1 00:00:00,320 --> 00:00:03,960 Speaker 1: Bread the Flick with Ben Oshe on ninety six m. 2 00:00:04,680 --> 00:00:09,160 Speaker 2: Good morning, Ben, Good morning guys. I'm really curious about 3 00:00:09,160 --> 00:00:13,039 Speaker 2: this movie Sound of Freedom. Yeah, like curiosity, I think 4 00:00:13,119 --> 00:00:15,560 Speaker 2: is the best word to describe how people are feeling 5 00:00:15,560 --> 00:00:18,080 Speaker 2: about this here in Australia, because for the last few 6 00:00:18,160 --> 00:00:21,240 Speaker 2: months we've been hearing about this indie movie over in 7 00:00:21,280 --> 00:00:25,040 Speaker 2: America that has been so successful. Everybody's talking about it. 8 00:00:25,079 --> 00:00:27,320 Speaker 2: Sounds of Freedom, like to give you an idea of 9 00:00:27,440 --> 00:00:30,920 Speaker 2: just how bizarre the situation is. So, this is a 10 00:00:30,920 --> 00:00:35,519 Speaker 2: movie made on virtually zero budget by an independent studio, 11 00:00:36,920 --> 00:00:40,440 Speaker 2: a studio called Angel Studios, run by a couple of 12 00:00:40,960 --> 00:00:45,559 Speaker 2: Mormon dudes, and they make faith based programming anyway, and 13 00:00:45,640 --> 00:00:51,680 Speaker 2: so and so sorry this film with no budget. And 14 00:00:51,800 --> 00:00:54,760 Speaker 2: Jim Cavizl who's you know, probably most know jes Jesus 15 00:00:54,880 --> 00:00:57,480 Speaker 2: playing Jesus in the Passion of the Christ. So he's 16 00:00:57,520 --> 00:01:00,520 Speaker 2: not exactly a big box office draw card. But the 17 00:01:00,600 --> 00:01:03,840 Speaker 2: movie has made more money in America than the latest 18 00:01:03,880 --> 00:01:06,960 Speaker 2: Fast and the Furious movie, Indiana Jones in the Dial 19 00:01:07,000 --> 00:01:10,960 Speaker 2: of Destiny and Mission Impossible. So he's made more money 20 00:01:11,000 --> 00:01:12,360 Speaker 2: than all of those movies, like about one hundred and 21 00:01:12,360 --> 00:01:16,240 Speaker 2: nearly one hundred and eighty million US, and you have 22 00:01:16,280 --> 00:01:17,920 Speaker 2: to us a question why, like why has it been 23 00:01:17,959 --> 00:01:20,119 Speaker 2: to is the movie so good? Like I can spoiler 24 00:01:20,120 --> 00:01:21,920 Speaker 2: alert it's not good. The movie is boring. 25 00:01:21,959 --> 00:01:24,440 Speaker 1: It's extremely selling a lot of tickets in the Bible Belt. 26 00:01:24,840 --> 00:01:27,080 Speaker 2: But based on a real story, is based on a 27 00:01:27,120 --> 00:01:30,360 Speaker 2: story that is purportedly true. There are some doubts about 28 00:01:30,480 --> 00:01:33,440 Speaker 2: how true the story that inspired this film is. It's 29 00:01:33,480 --> 00:01:37,320 Speaker 2: based on this guy, Tim Ballard, who started this organization 30 00:01:37,480 --> 00:01:43,080 Speaker 2: called Operation Underground Railroad, which deals with human trafficking. It 31 00:01:43,160 --> 00:01:46,360 Speaker 2: tries to raise awareness around the issue but also take action, 32 00:01:46,440 --> 00:01:49,720 Speaker 2: tries to rescue children and other people from human traffickers 33 00:01:50,080 --> 00:01:53,600 Speaker 2: and see the perpetrators arrested. And the organization claims that 34 00:01:53,640 --> 00:01:57,440 Speaker 2: it's rescued four thousand people from human traffickers, but there's 35 00:01:57,440 --> 00:02:01,560 Speaker 2: some doubt about how valid those numbers are. And the 36 00:02:01,600 --> 00:02:06,440 Speaker 2: film sees Jim Cavizil play Tim Ballard and he goes 37 00:02:06,520 --> 00:02:10,440 Speaker 2: to Columbia and stages this elaborate sting operation to rescue 38 00:02:10,520 --> 00:02:14,960 Speaker 2: dozens of kids from human traffickers, which apparently was a 39 00:02:14,960 --> 00:02:18,919 Speaker 2: real thing that happened. Some doubt about how true that is. 40 00:02:19,680 --> 00:02:21,240 Speaker 1: But when taken to Columbia. 