1 00:00:01,080 --> 00:00:04,760 Speaker 1: Powered by the radio WAB from ninety six air FM 2 00:00:04,960 --> 00:00:06,800 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clearzy and Lisa's podcast. 4 00:00:10,080 --> 00:00:12,640 Speaker 3: Coming up on the podcast Harry Connick. 5 00:00:12,400 --> 00:00:14,640 Speaker 4: Junior, which took your calls on what got you into 6 00:00:14,640 --> 00:00:19,040 Speaker 4: trouble at the airport and ben O'Shea talked about Julia 7 00:00:19,160 --> 00:00:22,800 Speaker 4: Garner ben around which she doesn't say in the Royal 8 00:00:22,840 --> 00:00:25,840 Speaker 4: Hotel like she doesn't knows a poor June Armstrong, seventy 9 00:00:25,880 --> 00:00:31,440 Speaker 4: seven year old Kiwi grandmother, is still reeling after coppying 10 00:00:31,480 --> 00:00:35,000 Speaker 4: a three thousand, three hundred dollars fine for a chicken sandwich. 11 00:00:36,760 --> 00:00:37,879 Speaker 3: Apparently they don't know. 12 00:00:37,840 --> 00:00:39,519 Speaker 4: What that had to do with it in the story, 13 00:00:39,560 --> 00:00:42,040 Speaker 4: but they do mention it's a gluten free chicken sandwich. 14 00:00:42,080 --> 00:00:43,160 Speaker 2: It's still a chicken. 15 00:00:44,280 --> 00:00:48,159 Speaker 4: She had her backpack checked when she arrived at Brisbane 16 00:00:48,159 --> 00:00:51,239 Speaker 4: Airport from New Zealand and had forgotten to declare the 17 00:00:51,320 --> 00:00:51,960 Speaker 4: chicken sanger. 18 00:00:52,040 --> 00:00:53,440 Speaker 2: It was sealed, you know. It was one of those 19 00:00:53,440 --> 00:00:54,440 Speaker 2: ones that you're buying that it. 20 00:00:54,480 --> 00:00:58,520 Speaker 5: Looks like a little pyramid and she put it seven 21 00:00:58,680 --> 00:00:59,400 Speaker 5: dollars airport. 22 00:00:59,400 --> 00:01:02,640 Speaker 4: At the other end, christ Church Airport, she bought a 23 00:01:02,960 --> 00:01:05,880 Speaker 4: chicken and lettuce sandwich as you said, gluten free apparently, 24 00:01:06,640 --> 00:01:09,160 Speaker 4: and a muffin. She ate the muffin and then she 25 00:01:09,200 --> 00:01:11,479 Speaker 4: was going to eat the sanger, but she fell asleep. 26 00:01:12,040 --> 00:01:14,880 Speaker 4: So when she arrived and of course you're not slak, 27 00:01:15,280 --> 00:01:17,760 Speaker 4: you're all bleary eyed, because this was four o'clock in 28 00:01:17,760 --> 00:01:18,560 Speaker 4: the morning. 29 00:01:19,040 --> 00:01:19,200 Speaker 1: She. 30 00:01:20,640 --> 00:01:24,160 Speaker 4: Filled out her declaration form and declared her medication and 31 00:01:24,200 --> 00:01:26,520 Speaker 4: so on, but she completely forgot about the sandwich in 32 00:01:26,600 --> 00:01:30,720 Speaker 4: the backpack. So then she's going through customs or whatever 33 00:01:30,760 --> 00:01:33,000 Speaker 4: it is, and her backpack was checked and they found 34 00:01:33,080 --> 00:01:36,000 Speaker 4: the sandwich and she said, oh god, I forgot about that. 35 00:01:36,000 --> 00:01:38,360 Speaker 4: Can you just throw it away for me, please, which 36 00:01:38,400 --> 00:01:41,480 Speaker 4: the officer did and then said, but there is a 37 00:01:41,520 --> 00:01:45,920 Speaker 4: fine yep, and then said, edit's three thousand, three hundred dollars. 38 00:01:46,080 --> 00:01:46,880 Speaker 3: She's seventy seven. 39 00:01:47,240 --> 00:01:50,520 Speaker 4: She's yeah, seventy seven. And it was a sealed chicken sandwich. 40 00:01:50,600 --> 00:01:53,240 Speaker 4: Was she just accidentally, you know, she forgot it was in. 41 00:01:53,200 --> 00:01:54,560 Speaker 3: The back hasn't done any harm? 42 00:01:54,720 --> 00:01:57,920 Speaker 2: Not really not, you know, I mean they threw it 43 00:01:57,920 --> 00:02:01,440 Speaker 2: away border sur. 44 00:02:03,840 --> 00:02:07,720 Speaker 4: The staff member told June she has she could appeal 45 00:02:07,760 --> 00:02:13,240 Speaker 4: it within the twenty eight day appeal period, which she did, 46 00:02:13,639 --> 00:02:15,680 Speaker 4: but unfortunately she didn't hear anything back, so she had 47 00:02:15,680 --> 00:02:16,360 Speaker 4: to pay the fine. 48 00:02:16,919 --> 00:02:19,799 Speaker 3: See that's rough, isn't it rough? Someone used, Yeah, you're 49 00:02:19,840 --> 00:02:21,600 Speaker 3: like you watch border security. Does someone out of the back 50 00:02:21,680 --> 00:02:22,360 Speaker 3: room eat it and go? 51 00:02:22,919 --> 00:02:27,560 Speaker 4: I don't know, but sick and set seal a sealed 52 00:02:28,320 --> 00:02:31,720 Speaker 4: sealed chicken sandwich from the airport at the other end, 53 00:02:32,160 --> 00:02:35,440 Speaker 4: haven't seen people arrive at border security with bags of 54 00:02:35,520 --> 00:02:37,440 Speaker 4: things that there's stuff moving? 55 00:02:37,560 --> 00:02:40,800 Speaker 3: Oh, I don't know. Those shows make me feel sick. 56 00:02:41,320 --> 00:02:45,079 Speaker 3: What are those things? I don't know because they bring them, 57 00:02:45,160 --> 00:02:48,000 Speaker 3: you know, bring some of those things under their delicacies 58 00:02:48,040 --> 00:02:52,240 Speaker 3: or things that they hate their family members. Yeah, if 59 00:02:52,240 --> 00:02:54,560 Speaker 3: you hate your family, you bring that rubbish. Well, some 60 00:02:54,600 --> 00:02:56,440 Speaker 3: things are you know, part of custom and the rest 61 00:02:56,440 --> 00:02:59,160 Speaker 3: of it. But caught up in customs because. 62 00:02:59,040 --> 00:03:03,160 Speaker 4: Your customs clearly says, yeah, you got to declare it food. 63 00:03:03,320 --> 00:03:04,799 Speaker 3: So by the letter of the law, they haven't done 64 00:03:04,800 --> 00:03:07,600 Speaker 3: the wrong thing. But she's suffering because she fell asleep. 65 00:03:07,639 --> 00:03:09,240 Speaker 4: It was right, I mean, I reckon, she got that 66 00:03:09,360 --> 00:03:12,000 Speaker 4: officer on at a bad night. I think you're right, 67 00:03:12,120 --> 00:03:14,320 Speaker 4: because I think a lot of them would have said, 68 00:03:14,360 --> 00:03:17,240 Speaker 4: all right, listen, don't forget your sandwich again. 69 00:03:17,400 --> 00:03:19,080 Speaker 2: But on this occasion, I will throw it out. 70 00:03:19,160 --> 00:03:23,360 Speaker 3: Things that would have been he might have also been 71 00:03:23,360 --> 00:03:23,960 Speaker 3: a ubie. 72 00:03:24,120 --> 00:03:27,600 Speaker 2: He might nod. 73 00:03:30,480 --> 00:03:32,520 Speaker 4: Well, we're asking what did you get in trouble for 74 00:03:32,760 --> 00:03:34,120 Speaker 4: at the airport? 