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Speaker 1: The Will and Woody Podcast.

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Speaker 2: What are you eating?

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Speaker 3: Don't tell me? I promise you. I haven't seen. I

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Speaker 3: promise you. I know I'm across from you.

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Speaker 4: You've seen.

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Speaker 3: No, I promise you. I haven't. I promise you. I

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Speaker 3: haven't now you frequent amandarin or a keywee at this

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Speaker 3: time of day. But that is a very like it's

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Speaker 3: a that's a too ripe kiweed. That's almost a sloppy

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Speaker 3: kiwi fruit that you've got in your mouth. Unbloom. I'm

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Speaker 3: good at that. I could name if you could. You

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Speaker 3: could put any fruit in your mouth. You take one

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Speaker 3: nibble of that and I would know what fruit that is.

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Speaker 3: No test me bring in the fruit another time. Obviously

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Speaker 3: you can't now, but I can't have a freak at that.

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Speaker 2: Up very dish.

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Speaker 3: Yeah, it's too right. You've left that a day too long.

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Speaker 2: Anyway, it's perfect.

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Speaker 3: I like them sloppy, Oh I do. That'll be on

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Speaker 3: your termstone. I do, I really do? I like? Yeah,

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Speaker 3: you like them sloppy? Yeah, all right, anyway, let's get

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Speaker 3: to business. I don't think I've ever been part of

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Speaker 3: such a long con before in my life, and if

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Speaker 3: I've been really honest, it's stressing me out. We really

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Speaker 3: are getting right into it here. Well I think we

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Speaker 3: should Okay, I'm stressed.

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Speaker 2: I think you should just.

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Speaker 5: Say that coming up in today's podcast, Kylie, and okay,

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Speaker 5: do that.

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Speaker 2: Bit all the things that Disney's sued people for, do that?

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Speaker 3: Do that bit? No, we just do Okay, long con.

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Speaker 4: So we are getting straight into this.

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Speaker 3: Okay, fine, I'll put it down. I'll put down. What

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Speaker 3: do you want to talk about?

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Speaker 4: What's going on?

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Speaker 3: I went for a huge bike ride on the weekend.

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Speaker 3: I'm sorry, but you you said arap be trapped me.

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Speaker 3: That is unbelievable. I was doing the right thing and

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Speaker 3: you were like, oh, bro, slow down, let's get to

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Speaker 3: know each other a little bit. But you beped no

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Speaker 3: because no, no, I'm telling you about my riding. Do

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Speaker 3: you know.

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Speaker 4: Of all the things that somebody can tell you about,

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Speaker 4: I reckon one of the one of the worst is

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Speaker 4: like solo physical pursuit, wasn't solo with a friend with

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Speaker 4: a friend, whatever it is, but like it's just once

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Speaker 4: men reach a certain age I'm going to say over

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Speaker 4: the age thirty five and over, because of either a

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Speaker 4: disconnect with who they once were or some sort.

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Speaker 3: Of we're proving to ourselves that we haven't physically lost it,

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Speaker 3: and there's also a disillusion with the future, whatever that is.

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Speaker 3: Men start running.

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Speaker 4: Thousands of commuters and we've got all the stats and

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Speaker 4: we're riding and swimming, and there's there's peace in the.

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Speaker 3: Pain and all of that pleasure in the pain.

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Speaker 4: And I think I think that that that. I think

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Speaker 4: that's important. I think it's really important.

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Speaker 3: I really do. It's good. I love it.

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Speaker 4: But it can't be it can't be recalled, it can't

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Speaker 4: be regale. It just can't be unless you're talking to

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Speaker 4: another guy who does it, who got the stay Yeah, yeah, yeah, sure, sure, Yeah,

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Speaker 4: I'm gonna be honest. You held up the meeting room

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Speaker 4: for ten or fifteen minutes talking about your elevations, and.

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Speaker 3: Everyone was everyone kept asking me. Everyone was just being polite. Yeah.

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Speaker 4: You forget sometimes that people are just nice to us.

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Speaker 4: Yeah in this Yeah, when you walk into work and

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Speaker 4: it's like, oh, everyone is really nice to me. It's

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Speaker 4: because your name's on the radio show.

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Speaker 3: Yeah, I was. I was to get docked. I was

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Speaker 3: shocked at how into it everyone was. They were, and

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Speaker 3: then I was like, well, but everyone kept asking questions,

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Speaker 3: so I couldn't stop. I don't know questions were asked.

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Speaker 3: Alice asked me a specific question on my numbers. She

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Speaker 3: wanted to know my number, and I've now I've shared

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Speaker 3: my I can check with her, but I don't know

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Speaker 3: if she's there.

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Speaker 4: I've shared my was that Were you interested all in

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Speaker 4: Woody's bike ride chat?

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Speaker 6: Actually it was kind of interesting.

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Speaker 3: Oh wow, there are you just being nice?

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Speaker 6: Sorry? Hot on, there's audio issues going on out here.

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Speaker 3: It sounds like I don't want to be nice to you.

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Speaker 3: Be honest with you and let you know that you

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Speaker 3: bored the entire room. Okay, that's fine. Just imagine if

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Speaker 3: you were in Like imagine wing.

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Speaker 4: He's over in their shoes though, like your twenty three

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Speaker 4: Like a lot of the girls in our team are

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Speaker 4: young in and around in the age of twenty five,

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Speaker 4: and they rock into work and the man who's their boss,

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Speaker 4: who's ten years older than them, Yeah, comes in and

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Speaker 4: starts talking about two hundred and forty ks.

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Speaker 3: I got a bear rode on his bike on the weekend,

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Speaker 3: like I got bear trapped again.

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Speaker 4: That's like a scene in the office.

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Speaker 3: Actually it is. It's it's satirical, but I've been bear

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Speaker 3: trapped again. So you bear trapped me five minutes ago.

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Speaker 3: I was bear trapped in the meeting and only said

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Speaker 3: how was your weekend? She shouldn't have asked.

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Speaker 4: No, but you could have just been like, yeah, great,

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Speaker 4: had a great time bike ride.

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Speaker 3: That's fair. Yeah.

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Speaker 4: I didn't have to went for a bike ride and

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Speaker 4: everyone would have gone great, yeah, dodgeable there.

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Speaker 3: Okay.

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Speaker 4: On the weekend, I said, had a great time Watchwonka.

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Speaker 4: It was awesome.

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Speaker 3: Yeah, sure, yeah, okay, you just kept it brief. Yeah

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Speaker 3: I didn't went for a ride. It was really nice.

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Speaker 4: We heard about the massage gun, we heard about what

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Speaker 4: show we you had three quarters the way through the

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Speaker 4: football match you watched.

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Speaker 3: It's weird that I identified when I showered on Saturday

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Speaker 3: over when people say.

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Speaker 4: No, mate, weird everything.

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Speaker 3: I know what he ordered at the pub.

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Speaker 4: I know when he I know where he watched the game.

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Speaker 4: I know when he showered during the game. I know

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Speaker 4: how many meters he when. I know his elevations. I

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Speaker 4: know what his capacity is. I know what his next

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Speaker 4: ride is.

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Speaker 5: I know how many meters he was from the beach. Yes,

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Speaker 5: I know that he didn't go for a swim.

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Speaker 3: I mean just cash er. I back to that meeting

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Speaker 3: room for a second. That's very lucky because it would

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Speaker 3: be a pop quiz on my weekend tomorrow. So remember

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Speaker 3: all those numbers, and I expect everyone to get over

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Speaker 3: seventy five percent. So I'm on a hundred percent sure.

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Speaker 3: But I'm pretty sure from this you don't want me

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Speaker 3: to continue talking about money.

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Speaker 4: No, I regret asking.

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Speaker 3: Let's talk about what I wanted to talk about fifteen yeares.

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Speaker 3: I just want to talk about something else. Maybe I

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Speaker 3: was just so.

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Speaker 4: You you you bored me blind with the bike chat

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Speaker 4: that I was like, you know, let's talk about something

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Speaker 4: that we want to talk about.

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Speaker 3: But you dive straight back in there, so you're gonna

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Speaker 3: have to throw something in the ring here. I feel

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Speaker 3: like I've threw a Wonker in the ring.

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Speaker 4: You want to talk about Wonka? I didn't like I

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Speaker 4: met you at Wonka. I met you at Wonka. I

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Speaker 4: met you at Wonka too much?

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Speaker 3: Singing, Hugh Grant was very good. Let's go into the

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Speaker 3: long con Yeah, you know, it's all.

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Speaker 4: We don't have to go further into it. But I

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Speaker 4: think singing in movies is a thing that we probably

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Speaker 4: should talk about at some stage because it's what's happened.

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Speaker 3: There's a movement. Was it La La Land?

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Speaker 6: Yeah?

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Speaker 3: Was that one the Oscar? Right? Yeah?

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Speaker 4: And I feel like Moonlight won the Oscar, but they

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Speaker 4: fucked it with La La Land.

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Speaker 3: Yeah. But I feel like since La La Land, all

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Speaker 3: of a sudden, everyone's going, you want Oscars, you got

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Speaker 3: to sing as well.

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Speaker 4: Well, no, I just think that because because Jokers coming

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Speaker 4: out tonight, Tommy seeing a previous joker at Crowns.

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Speaker 3: Musical, well, yeah, Wonka musical movie coming out.

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Speaker 4: Literally, it can be done one really really well. We're

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Speaker 4: all massive fans of Moulin Rouge, massive fans.

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Speaker 3: It's like they're really the execs are realizing, what are

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Speaker 3: people loving a movie singing? Let's just let's just bring

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Speaker 3: out singing. It's rare these days to go to a

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Speaker 3: movie where there's no singing.

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Speaker 4: No hard.

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Speaker 3: Maybe I'm watching too many, but they've all got the singing.

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Speaker 3: I'm watching The Beauty and the Beast they're all singing.

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Speaker 4: Well that's because we're watching kids movies. But it's interesting

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Speaker 4: to know that jokers singing, which when I told you

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Speaker 4: originally thought I was joking, but yeah, no, they are singing.

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Speaker 4: In that yes, yes, yes, yes, and then Wonka, he's singing.

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Speaker 3: Here's a question for you.

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Speaker 4: I'm trying to think of it the last movie I

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Speaker 4: saw with singing in it.

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Speaker 3: That I can't in movie history, within a sequel, environmental,

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Speaker 3: within a chain of films under the same franchise, has

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Speaker 3: has it ever gone from non singing to singing? Because

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Speaker 3: I find that fascinating. The first Joker there was no singing.

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Speaker 3: The sequel is a musical within the same within the

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Speaker 3: same universe. They've decided to turn the second film. I

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Speaker 3: love it. Ever happened, I don't think so. I told you.

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Speaker 4: I was reading this article written by director the other

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Speaker 4: day about how they are just like, yeah, we could

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Speaker 4: make the best movie all time together. Let's make let's

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Speaker 4: give ourselves a challenge.

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Speaker 3: Yeah, it feels like that. Joacin's like, I've done it all.

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Speaker 4: They both have done it all.

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Speaker 3: Guy, guys done it all. They're like, let's let's let's

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Speaker 3: make it a challenge. Yeah, let's turn this into a

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Speaker 3: musical and see if people still come and see it.

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Speaker 4: To come and see a superhero movie as a musical,

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Speaker 4: imagine any other movie, a superhero movie as a musical

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Speaker 4: or any other superhero like Superman the musical punch me

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Speaker 4: in the face. No, I cannot like that's just gonna

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Speaker 4: be the campus shittest of all time, right, Whereas this

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Speaker 4: feels gritty and it's a musical, yeah, gritty of grit,

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Speaker 4: raw and music feels like that.

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Speaker 3: You can't do that because musicals. Think about musicals that

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Speaker 3: I don't like is that it's very hard to step

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Speaker 3: into the reality of the world having a conversation, but

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Speaker 3: so like to.

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Speaker 4: Sing talking from you like the songs. You don't like

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Speaker 4: to sing talking.

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Speaker 3: I can't. I came to see you the other duo.

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Speaker 3: I I can't live in your world. If you're sing

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Speaker 3: talking to me.

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Speaker 4: You can sing a song. But like in Walker, they

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Speaker 4: sang songs, but they talked.

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Speaker 3: They did talk, and I appreciated that, and I appreciate

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Speaker 3: that didn't like the movie to make it.

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Speaker 4: I'm gonna make a statement here, I reckon. I love

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Speaker 4: that we keep ending that movie chat. I reckon should

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Speaker 4: just be a movie pod Who would have?

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Speaker 3: Who would Have?

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Speaker 4: I love this because you've been defending Gladiator two for

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Speaker 4: a while.

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Speaker 3: Who second trailer was a lot better.

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Speaker 4: We all knew Gladiator too, and the Joker was coming out,

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Speaker 4: Joker two was coming out.

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Speaker 3: We all knew that.

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Speaker 4: Yes, who would have thought that when their trailers dropped,

222
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Speaker 4: Joker Too was a musical Gladiator two went hard line,

223
00:09:51,240 --> 00:09:53,880
Speaker 4: and yet on the other side, you just know that

224
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Speaker 4: Joker two is going to be a far grittier movie.

225
00:09:56,840 --> 00:10:01,120
Speaker 4: And it's a fucking cut sing bag. Put as many

226
00:10:01,240 --> 00:10:05,120
Speaker 4: lions and as many feral apes in that Gladiated Too

227
00:10:05,240 --> 00:10:07,960
Speaker 4: movie with that absolute sap and.

228
00:10:07,880 --> 00:10:14,560
Speaker 3: It was never castel, yes, never, it was never going

229
00:10:14,600 --> 00:10:16,000
Speaker 3: to be anywhere near as.

230
00:10:15,920 --> 00:10:18,600
Speaker 4: Gritty Wha in Phoenix, Like Whak in Phoenix has more

231
00:10:18,640 --> 00:10:20,840
Speaker 4: grit in his little finger than Paul Mescal has in

232
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Speaker 4: his whole body.

233
00:10:23,559 --> 00:10:26,239
Speaker 3: I've said it. Have you seen all of us strangers,

234
00:10:26,320 --> 00:10:29,800
Speaker 3: all of Sunrise, all of us strangers? No after the sunset,

235
00:10:30,080 --> 00:10:35,520
Speaker 3: after sunset with Ethan Hawk, no before sunburn, after sun

236
00:10:36,760 --> 00:10:39,599
Speaker 3: have you seen after I have been a grit about.

237
00:10:39,320 --> 00:10:40,880
Speaker 4: Paul Wak in Phoenix.

238
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Speaker 3: I see he's singing in a Joker outfit.

239
00:10:45,679 --> 00:10:47,760
Speaker 4: I've got the hornful and as I said, Paul Mescal

240
00:10:47,840 --> 00:10:49,120
Speaker 4: surrounded by feral apes.

241
00:10:50,000 --> 00:10:53,199
Speaker 3: And I still think the choke looks grittier, No, I know,

242
00:10:53,480 --> 00:10:55,520
Speaker 3: And because if you flip that. Imagine imagine flipping that.

243
00:10:55,559 --> 00:11:00,120
Speaker 3: Imagine if Gladiator Too came out and said, guys, know,

244
00:11:00,160 --> 00:11:02,120
Speaker 3: it's a crazy idea. I know it's a crazy idea.

