WEBVTT - #99: Rhys Nicholson Ruins Our Day

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<v Speaker 1>People do some weird shit.

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<v Speaker 2>Would you like to try vape?

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<v Speaker 3>Why would you take up something that is going to

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<v Speaker 3>be addictive and expensive?

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<v Speaker 4>I think that pop.

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<v Speaker 1>I'll tell you what. Yeah, because you're young and stupid,

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<v Speaker 1>some things make more sense than others.

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<v Speaker 2>You mentioned that your goal was to be healthy, and

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<v Speaker 2>I just don't know. How can you figure that's going

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<v Speaker 2>to happen when you're ordering a chocolate moose?

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<v Speaker 5>No?

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<v Speaker 6>You know.

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<v Speaker 7>I had it in the car on the way home

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<v Speaker 7>and I didn't have a spood, so I was like

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<v Speaker 7>an hour a dillo trying to get ants out of

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<v Speaker 7>a hole.

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<v Speaker 1>Bless yourself for the rude shocks of young adults.

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<v Speaker 7>Food bean fingered is an awful sensation.

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<v Speaker 1>Give me thinking about the right person.

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<v Speaker 7>Goodness?

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<v Speaker 5>May this is?

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<v Speaker 1>Is it just still to play a couple of mitches?

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<v Speaker 8>Hi?

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<v Speaker 3>It's Jenna.

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<v Speaker 2>Please don't forget to include my name in the opener

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<v Speaker 2>this season.

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<v Speaker 7>Sorry?

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<v Speaker 1>Now he is Mitch Trulli and Mitchell Koob.

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<v Speaker 7>I will build a shrine. It's not nine.

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<v Speaker 2>We're getting so close to the one hundred, aren't we?

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<v Speaker 7>Literally hit me when I saw the Christian Hull picture

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<v Speaker 7>go up on Instagram. Christian Hell's co hosting episode ninety eight,

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<v Speaker 7>I'm like, fuck, are we at ninety eight?

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<v Speaker 2>Yeah, it means that it'll be the hundredths actual igym

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<v Speaker 2>that we've done, Like, oh my hundredth is it just me?

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<v Speaker 2>I've had one hundred talking points and none of them

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<v Speaker 2>are overly insight Oh no, none of them.

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<v Speaker 7>And how many lives have we changed? Zero? I wonder

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<v Speaker 7>if there's one agym that has changed someone's life dramatically.

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<v Speaker 2>Well, I'll give you the tip the eGym I've got

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<v Speaker 2>up my sleeve today. The is it's just me if

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<v Speaker 2>you knew here, not going to change anyone's life really,

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<v Speaker 2>But anyway, for ninety nine, what have we got on today?

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<v Speaker 7>Oh my god, Reece Nicholson is here. He really will be, Yeah,

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<v Speaker 7>very soon. He's coming on in a little bit, you know,

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<v Speaker 7>from a Repulse drag race down under. He's very funny.

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<v Speaker 2>Judge yeap. He's been a comedian for ages before that.

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<v Speaker 2>I wonder how he feels about that being like his

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<v Speaker 2>draw card now that he's been a comedian for ages

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<v Speaker 2>and everyone introduces him as from Repul's drag race.

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<v Speaker 7>Oh yeah, so no, No, I've been here for ages making.

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<v Speaker 2>Holes and negates everything is done before that.

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<v Speaker 7>I actually have a story to tell him. I saw

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<v Speaker 7>him when I was back in the day, when I

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<v Speaker 7>was in and out of LA I saw him in

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<v Speaker 7>Los Ange and I didn't say high because I was

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<v Speaker 7>very nervous.

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<v Speaker 3>Mitchell, it's not.

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<v Speaker 2>A great story. It's not a great story. You can

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<v Speaker 2>keep that to yourself.

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<v Speaker 7>No, No, I saw you to do and I was

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<v Speaker 7>a big fanly podcast.

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<v Speaker 2>No, we haven't. Actually, normally when we do these interviews

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<v Speaker 2>with the podcast, we pre record it and we play

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<v Speaker 2>it out to you. But we literally haven't done it yet.

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<v Speaker 2>So he's coming on in like not very long, so

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<v Speaker 2>we're gonna have to time this quite well. He's We're

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<v Speaker 2>literally going to do it as we're recording now.

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<v Speaker 7>Yeah, so you better jump into the show. Yeah, Eese

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<v Speaker 7>is coming on the show.

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<v Speaker 2>Although I'm doing in another injun Top five based on

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<v Speaker 2>live TV filth. Did you see what happened to Angela

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<v Speaker 2>Bishop recently on studio teams?

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<v Speaker 7>Oh? I think that was posted in the in the

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<v Speaker 7>secret Facebook group.

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<v Speaker 2>Yeah. No, people in our Facebook group knew that was

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<v Speaker 2>up our alley. So yeah, I'm going to be doing

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<v Speaker 2>a lot more times. Things like that have happened when

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<v Speaker 2>they swear on TV and don't realize it all they're

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<v Speaker 2>not meant to.

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<v Speaker 7>Is it all Australian or international.

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<v Speaker 2>Or Izzie All?

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<v Speaker 7>There's some classics Ozzie TV so loose I know anyway,

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<v Speaker 7>how welcome it is, just me grounds keep a prize

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<v Speaker 7>keeper Jenner is here, Hello, Hello. I can't get that

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<v Speaker 7>right after ninety nine episodes.

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<v Speaker 2>We haven't even had prizes to give away recently, so

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<v Speaker 2>really she's redundant. I'm not Maybe it's.

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<v Speaker 7>Time for a roll appraisal. What is happening when you're

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<v Speaker 7>in employment? What do you call it? A check in

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<v Speaker 7>with your boss?

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<v Speaker 2>Restructure?

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<v Speaker 7>Yeah, maybe it's time for an internal restructure.

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<v Speaker 2>I'm still pushing for Beekeeper Jenna. We just put a

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<v Speaker 2>bunch of posters out on the street, sign sticky taper

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<v Speaker 2>there saying, oh, if you've got bee hides in your house,

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<v Speaker 2>call this number, she'll come sort it. You take the

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<v Speaker 2>little number you it off.

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<v Speaker 6>Yep.

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<v Speaker 7>Yeah, I always do that when I see one on

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<v Speaker 7>the street, just so if the person comes back to

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<v Speaker 7>check on how it's doing, they think, oh, well there's

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<v Speaker 7>one person that's interested. But it always just goes in

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<v Speaker 7>my pocket. They end up washing it and I get

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<v Speaker 7>stupid bits a piece of paper in my pocket.

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<v Speaker 2>Well, those things actually work. I made one of those

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<v Speaker 2>for my sister when she first moved out of home

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<v Speaker 2>as like a music teacher piano, clarinet and saxophone lessons

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<v Speaker 2>call this number. Ah, she was booked out all year.

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<v Speaker 7>Are you kidding at work?

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<v Speaker 2>I never kid. Yeah, it worked because of my beautiful

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<v Speaker 2>graphic design. Obviously.

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<v Speaker 7>Oh that's really You know what, we could do a

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<v Speaker 7>contracept you die from Samsey, Hi, Samhi. We could get

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<v Speaker 7>I don't know how this works, but I'm going to

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<v Speaker 7>you because you're obviously the genius of the team. We

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<v Speaker 7>can get little QR codes with like scan to listen

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<v Speaker 7>for IM for this show, and then we could do

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<v Speaker 7>need a laugh and then just put little tickets with

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<v Speaker 7>QR codes on the bottom. I kind of like it

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<v Speaker 7>is a QR code, easy enough to make.

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<v Speaker 2>Oh yeah, yeah, I'll put.

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<v Speaker 7>Ten up in my area. You put ten up in yours,

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<v Speaker 7>you put ten up in yours. Okay, I reckon, we

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<v Speaker 7>do it.

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<v Speaker 2>If it's turned into it, you've got a huthle. Yeah,

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<v Speaker 2>it's random ways of plugging the show.

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<v Speaker 7>It's pre episode one hundred. So I'm feeling inspired.

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<v Speaker 2>Let's do it.

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<v Speaker 3>I'm excited.

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<v Speaker 7>Can you help us make the QR codes sund.

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<v Speaker 8>Okay, I'm going to go on a little mission. I'm

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<v Speaker 8>going to make the q car codes, and I'll be

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<v Speaker 8>back with you shortly.

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<v Speaker 7>Jenner, where are you that has a lot of demographic

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<v Speaker 7>pro listeners?

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<v Speaker 2>The flower markets, no nursing homes, no dog parks, no cemetery,

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<v Speaker 2>no Morgs. Possibly the Bunnings shovel section.

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<v Speaker 7>There is nothing acid a shelf and office works.

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<v Speaker 3>Don't mention that.

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<v Speaker 7>Where do you go that you could hang them up?

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<v Speaker 3>Just try and work?

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<v Speaker 2>You know what? This redundancy starting to sound more valid,

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<v Speaker 2>isn't it.

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<v Speaker 3>I will put them around Zimba and all of that.

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<v Speaker 7>Okay, Zomba, yeah, zum anyway, Yes, if it is your

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<v Speaker 7>first time listening, just me. Every week we start the

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<v Speaker 7>show the same way with two igems. Do is it

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<v Speaker 7>just me? Something we've noticed, something we hate or appreciate

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<v Speaker 7>from the week. Mitch doesn't know mine, I don't know

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<v Speaker 7>Mitch's mine. I might just I might jump in and

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<v Speaker 7>go first because it happened to be on the weekend.

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<v Speaker 7>I thought, I'm rearing and ready to go.

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<v Speaker 2>Sure off your guy hit me?

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<v Speaker 1>Is it just me?

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<v Speaker 7>Do you only ever see the big boys in the

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<v Speaker 7>big and tall stores, big and tall stalls? What's that?

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<v Speaker 7>I'm sure this isn't something you'd have to worry about

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<v Speaker 7>in life, I'm sure. But when you're a bigger boy

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<v Speaker 7>and your plus size and you may be more than

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<v Speaker 7>an Excel or a double excel, you go to the

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<v Speaker 7>bigger tall stores.

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<v Speaker 2>Is it a section within a store, like the big

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<v Speaker 2>and Tall section or are they their own stores?

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<v Speaker 7>Well, they know they used to be a section in

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<v Speaker 7>like came Out or Target, and it used to be

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<v Speaker 7>came out all Lows, which is really diffract for an

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<v Speaker 7>eighteen year old or younger boy to have to go

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<v Speaker 7>to Low's, right, But now they've got their own standalone stalls.

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<v Speaker 7>You've got Johnny big Man's, right, Okay, which is great,

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<v Speaker 7>which is sort of in the title of Johnny big Man's,

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<v Speaker 7>But they're all the category of stories big and tall.

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<v Speaker 2>Right, and so what's what's the region?

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<v Speaker 7>You just never see tall people there?

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<v Speaker 6>Ah?

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<v Speaker 2>Right? Like, did you think what I was thinking, Jenna

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<v Speaker 2>where he said? Do you only see big and tall

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<v Speaker 2>people in big and tall thores? And I'm like, yeah,

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<v Speaker 2>don't you hate it when all you think is pregnant

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<v Speaker 2>women in labor wars?

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<v Speaker 7>So I said, do you only ever see the big

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<v Speaker 7>boys in the big and tall stores?

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<v Speaker 2>Right?

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<v Speaker 7>You go in and it's just the embarrassed big boys

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<v Speaker 7>in the big it's never tall.

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<v Speaker 2>People does make them?

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<v Speaker 8>Yeah?

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<v Speaker 7>And you go there and it's like, I think, I

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<v Speaker 7>think you're sort of you know, you're hiding the truth here.

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<v Speaker 2>I feel like normal shirts are for tall people because

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<v Speaker 2>every shirt I buy it is too fucking long.

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<v Speaker 7>No, I'm six three and I sometimes struggle with a

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<v Speaker 7>mid it sometimes pops up. So I like the tall

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<v Speaker 7>Oh Sam, you might Sam's boxed by a chair, Yes,

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<v Speaker 7>you would have got you might need a tall shirt, right.

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<v Speaker 8>Yeah, no I do, but I'm extra small than the

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<v Speaker 8>should Yeah, but it never fits me in the waist,

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<v Speaker 8>in the length, in the length.

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<v Speaker 2>Yeah actually yeah, he would. Now I get it. Well,

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<v Speaker 2>why an't you ever going to these big and tall

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<v Speaker 2>store that's his concern on the other the fellow fatties

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<v Speaker 2>at these shops.

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<v Speaker 7>You know what I mean. That's the thing.

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<v Speaker 8>Well, I no, I can't go to big and tall

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<v Speaker 8>because I'm not big.

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<v Speaker 2>But that's the point it's big and.

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<v Speaker 9>Tall, but it's not but both.

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<v Speaker 1>It's one of you.

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<v Speaker 2>It's not big or tall.

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<v Speaker 4>Yes, exactly, it's not.

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<v Speaker 7>I would argue that I am, I'm the definition of

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<v Speaker 7>big and tall.

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<v Speaker 2>Well, that's why you only see people like you. There.

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<v Speaker 2>The problem solved, we figured out.

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<v Speaker 7>I just want to walk in and see a boy

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<v Speaker 7>the same shape and size of Sam going I fan

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<v Speaker 7>my home. It's always the fat boys, that's my point.

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<v Speaker 2>I think you were right when you said it's big

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<v Speaker 2>and tall, not big and all tall. Yes, so yeah,

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<v Speaker 2>that's why you only see people like it's never see

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<v Speaker 2>it's a tall, skinny boy there.

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<v Speaker 7>I'm telling you now, it's for big people and tall

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<v Speaker 7>people because they have smalls les really long.

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<v Speaker 2>Listen, you come here and you're bitch about never seeing

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<v Speaker 2>people that aren't fat there, and then we give you

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<v Speaker 2>an explanation and you won't accept it.

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<v Speaker 3>And also want on their website do they have big

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<v Speaker 3>boys modeling it or.

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<v Speaker 7>Tall and tall boys?

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<v Speaker 3>But how do you know that they're tall?

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<v Speaker 7>You can tell because they put a pineapple next one

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<v Speaker 7>for scale.

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<v Speaker 2>Are we done with this advice?

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<v Speaker 7>It just makes we're done? Yeah, let's go, let's jump

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<v Speaker 7>in here. Go for it.

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<v Speaker 1>Is it just me?

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<v Speaker 2>Why the fuck? There's the gym play pop music, then

0:08:38.559 --> 0:08:41.960
<v Speaker 2>overlay it with TV footage of people climbing rocks and shit,

0:08:43.480 --> 0:08:45.840
<v Speaker 2>they don't match. I'll be at the gym and they'll

0:08:45.880 --> 0:08:48.880
<v Speaker 2>be playing Fergies, Big Girls Don't Cry, and then you'll

0:08:48.880 --> 0:08:51.440
<v Speaker 2>see someone doing flips on a red Bull bike and shit,

0:08:51.520 --> 0:08:56.240
<v Speaker 2>and I'm like, total vibe mismatch. Absolutely, It's like that

0:08:56.360 --> 0:08:58.400
<v Speaker 2>overlay that they put on the treadmill. Have you ever

0:08:58.400 --> 0:08:59.920
<v Speaker 2>been on one of those fancy tread mills to mark

0:09:00.000 --> 0:09:01.640
<v Speaker 2>the wrong person, Jenna? Have you ever been one of

0:09:01.679 --> 0:09:05.640
<v Speaker 2>those fancy treadmills where like animates where you're walking, I'm

0:09:05.679 --> 0:09:08.240
<v Speaker 2>gonna choose meadow. Yeah, it's like that sort of shit.

0:09:08.320 --> 0:09:10.199
<v Speaker 2>It's that vibe at the gym. There's always videos of

0:09:10.240 --> 0:09:12.600
<v Speaker 2>people doing extreme sports and it's so off putting.

0:09:12.600 --> 0:09:14.760
<v Speaker 7>They'd be more smart and they'd be intelligent to put

0:09:14.800 --> 0:09:16.880
<v Speaker 7>like a McDonald's sign on the screen and you were

0:09:16.920 --> 0:09:20.839
<v Speaker 7>slowly getting closer to the digitized McDonald's. I'd sprint with

0:09:20.960 --> 0:09:21.360
<v Speaker 7>the case.

0:09:22.520 --> 0:09:24.880
<v Speaker 2>I don't know if they're trying to inspire us, like

0:09:24.920 --> 0:09:26.720
<v Speaker 2>by putting that shit at the gym where it's people

0:09:26.760 --> 0:09:29.360
<v Speaker 2>doing extreme sports and whatever, and they're always walking on

0:09:29.400 --> 0:09:33.280
<v Speaker 2>the cliff edge and stuff like that, and I'm like,

0:09:33.360 --> 0:09:35.640
<v Speaker 2>is this supposed to be fitzpo. I'd rather just see

0:09:35.679 --> 0:09:37.600
<v Speaker 2>the music video for Big Girls Don't Cry.

0:09:38.000 --> 0:09:39.800
<v Speaker 7>You know what, this brings us to a good point.

0:09:40.080 --> 0:09:43.160
<v Speaker 7>That is so straight, like that is such a intersexual

0:09:43.280 --> 0:09:47.479
<v Speaker 7>thing to put the Red Bull stunt playing show over Shakira,

0:09:47.760 --> 0:09:49.760
<v Speaker 7>Like no game hand would ever think. You know what?

0:09:49.800 --> 0:09:51.959
<v Speaker 7>This needs? This needs a BMX derby.

0:09:52.320 --> 0:09:54.880
<v Speaker 2>Well, that's the thing, because you can choose your own music.

0:09:54.880 --> 0:09:56.920
<v Speaker 2>At my particular gym, they've got like an iPad and

0:09:56.960 --> 0:09:59.560
<v Speaker 2>it's always gay music. But that's straight shit playing on

0:09:59.559 --> 0:10:01.560
<v Speaker 2>the TV. They never match. It's weird.

0:10:01.559 --> 0:10:03.160
<v Speaker 7>Oh my god, we need to invent a gaye a

0:10:03.280 --> 0:10:07.520
<v Speaker 7>gay exclusively gay gym, and it's discrimination. You can't come

0:10:07.520 --> 0:10:10.600
<v Speaker 7>in and straight and you can play the music, but

0:10:10.720 --> 0:10:13.160
<v Speaker 7>gay porn plays on loop on the LCDs.

0:10:14.679 --> 0:10:16.920
<v Speaker 2>I feel like it's entirely possible that if I went

0:10:16.960 --> 0:10:19.800
<v Speaker 2>to a gay only gym, I'd hate everyone there, Like

0:10:19.880 --> 0:10:21.680
<v Speaker 2>it would just be too much because they they're a

0:10:21.720 --> 0:10:24.079
<v Speaker 2>bit too gim obsessed for me. The gay is a

0:10:24.080 --> 0:10:24.520
<v Speaker 2>lot of them.

0:10:24.559 --> 0:10:26.360
<v Speaker 7>Also, the four g had crashed because everyone would be

0:10:26.360 --> 0:10:27.600
<v Speaker 7>on Grinder in the same spot.

0:10:27.760 --> 0:10:30.040
<v Speaker 2>Oh my god, imagine that. It'd be like, I've never

0:10:30.080 --> 0:10:33.319
<v Speaker 2>been to the Plus Fitness in Darlinghurst, which is a

0:10:33.559 --> 0:10:38.319
<v Speaker 2>very high populated gay area Sney. Imagine imagine how many

0:10:38.360 --> 0:10:39.679
<v Speaker 2>people would be on Grinder if I went there.

0:10:39.760 --> 0:10:41.319
<v Speaker 7>Oh god, you wouldn't be able to get out of

0:10:41.360 --> 0:10:42.720
<v Speaker 7>the parking lot with being fucked.

0:10:43.000 --> 0:10:44.439
<v Speaker 2>Yeah, we could put money on the fact that I

0:10:44.480 --> 0:10:45.800
<v Speaker 2>could just go there and get a fuck if I

0:10:45.880 --> 0:10:47.720
<v Speaker 2>wanted to. I wouldn't go through with it, but I'd

0:10:47.720 --> 0:10:50.960
<v Speaker 2>just like tee it up and be like, yep, see absolutely.

