:34,000 --> 00:22:36,040
Speaker 10: She she denied it was hers.

485
00:22:36,560 --> 00:22:37,760
Speaker 2: How did you know it was hers?

486
00:22:37,800 --> 00:22:41,040
Speaker 3: Then it was in her seward system.

487
00:22:41,320 --> 00:22:44,160
Speaker 2: Ah, so she did the old the body held.

488
00:22:47,080 --> 00:22:51,040
Speaker 3: Thanks for the gold. Let's go to pay down the drain.

489
00:22:52,240 --> 00:22:57,399
Speaker 2: Obviously accidental accidentally dropped putting that down a drain?

490
00:22:57,880 --> 00:23:00,159
Speaker 3: Yeah, what like we don't want to get in to

491
00:23:00,200 --> 00:23:01,520
Speaker 3: the you know the detail.

492
00:23:01,560 --> 00:23:04,000
Speaker 2: Sorry, not accidentally going down and drain.

493
00:23:04,320 --> 00:23:05,960
Speaker 3: Well, you think she flushed it because maybe she was

494
00:23:05,960 --> 00:23:08,560
Speaker 3: addicted to it or something. And then let's go to

495
00:23:08,960 --> 00:23:12,360
Speaker 3: you're asking me to speculate. Let's go to Paige. She flushed,

496
00:23:13,000 --> 00:23:16,080
Speaker 3: she was getting getting wrapped like helicopters outside. I need

497
00:23:16,160 --> 00:23:19,480
Speaker 3: to move on. Let's go to page. Sorry about that.

498
00:23:19,520 --> 00:23:22,679
Speaker 2: Come on, we've got the last page. Page is a

499
00:23:22,680 --> 00:23:24,840
Speaker 2: woman here. I wouldn't mind hearing from her page. How

500
00:23:24,880 --> 00:23:26,680
Speaker 2: the hell does something like that end up in a drain?

501
00:23:28,160 --> 00:23:29,920
Speaker 12: I don't know how that ends up in a drain.

502
00:23:30,080 --> 00:23:31,400
Speaker 12: To be honest at all.

503
00:23:31,680 --> 00:23:35,080
Speaker 3: Great answer page, nice, nice, straight straight.

504
00:23:34,800 --> 00:23:38,359
Speaker 2: Back there, and the producers are giving your thumbs up.

505
00:23:38,840 --> 00:23:41,119
Speaker 2: Thank god for you were planned page or you are

506
00:23:41,240 --> 00:23:45,000
Speaker 2: producer plant? No no, no, well you're calling out because

507
00:23:45,000 --> 00:23:47,560
Speaker 2: you saw something outrageous in your job. What have you got, mate?

508
00:23:47,600 --> 00:23:50,879
Speaker 12: I am so I am a beauty therapist. And to

509
00:23:50,960 --> 00:23:54,120
Speaker 12: be honest, The most outrageous thing that I've ever come

510
00:23:54,160 --> 00:23:57,960
Speaker 12: across is a dead moss wrapped up in someone's.

511
00:23:57,560 --> 00:24:02,920
Speaker 2: Fenny, just when we thought she was going to clean

512
00:24:02,960 --> 00:24:06,240
Speaker 2: it up. What do you mean?

513
00:24:07,440 --> 00:24:08,480
Speaker 4: What do you mean?

514
00:24:09,760 --> 00:24:12,840
Speaker 12: Well, it was just come across these things when you

515
00:24:12,920 --> 00:24:15,560
Speaker 12: have to do in it waxing with people, I guess,

516
00:24:15,640 --> 00:24:16,840
Speaker 12: but did so.

517
00:24:16,840 --> 00:24:19,520
Speaker 2: Again, I'm gonna have to ask the question, did she

518
00:24:19,760 --> 00:24:21,680
Speaker 2: put it there? Or is it just because she hadn't

519
00:24:21,680 --> 00:24:22,840
Speaker 2: had any for a month or so.

520
00:24:24,119 --> 00:24:26,399
Speaker 12: I'd say it was probably because she hadn't had it

521
00:24:26,440 --> 00:24:27,480
Speaker 12: for a long time.

522
00:24:27,359 --> 00:24:28,720
Speaker 10: A lot longer than a month or so.

523
00:24:29,080 --> 00:24:35,960
Speaker 2: Oh god, Oh my gosh.

524
00:24:37,680 --> 00:24:41,240
Speaker 3: No wrapping up with no more questions, no more follow

525
00:24:41,280 --> 00:24:41,720
Speaker 3: up questions.

526
00:24:41,760 --> 00:24:43,240
Speaker 2: Pabe why was it wrapped?

527
00:24:44,160 --> 00:24:47,800
Speaker 3: I don't know. I don't know why was it wrapped?

528
00:24:48,119 --> 00:24:49,200
Speaker 3: I think it wrapped itself.

529
00:24:49,240 --> 00:24:53,760
Speaker 2: Hang, I'm gonna have to ask page. No, page, page, Sorry, everyone's.

530
00:24:54,960 --> 00:24:56,160
Speaker 3: We have to ask page.

531
00:24:56,480 --> 00:25:01,320
Speaker 2: Yes, was it glad wrapped? That's more? Or is it

532
00:25:01,359 --> 00:25:04,800
Speaker 2: like in a cocoon? No, it was dead.

533
00:25:04,840 --> 00:25:05,920
Speaker 5: It was all hang up in.

534
00:25:10,560 --> 00:25:12,240
Speaker 1: It's the Will and Woody Podcast.

535
00:25:12,880 --> 00:25:20,080
Speaker 3: It's time for believe it or not. He's got some

536
00:25:20,119 --> 00:25:22,280
Speaker 3: weird facts and stories.

537
00:25:23,000 --> 00:25:24,160
Speaker 2: Some of them real.

538
00:25:26,240 --> 00:25:29,359
Speaker 3: Okay, today I have got weird facts and stories about

539
00:25:29,359 --> 00:25:34,919
Speaker 3: the one and only Oprah winfree Oprah. Okay, So I

540
00:25:34,960 --> 00:25:37,040
Speaker 3: want to do best of five? Here will if we

541
00:25:37,040 --> 00:25:39,160
Speaker 3: can get through it quickly, I think I think I

542
00:25:39,200 --> 00:25:40,360
Speaker 3: suit the longer format.

543
00:25:40,400 --> 00:25:43,600
Speaker 2: To be honest, I don't know anything about Oprah as well.