245
00:11:02,600 --> 00:11:06,760
Speaker 3: Musical you literally laugh the fact that we're not laughing

246
00:11:06,800 --> 00:11:08,839
Speaker 3: about the fact that Joker Too is a musical. Yes,

247
00:11:09,040 --> 00:11:12,240
Speaker 3: quite extraordinary. Feat it's quite extraordinary.

248
00:11:12,160 --> 00:11:13,120
Speaker 4: Gladiated the musical.

249
00:11:13,160 --> 00:11:17,800
Speaker 3: Though it does have legs, it kind of does have money.

250
00:11:19,000 --> 00:11:20,720
Speaker 3: But take it to the stage. I reckon, you've got

251
00:11:20,760 --> 00:11:22,000
Speaker 3: to take that bad boy to the stage.

252
00:11:22,000 --> 00:11:25,640
Speaker 4: You actually number opening number. It's Lucius doing a soliloquy

253
00:11:25,960 --> 00:11:28,920
Speaker 4: that the song would probably be called where is My Daddy?

254
00:11:28,960 --> 00:11:32,760
Speaker 4: And it's about Maxis. Well, there's my father.

255
00:11:33,840 --> 00:11:36,400
Speaker 3: All right, let's get into this, shall we. You could

256
00:11:36,400 --> 00:11:38,760
Speaker 3: make the theater of the coliseum as well.

257
00:11:38,920 --> 00:11:42,120
Speaker 4: Oh yeah, it's a metaphor. It's a perfect metaphor. All

258
00:11:42,120 --> 00:11:43,920
Speaker 4: of a sudden, we need to pitch that you want

259
00:11:43,920 --> 00:11:46,520
Speaker 4: to you want to? When did you pitch that you

260
00:11:46,559 --> 00:11:46,840
Speaker 4: want to?

261
00:11:46,840 --> 00:11:47,120
Speaker 3: Make it?

262
00:11:47,200 --> 00:11:47,360
Speaker 7: Good?

263
00:11:47,440 --> 00:11:49,960
Speaker 4: Chuck a song in there, brother, here we are, we're

264
00:11:50,000 --> 00:11:53,200
Speaker 4: back at it. Gladiator Too looks so shit. If Paul

265
00:11:53,200 --> 00:11:55,120
Speaker 4: mescal had been singing in there, I would have been like,

266
00:11:55,360 --> 00:11:57,040
Speaker 4: fucking sign me up, baby.

267
00:11:56,760 --> 00:11:58,200
Speaker 3: You would have liked to have seen how they went

268
00:11:58,240 --> 00:12:00,280
Speaker 3: about it. You would have respected the fact that they

269
00:12:00,280 --> 00:12:03,400
Speaker 3: were going for the high risk maneuver. Yes, anyway, let's

270
00:12:03,440 --> 00:12:04,960
Speaker 3: talk about a long con.

271
00:12:05,000 --> 00:12:05,040
Speaker 8: That.

272
00:12:05,960 --> 00:12:09,080
Speaker 3: Yeah, an incomplete long con by the way.

273
00:12:09,679 --> 00:12:13,600
Speaker 4: Yeah, well, I think just an ongoing long con.

274
00:12:13,800 --> 00:12:16,400
Speaker 3: Really it's not Yeah, I think it's I'm gonna say

275
00:12:16,520 --> 00:12:20,560
Speaker 3: you're in the cut and thrust. I'm gonna say five

276
00:12:21,040 --> 00:12:25,280
Speaker 3: four to five weeks ago, I reckon roughly. Yeah, Mim,

277
00:12:25,520 --> 00:12:31,840
Speaker 3: my partner, had a zoo interaction with Sarah Snook. Interaction

278
00:12:31,880 --> 00:12:34,520
Speaker 3: at the zoo with Sarah Snook. Okay, Nim was talking

279
00:12:34,520 --> 00:12:38,080
Speaker 3: about how well her and Sarah Snook got along. My child,

280
00:12:38,160 --> 00:12:41,520
Speaker 3: Remy got along with Sarah's child anyway, So we just thought,

281
00:12:41,600 --> 00:12:44,920
Speaker 3: what a great opportunity for a prank. But like, it's

282
00:12:45,040 --> 00:12:48,440
Speaker 3: very on the nose. So we've been planning this for

283
00:12:48,480 --> 00:12:52,440
Speaker 3: a long time, including an intermediary call that we made

284
00:12:52,520 --> 00:12:55,440
Speaker 3: two weeks ago. We did it on this podcast where

285
00:12:55,480 --> 00:13:00,400
Speaker 3: we called Mim as the zoo basically saying that Sarah

286
00:13:00,440 --> 00:13:03,319
Speaker 3: Snooks people have reached out and they wanted MIM's number.

287
00:13:04,240 --> 00:13:07,800
Speaker 9: I received a contact from one of our VIP members

288
00:13:07,920 --> 00:13:11,320
Speaker 9: at the Zoo, and I just need to confirm were

289
00:13:11,360 --> 00:13:15,760
Speaker 9: you at story time on Thursday, the fifth of September

290
00:13:16,200 --> 00:13:17,720
Speaker 9: at ninety.

291
00:13:18,640 --> 00:13:20,160
Speaker 10: Yes, very weird.

292
00:13:20,200 --> 00:13:20,800
Speaker 3: But I've had.

293
00:13:20,720 --> 00:13:23,200
Speaker 9: Sarah Snook's team reach out to us, and we can't

294
00:13:23,200 --> 00:13:28,679
Speaker 9: actually disclose your information to them without your permission, and

295
00:13:28,720 --> 00:13:30,840
Speaker 9: so I just wanted to double check if it's okay

296
00:13:30,880 --> 00:13:33,559
Speaker 9: with you if I pass on your details to their

297
00:13:33,600 --> 00:13:37,640
Speaker 9: PR team.

298
00:13:37,800 --> 00:13:39,800
Speaker 4: This is soa stitch up from Woody.

299
00:13:40,440 --> 00:13:42,040
Speaker 9: I'm sorry, I'm not sure who Woody is.

300
00:13:46,280 --> 00:13:47,920
Speaker 10: Yeah, no, that's fine, but.

301
00:13:50,400 --> 00:13:52,120
Speaker 9: Passed on the details, yes, Well.

302
00:13:52,040 --> 00:13:53,200
Speaker 10: Does she want to be my friend?

303
00:13:53,280 --> 00:13:53,720
Speaker 3: Is that like?

304
00:13:53,760 --> 00:13:54,480
Speaker 11: What's going on?

305
00:13:54,880 --> 00:13:57,360
Speaker 9: I have no idea. I just had her PR team

306
00:13:57,400 --> 00:13:59,920
Speaker 9: reach out to me and say, can you find this woman?

307
00:14:00,120 --> 00:14:02,080
Speaker 9: This is what she looked like. We crossed it with

308
00:14:02,120 --> 00:14:05,280
Speaker 9: our CCTV information and members that came at that time.

309
00:14:05,720 --> 00:14:08,440
Speaker 1: Amazing because I would want to do a dinner with

310
00:14:08,480 --> 00:14:10,840
Speaker 1: her like next week if she was interested.

311
00:14:10,920 --> 00:14:12,800
Speaker 10: So maybe if you could pass that on when.

312
00:14:12,640 --> 00:14:14,920
Speaker 1: You when you're talking about the information, yeah.

313
00:14:14,760 --> 00:14:17,280
Speaker 9: Sure, I'll pass it on to her team.

314
00:14:17,360 --> 00:14:20,440
Speaker 3: Okay, So ball was in my court, kay. I had

315
00:14:20,440 --> 00:14:24,480
Speaker 3: a very important role to play to maintain uphold the

316
00:14:24,560 --> 00:14:27,400
Speaker 3: line after a lot of training and coaching from you,

317
00:14:27,480 --> 00:14:28,640
Speaker 3: I thought I was in a pretty good spot. I

318
00:14:28,680 --> 00:14:30,680
Speaker 3: had to go home and busy myself because I think

319
00:14:30,720 --> 00:14:34,360
Speaker 3: it's to your words, it's easier to lie if you

320
00:14:34,440 --> 00:14:35,880
Speaker 3: are busy.

321
00:14:35,960 --> 00:14:39,360
Speaker 4: Yes, yes, yes, yes, because you know you're not you're

322
00:14:39,400 --> 00:14:41,840
Speaker 4: not standing still exactly, and you know our contact, no,

323
00:14:41,960 --> 00:14:43,880
Speaker 4: our contact, and you can kind of like look away.

324
00:14:43,960 --> 00:14:45,560
Speaker 3: There's a reason why you're looking away.

325
00:14:45,760 --> 00:14:49,640
Speaker 4: And you were awful at this shocking, terrible, too expressive.

326
00:14:49,760 --> 00:14:53,480
Speaker 4: You're too expressive, yes, trying too hard. And Mim always

327
00:14:53,480 --> 00:14:56,440
Speaker 4: says to me, it's it's always incredibly obvious when you're lying.

328
00:14:56,640 --> 00:14:58,880
Speaker 4: It's like you've got this half giggle face thing going on.

329
00:14:59,480 --> 00:15:03,240
Speaker 4: It's just gets old and it's always obvious. Anyway, thankfully

330
00:15:03,240 --> 00:15:05,920
Speaker 4: for me. When I got home, Mim had cooked a

331
00:15:05,920 --> 00:15:09,920
Speaker 4: banana bread, so busying myself tick, I just like I

332
00:15:09,920 --> 00:15:13,360
Speaker 4: got in and just barreled straight for banana bread, okay,

333
00:15:13,560 --> 00:15:15,240
Speaker 4: and was just like I was going to start slicing

334
00:15:15,280 --> 00:15:20,520
Speaker 4: and dicing and eating. I start slossing banana bread. Has

335
00:15:20,520 --> 00:15:24,080
Speaker 4: she spoken to you since sorry? When you left the studio,

336
00:15:24,200 --> 00:15:27,760
Speaker 4: though I called her, she sent you a message. She

337
00:15:27,840 --> 00:15:30,960
Speaker 4: sent me a message saying like good one or something

338
00:15:31,960 --> 00:15:36,160
Speaker 4: classic classic didn't right back, and when I phoned her,

339
00:15:36,400 --> 00:15:39,120
Speaker 4: I just ignored that message, and okay, I just went

340
00:15:39,200 --> 00:15:41,480
Speaker 4: straight into like, hey, hey, going on the way home,

341
00:15:42,160 --> 00:15:42,640
Speaker 4: how'd your date?

342
00:15:42,680 --> 00:15:42,840
Speaker 8: Man?

343
00:15:43,320 --> 00:15:44,560
Speaker 4: Thing? Did she bring it up?

344
00:15:44,640 --> 00:15:46,240
Speaker 3: And then she brought it up straight away and she

345
00:15:46,400 --> 00:15:49,440
Speaker 3: was like good one. And I was like, what's what

346
00:15:50,200 --> 00:15:55,000
Speaker 3: and then she was what what? I don't know, but

347
00:15:55,000 --> 00:15:57,920
Speaker 3: but then she she got I wouldn't say you got angry,

348
00:15:57,920 --> 00:15:59,880
Speaker 3: but there was like a there was a tone of like,

349
00:16:00,200 --> 00:16:02,440
Speaker 3: stop stop dicking around kind of thing, like I know

350
00:16:02,520 --> 00:16:02,880
Speaker 3: it was you.

351
00:16:02,920 --> 00:16:05,280
Speaker 4: She's good, which which means that she half bought it.

352
00:16:05,760 --> 00:16:08,280
Speaker 4: She's she's getting angry about it. But you know what

353
00:16:08,320 --> 00:16:11,680
Speaker 4: I mean, like is she she wouldn't have been frustrated.

354
00:16:11,040 --> 00:16:13,200
Speaker 3: Because she was in that what we call the purgatory

355
00:16:13,200 --> 00:16:15,800
Speaker 3: of a prank, which is have I been praying to

356
00:16:15,880 --> 00:16:18,080
Speaker 3: or is this real life? My dad lives in purgatry,

357
00:16:18,080 --> 00:16:20,680
Speaker 3: by the way, frank him so much, so it's not

358
00:16:20,720 --> 00:16:22,360
Speaker 3: a very nice position to be in. So I just

359
00:16:22,400 --> 00:16:24,000
Speaker 3: tell me what's going on. But I was just trying

360
00:16:24,000 --> 00:16:25,720
Speaker 3: to play a lot of like I don't I don't

361
00:16:25,800 --> 00:16:28,840
Speaker 3: even know what you're talking about what happened, and she's

362
00:16:28,880 --> 00:16:32,240
Speaker 3: going Sarah Snook, the Sarah's Snook call, and I was going, Mim,

363
00:16:32,280 --> 00:16:35,360
Speaker 3: I have no idea. What a nice nice right? And

364
00:16:35,960 --> 00:16:37,640
Speaker 3: you talked about something was on the show today, like

365
00:16:37,720 --> 00:16:39,640
Speaker 3: when when was it on the show today? And she

366
00:16:39,720 --> 00:16:41,480
Speaker 3: was like, you just called me from the zoo? And

367
00:16:41,520 --> 00:16:42,360
Speaker 3: I was like the zoo?

368
00:16:42,440 --> 00:16:43,960
Speaker 4: What what do you?

369
00:16:44,000 --> 00:16:48,760
Speaker 3: What are you? Wow? And then good, yeah, bit of anger. Wow.

370
00:16:48,960 --> 00:16:52,840
Speaker 4: I like that though, because I was sorry bad because.

371
00:16:52,640 --> 00:16:54,440
Speaker 3: She's angry, and I'm like, oh no, I don't annoy

372
00:16:54,480 --> 00:16:56,920
Speaker 3: you anyway, and then she was and then she threw

373
00:16:57,080 --> 00:17:02,240
Speaker 3: she threw out the first do you swear on my life? No,

374
00:17:02,840 --> 00:17:05,159
Speaker 3: I was not anticipating. I was not anticipating that do

375
00:17:05,200 --> 00:17:07,560
Speaker 3: you swear on my life? And the phone broke up. Then,

376
00:17:07,800 --> 00:17:11,200
Speaker 3: so I know I found a small loophole, and I said,

377
00:17:11,240 --> 00:17:13,800
Speaker 3: I swear on my life. It wasn't me because technically

378
00:17:15,320 --> 00:17:17,919
Speaker 3: it wasn't actually me that made the call. It was

379
00:17:18,040 --> 00:17:19,800
Speaker 3: Chaz from the office. So I think I found a

380
00:17:19,840 --> 00:17:22,840
Speaker 3: beautiful loophole there. Anyway, and then she was how do

381
00:17:22,840 --> 00:17:24,800
Speaker 3: you feel about it? And anyway, and then she hung

382
00:17:24,800 --> 00:17:26,320
Speaker 3: on the phone, and so she hung up and she

383
00:17:26,440 --> 00:17:27,920
Speaker 3: was like, She's like, I can't really hear the wind

384
00:17:27,960 --> 00:17:29,600
Speaker 3: because I was on my bike. I was peddling very

385
00:17:29,600 --> 00:17:29,960
Speaker 3: hard to.

386
00:17:30,280 --> 00:17:32,600
Speaker 4: Break up the phone, so I can't even hear you.

387
00:17:32,640 --> 00:17:38,080
Speaker 3: And I was like, I'm on my bike. And then

388
00:17:38,800 --> 00:17:41,080
Speaker 3: panic ride home, panic ride home, and then so I

389
00:17:41,119 --> 00:17:41,720
Speaker 3: got home.