75 00:03:34,720 --> 00:03:38,280 Speaker 2: In trouble at the airport, No, my gong taken off 76 00:03:38,320 --> 00:03:39,680 Speaker 2: me my gong. 77 00:03:40,400 --> 00:03:47,560 Speaker 5: You going in supper. Oh fabulous gong gong really audition 78 00:03:47,640 --> 00:03:51,960 Speaker 5: for red faces. It's in a wooden sort of on 79 00:03:52,000 --> 00:03:54,880 Speaker 5: a wooden stand. Yeah, and he's gone on. 80 00:03:55,800 --> 00:03:57,680 Speaker 2: The look at this, and I'm like. 81 00:03:57,720 --> 00:04:00,880 Speaker 4: No, not my god took your go really want my 82 00:04:01,000 --> 00:04:03,480 Speaker 4: gone at home on the you know, on the whatever 83 00:04:03,520 --> 00:04:06,400 Speaker 4: display up and the room in the poor room, in the. 84 00:04:06,360 --> 00:04:08,880 Speaker 2: Gong room room, and he said, it's. 85 00:04:08,720 --> 00:04:13,760 Speaker 4: Okay, we're gonna we'll take it. It gets treated and 86 00:04:13,760 --> 00:04:16,160 Speaker 4: then you can come back and pick it up. And 87 00:04:16,320 --> 00:04:19,480 Speaker 4: I'm going to cost like thirty bucks or something. So 88 00:04:19,920 --> 00:04:22,479 Speaker 4: I was like, okay, I'll do that. And because I 89 00:04:22,520 --> 00:04:25,839 Speaker 4: declared it, declared my gon, you put on the gong list. 90 00:04:25,880 --> 00:04:27,799 Speaker 4: But I thought he was going to take it away forever, 91 00:04:28,040 --> 00:04:30,680 Speaker 4: so I left it. About two weeks later, I get 92 00:04:30,680 --> 00:04:32,520 Speaker 4: a call saying, you can come get come. 93 00:04:32,400 --> 00:04:35,640 Speaker 3: Get you gone, get you gone, go and get you gone. 94 00:04:35,920 --> 00:04:38,920 Speaker 2: Well that was such a bizarre room. 95 00:04:39,520 --> 00:04:40,279 Speaker 3: You go out the bass. 96 00:04:41,160 --> 00:04:42,880 Speaker 4: So you go and get you gone, and it's in 97 00:04:42,920 --> 00:04:44,520 Speaker 4: the building, you know, one of the buildings next to 98 00:04:44,560 --> 00:04:46,479 Speaker 4: the airport, and it's one of those places that you 99 00:04:46,520 --> 00:04:49,200 Speaker 4: don't usually go to, and it's another world. You go 100 00:04:49,240 --> 00:04:53,440 Speaker 4: through these doors and there's all sorts of stuff being 101 00:04:53,480 --> 00:04:57,360 Speaker 4: displayed that have been that has been you know, confiscated 102 00:04:57,520 --> 00:04:59,800 Speaker 4: and take I'm sure I saw a shrunken head. 103 00:05:00,640 --> 00:05:04,080 Speaker 3: I'm sure you did. But don't talk about the stuff 104 00:05:04,080 --> 00:05:07,120 Speaker 3: out there like that. That's horrible. So tell me, can 105 00:05:07,120 --> 00:05:09,480 Speaker 3: you tell me were there any other gongs in the room? 106 00:05:10,400 --> 00:05:13,840 Speaker 4: You know what's really is. I was on this trip 107 00:05:13,839 --> 00:05:16,760 Speaker 4: with someone that you and I both know. His name 108 00:05:16,800 --> 00:05:22,160 Speaker 4: is Jeff Jane and he also bought a gong. Right now, 109 00:05:22,240 --> 00:05:23,479 Speaker 4: he's gone through ahead of me. 110 00:05:23,880 --> 00:05:27,479 Speaker 3: He got through throunken head. It's only his gong. 111 00:05:27,640 --> 00:05:31,360 Speaker 2: Bubby's head on the other side of the customs goes English. 112 00:05:31,760 --> 00:05:34,480 Speaker 4: Gongs being taken away for treatment. I don't know why 113 00:05:34,520 --> 00:05:36,240 Speaker 4: he's gone got through in my gongda. 114 00:05:36,000 --> 00:05:37,360 Speaker 3: Because you look more suspicious than. 115 00:05:37,360 --> 00:05:40,200 Speaker 2: Jeff darn in Riverville. What did you get in. 116 00:05:40,160 --> 00:05:43,159 Speaker 6: Trouble for having my passport for and not match me. 117 00:05:44,920 --> 00:05:50,000 Speaker 4: That that's that's was something changed their attention someone else's 118 00:05:50,040 --> 00:05:50,719 Speaker 4: passport photo? 119 00:05:50,839 --> 00:05:51,440 Speaker 3: What was going on? 120 00:05:51,560 --> 00:05:51,600 Speaker 1: No? 121 00:05:51,800 --> 00:05:54,240 Speaker 6: No, no, no, no, just that my passport. While I 122 00:05:54,320 --> 00:05:56,720 Speaker 6: was about eight years old and I was standing a 123 00:05:56,920 --> 00:05:59,559 Speaker 6: Ko airport waiting the border plane and do you guys 124 00:05:59,600 --> 00:06:02,040 Speaker 6: come and with some nice little guns hanging off the 125 00:06:02,480 --> 00:06:05,080 Speaker 6: machine gun come and called me out of lineup. My 126 00:06:05,160 --> 00:06:07,000 Speaker 6: wife at the time, I and what the hell's going on? 127 00:06:07,080 --> 00:06:08,719 Speaker 6: She gets the board the plane and I get taken 128 00:06:08,720 --> 00:06:10,640 Speaker 6: off to a back office to try and prove your way. 129 00:06:11,440 --> 00:06:13,880 Speaker 3: What had what had changed so much about your appearance? 130 00:06:14,600 --> 00:06:17,520 Speaker 6: I'd lost a lot of weight and I and I'm 131 00:06:17,520 --> 00:06:20,520 Speaker 6: grown a full lesy. It's not a not a clean 132 00:06:20,520 --> 00:06:21,160 Speaker 6: shaven on my. 133 00:06:23,400 --> 00:06:26,560 Speaker 2: Well, you would a beard would change everything. 134 00:06:26,640 --> 00:06:27,240 Speaker 3: Absolutely. 135 00:06:27,640 --> 00:06:30,799 Speaker 4: I've loved to know how guys get around that, because 136 00:06:31,200 --> 00:06:33,279 Speaker 4: you know, it could totally make your face look different. 137 00:06:33,320 --> 00:06:37,039 Speaker 3: Yeah, either putting the bed on or off. Yeah, that's interesting, Aaron. 138 00:06:37,160 --> 00:06:38,760 Speaker 3: How'd you go? You get out pretty quickly? 139 00:06:39,720 --> 00:06:43,799 Speaker 6: Well, I'm talking to you guys. I miss I missed 140 00:06:43,800 --> 00:06:46,520 Speaker 6: me flight. I had to get another one. But the 141 00:06:46,560 --> 00:06:50,080 Speaker 6: Australian embassy were good. They they intervened and helped out 142 00:06:50,120 --> 00:06:53,719 Speaker 6: and all had to do was rummage, call me carry 143 00:06:53,720 --> 00:06:55,400 Speaker 6: on back because all the other bag each went. 144 00:06:55,320 --> 00:06:55,880 Speaker 1: On the plane. 