41 00:02:21,440 --> 00:02:26,080 Speaker 2: Yeah, yeah, well because all these kids are being like 42 00:02:26,440 --> 00:02:31,600 Speaker 2: kidnapped from their parents in South America, South American kids, right, 43 00:02:32,240 --> 00:02:35,639 Speaker 2: And the film really kind of pitches this idea that 44 00:02:35,639 --> 00:02:39,280 Speaker 2: that child trafficking is this massive problem. It's worth more 45 00:02:39,320 --> 00:02:43,320 Speaker 2: than the illegal drug trade, and kids are being kidnapped 46 00:02:43,320 --> 00:02:46,040 Speaker 2: all the time and being sold into slavery. Basically that's 47 00:02:46,080 --> 00:02:48,840 Speaker 2: the vibe of the film. And this guy, Tim Ballard, 48 00:02:49,200 --> 00:02:52,639 Speaker 2: was appointed by Donald Trump when he was president as 49 00:02:52,639 --> 00:02:56,440 Speaker 2: an advisor to you know, sort of the Human Rights Council. 50 00:02:57,240 --> 00:02:59,400 Speaker 2: And so Tim Ballard, the guy the film is based 51 00:02:59,400 --> 00:03:02,440 Speaker 2: there is a Trump Trump guy, right, He's a Trump guy. 52 00:03:02,720 --> 00:03:04,680 Speaker 2: And so Trump has been backing this film from the 53 00:03:04,680 --> 00:03:09,240 Speaker 2: start in America, held screenings with it at his i 54 00:03:09,240 --> 00:03:11,799 Speaker 2: think in his pool house and mar Lago. Maybe maybe 55 00:03:11,800 --> 00:03:13,280 Speaker 2: there's some documents you have to move out of the 56 00:03:13,280 --> 00:03:18,359 Speaker 2: way and so and so the film has been has 57 00:03:18,400 --> 00:03:22,280 Speaker 2: been extremely popular with conservatives in America because it's got 58 00:03:22,280 --> 00:03:25,800 Speaker 2: Trump's seal of approval. It's been backed by you know, 59 00:03:25,840 --> 00:03:28,919 Speaker 2: the Fox News is and then your old right kind 60 00:03:28,919 --> 00:03:33,320 Speaker 2: of stuff like Steve Bannon, you know, that guy has 61 00:03:33,400 --> 00:03:37,880 Speaker 2: been on board. But it's also been embraced by QAnon, 62 00:03:38,840 --> 00:03:40,800 Speaker 2: and so QAnon for people who don't really know, a 63 00:03:40,880 --> 00:03:44,040 Speaker 2: sort of a conspiracy theory group, and they believe in 64 00:03:44,080 --> 00:03:47,400 Speaker 2: all of these really wacky conspiracies like the Democrats in 65 00:03:47,440 --> 00:03:51,920 Speaker 2: America and the rich liberal elite, like trying to harvest 66 00:03:51,920 --> 00:03:57,320 Speaker 2: adrenal glands from children because it really and and they 67 00:03:57,360 --> 00:04:01,480 Speaker 2: hide kids in the basement Domino restaurant. It's just it's 68 00:04:01,520 --> 00:04:04,840 Speaker 2: just super super weird stuff. And so these QAnon people 69 00:04:05,000 --> 00:04:07,080 Speaker 2: have backed this film as well. And part of the 70 00:04:07,120 --> 00:04:09,120 Speaker 2: reason is because Jim Cavizel the start of the film, 71 00:04:09,240 --> 00:04:11,560 Speaker 2: it's kind of he kind of it gets into q 72 00:04:11,960 --> 00:04:15,440 Speaker 2: conspiracy like he's he's he's kind of he's kind of 73 00:04:15,840 --> 00:04:19,880 Speaker 2: pandered to these ideas of these adrenal gland harvesting conspiracy 74 00:04:19,920 --> 00:04:25,000 Speaker 2: theories on podcasts and at anti COVID conferences and all 75 00:04:25,000 --> 00:04:27,520 Speaker 2: this kind of stuff. So there's there's some stuff around 76 00:04:27,520 --> 00:04:29,800 Speaker 2: this film. There's really kind of a bit weird, not 77 00:04:30,040 --> 00:04:34,839 Speaker 2: not kind of okay. The director, Alejandro Monteverde says, no, no, 78 00:04:34,880 --> 00:04:36,880 Speaker 2: there's nothing to