390
00:17:41,800 --> 00:17:43,760
Speaker 4: Done by the way, I'm proud of you. I thought

391
00:17:43,760 --> 00:17:44,720
Speaker 4: I would have folded by that.

392
00:17:44,920 --> 00:17:46,840
Speaker 3: No, no, I was feeling terrible. So this is when

393
00:17:46,840 --> 00:17:48,160
Speaker 3: I found the banana bread and I was like, I'm

394
00:17:48,160 --> 00:17:49,720
Speaker 3: going to I'm going to eat the loaf. So I

395
00:17:49,760 --> 00:17:52,520
Speaker 3: was just hitting banana bread hard and she was again.

396
00:17:52,520 --> 00:17:53,840
Speaker 3: She brought it up again, and she's like, can you

397
00:17:53,880 --> 00:17:54,320
Speaker 3: just tell me?

398
00:17:54,640 --> 00:17:54,880
Speaker 4: Please?

399
00:17:54,920 --> 00:17:55,639
Speaker 3: Can you just tell me?

400
00:17:55,680 --> 00:17:58,000
Speaker 4: And I was just like, I don't, honestly, I don't

401
00:17:58,040 --> 00:18:00,600
Speaker 4: know what you're talking about. And then I so I'm

402
00:18:00,640 --> 00:18:03,320
Speaker 4: banana breading. But I did turn at one point now

403
00:18:03,440 --> 00:18:05,159
Speaker 4: full of banana bread, and she called me out on

404
00:18:05,240 --> 00:18:08,080
Speaker 4: my face, sh you've got your face on, you've got

405
00:18:08,119 --> 00:18:08,720
Speaker 4: your lying face.

406
00:18:09,520 --> 00:18:12,040
Speaker 3: What do you And then and then I started going,

407
00:18:12,040 --> 00:18:14,120
Speaker 3: what are you talking about? What are you actually talking about?

408
00:18:14,119 --> 00:18:16,400
Speaker 3: And then she's like, do you swear on Remy's life? No,

409
00:18:16,560 --> 00:18:18,520
Speaker 3: I'm not. I'm not I'm not doing this swearing on

410
00:18:18,600 --> 00:18:20,399
Speaker 3: life stuff. And then so she kind of had me.

411
00:18:20,720 --> 00:18:22,359
Speaker 3: I may have ruined it a.

412
00:18:22,240 --> 00:18:24,240
Speaker 4: Little bit, but what's the last thing she said?

413
00:18:24,560 --> 00:18:26,760
Speaker 3: But what I was, I was just again she's called

414
00:18:26,760 --> 00:18:28,199
Speaker 3: me out of my face, and then she and then

415
00:18:28,240 --> 00:18:29,760
Speaker 3: she and then she goes, why don't you just tell me?

416
00:18:30,080 --> 00:18:31,879
Speaker 3: But you can't just you can't just leave me hanging

417
00:18:31,960 --> 00:18:35,080
Speaker 3: like this, And I tried to fire back with her, nim,

418
00:18:35,160 --> 00:18:37,480
Speaker 3: I don't know what you're talking about, banana bad.

419
00:18:39,520 --> 00:18:39,680
Speaker 10: Man.

420
00:18:39,720 --> 00:18:41,440
Speaker 3: And then I think she actually mentioned the banana bread

421
00:18:41,560 --> 00:18:43,600
Speaker 3: as well, as She's like, you keep eating banana bread

422
00:18:43,680 --> 00:18:46,680
Speaker 3: and trying to distract yourself. And I was like, my god,

423
00:18:46,680 --> 00:18:49,160
Speaker 3: you're calling all of my moves. But I think what's

424
00:18:49,160 --> 00:18:51,440
Speaker 3: worked in our favor, though, is that it's been a

425
00:18:51,880 --> 00:18:53,760
Speaker 3: it's been a week, so and I think that works

426
00:18:53,800 --> 00:18:56,320
Speaker 3: beautifully because I think she was then the next day,

427
00:18:56,440 --> 00:19:01,720
Speaker 3: she's obviously expecting the prestige of the prank. We so

428
00:19:01,880 --> 00:19:05,520
Speaker 3: much of life has happened so our first day back

429
00:19:05,520 --> 00:19:09,639
Speaker 3: at work, though, I so what I'm saying is that

430
00:19:09,680 --> 00:19:12,320
Speaker 3: I went for the Berry method, but it.

431
00:19:12,280 --> 00:19:14,240
Speaker 4: Did not come up. What's the Berry method?

432
00:19:14,600 --> 00:19:15,480
Speaker 3: Never talk about it?

433
00:19:16,160 --> 00:19:17,040
Speaker 4: Bear is in bury it?

434
00:19:17,560 --> 00:19:17,760
Speaker 12: Sorry.

435
00:19:17,760 --> 00:19:19,160
Speaker 4: I thought he was doing about like the halle Berry

436
00:19:19,200 --> 00:19:20,840
Speaker 4: and I was like, I didn't know halle Berry had

437
00:19:20,840 --> 00:19:22,240
Speaker 4: an acting TECHNIQUEA.

438
00:19:24,040 --> 00:19:30,320
Speaker 3: Nothing. So you're on screen she does nothing? Yeah, okay, okay,

439
00:19:30,680 --> 00:19:37,359
Speaker 3: so this is now the final step. Yep, the prestige.

440
00:19:37,359 --> 00:19:43,879
Speaker 3: If you will, will were Tommy, Yeah, you do a

441
00:19:43,960 --> 00:19:45,040
Speaker 3: very good American accent.

442
00:19:45,680 --> 00:19:46,960
Speaker 2: Thank you, that's very kind.

443
00:19:48,600 --> 00:19:54,920
Speaker 3: No, No, is she gonna know your voice? I could

444
00:19:54,920 --> 00:19:55,600
Speaker 3: be up here.

445
00:19:56,160 --> 00:19:56,320
Speaker 8: Hi?

446
00:19:56,720 --> 00:20:02,080
Speaker 5: Yeah again, team have to climb tom so are we're

447
00:20:02,119 --> 00:20:03,480
Speaker 5: going for a no reveal here?

448
00:20:04,119 --> 00:20:06,639
Speaker 4: If she, if she tries to cool our bluff, I

449
00:20:06,720 --> 00:20:08,840
Speaker 4: agree with that. If she, If she, I think we

450
00:20:08,960 --> 00:20:11,840
Speaker 4: just need to go have we have no idea you're doing. Yeah,

451
00:20:12,320 --> 00:20:13,760
Speaker 4: we just have to hold that for long because I

452
00:20:13,800 --> 00:20:16,320
Speaker 4: saw I saw me on Saturday. She did not bring

453
00:20:16,359 --> 00:20:17,840
Speaker 4: this up with me, not not at all.

454
00:20:18,000 --> 00:20:18,680
Speaker 3: That's a good sign.

455
00:20:18,840 --> 00:20:22,600
Speaker 4: I know, I reckon she's brought it here we go.

456
00:20:22,720 --> 00:20:25,840
Speaker 3: Okay, good luck. A high American is going to make

457
00:20:25,880 --> 00:20:26,160
Speaker 3: the call.

458
00:20:31,119 --> 00:20:34,080
Speaker 10: You have reached the message bank of zero four.

459
00:20:35,600 --> 00:20:36,280
Speaker 4: Show must go on.

460
00:20:36,440 --> 00:20:38,919
Speaker 3: That's a lot of build for a voicemail.

461
00:20:40,320 --> 00:20:42,720
Speaker 4: I'm cool with it. I'm cool with it. We're in

462
00:20:42,760 --> 00:20:47,800
Speaker 4: podcast land baby, true, they're listening. Anyway. We haven't played

463
00:20:47,840 --> 00:20:50,280
Speaker 4: any gear from the week this week. We've been caught

464
00:20:50,359 --> 00:20:53,920
Speaker 4: up in a two week long con and I apologize.

465
00:20:54,280 --> 00:20:56,760
Speaker 3: I don't apologize. I think it's all been good. There's

466
00:20:56,800 --> 00:20:59,400
Speaker 3: some criticals in movies, there's been some hot themes, there's

467
00:20:59,400 --> 00:20:59,840
Speaker 3: some great.

468
00:20:59,720 --> 00:21:00,240
Speaker 4: Year to come.

469
00:21:00,440 --> 00:21:01,920
Speaker 2: We'll try again before the end of the show.

470
00:21:02,000 --> 00:21:04,119
Speaker 3: Yeah, of course, Yeah, I say, we just keep trying.

471
00:21:04,119 --> 00:21:08,240
Speaker 3: As the podcast goes on, Stefani m hm. And also,

472
00:21:08,240 --> 00:21:09,800
Speaker 3: in the words of Gwinn, here's your ads.

473
00:21:18,640 --> 00:21:22,240
Speaker 4: All right. So I think that probably the biggest thing

474
00:21:22,280 --> 00:21:27,600
Speaker 4: from the week this week was to chat with Kylie.

475
00:21:27,720 --> 00:21:30,400
Speaker 4: It's always cool to talk to Kylie. The second time

476
00:21:30,400 --> 00:21:32,880
Speaker 4: we've spoken to her, by the way, all.

477
00:21:32,840 --> 00:21:36,160
Speaker 3: Right, one time, one time, pretty normal. Second time we

478
00:21:36,160 --> 00:21:39,959
Speaker 3: were in a bed together. First time I asked her

479
00:21:39,960 --> 00:21:43,560
Speaker 3: about that the rumor about her joining the Male High

480
00:21:43,560 --> 00:21:44,560
Speaker 3: Club with Michael.

481
00:21:44,359 --> 00:21:48,320
Speaker 4: Hutchins with the Prime Minister City nextcellent, And.

482
00:21:48,240 --> 00:21:50,520
Speaker 3: The rumor was that I believe it was Bob Hawk

483
00:21:50,600 --> 00:21:51,320
Speaker 3: that wink.

484
00:21:53,520 --> 00:21:54,600
Speaker 4: They closed the cabin door.

485
00:21:56,240 --> 00:21:58,760
Speaker 3: Yeah, from memory her response, pause, I hope you've got

486
00:21:58,800 --> 00:21:59,399
Speaker 3: other questions.

487
00:22:00,080 --> 00:22:02,240
Speaker 4: Yeah, not in a bad way. I mean, we still

488
00:22:02,240 --> 00:22:04,679
Speaker 4: got interviews to you there show still like us. But

489
00:22:04,720 --> 00:22:10,439
Speaker 4: we did we we we did. I I told you

490
00:22:10,480 --> 00:22:12,560
Speaker 4: that you had to convince her that you'd hung out

491
00:22:12,560 --> 00:22:13,480
Speaker 4: with her previously.

492
00:22:14,480 --> 00:22:17,439
Speaker 3: That was that was not fair. That was that was

493
00:22:17,480 --> 00:22:18,080
Speaker 3: that was not fair.

494
00:22:18,119 --> 00:22:19,679
Speaker 4: It's very funny and I think you did pretty well.

495
00:22:19,720 --> 00:22:25,440
Speaker 3: I think you very well. Hello, good to see you again.

496
00:22:25,480 --> 00:22:29,040
Speaker 3: Actually I I briefly saw you yesterday in Singapore.

497
00:22:30,840 --> 00:22:32,359
Speaker 4: Oh you were at the race.

498
00:22:32,640 --> 00:22:36,280
Speaker 3: Yeah, we we. We had the the briefest of chats.

499
00:22:36,280 --> 00:22:42,480
Speaker 3: Wait near the pits, near the pits. Ah, it was

500
00:22:42,560 --> 00:22:45,040
Speaker 3: very you were you were in transit, but I kind

501
00:22:45,040 --> 00:22:48,840
Speaker 3: of I saw my opportunity. I jumped in. Lenny was

502
00:22:48,840 --> 00:22:51,240
Speaker 3: there like just meters to my left. I was. I

503
00:22:51,280 --> 00:22:53,439
Speaker 3: was in a cardigan and cargo pants.

504
00:22:54,160 --> 00:23:01,360
Speaker 9: No, no, I only apologized because I just come off stage.

505
00:23:01,520 --> 00:23:01,800
Speaker 6: I was.

506
00:23:03,119 --> 00:23:05,160
Speaker 8: I was like still a furnace.

507
00:23:05,520 --> 00:23:08,800
Speaker 6: You know how hot it was, piping hot.

508
00:23:09,359 --> 00:23:11,720
Speaker 8: I mean I nearly fainted a few times.

509
00:23:12,840 --> 00:23:16,600
Speaker 3: I came off state. These guys are backing up white

510
00:23:16,680 --> 00:23:19,320
Speaker 3: as it goes. All the color completely drained from me,

511
00:23:19,480 --> 00:23:21,840
Speaker 3: like you've got five minutes to get to the grid.

512
00:23:23,960 --> 00:23:27,440
Speaker 3: It was manic, absolutely manic. Yes, we had a brief chat.

513
00:23:27,440 --> 00:23:30,040
Speaker 3: About flag waving technique.

514
00:23:29,600 --> 00:23:32,040
Speaker 4: But that was waving went well.

515
00:23:32,119 --> 00:23:34,119
Speaker 3: I think you nailed it. You absolutely that. We had

516
00:23:34,119 --> 00:23:35,760
Speaker 3: a little joke about the fact that you said you

517
00:23:35,760 --> 00:23:38,440
Speaker 3: were ready to go, you'd practiced, and then you nailed it.

518
00:23:39,040 --> 00:23:40,280
Speaker 8: Okay, it's all coming back to me.

519
00:23:40,400 --> 00:23:42,680
Speaker 3: Get nice to see it, great to see you, too

520
00:23:42,720 --> 00:23:44,400
Speaker 3: great to see you, too great to be chatting again.

521
00:23:44,760 --> 00:23:46,520
Speaker 4: So you're still in Singapore?

522
00:23:46,760 --> 00:23:49,600
Speaker 3: No, I literally jumped on a plane straight away. I'm

523
00:23:49,680 --> 00:23:52,320
Speaker 3: very much in the in the time vortex.

524
00:23:52,760 --> 00:23:54,680
Speaker 6: Right, got it?

525
00:23:54,720 --> 00:23:56,719
Speaker 3: Okay, confusing? All right?

526
00:23:57,520 --> 00:24:01,399
Speaker 4: You going, okay, let's do it. Before we get going,

527
00:24:01,640 --> 00:24:02,879
Speaker 4: I'm just going to let you know that that was

528
00:24:02,920 --> 00:24:04,560
Speaker 4: a bit. I did give what your challenge to try

529
00:24:04,600 --> 00:24:07,200
Speaker 4: and convince you that you had actually caught up personally recently.

530
00:24:07,720 --> 00:24:09,480
Speaker 3: So I just don't want you to feel like you

531
00:24:10,280 --> 00:24:15,679
Speaker 3: sorry that was that was a challenge. Yes, it was.

532
00:24:15,720 --> 00:24:18,320
Speaker 3: You didn't see you. He's not in Singapore. I'm like,

533
00:24:18,960 --> 00:24:23,000
Speaker 3: how does any of this make sense? You were so

534
00:24:23,200 --> 00:24:32,160
Speaker 3: incredibly kind about it as well, Kylie? You really where

535
00:24:32,200 --> 00:24:33,359
Speaker 3: where are you getting the pits?

536
00:24:33,840 --> 00:24:34,080
Speaker 10: Sure?