145 00:06:56,080 --> 00:06:59,560 Speaker 6: Yeah, to try and find some more idea and so yeah, 146 00:06:59,640 --> 00:07:00,360 Speaker 6: luckily got it. 147 00:07:00,440 --> 00:07:02,560 Speaker 3: Yeah, well the embassy sent your razors, well or what 148 00:07:02,680 --> 00:07:09,400 Speaker 3: they do? I rolled it? 149 00:07:09,440 --> 00:07:11,560 Speaker 2: Sh Look, here's where my bed is, this lock, here's 150 00:07:11,720 --> 00:07:12,400 Speaker 2: it's this lot. 151 00:07:12,880 --> 00:07:20,600 Speaker 3: Yeah here Yeah, when you see machine guns, that question 152 00:07:20,720 --> 00:07:23,280 Speaker 3: for you. Thanks mate. Have you been in a bit 153 00:07:23,320 --> 00:07:24,720 Speaker 3: of strife at an airport somewhere? 154 00:07:24,880 --> 00:07:25,160 Speaker 7: Can you? 155 00:07:25,240 --> 00:07:26,400 Speaker 2: And Bertram? Have you? 156 00:07:27,120 --> 00:07:27,360 Speaker 6: Yeah? 157 00:07:27,440 --> 00:07:28,120 Speaker 3: Well sort of. 158 00:07:28,400 --> 00:07:32,000 Speaker 8: I was used to work up in tom Price, and 159 00:07:32,480 --> 00:07:36,560 Speaker 8: when I went to leave my job, my workmates decided 160 00:07:36,600 --> 00:07:38,280 Speaker 8: that they were going to put some things in my 161 00:07:38,360 --> 00:07:39,680 Speaker 8: bag that I was unaware of. 162 00:07:40,560 --> 00:07:43,520 Speaker 9: When we had to go through the detector and stuff, 163 00:07:43,800 --> 00:07:46,000 Speaker 9: the alarms are going off and they're like, what's in 164 00:07:46,040 --> 00:07:46,480 Speaker 9: your bag? 165 00:07:46,560 --> 00:07:49,280 Speaker 8: I'm like, no, nothing, it's just like my clothes and stuff. 166 00:07:50,040 --> 00:07:54,680 Speaker 8: Turned out they put handcuffs and sex toys in. 167 00:07:54,680 --> 00:07:56,560 Speaker 6: My bag and had to be pulled. 168 00:07:56,240 --> 00:07:57,400 Speaker 1: Out in front of everyone. 169 00:07:57,520 --> 00:07:59,960 Speaker 9: It was the most embarrassing thing on my life. 170 00:08:00,280 --> 00:08:00,880 Speaker 2: Hilarious. 171 00:08:01,720 --> 00:08:04,560 Speaker 8: Luckily they found the funny side of it and everyone 172 00:08:04,760 --> 00:08:05,760 Speaker 8: was laughing around me. 173 00:08:05,840 --> 00:08:06,840 Speaker 9: But I'm just grateful. 174 00:08:06,880 --> 00:08:08,720 Speaker 8: I don't need to be back at that airport again. 175 00:08:09,360 --> 00:08:11,840 Speaker 3: Yeah, because they're still talking about you. 176 00:08:11,920 --> 00:08:15,720 Speaker 8: Yeah, well probably you know when you're having a drink 177 00:08:15,760 --> 00:08:16,840 Speaker 8: with someone bringing it up. 178 00:08:16,840 --> 00:08:17,560 Speaker 9: But yeah, it was. 179 00:08:17,880 --> 00:08:19,040 Speaker 8: I was mortified. 180 00:08:19,400 --> 00:08:24,440 Speaker 4: Yeah, with the handcuffs fluffy, No, they weren't fluffy. The 181 00:08:24,480 --> 00:08:28,800 Speaker 4: six toy that is, okay, we what set the detector off. 182 00:08:28,880 --> 00:08:32,240 Speaker 4: If you'd had the handcuffs alone without the other thing, 183 00:08:32,600 --> 00:08:37,000 Speaker 4: you might have got in more troub I was in 184 00:08:37,040 --> 00:08:41,640 Speaker 4: conjunction with the said the sext toy. Then they figured, oh, yes, 185 00:08:41,679 --> 00:08:42,800 Speaker 4: I see there's a theme here. 186 00:08:43,320 --> 00:08:43,520 Speaker 8: Yeah. 187 00:08:44,200 --> 00:08:44,480 Speaker 1: I was. 188 00:08:44,600 --> 00:08:47,400 Speaker 8: I'm just like ventilating, going, oh my god, I've never 189 00:08:47,440 --> 00:08:48,480 Speaker 8: done anything wrong. 190 00:08:48,559 --> 00:08:49,760 Speaker 9: What am I getting picked up? 191 00:08:50,559 --> 00:08:52,520 Speaker 4: You know, they're still laughing about it on the mind, 192 00:08:53,440 --> 00:08:54,920 Speaker 4: of course, because that was their goal, wasn't it. 193 00:08:55,320 --> 00:08:57,600 Speaker 3: Yeah, of course, and you're saying they're not mine, they're 194 00:08:57,600 --> 00:09:06,360 Speaker 3: not mine. I went, oh my god. 195 00:09:04,160 --> 00:09:06,080 Speaker 2: Thanks, thank you. 196 00:09:06,080 --> 00:09:06,719 Speaker 3: Hav a good die. 197 00:09:10,520 --> 00:09:13,680 Speaker 4: Glen in Rolling Stone, did you get in trouble at 198 00:09:13,679 --> 00:09:14,200 Speaker 4: the airport? 199 00:09:14,679 --> 00:09:14,920 Speaker 6: Yeah. 200 00:09:15,120 --> 00:09:17,439 Speaker 10: We decided to take the kids for a couple of 201 00:09:17,559 --> 00:09:23,160 Speaker 10: days to You're a Disney in France, and in the 202 00:09:23,200 --> 00:09:26,360 Speaker 10: fun of the days there, somehow a plastic gun ended 203 00:09:26,440 --> 00:09:29,760 Speaker 10: up in the hands of my my son and a 204 00:09:29,760 --> 00:09:32,400 Speaker 10: few guys later flying out of trolls the gold airport. 205 00:09:32,520 --> 00:09:34,480 Speaker 10: When the bag went through the skin of the little 206 00:09:34,520 --> 00:09:36,280 Speaker 10: guy beyond the TV, nearly fell off. 207 00:09:36,480 --> 00:09:42,239 Speaker 1: This chair can inspectacles to come and have a look, because. 208 00:09:42,040 --> 00:09:44,680 Speaker 10: I nearly popped out, And yeah, we almost must have 209 00:09:44,720 --> 00:09:47,319 Speaker 10: fled trying to explain that we went about to hijack 210 00:09:47,360 --> 00:09:47,720 Speaker 10: the plane. 211 00:09:49,880 --> 00:09:51,160 Speaker 2: We're gonna squat you with water. 212 00:09:53,600 --> 00:09:57,080 Speaker 4: The outline on the X ray, you know, it doesn't 213 00:09:57,320 --> 00:09:58,920 Speaker 4: say I'm a water pistol or anything. 214 00:09:58,960 --> 00:10:01,000 Speaker 3: It just looks like a guns again. 215 00:10:01,240 --> 00:10:03,280 Speaker 9: Yeah, yeah, no, it was. 216 00:10:03,600 --> 00:10:06,559 Speaker 10: It was really arising me as visions. 217 00:10:06,160 --> 00:10:08,160 Speaker 1: Of being locked up right there in front. 218 00:10:08,960 --> 00:10:10,120 Speaker 2: Yeah, well you know what I mean. 219 00:10:10,559 --> 00:10:13,200 Speaker 4: People certainly lost their as a humor to the airport 220 00:10:13,679 --> 00:10:14,400 Speaker 4: things like that. 221 00:10:16,880 --> 00:10:20,680 Speaker 3: No, that's right true. Thanks Glenn, you're going good story. 222 00:10:20,840 --> 00:10:23,920 Speaker 2: Aaron Impinjara, Hello, good morning. What happened? 223 00:10:24,240 --> 00:10:26,800 Speaker 9: So I've changed countries to train news women in Australia 224 00:10:26,840 --> 00:10:29,560 Speaker 9: three times and the first time I was twenty one, 225 00:10:30,160 --> 00:10:32,640 Speaker 9: moved my whole life. My dad used to be in 226 00:10:32,679 --> 00:10:35,280 Speaker 9: the police and work for aviation security, so I was 227 00:10:35,480 --> 00:10:38,000 Speaker 9: absolutely angle about what I was putting. 