544
00:25:43,760 --> 00:25:47,320
Speaker 3: Right, you've got me right? Where got chat? Okay, here

545
00:25:47,359 --> 00:25:49,240
Speaker 3: we go. Let's crack into it. So best of Have

546
00:25:49,359 --> 00:25:50,160
Speaker 3: you got to tell? Though?

547
00:25:50,200 --> 00:25:51,800
Speaker 2: We're about to find out? Have you got to tell?

548
00:25:52,000 --> 00:25:53,200
Speaker 2: This week? I said you had to tell?

549
00:25:53,240 --> 00:25:55,080
Speaker 3: And you've been saying that all week and I don't

550
00:25:55,119 --> 00:25:56,960
Speaker 3: appreciate it. Okay, here we go.

551
00:25:57,080 --> 00:25:58,359
Speaker 2: We'll find out. We'll find out.

552
00:25:58,920 --> 00:26:04,040
Speaker 3: As a young girl, Oprah was always dressed in potato sacks,

553
00:26:04,680 --> 00:26:07,120
Speaker 3: and therefore she was given the nickname as a child,

554
00:26:07,760 --> 00:26:16,200
Speaker 3: sack girl. Is that true or is that fake? Sack Girl?

555
00:26:16,880 --> 00:26:18,760
Speaker 4: I think that that's true.

556
00:26:20,320 --> 00:26:27,480
Speaker 3: Good start, Will, Good Start? Yeah, Yeah, that's correct, it's correct. No,

557
00:26:27,680 --> 00:26:29,439
Speaker 3: if you do I have a tell? Do I have

558
00:26:29,480 --> 00:26:32,600
Speaker 3: a tell? Do I have a tell? Do I have

559
00:26:32,640 --> 00:26:36,639
Speaker 3: a tell? Just tell me. I'm gonna have to blindfold you.

560
00:26:36,720 --> 00:26:37,879
Speaker 3: I'm gonna have to blindfold you.

561
00:26:38,280 --> 00:26:40,919
Speaker 2: That's an audible tell it's truth.

562
00:26:41,320 --> 00:26:42,920
Speaker 3: You are sowing my head and I hate it. Ah,

563
00:26:43,200 --> 00:26:46,480
Speaker 3: you are sowing my head. I feel like Darryl Callanan

564
00:26:46,520 --> 00:26:49,240
Speaker 3: with Shane Warn that's a Quicket reference for everyone anyway,

565
00:26:49,920 --> 00:26:51,680
Speaker 3: So truth, she had a very poor upbringing. Yeah, she

566
00:26:51,720 --> 00:26:53,520
Speaker 3: was always dressed in potato sacks, so she was really

567
00:26:53,560 --> 00:26:55,399
Speaker 3: she was teased as young, a young girl being called

568
00:26:55,440 --> 00:26:58,320
Speaker 3: sack girl. Anyway about the fact.

569
00:26:59,480 --> 00:27:01,120
Speaker 2: Not trying to serious.

570
00:27:01,320 --> 00:27:02,000
Speaker 3: All right, here we go.

571
00:27:02,119 --> 00:27:03,840
Speaker 2: Wait do I get this? If I'd get this, I

572
00:27:03,960 --> 00:27:04,600
Speaker 2: knock you out.

573
00:27:04,720 --> 00:27:08,000
Speaker 3: Best fu, best fun if quick, come on, come on,

574
00:27:08,040 --> 00:27:12,560
Speaker 3: here we go. All right, Jesus Fitty sent the the

575
00:27:12,600 --> 00:27:17,720
Speaker 3: thid man himself. Fitty sent named his dog after Oprah

576
00:27:18,520 --> 00:27:23,119
Speaker 3: fifty cents dog is called Oprah, and he admitted and

577
00:27:23,160 --> 00:27:26,800
Speaker 3: said it is named after Oprah Winfrey.

578
00:27:27,040 --> 00:27:27,520
Speaker 13: His dog.

579
00:27:29,640 --> 00:27:30,480
Speaker 3: It's a Schnauzer.

580
00:27:32,000 --> 00:27:36,000
Speaker 2: I don't think that's true. That one's true.

581
00:27:37,960 --> 00:27:40,399
Speaker 3: One O one not here we go, am here we go?

582
00:27:41,080 --> 00:27:49,959
Speaker 2: Damn, damn, Oprah. We get too much about this game.

583
00:27:51,119 --> 00:27:56,200
Speaker 3: Oprah celebrated her twenty first birthday by getting her nipple pierced.

584
00:27:57,680 --> 00:28:00,640
Speaker 3: Is that true or have I made that up? Which

585
00:28:00,680 --> 00:28:01,840
Speaker 3: birthday twenty first?

586
00:28:03,320 --> 00:28:07,679
Speaker 2: Did she one nipple? Of both nipples. Did she get

587
00:28:07,720 --> 00:28:08,359
Speaker 2: the double bolt?

588
00:28:08,840 --> 00:28:13,800
Speaker 3: I actually don't know. I assume only one nipple.

589
00:28:16,720 --> 00:28:17,560
Speaker 2: I think that's true.

590
00:28:18,800 --> 00:28:28,959
Speaker 13: That's fake, mate, alright but too wow, wow, there's nothing

591
00:28:29,000 --> 00:28:30,720
Speaker 13: wrong with Here we go.

592
00:28:30,800 --> 00:28:33,920
Speaker 2: Here we go, people, Piers away, we had your nipple, Piers.

593
00:28:34,240 --> 00:28:35,600
Speaker 3: But I'm a wild guy, all right.

594
00:28:35,600 --> 00:28:36,000
Speaker 2: Here we go.

595
00:28:36,320 --> 00:28:40,000
Speaker 3: To prepare for a movie role where she played a slave,

596
00:28:41,160 --> 00:28:46,120
Speaker 3: Oprah had herself tied up, blindfolded and left in the woods.

597
00:28:47,640 --> 00:28:48,240
Speaker 2: Which woods.

598
00:28:48,880 --> 00:28:53,840
Speaker 3: Don't know what was the movie? I don't, I promise you,

599
00:28:53,920 --> 00:28:55,680
Speaker 3: I don't know. But it's a movie where she played

600
00:28:55,720 --> 00:29:00,960
Speaker 3: a slave, had herself tied up, blindfolded, chucked in the woods,

601
00:29:01,280 --> 00:29:03,040
Speaker 3: was she, mate, I don't know.

602
00:29:03,640 --> 00:29:04,880
Speaker 2: Do you know anything about this?

603
00:29:05,520 --> 00:29:07,760
Speaker 3: Well, yeah, I've told you everything I know about it.