537
00:24:34,400 --> 00:24:39,200
Speaker 3: Sure? Sure it was. You did a great sell because.

538
00:24:40,440 --> 00:24:41,640
Speaker 8: From you know, like.

539
00:24:42,280 --> 00:24:45,080
Speaker 4: I can imagine how the hell you got back there

540
00:24:45,119 --> 00:24:46,960
Speaker 4: and okay.

541
00:24:48,800 --> 00:24:51,560
Speaker 3: Can I also just say that what you guys haven't

542
00:24:51,600 --> 00:24:55,480
Speaker 3: seen there? And this does happen in big celebrity interviews,

543
00:24:56,240 --> 00:25:00,240
Speaker 3: her eyes going off camera, which is clearly looking at

544
00:25:00,320 --> 00:25:03,920
Speaker 3: her team and going how did this one get through?

545
00:25:04,800 --> 00:25:06,080
Speaker 3: How did you allow this to happen?

546
00:25:06,240 --> 00:25:09,840
Speaker 4: How did you let the Michael Hutchins Bob Hawk boys back?

547
00:25:10,840 --> 00:25:13,440
Speaker 3: That's right? A and then be they're doing it again.

548
00:25:13,440 --> 00:25:16,399
Speaker 3: They're doing it again, so so that that could be

549
00:25:16,440 --> 00:25:19,040
Speaker 3: the final chat with Claim and Oak. I'll tell you

550
00:25:19,040 --> 00:25:21,760
Speaker 3: what though. Credit to how lovely shit she was? Like

551
00:25:21,920 --> 00:25:26,680
Speaker 3: actually straining to remember our fleeting interaction at the Singapore

552
00:25:26,680 --> 00:25:30,520
Speaker 3: Grand Prix. She could have so easy to gone no idea,

553
00:25:30,880 --> 00:25:34,680
Speaker 3: move on. She tried so hard. A nice person, lovely person,

554
00:25:34,840 --> 00:25:39,320
Speaker 3: lovely person. Love to see her a musical now she

555
00:25:39,880 --> 00:25:43,120
Speaker 3: was Roos. She was she was the fairy, the absent fairy.

556
00:25:43,960 --> 00:25:46,160
Speaker 3: Now now.

557
00:25:48,560 --> 00:25:49,360
Speaker 4: I'm not sure what that.

558
00:25:49,520 --> 00:25:53,480
Speaker 3: Was, knowing we've all seen the absent fairy once or twice.

559
00:25:53,840 --> 00:25:57,720
Speaker 4: So we found out that Kylie is something called mononymous.

560
00:25:57,760 --> 00:25:59,480
Speaker 4: I don't know what is with you today, mate?

561
00:25:59,480 --> 00:26:00,679
Speaker 3: You it we but am I?

562
00:26:00,880 --> 00:26:01,080
Speaker 9: Yeah?

563
00:26:01,080 --> 00:26:03,800
Speaker 3: I think so? I might be. I mean, for the

564
00:26:03,800 --> 00:26:07,560
Speaker 3: afore mentioned bike trip. My en dolphins are humming, Yeah right.

565
00:26:10,200 --> 00:26:12,440
Speaker 3: I don't think my doorphins have been high anyway.

566
00:26:12,640 --> 00:26:15,600
Speaker 4: So we found out that Kylie was mononymous, which means

567
00:26:15,600 --> 00:26:19,000
Speaker 4: that she's got one word as her name. Like you

568
00:26:19,000 --> 00:26:21,520
Speaker 4: can just mention Kylie and everyone knows who she is,

569
00:26:22,160 --> 00:26:25,320
Speaker 4: Madonna chare Seal. We had a bit of a chat

570
00:26:25,320 --> 00:26:28,040
Speaker 4: about that, and then the thing that we stumbled into

571
00:26:28,600 --> 00:26:36,520
Speaker 4: was yes a lah Rhianna, Nostrodamus and Confucius and or

572
00:26:36,640 --> 00:26:39,280
Speaker 4: Lord or Jesus for that matter. I tend to go

573
00:26:39,320 --> 00:26:40,840
Speaker 4: down to the religious figure, but you know, you can

574
00:26:40,840 --> 00:26:44,600
Speaker 4: go to the pop star line whatever you want to do. Hercules, Hercules,

575
00:26:44,640 --> 00:26:45,320
Speaker 4: there's actually a lot.

576
00:26:45,520 --> 00:26:46,320
Speaker 3: There's more than you think.

577
00:26:46,359 --> 00:26:49,320
Speaker 4: I don't think Hercules had two names, but anyway, like

578
00:26:49,520 --> 00:26:52,960
Speaker 4: you know what I mean, Like, if you have one name, anyway, it's.

579
00:26:52,880 --> 00:26:55,400
Speaker 3: Hard to He never dropped a surname.

580
00:26:55,560 --> 00:26:57,880
Speaker 4: I don't think so. I don't think so. I don't

581
00:26:57,880 --> 00:27:00,680
Speaker 4: think any of the gods did. Yeah, sure, yeah, sure,

582
00:27:00,720 --> 00:27:06,240
Speaker 4: all the Titans for that matter. Anyway, Tom's gonna kill me.

583
00:27:07,000 --> 00:27:07,679
Speaker 4: You're gonna kill me.

584
00:27:09,200 --> 00:27:10,400
Speaker 2: We've played one piece of gear.

585
00:27:10,480 --> 00:27:20,280
Speaker 4: Okay, we called we called Eddie McGuire, yes, pretending that

586
00:27:20,359 --> 00:27:22,840
Speaker 4: we were trying to get Grand Final tickets for Kylie,

587
00:27:22,920 --> 00:27:24,880
Speaker 4: and because her name's anonymous, we were like, oh, it's

588
00:27:24,920 --> 00:27:26,080
Speaker 4: just for Kylie, and.

589
00:27:26,040 --> 00:27:29,040
Speaker 3: We were hoping that she would sorry, he would assume

590
00:27:29,240 --> 00:27:32,479
Speaker 3: we were referring to Kylie Minogue, but for us, we

591
00:27:32,480 --> 00:27:35,600
Speaker 3: were actually calling on behalf of Kylie Gillies and we

592
00:27:35,640 --> 00:27:37,119
Speaker 3: just wanted to see if we get through the whole

593
00:27:37,200 --> 00:27:42,199
Speaker 3: phone call without him saying Kylie who. Anyway, here's how

594
00:27:42,240 --> 00:27:42,520
Speaker 3: it went.

595
00:27:43,720 --> 00:27:45,919
Speaker 4: Hello, Hey, Ed, this is Will from Will and Woody.

596
00:27:45,920 --> 00:27:46,639
Speaker 10: How are you mate?

597
00:27:46,840 --> 00:27:47,200
Speaker 8: Good on it?

598
00:27:47,280 --> 00:27:47,440
Speaker 1: Will?

599
00:27:47,480 --> 00:27:51,520
Speaker 4: How are you good mate? Have you got a sick Yeah? Yeah, sure, beautiful. Sorry,

600
00:27:51,520 --> 00:27:54,119
Speaker 4: I know it's a busy week for you. It's just

601
00:27:54,240 --> 00:27:57,399
Speaker 4: we I've got Woody here as well at the moment,

602
00:27:57,560 --> 00:28:03,040
Speaker 4: and we just had Kylie in the studio and she

603
00:28:03,600 --> 00:28:09,760
Speaker 4: was asking us about Grand Final tickets. Yeah, and we said, look,

604
00:28:09,760 --> 00:28:14,240
Speaker 4: we don't really know anyone, but I said, I know,

605
00:28:14,080 --> 00:28:15,120
Speaker 4: you know, I've got ends number.

606
00:28:15,119 --> 00:28:17,119
Speaker 3: We could give Ed a call. Yeah, no worries.

607
00:28:17,160 --> 00:28:19,359
Speaker 8: What what is what Colie Coli and Oak wants Grand

608
00:28:19,359 --> 00:28:20,120
Speaker 8: Final tickets?

609
00:28:20,600 --> 00:28:20,800
Speaker 3: Yeah?

610
00:28:20,880 --> 00:28:25,080
Speaker 4: Yeah, well yeah, I mean yeah.

611
00:28:24,440 --> 00:28:26,760
Speaker 8: Or Kylie Cole. This is Collie who lives around the

612
00:28:26,760 --> 00:28:28,160
Speaker 8: corner or Colieman Oak.

613
00:28:28,840 --> 00:28:31,760
Speaker 4: It's it's the Kylie.

614
00:28:31,880 --> 00:28:34,159
Speaker 8: Okay, so I've worked out already. You guys are just

615
00:28:34,200 --> 00:28:36,760
Speaker 8: full of it. Knock off two chickens.

616
00:28:36,880 --> 00:28:38,960
Speaker 3: You've absolutely picked the eyes out of it. You have

617
00:28:39,040 --> 00:28:40,200
Speaker 3: picked the eyes out of it, and.

618
00:28:40,120 --> 00:28:43,360
Speaker 8: That's quite It started as soon as the answer the phone,

619
00:28:43,400 --> 00:28:45,920
Speaker 8: and I knew something was on here, particularly when I

620
00:28:46,000 --> 00:28:47,520
Speaker 8: don't hear from people for a couple of years in

621
00:28:47,560 --> 00:28:50,320
Speaker 8: the ring, your grand final weeks and I've heard everything.

622
00:28:50,360 --> 00:28:55,640
Speaker 8: Tell Kylie, I've got two tickets, five grand age and

623
00:28:55,680 --> 00:28:59,120
Speaker 8: I'll donate and I'll donate the proceeds to charity. Okay,

624
00:29:00,080 --> 00:29:01,200
Speaker 8: them a foundation.

625
00:29:05,240 --> 00:29:06,800
Speaker 4: All right, We've played one bit of gear, so I'm

626
00:29:06,800 --> 00:29:08,280
Speaker 4: going to keep things moving too.

627
00:29:09,080 --> 00:29:12,000
Speaker 3: Two I mean the first one was effectively a grab,

628
00:29:12,120 --> 00:29:14,360
Speaker 3: but it's still two b.

629
00:29:15,000 --> 00:29:16,600
Speaker 4: This is meant to be a recap of the best

630
00:29:16,600 --> 00:29:18,960
Speaker 4: bits of the week though, so currently it's just looking

631
00:29:19,000 --> 00:29:21,160
Speaker 4: like we had a bad week. But we didn't. We

632
00:29:21,200 --> 00:29:21,800
Speaker 4: had a good week.

633
00:29:21,880 --> 00:29:22,800
Speaker 3: It wasn't too much fun.

634
00:29:23,000 --> 00:29:24,120
Speaker 4: Yeah, we have a lot of fun. We having a

635
00:29:24,120 --> 00:29:27,640
Speaker 4: lot of fun in this this slow paced, unlimited time environment.

636
00:29:29,160 --> 00:29:35,479
Speaker 4: Have Amanda in wh're talking anyway, here's some calls best

637
00:29:35,640 --> 00:29:36,640
Speaker 4: boss nicknames.

638
00:29:38,520 --> 00:29:39,240
Speaker 3: Let's go to Steve.

639
00:29:39,240 --> 00:29:40,160
Speaker 4: Shall we stay Steve?

640
00:29:40,280 --> 00:29:41,920
Speaker 3: What do you call your box behind the back?

641
00:29:42,840 --> 00:29:47,840
Speaker 11: Hey, guys call him taps, Taps acronym acronym four, thekest

642
00:29:47,840 --> 00:29:53,520
Speaker 11: pig ships. But he's under the impression that he names

643
00:29:53,560 --> 00:29:55,080
Speaker 11: Taps because he's a fast runner.

644
00:29:55,520 --> 00:29:57,400
Speaker 4: Why are you a fast runner for your taps?

645
00:29:57,560 --> 00:29:57,720
Speaker 8: Oh?

646
00:29:57,760 --> 00:30:00,400
Speaker 3: The tap runs fast? Get it estate.

647
00:30:01,040 --> 00:30:03,800
Speaker 4: I used to work at a tennis club that was

648
00:30:03,840 --> 00:30:07,240
Speaker 4: filled with very wealthy, very old people who could be

649
00:30:07,320 --> 00:30:09,800
Speaker 4: quite snorty. And we had a French, a guy who

650
00:30:09,840 --> 00:30:13,600
Speaker 4: was French who was in charge of us. And I

651
00:30:13,640 --> 00:30:16,160
Speaker 4: can say I'm not gonna say again. His name is Christaspool.

652
00:30:17,040 --> 00:30:19,680
Speaker 4: And one time I went and walked over to this

653
00:30:19,680 --> 00:30:21,160
Speaker 4: woman and she was like, I don't want you, I

654
00:30:21,200 --> 00:30:25,160
Speaker 4: want my waiter. And I was like, well, who's your waiter?

655
00:30:25,200 --> 00:30:26,280
Speaker 3: And I knew exactly what she wanted.

656
00:30:26,320 --> 00:30:28,200
Speaker 4: She wanted christas Pool, the French guy, of course, and

657
00:30:28,240 --> 00:30:30,000
Speaker 4: I was like, oh, it's your way, and she goes.

658
00:30:32,200 --> 00:30:33,160
Speaker 3: Crispy to spare me.

659
00:30:35,200 --> 00:30:43,000
Speaker 4: I've got Riley here, Riley, Riley, No, hey, Riley, what

660
00:30:43,040 --> 00:30:44,600
Speaker 4: did you What did you call your boss?

661
00:30:45,080 --> 00:30:49,320
Speaker 11: We call him sent a lot, because it's only time

662
00:30:49,360 --> 00:30:51,120
Speaker 11: he walks, and the only time he works is when

663
00:30:51,160 --> 00:30:54,280
Speaker 11: we walked past.

664
00:30:55,440 --> 00:31:02,160
Speaker 3: They get very creative. I just kind with cryptic nicknames,

665
00:31:02,440 --> 00:31:05,840
Speaker 3: and the cryptic works perfectly because they don't say to

666
00:31:05,880 --> 00:31:07,920
Speaker 3: them all the time. Let's go to Josh here, Josh,

667
00:31:07,960 --> 00:31:09,480
Speaker 3: this is your boss. You've come up with a name

668
00:31:09,520 --> 00:31:10,240
Speaker 3: behind his back.

669
00:31:11,440 --> 00:31:14,520
Speaker 2: Yeah, we used to call him Harvey Norman because no

670
00:31:14,520 --> 00:31:16,240
Speaker 2: matter what you were doing with him, you still had

671
00:31:16,320 --> 00:31:16,800
Speaker 2: no interest.

672
00:31:17,000 --> 00:31:20,680
Speaker 3: Brilliant, it's clever, but you stepped them out. I love

673
00:31:20,720 --> 00:31:22,880
Speaker 3: how you step out the explanation. It's great. At the start,

674
00:31:22,920 --> 00:31:24,600
Speaker 3: I was like, what the hell's that? Man? It's got

675
00:31:24,600 --> 00:31:27,520
Speaker 3: to Adam here, Adam, what's your boss's nickname?

676
00:31:28,280 --> 00:31:30,040
Speaker 11: We got to go one from the boss mate, that's

677
00:31:30,120 --> 00:31:31,840
Speaker 11: the ex bos his name is Foreskin.

678
00:31:34,080 --> 00:31:37,520
Speaker 3: There you're going every time the work gets hard, he disappears.