228 00:10:38,000 --> 00:10:41,800 Speaker 7: Where had a box full of the glad. Yeah, the 229 00:10:41,880 --> 00:10:45,880 Speaker 7: woman blankets the whole well, right, So at that time 230 00:10:46,320 --> 00:10:49,120 Speaker 7: they wanted you to be at the airport or the 231 00:10:50,360 --> 00:10:54,440 Speaker 7: inspection place with your stuff. So I go out there 232 00:10:54,480 --> 00:10:57,920 Speaker 7: thinking I got this all right, and they go through 233 00:10:57,920 --> 00:10:59,600 Speaker 7: the box and everything in the box is right. Then 234 00:10:59,640 --> 00:11:02,640 Speaker 7: they go all the other boxes and she looks at 235 00:11:02,679 --> 00:11:05,520 Speaker 7: me and I go, oh God, what did I do? 236 00:11:06,160 --> 00:11:12,040 Speaker 9: And it was my hot pink dream catcher because it 237 00:11:12,200 --> 00:11:17,840 Speaker 9: had feathers on it. It had hot pink feathers on it. 238 00:11:17,960 --> 00:11:20,680 Speaker 9: These things would died up the wazoo. It was from 239 00:11:20,720 --> 00:11:27,719 Speaker 9: the two dollars shop and yeah, no, I'm visiting bars 240 00:11:27,880 --> 00:11:31,360 Speaker 9: and in fines and the whole bit. It was a 241 00:11:31,480 --> 00:11:33,960 Speaker 9: hot pink dream catcher with feathers. 242 00:11:34,960 --> 00:11:37,280 Speaker 4: Because you never you never live it down when you've 243 00:11:37,320 --> 00:11:40,480 Speaker 4: got a connection to you know, being in charge of. 244 00:11:40,440 --> 00:11:44,840 Speaker 9: It all, and because you're importing stuff, it's written up. 245 00:11:46,760 --> 00:11:49,439 Speaker 3: I'm in a record for a life. 246 00:11:49,679 --> 00:11:51,559 Speaker 9: Yeah, hot pink feathers. 247 00:11:51,240 --> 00:11:51,560 Speaker 6: That's me. 248 00:11:52,400 --> 00:12:00,800 Speaker 4: DreamCatcher caused a night manu Yeah fabulous. 249 00:12:00,120 --> 00:12:08,200 Speaker 3: More Lisa More podcasts. One of the most successful and 250 00:12:08,320 --> 00:12:11,000 Speaker 3: charismatic men in music. His name is Harry Connick Jr. 251 00:12:11,080 --> 00:12:14,280 Speaker 3: Back live at ra AC Arena December third. Tickets are 252 00:12:14,280 --> 00:12:17,160 Speaker 3: available through ticket Tech right having coming back to the West, Harry, 253 00:12:17,160 --> 00:12:17,880 Speaker 3: good morning. 254 00:12:17,679 --> 00:12:19,600 Speaker 1: Good morning to you. How's it going? Good? 255 00:12:20,160 --> 00:12:21,320 Speaker 3: Good morning. Now. 256 00:12:21,679 --> 00:12:23,800 Speaker 4: We know you love the beaches, so I'm sure you 257 00:12:23,840 --> 00:12:25,640 Speaker 4: can't wait to get back to Perth. But I must 258 00:12:25,720 --> 00:12:28,360 Speaker 4: warn you we're having some pushing forty degree days at 259 00:12:28,360 --> 00:12:28,800 Speaker 4: the moment. 260 00:12:28,840 --> 00:12:31,120 Speaker 2: But you're from New Orleans. You'd know about the hate 261 00:12:31,120 --> 00:12:31,560 Speaker 2: putn't you. 262 00:12:31,760 --> 00:12:35,920 Speaker 1: Yeah, man, come on, this is my first rodeo. 263 00:12:37,880 --> 00:12:38,880 Speaker 3: First, that's for sure. 264 00:12:39,360 --> 00:12:41,600 Speaker 1: So how do you I love that caddle slow Beach. 265 00:12:41,800 --> 00:12:43,720 Speaker 3: Yeah, we know you do. Isn't it magnificent? 266 00:12:43,880 --> 00:12:45,800 Speaker 2: Well, it'll be packed when you get here. 267 00:12:46,120 --> 00:12:48,960 Speaker 1: I can't wait. It's It's one of my favorite places 268 00:12:49,000 --> 00:12:51,440 Speaker 1: in the world. It's just got a special feeling about it. 269 00:12:51,440 --> 00:12:54,040 Speaker 1: I think part of it's nostalgic because I've been there, 270 00:12:54,240 --> 00:12:57,280 Speaker 1: you know, for so many years. But it's just, as 271 00:12:57,320 --> 00:12:59,240 Speaker 1: you know, one of the most beautiful spots on them 272 00:12:59,400 --> 00:13:00,000 Speaker 1: on the planet. 273 00:13:00,440 --> 00:13:03,360 Speaker 4: Yeah, you're at the rs Arena December third. I love 274 00:13:03,400 --> 00:13:05,240 Speaker 4: the rs HE Arena as a venue to see someone 275 00:13:05,320 --> 00:13:09,360 Speaker 4: like you. I'm assuming all the favorites. Any new stuff, 276 00:13:09,640 --> 00:13:10,480 Speaker 4: what can we expect? 277 00:13:10,720 --> 00:13:13,000 Speaker 1: Well, it's going to be different every night, just because 278 00:13:13,000 --> 00:13:14,920 Speaker 1: that's the way I've always kind of done it. You 279 00:13:15,000 --> 00:13:16,960 Speaker 1: just go out and kind of read the crowd and 280 00:13:17,000 --> 00:13:19,160 Speaker 1: have a good time. I'm going to be playing lots 281 00:13:19,200 --> 00:13:21,040 Speaker 1: of different songs from over the years. I'm going to 282 00:13:21,080 --> 00:13:23,280 Speaker 1: be playing some Christmas music, which is going to be 283 00:13:23,280 --> 00:13:26,800 Speaker 1: interesting in forty degrees, but not for us, you know, 284 00:13:27,440 --> 00:13:28,160 Speaker 1: we're used to it. 285 00:13:28,240 --> 00:13:30,680 Speaker 3: Yeah, all right, Yeah, it's weird. 286 00:13:30,800 --> 00:13:31,800 Speaker 1: It's a little bit of everything. 287 00:13:32,000 --> 00:13:35,000 Speaker 3: Yeah, well, Christmas is just weird probably for you guys. 288 00:13:35,000 --> 00:13:37,160 Speaker 3: You know when they pull out the hot food when 289 00:13:37,200 --> 00:13:39,439 Speaker 3: it's thirty nine or forty degrees, you know, one hundred 290 00:13:39,480 --> 00:13:43,320 Speaker 3: plus in Perth. But it's a totally different world, Danny, man. 291 00:13:44,080 --> 00:13:47,560 Speaker 1: I know, it's so cool and I've never experienced anything 292 00:13:47,600 --> 00:13:49,880 Speaker 1: like that, so I can't wait to get there. 