604
00:29:07,760 --> 00:29:09,720
Speaker 3: To prepare for a movie role, she was blindfolded, tight

605
00:29:09,800 --> 00:29:10,719
Speaker 3: up and thrown in the woods.

606
00:29:11,960 --> 00:29:12,840
Speaker 2: I think it's true.

607
00:29:13,480 --> 00:29:14,800
Speaker 3: Yeah, damn it, that's true.

608
00:29:14,920 --> 00:29:16,480
Speaker 2: That's true. That's true.

609
00:29:16,440 --> 00:29:18,920
Speaker 3: A pretty amazing commitment. She knows she's the better actress

610
00:29:18,920 --> 00:29:21,560
Speaker 3: than people make around. She's been nominated for Best Supporting

611
00:29:21,600 --> 00:29:24,160
Speaker 3: Actress for that not not for that movie. Apparently that

612
00:29:24,160 --> 00:29:28,360
Speaker 3: was a stinker anyway. Final one the winner.

613
00:29:28,560 --> 00:29:29,760
Speaker 2: Of The Winner takes it all.

614
00:29:30,320 --> 00:29:30,880
Speaker 4: Here we go.

615
00:29:31,480 --> 00:29:34,840
Speaker 3: Bloody hell, bloody hell. It all comes down to this Australia.

616
00:29:36,680 --> 00:29:39,600
Speaker 3: Bloody hell. Okay, this is everything.

617
00:29:40,320 --> 00:29:40,840
Speaker 4: This is everything.

618
00:29:40,960 --> 00:29:43,520
Speaker 2: Nine o'clock this morning, for bearing these This is everything.

619
00:29:44,560 --> 00:29:45,160
Speaker 4: Okay go.

620
00:29:46,040 --> 00:29:50,120
Speaker 3: In the first season of The Oprah Winfrey Show, first

621
00:29:50,160 --> 00:29:54,720
Speaker 3: ever season Oprah Winfrey Show, she wore the same pair

622
00:29:54,760 --> 00:30:01,400
Speaker 3: of underwear for every single recording? Is that true or

623
00:30:01,480 --> 00:30:01,920
Speaker 3: is that? Think?

624
00:30:02,000 --> 00:30:02,360
Speaker 4: How many?

625
00:30:02,440 --> 00:30:04,200
Speaker 2: How long was this? How long was the season?

626
00:30:04,240 --> 00:30:04,320
Speaker 3: Like?

627
00:30:04,360 --> 00:30:05,280
Speaker 2: How long is the season?

628
00:30:05,320 --> 00:30:08,000
Speaker 3: I have no idea? It was just the first season, though.

629
00:30:08,160 --> 00:30:11,840
Speaker 3: Why don't the guys. You don't know a lot about

630
00:30:11,840 --> 00:30:14,480
Speaker 3: these things, mate, I just get the facts online or

631
00:30:14,600 --> 00:30:16,200
Speaker 3: I make them up very quickly in my head, and

632
00:30:16,240 --> 00:30:19,600
Speaker 3: I don't think of a backstory. So for ever, running

633
00:30:19,600 --> 00:30:21,960
Speaker 3: through it again, every episode of the first season of

634
00:30:22,000 --> 00:30:24,880
Speaker 3: The Oprah Winfrey showy, she wore the same pair of underwear.

635
00:30:25,960 --> 00:30:28,840
Speaker 3: If I had to make an assumption be a luck thing,

636
00:30:29,160 --> 00:30:37,760
Speaker 3: I would have thought, like a lucky jocks. Is it

637
00:30:37,760 --> 00:30:38,640
Speaker 3: true or is it fake?

638
00:30:40,200 --> 00:30:51,960
Speaker 2: I think it's true. That one's fine. Yeah, Canvas.

639
00:30:52,400 --> 00:30:54,080
Speaker 1: It's the Will and Woody Podcast.

640
00:30:55,000 --> 00:30:58,240
Speaker 2: Nothing worse than your boss texting you're calling you after hours.

641
00:30:58,320 --> 00:31:00,280
Speaker 2: It's just an area that they shouldn't be a out

642
00:31:00,320 --> 00:31:03,040
Speaker 2: in thirty one six five. Of your boss is doing that,

643
00:31:03,160 --> 00:31:05,400
Speaker 2: then give us a call. And the reason we're talking

644
00:31:05,440 --> 00:31:08,959
Speaker 2: about this woods is because Portugal. I thought we had

645
00:31:08,960 --> 00:31:11,760
Speaker 2: some Portuguese music lined up there. There's been a.

646
00:31:11,760 --> 00:31:17,440
Speaker 3: Miss Home of the Chicken. Well sorry, Nando's is from Portugal,

647
00:31:17,520 --> 00:31:19,720
Speaker 3: so not really the Home of the Chicken to be fair.

648
00:31:19,880 --> 00:31:21,560
Speaker 2: What else is Portugal famous for?

649
00:31:21,680 --> 00:31:23,440
Speaker 3: A soccer team Cristiano Ronaldo?

650
00:31:23,600 --> 00:31:30,600
Speaker 2: Oh yeah, very good, that's where hest That's fine, that's fine. Anyway,

651
00:31:30,680 --> 00:31:36,760
Speaker 2: Portugal has banned bosses texting staff after hours, so they've

652
00:31:36,760 --> 00:31:39,160
Speaker 2: said you can't do it. They're saying that it should

653
00:31:39,200 --> 00:31:41,400
Speaker 2: just be a nine to five caper. Am I right?

654
00:31:45,560 --> 00:31:48,960
Speaker 3: I reckon that's a good mood from the Portuguese. I

655
00:31:48,960 --> 00:31:51,560
Speaker 3: didn't realize they were well known for their progressive thoughts.

656
00:31:51,320 --> 00:31:53,520
Speaker 2: But I reckon they definitely. They've got a very progressive

657
00:31:53,920 --> 00:31:57,680
Speaker 2: drug policy in Portugal. Actually, yeah, very very progressive.

658
00:31:58,120 --> 00:31:59,520
Speaker 3: What is it? Just go for it?

659
00:32:00,040 --> 00:32:03,800
Speaker 2: Well, I don't think that's in the legislation article three

660
00:32:03,880 --> 00:32:09,160
Speaker 2: two four. Go for it. But sorry that you, sir,

661
00:32:09,240 --> 00:32:12,640
Speaker 2: You were found in possession of half a kilo of cocaine. Well,

662
00:32:12,680 --> 00:32:15,000
Speaker 2: I would like to sign article three to four if

663
00:32:15,040 --> 00:32:16,600
Speaker 2: I go for it.