0:10:50.440 --> 0:10:53.480
<v Speaker 7>We've got our plan for episode one hundred. No, no,

0:10:53.640 --> 0:10:56.640
<v Speaker 7>absolutely not see you next week if just limping, we

0:10:56.720 --> 0:10:58.480
<v Speaker 7>know it works.

0:10:58.520 --> 0:10:59.319
<v Speaker 2>Happy that about.

0:11:02.280 --> 0:11:06.120
<v Speaker 1>That's enough of these two. Now let's hear and is

0:11:06.160 --> 0:11:06.880
<v Speaker 1>it just you?

0:11:07.640 --> 0:11:09.440
<v Speaker 7>Yes? This is it just me? And every week we

0:11:09.480 --> 0:11:11.760
<v Speaker 7>bring you and is it just you? Which is something

0:11:11.800 --> 0:11:14.280
<v Speaker 7>you've noticed, something you hate or appreciate. You can send

0:11:14.320 --> 0:11:16.600
<v Speaker 7>it to us on a couple of inches on Instagram.

0:11:16.880 --> 0:11:19.000
<v Speaker 2>And I really thought that when we put the call

0:11:19.040 --> 0:11:21.360
<v Speaker 2>out there saying you're welcome to phone in, like Lisa

0:11:21.400 --> 0:11:23.360
<v Speaker 2>did a few weeks ago, there's people would be like, yeah,

0:11:23.360 --> 0:11:25.600
<v Speaker 2>I'll come on a chat. No, we're just getting voice

0:11:25.600 --> 0:11:27.560
<v Speaker 2>messages mostly, but hey, that's fine too.

0:11:27.760 --> 0:11:29.400
<v Speaker 7>Is it just me? Are you disappointed?

0:11:29.920 --> 0:11:30.160
<v Speaker 2>Yeah?

0:11:30.360 --> 0:11:32.920
<v Speaker 7>But someone posted a meme in the Facebook group being like, oh,

0:11:33.280 --> 0:11:36.120
<v Speaker 7>podcasts host, I feel like we're all best friends. I

0:11:36.160 --> 0:11:38.640
<v Speaker 7>reckon we'd be friends with our listeners totally. I've met some,

0:11:38.760 --> 0:11:42.199
<v Speaker 7>we've met half of them. Yeah, fabulous, Yeah that distance themselves.

0:11:42.240 --> 0:11:45.200
<v Speaker 7>All right, let's jump into this ege from Katie. Katie

0:11:45.640 --> 0:11:49.800
<v Speaker 7>set this one on Facebook a messenger. Go, Katie, what

0:11:49.800 --> 0:11:51.280
<v Speaker 7>do you got? Is it just me?

0:11:51.760 --> 0:11:56.800
<v Speaker 2>Or are white goods like washing machines and dishwashers and

0:11:56.920 --> 0:11:59.840
<v Speaker 2>fridges stupidly expensive for what.

0:11:59.760 --> 0:12:03.200
<v Speaker 7>They Katie, you're on your own, I think.

0:12:03.520 --> 0:12:04.920
<v Speaker 2>Do you know what? Here's an either just me on

0:12:05.000 --> 0:12:08.200
<v Speaker 2>the fly. I didn't actually ever know what white goods meant,

0:12:08.600 --> 0:12:10.960
<v Speaker 2>but it's so. White goods are like appliance. It's like

0:12:11.000 --> 0:12:12.559
<v Speaker 2>your washing machine and your fridge and all that.

0:12:12.679 --> 0:12:12.880
<v Speaker 5>Yeah.

0:12:12.960 --> 0:12:16.199
<v Speaker 7>Right, white goods are like technology, right, m So like

0:12:16.320 --> 0:12:19.280
<v Speaker 7>a good guys sort of thing, yeah, applied to appliances, yes, yes, yes, yeah.

0:12:19.280 --> 0:12:21.520
<v Speaker 2>And so she's saying they're too expensive. Yes, well it

0:12:21.559 --> 0:12:22.560
<v Speaker 2>depends which one you get.

0:12:22.600 --> 0:12:24.959
<v Speaker 7>Well, that's exactly right, and they're doing a very You

0:12:25.400 --> 0:12:27.720
<v Speaker 7>have a white good for ten plus years, you're not

0:12:27.800 --> 0:12:31.280
<v Speaker 7>just a white good in two or three years. But

0:12:31.320 --> 0:12:32.880
<v Speaker 7>you keep this thing for it, you move with it,

0:12:32.920 --> 0:12:33.640
<v Speaker 7>you take it with you.

0:12:33.800 --> 0:12:37.280
<v Speaker 2>They are expensive, but I am if it's something like that,

0:12:37.320 --> 0:12:40.040
<v Speaker 2>I'm prepared to get a d one so that it

0:12:40.160 --> 0:12:43.440
<v Speaker 2>lasts dear, rather than getting some cheap piece of shit,

0:12:43.559 --> 0:12:46.120
<v Speaker 2>because like then it'll be riddle with issues, which has

0:12:46.120 --> 0:12:46.680
<v Speaker 2>happened before.

0:12:46.800 --> 0:12:50.640
<v Speaker 3>Oh mine's pretty cheap, right, like my microwave and all that.

0:12:50.920 --> 0:12:53.080
<v Speaker 3>I got them so cheap because I didn't want to

0:12:53.080 --> 0:12:56.359
<v Speaker 3>spend anything, and they haven't had any problems whatsoever.

0:12:56.640 --> 0:12:59.000
<v Speaker 2>I disagree, Jenna, even the cheap ones. They're so different,

0:12:59.080 --> 0:13:01.079
<v Speaker 2>especially you know, it's the worst thing, you know, it's

0:13:01.120 --> 0:13:07.440
<v Speaker 2>fucking criminal. Well, Kmart toasters absolutely trash, an abomination against God.

0:13:07.640 --> 0:13:10.080
<v Speaker 2>They are so fucked like the toast is so uneven,

0:13:10.120 --> 0:13:12.880
<v Speaker 2>the crust is basically burned, like the smoke alarm goes off,

0:13:12.880 --> 0:13:16.200
<v Speaker 2>but the center of the bread not even warm steel frozen.

0:13:16.280 --> 0:13:19.240
<v Speaker 7>Yeah, and they always seem to favor design over functionality,

0:13:19.280 --> 0:13:20.960
<v Speaker 7>like my mum's like, oh I got you and haymen,

0:13:21.040 --> 0:13:23.679
<v Speaker 7>you toasted for the house and it's got purspex glass

0:13:23.720 --> 0:13:24.800
<v Speaker 7>so you can watch them cook.

0:13:26.000 --> 0:13:28.880
<v Speaker 2>It's like a rustic, beige, antique looking thing, but it

0:13:28.920 --> 0:13:30.079
<v Speaker 2>doesn't cook your toes.

0:13:30.360 --> 0:13:33.440
<v Speaker 7>It's made out of pure porcelain. I don't want that.

0:13:33.640 --> 0:13:34.960
<v Speaker 2>I really don't love my toaster.

0:13:35.320 --> 0:13:37.280
<v Speaker 7>I have a Smeke toaster. What do you have? Oh

0:13:37.559 --> 0:13:38.760
<v Speaker 7>I was there when I got delivered.

0:13:38.880 --> 0:13:41.000
<v Speaker 2>Yeah, I got it from Harris's scarf. Can't remember what

0:13:41.000 --> 0:13:42.880
<v Speaker 2>the brand is. Russell and Hobbs are something.

0:13:43.440 --> 0:13:44.560
<v Speaker 7>Yeah, thats right, Russell Hobbs.

0:13:44.600 --> 0:13:46.240
<v Speaker 2>Yeah, Russell and Hobs.

0:13:47.200 --> 0:13:49.640
<v Speaker 3>You know Kmart How they have the cheap ones and

0:13:49.760 --> 0:13:51.280
<v Speaker 3>they have a version higher.

0:13:51.320 --> 0:13:53.520
<v Speaker 7>Oh, they've got Ancho, but then they also sell some some.

0:13:54.160 --> 0:13:56.400
<v Speaker 3>They've got like the five dollar one, and then they've

0:13:56.400 --> 0:13:57.800
<v Speaker 3>got the fifteen dollar one.

0:13:57.880 --> 0:14:00.280
<v Speaker 7>How good can a five dollars anything be when you're

0:14:00.280 --> 0:14:02.600
<v Speaker 7>plugging it into power. I'll happily pay over one hundred dollars.

0:14:02.640 --> 0:14:03.600
<v Speaker 7>Do not kill my family.

0:14:03.840 --> 0:14:06.800
<v Speaker 2>If you can't tell, we're killing time because Reese isn't

0:14:06.880 --> 0:14:10.360
<v Speaker 2>quite ready to go on zoom. That's why we're really stretching.

0:14:10.400 --> 0:14:12.040
<v Speaker 2>This is it just you out? This is why we're

0:14:12.040 --> 0:14:14.040
<v Speaker 2>not still got a little bit of a weight before

0:14:14.640 --> 0:14:18.120
<v Speaker 2>Nicholson comes on, so we can. It's much easier just

0:14:18.120 --> 0:14:21.240
<v Speaker 2>to pre record them. But well, here we are. We're

0:14:21.240 --> 0:14:22.800
<v Speaker 2>here now, you know, and I'm probably going to be

0:14:22.840 --> 0:14:25.720
<v Speaker 2>hungover after Martographs. I'm not editing. Shit, I'm leaving it

0:14:25.800 --> 0:14:26.040
<v Speaker 2>all in.

0:14:26.120 --> 0:14:27.680
<v Speaker 7>I also thought we were going to pretend that this

0:14:27.800 --> 0:14:29.760
<v Speaker 7>was airing after Martographs, so we were. I came in

0:14:29.840 --> 0:14:31.880
<v Speaker 7>like welcome to the show because I thought we were

0:14:31.880 --> 0:14:32.960
<v Speaker 7>going to pretend we were drunk.

0:14:33.640 --> 0:14:37.720
<v Speaker 2>Oh, because the episode comes out after my No, we

0:14:37.840 --> 0:14:41.600
<v Speaker 2>never fibbed to our listeners, not as God, No, not me.

0:14:42.560 --> 0:14:44.320
<v Speaker 7>Yeah, I'll do anything for a paycheck.

0:14:44.520 --> 0:14:49.400
<v Speaker 2>I've got more to add about white goods lamps count no, Okay, well,

0:14:49.560 --> 0:14:50.640
<v Speaker 2>maybe I won't tell this story.

0:14:50.840 --> 0:14:51.080
<v Speaker 5>Tell it.

0:14:51.480 --> 0:14:53.440
<v Speaker 7>I'll google what I'll define white goog will.

0:14:53.360 --> 0:14:56.280
<v Speaker 2>You it's a really good story.

0:14:56.480 --> 0:14:57.000
<v Speaker 7>Yeah.

0:14:57.040 --> 0:15:01.480
<v Speaker 2>My touch lamp malfunctioned. They're the ones that you touch activate.

0:15:01.600 --> 0:15:02.800
<v Speaker 7>Yeah, my men loves them.

0:15:02.960 --> 0:15:05.520
<v Speaker 2>I am nowhere near the fucking thing. And it kept

0:15:05.520 --> 0:15:06.960
<v Speaker 2>turning on and off all night.

0:15:07.080 --> 0:15:07.960
<v Speaker 7>That's scary, and like.

0:15:07.920 --> 0:15:10.400
<v Speaker 2>With the three variations of brightness, like it would just

0:15:10.600 --> 0:15:12.640
<v Speaker 2>always go and so I had to get rid of it,

0:15:12.680 --> 0:15:14.560
<v Speaker 2>and I bought a new lamp that isn't touch and fuck,

0:15:14.600 --> 0:15:17.320
<v Speaker 2>it's an adjustment. I don't like change. Wow, I reach

0:15:17.360 --> 0:15:19.200
<v Speaker 2>over in the morning, first thing when I wake up,

0:15:19.200 --> 0:15:22.760
<v Speaker 2>and I'm like bashing this lamp, being like turning on.

0:15:22.840 --> 0:15:23.680
<v Speaker 2>Oh there's a switch.

0:15:23.800 --> 0:15:24.720
<v Speaker 7>First world problem.

0:15:24.760 --> 0:15:26.120
<v Speaker 2>It is the first world problem.

0:15:26.360 --> 0:15:28.040
<v Speaker 3>Yeah, I wonder if there's a ghost.

0:15:28.240 --> 0:15:31.280
<v Speaker 7>Yeah, that could be a ghoul. I don't reckon what

0:15:31.400 --> 0:15:33.880
<v Speaker 7>is considered a white goods, says Salem dot Com, apparently

0:15:34.400 --> 0:15:37.280
<v Speaker 7>loved a good white good. White goods consist of items

0:15:37.280 --> 0:15:40.080
<v Speaker 7>such as dishwashers, dry as furnace, hot water heater, stove,

0:15:40.200 --> 0:15:42.120
<v Speaker 7>trash compactor, and a washing machine.

0:15:42.240 --> 0:15:43.920
<v Speaker 2>Reese has requested to join the room.

0:15:44.040 --> 0:15:46.280
<v Speaker 7>Oh we're busy, Reese.

0:15:46.400 --> 0:15:49.720
<v Speaker 2>We're talking about white Come back another time. Not now.

0:15:50.040 --> 0:15:51.520
<v Speaker 7>All right, let's get him on. This guy is very

0:15:51.560 --> 0:15:53.600
<v Speaker 7>excited to have rees on host of RuPaul's Drag Race

0:15:53.680 --> 0:15:54.440
<v Speaker 7>Down Under season.

0:15:54.560 --> 0:15:57.920
<v Speaker 2>I'm not the host, famous is the host of Reepaul

0:15:57.960 --> 0:15:58.400
<v Speaker 2>Drag Race.

0:15:58.480 --> 0:16:02.320
<v Speaker 7>Yeah, you're right, judge on Rupol's Dragons down Under. Let

0:16:02.360 --> 0:16:03.560
<v Speaker 7>me just get him on hard one.

0:16:04.200 --> 0:16:05.720
<v Speaker 2>There's an opener if you like to hit that to

0:16:05.800 --> 0:16:10.680
<v Speaker 2>kill a lovely and laughable Reese Nicholson.

0:16:11.760 --> 0:16:12.760
<v Speaker 7>Let's see if he's there.

0:16:14.000 --> 0:16:18.640
<v Speaker 2>There's that doorbell that sounds prom a thing, doesn't it

0:16:18.640 --> 0:16:24.320
<v Speaker 2>it's ree A. Oh thank god you've got a fancy microphone.

0:16:24.320 --> 0:16:26.040
<v Speaker 2>I hate it when people sound ship on zoom.

0:16:26.400 --> 0:16:28.640
<v Speaker 4>Well, I'm this has been the thing about this whole pandemic,

0:16:28.640 --> 0:16:31.440
<v Speaker 4>and this is all I've taken from it, is that

0:16:31.720 --> 0:16:34.480
<v Speaker 4>how many people do not know in this business how

0:16:34.520 --> 0:16:37.800
<v Speaker 4>to use a computer or just have things like for

0:16:37.880 --> 0:16:40.680
<v Speaker 4>people that work in media, there's some real morons around

0:16:40.960 --> 0:16:43.600
<v Speaker 4>getting Hi. I'm so happy to be here, Reeese.

0:16:43.640 --> 0:16:45.600
<v Speaker 7>This is so exciting. Welcome to the show. How are you?

0:16:45.600 --> 0:16:46.360
<v Speaker 7>Thanks for being here.

0:16:46.560 --> 0:16:49.080
<v Speaker 4>I'm good. How are you guys? It's a pleasure. I'm

0:16:49.080 --> 0:16:51.240
<v Speaker 4>still in my own home, so I couldn't give a ship.

0:16:51.840 --> 0:16:53.160
<v Speaker 4>Where are you, guys? Where are you?

0:16:53.320 --> 0:16:56.640
<v Speaker 7>We're in the studio, We're inn iHeartRadio HQ. I saw

0:16:56.680 --> 0:16:58.440
<v Speaker 7>that you were in New Zealand though, I mean you.

0:16:58.960 --> 0:17:01.000
<v Speaker 7>You're filming the new season of brag Race down under room.

0:17:01.200 --> 0:17:01.720
<v Speaker 7>Is that wrapped?

0:17:01.880 --> 0:17:02.080
<v Speaker 5>Yeah?

0:17:02.120 --> 0:17:04.160
<v Speaker 4>Yeah, yeah, we feel it in New Zealand. No one

0:17:04.200 --> 0:17:07.320
<v Speaker 4>knows why, but we do it, no one, I think

0:17:07.400 --> 0:17:10.160
<v Speaker 4>just it was floated early on and just no one

0:17:10.240 --> 0:17:12.840
<v Speaker 4>questioned it. No, yeah, I was just in New Zealand

0:17:12.880 --> 0:17:14.879
<v Speaker 4>doing that and yeah, now I'm back. I had a

0:17:14.880 --> 0:17:16.920
<v Speaker 4>great time. How was it Was it like really really

0:17:16.920 --> 0:17:17.600
<v Speaker 4>fun this time?

0:17:17.800 --> 0:17:18.040
<v Speaker 5>Yeah?

0:17:18.119 --> 0:17:19.800
<v Speaker 7>Well, well you say that like the first time wasn't.

0:17:20.160 --> 0:17:22.120
<v Speaker 4>No, Well, I kind of like it was very fun,

0:17:22.160 --> 0:17:25.520
<v Speaker 4>but I also wasn't dead behind the eyes terrified about

0:17:25.520 --> 0:17:26.800
<v Speaker 4>the fact that I was sitting next to Rapaul.

0:17:27.640 --> 0:17:31.399
<v Speaker 2>Oh yeah, I was actually saying just before, I was like,

0:17:31.400 --> 0:17:34.720
<v Speaker 2>I wonder how Reith feels about that being his identify now, Like, oh,

0:17:34.800 --> 0:17:37.840
<v Speaker 2>wreaths from drag Race, even though you were working your

0:17:37.880 --> 0:17:40.480
<v Speaker 2>guts off for years in stand up comedy, that's kind

0:17:40.480 --> 0:17:42.200
<v Speaker 2>of become Oh he's from drag Race.

0:17:42.640 --> 0:17:45.359
<v Speaker 4>Oh look, if some of those drag risk people buy

0:17:45.440 --> 0:17:48.880
<v Speaker 4>tickets to my shows, I don't care how I don't care.

0:17:49.200 --> 0:17:51.879
<v Speaker 4>You don't even have to turn up the But I

0:17:51.920 --> 0:17:54.400
<v Speaker 4>think I think generally as well, like just I don't

0:17:54.440 --> 0:17:56.560
<v Speaker 4>I don't mind it. I think, you know, I could

0:17:56.600 --> 0:18:00.040
<v Speaker 4>be known for worse shows. Well, yeah, I think I

0:18:00.480 --> 0:18:03.240
<v Speaker 4>like this year. I think was different as well because

0:18:03.320 --> 0:18:05.919
<v Speaker 4>I feel like the girls as well, without giving anything away,

0:18:06.040 --> 0:18:08.159
<v Speaker 4>but the contestants as well didn't have to feel like

0:18:08.200 --> 0:18:10.240
<v Speaker 4>they were on the first season of Drag raced down Under,

0:18:10.760 --> 0:18:12.120
<v Speaker 4>so there was like a little bit of I think

0:18:12.160 --> 0:18:13.800
<v Speaker 4>they were a little bit kind of freer as well.

0:18:13.800 --> 0:18:15.800
<v Speaker 4>They were just you know, it's a very very fun season.

0:18:15.800 --> 0:18:17.159
<v Speaker 4>I'm quite looking forward to seeing it.