293 00:13:50,000 --> 00:13:54,480 Speaker 4: Well, we do it with seafood, Harry, Giant King Prawl, 294 00:13:54,640 --> 00:13:59,160 Speaker 4: it's beautiful cray fish. Yeah, yeah, that's how we do 295 00:13:59,400 --> 00:14:03,520 Speaker 4: Christmas down under in the heat. Now tell us speaking 296 00:14:03,559 --> 00:14:07,800 Speaker 4: about places in the heat as well as the touring, 297 00:14:08,240 --> 00:14:11,280 Speaker 4: you have a new movie. I think it's in the 298 00:14:11,320 --> 00:14:13,560 Speaker 4: bag and we're just waiting for a release date. It's 299 00:14:13,559 --> 00:14:15,800 Speaker 4: called The Islander. What can you tell us about that? 300 00:14:15,800 --> 00:14:18,520 Speaker 1: That was a lot of fun to film. We did 301 00:14:18,520 --> 00:14:21,840 Speaker 1: it in Cyprus, which is a beautiful part of the world. Yeah, 302 00:14:21,920 --> 00:14:26,160 Speaker 1: and it's a really really funny romantic comedy with kind 303 00:14:26,160 --> 00:14:29,160 Speaker 1: of a dark twist, and it was just a blast 304 00:14:29,200 --> 00:14:31,840 Speaker 1: of film that. There's a woman named Stelana Clearis who 305 00:14:31,840 --> 00:14:34,680 Speaker 1: wrote it and directed it, and she's absolutely brilliant and 306 00:14:34,880 --> 00:14:36,240 Speaker 1: I can't wait for it to come out so you 307 00:14:36,240 --> 00:14:36,960 Speaker 1: guys can see it. 308 00:14:37,160 --> 00:14:38,960 Speaker 4: I can think of some worse places to film a 309 00:14:39,000 --> 00:14:44,680 Speaker 4: film press. 310 00:14:44,000 --> 00:14:47,320 Speaker 3: Harry, after all, he is, you're getting regular You get 311 00:14:47,360 --> 00:14:50,320 Speaker 3: scripts put on the agent's disk constantly. That does that 312 00:14:50,320 --> 00:14:50,880 Speaker 3: go well? 313 00:14:51,120 --> 00:14:54,800 Speaker 1: I kind of have a pretty diverse career in that 314 00:14:54,840 --> 00:14:57,720 Speaker 1: way because some of the things are projects that I developed. 315 00:14:57,720 --> 00:15:00,800 Speaker 1: Some of them, you know, my agent will send me. 316 00:15:00,920 --> 00:15:04,320 Speaker 1: Some of them we get sent directly to my management office. 317 00:15:04,360 --> 00:15:07,280 Speaker 1: It's it's like all different kinds of ways that that 318 00:15:07,400 --> 00:15:10,080 Speaker 1: these things get done, which kind of keeps it exciting. 319 00:15:10,120 --> 00:15:12,560 Speaker 1: You know. You just you never know, you know, what's 320 00:15:12,560 --> 00:15:14,520 Speaker 1: going to happen in five years. It could be something 321 00:15:14,520 --> 00:15:18,000 Speaker 1: that I've written that I'm you know, producing, or it 322 00:15:18,000 --> 00:15:20,480 Speaker 1: could be like this one. The Islander just happened to 323 00:15:20,520 --> 00:15:22,680 Speaker 1: come across my desk and I read it and I said, Wow, 324 00:15:22,720 --> 00:15:25,400 Speaker 1: what's this. This looks really cool, And you just never 325 00:15:25,560 --> 00:15:27,800 Speaker 1: you never know what's going to happen, so that that 326 00:15:27,840 --> 00:15:28,680 Speaker 1: kind of keeps it fun. 327 00:15:29,160 --> 00:15:29,440 Speaker 3: Boy. 328 00:15:29,680 --> 00:15:32,560 Speaker 4: You set the bar pretty high pretty early by doing 329 00:15:32,560 --> 00:15:35,520 Speaker 4: the soundtrack for When Harry Met Sally, which scored you 330 00:15:35,520 --> 00:15:39,480 Speaker 4: a Grammy. Did you think back then that the movie 331 00:15:39,600 --> 00:15:43,280 Speaker 4: would be the iconic just megatron that it became. 332 00:15:43,520 --> 00:15:45,640 Speaker 1: Well, it was pretty clear, you know, within a few 333 00:15:45,640 --> 00:15:48,760 Speaker 1: months of its release that it was hugely popular because 334 00:15:48,840 --> 00:15:51,280 Speaker 1: it just it was. It sold so many tickets and 335 00:15:51,280 --> 00:15:53,440 Speaker 1: people all over the world side, and that it really 336 00:15:53,440 --> 00:15:55,840 Speaker 1: affected me because I went from selling, you know, a 337 00:15:55,880 --> 00:15:58,680 Speaker 1: reasonable amount of albums to a huge amount of albums 338 00:15:58,680 --> 00:16:01,040 Speaker 1: and that was all because of that success of that film. 339 00:16:01,080 --> 00:16:03,240 Speaker 1: And then it was pretty cool to get all kind 340 00:16:03,280 --> 00:16:03,840 Speaker 1: of developed. 341 00:16:04,040 --> 00:16:07,240 Speaker 3: Absolutely, yeah, it went mainstream big time and the rest 342 00:16:07,240 --> 00:16:09,640 Speaker 3: of it. But I'm just curious, do you have at 343 00:16:09,640 --> 00:16:13,440 Speaker 3: home at your main residence Michael Jordan, like trophy room 344 00:16:13,600 --> 00:16:15,520 Speaker 3: or you're a bit more humble about it. You got 345 00:16:15,520 --> 00:16:16,160 Speaker 3: something on that going. 346 00:16:16,400 --> 00:16:18,960 Speaker 1: Well, I don't have as many trophies as Michael Jordan, 347 00:16:19,920 --> 00:16:22,440 Speaker 1: but my wife and I we we have a funny 348 00:16:22,440 --> 00:16:24,560 Speaker 1: thing like she'll take the awards and put them out, 349 00:16:24,600 --> 00:16:26,440 Speaker 1: and I'll put them right back in the close. 350 00:16:26,440 --> 00:16:26,800 Speaker 6: I don't like. 351 00:16:26,880 --> 00:16:28,520 Speaker 1: Look, man, I think it's kind of I don't know, 352 00:16:28,560 --> 00:16:30,320 Speaker 1: it just kind of weird if people come over the 353 00:16:30,320 --> 00:16:32,520 Speaker 1: house and see the awards, so we go back and forth. 354 00:16:32,560 --> 00:16:34,560 Speaker 1: I'll put them away, She'll take them out. And this 355 00:16:34,720 --> 00:16:35,320 Speaker 1: has been going on. 356 00:16:35,280 --> 00:16:36,080 Speaker 3: For thirty. 357 00:16:37,480 --> 00:16:37,640 Speaker 1: Yeah. 358 00:16:37,680 --> 00:16:40,320 Speaker 4: This is why you have a room though, because it's 359 00:16:40,400 --> 00:16:42,800 Speaker 4: that happy medium of I mean, if they were all 360 00:16:42,840 --> 00:16:45,600 Speaker 4: over the house, yeah, that might look it. 361 00:16:47,040 --> 00:16:49,520 Speaker 2: But if it's just in a room, then it's that's 362 00:16:49,600 --> 00:16:50,240 Speaker 2: fair enough. 363 00:16:50,520 --> 00:16:53,240 Speaker 1: Absolutely, Like if people come into that room, it's like, 364 00:16:53,480 --> 00:16:56,680 Speaker 1: you know, look at my awards. Want people going into that. 365 00:16:57,120 --> 00:17:01,080 Speaker 4: You know, you just let them wandering accidentally when they're 366 00:17:01,120 --> 00:17:02,600 Speaker 4: on their way to the toilet or something. 367 00:17:02,640 --> 00:17:04,040 Speaker 2: You don't have to make a big fun. 368 00:17:04,000 --> 00:17:07,119 Speaker 1: Ye Will that would be where Jill comes. 369 00:17:07,320 --> 00:17:09,320 Speaker 3: Yes, I do. 370 00:17:09,480 --> 00:17:12,520 Speaker 4: I see you know these people you say that people factors. 