664
00:32:17,640 --> 00:32:20,040
Speaker 3: No, no, back on that hours thing. I reckon, that's

665
00:32:20,040 --> 00:32:23,480
Speaker 3: a great movie because Iragon during COVID. During COVID, that

666
00:32:23,520 --> 00:32:26,840
Speaker 3: really blurred the lines what did hours work hours? Like

667
00:32:26,880 --> 00:32:29,920
Speaker 3: when can you respond to an email? And how early

668
00:32:29,960 --> 00:32:32,520
Speaker 3: can they reach you? And phone calls? And I reckon

669
00:32:32,520 --> 00:32:34,720
Speaker 3: that like bosses were starting to take this a little.

670
00:32:34,480 --> 00:32:37,320
Speaker 2: Bit in general that You're right, that whole COVID thing.

671
00:32:37,360 --> 00:32:39,360
Speaker 2: You really had to put your foot down. Yeah, not

672
00:32:39,480 --> 00:32:43,760
Speaker 2: like you're not anyone contacts That's true. We were fine,

673
00:32:45,080 --> 00:32:48,120
Speaker 2: But I know lots of friends friends that work at

674
00:32:48,160 --> 00:32:51,040
Speaker 2: you know, like law firms, accounting firms, that sort of

675
00:32:51,080 --> 00:32:52,920
Speaker 2: thing that is on the clock twenty four center because

676
00:32:52,960 --> 00:32:55,160
Speaker 2: you know, and that just starts saying, hey, look, you

677
00:32:55,400 --> 00:32:57,480
Speaker 2: can't get me after this time because I'm at home,

678
00:32:57,520 --> 00:32:59,120
Speaker 2: I'm at my computer. Doesn't mean that I'm in a

679
00:32:59,360 --> 00:33:00,400
Speaker 2: sack to apply to you.

680
00:33:00,520 --> 00:33:02,640
Speaker 3: Yeah, even even min it actually runs her business. But

681
00:33:02,680 --> 00:33:04,680
Speaker 3: then clients started sort of being like, well, I can

682
00:33:04,720 --> 00:33:08,000
Speaker 3: contact you anytime because there weren't office hours, which, yeah,

683
00:33:08,120 --> 00:33:09,680
Speaker 3: look good on the your Portugal get on you.

684
00:33:09,760 --> 00:33:12,160
Speaker 2: Yeah, he got it on your your Portugal, so no

685
00:33:12,240 --> 00:33:17,280
Speaker 2: good on them, very good stuff. Now, our our boss,

686
00:33:17,320 --> 00:33:22,440
Speaker 2: Tony is an absolute sucker for this. He sends all

687
00:33:22,480 --> 00:33:24,360
Speaker 2: sorts of gear at all sorts of hours, and he's

688
00:33:24,480 --> 00:33:28,000
Speaker 2: in and a lot of the time. His justification for

689
00:33:28,080 --> 00:33:31,280
Speaker 2: that is because he you know, his brain's a bit

690
00:33:31,360 --> 00:33:34,600
Speaker 2: you know, he's wired. You know, he's constantly gone. He's

691
00:33:34,600 --> 00:33:38,479
Speaker 2: from London, I should say he's from London. Yeah, and

692
00:33:38,600 --> 00:33:41,480
Speaker 2: he sort of he gets it. He can't turn it off,

693
00:33:41,520 --> 00:33:43,800
Speaker 2: you know, right, Bud. So you know, sometimes I'll have

694
00:33:43,840 --> 00:33:45,560
Speaker 2: an ie and I'll shoot it to you. You don't

695
00:33:45,600 --> 00:33:47,960
Speaker 2: need to do anything with it, and and you know

696
00:33:48,080 --> 00:33:49,040
Speaker 2: we don't and we don't.

697
00:33:49,600 --> 00:33:52,120
Speaker 3: No, that's right, and that's not fair. Some of the

698
00:33:52,160 --> 00:33:54,120
Speaker 3: great ideas, some of the great ideas. But I think

699
00:33:54,160 --> 00:33:57,440
Speaker 3: the ones that he sends late at night, Yeah, it's

700
00:33:57,440 --> 00:34:01,680
Speaker 3: like he just gets it down on paper, doesn't filter it. No,

701
00:34:01,840 --> 00:34:04,720
Speaker 3: And to be frank, sometimes you actually don't understand the

702
00:34:04,720 --> 00:34:05,280
Speaker 3: idea at all.

703
00:34:05,440 --> 00:34:07,320
Speaker 2: No, you read the end, that's exactly right, Woods. And

704
00:34:07,360 --> 00:34:08,920
Speaker 2: I've got an email sitting in front of me here

705
00:34:08,920 --> 00:34:10,759
Speaker 2: that I really want to bring to his attention and

706
00:34:10,800 --> 00:34:13,759
Speaker 2: the rest of Australia's attention, because I've read it a

707
00:34:13,800 --> 00:34:18,520
Speaker 2: few times and I still can't get over that it

708
00:34:18,640 --> 00:34:23,680
Speaker 2: hasn't been transcribed by a dog like it is. It

709
00:34:23,880 --> 00:34:26,000
Speaker 2: is totally nonsensical.

710
00:34:27,200 --> 00:34:30,839
Speaker 3: Not the lawyer one. Yes, yeah, sure, because we've tried

711
00:34:30,880 --> 00:34:32,759
Speaker 3: to figure this out. We're trying to figure out Da

712
00:34:32,800 --> 00:34:33,480
Speaker 3: Vinci's code.

713
00:34:34,200 --> 00:34:37,800
Speaker 2: I think it's just the Da Vinci code, right, Sorry,

714
00:34:38,560 --> 00:34:40,040
Speaker 2: I thought it was Da Vinci's code.

715
00:34:41,080 --> 00:34:43,200
Speaker 3: I thought that's what Tom Hanks was trying to crack.

716
00:34:43,840 --> 00:34:51,000
Speaker 3: When did Leonardo make this code? LEONARDA had all sorts

717
00:34:51,000 --> 00:34:51,680
Speaker 3: of missus.