0:18:17.200 --> 0:18:18.959
<v Speaker 7>Oh, we're looking forward. We were at the premiere when

0:18:19.000 --> 0:18:20.320
<v Speaker 7>it happened, like because it was kind of in that

0:18:20.359 --> 0:18:22.640
<v Speaker 7>weird pocket where COVID was around. But then it stopped

0:18:22.840 --> 0:18:24.240
<v Speaker 7>and then we were all sort of free and we

0:18:24.280 --> 0:18:25.879
<v Speaker 7>had the premiere. It was great, and all the queens

0:18:25.920 --> 0:18:29.000
<v Speaker 7>came and the excitement for the season was crazy. So yeah,

0:18:29.080 --> 0:18:30.440
<v Speaker 7>I'm really pumped for I'm really pumped.

0:18:30.600 --> 0:18:35.880
<v Speaker 4>I said that creepy video from Canada that looked.

0:18:35.960 --> 0:18:37.880
<v Speaker 2>Right, you couldn't be there, that's right.

0:18:38.040 --> 0:18:40.880
<v Speaker 7>I interviewed Michelle Visage like last week for my radio show,

0:18:41.040 --> 0:18:44.040
<v Speaker 7>and she is, oh my god, because I was like you,

0:18:44.119 --> 0:18:46.360
<v Speaker 7>I mean, not to the same extent you're sitting next

0:18:46.400 --> 0:18:48.240
<v Speaker 7>to her on the show and hosting with her, but

0:18:48.680 --> 0:18:52.600
<v Speaker 7>interviewing her, I was I was intimidated because the amount

0:18:52.640 --> 0:18:54.880
<v Speaker 7>of weight that she has in a young gay man's mind.

0:18:54.880 --> 0:18:56.920
<v Speaker 7>Like I watched it. I watch every season of Drag Race.

0:18:57.200 --> 0:18:59.640
<v Speaker 7>I think she's hilarious and so talented, and I think

0:18:59.680 --> 0:19:01.919
<v Speaker 7>because I've seen her in a judging position that I

0:19:02.000 --> 0:19:04.600
<v Speaker 7>was kind of expecting to be to be judged. It

0:19:04.600 --> 0:19:06.320
<v Speaker 7>felt it was a weird dynamic. I don't know if

0:19:06.320 --> 0:19:07.720
<v Speaker 7>you felt the same meeting.

0:19:07.480 --> 0:19:10.119
<v Speaker 4>Her, Oh absolutely, Like and I you know, same with

0:19:10.440 --> 0:19:12.560
<v Speaker 4>both of them. You kind of go in thinking and

0:19:13.440 --> 0:19:14.880
<v Speaker 4>you kind of have in the back of your head

0:19:14.920 --> 0:19:17.360
<v Speaker 4>you're a little bit prepared that, oh, these people could

0:19:17.400 --> 0:19:20.560
<v Speaker 4>be monsters, yes, Like yeah not, but just because I

0:19:20.600 --> 0:19:23.400
<v Speaker 4>don't think. I think it's really tough to be that famous,

0:19:23.840 --> 0:19:26.280
<v Speaker 4>that wealthy for that long and not become a bit

0:19:26.320 --> 0:19:30.280
<v Speaker 4>of a monster. And both of them are just the loveliest,

0:19:30.440 --> 0:19:33.919
<v Speaker 4>most real, Like I've never met a more interested person

0:19:33.960 --> 0:19:36.600
<v Speaker 4>than Rue. Like then, like he just wants to know

0:19:36.720 --> 0:19:38.920
<v Speaker 4>everything about like how your day was, and he wants

0:19:38.960 --> 0:19:42.159
<v Speaker 4>to know about your family, really about us all. But

0:19:42.240 --> 0:19:45.240
<v Speaker 4>Michelle is like, Michelle's like my buddy now, like I

0:19:45.280 --> 0:19:47.040
<v Speaker 4>feel like this second year as well, kind of like

0:19:47.080 --> 0:19:49.280
<v Speaker 4>we have lunches together and we go for walks and

0:19:49.280 --> 0:19:52.560
<v Speaker 4>so she's just she's also the most probably the most

0:19:52.920 --> 0:19:57.399
<v Speaker 4>professional person I've ever met, Like she just like and

0:19:57.440 --> 0:19:59.080
<v Speaker 4>you would have seen it in the interview as well.

0:19:59.200 --> 0:20:05.760
<v Speaker 4>She's just a media trained, incredibly funny, like just don't

0:20:05.800 --> 0:20:08.000
<v Speaker 4>I don't know. I've been impressed with her before, and

0:20:08.040 --> 0:20:09.800
<v Speaker 4>she knows what she's doing in an interview, and she

0:20:09.840 --> 0:20:12.440
<v Speaker 4>knows to give you what you need, and she knows

0:20:12.480 --> 0:20:14.840
<v Speaker 4>how to tease people and how to push the line. Yeah,

0:20:14.840 --> 0:20:15.920
<v Speaker 4>I don't know. I just really love her.

0:20:16.040 --> 0:20:17.280
<v Speaker 7>Yeah. I don't know if you know this meech. But

0:20:17.320 --> 0:20:19.080
<v Speaker 7>she was in a girl group when she was like sixteen.

0:20:19.119 --> 0:20:22.040
<v Speaker 7>Then she did Yes Seduction. Her and Rude did a

0:20:22.160 --> 0:20:26.119
<v Speaker 7>radio show in New York City Alive, Yeah, a radio show,

0:20:26.200 --> 0:20:26.600
<v Speaker 7>and then.

0:20:26.600 --> 0:20:28.159
<v Speaker 4>She used to do like a morning zoo show for

0:20:28.240 --> 0:20:28.840
<v Speaker 4>years and years.

0:20:28.960 --> 0:20:32.400
<v Speaker 7>She has been working in the industry for so long.

0:20:32.480 --> 0:20:34.880
<v Speaker 2>So so those two go way back. And then read

0:20:35.119 --> 0:20:36.560
<v Speaker 2>did you feel like a bit of a third wheel

0:20:36.680 --> 0:20:37.680
<v Speaker 2>coming into that equation?

0:20:37.800 --> 0:20:38.000
<v Speaker 1>Yeah?

0:20:38.000 --> 0:20:42.760
<v Speaker 4>Best friend and they they I think almost made an

0:20:42.760 --> 0:20:44.520
<v Speaker 4>effort to make sure that they didn't feel that way.

0:20:44.600 --> 0:20:46.600
<v Speaker 4>Like when we were last year, when we were in quarantine,

0:20:47.080 --> 0:20:50.040
<v Speaker 4>she called. We were both in quarantine, separate hotels, and

0:20:50.080 --> 0:20:52.399
<v Speaker 4>she called me and was like such a number and

0:20:52.520 --> 0:20:54.720
<v Speaker 4>was like listen, like she was putting on makeup. So

0:20:54.920 --> 0:20:56.160
<v Speaker 4>the first time I met her was on a zoom

0:20:56.160 --> 0:20:58.919
<v Speaker 4>screen while she was putting on her makeup and but no,

0:20:59.000 --> 0:21:01.639
<v Speaker 4>they just make really, although a stressful thing happened this

0:21:01.720 --> 0:21:05.080
<v Speaker 4>time where I we both Michelle and I both love seafood.

0:21:05.119 --> 0:21:07.080
<v Speaker 4>I don't know if this is a boring story. We

0:21:07.080 --> 0:21:09.119
<v Speaker 4>both love seafood and we're in Auckland always looking for

0:21:09.200 --> 0:21:11.240
<v Speaker 4>like a place that we could go and eat some seafood. Yeah,

0:21:11.280 --> 0:21:13.080
<v Speaker 4>And I was like, oh, I think I found a place,

0:21:13.200 --> 0:21:14.639
<v Speaker 4>and she was like, oh, great, maybe I'll invite a

0:21:14.640 --> 0:21:16.800
<v Speaker 4>couple of the producers. And then when I turned up,

0:21:16.840 --> 0:21:20.200
<v Speaker 4>there the entire like world of Wonder Crew and Roue

0:21:20.800 --> 0:21:23.760
<v Speaker 4>and like Raven and all these people like sitting at

0:21:23.800 --> 0:21:27.200
<v Speaker 4>the table and I was like, oh hi, and oh yes,

0:21:27.320 --> 0:21:29.240
<v Speaker 4>right arrived, sat down. He went so why did we

0:21:29.280 --> 0:21:31.159
<v Speaker 4>come here? And Michelle went, oh, rees picked it. And

0:21:31.160 --> 0:21:35.160
<v Speaker 4>I was like, shut up, the person that picked this.

0:21:36.040 --> 0:21:37.119
<v Speaker 4>And it was all fine, but I don't know.

0:21:37.240 --> 0:21:39.240
<v Speaker 7>It was the shoot was the food ship because nothing worse,

0:21:39.280 --> 0:21:41.000
<v Speaker 7>Like you said when you recommend something that it's terrible

0:21:41.000 --> 0:21:42.280
<v Speaker 7>and it's awful, it was.

0:21:42.359 --> 0:21:44.600
<v Speaker 4>It was good, But it was that thing that anytime

0:21:44.640 --> 0:21:46.439
<v Speaker 4>someone said, oh that's not how I expected it, or

0:21:46.440 --> 0:21:50.200
<v Speaker 4>anytime like a drink was a bit yeah, and also

0:21:50.320 --> 0:21:53.720
<v Speaker 4>like I don't know, this isn't like it's very la

0:21:53.800 --> 0:21:55.920
<v Speaker 4>as well. None of the none of the American people

0:21:55.920 --> 0:21:58.040
<v Speaker 4>really kind of drink. And I'm not making a statement

0:21:58.080 --> 0:22:00.680
<v Speaker 4>about that. It's like they're all very healthy, very good people. Yeah,

0:22:00.880 --> 0:22:04.560
<v Speaker 4>and I'm different to them, and so I'd always just

0:22:04.600 --> 0:22:05.880
<v Speaker 4>have to be like down the end of the table,

0:22:05.920 --> 0:22:07.560
<v Speaker 4>like and I can to get four more white wine,

0:22:07.600 --> 0:22:08.680
<v Speaker 4>thank you very much, leave.

0:22:08.600 --> 0:22:11.080
<v Speaker 7>The bottom seafood. Do you need you need something to

0:22:11.160 --> 0:22:11.359
<v Speaker 7>wash it?

0:22:11.400 --> 0:22:16.199
<v Speaker 4>allD A, absolutely so that they don't. But no, it is.

0:22:16.280 --> 0:22:18.119
<v Speaker 4>It is a little kind of family, and it is

0:22:18.160 --> 0:22:21.520
<v Speaker 4>like a weird sometimes I just have I'll be sitting

0:22:21.520 --> 0:22:23.240
<v Speaker 4>on the panel and I'm sure the queens must have

0:22:23.320 --> 0:22:26.120
<v Speaker 4>this on a minute by minute basis, but you're seeing

0:22:26.160 --> 0:22:28.199
<v Speaker 4>there going like, what a weird job this is?

0:22:28.520 --> 0:22:29.639
<v Speaker 2>Yeah, like it is weird.

0:22:29.720 --> 0:22:32.280
<v Speaker 4>You know, look at these look at all these people

0:22:32.400 --> 0:22:34.640
<v Speaker 4>dressed up as women, and I'm going to tell them

0:22:34.640 --> 0:22:37.040
<v Speaker 4>whether they're good at that or not, and that will

0:22:37.080 --> 0:22:40.120
<v Speaker 4>depend on whether they lip sync, and then they might

0:22:40.119 --> 0:22:42.200
<v Speaker 4>go home like that's what a wild job?

0:22:42.680 --> 0:22:44.560
<v Speaker 2>Do you feel like? I feel like when people get

0:22:44.640 --> 0:22:47.399
<v Speaker 2>jobs as judges, they kind of make jokes like, Oh,

0:22:47.440 --> 0:22:49.840
<v Speaker 2>I'm getting paid to be dodgmental. This is fantastic. But

0:22:49.880 --> 0:22:51.960
<v Speaker 2>do you sometimes feel like, oh god, I don't want

0:22:51.960 --> 0:22:53.720
<v Speaker 2>to be mean, Like I would actually hate being a

0:22:53.800 --> 0:22:54.879
<v Speaker 2>judge totally.

0:22:54.920 --> 0:22:58.080
<v Speaker 4>Well, I'm definitely the polar abdul of the group. I

0:22:58.119 --> 0:23:00.520
<v Speaker 4>put myself as the kind of like I think I'm

0:23:00.560 --> 0:23:02.119
<v Speaker 4>the in that I don't know where I am a

0:23:02.160 --> 0:23:03.639
<v Speaker 4>lot of time, and I think I probably have a

0:23:03.680 --> 0:23:09.600
<v Speaker 4>history with pills, but the allegedly allegedly but no, I

0:23:09.640 --> 0:23:12.720
<v Speaker 4>mean I kind of because I'm really passionate about drag,

0:23:12.760 --> 0:23:16.240
<v Speaker 4>but I don't do drag. Yeah, Like, and so I

0:23:16.240 --> 0:23:17.920
<v Speaker 4>would never I'm never going to tell one of those

0:23:17.960 --> 0:23:20.560
<v Speaker 4>girls like that eye isn't right and you should sinch

0:23:20.600 --> 0:23:22.520
<v Speaker 4>more or something. I'm like, I think myself as like

0:23:22.520 --> 0:23:25.359
<v Speaker 4>a conduit for the audience and I'm there to be like,

0:23:25.440 --> 0:23:28.119
<v Speaker 4>you know, there are times this season where I felt

0:23:28.119 --> 0:23:30.280
<v Speaker 4>like I was in an actual drag show, like there

0:23:30.359 --> 0:23:33.199
<v Speaker 4>was some kind of rough, rough drag, but like it

0:23:33.280 --> 0:23:36.040
<v Speaker 4>felt like, you know, I'm at the peel or I

0:23:36.080 --> 0:23:39.399
<v Speaker 4>might like, you know, I'm an ARC at eleven o'clock

0:23:39.440 --> 0:23:41.280
<v Speaker 4>at night and I'm waiting for the second show. But

0:23:41.359 --> 0:23:41.919
<v Speaker 4>you know, like it.

0:23:42.000 --> 0:23:44.200
<v Speaker 7>Yeah, is there a smoker's room? Is there a back alley?

0:23:44.240 --> 0:23:46.120
<v Speaker 7>I can just have a cigarette with one of these.

0:23:48.560 --> 0:23:51.160
<v Speaker 2>Did you have many fond memories of trash Alley at

0:23:51.520 --> 0:23:53.679
<v Speaker 2>Arc as well? Because that place is near and near

0:23:53.720 --> 0:23:54.960
<v Speaker 2>to my heart and now it's closed.

0:23:55.240 --> 0:23:57.560
<v Speaker 4>I know, and I you know what, I probably have

0:23:57.640 --> 0:23:59.679
<v Speaker 4>some memories, but I do not have access to them anymore.

0:23:59.800 --> 0:24:02.560
<v Speaker 2>Yeah, right, Yeah, they're foggy as fucking when you I

0:24:02.640 --> 0:24:02.960
<v Speaker 2>was there.

0:24:03.160 --> 0:24:05.960
<v Speaker 7>Right, Well, that's exciting, but we're looking forward to Drag

0:24:06.040 --> 0:24:09.359
<v Speaker 7>Race down Under season two. That'll be fun. And congratulations

0:24:09.359 --> 0:24:10.879
<v Speaker 7>because that is such a good get. You're right, it's

0:24:10.920 --> 0:24:13.000
<v Speaker 7>that role that you're feeling is like the Carson Crazley,

0:24:13.200 --> 0:24:16.480
<v Speaker 7>the Ross Matthews. It's like you're just there to entertain

0:24:16.560 --> 0:24:19.119
<v Speaker 7>and you are so funny. I can only imagine that

0:24:19.600 --> 0:24:21.320
<v Speaker 7>when the girls come out on the runway and you

0:24:21.359 --> 0:24:23.360
<v Speaker 7>hit him with puns and you make jokes and do

0:24:23.400 --> 0:24:26.359
<v Speaker 7>you do they Are they actually like right there in

0:24:26.359 --> 0:24:27.960
<v Speaker 7>the moment or do you like dub them?

0:24:28.000 --> 0:24:30.440
<v Speaker 4>No? No, no, it's all there. And that that was quite

0:24:30.440 --> 0:24:32.200
<v Speaker 4>a shock to me. Last year, I thought there would

0:24:32.200 --> 0:24:35.320
<v Speaker 4>be a lot more production. Yeah, evolved, I thought there

0:24:35.400 --> 0:24:38.680
<v Speaker 4>might be some riders. No, none of that, And that's

0:24:38.680 --> 0:24:40.119
<v Speaker 4>the wild thing as well. And I feel like I'm

0:24:40.160 --> 0:24:42.200
<v Speaker 4>just sucking up to my bosses now, but like ruined,

0:24:42.240 --> 0:24:46.360
<v Speaker 4>Michelle leave me in the dust with that shit, like

0:24:46.359 --> 0:24:47.879
<v Speaker 4>like the system, and I feel like I can probably

0:24:47.880 --> 0:24:49.360
<v Speaker 4>say this is the system. Met The girls do one

0:24:49.400 --> 0:24:53.000
<v Speaker 4>walk around and then we watch that to music, and

0:24:53.040 --> 0:24:54.439
<v Speaker 4>I guess we try and think of a little bit

0:24:54.520 --> 0:24:57.440
<v Speaker 4>and literally straight away, like once the last girl walks

0:24:57.440 --> 0:24:59.760
<v Speaker 4>off the runway, the first one walks on again, and

0:24:59.760 --> 0:25:02.800
<v Speaker 4>they that to silence, and that's when we do our

0:25:02.840 --> 0:25:05.400
<v Speaker 4>puns and kind of the last third of an episode

0:25:05.480 --> 0:25:07.840
<v Speaker 4>is pretty much in real time. Wow, there's a bit

0:25:07.880 --> 0:25:10.600
<v Speaker 4>of standing around, but it's all boom boom boom. There's

0:25:10.600 --> 0:25:12.800
<v Speaker 4>not like we don't go back to our dressing rooms constantly.

0:25:12.840 --> 0:25:16.080
<v Speaker 4>We don't like it's all happens. The girls are told

0:25:16.080 --> 0:25:17.840
<v Speaker 4>they're in the bottom and then they lip sink.

0:25:17.960 --> 0:25:20.160
<v Speaker 7>Once you're on the desk, you're stuck there for a bit.

0:25:20.200 --> 0:25:22.880
<v Speaker 2>You're staying how much of what you say actually makes

0:25:22.920 --> 0:25:25.119
<v Speaker 2>the final cut? Because I reckon, if I was on

0:25:25.160 --> 0:25:27.400
<v Speaker 2>a show like that, I'd be watching it back going ah,

0:25:27.480 --> 0:25:29.760
<v Speaker 2>they bloody edged about that. Funny thing I said.

0:25:30.600 --> 0:25:34.520
<v Speaker 4>See. Luckily, for me, very little of what I said.

0:25:35.760 --> 0:25:38.560
<v Speaker 4>There are so many things that you just blurt out

0:25:38.560 --> 0:25:42.040
<v Speaker 4>that you're like, oh, oh yeah, that's not and also

0:25:42.119 --> 0:25:44.399
<v Speaker 4>just bad part, like just silly. I mean, but the

0:25:44.440 --> 0:25:45.960
<v Speaker 4>ones that did. The one that sticks out to me

0:25:46.080 --> 0:25:49.639
<v Speaker 4>from so one my first episode last year, I was

0:25:49.720 --> 0:25:53.119
<v Speaker 4>so nervous and like there was just no not prep

0:25:53.240 --> 0:25:54.960
<v Speaker 4>but like you're just kind of thrown.

0:25:54.680 --> 0:25:57.640
<v Speaker 7>In and you would be yeah, yeah, and.

0:25:57.560 --> 0:25:59.639
<v Speaker 4>There's a line that I just blurted out that was like,

0:26:00.040 --> 0:26:01.800
<v Speaker 4>well I do like balls slapping on my eye.