371 00:17:12,800 --> 00:17:16,160 Speaker 4: I'm where do you keep your Academy award? And they're like, oh, 372 00:17:16,240 --> 00:17:17,639 Speaker 4: I use it as a doorstop. 373 00:17:18,000 --> 00:17:18,960 Speaker 3: It's like you do not. 374 00:17:19,800 --> 00:17:20,840 Speaker 2: I don't believe you. 375 00:17:22,119 --> 00:17:25,480 Speaker 1: I wouldn't I wouldn't do that. I definitely feel like 376 00:17:25,880 --> 00:17:27,760 Speaker 1: it's so I don't know, it just feels like when 377 00:17:27,760 --> 00:17:30,800 Speaker 1: people come over, like there's out sitting out there, it's like, 378 00:17:31,600 --> 00:17:32,560 Speaker 1: look at my accent. 379 00:17:32,640 --> 00:17:34,119 Speaker 3: I don't know, I know, I know. 380 00:17:34,280 --> 00:17:36,520 Speaker 4: Well, let's talk about another one. There is Tara and 381 00:17:36,560 --> 00:17:37,520 Speaker 4: the Hollywood Walk a Fight. 382 00:17:37,760 --> 00:17:38,360 Speaker 3: Thank you very much. 383 00:17:38,359 --> 00:17:41,600 Speaker 4: This is another huge honor which you can't hide away 384 00:17:41,720 --> 00:17:44,600 Speaker 4: in a cupboard. What actually happens on the day when 385 00:17:44,600 --> 00:17:46,320 Speaker 4: someone gets presented with one of. 386 00:17:46,280 --> 00:17:48,479 Speaker 1: These, Well, I got to tell you like that. That 387 00:17:48,520 --> 00:17:52,080 Speaker 1: one's it's hard to explain. It's different because it's so 388 00:17:52,320 --> 00:17:55,720 Speaker 1: public and it's out there, you know, on the street 389 00:17:55,880 --> 00:17:59,320 Speaker 1: and people pass it, and it's just crazy to think 390 00:17:59,400 --> 00:18:00,680 Speaker 1: that I have one of those. 391 00:18:00,880 --> 00:18:01,520 Speaker 3: Yeah, we want to. 392 00:18:01,520 --> 00:18:04,040 Speaker 1: Present you with this. And it was just so cool. 393 00:18:04,080 --> 00:18:06,919 Speaker 1: You know. Renee Zellweger was there and presented me with it. 394 00:18:07,040 --> 00:18:09,960 Speaker 1: She's a good friend from years ago, and I have 395 00:18:10,119 --> 00:18:12,520 Speaker 1: my wife and our daughters there and yeah, that was 396 00:18:12,600 --> 00:18:15,400 Speaker 1: just that was just amazing. I was I couldn't believe 397 00:18:15,440 --> 00:18:16,960 Speaker 1: they gave me one of those. It was so cool. 398 00:18:17,320 --> 00:18:19,240 Speaker 3: That is very cool. I might just thinking about it. 399 00:18:19,480 --> 00:18:21,040 Speaker 3: I ask this of musics every now and then There's 400 00:18:21,040 --> 00:18:22,960 Speaker 3: a Tom Hanks movie called That Thing You Do about 401 00:18:22,960 --> 00:18:25,480 Speaker 3: a sixties bank called The Wonders, and I didn't do much, 402 00:18:25,480 --> 00:18:27,840 Speaker 3: but they got one song on the radio throughout the 403 00:18:27,840 --> 00:18:29,920 Speaker 3: course of the movie, and did you have a moment? 404 00:18:30,000 --> 00:18:32,280 Speaker 3: They absolutely went nuts. Are in someone's shop and I 405 00:18:32,359 --> 00:18:34,399 Speaker 3: heard themselves on the radio. Do you remember that moment 406 00:18:34,400 --> 00:18:36,560 Speaker 3: you first heard yourself on the radio? Will as Usy. 407 00:18:36,600 --> 00:18:38,600 Speaker 1: It's pretty amazing. I mean, you know, you go in 408 00:18:38,600 --> 00:18:41,160 Speaker 1: the studio and you make this music, and you would 409 00:18:41,200 --> 00:18:43,760 Speaker 1: hope that it would be successful, and you do what 410 00:18:43,960 --> 00:18:46,320 Speaker 1: you have to do to try to ensure that by 411 00:18:46,359 --> 00:18:49,119 Speaker 1: doing press and all kinds of interviews and stuff. But 412 00:18:49,160 --> 00:18:52,000 Speaker 1: when it actually happens, you're like, oh my gosh, Like 413 00:18:52,240 --> 00:18:53,359 Speaker 1: I'm on the radio. 414 00:18:53,520 --> 00:18:53,879 Speaker 5: That's me. 415 00:18:54,160 --> 00:18:55,679 Speaker 1: Yeah, just an amazing feeling. 416 00:18:55,960 --> 00:18:58,399 Speaker 4: I bet it is. Well, we'll all get to have 417 00:18:58,440 --> 00:19:02,000 Speaker 4: that amazing feeling. Number three r C Arena. There's still 418 00:19:02,040 --> 00:19:03,960 Speaker 4: a few tickets left. I'd be getting in quick to 419 00:19:04,000 --> 00:19:10,600 Speaker 4: ticketek to get those. Harry Connor Jr. Conda Slow awaits you. 420 00:19:09,680 --> 00:19:10,800 Speaker 1: I will be there soon. 421 00:19:11,560 --> 00:19:19,720 Speaker 3: Sped on Hey Budgie Smugglers. Okay, Harry, say so bye bye. 422 00:19:19,640 --> 00:19:28,120 Speaker 8: More Clezy more Lisa more podcasts soon, there's sure. 423 00:19:28,240 --> 00:19:29,919 Speaker 3: Report on ninety six a. 424 00:19:29,960 --> 00:19:33,639 Speaker 2: FM say this Isn't so. 425 00:19:33,800 --> 00:19:36,240 Speaker 4: Darryl Hall has taken out of restraining order against his 426 00:19:36,359 --> 00:19:39,680 Speaker 4: former music partner John Oates as a confidential. 427 00:19:39,119 --> 00:19:41,560 Speaker 2: Legal battle rages between them. 428 00:19:41,960 --> 00:19:45,240 Speaker 4: Little is known about the lawsuits as the court documents 429 00:19:45,280 --> 00:19:47,919 Speaker 4: are sealed, although it's rumored to stem from either a 430 00:19:47,960 --> 00:19:51,919 Speaker 4: dispute over the division of royalties or maybe over Oates 431 00:19:51,960 --> 00:19:54,200 Speaker 4: singing their songs in solo shows. 432 00:19:54,520 --> 00:19:57,479 Speaker 3: I'm not Darryl and John, Darryl and John, Oh, that sucks. 433 00:19:57,760 --> 00:20:00,480 Speaker 4: Jim Carrey has responded to those rumors he set to 434 00:20:00,480 --> 00:20:01,760 Speaker 4: make a sequel to The Grinch. 435 00:20:02,080 --> 00:20:02,959 Speaker 2: No truth in it. 436 00:20:03,000 --> 00:20:06,080 Speaker 4: I'm afraid Carrie's people have confirmed there is no truth 437 00:20:06,080 --> 00:20:08,480 Speaker 4: to Jym reprising his role as the Grinch in a sequel. 438 00:20:09,640 --> 00:20:13,320 Speaker 4: It's not surprising because Kerry is not actually a big 439 00:20:13,359 --> 00:20:16,720 Speaker 4: fan of sequels. Granted he has made a couple, but 440 00:20:16,800 --> 00:20:19,879 Speaker 4: not particularly happily. Back in twenty seventeen, he said our 441 00:20:19,920 --> 00:20:23,439 Speaker 4: find sequels or a function of commerce, a nice way 442 00:20:23,480 --> 00:20:25,480 Speaker 4: of saying they do it for the money. When you 443 00:20:25,560 --> 00:20:28,159 Speaker 4: put ten years between you and the last time you 444 00:20:28,200 --> 00:20:33,359 Speaker 4: did it, you're just imitating your original inspiration and the 445 00:20:33,400 --> 00:20:37,800 Speaker 4: first ever international series from the global NCIS franchise outside 446 00:20:37,800 --> 00:20:38,359 Speaker 4: of the US. 447 00:20:38,480 --> 00:20:40,920 Speaker 2: NCIS Sydney is officially. 