718
00:34:51,719 --> 00:34:53,480
Speaker 2: All right, So I've got this email in front of me,

719
00:34:54,200 --> 00:34:56,040
Speaker 2: and what I'm going to do. I won't I won't

720
00:34:56,040 --> 00:34:58,640
Speaker 2: spoil too much of it for you next. But I

721
00:34:58,640 --> 00:34:59,960
Speaker 2: won't spoilt too much of you now because I want

722
00:35:00,160 --> 00:35:02,920
Speaker 2: read it to him live on air. Up next, you

723
00:35:02,920 --> 00:35:04,320
Speaker 2: want to call him and we're just going to align

724
00:35:04,400 --> 00:35:07,520
Speaker 2: my line. What are you after? But just to give

725
00:35:07,520 --> 00:35:11,600
Speaker 2: you guys a snip, he says, one of the lines

726
00:35:11,640 --> 00:35:15,719
Speaker 2: that he has in yours, he will confide in you.

727
00:35:16,239 --> 00:35:18,640
Speaker 2: Imagine if it ever got to the stage, if he

728
00:35:18,760 --> 00:35:23,200
Speaker 2: asks you to cover him in some way dot dot

729
00:35:24,280 --> 00:35:31,080
Speaker 2: or you offer and he accepts what. I'm going to

730
00:35:31,160 --> 00:35:33,640
Speaker 2: read him the full email up next, and we're gonna

731
00:35:33,640 --> 00:35:35,960
Speaker 2: put him on the stand. Stay with us talking about

732
00:35:36,000 --> 00:35:39,680
Speaker 2: the fact that Portugal has banned bosses contacting you out

733
00:35:39,680 --> 00:35:43,040
Speaker 2: of ours, which I think is a wonderful idea. If

734
00:35:43,080 --> 00:35:44,720
Speaker 2: you missed our chatting to get it on the podcast,

735
00:35:44,719 --> 00:35:47,520
Speaker 2: millen Wood. He because right now we're gonna call our boss,

736
00:35:48,040 --> 00:35:53,959
Speaker 2: Tony the Big t who is just notorious for having

737
00:35:54,000 --> 00:35:56,360
Speaker 2: a bottle of wine sitting in front of his computer

738
00:35:56,600 --> 00:36:01,400
Speaker 2: and then dia thriving all the awful ideas that he

739
00:36:01,480 --> 00:36:03,759
Speaker 2: comes up with when he's drunk and then making you

740
00:36:03,880 --> 00:36:04,600
Speaker 2: suffer them.

741
00:36:04,840 --> 00:36:06,400
Speaker 3: And then he would regret them the next day in

742
00:36:06,400 --> 00:36:08,400
Speaker 3: the middle of the night. He would be happy with

743
00:36:08,440 --> 00:36:10,239
Speaker 3: this band because then he doesn't have to write those

744
00:36:10,239 --> 00:36:12,879
Speaker 3: awful emails and come into work really sheepish the next

745
00:36:12,960 --> 00:36:16,400
Speaker 3: day and say hey, oh bod, sorry about that email.

746
00:36:16,440 --> 00:36:18,960
Speaker 3: It didn't really make sense. He had a couple of rents.

747
00:36:18,760 --> 00:36:21,319
Speaker 2: Well he doesn't. He doesn't. He doesn't own them at all.

748
00:36:21,360 --> 00:36:24,279
Speaker 2: He just sends them and then you don't reply. That's right,

749
00:36:24,440 --> 00:36:25,880
Speaker 2: and that's why I'm holding him accountable.

750
00:36:25,880 --> 00:36:26,840
Speaker 3: It's like they never happened.

751
00:36:26,920 --> 00:36:29,279
Speaker 2: Yeah, it doesn't even come up. And I'm holding him

752
00:36:29,280 --> 00:36:32,840
Speaker 2: accountable because he wrote me a dog's breakfast of an email,

753
00:36:32,960 --> 00:36:37,200
Speaker 2: which is honestly nonsensical. It's like Siri translated an alien

754
00:36:37,280 --> 00:36:40,160
Speaker 2: trying to talk to somebody whilst the alien was pissed.

755
00:36:40,760 --> 00:36:44,960
Speaker 2: It is a joke. It makes no sense. I'm not

756
00:36:44,960 --> 00:36:46,439
Speaker 2: gonna read it. I'll just read it out to you, guys.

757
00:36:46,480 --> 00:36:50,000
Speaker 2: I'll read it to him right now and get him

758
00:36:50,040 --> 00:36:52,399
Speaker 2: to try and explain what the hell he was on about.

759
00:36:52,600 --> 00:36:59,200
Speaker 2: This would be good, Tony Bridge toyn How I mate,

760
00:36:59,200 --> 00:37:00,279
Speaker 2: it's well speaking.

761
00:37:02,000 --> 00:37:02,800
Speaker 9: What this time?

762
00:37:02,960 --> 00:37:06,040
Speaker 2: Well, I just wanted to run by you an email

763
00:37:06,080 --> 00:37:07,600
Speaker 2: that you sent me a little while ago.

764
00:37:08,000 --> 00:37:08,680
Speaker 11: Oh my god.

765
00:37:08,680 --> 00:37:09,640
Speaker 5: Okay, it was a bit.

766
00:37:09,600 --> 00:37:12,120
Speaker 3: Of a late night idea. I believed tone, which is

767
00:37:12,160 --> 00:37:13,480
Speaker 3: a bit of a specialty of yours.

768
00:37:14,200 --> 00:37:15,719
Speaker 2: I'll read it to you. I'll read it too, in

769
00:37:15,719 --> 00:37:19,319
Speaker 2: your voice as well. Okay, Hey, Bud, is there an

770
00:37:19,360 --> 00:37:21,759
Speaker 2: April Fool's prank you can play on Woody That is

771
00:37:21,800 --> 00:37:23,960
Speaker 2: a slow burner over the course of the next two

772
00:37:24,040 --> 00:37:26,600
Speaker 2: weeks in which you put your lawyer skills to the test.

773
00:37:26,800 --> 00:37:30,399
Speaker 2: All right, so opening line, everything seems pretty good. Yes,

774
00:37:31,480 --> 00:37:34,560
Speaker 2: So imagine if you were secretly the accusing lawyer and

775
00:37:34,600 --> 00:37:37,200
Speaker 2: you were the ones that was writing to Woody on

776
00:37:37,280 --> 00:37:40,960
Speaker 2: something full stop, start to wonder what's going on there?

777
00:37:41,640 --> 00:37:46,640
Speaker 2: Next one audio and video comes from you in your house,

778
00:37:46,920 --> 00:37:52,600
Speaker 2: typing the letter or email yes up on a line

779
00:37:53,800 --> 00:37:57,000
Speaker 2: he would confide in you. Imagine if it got to

780
00:37:57,120 --> 00:37:59,600
Speaker 2: the stage if he asks you to cover for him

781
00:37:59,640 --> 00:38:04,719
Speaker 2: inside way full stop, or you offer and he accept

782
00:38:06,280 --> 00:38:10,000
Speaker 2: Then you go on to say, I don't know what

783
00:38:10,320 --> 00:38:11,720
Speaker 2: or where it could go.