0:26:01.800 --> 0:26:05.160
<v Speaker 2>I remember, Yeah, that one definitely made the cart made

0:26:05.160 --> 0:26:05.480
<v Speaker 2>the problem.

0:26:05.520 --> 0:26:09.080
<v Speaker 4>And it's like I don't even remember saying that, and like,

0:26:09.880 --> 0:26:12.440
<v Speaker 4>but it was there. It was there. I think it's

0:26:12.480 --> 0:26:14.359
<v Speaker 4>just so like you just say what you're thinking and

0:26:14.359 --> 0:26:15.880
<v Speaker 4>then they just cut around. I don't know, I feel

0:26:15.880 --> 0:26:19.560
<v Speaker 4>like that was really boring answer, but it is. I'm

0:26:19.600 --> 0:26:21.280
<v Speaker 4>glad that they don't put in a lot of the stuff.

0:26:21.320 --> 0:26:23.000
<v Speaker 7>Well, you're in the what is it called the ru

0:26:23.080 --> 0:26:26.960
<v Speaker 7>Cinematic Universe, the rupe Ul charl Y, the arc. You know,

0:26:27.000 --> 0:26:29.640
<v Speaker 7>I'm just calling it that. Now you're the RC can't

0:26:29.640 --> 0:26:30.640
<v Speaker 7>wait for the REE spinoff?

0:26:30.760 --> 0:26:33.639
<v Speaker 4>Yeah. If ever, like v H one makes some like

0:26:33.880 --> 0:26:36.760
<v Speaker 4>poorly produced documentary in like twenty years about I can

0:26:36.800 --> 0:26:38.640
<v Speaker 4>be like one of the most available people to do.

0:26:38.600 --> 0:26:39.240
<v Speaker 1>A talking bit.

0:26:39.440 --> 0:26:41.919
<v Speaker 4>Yeah, well he hasn't spoken to me in ten years.

0:26:42.000 --> 0:26:44.200
<v Speaker 7>But let me tell you a story about a fish

0:26:44.240 --> 0:26:48.399
<v Speaker 7>and chip restaurant. You've told us many times. All right,

0:26:48.440 --> 0:26:50.720
<v Speaker 7>you can go and see Reese guys very soon. He's

0:26:50.800 --> 0:26:53.639
<v Speaker 7>heading back on tour, which is exciting Reese Reese. Actually,

0:26:53.640 --> 0:26:54.760
<v Speaker 7>I feel like I want to say it like I

0:26:54.800 --> 0:26:57.080
<v Speaker 7>would say it. I'd say like a nineteen twenties like

0:26:57.119 --> 0:27:00.960
<v Speaker 7>a newspaper boy like ya race race right, very dramatic?

0:27:01.080 --> 0:27:01.840
<v Speaker 7>Is that how I should say?

0:27:01.880 --> 0:27:03.600
<v Speaker 4>Well, it is a very I mean, it's it's such

0:27:03.640 --> 0:27:06.199
<v Speaker 4>a gay reference and I kind of it's it's a

0:27:06.400 --> 0:27:09.840
<v Speaker 4>Judy Garland reference. So there's a Judy Garland album called Judy, Judy,

0:27:09.920 --> 0:27:12.199
<v Speaker 4>Judy Live and in Person, and the poster is like

0:27:12.200 --> 0:27:14.520
<v Speaker 4>an exact copy of it, and it's one of those

0:27:14.560 --> 0:27:17.720
<v Speaker 4>things that has sometimes it's gay people, we just chucks

0:27:17.800 --> 0:27:20.120
<v Speaker 4>up them out there, Yes, and you hope that people.

0:27:20.119 --> 0:27:22.080
<v Speaker 7>If we don't reference, we lose it. You've got a

0:27:22.080 --> 0:27:22.639
<v Speaker 7>reference with that.

0:27:22.640 --> 0:27:24.320
<v Speaker 2>You're a partner that came up with that name because

0:27:24.320 --> 0:27:26.200
<v Speaker 2>I remember you've said before that he kind of does

0:27:26.240 --> 0:27:28.320
<v Speaker 2>a lot of the directing, if you like, you just

0:27:28.400 --> 0:27:30.400
<v Speaker 2>kind of talk shit and then he formulates it.

0:27:30.760 --> 0:27:33.520
<v Speaker 4>Yeah, kind of yeah, No, I definitely thought of Rethress Reese,

0:27:33.600 --> 0:27:36.600
<v Speaker 4>and then I had to explain it to him. You know,

0:27:37.720 --> 0:27:41.720
<v Speaker 4>the problems of dating a bisexual. Sometimes you have to

0:27:41.720 --> 0:27:45.760
<v Speaker 4>talk to the straight side. He kind of does. I

0:27:45.800 --> 0:27:49.480
<v Speaker 4>write everything and I perform everything. He kind of helps me,

0:27:49.520 --> 0:27:51.200
<v Speaker 4>like we're in the process of it now. He helps

0:27:51.200 --> 0:27:53.520
<v Speaker 4>me put it in an order like it's in because

0:27:53.520 --> 0:27:55.159
<v Speaker 4>I can write jokes till the cows come home, but

0:27:55.200 --> 0:27:57.040
<v Speaker 4>I can't. You know, when you go to a show

0:27:57.119 --> 0:27:59.359
<v Speaker 4>and there's like it's got a through line. I can't

0:27:59.400 --> 0:28:01.439
<v Speaker 4>do that. I don't have a brain for that. So

0:28:01.520 --> 0:28:03.400
<v Speaker 4>he helps me with that. I feel like I'm being

0:28:03.520 --> 0:28:05.800
<v Speaker 4>very like inside the actors studio and not funny.

0:28:06.000 --> 0:28:06.080
<v Speaker 1>No.

0:28:06.240 --> 0:28:07.640
<v Speaker 7>I feel I was gonna say, I think I'm learning

0:28:07.680 --> 0:28:09.600
<v Speaker 7>so much my write notes. Guys, come and come and

0:28:09.600 --> 0:28:11.679
<v Speaker 7>get me a kill a metrico. I'm gonna write all

0:28:11.680 --> 0:28:13.480
<v Speaker 7>this now. This is great, but that's fine. That's what

0:28:13.480 --> 0:28:16.480
<v Speaker 7>he's there for. Sometimes I see a partner duo and

0:28:16.520 --> 0:28:18.320
<v Speaker 7>I go, I don't know how they work together because

0:28:18.359 --> 0:28:20.800
<v Speaker 7>I could never work creatively with my partner, Like we

0:28:20.920 --> 0:28:23.480
<v Speaker 7>just tear the house down. Yeah, I don't think we

0:28:23.520 --> 0:28:26.120
<v Speaker 7>haven't done it yet. Maybe maybe we should try. Did

0:28:26.119 --> 0:28:28.320
<v Speaker 7>you did that come early in the relationship, Reese, they're

0:28:28.320 --> 0:28:29.200
<v Speaker 7>working together.

0:28:28.960 --> 0:28:33.600
<v Speaker 4>Didn't we all? Yeah? Kind of early on, Like I

0:28:33.600 --> 0:28:36.040
<v Speaker 4>think I was a really bad comedian, Like he's put

0:28:36.080 --> 0:28:36.520
<v Speaker 4>up with a lot.

0:28:36.560 --> 0:28:36.840
<v Speaker 7>I was.

0:28:36.960 --> 0:28:38.840
<v Speaker 4>I was still an open micro when we still got together.

0:28:38.920 --> 0:28:41.640
<v Speaker 4>And that is if anybody's out there dating an open Mico,

0:28:41.800 --> 0:28:44.280
<v Speaker 4>you you deserve a medal. They are some of the

0:28:44.280 --> 0:28:45.800
<v Speaker 4>worst people you're ever going to meet in you're entire

0:28:45.840 --> 0:28:49.360
<v Speaker 4>and it's probably gonna be your shamah. Yeah, it's oh,

0:28:49.720 --> 0:28:53.160
<v Speaker 4>one hundred percent. He has supported me both mentally and

0:28:53.200 --> 0:28:57.240
<v Speaker 4>financially many times over the years. But and then I

0:28:57.280 --> 0:28:58.760
<v Speaker 4>think at a certain point he was just like, look,

0:28:58.760 --> 0:29:00.400
<v Speaker 4>I think it'd be better if you did the way

0:29:00.880 --> 0:29:02.960
<v Speaker 4>and that, and you know that came up in many

0:29:03.000 --> 0:29:06.720
<v Speaker 4>aspects of our life. But the I just keep making

0:29:06.760 --> 0:29:10.560
<v Speaker 4>things about sex. Yeah, I think it's nice to have.

0:29:10.720 --> 0:29:12.440
<v Speaker 4>It's not for it's definitely not for everyone. I think

0:29:12.440 --> 0:29:14.520
<v Speaker 4>it's almost like a long term relationship where working with

0:29:14.560 --> 0:29:17.360
<v Speaker 4>your partner it definitely is like stressful, like you can

0:29:17.880 --> 0:29:19.760
<v Speaker 4>because quite often you're having a fight. If you're having

0:29:19.760 --> 0:29:21.360
<v Speaker 4>a fight about something, it is not about what you're

0:29:21.360 --> 0:29:23.640
<v Speaker 4>having a fight about. Yeah, yeah, you know, and being

0:29:23.800 --> 0:29:26.120
<v Speaker 4>working on a show. But then I always see I

0:29:26.600 --> 0:29:28.840
<v Speaker 4>can always win because I get to go out and

0:29:29.040 --> 0:29:31.560
<v Speaker 4>talk about him. He does not have that access to

0:29:31.600 --> 0:29:33.200
<v Speaker 4>an audience that I do, so I can wander out

0:29:33.240 --> 0:29:35.680
<v Speaker 4>and just be like, well, my boyfriend's the idiot because

0:29:35.680 --> 0:29:36.960
<v Speaker 4>he thinks I should do it this way, but you

0:29:36.960 --> 0:29:38.400
<v Speaker 4>know what, then I do it his way and it

0:29:38.440 --> 0:29:39.000
<v Speaker 4>always works.

0:29:39.080 --> 0:29:40.960
<v Speaker 7>Mitches just started doing Mitch just did a whole bunch

0:29:40.960 --> 0:29:42.760
<v Speaker 7>of shows, his very first stand up shows, and he

0:29:42.800 --> 0:29:45.560
<v Speaker 7>did amazing. He absolutely nailed it.

0:29:46.000 --> 0:29:47.120
<v Speaker 4>Tell me about it. How did it go?

0:29:47.400 --> 0:29:49.120
<v Speaker 2>It actually went really well because it was the first

0:29:49.160 --> 0:29:51.640
<v Speaker 2>time I'd done it, and I had only done a

0:29:51.680 --> 0:29:55.080
<v Speaker 2>handful of open mic, so I didn't really feel like

0:29:55.120 --> 0:29:57.240
<v Speaker 2>i'd earned my stripes. But it still went well, and

0:29:57.280 --> 0:29:59.040
<v Speaker 2>I actually loved it because I thought I could easily

0:29:59.040 --> 0:30:02.520
<v Speaker 2>fucking hate this. Don't like public speaking, but yeah, they

0:30:02.520 --> 0:30:03.160
<v Speaker 2>went really well.

0:30:03.240 --> 0:30:05.440
<v Speaker 4>Wow. So, but you don't like public speaking, you're going

0:30:05.480 --> 0:30:09.320
<v Speaker 4>a very interesting way of being on both radio slaged podcasts.

0:30:09.360 --> 0:30:12.240
<v Speaker 2>Flat No, No, I'm really fully across the irony. But

0:30:12.360 --> 0:30:15.479
<v Speaker 2>here we are. I just it's more private here. You know,

0:30:15.480 --> 0:30:17.280
<v Speaker 2>there's no one there, but when people are actually there,

0:30:17.280 --> 0:30:19.120
<v Speaker 2>so I mean, I don't need to explain it to you.

0:30:18.720 --> 0:30:21.760
<v Speaker 2>You probably don't even get nervous anymore, right, I don't know.

0:30:21.760 --> 0:30:26.000
<v Speaker 4>I I see. I find what you guys do more terrifying.

0:30:26.440 --> 0:30:29.280
<v Speaker 4>Like the idea of just talking really and it just

0:30:29.320 --> 0:30:32.000
<v Speaker 4>being out there and not having any idea how people

0:30:32.040 --> 0:30:34.600
<v Speaker 4>are feeling about it is terrifying. Like I'm working on

0:30:34.640 --> 0:30:36.640
<v Speaker 4>a book at the moment, and it's mortifying to me

0:30:36.920 --> 0:30:40.160
<v Speaker 4>really because I'm just I'll release it and then you

0:30:40.160 --> 0:30:41.720
<v Speaker 4>can't edit it. It'll just be out there and I

0:30:41.720 --> 0:30:44.160
<v Speaker 4>can't change it. I think that's what I like about

0:30:44.160 --> 0:30:46.160
<v Speaker 4>stand up. I can always be like, oh, that didn't work,

0:30:46.160 --> 0:30:47.720
<v Speaker 4>I'll fix it tomorrow. That's that didn't work, I'll fix

0:30:47.720 --> 0:30:48.080
<v Speaker 4>it tomorrow.

0:30:48.200 --> 0:30:50.320
<v Speaker 7>Right, you're in control of the final product before it

0:30:50.360 --> 0:30:52.240
<v Speaker 7>even goes out anywhere, and you can tweak as well

0:30:52.360 --> 0:30:54.320
<v Speaker 7>after you do it. True, that's a really good point.

0:30:54.320 --> 0:30:55.320
<v Speaker 7>I think you'd be great. Would you ever to do

0:30:55.360 --> 0:30:57.080
<v Speaker 7>a podcast? Have you been approached or.

0:30:57.720 --> 0:30:59.720
<v Speaker 4>I do, like I don't do the I've got a

0:30:59.760 --> 0:31:03.600
<v Speaker 4>couple little pod like silly, I'm within podcasts, Like I

0:31:03.720 --> 0:31:06.520
<v Speaker 4>do a podcast with my partner and our friend Georgia

0:31:06.560 --> 0:31:09.480
<v Speaker 4>where we just watch Marvel movies and talk about them

0:31:09.520 --> 0:31:13.640
<v Speaker 4>and it's very ill informed and it's called But I

0:31:13.720 --> 0:31:16.520
<v Speaker 4>listened to a lot of podcasts. I feel like there's

0:31:16.600 --> 0:31:20.560
<v Speaker 4>just enough at the moment. There's enough. Yeah, yeah, look,

0:31:20.600 --> 0:31:23.600
<v Speaker 4>I know as a white male, I do get one

0:31:23.920 --> 0:31:28.320
<v Speaker 4>for free, Yes, but I just let's let some other

0:31:28.360 --> 0:31:29.560
<v Speaker 4>ones happen for a little while.

0:31:29.720 --> 0:31:31.600
<v Speaker 7>Yeah, that seems sir, Mitch's got three? How many you have?

0:31:31.640 --> 0:31:34.280
<v Speaker 7>The masks? I've got fucking So it comes to me everydays,

0:31:34.320 --> 0:31:35.760
<v Speaker 7>like we want to get lunch and I've got my

0:31:35.800 --> 0:31:37.840
<v Speaker 7>podcast recording. Oh this one goes, no new one. He

0:31:37.920 --> 0:31:40.000
<v Speaker 7>just launches new podcasts every single day.

0:31:40.080 --> 0:31:42.160
<v Speaker 2>Piece of shit. You can't talk. You're on radio every night.

0:31:42.240 --> 0:31:44.600
<v Speaker 7>So yeah, but radio true true.

0:31:44.640 --> 0:31:46.640
<v Speaker 2>You know what, Actually, you guys kind of have a

0:31:46.680 --> 0:31:51.480
<v Speaker 2>similar origin story, Mitch and Race, because you now work

0:31:51.520 --> 0:31:53.720
<v Speaker 2>at the radio station on air, but you started as

0:31:53.720 --> 0:31:56.360
<v Speaker 2>a street teamer. Yeah, and didn't you start working in

0:31:56.400 --> 0:31:59.120
<v Speaker 2>the box office. Race is that right, Yes, I did,

0:31:59.200 --> 0:32:02.720
<v Speaker 2>look at you doing research. I'm the cairn here, I.

0:32:02.760 --> 0:32:06.360
<v Speaker 7>Prepare he researches nothing. I just did the credit lines,

0:32:06.400 --> 0:32:08.960
<v Speaker 7>grab tickets Century Presents. That's my job.

0:32:09.040 --> 0:32:11.160
<v Speaker 4>I used to work at the n More Theater in

0:32:11.200 --> 0:32:14.920
<v Speaker 4>the box office for years and that it got to

0:32:14.960 --> 0:32:19.280
<v Speaker 4>the point where people would come in to buy tickets

0:32:19.280 --> 0:32:23.400
<v Speaker 4>to my show No, and that got to be embarrassing.

0:32:23.400 --> 0:32:25.640
<v Speaker 4>So I quick my job there. But it is tell

0:32:25.680 --> 0:32:27.640
<v Speaker 4>you what, if you've ever worked in ticketing, there's no

0:32:27.760 --> 0:32:30.240
<v Speaker 4>quicker way to find out that most people in the

0:32:30.240 --> 0:32:33.360
<v Speaker 4>world are idiots ticketing. The amount of calls that we

0:32:33.360 --> 0:32:36.200
<v Speaker 4>will get every day that were just the most dumb

0:32:36.280 --> 0:32:39.560
<v Speaker 4>questions of people, like you know what a ticket it

0:32:39.680 --> 0:32:42.200
<v Speaker 4>just says like plus BF, which is booking fee. People

0:32:42.200 --> 0:32:44.440
<v Speaker 4>would call in I reckon twice the week and ask

0:32:44.480 --> 0:32:48.280
<v Speaker 4>if that meant breakfast was included, if they could bring

0:32:48.320 --> 0:32:51.360
<v Speaker 4>their boyfriend, or if they could bring their friends friend.

0:32:51.560 --> 0:32:54.040
<v Speaker 2>It takes a certain type of person to really hone

0:32:54.080 --> 0:32:55.880
<v Speaker 2>in on the fine print of a ticket, like I'm

0:32:55.920 --> 0:32:57.800
<v Speaker 2>just like what Dora am I at as I arrive,

0:32:57.840 --> 0:32:59.280
<v Speaker 2>I don't read that can BF?

0:32:59.320 --> 0:33:03.040
<v Speaker 4>People so dumb? People are so dumb and like and

0:33:03.160 --> 0:33:04.840
<v Speaker 4>I and I hated that jet like I did it

0:33:04.840 --> 0:33:06.320
<v Speaker 4>for long. I thought I was a people person. It

0:33:06.320 --> 0:33:08.600
<v Speaker 4>turns out I am not.

0:33:09.400 --> 0:33:11.920
<v Speaker 7>Circle though, race Like for your first performance where they're

0:33:11.920 --> 0:33:15.600
<v Speaker 7>still staff there that were working your show ass or something.

0:33:15.600 --> 0:33:19.520
<v Speaker 4>Yeah, Gary, Gary, this out. The lighting guy was still there,

0:33:19.560 --> 0:33:21.120
<v Speaker 4>and so it was it was this kind of weird

0:33:21.120 --> 0:33:22.680
<v Speaker 4>he like gave me a hardt. It was this weird

0:33:22.760 --> 0:33:27.280
<v Speaker 4>like like yeah, comes through moment and yeah, and I'm

0:33:27.280 --> 0:33:30.920
<v Speaker 4>getting married there next year at the n More Theater. Yes,

0:33:31.280 --> 0:33:32.600
<v Speaker 4>we're selling tickets. No we're not.

0:33:33.560 --> 0:33:35.520
<v Speaker 7>How how the hell does that work out? Where's the aisle?

0:33:35.840 --> 0:33:38.240
<v Speaker 7>Is someone walking down the aisle? Tell us the production?

0:33:38.280 --> 0:33:38.720
<v Speaker 7>What's happening?