679
00:31:47,480 --> 00:31:49,360
Speaker 4: All right, Hey, I've got a question. I've been trying

680
00:31:49,400 --> 00:31:51,560
Speaker 4: this around recently since I had read to her yesterday.

681
00:31:51,880 --> 00:31:55,720
Speaker 4: That's right, that's where this begins and done. Pusher Tom

682
00:31:55,840 --> 00:31:57,600
Speaker 4: came up to me and said, look, I hate read

683
00:31:57,720 --> 00:32:00,400
Speaker 4: to it, and I was like, that's because I'm you've

684
00:32:00,440 --> 00:32:01,240
Speaker 4: had a bad one.

685
00:32:01,640 --> 00:32:03,320
Speaker 3: And then I turned to Tom, didn't I tell me?

686
00:32:03,360 --> 00:32:05,160
Speaker 4: And I said, I said, I said to you, tell me,

687
00:32:05,200 --> 00:32:07,680
Speaker 4: my boy, I said, Tommy. Ratatui is one of those

688
00:32:07,720 --> 00:32:11,440
Speaker 4: things when when it's good, it's very good, but when

689
00:32:11,480 --> 00:32:13,960
Speaker 4: it's bad it's very bad.

690
00:32:17,120 --> 00:32:21,720
Speaker 3: I've only had bad ratatud the bally. I'm in that camp.

691
00:32:21,760 --> 00:32:23,000
Speaker 4: I've only ever had a bad rat.

692
00:32:23,360 --> 00:32:26,160
Speaker 3: I've never come out of a ratituey and gone well,

693
00:32:26,200 --> 00:32:27,080
Speaker 3: I can't wait to have that.

694
00:32:27,160 --> 00:32:28,400
Speaker 4: You've only ever had a bad rat?

695
00:32:28,640 --> 00:32:30,360
Speaker 3: Yeh made way? Do you have a good rat? It

696
00:32:30,520 --> 00:32:32,479
Speaker 3: is just so good. The hard thing is, once you've

697
00:32:32,480 --> 00:32:34,520
Speaker 3: had a bad rat, you don't want to dive back in.

698
00:32:34,920 --> 00:32:36,760
Speaker 3: Do you know what I mean? Because it is the

699
00:32:36,760 --> 00:32:38,920
Speaker 3: perfect example of what you're going because when it's bad,

700
00:32:38,960 --> 00:32:42,000
Speaker 3: it's really bad and that. But you're speaking of when

701
00:32:42,000 --> 00:32:44,320
Speaker 3: it is good. I haven't experienced this, but you're saying

702
00:32:44,320 --> 00:32:45,800
Speaker 3: that when it is good, it is very good.

703
00:32:45,880 --> 00:32:49,000
Speaker 4: Ratatu is delicious, absolutely and ground And I think it's

704
00:32:49,000 --> 00:32:51,320
Speaker 4: a really interesting thing to talk about, is what when

705
00:32:51,360 --> 00:32:52,760
Speaker 4: good is very good but when.

706
00:32:52,600 --> 00:32:53,440
Speaker 3: Bad is very bad?

707
00:32:53,520 --> 00:32:57,240
Speaker 4: Because when you start dipping into this, it's interesting to

708
00:32:57,280 --> 00:32:58,280
Speaker 4: see what comes up here.

709
00:32:58,360 --> 00:33:00,360
Speaker 3: I'd like to throw one at you out and me know,

710
00:33:00,400 --> 00:33:05,600
Speaker 3: if I'm on the right page here, Chai te yes

711
00:33:06,440 --> 00:33:10,720
Speaker 3: chai is either unbelievable or it's right. I see.

712
00:33:10,760 --> 00:33:14,000
Speaker 4: I think there's a qualifying thing here to when what's

713
00:33:14,040 --> 00:33:15,640
Speaker 4: good good when bad is bad.

714
00:33:16,080 --> 00:33:17,200
Speaker 3: There is a middle ground.

715
00:33:17,440 --> 00:33:19,600
Speaker 4: Like these things that we're talking about, there can be

716
00:33:19,640 --> 00:33:21,600
Speaker 4: a middle ground for them. I'm just saying when they

717
00:33:21,640 --> 00:33:25,720
Speaker 4: are good, they're excellent, and when they're bad they're horrific.

718
00:33:27,000 --> 00:33:29,920
Speaker 4: I think I think a bad chai is horrific because

719
00:33:30,120 --> 00:33:30,800
Speaker 4: it's hot.

720
00:33:30,840 --> 00:33:32,000
Speaker 3: It's the powdered chai.

721
00:33:32,240 --> 00:33:35,640
Speaker 4: Yeah, there's just milk and they just put they dust

722
00:33:35,680 --> 00:33:37,600
Speaker 4: it with cinnamon and you may as well just be

723
00:33:38,800 --> 00:33:40,240
Speaker 4: you know, drinking piss in a cup like.

724
00:33:40,200 --> 00:33:41,440
Speaker 3: It's it's pretty horrific.

725
00:33:41,880 --> 00:33:44,080
Speaker 4: It can be, really But a good chie is that

726
00:33:44,440 --> 00:33:49,240
Speaker 4: honey soaked tea leaves. They steam it with with the

727
00:33:49,320 --> 00:33:51,560
Speaker 4: milk and then they filter it out afterwards. It's an

728
00:33:51,560 --> 00:33:53,200
Speaker 4: annoying to make, but it is very very good. I

729
00:33:53,240 --> 00:33:54,840
Speaker 4: think it's a great example. I want to throw another

730
00:33:54,840 --> 00:33:56,000
Speaker 4: one at it's going to go over your head. But

731
00:33:56,000 --> 00:33:58,560
Speaker 4: for the people listening at crem caramel if anyone's into that,

732
00:33:59,360 --> 00:34:03,200
Speaker 4: or a Catalan cream, really hard really, it's kind of

733
00:34:03,200 --> 00:34:05,239
Speaker 4: like a Kremberl, a Spanish take on a Cremberley. If

734
00:34:05,280 --> 00:34:09,120
Speaker 4: you like, that's one of them. Sex I'm going to

735
00:34:09,160 --> 00:34:12,479
Speaker 4: say is something which is when it's good, it's really good,

736
00:34:12,520 --> 00:34:15,000
Speaker 4: but when it's bad it can be really bad.

737
00:34:15,280 --> 00:34:17,799
Speaker 3: I feel like I've had some pretty just snack bang

738
00:34:17,800 --> 00:34:19,319
Speaker 3: in the middle, and.

739
00:34:19,280 --> 00:34:23,879
Speaker 4: I think that'll be your middle name. Just when it's good,

740
00:34:23,960 --> 00:34:27,360
Speaker 4: it's often really good, and when it's bad, it's often

741
00:34:27,560 --> 00:34:30,359
Speaker 4: really bad. And this is the the I'm gonna throw

742
00:34:30,360 --> 00:34:31,040
Speaker 4: another one at you.

743
00:34:31,760 --> 00:34:35,279
Speaker 3: Beaches really good example, there's no such thing as an

744
00:34:35,280 --> 00:34:37,799
Speaker 3: average beach. Well, again, you're missing the point here.

745
00:34:37,800 --> 00:34:43,080
Speaker 4: There are average beaches, there are average beaches. Well, I

746
00:34:43,080 --> 00:34:43,880
Speaker 4: either go there.

747
00:34:43,719 --> 00:34:46,640
Speaker 3: And go I am blown away. I'm like, there is

748
00:34:46,760 --> 00:34:48,959
Speaker 3: seaweed everywhere exactly.

749
00:34:49,760 --> 00:34:52,480
Speaker 4: When a beach is really good, it's like, oh my god,

750
00:34:52,520 --> 00:34:54,839
Speaker 4: this is the nicest place of oft. When the beach

751
00:34:54,920 --> 00:34:59,239
Speaker 4: is really bad, it is a disappointment. It's either too

752
00:34:59,280 --> 00:35:01,720
Speaker 4: many people. If you've been to any of the beaches

753
00:35:01,719 --> 00:35:03,920
Speaker 4: in Europe, there's rocks everywhere.

754
00:35:03,960 --> 00:35:09,120
Speaker 3: There are people, yes, water fountains, slash bubblers. You know

755
00:35:09,120 --> 00:35:10,919
Speaker 3: when you're going to it, Yeah, you know what I'm

756
00:35:10,960 --> 00:35:15,440
Speaker 3: gonna pay it. It's like there's a rock in there, and.

757
00:35:15,400 --> 00:35:20,080
Speaker 4: It's well done. I thought you were gone for all money.

758
00:35:20,680 --> 00:35:24,439
Speaker 4: You brought it back. For example done buying something off

759
00:35:24,480 --> 00:35:25,560
Speaker 4: on a Facebook market.

760
00:35:25,719 --> 00:35:28,399
Speaker 3: So it's either you really have a good deal from it,

761
00:35:29,120 --> 00:35:31,719
Speaker 3: oh you really have a word scam from it? Yes,

762
00:35:32,760 --> 00:35:34,040
Speaker 3: well well done.

763
00:35:34,080 --> 00:35:37,200
Speaker 4: Don bang on public toilets button pushing Tom brought up

764
00:35:37,239 --> 00:35:40,280
Speaker 4: before perfect spot on. Geez, there are some good public

765
00:35:40,320 --> 00:35:43,560
Speaker 4: toilets out there. There are some stinkers.

766
00:35:44,280 --> 00:35:45,120
Speaker 3: Dogs. Dogs.

767
00:35:45,160 --> 00:35:47,759
Speaker 4: I feel like breed of dog are just dogs in

768
00:35:47,880 --> 00:35:51,759
Speaker 4: like a good dog. They're all good boy, very good,

769
00:35:52,719 --> 00:35:53,520
Speaker 4: so lovable.

770
00:35:54,200 --> 00:35:58,279
Speaker 3: A bad dog. Oh, i'd say cats, but they're all bad.

771
00:36:00,800 --> 00:36:03,680
Speaker 3: That's not true. That was joke. Love Love Lenny ran

772
00:36:03,719 --> 00:36:09,200
Speaker 3: away from you. Jesse here, Jess, what do you think?

773
00:36:10,040 --> 00:36:12,560
Speaker 12: I think a night out it has a great not

774
00:36:12,760 --> 00:36:13,239
Speaker 12: of its ship.

775
00:36:13,800 --> 00:36:16,560
Speaker 3: Yeah yeah, and you don't want to get caught. You

776
00:36:16,600 --> 00:36:18,080
Speaker 3: know when you're having the night where it's like it's

777
00:36:18,080 --> 00:36:20,279
Speaker 3: just nothing's really clicking for me, and you push through

778
00:36:20,320 --> 00:36:22,640
Speaker 3: it and you're trying, Yeah, you just go home. He's

779
00:36:22,640 --> 00:36:23,239
Speaker 3: got to go home.

780
00:36:23,360 --> 00:36:25,400
Speaker 4: Yeah, yeah, my technics pushed through. But you know, it

781
00:36:25,400 --> 00:36:30,839
Speaker 4: depends that you are I've got one for you? Would compliments?

782
00:36:31,640 --> 00:36:36,240
Speaker 4: Oh yeah, I think a good compliment can be so good.

783
00:36:36,239 --> 00:36:38,560
Speaker 3: And sometimes a compliment you can get offended by it.

784
00:36:38,840 --> 00:36:43,719
Speaker 4: But sometimes something goes yeah, yeah it's so bad. Yeah

785
00:36:44,040 --> 00:36:46,279
Speaker 4: I just read the room wrong. Yeah, Patrick, what do

786
00:36:46,320 --> 00:36:47,839
Speaker 4: you reckon? What's when it's good?

787
00:36:48,120 --> 00:36:50,399
Speaker 3: Really good? When it's bad really bad?

788
00:36:51,120 --> 00:36:53,600
Speaker 11: And he goes pillow for sure.

789
00:36:53,520 --> 00:36:58,040
Speaker 3: Yeah, bang on. Yeah it's either got nothing in it

790
00:36:58,040 --> 00:36:59,399
Speaker 3: in your sleep or nothing, or.

791
00:36:59,360 --> 00:37:03,760
Speaker 4: It's just a yeah, it's a really good shout, Patrick, Yeah,

792
00:37:03,920 --> 00:37:05,839
Speaker 4: that's a really good shout. I couldn't agree more.

793
00:37:06,760 --> 00:37:10,719
Speaker 3: That's that's that's sorry. Never a true word said. Every

794
00:37:10,760 --> 00:37:11,439
Speaker 3: time you go.

795
00:37:11,520 --> 00:37:13,680
Speaker 4: Like on an Airbnb or something and you look at

796
00:37:13,719 --> 00:37:16,520
Speaker 4: the pillows, you know immediately whether it's going to be

797
00:37:16,560 --> 00:37:18,440
Speaker 4: good or not as well, and you also know it's

798
00:37:18,440 --> 00:37:21,640
Speaker 4: going to be a complete lottery. Yes, we like the

799
00:37:21,760 --> 00:37:26,160
Speaker 4: If anything, I think pillows have one of the lowest

800
00:37:26,200 --> 00:37:30,000
Speaker 4: levels of consistency of anything I'm going to lives, like,

801
00:37:30,120 --> 00:37:32,800
Speaker 4: just can we just get a standardized pillow index exactly?

802
00:37:32,800 --> 00:37:34,000
Speaker 3: But I'm starting to find out.

803
00:37:33,880 --> 00:37:35,319
Speaker 4: Patrick, you can have a spinal les pillow.

804
00:37:35,360 --> 00:37:38,640
Speaker 3: By the way. There you go, and they're bloody good pillows, pillows,

805
00:37:38,640 --> 00:37:40,359
Speaker 3: but I'm always traveling with pillows at this point.

806
00:37:40,440 --> 00:37:41,840
Speaker 4: You Sam travels with a pillow.

807
00:37:41,920 --> 00:37:42,920
Speaker 3: Yeah, I'm getting their.

808
00:37:42,920 --> 00:37:45,279
Speaker 4: Huge pain in the arse, massive pain. It takes up

809
00:37:45,320 --> 00:37:50,000
Speaker 4: so much room, takes up so much. It's important though, Yeah,

810
00:37:50,080 --> 00:37:53,000
Speaker 4: it's very important. Yeah, yeah, yeah, but she travels. It's

811
00:37:53,080 --> 00:38:08,400
Speaker 4: very annoying. Gym's really good. I mean, I'm going to Disney.

812
00:38:08,440 --> 00:38:09,320
Speaker 4: You're in the show at the moment.

813
00:38:09,480 --> 00:38:12,920
Speaker 3: No, no, are you attacking Disney.

814
00:38:12,719 --> 00:38:16,160
Speaker 4: Not attacking him. I'm just talking about them factually.

815
00:38:16,239 --> 00:38:16,319
Speaker 8: Now.

816
00:38:16,360 --> 00:38:18,080
Speaker 4: I've had to go over this with legal for a reason.

817
00:38:18,880 --> 00:38:20,960
Speaker 4: They are what we used to call when I used

818
00:38:21,000 --> 00:38:25,880
Speaker 4: to do vexatious litigants. They are nasty. They love a lawsuit.