784
00:38:15,200 --> 00:38:15,799
Speaker 10: For time.

785
00:38:19,160 --> 00:38:22,440
Speaker 9: It's an award winning idea, it's an amazing idea.

786
00:38:22,520 --> 00:38:29,640
Speaker 3: But hang on, Tony, what what is the idea? What

787
00:38:29,760 --> 00:38:31,440
Speaker 3: actually happens in that idea?

788
00:38:32,120 --> 00:38:34,799
Speaker 10: With the bits your creativity?

789
00:38:40,520 --> 00:38:43,279
Speaker 2: All you said here is put your lawyers skills to

790
00:38:43,320 --> 00:38:46,200
Speaker 2: the test. Then you said, audio and video comes to

791
00:38:46,239 --> 00:38:48,799
Speaker 2: you in your house. Imagine if it ever got to

792
00:38:48,880 --> 00:38:50,880
Speaker 2: the stage where you had to cover for him in

793
00:38:50,920 --> 00:38:54,719
Speaker 2: some way, or you offer and he accepts. That's all

794
00:38:54,760 --> 00:38:57,960
Speaker 2: I have to work with. What's the offer accept thing?

795
00:38:58,000 --> 00:39:01,800
Speaker 2: We're not writing a contract.

796
00:38:59,800 --> 00:39:06,080
Speaker 9: I just I just imagined that you know what wood

797
00:39:06,120 --> 00:39:08,440
Speaker 9: he has been written to by a lawyer because it's

798
00:39:08,440 --> 00:39:13,360
Speaker 9: been caught in a compromising situation. And then all of

799
00:39:13,360 --> 00:39:16,560
Speaker 9: a sudden, Woody turns around and combines to you, Will,

800
00:39:16,680 --> 00:39:18,759
Speaker 9: who is actually the person that's writing all the legal

801
00:39:18,800 --> 00:39:21,680
Speaker 9: letters in the first place. He combines into you then

802
00:39:21,719 --> 00:39:23,280
Speaker 9: he said to you, will you cover?

803
00:39:24,160 --> 00:39:34,560
Speaker 2: Oh now, why didn't you put that in the email? Mates?

804
00:39:35,360 --> 00:39:37,320
Speaker 9: Because what was the time and day of an email?

805
00:39:37,320 --> 00:39:39,799
Speaker 9: Because it is this Friday, five pm? That was a

806
00:39:39,800 --> 00:39:40,640
Speaker 9: few red wines.

807
00:39:49,320 --> 00:39:49,840
Speaker 4: Wow.

808
00:39:51,239 --> 00:39:52,160
Speaker 10: Oh, there you go, pleasure.

809
00:39:52,200 --> 00:39:53,120
Speaker 9: I'm glad we got to the bottom.

810
00:39:55,719 --> 00:39:57,360
Speaker 1: It's the Will and Woody podcast.

811
00:39:57,520 --> 00:40:02,080
Speaker 3: Will a Taiwanese maths tudor called shun Wai has found

812
00:40:02,160 --> 00:40:05,239
Speaker 3: himself on a porn site. Range to get himself on

813
00:40:05,480 --> 00:40:08,040
Speaker 3: probably the most famous porn site. I hope I'm not

814
00:40:08,120 --> 00:40:11,040
Speaker 3: offending any other porn sites there, but he's wound up

815
00:40:11,040 --> 00:40:12,000
Speaker 3: on porn Hub.

816
00:40:14,120 --> 00:40:14,279
Speaker 4: Now.

817
00:40:14,280 --> 00:40:16,480
Speaker 3: I'll explain how he ended up there in two seconds,

818
00:40:16,520 --> 00:40:18,040
Speaker 3: but I thought i'd take a quick guess from you.

819
00:40:18,080 --> 00:40:21,040
Speaker 3: How does a Taiwanese maths tutor end up on a

820
00:40:21,040 --> 00:40:21,840
Speaker 3: porn site?

821
00:40:22,040 --> 00:40:27,799
Speaker 2: Well, I imagine that's because he's got long division down

822
00:40:27,880 --> 00:40:33,520
Speaker 2: pat he is geews right for a second. Oh maybe

823
00:40:33,560 --> 00:40:37,840
Speaker 2: he's just very good at triggered noargatry, gone again with another.

824
00:40:37,640 --> 00:40:42,000
Speaker 3: One snuck norg in there, very good, incorrect close, but

825
00:40:42,160 --> 00:40:45,080
Speaker 3: it's actually an amazing story. So in Taiwan, apparently math's

826
00:40:45,160 --> 00:40:48,880
Speaker 3: tutoring is a highly competitive market, and he was really struggling,

827
00:40:48,920 --> 00:40:50,600
Speaker 3: and he was just like, Okay, how do I stand

828
00:40:50,600 --> 00:40:53,920
Speaker 3: out from the crowd. I know, I'll just make standards

829
00:40:54,560 --> 00:41:01,359
Speaker 3: tutoring videos and just post them on porn hub. There

830
00:41:01,440 --> 00:41:04,440
Speaker 3: is who, there's well anyone. There's nothing sexy about them.

831
00:41:04,440 --> 00:41:09,759
Speaker 3: He is fully clothed on porn Hub, just teaching calculus, right,

832
00:41:09,800 --> 00:41:11,920
Speaker 3: And I imagine people click on it because they're like, oh,

833
00:41:11,920 --> 00:41:13,719
Speaker 3: when's he gonna get his you know what out, or

834
00:41:13,760 --> 00:41:16,759
Speaker 3: when's the you know, a student gonna pop up and

835
00:41:16,800 --> 00:41:19,879
Speaker 3: be like, hey, can I stay after class and learn

836
00:41:20,000 --> 00:41:23,120
Speaker 3: some naked you know, people are expecting that it just

837
00:41:23,239 --> 00:41:27,200
Speaker 3: doesn't happen. It never happens. He stays fully clothed, but

838
00:41:27,840 --> 00:41:30,520
Speaker 3: it just does lessons. He just does lessons, and he's

839
00:41:30,640 --> 00:41:33,760
Speaker 3: he's listed it as or his his tagline is play hard,

840
00:41:34,040 --> 00:41:38,120
Speaker 3: Study hard, and he actually names his videos things like

841
00:41:38,440 --> 00:41:44,720
Speaker 3: giant Breasts naked threesome, which is just incredibly misleading obviously,

842
00:41:44,800 --> 00:41:47,200
Speaker 3: and then people click on it and it's just a

843
00:41:47,280 --> 00:41:49,880
Speaker 3: dude in a hoodie teaching calculus.