0:33:38.920 --> 0:33:41.280
<v Speaker 4>This is this is a confusing thing. I don't know

0:33:41.360 --> 0:33:44.200
<v Speaker 4>what I mean. We've had gay marriage for a while now,

0:33:44.240 --> 0:33:47.440
<v Speaker 4>but no one has explained to me what the system is, Like,

0:33:47.840 --> 0:33:49.640
<v Speaker 4>who is it? Tops and bottoms?

0:33:49.680 --> 0:33:49.880
<v Speaker 5>Thing?

0:33:49.960 --> 0:33:50.240
<v Speaker 7>Yeah?

0:33:50.400 --> 0:33:53.600
<v Speaker 4>Is verse? Like who who walks down the aisle?

0:33:53.840 --> 0:33:55.240
<v Speaker 2>If you're at the end More Theater, you can do

0:33:55.280 --> 0:33:58.280
<v Speaker 2>whatever your damn please. You could enter on like a trapeze.

0:33:58.360 --> 0:34:00.440
<v Speaker 7>Yeah, and they've got holes in the stage for that ship,

0:34:00.600 --> 0:34:02.360
<v Speaker 7>so they can pop you out if you really want

0:34:02.360 --> 0:34:04.600
<v Speaker 7>to put the rings on a convey about like go full.

0:34:04.840 --> 0:34:06.560
<v Speaker 4>I could come, I could come down like on a

0:34:06.680 --> 0:34:07.960
<v Speaker 4>sitting on a big crescent moon.

0:34:08.880 --> 0:34:11.600
<v Speaker 2>Oh, that'd be so Can I do like that?

0:34:12.040 --> 0:34:14.040
<v Speaker 4>Get a full orchestra and like send in the clowns

0:34:14.120 --> 0:34:14.719
<v Speaker 4>or something.

0:34:14.480 --> 0:34:16.560
<v Speaker 7>In the pit. That'd be great. Speaking of moon. Actually,

0:34:16.640 --> 0:34:18.799
<v Speaker 7>very quickly, I think I interviewed you on the first

0:34:18.840 --> 0:34:20.120
<v Speaker 7>season of Drag Graceries. And I don't know if I

0:34:20.160 --> 0:34:22.520
<v Speaker 7>brought this up. You can't recall I was there now,

0:34:22.680 --> 0:34:25.239
<v Speaker 7>He's like, no, I've met you before. I was there

0:34:25.280 --> 0:34:27.520
<v Speaker 7>when you did your set at Conan and it was

0:34:27.560 --> 0:34:29.799
<v Speaker 7>just so cool to have an Aussie there and it

0:34:29.920 --> 0:34:31.520
<v Speaker 7>was just like I just loved it and like the

0:34:31.560 --> 0:34:33.839
<v Speaker 7>connection you Conan. He clearly adores you and you look

0:34:33.920 --> 0:34:35.880
<v Speaker 7>just like him and all that bit. But like seeing

0:34:35.920 --> 0:34:38.000
<v Speaker 7>an Aussie there and you killed it. You were so good?

0:34:38.400 --> 0:34:40.680
<v Speaker 4>Was wait were you? Were you at the Sydney Show

0:34:40.760 --> 0:34:41.840
<v Speaker 4>or at the lay.

0:34:41.680 --> 0:34:44.800
<v Speaker 7>Show Lay Show. I was at the taping of Cone WHOA, Yes,

0:34:45.040 --> 0:34:48.080
<v Speaker 7>how we I know kind of sy you know what?

0:34:48.160 --> 0:34:51.280
<v Speaker 4>I did not know that. And this is again probably

0:34:51.360 --> 0:34:52.799
<v Speaker 4>maybe a boring thing to say, is it that no

0:34:52.840 --> 0:34:54.800
<v Speaker 4>one told me that when I would start my set

0:34:54.880 --> 0:34:57.520
<v Speaker 4>on the show that Conan would be sitting about two

0:34:57.560 --> 0:34:59.720
<v Speaker 4>meters away at the desk and just sitting on a seat,

0:35:00.640 --> 0:35:04.320
<v Speaker 4>like just looking so like he'd say, like letting Joel Resnicles,

0:35:04.360 --> 0:35:05.880
<v Speaker 4>and then he just sat down on a chair and

0:35:05.960 --> 0:35:09.799
<v Speaker 4>just looked at me, And all you can see on

0:35:09.840 --> 0:35:12.520
<v Speaker 4>the clip is like me just occasionally looking off camera

0:35:12.520 --> 0:35:13.839
<v Speaker 4>and being like is he gonna move?

0:35:15.440 --> 0:35:16.080
<v Speaker 2>He has an.

0:35:16.080 --> 0:35:18.400
<v Speaker 7>Audible laughs though you were great, you kill it?

0:35:19.400 --> 0:35:19.839
<v Speaker 4>Do you know what?

0:35:19.880 --> 0:35:22.279
<v Speaker 2>One of the I'm not just saying this to like

0:35:22.480 --> 0:35:25.480
<v Speaker 2>suck us, but one of the best comedy things I've

0:35:25.480 --> 0:35:27.479
<v Speaker 2>ever been to was that night that you and Joel

0:35:27.520 --> 0:35:30.799
<v Speaker 2>Creasey did a few years ago. It was around Mardi

0:35:30.840 --> 0:35:33.160
<v Speaker 2>Game's Night. I was trying to remember the name of it.

0:35:33.160 --> 0:35:35.759
<v Speaker 2>It was around Marti Grass and it was those two

0:35:35.840 --> 0:35:38.799
<v Speaker 2>Joel and Reese and they brought out different people like

0:35:38.880 --> 0:35:41.640
<v Speaker 2>Lucy Jurak and George Love, a bunch of different people

0:35:43.880 --> 0:35:46.239
<v Speaker 2>and it was just the most chaotic thing ever and

0:35:46.320 --> 0:35:48.320
<v Speaker 2>I it was so funny.

0:35:48.360 --> 0:35:50.960
<v Speaker 4>We had not planned that so like we had booked

0:35:50.960 --> 0:35:52.799
<v Speaker 4>a spot and because this is this is the thing

0:35:52.800 --> 0:35:54.439
<v Speaker 4>about both Joel and I as well, we're like we're

0:35:54.440 --> 0:35:58.120
<v Speaker 4>like best friends, and we both love doing things together

0:35:58.160 --> 0:36:00.839
<v Speaker 4>and like having like big ideas, but then also both

0:36:00.880 --> 0:36:04.040
<v Speaker 4>of us are not good at following through with those ideas.

0:36:04.239 --> 0:36:08.280
<v Speaker 4>We're really good if we're produced, yes, But we decided

0:36:08.320 --> 0:36:10.360
<v Speaker 4>to produce it ourselves, and we booked a show at

0:36:10.400 --> 0:36:13.279
<v Speaker 4>the Seamoor Center. It's sold out, and then we had

0:36:13.320 --> 0:36:15.319
<v Speaker 4>to go be like, oh, we've got to like do this.

0:36:15.840 --> 0:36:18.480
<v Speaker 4>Within like two days, we like booked, He booked all

0:36:18.480 --> 0:36:20.440
<v Speaker 4>the guests, and I like put and it was like

0:36:20.440 --> 0:36:22.319
<v Speaker 4>a games night. But then then we were like and

0:36:22.360 --> 0:36:24.080
<v Speaker 4>at the start, we'll just do twenty minutes to stand

0:36:24.120 --> 0:36:26.319
<v Speaker 4>up together and we just but yeah, what it was

0:36:26.320 --> 0:36:27.600
<v Speaker 4>like pure chaos and I.

0:36:27.560 --> 0:36:30.200
<v Speaker 2>Could tell that it was like more improv and that's

0:36:30.239 --> 0:36:33.080
<v Speaker 2>what I adored about it because like, nothing fell flat.

0:36:33.120 --> 0:36:35.640
<v Speaker 2>It was just hit after It was amazing and the

0:36:35.640 --> 0:36:36.880
<v Speaker 2>best part of me. I don't even know if I've

0:36:36.920 --> 0:36:39.920
<v Speaker 2>told you this story, but without any pre promotion or

0:36:39.960 --> 0:36:42.800
<v Speaker 2>heads up, they were just like, anyway, here's can cheata

0:36:42.920 --> 0:36:46.279
<v Speaker 2>Verse from Eurovision comes out and sings that rise like

0:36:46.280 --> 0:36:47.920
<v Speaker 2>a phoenix song? Is it? And then I was like,

0:36:48.160 --> 0:36:50.480
<v Speaker 2>what the hell is this show? It was amazing?

0:36:51.080 --> 0:36:52.160
<v Speaker 4>Do you want to do you want me to break

0:36:52.160 --> 0:36:54.799
<v Speaker 4>your heart? That was a that was a person. That

0:36:54.840 --> 0:36:56.960
<v Speaker 4>was our friend Max pretending to be consitivers.

0:36:57.120 --> 0:37:01.640
<v Speaker 2>Oh, hang on, our real Jenna is here? Did you

0:37:01.719 --> 0:37:03.840
<v Speaker 2>know that? What are you joking?

0:37:03.920 --> 0:37:04.880
<v Speaker 7>Because they were there together?

0:37:05.040 --> 0:37:05.440
<v Speaker 5>No?

0:37:05.440 --> 0:37:08.319
<v Speaker 2>No, sorry, Jenna step into the frame. Is that why

0:37:08.320 --> 0:37:10.880
<v Speaker 2>you haven't been talking this whole time? Because Jenna is

0:37:10.880 --> 0:37:13.920
<v Speaker 2>here as well. She's the rees where the Michelle and Rue.

0:37:15.600 --> 0:37:17.200
<v Speaker 2>That was gonna be my question. I was going to say,

0:37:17.200 --> 0:37:18.719
<v Speaker 2>how the hell did you look in Concheta up? It

0:37:18.840 --> 0:37:20.200
<v Speaker 2>looked just like cha.

0:37:20.400 --> 0:37:22.880
<v Speaker 7>Yeah, and Mitch has told me this story before and

0:37:23.000 --> 0:37:25.200
<v Speaker 7>has just gone on about how good Conchetta was.

0:37:25.280 --> 0:37:26.920
<v Speaker 2>I did think Concheta let usself go a bit, but

0:37:26.960 --> 0:37:28.359
<v Speaker 2>it was fine.

0:37:29.120 --> 0:37:31.080
<v Speaker 4>It was so it's our friend Max, who is who

0:37:31.120 --> 0:37:33.040
<v Speaker 4>is a radio producer.

0:37:33.320 --> 0:37:33.880
<v Speaker 7>Max Coustof.

0:37:35.600 --> 0:37:37.840
<v Speaker 2>Oh we know Max, I know him, but I didn't

0:37:37.880 --> 0:37:40.319
<v Speaker 2>know that was Max. I know him, and I had

0:37:40.320 --> 0:37:41.120
<v Speaker 2>no idea that was him.

0:37:41.200 --> 0:37:43.760
<v Speaker 7>I can see it now in drag He would skew,

0:37:44.120 --> 0:37:45.880
<v Speaker 7>he would he would just like a bit of a

0:37:45.920 --> 0:37:46.160
<v Speaker 7>let go.

0:37:46.239 --> 0:37:49.160
<v Speaker 4>Could we worried? So? We we thought it was so

0:37:49.280 --> 0:37:53.680
<v Speaker 4>obviously not him right backstage that we didn't like correct

0:37:53.719 --> 0:37:57.200
<v Speaker 4>it and You're not alone. Everyone in that audience thought

0:37:57.200 --> 0:37:59.480
<v Speaker 4>that that was con chetah, and we didn't know what

0:37:59.520 --> 0:37:59.759
<v Speaker 4>to do.

0:38:00.160 --> 0:38:02.839
<v Speaker 2>We just didn't correct, just left all I did all

0:38:03.080 --> 0:38:05.480
<v Speaker 2>the only thing I thought was Okay. Clearly the hair

0:38:05.560 --> 0:38:07.759
<v Speaker 2>makeup budget at the scene what there isn't the same

0:38:07.800 --> 0:38:09.799
<v Speaker 2>as your vision. But I still believe that it was

0:38:09.840 --> 0:38:15.439
<v Speaker 2>concheata earth and out of a long list everyone, yeah,

0:38:15.480 --> 0:38:17.759
<v Speaker 2>everyone same, out of a long list of things. I

0:38:17.760 --> 0:38:18.800
<v Speaker 2>have never felt dumber.

0:38:19.239 --> 0:38:22.120
<v Speaker 7>That's the moment. Funny, what a legacy you've left on

0:38:22.160 --> 0:38:24.880
<v Speaker 7>this show. You go on drag Race, You're hilarious. Hold

0:38:24.960 --> 0:38:26.399
<v Speaker 7>you and then you ruin me soon.

0:38:26.440 --> 0:38:28.680
<v Speaker 2>If we're done here, I'm going to be messaging Max

0:38:28.680 --> 0:38:30.840
<v Speaker 2>and men like you fucking piece of ship.

0:38:30.840 --> 0:38:34.680
<v Speaker 7>And can I book you confused? Will you be?

0:38:34.880 --> 0:38:35.839
<v Speaker 4>If he denies it?

0:38:36.719 --> 0:38:38.080
<v Speaker 2>Yeah, I feel like you've all made a part.

0:38:38.160 --> 0:38:40.960
<v Speaker 4>What if this is the prank? If this is the lie.

0:38:40.800 --> 0:38:43.200
<v Speaker 7>Being gasold into a fake can share, that's hilarious.

0:38:43.280 --> 0:38:44.800
<v Speaker 2>I'm too tired for this, honestly.

0:38:44.960 --> 0:38:47.560
<v Speaker 7>All right, guys, you can go and see Race Race.

0:38:47.600 --> 0:38:48.880
<v Speaker 7>It is coming to I mean it's going to be

0:38:48.880 --> 0:38:52.040
<v Speaker 7>a gold coast Canberra, Melbourne, Perth, Sydney, Brisbane, starting on

0:38:52.080 --> 0:38:54.480
<v Speaker 7>the twentieth of March. We can't wait, and Sydney's at

0:38:54.480 --> 0:38:57.600
<v Speaker 7>the end more of course, yes, at your wedding venue

0:38:58.400 --> 0:39:00.560
<v Speaker 7>and good luck with the wedding. When's that? When that happening?

0:39:00.680 --> 0:39:03.480
<v Speaker 4>We haven't booked it properly, like we canceled it twice.

0:39:03.800 --> 0:39:05.440
<v Speaker 4>At that point, it's like, let's I don't know if

0:39:05.440 --> 0:39:07.120
<v Speaker 4>you go. There's been a bit of a flu going around.

0:39:07.200 --> 0:39:08.960
<v Speaker 2>Oh no, I haven't heard of it.

0:39:09.000 --> 0:39:11.200
<v Speaker 4>No, yeah, you guys should look at the news. There's

0:39:11.239 --> 0:39:15.200
<v Speaker 4>a few other things going on too, but no. So yeah,

0:39:15.200 --> 0:39:18.040
<v Speaker 4>we're waiting. We're waiting until everything's like fine fine, and

0:39:18.080 --> 0:39:19.880
<v Speaker 4>we can have friends coming from other seasons.

0:39:19.880 --> 0:39:21.560
<v Speaker 7>We love it. We'll have fun. Reis nickleson dot com.

0:39:21.560 --> 0:39:22.759
<v Speaker 7>If you want tickets, I have.

0:39:22.680 --> 0:39:25.520
<v Speaker 2>To ask our important question before we go, so of course,

0:39:25.680 --> 0:39:28.200
<v Speaker 2>you know, go for it. So every time we have

0:39:28.239 --> 0:39:30.759
<v Speaker 2>a guest on the podcast, we like to ask them

0:39:30.920 --> 0:39:34.040
<v Speaker 2>like a little thing in life that they appreciate, just

0:39:34.239 --> 0:39:36.799
<v Speaker 2>like you know, the fresh sheets in the bed, or

0:39:36.840 --> 0:39:38.680
<v Speaker 2>like the crunch of a good out pull, you know,

0:39:38.760 --> 0:39:40.680
<v Speaker 2>a little thing like that, Because we just want to

0:39:41.000 --> 0:39:43.080
<v Speaker 2>remind our young listeners that there's more to life than

0:39:43.120 --> 0:39:45.000
<v Speaker 2>partying and boys, which is why we call it our

0:39:45.000 --> 0:39:47.160
<v Speaker 2>list of things better than drugs and Dick. So if

0:39:47.200 --> 0:39:49.040
<v Speaker 2>you can think of anything that you believe is better

0:39:49.040 --> 0:39:50.440
<v Speaker 2>than drugs and dick, please let us know.

0:39:50.560 --> 0:39:55.680
<v Speaker 4>Now, imagine if I was like cash, it is pretty good.

0:39:55.680 --> 0:39:59.200
<v Speaker 7>The gratification of others money. Yeah, Angel the biship from

0:39:59.200 --> 0:40:01.520
<v Speaker 7>Studio ten, What did I said her waterbed, which was

0:40:01.600 --> 0:40:02.360
<v Speaker 7>yeah again, I know.

0:40:02.400 --> 0:40:04.360
<v Speaker 4>I saw that clip. I did a bit of research

0:40:04.440 --> 0:40:08.880
<v Speaker 4>my own. By the way, I'm obsessed with that like that.

0:40:09.080 --> 0:40:12.080
<v Speaker 4>She was talking about how it heats up and cools down.

0:40:12.400 --> 0:40:14.600
<v Speaker 4>Imagine having a bed that you can cool down.

0:40:15.040 --> 0:40:17.000
<v Speaker 2>I know that was nearly the selling point for me

0:40:17.080 --> 0:40:18.800
<v Speaker 2>because I'm always just a little bit overheated.

0:40:18.960 --> 0:40:20.959
<v Speaker 4>Yeah I'm yeah, I run. I'm one of those people

0:40:20.960 --> 0:40:22.799
<v Speaker 4>that but I still need the donner on me and

0:40:22.840 --> 0:40:24.000
<v Speaker 4>I need like one leg out.

0:40:24.280 --> 0:40:24.480
<v Speaker 7>Yeah.

0:40:24.760 --> 0:40:24.960
<v Speaker 9>Yeah.

0:40:25.000 --> 0:40:29.040
<v Speaker 4>Psychos, Yes, I in a similar vein. I was thinking, Oh,

0:40:29.040 --> 0:40:31.080
<v Speaker 4>I have a weighted blanket that I really like. That's

0:40:31.120 --> 0:40:33.000
<v Speaker 4>like a very feel like a very grown up thing.

0:40:33.000 --> 0:40:34.360
<v Speaker 4>But that also makes me sound like a psycho.

0:40:35.680 --> 0:40:37.080
<v Speaker 2>No, I do rate those. Yeah, you gave it to

0:40:37.080 --> 0:40:38.360
<v Speaker 2>me because he thought that I was a bit uptime.

0:40:38.960 --> 0:40:40.359
<v Speaker 7>He was on age. We had a couple of bad

0:40:40.400 --> 0:40:42.279
<v Speaker 7>shows in a row. So I'm like, oh, here's a

0:40:42.320 --> 0:40:43.080
<v Speaker 7>weighted blanket.

0:40:43.320 --> 0:40:45.800
<v Speaker 2>It's good with anxiety, and it's your erratic behavior.

0:40:45.840 --> 0:40:47.200
<v Speaker 7>Don't google what it helps with?

0:40:47.800 --> 0:40:50.200
<v Speaker 4>All right, what's it's so good? It's so good, like

0:40:50.400 --> 0:40:52.160
<v Speaker 4>I but I think I think the thing I'm gonna

0:40:52.160 --> 0:40:55.919
<v Speaker 4>pick is, and this is really boring, is like skin care,

0:40:56.239 --> 0:40:58.920
<v Speaker 4>and that sounds so dumb. I'm in my thirties and

0:40:58.960 --> 0:41:01.799
<v Speaker 4>it's something I have really like, you know, when I

0:41:01.840 --> 0:41:03.600
<v Speaker 4>was in my twenties, it was all really like what's

0:41:03.640 --> 0:41:07.080
<v Speaker 4>on sale at chemists warehouse? Yeah, and now like I

0:41:07.080 --> 0:41:09.840
<v Speaker 4>don't want to get jab jabs just yet, but I

0:41:10.200 --> 0:41:11.759
<v Speaker 4>think I want to get like I want to get

0:41:13.440 --> 0:41:16.680
<v Speaker 4>Dermo pen like micro needling done, which is the thing

0:41:16.680 --> 0:41:19.280
<v Speaker 4>that someone told me about where they stab your face

0:41:19.320 --> 0:41:22.839
<v Speaker 4>at bazillion times and your skin goes into trauma and

0:41:22.880 --> 0:41:24.239
<v Speaker 4>that produces collagen.