819
00:38:30,440 --> 00:38:32,120
Speaker 3: Do you mind if I bring up one lawsuit because

820
00:38:32,120 --> 00:38:34,719
Speaker 3: I can't believe I've got one, a Disney one. It's

821
00:38:34,760 --> 00:38:37,880
Speaker 3: totally wild. It's in the news, so it's fine. Someone

822
00:38:38,560 --> 00:38:42,040
Speaker 3: now they injured or potentially died and a disney Land

823
00:38:42,120 --> 00:38:47,000
Speaker 3: or Disney World. Yeah, because he had subscribed one time

824
00:38:47,080 --> 00:38:50,880
Speaker 3: to Disney the streaming service within those teas and c's,

825
00:38:50,960 --> 00:38:56,200
Speaker 3: it's like, you can't see us, no, no, yeah.

826
00:38:56,080 --> 00:38:58,600
Speaker 4: Even if you get injured in Disneyland.

827
00:38:58,040 --> 00:39:00,279
Speaker 12: Yeah, because no one reads the tees and ceas what

828
00:39:00,480 --> 00:39:04,280
Speaker 12: by subscribing to this The street answers if you're oh,

829
00:39:04,360 --> 00:39:10,200
Speaker 12: my goal, theyre so hectic, so hectic.

830
00:39:09,920 --> 00:39:12,919
Speaker 3: I mean quite clever, but hectic and a bit wrong,

831
00:39:12,960 --> 00:39:14,560
Speaker 3: but cle should be very wrong.

832
00:39:14,760 --> 00:39:16,759
Speaker 4: Well, look, I don't know if anyone listens to the

833
00:39:16,800 --> 00:39:20,440
Speaker 4: podcast Revisions History, but there's a few episodes that Malcolm

834
00:39:20,440 --> 00:39:24,239
Speaker 4: Gladwell does on this where he talks about the Golden Contract.

835
00:39:24,400 --> 00:39:26,920
Speaker 4: The episode is called the Golden Contract, and it all

836
00:39:27,000 --> 00:39:29,160
Speaker 4: runs through one of Disney's most famous movies, which is

837
00:39:29,200 --> 00:39:33,520
Speaker 4: obviously The Little Mermaid, where Ariel has to sign a

838
00:39:33,560 --> 00:39:37,960
Speaker 4: golden contract which binds her to Ursula the Sea, which

839
00:39:38,000 --> 00:39:38,440
Speaker 4: to give.

840
00:39:38,280 --> 00:39:39,399
Speaker 3: Her make believe land again.

841
00:39:39,440 --> 00:39:43,960
Speaker 4: Oh yeah, that was a quick transition. Yeah yeah, no, no, no,

842
00:39:44,080 --> 00:39:46,439
Speaker 4: But this is the whole This is the whole point

843
00:39:46,800 --> 00:39:50,719
Speaker 4: in the movie. And Malcolm Gladwell's whole issue with this

844
00:39:50,840 --> 00:39:53,560
Speaker 4: is he's like, we're showing this to kids. Disney's showing

845
00:39:53,600 --> 00:39:56,319
Speaker 4: this to kids, like if you sign a contract with

846
00:39:56,360 --> 00:39:59,040
Speaker 4: a big company or a big scary person, they can

847
00:39:59,160 --> 00:40:02,800
Speaker 4: get you because you owe them, Like there was nothing

848
00:40:02,880 --> 00:40:05,840
Speaker 4: like Aeriel signed a contract between she lost her voice

849
00:40:06,200 --> 00:40:08,400
Speaker 4: and if she didn't get kissed, she would die.

850
00:40:08,960 --> 00:40:11,920
Speaker 3: Yeah, it's a bad contract, really wild things. She's got

851
00:40:11,960 --> 00:40:15,280
Speaker 3: a bad legal team obviously, Flounder.

852
00:40:14,880 --> 00:40:18,799
Speaker 4: I think you did a good job. Or Sebastian, Well,

853
00:40:18,800 --> 00:40:22,279
Speaker 4: they were trying to convinced anyway. Look, I thought, you know,

854
00:40:22,360 --> 00:40:24,920
Speaker 4: I shouldn't know that that guy in Disneyland, but I

855
00:40:24,920 --> 00:40:27,279
Speaker 4: thought i'd go over a couple of other Disney's most

856
00:40:27,520 --> 00:40:35,719
Speaker 4: hectic legal cases. Oh, brilliant, brilliant. So three years ago,

857
00:40:37,120 --> 00:40:41,520
Speaker 4: Disney basically squashed three daycare centers in Florida for having

858
00:40:41,600 --> 00:40:45,640
Speaker 4: depictions of Mickey Mouse and Goofy or whoever the hell

859
00:40:45,680 --> 00:40:46,560
Speaker 4: there was on their walls.

860
00:40:46,680 --> 00:40:48,959
Speaker 3: Was it called, you know, Mickey's Hangout or something?

861
00:40:48,960 --> 00:40:51,200
Speaker 4: Though they really like just a painting, and it was

862
00:40:51,239 --> 00:40:52,680
Speaker 4: a painting. It wasn't even a photo like it was

863
00:40:52,719 --> 00:40:55,000
Speaker 4: an artist depiction of Mickey Mouse destroyed them.

864
00:40:55,040 --> 00:40:58,120
Speaker 3: You can't paint it over, No, they squashed it. Oh

865
00:40:58,200 --> 00:41:01,120
Speaker 3: my yeah, goodness. Yeah.

866
00:41:01,120 --> 00:41:05,160
Speaker 4: In twenty twenty, they sued an elementary school in the

867
00:41:05,200 --> 00:41:09,319
Speaker 4: Midwest for showing a screening of The Lion King. What

868
00:41:10,120 --> 00:41:12,319
Speaker 4: and yeah, because they had a group of people in there.

869
00:41:12,360 --> 00:41:14,760
Speaker 4: They didn't have license to show the film on mass

870
00:41:14,800 --> 00:41:17,600
Speaker 4: for two hundred and fifty dollars. Just for two hundred

871
00:41:17,600 --> 00:41:18,120
Speaker 4: and fifty dollars.

872
00:41:18,280 --> 00:41:20,840
Speaker 3: Sorry, sorry, They requested two hundred and fifty dollars from the.

873
00:41:20,840 --> 00:41:23,680
Speaker 4: Schools from a primary school for watching The Lion King

874
00:41:23,840 --> 00:41:24,560
Speaker 4: in the school hall.

875
00:41:24,920 --> 00:41:30,360
Speaker 3: My god, I've definitely watched Lion King at school. I

876
00:41:30,400 --> 00:41:31,960
Speaker 3: don't know if my school had the.

877
00:41:31,960 --> 00:41:34,000
Speaker 4: No no, but you would watched it. What do I

878
00:41:34,080 --> 00:41:36,040
Speaker 4: say that we're on rady.

879
00:41:35,840 --> 00:41:37,560
Speaker 3: I was saying the name, but I would watched it

880
00:41:37,640 --> 00:41:39,360
Speaker 3: multiple times at my primary school.

881
00:41:39,719 --> 00:41:41,840
Speaker 4: Final thing, Yeah, from Disney.

882
00:41:42,120 --> 00:41:43,919
Speaker 12: We've all got away with one there though, I reckon

883
00:41:43,920 --> 00:41:46,720
Speaker 12: we left watch the Lion King at school.

884
00:41:46,719 --> 00:41:50,040
Speaker 4: We didn't go on about it. I don't know if

885
00:41:50,080 --> 00:41:51,920
Speaker 4: I have. I think I watched The Simpsons. I don't

886
00:41:51,920 --> 00:41:53,800
Speaker 4: think I watched The Lion King. Every time a replacement

887
00:41:53,800 --> 00:41:55,520
Speaker 4: teacher was in it was just like right, it was.

888
00:41:56,160 --> 00:41:57,879
Speaker 3: We didn't watch the we didn't watch The Lion King.

889
00:41:59,280 --> 00:42:03,400
Speaker 4: Final one where Disney got really litigious with someone.

890
00:42:04,480 --> 00:42:05,759
Speaker 3: A radio show.

891
00:42:07,200 --> 00:42:11,880
Speaker 4: Tried to do an escape room.

892
00:42:10,480 --> 00:42:12,319
Speaker 3: Based on Indiana Jones.

893
00:42:15,080 --> 00:42:19,920
Speaker 4: And Disney basically said that they were going to pull

894
00:42:19,960 --> 00:42:22,239
Speaker 4: all the funding for the thing because if we use

895
00:42:22,320 --> 00:42:26,279
Speaker 4: the word sorry if they used the words escape room,

896
00:42:26,440 --> 00:42:29,359
Speaker 4: so the radio show had to call it trapped and

897
00:42:29,400 --> 00:42:33,000
Speaker 4: we couldn't. And they couldn't even say trapped in an

898
00:42:33,080 --> 00:42:35,279
Speaker 4: escape room. They had to say trapped in a room,

899
00:42:35,560 --> 00:42:38,360
Speaker 4: and then to describe that escape room they had to

900
00:42:38,400 --> 00:42:42,200
Speaker 4: say puzzles of the path, which is the key every

901
00:42:42,239 --> 00:42:44,360
Speaker 4: five minutes for two hours.

902
00:42:44,400 --> 00:42:47,920
Speaker 3: It's been very tough for that radio duo. I s

903
00:42:48,080 --> 00:42:51,839
Speaker 3: think very hard navigating those legal landmines, as I'm sure

904
00:42:51,920 --> 00:42:52,919
Speaker 3: they referred.

905
00:42:52,600 --> 00:42:55,399
Speaker 4: Them puzzles of the path, which is the key? We're

906
00:42:55,440 --> 00:42:57,480
Speaker 4: trapped in a room they are.

907
00:42:57,560 --> 00:42:59,880
Speaker 3: And if anyone heard those radio shows, very confusing for that.

908
00:43:11,840 --> 00:43:15,920
Speaker 4: All right, guys, we're getting to the end of the podcast.

909
00:43:16,000 --> 00:43:18,920
Speaker 4: We really do want to wrap this puppy up. What

910
00:43:18,960 --> 00:43:21,799
Speaker 4: do you call this bit woods the dead zone, the

911
00:43:21,840 --> 00:43:25,040
Speaker 4: dead zone? Oh yeah, this is the dead zone. You're

912
00:43:25,080 --> 00:43:27,120
Speaker 4: right at the end of the podcast. Look, we want

913
00:43:27,120 --> 00:43:30,000
Speaker 4: to make this call to MM. I'm gonna look cards

914
00:43:30,000 --> 00:43:32,880
Speaker 4: on the table. We're having a lot of conversations about

915
00:43:32,880 --> 00:43:34,479
Speaker 4: how we're trying to pull off this prank. She hasn't

916
00:43:34,520 --> 00:43:35,880
Speaker 4: answered three of our phone calls.

917
00:43:35,920 --> 00:43:37,640
Speaker 3: Now she's currently at work.

918
00:43:38,040 --> 00:43:41,680
Speaker 4: Poo Pants has still got a BAC reading of at

919
00:43:41,760 --> 00:43:43,120
Speaker 4: least point two from the weekend.

920
00:43:44,120 --> 00:43:45,399
Speaker 3: So it's just.

921
00:43:45,560 --> 00:43:50,200
Speaker 4: Really hard to figure out what we're doing here. Now

922
00:43:50,560 --> 00:43:54,680
Speaker 4: the idea Tommy has pitched an idea, which is that

923
00:43:54,880 --> 00:43:59,080
Speaker 4: poo Pants reaches out to her in some capacity for

924
00:43:59,320 --> 00:44:02,000
Speaker 4: the radio show today, which we'll be doing a radio

925
00:44:02,040 --> 00:44:04,160
Speaker 4: show today, guys, we're bloody work dogs.

926
00:44:03,920 --> 00:44:06,719
Speaker 3: Which would be that'd be a common occurrence. But in

927
00:44:06,760 --> 00:44:09,680
Speaker 3: the afternoon, Ed reaches out to her, boot Pants goes, hey,

928
00:44:09,719 --> 00:44:12,239
Speaker 3: then are you available this afternoon to come on at

929
00:44:12,280 --> 00:44:12,880
Speaker 3: four point thirty?

930
00:44:13,040 --> 00:44:16,160
Speaker 5: Yes, But the funny thing is we actually do want

931
00:44:16,200 --> 00:44:18,520
Speaker 5: her for the radio show, but Ed doesn't think we do.

932
00:44:19,239 --> 00:44:22,280
Speaker 3: Yes, yes, yes, it's question marks every whether we actually

933
00:44:22,320 --> 00:44:24,680
Speaker 3: want her for the live show. But that to one side,

934
00:44:25,840 --> 00:44:29,200
Speaker 3: by the way, she's not going to be on the

935
00:44:29,200 --> 00:44:34,160
Speaker 3: live show. But okay, okay, the question still remains. If

936
00:44:34,200 --> 00:44:36,920
Speaker 3: he reaches out to her and says, what time are

937
00:44:36,960 --> 00:44:38,880
Speaker 3: you available if we were to use you in the

938
00:44:38,920 --> 00:44:44,120
Speaker 3: live show, is that then far too sus for us

939
00:44:44,160 --> 00:44:47,800
Speaker 3: then to know that time and then prank her? Probably?

940
00:44:48,640 --> 00:44:51,080
Speaker 4: But what if so, I don't think he needs to

941
00:44:51,080 --> 00:44:53,840
Speaker 4: get a time off her. What if Ed just calls

942
00:44:53,880 --> 00:44:57,200
Speaker 4: her now Pootpants just calls her, now are you free

943
00:44:57,239 --> 00:44:59,600
Speaker 4: this afternoon? And I think if he calls off his phone,

944
00:44:59,760 --> 00:45:01,160
Speaker 4: that's going to get her answering her.

945
00:45:01,040 --> 00:45:03,120
Speaker 3: Phone should right?

946
00:45:03,280 --> 00:45:07,560
Speaker 4: Should? Then I think we call her. I'm talking twenty

947
00:45:07,600 --> 00:45:08,280
Speaker 4: seconds later.

948
00:45:08,480 --> 00:45:11,000
Speaker 3: Oh so just so we know she picks up.

949
00:45:11,440 --> 00:45:15,200
Speaker 4: Yes, we just get in there straight after. Way too

950
00:45:15,280 --> 00:45:16,319
Speaker 4: much of a coincidence.

951
00:45:16,440 --> 00:45:19,319
Speaker 3: But are we just learning? Does that just give us

952
00:45:19,320 --> 00:45:21,239
Speaker 3: information that she's not picking up a private number, so

953
00:45:21,320 --> 00:45:23,040
Speaker 3: she probably won't pick up a private number again.

954
00:45:23,920 --> 00:45:26,880
Speaker 4: But I just think we're a better chance of her

955
00:45:26,920 --> 00:45:29,400
Speaker 4: picking up the phone if ed gets through to her.

956
00:45:29,480 --> 00:45:32,480
Speaker 3: Let me throw down one alternative. Oh my god, yes,

957
00:45:32,520 --> 00:45:34,920
Speaker 3: this is important. We have been too hard.

958
00:45:35,920 --> 00:45:38,080
Speaker 4: It's a two week con it's a two week cover.

959
00:45:38,320 --> 00:45:40,160
Speaker 3: We've never done a prank over. It's like this is

960
00:45:40,200 --> 00:45:40,800
Speaker 3: four weeks.

961
00:45:41,080 --> 00:45:43,239
Speaker 4: It's a four weeks. It's four that's just on air.

962
00:45:43,280 --> 00:45:45,560
Speaker 3: By the way, this feels like it's at least done

963
00:45:45,640 --> 00:45:48,960
Speaker 3: that off. It's an eternity. I just might need you

964
00:45:49,080 --> 00:45:52,239
Speaker 3: her a couple of minutes. What's it about.