448 00:20:40,440 --> 00:20:44,000 Speaker 4: The most watched local series since Paramount Plus launched in Australia. 449 00:20:44,080 --> 00:20:47,040 Speaker 4: In the US, the premiere episode is approaching ten million 450 00:20:47,160 --> 00:20:51,000 Speaker 4: views while setting milestones as the new number one show 451 00:20:51,160 --> 00:20:54,400 Speaker 4: of the television season, or i should say, the number 452 00:20:54,480 --> 00:20:58,160 Speaker 4: one new show of the television season and the number 453 00:20:58,160 --> 00:21:01,240 Speaker 4: one most streamed series premiere. 454 00:21:01,800 --> 00:21:05,120 Speaker 3: There you go. Read the flick with ben o'she on 455 00:21:05,240 --> 00:21:08,000 Speaker 3: ninety six a FM. Been good to see you. 456 00:21:08,160 --> 00:21:11,040 Speaker 11: Good morning guys. We've got an interesting one for you today. Okay, 457 00:21:11,200 --> 00:21:13,280 Speaker 11: So do you remember a few years ago, back to 458 00:21:13,359 --> 00:21:16,520 Speaker 11: twenty sixteen, there was a documentary that came out called 459 00:21:16,640 --> 00:21:20,560 Speaker 11: Hotel Cool Guardi that made a few headlines and so 460 00:21:20,760 --> 00:21:23,240 Speaker 11: it was basically there wasn't much to it. They basically 461 00:21:23,240 --> 00:21:27,040 Speaker 11: took a camera crew out to Coolgardi in the wa Goldfields, 462 00:21:27,080 --> 00:21:30,040 Speaker 11: to the pub in town there and basically filmed what 463 00:21:30,240 --> 00:21:32,560 Speaker 11: happened over the course of a couple of weeks when 464 00:21:32,600 --> 00:21:36,479 Speaker 11: two finished backpackers arrived in town. So Fly on the 465 00:21:36,480 --> 00:21:41,760 Speaker 11: Wall doco about what these backpackers experienced serving beers at 466 00:21:41,760 --> 00:21:45,159 Speaker 11: the pub and the sort of conversations they had with 467 00:21:45,240 --> 00:21:47,040 Speaker 11: the blokes who came into the pub, which, as you 468 00:21:47,040 --> 00:21:49,359 Speaker 11: can imagine, a lot of mining blokes, a lot of 469 00:21:49,960 --> 00:21:53,600 Speaker 11: old timers from the Goldfields who probably hadn't met too 470 00:21:53,640 --> 00:21:57,000 Speaker 11: many finished backpackers in their lives, and so we're very 471 00:21:57,080 --> 00:22:00,440 Speaker 11: excited to have at what they called and they put 472 00:22:00,440 --> 00:22:01,800 Speaker 11: it up on a sandwich board out the front of 473 00:22:01,800 --> 00:22:03,880 Speaker 11: the pub it said fresh meat at the pub time. 474 00:22:04,680 --> 00:22:07,000 Speaker 11: And so a lot of people, a lot of people 475 00:22:07,040 --> 00:22:09,560 Speaker 11: who watched it, certainly in the gold Fields and in 476 00:22:09,560 --> 00:22:13,480 Speaker 11: original Wa and maybe Australians would have looked at it 477 00:22:13,480 --> 00:22:15,360 Speaker 11: and gone, well, you know, that's just a country pub. 478 00:22:15,400 --> 00:22:17,720 Speaker 11: That's just what happens in a country pub that's called ghardi. 479 00:22:18,040 --> 00:22:20,720 Speaker 11: But when the documentary was screened in big cities and 480 00:22:20,840 --> 00:22:24,680 Speaker 11: especially big cities around the world, it created a furor. 481 00:22:24,800 --> 00:22:28,439 Speaker 11: People were like, oh, this is you know, rampant misogyny, sexism, 482 00:22:28,560 --> 00:22:31,760 Speaker 11: sexual harassment, this is not okay, which of course it's 483 00:22:31,760 --> 00:22:36,639 Speaker 11: not okay the fifties and so it was at a 484 00:22:36,640 --> 00:22:39,720 Speaker 11: film festival at the time of its release, and sitting 485 00:22:39,760 --> 00:22:43,040 Speaker 11: on the jury panel of that film festival was Ossie 486 00:22:43,040 --> 00:22:45,359 Speaker 11: director Kitty Green. So, do you remember a couple of 487 00:22:45,440 --> 00:22:48,600 Speaker 11: years ago there was a film called The Assistant starring 488 00:22:48,680 --> 00:22:52,760 Speaker 11: Julia Garner from Ozark, the blonde American actress with a 489 00:22:52,800 --> 00:22:55,480 Speaker 11: really curly blonde hair. You recognize it instantly. 490 00:22:57,800 --> 00:22:58,200 Speaker 3: Favorite. 491 00:23:01,040 --> 00:23:03,399 Speaker 11: In this film The Assistant, she played the assistant of 492 00:23:03,440 --> 00:23:06,680 Speaker 11: a film production company in the US. It was basically 493 00:23:06,720 --> 00:23:10,240 Speaker 11: like a Weinstein like me too kind of situation, but 494 00:23:10,280 --> 00:23:13,080 Speaker 11: you never saw the Weinstein figure. He was just this 495 00:23:13,280 --> 00:23:16,439 Speaker 11: voice in another office, and it was her kind of 496 00:23:16,520 --> 00:23:18,720 Speaker 11: story as psychological. 497 00:23:19,119 --> 00:23:19,880 Speaker 3: It's really good. 498 00:23:20,000 --> 00:23:25,119 Speaker 11: It's a really good, kind of understated thriller about that 499 00:23:25,240 --> 00:23:27,560 Speaker 11: era of sexual harassment in the workplace. Anyway, And so 500 00:23:27,680 --> 00:23:30,800 Speaker 11: Kitty Green, the director of that movie, watched Hotel col 501 00:23:30,840 --> 00:23:33,240 Speaker 11: Guardi and thought, you know what, this would be a 502 00:23:33,280 --> 00:23:37,639 Speaker 11: great fictional movie. So she's basically done a remake of 503 00:23:37,680 --> 00:23:42,040 Speaker 11: the docco called The Royal Hotel, set in a pub 504 00:23:42,240 --> 00:23:45,600 Speaker 11: in the outback, very similar to the cool Guardi Hotel, 505 00:23:46,520 --> 00:23:50,359 Speaker 11: but instead of finished backpackers, it's US backpackers. She's cast 506 00:23:50,359 --> 00:23:53,240 Speaker 11: her good mate Julia Ganer as one of the backpackers. 