0:41:24.680 --> 0:41:27.759
<v Speaker 2>So anyways, it sounds old. I mean, I put on

0:41:27.840 --> 0:41:29.279
<v Speaker 2>paper on paper.

0:41:29.040 --> 0:41:32.399
<v Speaker 4>It sounds awful, but I think it's like it's better

0:41:32.400 --> 0:41:36.040
<v Speaker 4>than putting poison your face. And also the I think

0:41:36.040 --> 0:41:38.479
<v Speaker 4>it's just I guess what I'm saying is like self care.

0:41:38.719 --> 0:41:40.880
<v Speaker 4>But like tell me, yeah, getting more into as I

0:41:40.920 --> 0:41:43.279
<v Speaker 4>grow up a little bit is like I don't need

0:41:43.320 --> 0:41:45.839
<v Speaker 4>to be drunk every single night, and I can like

0:41:45.920 --> 0:41:48.200
<v Speaker 4>buy good moisturizers that isn't going to make me look

0:41:48.239 --> 0:41:51.000
<v Speaker 4>like a foot I got carded? Do I get a

0:41:51.040 --> 0:41:53.960
<v Speaker 4>dog kick getting card? It's like I'm thirty one and

0:41:54.000 --> 0:41:56.920
<v Speaker 4>I'm buying a bottle of forty dollars like chiraz on

0:41:56.960 --> 0:41:58.160
<v Speaker 4>a Wednesday.

0:41:59.200 --> 0:42:01.680
<v Speaker 2>Seventeen And so was at age thirty one that you

0:42:01.840 --> 0:42:04.080
<v Speaker 2>decided that that was tragic because I've got a few

0:42:04.160 --> 0:42:05.799
<v Speaker 2>years that must leave. If that's the case, I'll keep

0:42:05.800 --> 0:42:07.080
<v Speaker 2>buying chimons on Wednesdays.

0:42:08.040 --> 0:42:10.560
<v Speaker 4>Yeah, I mean, I guess thirty one was. Oh the

0:42:10.560 --> 0:42:12.760
<v Speaker 4>worst was doing one of the one of the first lockdowns.

0:42:12.800 --> 0:42:14.239
<v Speaker 4>I kept going to the same bottle shop and I

0:42:14.239 --> 0:42:17.040
<v Speaker 4>had to start chat like shaking it up because they're

0:42:17.040 --> 0:42:18.319
<v Speaker 4>saying I will go in every day and buy the

0:42:18.320 --> 0:42:19.920
<v Speaker 4>same bottle of wine and got to work with a

0:42:19.920 --> 0:42:21.239
<v Speaker 4>guy was like, do you want me to buy you

0:42:21.239 --> 0:42:22.759
<v Speaker 4>a case? Man? I was like, I need to leave.

0:42:23.960 --> 0:42:24.160
<v Speaker 7>No.

0:42:24.200 --> 0:42:26.799
<v Speaker 2>I had the same scenario. I kept going back to

0:42:26.800 --> 0:42:29.000
<v Speaker 2>the one bottle and every time they would I'd leave

0:42:29.040 --> 0:42:33.960
<v Speaker 2>and eventually they'd say see you soon every time. Oh well,

0:42:34.520 --> 0:42:36.480
<v Speaker 2>but yeah, I know what you mean about the skin

0:42:36.560 --> 0:42:38.319
<v Speaker 2>care thing, because I used to be really slack with it.

0:42:38.320 --> 0:42:40.799
<v Speaker 2>I'd be like, whatever, just some moisturizer or whatever. But

0:42:40.840 --> 0:42:43.120
<v Speaker 2>now I swear to god, it's a twenty minute ragime.

0:42:43.160 --> 0:42:47.160
<v Speaker 2>These days. I've got different sir, and cleansers and underreyed shit.

0:42:47.680 --> 0:42:50.680
<v Speaker 4>And yeah, doctor Dennis gross. Oh it's this whole thing.

0:42:50.840 --> 0:42:52.360
<v Speaker 4>I love it. So that's not even me saying that

0:42:52.360 --> 0:42:55.560
<v Speaker 4>for sponsoring reasons. Wow, I bought one of those light masks.

0:42:55.719 --> 0:42:57.160
<v Speaker 7>I'll send you that audio. You can send it to

0:42:57.200 --> 0:42:59.080
<v Speaker 7>the doctor, don't get Yeah, yeah, yeah.

0:43:00.120 --> 0:43:02.279
<v Speaker 4>Weird face and that's how you know he's a good demotology.

0:43:02.320 --> 0:43:05.360
<v Speaker 7>Oh you're so right. And it's real shiny and like slick.

0:43:05.600 --> 0:43:06.160
<v Speaker 7>Is it slick?

0:43:06.400 --> 0:43:06.600
<v Speaker 5>Yeah?

0:43:06.719 --> 0:43:07.200
<v Speaker 7>Yeah?

0:43:07.280 --> 0:43:09.120
<v Speaker 4>Yeah you could like you could lay on that like

0:43:09.200 --> 0:43:10.840
<v Speaker 4>angela bishop sleeps on his foot.

0:43:12.200 --> 0:43:14.000
<v Speaker 7>Good sign. All right, Race, thank you for coming on.

0:43:14.120 --> 0:43:19.600
<v Speaker 7>We love you. Good to chat to you, and you're amazing.

0:43:19.640 --> 0:43:20.080
<v Speaker 7>We love you.

0:43:20.200 --> 0:43:21.960
<v Speaker 2>I've got to say that some people might be confused

0:43:22.040 --> 0:43:24.399
<v Speaker 2>listening to this, because everyone thinks I sound like wreath,

0:43:25.080 --> 0:43:25.960
<v Speaker 2>like I'm talking to myself.

0:43:26.000 --> 0:43:28.640
<v Speaker 7>But all say that because you've got got the gay

0:43:28.680 --> 0:43:29.600
<v Speaker 7>lisp down packs.

0:43:30.520 --> 0:43:30.759
<v Speaker 2>Yeah.

0:43:30.800 --> 0:43:32.400
<v Speaker 4>Well, and I've just started doing in Visi line and

0:43:32.440 --> 0:43:34.440
<v Speaker 4>it's given me a new lisp. I took it out

0:43:34.440 --> 0:43:36.680
<v Speaker 4>for this interview, but like I have like a double lisp.

0:43:36.800 --> 0:43:38.799
<v Speaker 2>Now does that actually happen because I'm doing in visa

0:43:38.840 --> 0:43:39.319
<v Speaker 2>line as well?

0:43:39.400 --> 0:43:39.560
<v Speaker 5>Soon?

0:43:39.600 --> 0:43:40.560
<v Speaker 2>Did they give me more of a lisp?

0:43:40.600 --> 0:43:42.719
<v Speaker 4>No, so it goes. I'm only two weeks in and

0:43:42.760 --> 0:43:44.800
<v Speaker 4>it's it like trickles away.

0:43:45.040 --> 0:43:46.319
<v Speaker 2>Okay, okay, good to know.

0:43:47.200 --> 0:43:50.799
<v Speaker 4>But the first two days yeah, shit, there's words that

0:43:50.800 --> 0:43:53.320
<v Speaker 4>a real struggle for you. Like in Visi line was

0:43:53.320 --> 0:43:53.799
<v Speaker 4>a big one.

0:43:53.800 --> 0:43:55.839
<v Speaker 2>That was hard, but also how unfair the fact that

0:43:55.960 --> 0:43:59.400
<v Speaker 2>Reith Nicholson is so easy with a lisp.

0:43:59.560 --> 0:44:01.840
<v Speaker 4>Oh, it's not good. And when I was growing up,

0:44:01.880 --> 0:44:06.480
<v Speaker 4>my favorite band was The Scissor Sisters came to Castle

0:44:06.520 --> 0:44:08.560
<v Speaker 4>that was supported by Sneaky sound systems.

0:44:09.239 --> 0:44:10.200
<v Speaker 2>One of that up.

0:44:11.960 --> 0:44:15.879
<v Speaker 7>Will developed it pain all right, bye, Race, all right.

0:44:15.880 --> 0:44:17.920
<v Speaker 2>Thank you so much, thank you mate.

0:44:19.040 --> 0:44:19.600
<v Speaker 7>He was great.

0:44:19.920 --> 0:44:21.000
<v Speaker 2>Gee, Jenny, you were quiet?

0:44:21.239 --> 0:44:25.600
<v Speaker 3>Oh my god? What that was not Concheta?

0:44:25.800 --> 0:44:25.840
<v Speaker 5>No?

0:44:26.040 --> 0:44:29.879
<v Speaker 2>Yeah, like I said, I did think that Concheta looked

0:44:29.960 --> 0:44:32.160
<v Speaker 2>terrible that day, but like I fully believed.

0:44:32.280 --> 0:44:34.560
<v Speaker 7>I remember you told me either after it happened or

0:44:34.560 --> 0:44:35.359
<v Speaker 7>I've heard the story before.

0:44:35.520 --> 0:44:36.839
<v Speaker 2>We didn't know each other, but I would have told

0:44:36.880 --> 0:44:38.560
<v Speaker 2>you in the same way. Oh my god, it was amazing.

0:44:38.600 --> 0:44:40.200
<v Speaker 2>My next question was going to be reathed. How did

0:44:40.239 --> 0:44:43.719
<v Speaker 2>you get Concheta over from where of the fucking Swazi land?

0:44:43.719 --> 0:44:46.960
<v Speaker 2>I don't know where competters from the Nordics, but yeah,

0:44:47.000 --> 0:44:48.680
<v Speaker 2>that's actually ruined my day.

0:44:48.760 --> 0:44:50.880
<v Speaker 7>And we know Max too. You actually know that person

0:44:50.880 --> 0:44:51.640
<v Speaker 7>that was dressed up.

0:44:51.719 --> 0:44:54.919
<v Speaker 2>Yeah. Yes, I was supporting him through his quitting Baits

0:44:54.960 --> 0:44:56.840
<v Speaker 2>journey recently. I'm going to tell him to go fucking stuff.

0:44:56.840 --> 0:44:57.000
<v Speaker 5>Now.

0:44:58.080 --> 0:45:02.040
<v Speaker 3>I can't speak. I'm can't. I can't believe who else.

0:45:01.960 --> 0:45:03.800
<v Speaker 2>Was there that night? We need to ask every single

0:45:03.800 --> 0:45:06.799
<v Speaker 2>one of our friends. Did you realize that wasn't Conchetabirth?

0:45:07.360 --> 0:45:09.040
<v Speaker 2>Can you play the song? We need to give context

0:45:09.120 --> 0:45:11.000
<v Speaker 2>for those who don't know who can Cheata? Is it

0:45:11.080 --> 0:45:12.640
<v Speaker 2>called a phoenix?

0:45:12.760 --> 0:45:13.000
<v Speaker 5>Yes?

0:45:13.400 --> 0:45:15.880
<v Speaker 2>Yeah, so the Eurovision winner. It's the bearded lady. Everyone

0:45:15.880 --> 0:45:20.160
<v Speaker 2>would remember that long hair. You enough.

0:45:25.560 --> 0:45:26.160
<v Speaker 6>From the.

0:45:33.920 --> 0:45:40.880
<v Speaker 2>Seeking up. I really thought I saw from Cheta birthlight

0:45:41.320 --> 0:45:44.480
<v Speaker 2>me too at the Seymour Center. It sounds ridiculous now.

0:45:44.960 --> 0:45:47.200
<v Speaker 7>So he would have lipped some can right, he would

0:45:47.200 --> 0:45:50.160
<v Speaker 7>have been lip syncing. You both wouldn't have been doing it,

0:45:50.280 --> 0:45:52.000
<v Speaker 7>and that would have ruined the guys, I'm sure.

0:45:53.120 --> 0:45:54.880
<v Speaker 2>But it didn't sound like the studio recording.

0:45:54.960 --> 0:45:58.360
<v Speaker 7>It sounded maybe he got a live recording and that

0:45:59.280 --> 0:46:02.240
<v Speaker 7>although by the sound of it wasn't very well planned,

0:46:02.280 --> 0:46:04.920
<v Speaker 7>so maybe he did. See all we get it.

0:46:04.960 --> 0:46:09.000
<v Speaker 2>She's gorgeous. Yeah, god, well, thanks for Reese for I'm

0:46:09.000 --> 0:46:12.480
<v Speaker 2>not in the mood for a top five now ruined

0:46:12.480 --> 0:46:12.839
<v Speaker 2>my day.

0:46:13.000 --> 0:46:15.720
<v Speaker 7>I've never seen you this shocked and flabbergastid.

0:46:16.320 --> 0:46:19.560
<v Speaker 3>I just feel the full I've told everyone I've seen

0:46:19.600 --> 0:46:20.000
<v Speaker 3>her live.

0:46:20.480 --> 0:46:21.080
<v Speaker 7>It was Mitchell.

0:46:21.200 --> 0:46:22.000
<v Speaker 2>Fuck it? What they don't know?

0:46:22.040 --> 0:46:22.520
<v Speaker 7>I hurt him?

0:46:22.520 --> 0:46:26.000
<v Speaker 2>That's right still, but also how many people is that

0:46:26.000 --> 0:46:31.719
<v Speaker 2>making jealous? All right, we'll do it, He'll do the

0:46:31.719 --> 0:46:32.080
<v Speaker 2>top five.

0:46:32.200 --> 0:46:32.880
<v Speaker 4>Got to come into it.

0:46:33.000 --> 0:46:35.360
<v Speaker 7>Let's go the top five.

0:46:35.680 --> 0:46:37.640
<v Speaker 2>Now. Did to see what happened to our old mate

0:46:37.680 --> 0:46:40.200
<v Speaker 2>Angela Bishop on Studio ten not long ago, a couple

0:46:40.239 --> 0:46:40.680
<v Speaker 2>of weeks ago.

0:46:40.840 --> 0:46:42.320
<v Speaker 7>I did see that. I wanted to text her and

0:46:42.520 --> 0:46:43.640
<v Speaker 7>you did so well. Ange.

0:46:43.880 --> 0:46:46.200
<v Speaker 2>Yeah, it was a bit of a nightmare interview. So

0:46:46.239 --> 0:46:50.120
<v Speaker 2>she was talking to Nelle Campbell, who, Yeah, she was

0:46:50.160 --> 0:46:52.520
<v Speaker 2>in Rocky Horror Picture show back in the day, and

0:46:52.560 --> 0:46:54.120
<v Speaker 2>I feel like she's a bit of a loon in

0:46:54.160 --> 0:46:58.319
<v Speaker 2>all honesty, because she was. She was being a bit

0:46:58.600 --> 0:47:00.040
<v Speaker 2>snarky to ANGI.

0:46:59.760 --> 0:47:00.839
<v Speaker 7>Thought I thought the same.

0:47:00.920 --> 0:47:04.279
<v Speaker 2>Maybe that was just her sense of humor, but to me,

0:47:04.360 --> 0:47:09.120
<v Speaker 2>I was like, don't you comfort mid Angela Bishop our queen. Yep,

0:47:09.440 --> 0:47:12.520
<v Speaker 2>and she's been to UNI, she's been on this podcast better.

0:47:13.360 --> 0:47:16.120
<v Speaker 2>But it was when Nell had to go at the

0:47:16.160 --> 0:47:19.799
<v Speaker 2>shoes Angela Bishop was wearing that she accidentally let an

0:47:19.960 --> 0:47:21.920
<v Speaker 2>F bomb slip, which is a big no no on

0:47:22.000 --> 0:47:22.920
<v Speaker 2>live TV, isn't it?

0:47:23.000 --> 0:47:23.160
<v Speaker 1>Yes?

0:47:23.200 --> 0:47:25.960
<v Speaker 7>And Studio ten, obviously famed morning show in Australia, is

0:47:26.040 --> 0:47:28.080
<v Speaker 7>live to air. There's not a second of delays. So

0:47:28.160 --> 0:47:30.240
<v Speaker 7>in radio I mean eight seconds to lay. Other shows

0:47:30.280 --> 0:47:32.400
<v Speaker 7>do longer. But if someone would to swear, I can

0:47:32.440 --> 0:47:34.200
<v Speaker 7>press a button that will cut that, so no one

0:47:34.360 --> 0:47:36.960
<v Speaker 7>needs it. But TV you don't have that luxury.

0:47:36.560 --> 0:47:39.759
<v Speaker 2>Exactly, which is why she like this happens. It's very

0:47:39.840 --> 0:47:44.520
<v Speaker 2>chaotic here. Why the hell you're wearing those shoes?

0:47:44.640 --> 0:47:45.920
<v Speaker 7>I don't know, ladies.

0:47:46.120 --> 0:47:48.480
<v Speaker 2>I would like to make an announcement to all women

0:47:48.600 --> 0:47:52.480
<v Speaker 2>in all countries in the world stop it. You don't

0:47:52.560 --> 0:47:54.600
<v Speaker 2>need to wear follow me home and fuck me shoes.

0:47:55.520 --> 0:47:58.560
<v Speaker 2>I mean, we we are alive on air. We're gonna have

0:47:58.680 --> 0:48:01.359
<v Speaker 2>to we can't even We're gonna have to stop at

0:48:01.360 --> 0:48:03.520
<v Speaker 2>their studio ten. We'll be right back.

0:48:03.600 --> 0:48:06.600
<v Speaker 7>We're gonna have to kill you did so well.

0:48:06.719 --> 0:48:07.960
<v Speaker 3>She did so well.

0:48:08.280 --> 0:48:10.360
<v Speaker 2>I kind of got the vibe that Anne might have

0:48:10.440 --> 0:48:13.040
<v Speaker 2>been dying to wrap that interview up anyway, so she

0:48:13.120 --> 0:48:15.000
<v Speaker 2>just took that excuse and goes, thank god, we can

0:48:15.040 --> 0:48:15.680
<v Speaker 2>just cut it off.

0:48:15.840 --> 0:48:18.800
<v Speaker 7>I love the production booth, going just run a vintage.

0:48:20.719 --> 0:48:23.719
<v Speaker 2>That was from Rocky Horror picture, yet it was relevant

0:48:23.760 --> 0:48:24.080
<v Speaker 2>to now.

0:48:24.200 --> 0:48:26.400
<v Speaker 7>She sounded like a Harry Pottock, one of those teachers

0:48:26.440 --> 0:48:31.200
<v Speaker 7>that does dark art. Yeah, I knew, pull the pedigree

0:48:31.239 --> 0:48:33.400
<v Speaker 7>out of the soil shoes.

0:48:33.680 --> 0:48:36.760
<v Speaker 2>Yes, And like I said, she wasn't being overly nice

0:48:36.800 --> 0:48:40.279
<v Speaker 2>to end. She kept making jokes like, oh, precious, who

0:48:40.400 --> 0:48:43.080
<v Speaker 2>did your research? Do your research? And I'm like, you

0:48:43.120 --> 0:48:45.759
<v Speaker 2>shut your fucking mouth now now you speak to Andle

0:48:45.800 --> 0:48:46.480
<v Speaker 2>a bit like that.

0:48:46.520 --> 0:48:48.080
<v Speaker 7>I mean, let's just say that the three of us

0:48:48.120 --> 0:48:50.479
<v Speaker 7>aren't exactly bursting at the scene to talk about Nell's career.