965
00:45:52,320 --> 00:45:55,720
Speaker 4: I can give you details later that Yeah, Edie's done before.

966
00:46:03,480 --> 00:46:06,000
Speaker 4: These phone calls often start a bit weird, by the way.

967
00:46:07,200 --> 00:46:09,600
Speaker 3: Excuse me with my fiance.

968
00:46:10,560 --> 00:46:12,760
Speaker 4: She just often answers in weird voices.

969
00:46:14,239 --> 00:46:16,080
Speaker 3: You have read. Okay, so she's busy. She must be

970
00:46:16,120 --> 00:46:17,919
Speaker 3: really busy, she said.

971
00:46:18,800 --> 00:46:21,160
Speaker 5: Now we just wait for her to text ed or

972
00:46:21,200 --> 00:46:23,680
Speaker 5: call it get back. Yes, this is how we know.

973
00:46:24,600 --> 00:46:26,960
Speaker 3: The balls in play, the balls in play.

974
00:46:27,200 --> 00:46:29,440
Speaker 4: All right, we might play some music and then we'll

975
00:46:29,440 --> 00:46:30,040
Speaker 4: come back.

976
00:46:30,680 --> 00:46:34,799
Speaker 3: Some music in a podcast. Yeah, we're gonna play some music.

977
00:46:35,239 --> 00:46:37,560
Speaker 4: We'll have a little bit of a music break ten

978
00:46:37,640 --> 00:46:39,520
Speaker 4: fifteen seconds, and then we'll come back on the other side.

979
00:46:39,400 --> 00:46:41,640
Speaker 3: With the call. Well music you think you can cold play, Well, I'm.

980
00:46:41,480 --> 00:46:43,520
Speaker 4: Just gonna all right if you really want to cut

981
00:46:43,520 --> 00:46:45,759
Speaker 4: down to it. We're recording this without music, and then Mark,

982
00:46:45,760 --> 00:46:48,000
Speaker 4: our audio producer, put the music in afterwards, so imagine

983
00:46:48,040 --> 00:46:51,239
Speaker 4: he'll lift the music bed right now, come on, fuck it?

984
00:46:51,320 --> 00:46:52,239
Speaker 3: Ow we wanted to play.

985
00:46:52,400 --> 00:46:54,160
Speaker 4: I swear to God sometimes I think you guys are

986
00:46:54,200 --> 00:46:56,120
Speaker 4: one hundred IQ points lower than me. All Right, we

987
00:46:56,239 --> 00:47:07,120
Speaker 4: probably music, and then we'll come back on the other side. Okay,

988
00:47:08,880 --> 00:47:11,879
Speaker 4: still still we're still waiting. Sorry about that, my little

989
00:47:11,960 --> 00:47:12,839
Speaker 4: music delay didn't work.

990
00:47:13,080 --> 00:47:13,319
Speaker 3: Coming.

991
00:47:13,360 --> 00:47:15,359
Speaker 4: But we've got some behind the scenes gear for you guys,

992
00:47:15,400 --> 00:47:19,040
Speaker 4: which is what this podcast all about. And you know,

993
00:47:19,160 --> 00:47:25,759
Speaker 4: just red hot gear. But kav Hi, Hey, hey, you've

994
00:47:25,760 --> 00:47:26,560
Speaker 4: got saying for us.

995
00:47:27,680 --> 00:47:30,480
Speaker 6: So you know how we've been critiquing you guys when

996
00:47:30,480 --> 00:47:32,640
Speaker 6: you say welcome back in the middle of the podcast.

997
00:47:33,480 --> 00:47:36,839
Speaker 3: I didn't know that you told you not to say it.

998
00:47:37,280 --> 00:47:38,120
Speaker 4: Oh, you told us that.

999
00:47:38,400 --> 00:47:39,920
Speaker 3: We had a good discussion though about I feel like

1000
00:47:39,960 --> 00:47:40,640
Speaker 3: I'm getting better?

1001
00:47:41,120 --> 00:47:41,839
Speaker 4: Am I getting better?

1002
00:47:41,920 --> 00:47:44,799
Speaker 3: You haven't said it once in this pot I said

1003
00:47:44,840 --> 00:47:45,320
Speaker 3: it once.

1004
00:47:46,080 --> 00:47:48,480
Speaker 6: Well, I have an update on that.

1005
00:47:48,600 --> 00:47:50,440
Speaker 4: I say a little bit hypocritical. I mean, I've been

1006
00:47:50,440 --> 00:47:53,759
Speaker 4: doing a radio show for ten years. Welcome back is

1007
00:47:53,840 --> 00:47:55,120
Speaker 4: kind of like hardwired into me.

1008
00:47:55,560 --> 00:47:57,120
Speaker 2: But you're not even supposed to say it on the

1009
00:47:57,200 --> 00:47:57,799
Speaker 2: radio show.

1010
00:47:58,320 --> 00:48:00,440
Speaker 3: You don't say welcome back. On the Live Right D show,

1011
00:48:00,480 --> 00:48:01,200
Speaker 3: you never say that.

1012
00:48:03,160 --> 00:48:07,160
Speaker 4: Welcome back everyone, welcome back everyone. It's quite weird that

1013
00:48:07,160 --> 00:48:09,360
Speaker 4: if you tuned in on the wireless.

1014
00:48:08,920 --> 00:48:13,000
Speaker 3: To Yis, you've never said welcome back. That's my greeting.

1015
00:48:13,920 --> 00:48:16,680
Speaker 3: You're going to use it today and welcome back anyway.

1016
00:48:16,920 --> 00:48:17,920
Speaker 6: So I put up a pole.

1017
00:48:18,840 --> 00:48:20,360
Speaker 3: I feel like that's what I say every time. I

1018
00:48:20,400 --> 00:48:21,040
Speaker 3: don't welcome back.

1019
00:48:21,040 --> 00:48:25,200
Speaker 4: It's William Woody. I don't think you tuned to kiss anyway.

1020
00:48:25,239 --> 00:48:27,479
Speaker 3: The pole, put up.

1021
00:48:27,360 --> 00:48:30,279
Speaker 6: A pole to see if our listeners liked it or

1022
00:48:30,400 --> 00:48:34,600
Speaker 6: did not like it, and luckily for you, you can continue

1023
00:48:34,640 --> 00:48:35,680
Speaker 6: saying welcome back?

1024
00:48:35,719 --> 00:48:37,760
Speaker 3: Should you in the middle of the pod? What were

1025
00:48:37,640 --> 00:48:40,040
Speaker 3: the what were the stats? What were the percentages?

1026
00:48:41,360 --> 00:48:45,480
Speaker 6: Sixty five percent said yep, keep it, thirty five said no.

1027
00:48:45,800 --> 00:48:47,840
Speaker 3: How many voted good win out of interest? In was

1028
00:48:47,880 --> 00:48:49,800
Speaker 3: one of them my mother because.

1029
00:48:49,640 --> 00:48:52,120
Speaker 4: Potentially, yeah, she would have been pro anything I did.

1030
00:48:53,000 --> 00:48:55,359
Speaker 4: I reckon, Okay, I happy to keep it.

1031
00:48:56,280 --> 00:48:58,520
Speaker 3: I'm disappointed now that we've found this out at the end,

1032
00:48:58,600 --> 00:49:01,160
Speaker 3: I don't reckon. You're welcome backing in this and.

1033
00:49:01,080 --> 00:49:03,200
Speaker 6: Now I feel just do some now and drop them in.

1034
00:49:03,320 --> 00:49:05,759
Speaker 4: Well, we're gonna have to cut back to some music, yes,

1035
00:49:05,800 --> 00:49:09,200
Speaker 4: because we're gonna have to come back with a final

1036
00:49:09,360 --> 00:49:11,840
Speaker 4: dip at this prank call I mentioned, so we'll see you,

1037
00:49:11,960 --> 00:49:15,719
Speaker 4: We'll see you in a second with a fucking red

1038
00:49:15,760 --> 00:49:16,560
Speaker 4: hot welcome back.

1039
00:49:16,760 --> 00:49:17,560
Speaker 3: Don't you worry about that.

1040
00:49:19,480 --> 00:49:19,920
Speaker 12: Paper?

1041
00:49:21,239 --> 00:49:31,560
Speaker 3: I wanta movie, and then well, come back, ladies and gentlemen.

1042
00:49:32,239 --> 00:49:34,920
Speaker 4: Not that beautiful thank you sounded a bit like a

1043
00:49:34,920 --> 00:49:35,920
Speaker 4: gut to strip club.

1044
00:49:35,719 --> 00:49:39,640
Speaker 3: But I wouldn't know ever been anyway, MIM's going back

1045
00:49:39,880 --> 00:49:42,560
Speaker 3: ed ollow.

1046
00:49:43,360 --> 00:49:44,520
Speaker 1: Hello, what do you want?

1047
00:49:45,280 --> 00:49:46,200
Speaker 3: Oh, you're at work.

1048
00:49:46,719 --> 00:49:49,440
Speaker 4: Oh I'm a working class girls.

1049
00:49:49,560 --> 00:49:50,239
Speaker 10: What do you know that?

1050
00:49:50,360 --> 00:49:53,080
Speaker 3: Does he just not listen to anything? I say? I

1051
00:49:53,080 --> 00:49:53,400
Speaker 3: think he?

1052
00:49:53,680 --> 00:49:55,719
Speaker 13: I think he did say that he doesn't listen to you.

1053
00:49:56,640 --> 00:49:59,680
Speaker 13: He said sometimes she talks, but I just zone out.

1054
00:50:00,440 --> 00:50:03,000
Speaker 1: Yeah right, perfect, Okay, I'm just moving my car.

1055
00:50:03,000 --> 00:50:05,239
Speaker 4: Back into the vendor's property. So did you need something

1056
00:50:05,400 --> 00:50:05,680
Speaker 4: or well?

1057
00:50:05,719 --> 00:50:09,360
Speaker 13: I was just sussing to your point on your work schedule.

1058
00:50:09,360 --> 00:50:11,200
Speaker 13: I was just sussing if you were available for this

1059
00:50:11,280 --> 00:50:16,080
Speaker 13: show this afternoon, and at what times potentially you were available. Well,

1060
00:50:16,120 --> 00:50:17,799
Speaker 13: I can run you through that later. I just want

1061
00:50:17,800 --> 00:50:20,920
Speaker 13: to double check when you're available because that can influence

1062
00:50:20,960 --> 00:50:21,600
Speaker 13: how we do it.

1063
00:50:22,280 --> 00:50:23,279
Speaker 11: Okay, I will.

1064
00:50:23,800 --> 00:50:29,040
Speaker 1: I will be done in probably about for an hour.

1065
00:50:29,160 --> 00:50:33,600
Speaker 13: An hour okay, so you're so you're around potentially just

1066
00:50:33,680 --> 00:50:34,760
Speaker 13: a little bit before the show.

1067
00:50:37,640 --> 00:50:40,160
Speaker 6: Yeah, I'll let you know if i'm done earlier.

1068
00:50:40,719 --> 00:50:42,160
Speaker 4: Okay, that'd be very helpful.

1069
00:50:42,960 --> 00:50:44,120
Speaker 5: Okay, thanks for the call.

1070
00:50:44,320 --> 00:50:49,359
Speaker 3: Okay, goodbye, Okay, bye bye. What was with your then?

1071
00:50:49,480 --> 00:50:49,600
Speaker 12: Bro?

1072
00:50:49,760 --> 00:50:50,759
Speaker 3: That's that's what I'm telling you.

1073
00:50:50,800 --> 00:50:58,840
Speaker 4: How weird, really strange?

1074
00:50:59,320 --> 00:51:00,560
Speaker 3: All sorts of questions is there?

1075
00:51:00,719 --> 00:51:02,080
Speaker 4: But we have a half hour.

1076
00:51:03,080 --> 00:51:03,879
Speaker 3: Did you say half hour?

1077
00:51:03,920 --> 00:51:04,040
Speaker 6: Right?

1078
00:51:04,680 --> 00:51:07,479
Speaker 3: We have half hour prior to show. If it's really

1079
00:51:08,239 --> 00:51:12,080
Speaker 3: it's a weird way that's available at the time. We

1080
00:51:12,120 --> 00:51:12,960
Speaker 3: have half hour.

1081
00:51:13,239 --> 00:51:16,600
Speaker 4: Untill we are still drunk, aren't you. Anyway, we have time,

1082
00:51:16,719 --> 00:51:18,000
Speaker 4: we have half hour time?

1083
00:51:19,719 --> 00:51:20,319
Speaker 2: What is time?

1084
00:51:20,640 --> 00:51:24,040
Speaker 3: We have half hour music? Yeah, so we'll just play

1085
00:51:24,120 --> 00:51:27,560
Speaker 3: music for you will feel like ten seconds for us

1086
00:51:28,080 --> 00:51:31,000
Speaker 3: seeing it out an eternity. Half hour. We'll see when

1087
00:51:31,040 --> 00:51:39,800
Speaker 3: half hour half o.

1088
00:51:41,320 --> 00:51:43,720
Speaker 4: Welcome back, welcome back.

1089
00:51:45,239 --> 00:51:47,600
Speaker 3: Certainly weren't to come back with that.

1090
00:51:49,520 --> 00:51:55,200
Speaker 4: A little bit of that action. We really are on

1091
00:51:55,280 --> 00:51:59,040
Speaker 4: the dead zone. But here we are calling them again.

1092
00:51:59,680 --> 00:52:01,240
Speaker 3: We can't leave until we get.

1093
00:52:01,360 --> 00:52:03,400
Speaker 4: An hour later. I know that was only you know,

1094
00:52:03,400 --> 00:52:05,560
Speaker 4: probably turn or fifteen seconds of music for you guys,

1095
00:52:05,560 --> 00:52:07,920
Speaker 4: but we have tools down for a little bit.

1096
00:52:08,000 --> 00:52:10,319
Speaker 3: She said she'd be available now. It's a bit like

1097
00:52:10,440 --> 00:52:13,080
Speaker 3: that scene in Interstellar when they go down on that planet.

1098
00:52:13,400 --> 00:52:15,239
Speaker 3: And it's been twenty years for that. Anyway, I've got

1099
00:52:15,239 --> 00:52:17,880
Speaker 3: lost in the in the metaphor, let's call mim.

1100
00:52:17,880 --> 00:52:20,080
Speaker 4: Do you want to call her from a show capacity

1101
00:52:20,120 --> 00:52:23,720
Speaker 4: first before we call her from a Sarah's snook capacity?

1102
00:52:23,760 --> 00:52:26,279
Speaker 3: Does it look like too much of a setup? What

1103
00:52:26,320 --> 00:52:28,480
Speaker 3: do you mean call her from that show? Capacity think it?

1104
00:52:28,920 --> 00:52:30,480
Speaker 4: Well, like I think that if we just call her

1105
00:52:30,520 --> 00:52:33,840
Speaker 4: straight as a Sarah Snook phone call, yeah, she's going

1106
00:52:33,920 --> 00:52:36,360
Speaker 4: to go. You got ED to figure out when I

1107
00:52:36,400 --> 00:52:38,160
Speaker 4: was available and then you call me. Do you know

1108
00:52:38,200 --> 00:52:39,719
Speaker 4: what I mean? Which is what we have done.