do with QAnon. I wrote this film 79 00:04:36,880 --> 00:04:39,360 Speaker 2: before Q and On was even popular. But it's about 80 00:04:39,440 --> 00:04:41,960 Speaker 2: Tim Ballard and Tim Ballard kind of inspired Q and On. 81 00:04:42,120 --> 00:04:45,039 Speaker 2: So the links are kind of pretty hard to ignore, 82 00:04:46,279 --> 00:04:47,920 Speaker 2: but it does I don't want to go down, but 83 00:04:47,960 --> 00:04:50,320 Speaker 2: it doesn't change the fact that the film is just 84 00:04:50,360 --> 00:04:52,880 Speaker 2: not that good. It's boring. It's like midday mid day 85 00:04:52,920 --> 00:04:55,839 Speaker 2: movie quality. And as far as the box office success 86 00:04:55,839 --> 00:04:58,000 Speaker 2: in America, they've had this weird thing where people can 87 00:04:58,000 --> 00:04:59,960 Speaker 2: buy tickets and leave it at the box office for 88 00:05:00,000 --> 00:05:02,599 Speaker 2: people who can't afford to go, and so media outlets 89 00:05:02,600 --> 00:05:06,080 Speaker 2: have been reporting that sold out sessions have actually been empty, 90 00:05:06,920 --> 00:05:09,360 Speaker 2: and so there's maybe some weirdness going on at the 91 00:05:09,360 --> 00:05:12,840 Speaker 2: box office there too. And it also kind of misrepresents 92 00:05:12,920 --> 00:05:16,520 Speaker 2: the realities of child trafficking. It makes out that it's 93 00:05:16,560 --> 00:05:18,320 Speaker 2: much more prevalent than it actually is, which is a 94 00:05:18,400 --> 00:05:21,120 Speaker 2: Q and on thing, and also makes out that the 95 00:05:21,680 --> 00:05:25,520 Speaker 2: main issue that's driving child trafficking is the idea that 96 00:05:25,560 --> 00:05:28,840 Speaker 2: the kids being kidnapped forcibly by strangers, which is a 97 00:05:28,920 --> 00:05:31,240 Speaker 2: Q and on thing, But it's not reality. Like all 98 00:05:31,279 --> 00:05:34,200 Speaker 2: of the experts, like the United Nations say, most child 99 00:05:34,200 --> 00:05:36,200 Speaker 2: trafficking happens because of people that. 100 00:05:36,200 --> 00:05:36,680 Speaker 1: The kids know. 101 00:05:37,000 --> 00:05:39,479 Speaker 2: They're the ones who sell the kids into slavery, which 102 00:05:39,520 --> 00:05:42,560 Speaker 2: is terrible. It's terribly sad. It's much harvesting of the adrenaline, 103 00:05:42,800 --> 00:05:44,200 Speaker 2: you know, nothing to do with that sort of stuff. 104 00:05:44,360 --> 00:05:46,760 Speaker 2: And the studio behind the film has had to come 105 00:05:46,800 --> 00:05:49,320 Speaker 2: out recently and say, look, we maybe we did kind 106 00:05:49,360 --> 00:05:52,760 Speaker 2: of fictionalize some aspects of child trafficking and so, but 107 00:05:52,880 --> 00:05:57,039 Speaker 2: why though it's fostering the fear, isn't it. Yes, so yeah, 108 00:05:57,080 --> 00:05:58,919 Speaker 2: So there's a lot of weirdness around this film. I 109 00:05:58,960 --> 00:06:01,279 Speaker 2: can see why it did so in America because you 110 00:06:01,320 --> 00:06:04,680 Speaker 2: know that all of these conservative figures backed it. Here 111 00:06:04,720 --> 00:06:07,160 Speaker 2: in Australia, I'll be fascinated to see how it does 112 00:06:07,240 --> 00:06:09,520 Speaker 2: because we don't have the same kind of political climate. 113 00:06:10,000 --> 00:06:11,120 Speaker 2: And at the end of the day, it's just not 114 00:06:11,160 --> 00:06:11,719 Speaker 2: a very good. 115 00:06:11,680 --> 00:06:13,280 Speaker 1: Especially if it's two and a half hours and it's board. 116 00:06:13,560 --> 00:06:19,320 Speaker 1: It's an ideal. How many doodle giving it? I'm going 117 00:06:19,360 --> 00:06:23,200 Speaker 1: to give it one one look after your dream. Thank 118 00:06:23,200 --> 00:06:25,320 Speaker 1: you for warning me off it. Thank you, my guys,