0:48:50.560 --> 0:48:53.000
<v Speaker 7>So I think I think this might have been her

0:48:53.000 --> 0:48:55.759
<v Speaker 7>first moment in the spotlight for quite a while. Yeah,

0:48:56.360 --> 0:48:57.799
<v Speaker 7>now you either read the room, you do it right

0:48:57.880 --> 0:48:59.200
<v Speaker 7>or you do it wrong. I think she did it.

0:48:59.239 --> 0:49:01.359
<v Speaker 2>I feel that she might has forgotten the rules because

0:49:01.360 --> 0:49:02.759
<v Speaker 2>it's been that long since he's had a.

0:49:02.760 --> 0:49:05.080
<v Speaker 7>Gig back in her days. And like what she said,

0:49:05.400 --> 0:49:06.840
<v Speaker 7>she caught. We can say it on this show, but

0:49:07.120 --> 0:49:08.880
<v Speaker 7>fuck me shoes. A woman can wear whatever the hell

0:49:08.960 --> 0:49:11.279
<v Speaker 7>she wants without without inviting sex.

0:49:11.320 --> 0:49:13.359
<v Speaker 2>No matter how you word it, your point is really

0:49:13.400 --> 0:49:15.880
<v Speaker 2>fucked now exactly. But anyway, I wanted to do a

0:49:15.920 --> 0:49:17.759
<v Speaker 2>top five about this, so this is the top five

0:49:17.920 --> 0:49:22.400
<v Speaker 2>TV feel. Yes, just whenever a little swear word slips

0:49:22.440 --> 0:49:23.400
<v Speaker 2>through the cracks.

0:49:23.080 --> 0:49:25.040
<v Speaker 7>I love, can I just say quickly? I was on

0:49:25.080 --> 0:49:27.239
<v Speaker 7>Instagram live the other day because I Instagram will have

0:49:27.320 --> 0:49:29.279
<v Speaker 7>my radio show sometimes and I was live on the

0:49:29.440 --> 0:49:31.759
<v Speaker 7>on the air doing a quiz and someone said fuck

0:49:31.840 --> 0:49:34.800
<v Speaker 7>they won the quiz and they said, oh the fucking best,

0:49:35.160 --> 0:49:37.040
<v Speaker 7>and I freaked out, so I dumped on the radio.

0:49:37.320 --> 0:49:41.080
<v Speaker 7>But everyone I'm alive saw it like a nice window

0:49:41.080 --> 0:49:41.919
<v Speaker 7>in It was quite cute.

0:49:41.960 --> 0:49:45.120
<v Speaker 2>You're like, I'm so sorry to offend you. All all

0:49:45.160 --> 0:49:47.839
<v Speaker 2>the mums that don't like that language on my Instagram.

0:49:47.840 --> 0:49:51.920
<v Speaker 7>Sorry mummies, mums and bubs watching it anyway. All right,

0:49:51.960 --> 0:49:53.239
<v Speaker 7>let's jump in. What's his number four?

0:49:53.719 --> 0:49:55.880
<v Speaker 2>Yeah? I actually feel like that Angela bitshitt Won deserved

0:49:55.880 --> 0:49:58.279
<v Speaker 2>to be number one, But anyway, number four counting down?

0:49:58.400 --> 0:50:00.719
<v Speaker 2>Is this happened on the project Harry bit Moore with

0:50:00.840 --> 0:50:03.920
<v Speaker 2>talking about airline prices. This is what happened.

0:50:05.520 --> 0:50:06.040
<v Speaker 1>You're watching a.

0:50:06.040 --> 0:50:08.560
<v Speaker 6>Project The airline price wars are heating up again, and

0:50:08.560 --> 0:50:11.799
<v Speaker 6>we're being told fair discounting is as aggressive as it's

0:50:11.880 --> 0:50:15.239
<v Speaker 6>ever been. Virgin's targeting key corporate routes hoping to win

0:50:15.280 --> 0:50:19.320
<v Speaker 6>over counts. Excuse me, quantus customers. Well, it means cheaper

0:50:19.360 --> 0:50:22.759
<v Speaker 6>trail for us. It's likely to make sad news for fearlines.

0:50:23.160 --> 0:50:28.080
<v Speaker 4>That wave addressed your need is YouTube dot com.

0:50:28.200 --> 0:50:31.640
<v Speaker 2>That's like the worth word. You could accidentally say, that's.

0:50:31.520 --> 0:50:35.440
<v Speaker 7>Really bad carry and quantity. It's not even it's a

0:50:35.520 --> 0:50:38.239
<v Speaker 7>cue like I mean, it's close. But the fact that she.

0:50:38.400 --> 0:50:40.359
<v Speaker 2>Got away with saying hunt it's because it had the

0:50:40.360 --> 0:50:42.960
<v Speaker 2>earth on the end. It's the Earth that saved her.

0:50:42.960 --> 0:50:44.600
<v Speaker 2>Otherwise she'd be in big shit if she just said

0:50:44.600 --> 0:50:46.760
<v Speaker 2>the sea bomb on TV. I feel like I've.

0:50:46.640 --> 0:50:48.960
<v Speaker 7>Done that before on live radio, Like sometimes it slips out.

0:50:49.000 --> 0:50:50.800
<v Speaker 7>The best thing to do, I think is acknowledge it,

0:50:50.800 --> 0:50:53.680
<v Speaker 7>because if you just let it slide, it just lingers

0:50:53.680 --> 0:50:55.840
<v Speaker 7>and it's so awkward. It's cringe. Like if you have

0:50:55.960 --> 0:50:57.440
<v Speaker 7>a conversation with a friend and you did it, you'd

0:50:57.440 --> 0:50:59.280
<v Speaker 7>acknowledge it. So acknowledge it, like it's.

0:50:59.120 --> 0:51:00.600
<v Speaker 2>Not the end of the world. In fact, put me

0:51:00.640 --> 0:51:02.080
<v Speaker 2>on the radio right now, we're here in the studio,

0:51:02.160 --> 0:51:03.040
<v Speaker 2>I'll say, fuck.

0:51:02.960 --> 0:51:05.600
<v Speaker 7>Yeah, let's broadcast. We're all alive.

0:51:05.920 --> 0:51:07.880
<v Speaker 2>But it's in the middle of it an Adele song, and

0:51:07.880 --> 0:51:13.080
<v Speaker 2>I'm like, cat, I don't know why the sea world.

0:51:13.080 --> 0:51:14.480
<v Speaker 2>I still get weird about saying that one.

0:51:14.560 --> 0:51:15.960
<v Speaker 7>I've gotten really loosey goosey.

0:51:16.040 --> 0:51:19.520
<v Speaker 2>I've noticed it's I've noticed bad and my mum pointed

0:51:19.560 --> 0:51:20.200
<v Speaker 2>it out the other day.

0:51:20.239 --> 0:51:22.279
<v Speaker 7>She's like, you a boddy mouth, and I went, I know,

0:51:22.360 --> 0:51:23.080
<v Speaker 7>I need to pull back.

0:51:23.160 --> 0:51:24.880
<v Speaker 2>Even on the podcast, I've noticed that you've dropped a

0:51:24.880 --> 0:51:26.360
<v Speaker 2>few sea bumps, and I'm like, oh my god, Like

0:51:26.400 --> 0:51:29.440
<v Speaker 2>even me, the most foul person on planet Earth, I

0:51:29.480 --> 0:51:31.480
<v Speaker 2>try not to use that word. I wonder what happens

0:51:31.600 --> 0:51:33.000
<v Speaker 2>I used to Oh, I use it in real life,

0:51:33.000 --> 0:51:35.200
<v Speaker 2>make no mistake on the podcast.

0:51:34.880 --> 0:51:36.040
<v Speaker 7>And he should have heard what he said about you

0:51:36.040 --> 0:51:39.960
<v Speaker 7>before you sat down. I've had it no. I remember

0:51:40.040 --> 0:51:41.560
<v Speaker 7>in primary school. I'm like, I'm going to be one

0:51:41.560 --> 0:51:44.560
<v Speaker 7>of those people that doesn't even say shit. I remember

0:51:44.600 --> 0:51:45.839
<v Speaker 7>making that pledge to my name.

0:51:45.920 --> 0:51:48.960
<v Speaker 2>I also said I wasn't going to drink. So people changed,

0:51:49.360 --> 0:51:50.319
<v Speaker 2>don't they ever? All right?

0:51:50.360 --> 0:51:50.799
<v Speaker 7>Number three?

0:51:51.160 --> 0:51:52.840
<v Speaker 2>Number three? This is similar to what happened to you

0:51:52.840 --> 0:51:54.880
<v Speaker 2>on the radio. Actually, it was a while ago in

0:51:55.000 --> 0:51:57.279
<v Speaker 2>Sunrise and they were doing their cash cow thing, you

0:51:57.320 --> 0:51:59.239
<v Speaker 2>know where they call people to let them know they've

0:51:59.280 --> 0:52:01.440
<v Speaker 2>won the money, and the chick got a bit excited.

0:52:01.480 --> 0:52:02.120
<v Speaker 2>Put it that way.

0:52:02.560 --> 0:52:04.279
<v Speaker 7>Here's the second one counting down.

0:52:04.719 --> 0:52:11.840
<v Speaker 1>We are ringing giant? Is that gi? J? J.

0:52:12.280 --> 0:52:12.800
<v Speaker 7>Grumly?

0:52:13.120 --> 0:52:17.240
<v Speaker 1>This is MELANCHOCHI from Sunrise? Would you like ten thousand

0:52:17.239 --> 0:52:18.680
<v Speaker 1>dollars on this Thursday morning?

0:52:19.200 --> 0:52:23.520
<v Speaker 7>Are you fucking serious?

0:52:24.200 --> 0:52:28.560
<v Speaker 3>Words that we would use, but we are very serious serious.

0:52:29.000 --> 0:52:30.399
<v Speaker 8>I think she's been cut off and.

0:52:30.400 --> 0:52:33.720
<v Speaker 2>If anyone was wondering whether we're live or not, we're live.

0:52:34.840 --> 0:52:36.640
<v Speaker 7>Have you got seven seconds lay the interesting?

0:52:37.800 --> 0:52:39.759
<v Speaker 2>Oh my god, isn't it weird that they don't have

0:52:39.840 --> 0:52:41.719
<v Speaker 2>that seven second delay thing like you said, because you've

0:52:41.760 --> 0:52:43.640
<v Speaker 2>got the option to dump, and then everything that happened

0:52:43.680 --> 0:52:45.600
<v Speaker 2>in the last seven seconds you'll never know, you know.

0:52:45.760 --> 0:52:47.920
<v Speaker 3>On Jones in Amanda, we don't have dump.

0:52:47.880 --> 0:52:50.279
<v Speaker 2>So they really if it call us where that's it.

0:52:50.320 --> 0:52:55.600
<v Speaker 2>It just happened. They just go, oh, oh, I can

0:52:55.800 --> 0:52:56.840
<v Speaker 2>just picture it.

0:52:57.320 --> 0:52:59.799
<v Speaker 7>Okay, let's go. It's number two getting closed number one.

0:53:00.160 --> 0:53:02.040
<v Speaker 2>So this is another one on the project. It wasn't

0:53:02.040 --> 0:53:04.800
<v Speaker 2>Carrie's stuff up this time. It was doctor Andrew Rochford

0:53:05.320 --> 0:53:08.400
<v Speaker 2>and he was crossing to Kitty Flannagan. Hilarious, got her

0:53:08.480 --> 0:53:08.959
<v Speaker 2>name wrong.

0:53:09.840 --> 0:53:13.120
<v Speaker 5>Moving on to some worrying news now and supposedly doctor's

0:53:13.160 --> 0:53:15.880
<v Speaker 5>waiting rooms may soon be empty with advanced new medical

0:53:15.920 --> 0:53:19.719
<v Speaker 5>apps being developed to help people diagnose and treat themselves.

0:53:20.040 --> 0:53:22.880
<v Speaker 5>We're joined now by the oracle on everything, Kitty Flanagan.

0:53:23.080 --> 0:53:26.279
<v Speaker 5>Now clin Kitty, should I be worried about my job?

0:53:27.719 --> 0:53:40.720
<v Speaker 2>Well? You keep calling mc clitty. I think she handled

0:53:40.760 --> 0:53:43.760
<v Speaker 2>it so well. That was amazing to keep calling McLarty.

0:53:43.800 --> 0:53:44.279
<v Speaker 2>You should be.

0:53:44.560 --> 0:53:47.759
<v Speaker 7>That was so quick too. They're the benefits of life TV.

0:53:47.880 --> 0:53:49.240
<v Speaker 7>That's when it's funny true.

0:53:50.280 --> 0:53:53.040
<v Speaker 2>I also loved that Carrie started laughing before Kitty even

0:53:53.040 --> 0:53:55.280
<v Speaker 2>finished the joke like she just knew it was coming.

0:53:55.440 --> 0:53:56.839
<v Speaker 2>Everyone everyone in the room was thinking.

0:53:56.840 --> 0:53:58.719
<v Speaker 7>It isn't it funny when you have an opportunity to

0:53:58.800 --> 0:54:00.239
<v Speaker 7>hit back like that and you nail it. Isn't the

0:54:00.280 --> 0:54:01.080
<v Speaker 7>best feeling in the world.

0:54:01.200 --> 0:54:02.160
<v Speaker 2>Yeah, yeah, it is.

0:54:02.200 --> 0:54:03.560
<v Speaker 7>When you get thrown something and then.

0:54:03.760 --> 0:54:06.560
<v Speaker 2>Jenny, you wouldn't understand it never happened.

0:54:06.600 --> 0:54:08.600
<v Speaker 7>Maybe boomble when they passed you a one killer Wait

0:54:08.680 --> 0:54:09.839
<v Speaker 7>you feel Oh that was good?

0:54:09.920 --> 0:54:10.799
<v Speaker 2>That's yeah.

0:54:10.840 --> 0:54:13.080
<v Speaker 7>When I get on stage, yes, yes, yeah, yeah, yeah,

0:54:13.080 --> 0:54:15.080
<v Speaker 7>I love to watch all right, what's number one? We

0:54:15.120 --> 0:54:15.800
<v Speaker 7>made it to the ES.

0:54:16.120 --> 0:54:18.920
<v Speaker 2>So this is one of my favorites. I'm being a

0:54:18.960 --> 0:54:21.680
<v Speaker 2>bit biased here. I've rewatched this video a lot of times.

0:54:22.000 --> 0:54:22.919
<v Speaker 7>The trash Alley Garden.

0:54:23.000 --> 0:54:25.880
<v Speaker 2>No, no, we're allowed to swear there. It's all good, Okay,

0:54:26.600 --> 0:54:28.600
<v Speaker 2>it was. It was pretty funny. When we first started

0:54:28.600 --> 0:54:30.400
<v Speaker 2>the podcast, they told us you were allowed to swear,

0:54:30.400 --> 0:54:33.000
<v Speaker 2>but only in a positive way. So like, oh my god,

0:54:33.000 --> 0:54:36.880
<v Speaker 2>that's fucking hilarious or that's fucking amazing, And now that

0:54:37.360 --> 0:54:39.560
<v Speaker 2>must have loosened the rules because we don't you swearing

0:54:39.600 --> 0:54:41.400
<v Speaker 2>in positive ways at all. But at the start we

0:54:41.480 --> 0:54:42.560
<v Speaker 2>have to try and me mind this.

0:54:42.600 --> 0:54:44.040
<v Speaker 7>Ham and she's toasting his cut.

0:54:46.320 --> 0:54:48.520
<v Speaker 2>Oh my god, mom, that dress looks fucked on you.

0:54:50.480 --> 0:54:53.520
<v Speaker 7>To Grema, oh you dementia starting to heal man, that

0:54:53.680 --> 0:54:56.320
<v Speaker 7>is so fun instead of glowing.

0:54:56.360 --> 0:55:01.719
<v Speaker 2>Oh my god, you are fucking today. But you know,

0:55:01.840 --> 0:55:03.520
<v Speaker 2>with a with a band in that role, I.

0:55:03.600 --> 0:55:04.239
<v Speaker 7>Can see why.

0:55:04.520 --> 0:55:06.919
<v Speaker 2>Anyway. Number one, it's not trash ally. It's the news

0:55:06.960 --> 0:55:11.120
<v Speaker 2>reader Talitha Cummins. She was doing some news report about politics,

0:55:11.120 --> 0:55:14.239
<v Speaker 2>talking about Malcolm Turnbull, ex Prime Minister. Yeah, and then

0:55:14.239 --> 0:55:15.640
<v Speaker 2>there was a bit of a slip of the tongue.

0:55:15.640 --> 0:55:17.560
<v Speaker 2>But that slip of the tongue created just the most

0:55:17.600 --> 0:55:19.920
<v Speaker 2>perfect combination of words I've heard here.

0:55:19.920 --> 0:55:22.719
<v Speaker 6>It is so look out for the extent to which

0:55:22.800 --> 0:55:26.880
<v Speaker 6>labor comes back at the medi caare privatization issue.

0:55:26.880 --> 0:55:30.000
<v Speaker 2>To Letha, okay, Maria, Malcolm Turnble is making his pig

0:55:30.040 --> 0:55:38.319
<v Speaker 2>bitch in his big his big pitch in. That's one

0:55:38.360 --> 0:55:42.520
<v Speaker 2>of the best making his big pitche ins in you today.

0:55:45.880 --> 0:55:49.520
<v Speaker 2>Pig bitch. Isn't that not? That not the best insult ever?

0:55:49.960 --> 0:55:51.200
<v Speaker 7>Your little pig bitch.

0:55:52.360 --> 0:55:54.759
<v Speaker 2>Oh that is that is so scathing. That's just the

0:55:54.800 --> 0:55:57.200
<v Speaker 2>best words ever. I never would have thought to pair

0:55:57.280 --> 0:55:58.560
<v Speaker 2>them together if it weren't for Teletha.

0:55:58.640 --> 0:56:01.120
<v Speaker 7>No angry pig bitch really rolls off the tongue, doesn't it,

0:56:01.160 --> 0:56:02.680
<v Speaker 7>And it's kind of got a sexual connotation.

0:56:03.000 --> 0:56:05.560
<v Speaker 2>He made them his big bitch friend that we hadn't

0:56:05.560 --> 0:56:08.279
<v Speaker 2>already nicknamed Sam and Jenna. Actually no, that's that's the

0:56:08.320 --> 0:56:14.120
<v Speaker 2>rebrand pig bitch Jenna a ring to it, and our

0:56:14.120 --> 0:56:18.040
<v Speaker 2>third real pig bitch Jenner is here is always Hi Jenna.

0:56:19.000 --> 0:56:20.759
<v Speaker 7>I don't mind we should do that.

0:56:20.920 --> 0:56:23.360
<v Speaker 2>I feel like that, out of context to new listeners,

0:56:23.400 --> 0:56:26.600
<v Speaker 2>would sound really fucked. Yeah, like we've just got this

0:56:26.680 --> 0:56:28.440
<v Speaker 2>woman here and call her a pig bitch.

0:56:30.040 --> 0:56:31.759
<v Speaker 7>I'm trying to find the pig music when we did

0:56:31.800 --> 0:56:32.640
<v Speaker 7>pig music.

0:56:36.040 --> 0:56:36.399
<v Speaker 4>This year.

0:56:37.200 --> 0:56:41.840
<v Speaker 7>No, no, then marks, then get prepared.

0:56:42.040 --> 0:56:45.040
<v Speaker 2>I had pig months over December January, so I'm not

0:56:45.080 --> 0:56:45.960
<v Speaker 2>ready for another pig week.

0:56:46.040 --> 0:56:48.759
<v Speaker 7>I'm so large. I want to get a Peloton of

0:56:48.760 --> 0:56:52.320
<v Speaker 7>the Pelotons fancy bike that Big died on.

0:56:53.200 --> 0:56:55.799
<v Speaker 2>And just like that you watched, you know, No, but wait,

0:56:56.520 --> 0:56:58.480
<v Speaker 2>is it an actual bike or like an exercise bike.

0:56:58.560 --> 0:57:00.840
<v Speaker 7>It's an exercise bike, but it's got like a gigantic

0:57:00.840 --> 0:57:02.040
<v Speaker 7>fuck off screen attached to it.