1109
00:52:39,920 --> 00:52:42,200
Speaker 3: We've done that, but she but ED was ED was

1110
00:52:42,239 --> 00:52:43,520
Speaker 3: asking her for the live show.

1111
00:52:43,680 --> 00:52:47,120
Speaker 4: But Ed hasn't called her at all, so we'd have to. Okay,

1112
00:52:47,120 --> 00:52:49,120
Speaker 4: here's what I did. It did call her, No at

1113
00:52:49,120 --> 00:52:52,520
Speaker 4: three point thirty. It needs to cancel the live show.

1114
00:52:52,600 --> 00:52:54,640
Speaker 4: It would either need to call her now or call

1115
00:52:54,680 --> 00:52:56,399
Speaker 4: her immediately after we call her.

1116
00:52:56,920 --> 00:52:59,319
Speaker 3: Go that I reckon we call her Sarah Snook, she'll

1117
00:52:59,360 --> 00:53:03,959
Speaker 3: go this you prol sh it, but this the prank,

1118
00:53:04,440 --> 00:53:06,680
Speaker 3: prank will continue. I don't mind that. I don't hate that.

1119
00:53:07,320 --> 00:53:11,160
Speaker 3: If she's sus Tom keep us straight back the whole time,

1120
00:53:11,480 --> 00:53:13,040
Speaker 3: and then Ed calls her straight back.

1121
00:53:13,719 --> 00:53:16,320
Speaker 2: Aren't I pitching though? For her? For her and Sarah

1122
00:53:16,360 --> 00:53:17,759
Speaker 2: to hang out on your wedding date?

1123
00:53:18,320 --> 00:53:19,759
Speaker 3: I don't even know what you're hanging out? What are

1124
00:53:19,760 --> 00:53:20,640
Speaker 3: you calling for anymore?

1125
00:53:21,520 --> 00:53:25,000
Speaker 4: I'm totally forgotten what we are, what this is about

1126
00:53:25,000 --> 00:53:26,120
Speaker 4: anymore that's the plan.

1127
00:53:26,160 --> 00:53:27,000
Speaker 3: If we get her on the.

1128
00:53:26,920 --> 00:53:28,960
Speaker 2: Hook, I think we want to reveal.

1129
00:53:29,480 --> 00:53:33,239
Speaker 3: No, we'll we'll feel it. We'll feel it, We'll feel it.

1130
00:53:33,360 --> 00:53:35,359
Speaker 3: I think if we get her, we can absolutely reveal

1131
00:53:35,440 --> 00:53:37,799
Speaker 3: we don't get her. We cannot reveal she can't win.

1132
00:53:38,440 --> 00:53:40,640
Speaker 3: We have worked too hard. Yeah, I agree, we worked

1133
00:53:40,640 --> 00:53:41,560
Speaker 3: too hard. I agree.

1134
00:53:41,600 --> 00:53:45,280
Speaker 4: Okay, if she if she starts calling your bluff, Tom, yes,

1135
00:53:45,400 --> 00:53:48,080
Speaker 4: we hang up. We so apologize, and then we get

1136
00:53:48,080 --> 00:53:51,000
Speaker 4: poopants to call under the guys of a show related question.

1137
00:53:51,560 --> 00:53:54,080
Speaker 3: We can slip her into a bit. No, it's just

1138
00:53:54,120 --> 00:53:55,120
Speaker 3: like we don't need you anymore.

1139
00:53:56,160 --> 00:53:57,960
Speaker 14: If she calls on bluff, I'm just being like, oh, okay,

1140
00:53:57,960 --> 00:53:58,760
Speaker 14: I'm so sorry.

1141
00:53:59,040 --> 00:54:03,320
Speaker 3: Yeah, just keep playing a straight back, like well anyone else.

1142
00:54:03,160 --> 00:54:05,839
Speaker 2: Nervous as I make the call.

1143
00:54:05,920 --> 00:54:08,000
Speaker 3: Four weeks, four weeks of.

1144
00:54:07,960 --> 00:54:12,080
Speaker 10: Work, you have reached the message bank of zero.

1145
00:54:12,920 --> 00:54:15,160
Speaker 3: Just go straight back, I reckon. I agree, she's screened that.

1146
00:54:15,200 --> 00:54:19,279
Speaker 3: But again, okay, can I hang on? It's so she's

1147
00:54:19,320 --> 00:54:22,040
Speaker 3: not only she's had three miss calls from a private

1148
00:54:22,120 --> 00:54:24,760
Speaker 3: number earlier, an ED phone call and another misscall.

1149
00:54:25,160 --> 00:54:28,600
Speaker 4: ED hasn't mentioned it true, and also the private number

1150
00:54:29,000 --> 00:54:30,600
Speaker 4: is serious people.

1151
00:54:30,400 --> 00:54:31,080
Speaker 3: Yes, go again.

1152
00:54:31,560 --> 00:54:33,479
Speaker 4: Let's just go again, and it could be another random

1153
00:54:33,520 --> 00:54:34,120
Speaker 4: private number.

1154
00:54:35,120 --> 00:54:38,799
Speaker 10: You have reached the message bank of that's your leader.

1155
00:54:39,280 --> 00:54:41,880
Speaker 4: Now I think that Ed should still call her and

1156
00:54:42,080 --> 00:54:45,960
Speaker 4: just say don't worry about today's show. Okay, yeah, but

1157
00:54:46,080 --> 00:54:47,000
Speaker 4: just do it in your own time.

1158
00:54:47,080 --> 00:54:47,799
Speaker 2: He's going to text her.

1159
00:54:47,840 --> 00:54:48,640
Speaker 3: That's what are we doing now?

1160
00:54:48,680 --> 00:55:01,040
Speaker 15: Playing some music and we'll be back on the other side.

1161
00:55:01,280 --> 00:55:03,759
Speaker 4: Welcome back. All right, here we go.

1162
00:55:04,400 --> 00:55:05,839
Speaker 3: I don't need to know it, but in the real

1163
00:55:05,880 --> 00:55:09,600
Speaker 3: world about an hour and a half has past. Anyway,

1164
00:55:10,560 --> 00:55:15,920
Speaker 3: we're going to try finishing this prank again. Here we go, Tommy,

1165
00:55:16,000 --> 00:55:16,759
Speaker 3: let's do this thing.

1166
00:55:17,600 --> 00:55:19,280
Speaker 10: You have reached the message bank.

1167
00:55:21,960 --> 00:55:23,279
Speaker 2: So again one more.

1168
00:55:23,719 --> 00:55:25,520
Speaker 4: I think we need a number that she doesn't have

1169
00:55:25,600 --> 00:55:28,160
Speaker 4: in her phone. Yeah, I think that's what we need.

1170
00:55:28,600 --> 00:55:33,239
Speaker 4: We need a mobile who hasn't she got.

1171
00:55:34,760 --> 00:55:36,920
Speaker 5: I can go from my I can go I can

1172
00:55:36,920 --> 00:55:40,720
Speaker 5: go from mine. I'll go from my burner phone.

1173
00:55:41,080 --> 00:55:44,520
Speaker 3: Oh perfect, hello speaking?

1174
00:55:44,800 --> 00:55:44,960
Speaker 4: Hi?

1175
00:55:45,160 --> 00:55:47,120
Speaker 14: Is that Jacqueline?

1176
00:55:47,680 --> 00:55:48,480
Speaker 3: Hi Jacqueline.

1177
00:55:48,480 --> 00:55:51,879
Speaker 14: Sorry, my name is Alex Sam calling from Sarah Snooks team.

1178
00:55:53,239 --> 00:55:57,799
Speaker 1: You actually sound exactly like tom My Partner's producer.

1179
00:55:57,880 --> 00:56:02,560
Speaker 3: It's really weird. Sorry, what what was that? Sorry?

1180
00:56:03,320 --> 00:56:04,840
Speaker 1: Oh, you just sound like someone I know.

1181
00:56:04,960 --> 00:56:06,279
Speaker 4: That's okay, what what can.

1182
00:56:06,200 --> 00:56:06,680
Speaker 14: I do for you?

1183
00:56:08,000 --> 00:56:08,320
Speaker 3: Okay?

1184
00:56:08,320 --> 00:56:12,640
Speaker 14: So I got your number from the uh the Melbourne Zoo.

1185
00:56:12,719 --> 00:56:15,399
Speaker 3: Is that correct? Like, uh, we.

1186
00:56:15,440 --> 00:56:17,960
Speaker 1: Got Yes, I'm a zoogoer yep.

1187
00:56:18,239 --> 00:56:18,880
Speaker 3: Okay cool.

1188
00:56:19,320 --> 00:56:24,080
Speaker 14: So I'm calling on behalf of Sarah Snook, I know

1189
00:56:24,160 --> 00:56:27,279
Speaker 14: the yep. Yeah, that's what we like to call her

1190
00:56:27,320 --> 00:56:30,560
Speaker 14: as well. And we were just wondering if we could

1191
00:56:30,920 --> 00:56:34,160
Speaker 14: organize a play date with you guys, because you really

1192
00:56:34,239 --> 00:56:35,880
Speaker 14: hit it off at the Melbourne Zoo.

1193
00:56:36,920 --> 00:56:38,880
Speaker 1: Yes, I was thinking about getting in touch with her

1194
00:56:38,880 --> 00:56:40,680
Speaker 1: and see if she wanted to come to my wedding. Actually,

1195
00:56:41,520 --> 00:56:43,439
Speaker 1: so that could be fun as well, So we could

1196
00:56:43,480 --> 00:56:44,959
Speaker 1: do playdate into you know, wedding.

1197
00:56:45,040 --> 00:56:47,040
Speaker 4: She could becomes the recovery I mean.

1198
00:56:46,960 --> 00:56:51,960
Speaker 14: Whatever work okay, So when uh sorry, I'm a big computer.

1199
00:56:52,480 --> 00:56:54,080
Speaker 1: Yeah, we'll be probably best to tee this up with

1200
00:56:54,120 --> 00:56:56,600
Speaker 1: my partner wood you who's probably in the studio next

1201
00:56:56,600 --> 00:56:56,799
Speaker 1: to you.

1202
00:56:57,440 --> 00:56:59,200
Speaker 4: Maybe that's for the best. What do you what do

1203
00:56:59,239 --> 00:56:59,680
Speaker 4: you reckon?

1204
00:57:01,600 --> 00:57:03,359
Speaker 3: You guys are so bad at this?

1205
00:57:06,520 --> 00:57:10,000
Speaker 7: And then like poopants calling me, been like hey are

1206
00:57:10,040 --> 00:57:11,640
Speaker 7: you free sometime today?

1207
00:57:11,719 --> 00:57:13,879
Speaker 1: And then about twenty five miss calls.

1208
00:57:13,560 --> 00:57:17,520
Speaker 3: From a random number we tried so hard.

1209
00:57:18,280 --> 00:57:19,640
Speaker 4: You guys are so desperate.

1210
00:57:19,840 --> 00:57:23,360
Speaker 3: This has been a four week prank. He has been

1211
00:57:23,400 --> 00:57:24,520
Speaker 3: going on for too long.

1212
00:57:24,600 --> 00:57:28,000
Speaker 7: And Tom's version of an American accent is the same

1213
00:57:28,160 --> 00:57:36,960
Speaker 7: every prank you do.

1214
00:57:38,200 --> 00:57:41,520
Speaker 4: Then what I need to know is what would his

1215
00:57:41,800 --> 00:57:44,840
Speaker 4: live face was like when he got home the first time?

1216
00:57:45,600 --> 00:57:46,440
Speaker 3: Then we laid the.

1217
00:57:47,440 --> 00:57:49,680
Speaker 1: Oh yeah the first time I said we I know

1218
00:57:49,760 --> 00:57:52,760
Speaker 1: what was no? No, And he does eat little face

1219
00:57:53,120 --> 00:57:56,080
Speaker 1: like he's so bad at lying, which is amazing, Like

1220
00:57:56,080 --> 00:57:56,760
Speaker 1: it's so good for me.

1221
00:57:56,840 --> 00:57:59,160
Speaker 7: I know when he's lying, but gosh, you suck.

1222
00:57:59,600 --> 00:58:03,120
Speaker 3: Yeah, yeah, I do know that. I thought you've for

1223
00:58:03,160 --> 00:58:05,040
Speaker 3: the whole I thought I covered it well by eating

1224
00:58:05,080 --> 00:58:05,800
Speaker 3: banana bread.

1225
00:58:06,640 --> 00:58:06,880
Speaker 10: Yeah.

1226
00:58:06,920 --> 00:58:08,880
Speaker 1: Well this has been going on for a long time,

1227
00:58:09,000 --> 00:58:11,360
Speaker 1: and yeah, you've just done horribly to be honest anyway,

1228
00:58:11,400 --> 00:58:12,920
Speaker 1: So if you can get me again another.

1229
00:58:12,720 --> 00:58:13,920
Speaker 4: Time, I'll be impressed.

1230
00:58:15,320 --> 00:58:16,640
Speaker 1: He's not impressed at all either.

1231
00:58:17,120 --> 00:58:19,520
Speaker 3: I've let you down, I've let my daughter down, and

1232
00:58:19,560 --> 00:58:21,800
Speaker 3: we've built this up for two podcasts and four weeks.

1233
00:58:22,120 --> 00:58:27,920
Speaker 4: So sorry everyone, winner, I'm Steve Whitelawa.

1234
00:58:27,920 --> 00:58:29,640
Speaker 1: I've got a bit of wit about me.

1235
00:58:30,080 --> 00:58:34,920
Speaker 4: Yeah, yeah, this has been fun.

1236
00:58:35,120 --> 00:58:38,040
Speaker 3: I'll speak to you next time, Okay, tonight. I love you,

1237
00:58:38,240 --> 00:58:44,520
Speaker 3: my la. Bye. I'm embarrassed. I'm embarrassed. I'm embarrassed. It

1238
00:58:44,560 --> 00:58:47,200
Speaker 3: wasn't your Tom, it wasn't you all that was we

1239
00:58:47,320 --> 00:58:50,920
Speaker 3: got too excited five weeks of my of our lives.

1240
00:58:51,280 --> 00:58:53,320
Speaker 4: So she's just known the whole time. The reason she

1241
00:58:53,360 --> 00:58:56,800
Speaker 4: didn't ask anymore. I feel like she's because she knew

1242
00:58:57,640 --> 00:59:00,000
Speaker 4: within the first thirty seconds of seeing you.

1243
00:59:00,160 --> 00:59:00,800
Speaker 10: When you go home.

1244
00:59:00,840 --> 00:59:03,720
Speaker 3: Well, we can't exactly identify what was the moment weekend.

1245
00:59:04,200 --> 00:59:08,680
Speaker 3: Something that was under the bus. Maybe it was chazz

1246
00:59:09,640 --> 00:59:19,640
Speaker 3: performance was more, couldn't have could have been poop pants

1247
00:59:19,680 --> 00:59:22,320
Speaker 3: as well. Sorry just to throw it at as well.

1248
00:59:22,560 --> 00:59:24,560
Speaker 3: I mean, it was been on the nose calling her.

1249
00:59:24,600 --> 00:59:30,320
Speaker 3: That was obviously your idea.

1250
00:59:31,520 --> 00:59:35,240
Speaker 4: Alright, all right, we'll get out of here. So that's

1251
00:59:35,280 --> 00:59:36,640
Speaker 4: It's now nine o'clock at night.