507 00:23:53,240 --> 00:23:56,560 Speaker 11: Hannah and Jessica Henwick, another American actress who was in 508 00:23:56,600 --> 00:24:01,000 Speaker 11: the Matrix resurrections just recently as liv and these two 509 00:24:01,000 --> 00:24:03,879 Speaker 11: backpackers arrive in town as temp jobs working at a 510 00:24:03,880 --> 00:24:06,919 Speaker 11: pub to earn a bit of holiday money, and then 511 00:24:06,960 --> 00:24:08,680 Speaker 11: they go through a very similar experience to what we 512 00:24:08,720 --> 00:24:11,080 Speaker 11: saw in the doco. You know, as they're pouring the beers, 513 00:24:11,680 --> 00:24:13,240 Speaker 11: the blokes on the other side of the bar a 514 00:24:13,520 --> 00:24:15,800 Speaker 11: sort of wolf whistling at them and trying to chat 515 00:24:15,840 --> 00:24:19,199 Speaker 11: them up, mostly pretty harmless in a kind of a 516 00:24:19,280 --> 00:24:24,080 Speaker 11: low key sexual harassment kind of way. But then on 517 00:24:24,200 --> 00:24:26,399 Speaker 11: top of all of that is maybe the idea that 518 00:24:26,440 --> 00:24:29,280 Speaker 11: there's a bit more menace involved. And I don't know 519 00:24:29,320 --> 00:24:31,840 Speaker 11: about you guys, but anytime I see a movie that's 520 00:24:31,880 --> 00:24:35,199 Speaker 11: set in the Australian outback involving foreign backpackers, I immediately 521 00:24:35,240 --> 00:24:37,600 Speaker 11: that Wolf Creek, Wolf. 522 00:24:37,359 --> 00:24:39,760 Speaker 2: Creek actually happen usually end well. 523 00:24:39,880 --> 00:24:41,359 Speaker 3: It doesn't usually end well. 524 00:24:41,400 --> 00:24:43,280 Speaker 11: And Wake in Fright was another film sort of setting 525 00:24:43,280 --> 00:24:46,280 Speaker 11: the outback of a very very amazing film too, And 526 00:24:46,359 --> 00:24:48,520 Speaker 11: so you know that that's in the back of your 527 00:24:48,520 --> 00:24:50,119 Speaker 11: mind as you're watching this film, like where is it 528 00:24:50,160 --> 00:24:51,600 Speaker 11: going to go? Is it going to go into a 529 00:24:51,680 --> 00:24:53,160 Speaker 11: territory that's going to be really grim? 530 00:24:53,200 --> 00:24:54,800 Speaker 3: Please tell us John Jarrett's not in it, well. 531 00:24:54,760 --> 00:24:57,160 Speaker 11: John Jared's on it, but there is another Ossie icon 532 00:24:57,280 --> 00:25:00,359 Speaker 11: in it. Hugo Weaving, who plays the publican of this hotel, 533 00:25:01,000 --> 00:25:03,919 Speaker 11: can be creepy in this. He's kind of like battling 534 00:25:03,960 --> 00:25:07,040 Speaker 11: his own demons with the drink and he's got it. 535 00:25:07,080 --> 00:25:09,200 Speaker 11: That's he's reached this point of his career where he's 536 00:25:09,200 --> 00:25:14,520 Speaker 11: playing only playing kind of like drunk reprobates. He does 537 00:25:14,560 --> 00:25:18,359 Speaker 11: it so well though. He's fantastic in this and and 538 00:25:18,400 --> 00:25:21,960 Speaker 11: this menacing mood that comes over the film is supplied 539 00:25:21,960 --> 00:25:26,000 Speaker 11: by really one of the pub patrons who's played by 540 00:25:26,320 --> 00:25:29,480 Speaker 11: Daniel Henshall. And so if you've seen the movie Snowtown, 541 00:25:30,320 --> 00:25:32,800 Speaker 11: so Snowtown is an amazing film. It is one of 542 00:25:32,840 --> 00:25:36,119 Speaker 11: the most grim Australian movies. I struggle to recommend it 543 00:25:36,160 --> 00:25:40,040 Speaker 11: to people even though it's so amazing. It is a dark, 544 00:25:40,119 --> 00:25:43,760 Speaker 11: dark film, and so Daniel Henshall's character in Snowtown was 545 00:25:44,200 --> 00:25:46,440 Speaker 11: hard to watch, and so he brings that. 546 00:25:46,480 --> 00:25:48,119 Speaker 2: Some of the most unlikable people. 547 00:25:49,760 --> 00:25:51,720 Speaker 11: And I don't know how film or old Dan Henchell. 548 00:25:51,720 --> 00:25:53,119 Speaker 11: I don't know how he ever gets a job anywhere else, 549 00:25:53,119 --> 00:25:55,840 Speaker 11: I know, except for playing these type of rock and 550 00:25:55,880 --> 00:25:58,920 Speaker 11: so he's playing this character who is sort of always 551 00:25:59,000 --> 00:26:02,920 Speaker 11: hanging around, sort of leering at the girls, and when 552 00:26:03,000 --> 00:26:05,640 Speaker 11: they go upstairs to the pub to sleep at night, 553 00:26:05,880 --> 00:26:08,720 Speaker 11: he's sort of just hanging around in the corridors, the loiter. 554 00:26:09,200 --> 00:26:11,959 Speaker 11: He's loitering, and so so you get this sense of 555 00:26:12,040 --> 00:26:15,200 Speaker 11: growing dread about what's going to happen in the movie 556 00:26:15,680 --> 00:26:17,760 Speaker 11: as well as these girls trying to you know, sort 557 00:26:17,800 --> 00:26:21,399 Speaker 11: of enjoy their outback experience. And the live character is 558 00:26:21,400 --> 00:26:24,600 Speaker 11: a bit more naive and outgoing, and Julia Garner's character, 559 00:26:24,640 --> 00:26:27,320 Speaker 11: Hannah is you know, she's a bit more suspicious of 560 00:26:27,359 --> 00:26:30,400 Speaker 11: all of these Aussie blokes. And so it's that kind 561 00:26:30,440 --> 00:26:32,320 Speaker 11: of like light and shade that you get in the film. 562 00:26:33,080 --> 00:26:34,680 Speaker 11: And in the end it kind of, you know, works 563 00:26:34,680 --> 00:26:38,480 Speaker 11: its way to a conclusion that is pretty sort of satisfying, 564 00:26:38,480 --> 00:26:41,040 Speaker 11: I guess in the end. But it's you know, it's 565 00:26:41,080 --> 00:26:45,000 Speaker 11: a fascinating insight into what goes on in Australian country 566 00:26:45,040 --> 00:26:47,440 Speaker 11: pubs and probably a few Australian city pubs as well, 567 00:26:47,840 --> 00:26:50,480 Speaker 11: and it'll make audiences ask, you know, like what are 568 00:26:50,480 --> 00:26:55,679 Speaker 11: we willing to accept as part of Ozzie society? Is 569 00:26:55,720 --> 00:26:58,960 Speaker 11: this behavior acceptable? Is it just you know, like you know, 570 00:26:59,119 --> 00:27:02,520 Speaker 11: just harmless or is there something more going on? It 571 00:27:02,520 --> 00:27:04,399 Speaker 11: would be interesting to see how audiences react. 572 00:27:04,520 --> 00:27:05,760 Speaker 3: All right, very interesting. 573 00:27:06,280 --> 00:27:08,920 Speaker 2: How many backpack. 574 00:27:08,760 --> 00:27:13,800 Speaker 11: You give, Well, we'll see how many survive. But I'm 575 00:27:13,800 --> 00:27:16,480 Speaker 11: going to give this one three and a half. Okay, 576 00:27:16,520 --> 00:27:18,080 Speaker 11: it's a good one. It sounds good. 577 00:27:19,119 --> 00:27:23,920 Speaker 4: Thank you, Thank you, guys, Crazy and Lisa