844
00:41:49,920 --> 00:41:50,200
Speaker 13: Wow.

845
00:41:50,280 --> 00:41:52,640
Speaker 3: Now here's the thing though, Will, Yeah, this guy has

846
00:41:52,719 --> 00:41:54,279
Speaker 3: managed somehow.

847
00:41:53,840 --> 00:41:55,280
Speaker 2: Where did you find this story?

848
00:41:55,560 --> 00:41:59,920
Speaker 3: And the Taiwanese Times I believe favorite paper into read

849
00:42:00,080 --> 00:42:03,800
Speaker 3: the morning. But the thing is, this guy has managed

850
00:42:03,800 --> 00:42:09,280
Speaker 3: to make maths sound sexy. So here's the challenge, Australia.

851
00:42:09,360 --> 00:42:12,560
Speaker 3: Here's the gauntlet I want to throw down. Our number

852
00:42:12,640 --> 00:42:15,719
Speaker 3: is thirteen one oh sixty five. If you can call

853
00:42:15,800 --> 00:42:22,239
Speaker 3: this show right now and make something sound sexy, then

854
00:42:22,280 --> 00:42:26,279
Speaker 3: I'll pay for your dinner tonight with a fifty dollars

855
00:42:26,360 --> 00:42:29,359
Speaker 3: Uber Eats voucher, which I have organized. Obviously it's not

856
00:42:29,400 --> 00:42:31,360
Speaker 3: just the radio station that's got on lying around, but

857
00:42:31,440 --> 00:42:35,040
Speaker 3: you win a fifty dollars Uber Eats voucher if you

858
00:42:35,080 --> 00:42:37,560
Speaker 3: can call the show now. You choose a boring thing

859
00:42:37,600 --> 00:42:40,760
Speaker 3: to talk about, but somehow you need to make it sexy.

860
00:42:40,760 --> 00:42:45,440
Speaker 3: We're doing this fiscal responsibility.

861
00:42:45,960 --> 00:42:53,200
Speaker 14: Show flas boring things made sexy.

862
00:42:51,880 --> 00:42:55,040
Speaker 3: Right, Get involved, Australia. Yeah, that was that was my

863
00:42:55,120 --> 00:42:56,719
Speaker 3: sexy voice just at the end.

864
00:42:56,760 --> 00:42:57,879
Speaker 2: Net what's going on there?

865
00:42:58,280 --> 00:43:00,960
Speaker 3: Well, I'm not very good at it boring things.

866
00:43:01,560 --> 00:43:06,200
Speaker 2: It sounds like you've sounds like you what happened boring things.

867
00:43:06,440 --> 00:43:08,400
Speaker 2: I don't know sexy.

868
00:43:08,520 --> 00:43:10,320
Speaker 3: Yeah, I don't know what happened. I don't know what happened.

869
00:43:10,400 --> 00:43:12,000
Speaker 3: He is a thing. You have a sexy voice. But

870
00:43:12,080 --> 00:43:13,920
Speaker 3: before we go to a song, I'm going to give

871
00:43:13,920 --> 00:43:17,359
Speaker 3: you the challenge right now, will try and make hair

872
00:43:17,440 --> 00:43:18,640
Speaker 3: loss sound sexy?

873
00:43:19,760 --> 00:43:21,520
Speaker 2: Uh? It just from my voice?

874
00:43:21,960 --> 00:43:23,120
Speaker 3: Well, you know, do whatever you want.

875
00:43:23,200 --> 00:43:28,040
Speaker 2: Okay, the loss of vollicles?

876
00:43:28,840 --> 00:43:29,920
Speaker 3: Oh there he is funny.

877
00:43:29,960 --> 00:43:37,760
Speaker 2: Hell steadily receding backwards. Oh god, take me, always getting

878
00:43:37,880 --> 00:43:39,480
Speaker 2: burnt on your head?

879
00:43:40,320 --> 00:43:41,439
Speaker 3: Is it hot when you touch it?

880
00:43:42,040 --> 00:43:42,160
Speaker 11: All?

881
00:43:42,200 --> 00:43:42,319
Speaker 2: Right?

882
00:43:42,480 --> 00:43:42,640
Speaker 4: Yeah?

883
00:43:42,680 --> 00:43:43,959
Speaker 3: But okay, fair enough anyway, that's.

884
00:43:43,840 --> 00:43:44,359
Speaker 2: What we're after.

885
00:43:44,400 --> 00:43:46,719
Speaker 3: Australia thirteen one oh six five. If you can make

886
00:43:46,760 --> 00:43:50,000
Speaker 3: something boring sound sexy, then you win yourself a fifty

887
00:43:50,080 --> 00:43:54,759
Speaker 3: dollars Uber Eats voucher. A fifty dollar Uber Eats voucher

888
00:43:55,360 --> 00:43:59,000
Speaker 3: is on the table for a person who can make

889
00:43:59,120 --> 00:44:04,000
Speaker 3: something boring or something mundane sound sexy.

890
00:44:05,080 --> 00:44:09,320
Speaker 2: Fiscal responsibility ginger.

891
00:44:09,200 --> 00:44:14,200
Speaker 14: Flytis boring things made sexy.

892
00:44:14,360 --> 00:44:16,320
Speaker 2: Now the movie sounds like we got one of the

893
00:44:16,400 --> 00:44:19,680
Speaker 2: munchkins from the Lollipop Guild to come and voice that.

894
00:44:19,640 --> 00:44:22,120
Speaker 3: Last little bit. Yeah, there has been an effect that's

895
00:44:22,120 --> 00:44:22,759
Speaker 3: been put on my.

896
00:44:22,800 --> 00:44:28,480
Speaker 2: Voice, boring things sound sexy.

897
00:44:28,640 --> 00:44:30,400
Speaker 3: There's an effect on my voice.

898
00:44:30,120 --> 00:44:31,960
Speaker 2: Trying to do it. Give me your sexy voice, now, well,

899
00:44:31,960 --> 00:44:35,760
Speaker 2: you give this a go. Make make your rat legs

900
00:44:35,800 --> 00:44:36,400
Speaker 2: sound sexy?

901
00:44:36,800 --> 00:44:43,440
Speaker 3: Mmmm thin like a twig covered in furry bush lea.

902
00:44:43,600 --> 00:44:46,000
Speaker 3: What the hell? I didn't even get started. But by

903
00:44:46,000 --> 00:44:47,839
Speaker 3: the way, it's impossible. How can I make my rat

904
00:44:47,920 --> 00:44:50,239
Speaker 3: legs sound sexy? You know what's the worst feature on

905
00:44:50,280 --> 00:44:52,800
Speaker 3: my body? And I hate that you bring it up. Anyway.

906
00:44:52,840 --> 00:44:55,160
Speaker 3: The reason we're doing this is because a Taiwanese mats

907
00:44:55,200 --> 00:45:00,920
Speaker 3: tudor called shung Wi Chang chucks his math tutorials on

908
00:45:01,040 --> 00:45:04,480
Speaker 3: porn hub, which is a which is an adult site.

909
00:45:04,480 --> 00:45:07,000
Speaker 3: For those that don't know it, you're lying though, you're

910
00:45:07,000 --> 00:45:12,400
Speaker 3: dirty dogs and anyways, his videos strike up millions of views.

911
00:45:13,680 --> 00:45:16,200
Speaker 2: Do you think that people go on there, like, do

912
00:45:16,239 --> 00:45:18,359
Speaker 2: you think obviously people go on that website with an

913
00:45:18,400 --> 00:45:21,440
Speaker 2: intention of driving miss Daisy? Do you think that they

914
00:45:21,480 --> 00:45:24,440
Speaker 2: get on there and then they're like, oh, maybe I

915
00:45:24,480 --> 00:45:26,120
Speaker 2: won't do what I came here to do and I'll

916
00:45:26,160 --> 00:45:28,360
Speaker 2: just you know, get some get some long division in me.

917
00:45:28,480 --> 00:45:30,960
Speaker 3: So someone actually commented on this article saying.

918
00:45:30,680 --> 00:45:33,160
Speaker 2: That saying they got a nice alternative.

919
00:45:33,200 --> 00:45:34,640
Speaker 3: They go towards it, and then they start feeling a

920
00:45:34,640 --> 00:45:37,319
Speaker 3: bit shameful about being yeah, and they go, oh, you know.

921
00:45:37,280 --> 00:45:40,800
Speaker 2: What, it's a pretty destructive thing to do sometimes.

922
00:45:40,280 --> 00:45:42,839
Speaker 3: And yeah, sometimes fine, but other times, you know, maybe

923
00:45:42,880 --> 00:45:44,640
Speaker 3: you shouldn't be going there, and they go, bloody, I'll

924
00:45:44,680 --> 00:45:47,000
Speaker 3: learn some calculus while I'm here, And like I said,

925
00:45:47,640 --> 00:45:48,960
Speaker 3: how often that would happen.

926
00:45:48,800 --> 00:45:51,600
Speaker 2: Millions of views next time your mum catches you. I'm

927
00:45:51,640 --> 00:45:52,640
Speaker 2: just just do it for.

928
00:45:52,600 --> 00:45:53,440
Speaker 4: The long division.

929
00:45:53,800 --> 00:45:56,560
Speaker 3: I've got Stephanie who's given us a goal on thirteen

930
00:45:56,600 --> 00:46:00,360
Speaker 3: one oh six five. Stephanie, what is the mon anal

931
00:46:00,440 --> 00:46:02,480
Speaker 3: boring thing that you're going to try and make sexy?

932
00:46:03,239 --> 00:46:05,920
Speaker 5: Well, I absolutely despise doing this. That I'm going to

933
00:46:05,960 --> 00:46:11,120
Speaker 5: try my best to really carefully into the laundry and

934
00:46:11,920 --> 00:46:15,240
Speaker 5: into the laundry so that I can wash some clothes.

935
00:46:15,640 --> 00:46:17,759
Speaker 3: Oh yeah, go on, go on, Stephanie.

936
00:46:18,640 --> 00:46:22,279
Speaker 5: Yeah. So firstly, I'd just make sure that i'd drop

937
00:46:22,960 --> 00:46:27,880
Speaker 5: some lingerie into the washing machine and sprinkle, sprinkle, you

938
00:46:27,920 --> 00:46:34,080
Speaker 5: know the fragrance of florel and cinnamon across the clothing,

939
00:46:34,160 --> 00:46:38,360
Speaker 5: and turn the washing machine on and ensure that it's nice.

940
00:46:38,120 --> 00:46:44,480
Speaker 2: And wets the line Thereanie, hold the line.

941
00:46:45,160 --> 00:46:46,839
Speaker 3: That was pretty hard, so you might get the fifty

942
00:46:46,880 --> 00:46:47,560
Speaker 3: dollars uber eats.

943
00:46:47,640 --> 00:46:50,160
Speaker 2: Wow, I feel like Stephanie cheated. I mean she had

944
00:46:50,160 --> 00:46:52,160
Speaker 2: a couple of things in there which actually were sexy.

945
00:46:52,200 --> 00:46:54,880
Speaker 2: She threw in the lingerie with you and she and

946
00:46:54,920 --> 00:46:56,640
Speaker 2: she also threw in that thing at the end, which

947
00:46:57,320 --> 00:46:57,640
Speaker 2: the line.

948
00:46:57,680 --> 00:46:59,439
Speaker 3: I agree with you. Let's go to Ben here, Ben,

949
00:46:59,520 --> 00:47:02,279
Speaker 3: what are you trying to make sexy?

950
00:47:02,880 --> 00:47:04,719
Speaker 11: Staining the timber deck at the front of your house?

951
00:47:05,040 --> 00:47:07,960
Speaker 3: Staining the timber deck? All right, all right, beautiful, go

952
00:47:08,040 --> 00:47:09,200
Speaker 3: for it, Benny.

953
00:47:10,040 --> 00:47:13,279
Speaker 11: Is your deck? Though, maybe you want your deck to

954
00:47:13,320 --> 00:47:17,000
Speaker 11: be a bit more shiny. Maybe you want your deck

955
00:47:17,040 --> 00:47:20,960
Speaker 11: to be enjoyed by the whole family. Call what eight

956
00:47:21,040 --> 00:47:22,959
Speaker 11: hundred shine my deck?

957
00:47:23,080 --> 00:47:23,400
Speaker 4: Now?

958
00:47:24,800 --> 00:47:26,960
Speaker 2: Ben? You what a fifty dollar everades about?

959
00:47:27,239 --> 00:47:28,040
Speaker 3: That's so good?

960
00:47:29,080 --> 00:47:30,239
Speaker 2: Right, thanks mate,