0:57:02.200 --> 0:57:04.480
<v Speaker 2>With that bullshit we were talking about before the animated men.

0:57:04.880 --> 0:57:07.600
<v Speaker 7>No, get this, it's got live classes from Los Angeles.

0:57:07.640 --> 0:57:10.440
<v Speaker 7>So you get some bitch in Beverly Hills doing a class.

0:57:10.520 --> 0:57:12.319
<v Speaker 7>She knows that I'm writing because it's all connected on

0:57:12.320 --> 0:57:15.480
<v Speaker 7>the cloud, and she's like mention in Australia. Keep it up, buddy,

0:57:16.400 --> 0:57:19.120
<v Speaker 7>really yeah see that? Yeah of course, And also tell

0:57:19.160 --> 0:57:20.600
<v Speaker 7>this to your Apple Watch if you've got one, because

0:57:20.640 --> 0:57:22.360
<v Speaker 7>I'm a bit of a nerd like that, and all

0:57:22.400 --> 0:57:25.280
<v Speaker 7>your friends in an Apple Watch can connect. Because Mitch just

0:57:25.280 --> 0:57:27.560
<v Speaker 7>did ten k's on the peloton. It's like Jenna, she

0:57:27.640 --> 0:57:28.960
<v Speaker 7>just did five k's this morning.

0:57:29.000 --> 0:57:30.760
<v Speaker 2>Oh my god, I hate that. I don't think I'd

0:57:30.800 --> 0:57:31.080
<v Speaker 2>like that.

0:57:31.240 --> 0:57:32.680
<v Speaker 7>I think I would because I love you know, I

0:57:32.840 --> 0:57:33.400
<v Speaker 7>love attention.

0:57:33.600 --> 0:57:37.320
<v Speaker 2>So yeah, but online classes, oh they're the worst. I

0:57:37.360 --> 0:57:41.240
<v Speaker 2>did one not long ago actually, because online gym no

0:57:41.400 --> 0:57:44.640
<v Speaker 2>like a pilates class like live or just yeah on

0:57:44.720 --> 0:57:46.960
<v Speaker 2>zoom on them. There was another chick on there was

0:57:47.000 --> 0:57:48.320
<v Speaker 2>a chick on the other end. And I've done them

0:57:48.360 --> 0:57:50.880
<v Speaker 2>before and it's like, once you join the class, you

0:57:50.920 --> 0:57:53.040
<v Speaker 2>can turn your zoom camera off and just follow along.

0:57:53.480 --> 0:57:56.520
<v Speaker 2>But I turned up this one Friday morning and I

0:57:56.640 --> 0:57:59.160
<v Speaker 2>was the only one there. So with this one on

0:57:59.160 --> 0:58:03.360
<v Speaker 2>one zoom class, this this yoga bitch. And I was like, oh,

0:58:03.400 --> 0:58:05.320
<v Speaker 2>it's rude to turn the camera off, isn't it. And

0:58:05.320 --> 0:58:07.040
<v Speaker 2>she's like, oh, can you turn your camera on so

0:58:07.040 --> 0:58:08.800
<v Speaker 2>I can, like, you know, critique your positions and stuff.

0:58:08.880 --> 0:58:11.960
<v Speaker 2>It was the most awkward hour of my life. I

0:58:12.040 --> 0:58:13.760
<v Speaker 2>still in my pajamas because I thought I wasn't gonna

0:58:13.760 --> 0:58:14.360
<v Speaker 2>have a camera.

0:58:14.160 --> 0:58:15.880
<v Speaker 7>On and it was just the two of you.

0:58:16.240 --> 0:58:18.440
<v Speaker 2>Yeah, I mean, she's lovely, don't worry.

0:58:18.680 --> 0:58:19.240
<v Speaker 7>What can you do?

0:58:19.760 --> 0:58:21.560
<v Speaker 2>I feel like we should have wrapped the show quite

0:58:21.560 --> 0:58:22.120
<v Speaker 2>some time ago.

0:58:22.200 --> 0:58:24.640
<v Speaker 7>Oh I love it. This has been a show. Maybe

0:58:24.680 --> 0:58:26.280
<v Speaker 7>we should do our guests live more often because it

0:58:26.280 --> 0:58:27.200
<v Speaker 7>makes us feel.

0:58:27.600 --> 0:58:30.720
<v Speaker 2>Well, he's been and gone, so there's no feeling happening.

0:58:30.800 --> 0:58:32.960
<v Speaker 7>Oh yeah, che'sn't coming back. Oh then we better rap.

0:58:33.000 --> 0:58:36.320
<v Speaker 7>Let's go Happy Marti graph for all those that celebrate

0:58:36.400 --> 0:58:38.520
<v Speaker 7>Happy Marti Gras weekend. If you don't, if you've never

0:58:38.520 --> 0:58:40.680
<v Speaker 7>been to a Marti Gras parade, it is. It's so

0:58:40.800 --> 0:58:41.280
<v Speaker 7>much fun.

0:58:41.480 --> 0:58:44.200
<v Speaker 2>Oh from what I've heard, because I've done. Oh Jenna

0:58:44.280 --> 0:58:45.720
<v Speaker 2>was there too. We did London Pride.

0:58:46.000 --> 0:58:47.040
<v Speaker 7>Oh that would be great.

0:58:47.120 --> 0:58:50.120
<v Speaker 2>Sydney is way more loose. The Sydney martigary compared to

0:58:50.160 --> 0:58:54.520
<v Speaker 2>London Pride. Really, London Pride is like a matinee. It's

0:58:54.560 --> 0:58:56.720
<v Speaker 2>like a parade during the day and no one's there

0:58:56.760 --> 0:58:59.600
<v Speaker 2>wearing nothing but fish nets. Yeah, like no one's dressed

0:58:59.600 --> 0:59:01.040
<v Speaker 2>a slide and then you've got all this time to

0:59:01.120 --> 0:59:02.280
<v Speaker 2>kill before you party that night.

0:59:02.480 --> 0:59:02.640
<v Speaker 5>Yeah.

0:59:02.640 --> 0:59:05.520
<v Speaker 3>And like the London one, like there's there's like kids

0:59:05.520 --> 0:59:06.400
<v Speaker 3>in uniforms.

0:59:06.760 --> 0:59:07.000
<v Speaker 5>Yeah.

0:59:07.400 --> 0:59:11.280
<v Speaker 2>Yeah, Like it's just it's just not like and it's like, woo,

0:59:11.480 --> 0:59:12.400
<v Speaker 2>let's get fucked up.

0:59:12.760 --> 0:59:14.760
<v Speaker 7>Hayden. I went to New York City Pride the year

0:59:14.760 --> 0:59:16.880
<v Speaker 7>before COVID and it's like this, there was a spice

0:59:16.920 --> 0:59:19.720
<v Speaker 7>girl there and then there's kids and there's merch and

0:59:19.720 --> 0:59:22.600
<v Speaker 7>you buy merch on the it's like feels really really commerge.

0:59:22.640 --> 0:59:25.160
<v Speaker 2>Which one was that New York City Pride? All right, okay,

0:59:25.400 --> 0:59:26.480
<v Speaker 2>yeah it was nuts.

0:59:26.800 --> 0:59:27.000
<v Speaker 5>Yeah.

0:59:27.000 --> 0:59:28.680
<v Speaker 2>Well once once you've been to one, you've been to

0:59:28.760 --> 0:59:30.600
<v Speaker 2>them all Avenue. Yeah, I agree that Marty Grad is

0:59:30.640 --> 0:59:31.080
<v Speaker 2>my favorite.

0:59:31.080 --> 0:59:34.320
<v Speaker 7>There is a grittiness to Sydney's, like it's kind of grandy.

0:59:34.400 --> 0:59:36.400
<v Speaker 2>Yeah, I love it, you know, that's that's the point,

0:59:36.440 --> 0:59:36.959
<v Speaker 2>that's the vibe.

0:59:37.000 --> 0:59:37.200
<v Speaker 8>Yeah.

0:59:38.560 --> 0:59:40.600
<v Speaker 7>Anyway, if you haven't celebrated one, go out and celebrate.

0:59:40.640 --> 0:59:42.520
<v Speaker 7>And if you're not quite there yet, don't worry you.

0:59:42.840 --> 0:59:44.440
<v Speaker 7>In a couple of years, I wasn't ready for my

0:59:44.480 --> 0:59:45.880
<v Speaker 7>first Marti Grather year I came out.

0:59:46.000 --> 0:59:47.680
<v Speaker 2>I hated my first Mandi gradh because I was like,

0:59:47.680 --> 0:59:50.240
<v Speaker 2>oh my god, I don't fit in. Yeah. I was

0:59:50.320 --> 0:59:52.160
<v Speaker 2>like this, it's my Mardi Gras.

0:59:52.120 --> 0:59:54.600
<v Speaker 7>Being held up by a posse of gays. Our Leada,

0:59:54.760 --> 0:59:58.240
<v Speaker 7>our Leada. I love him. I don't know if I've

0:59:58.240 --> 1:00:00.680
<v Speaker 7>told this story. Very quickly. I was on the Kiss float,

1:00:00.680 --> 1:00:02.360
<v Speaker 7>which was a giant kiss I Kiss with the main

1:00:02.400 --> 1:00:05.120
<v Speaker 7>media sponsor i'd done the live broadcast. Kyl and JACKIEO

1:00:05.160 --> 1:00:07.480
<v Speaker 7>were coming out as the main act, and they were

1:00:07.520 --> 1:00:09.200
<v Speaker 7>both getting up on the kiss float, which is a

1:00:09.240 --> 1:00:12.200
<v Speaker 7>giant pair of headphones that looked really gay, really ridiculous, and

1:00:12.240 --> 1:00:13.960
<v Speaker 7>they go, Kylon Jackie A were late. They're stuck in

1:00:14.000 --> 1:00:16.920
<v Speaker 7>the park, high traffic's terrible. Jackie's doing a ponytail. So

1:00:16.960 --> 1:00:18.479
<v Speaker 7>you get on the float and just wave to people

1:00:18.520 --> 1:00:20.080
<v Speaker 7>something like all right. So I get on the float

1:00:20.080 --> 1:00:22.400
<v Speaker 7>in the Marshaling area before it hits Oxford Street, and

1:00:22.400 --> 1:00:23.920
<v Speaker 7>then they got Kyler, Jackie are in a black Man

1:00:23.920 --> 1:00:25.480
<v Speaker 7>They're gonna pull up and jump onto the float like

1:00:25.520 --> 1:00:27.640
<v Speaker 7>Mission Impossible style. So then they do they like pull

1:00:27.720 --> 1:00:30.280
<v Speaker 7>up next to the float, they like jump on, and

1:00:30.040 --> 1:00:32.720
<v Speaker 7>then because I'm already on, I didn't have time to

1:00:32.720 --> 1:00:34.600
<v Speaker 7>get off, so they're like, what the fuck are you

1:00:34.720 --> 1:00:36.880
<v Speaker 7>doing on our float? Like I couldn't get off?

1:00:37.440 --> 1:00:40.240
<v Speaker 2>Yeah, I feel like I didn't. That fuck up a

1:00:40.280 --> 1:00:42.960
<v Speaker 2>lot of theistics because our float ended up having to

1:00:43.000 --> 1:00:44.840
<v Speaker 2>be like to the ones behind, if you go first,

1:00:44.840 --> 1:00:46.840
<v Speaker 2>you go first. We're not ready yet. But I think

1:00:46.920 --> 1:00:50.120
<v Speaker 2>the SBS, like Broadcast or ABC broadcasts, they've got a

1:00:50.160 --> 1:00:52.200
<v Speaker 2>list of what order the floats come in. So by

1:00:52.280 --> 1:00:54.200
<v Speaker 2>us being like you go first, that really fucked it.

1:00:54.240 --> 1:00:56.680
<v Speaker 2>They're like, and now here's the Kyle and Jackie Oh show.

1:00:56.680 --> 1:00:59.439
<v Speaker 2>And it was like the Returned war Veterans floats or something,

1:00:59.480 --> 1:01:02.680
<v Speaker 2>and we're like, oh god, we really fucked this whole thing.

1:01:04.080 --> 1:01:05.400
<v Speaker 7>We need to go, We need to jacking.

1:01:05.600 --> 1:01:07.280
<v Speaker 2>We could easily have said that this is our Martigra

1:01:07.400 --> 1:01:08.400
<v Speaker 2>hangover show. We found it.

1:01:08.440 --> 1:01:10.720
<v Speaker 7>We do sound. It's the middle of the fucking week,

1:01:11.240 --> 1:01:13.360
<v Speaker 7>it's the rain. Oh and if you're in Brisbane too.

1:01:13.400 --> 1:01:16.080
<v Speaker 7>We had a couple of Brisbane. Messengers, messengers and a

1:01:16.080 --> 1:01:18.720
<v Speaker 7>couple of messages in the bottles. The water took it here.

1:01:19.240 --> 1:01:20.600
<v Speaker 7>The floods are really bad up there at the moment,

1:01:20.640 --> 1:01:21.960
<v Speaker 7>So we're thinking of you. If you're up there and

1:01:22.000 --> 1:01:24.960
<v Speaker 7>look after yourself. Stayed dry. That's rough, that's floods are shocking.

1:01:25.160 --> 1:01:26.600
<v Speaker 7>Thank you for listening. Don't forget to leave us a

1:01:26.640 --> 1:01:29.160
<v Speaker 7>review five stars if you are if you haven't yet,

1:01:29.200 --> 1:01:30.840
<v Speaker 7>that keeps us going, keeps us on the cloud, and

1:01:30.840 --> 1:01:34.320
<v Speaker 7>be thanks to Reese Nicholson. He show Ree Reese is coming.

1:01:34.360 --> 1:01:36.520
<v Speaker 7>It's in May, starting in May, going all around Australia.

1:01:36.880 --> 1:01:38.680
<v Speaker 7>All right, we'll see next week for episode one hundred.

1:01:38.760 --> 1:01:40.880
<v Speaker 2>We'll catch you. Then, Oh my god, the big one

1:01:41.160 --> 1:01:42.000
<v Speaker 2>double Eye.

1:01:42.000 --> 1:01:45.360
<v Speaker 7>Jenner will be rebranded and you be fucked in the art.

1:01:45.160 --> 1:01:50.640
<v Speaker 2>What a show. Bring it on, bye, it's love, It

1:01:51.320 --> 1:01:55.240
<v Speaker 2>is it just me a podcast by a couple of meches.

1:01:55.560 --> 1:02:02.960
<v Speaker 7>Make sure you've hit follow on your podcast.

1:02:11.560 --> 1:02:14.080
<v Speaker 2>Welcome to add brief. This is our secret segment. On

1:02:14.120 --> 1:02:16.120
<v Speaker 2>the end, we pretend the show is done and then

1:02:16.120 --> 1:02:18.880
<v Speaker 2>we keep talking ship. We just let our ADHD brains

1:02:18.920 --> 1:02:21.200
<v Speaker 2>go wild. Add I should say whatever.

1:02:21.440 --> 1:02:26.160
<v Speaker 7>Imagine if other shows had a d D briefs like

1:02:26.240 --> 1:02:29.880
<v Speaker 7>what would what would Channel nine's nightly news be if

1:02:29.920 --> 1:02:31.240
<v Speaker 7>they had add this.

1:02:31.200 --> 1:02:34.360
<v Speaker 2>Could get Peter Overton and Georgia Gardener having a cigarette on.

1:02:34.360 --> 1:02:38.040
<v Speaker 7>The count, Thank you and good night, pretend we're done.

1:02:40.440 --> 1:02:46.360
<v Speaker 7>Fut Russia wins. I imagine it's just there, their fully

1:02:46.440 --> 1:02:47.720
<v Speaker 7>unadulterated views.

1:02:48.000 --> 1:02:48.160
<v Speaker 5>Well.

1:02:48.160 --> 1:02:51.320
<v Speaker 2>I nearly put in that top five today. Actually I

1:02:51.400 --> 1:02:54.000
<v Speaker 2>nearly put in there the you know the thing from

1:02:54.040 --> 1:02:56.920
<v Speaker 2>Channel seven that went viral recently, the hot mic moment

1:02:57.000 --> 1:03:00.440
<v Speaker 2>where George Georgie Gardner. No, it was Rebecca Madam and

1:03:01.000 --> 1:03:03.960
<v Speaker 2>I can't remember who someone. Yeah, journal, Yeah, they're Melbourne

1:03:03.960 --> 1:03:05.920
<v Speaker 2>new threatist. So I don't give a flying fuck. Frankly.

1:03:07.480 --> 1:03:09.800
<v Speaker 2>I actually we should ask Ben Foden about that if

1:03:09.800 --> 1:03:11.280
<v Speaker 2>he comes on next week, because he used to do

1:03:11.400 --> 1:03:12.680
<v Speaker 2>Ninja Worry with Beck, didn't.

1:03:12.440 --> 1:03:15.080
<v Speaker 7>He she got she got let go from that show,

1:03:15.400 --> 1:03:16.120
<v Speaker 7>she got another.

1:03:15.920 --> 1:03:18.040
<v Speaker 2>Job off anyway, Yeah, I thought she left. They were

1:03:18.080 --> 1:03:21.040
<v Speaker 2>bitching about Novak Djokovic and it got leaked big off

1:03:21.040 --> 1:03:23.600
<v Speaker 2>air audio. Imagine someone leaking our offait audio.

1:03:23.440 --> 1:03:25.080
<v Speaker 7>Oh my god, oh.

1:03:25.040 --> 1:03:26.760
<v Speaker 2>My god, I just saw the guilt and samsis you

1:03:26.800 --> 1:03:27.240
<v Speaker 2>fucking done?

1:03:27.240 --> 1:03:29.479
<v Speaker 8>And haven't pedestrian next.

1:03:29.400 --> 1:03:31.600
<v Speaker 7>Week's got a hard drive plugged into the computer.

1:03:32.320 --> 1:03:35.880
<v Speaker 2>No, I reckon he'd have like a file, a folder

1:03:35.920 --> 1:03:38.800
<v Speaker 2>on his hard drive, just full of moments for if

1:03:38.960 --> 1:03:40.760
<v Speaker 2>the day we ever fuck him off. He's like, right,

1:03:41.640 --> 1:03:43.320
<v Speaker 2>I've got folders like that too. Don't worry, do you?

1:03:43.360 --> 1:03:44.800
<v Speaker 7>Actually, I'm sure you would.

1:03:44.840 --> 1:03:46.520
<v Speaker 2>I could end you, bitch, like the things I've had

1:03:46.560 --> 1:03:47.040
<v Speaker 2>to edit out.

1:03:47.080 --> 1:03:50.080
<v Speaker 7>Oh I know, but you wouldn't because I'm gregorious and sweet.

1:03:50.240 --> 1:03:53.200
<v Speaker 8>While you guys have been fucking around, I have actually

1:03:53.240 --> 1:03:55.080
<v Speaker 8>been designing hard at work.

1:03:55.520 --> 1:03:57.360
<v Speaker 9>So I have three options for you for QR.

1:03:57.440 --> 1:03:58.520
<v Speaker 7>Coats, I'm in the studio.

1:03:59.120 --> 1:04:00.439
<v Speaker 2>Three options coming.

1:04:00.560 --> 1:04:03.000
<v Speaker 7>Also, have you got Joe Rogan for a ship? He

1:04:03.120 --> 1:04:05.640
<v Speaker 7>really changed? Will we give him many tasks? Hold on,

1:04:05.760 --> 1:04:08.080
<v Speaker 7>jump on the mic? There is it, Mike three?

1:04:08.760 --> 1:04:14.160
<v Speaker 8>Oh yeah, okay, so number one he's got print House.

1:04:14.200 --> 1:04:16.160
<v Speaker 9>Yeah, so number one.

1:04:16.200 --> 1:04:19.160
<v Speaker 7>We need we need you need some music or something? No, yes,

1:04:19.240 --> 1:04:21.480
<v Speaker 7>we do. This is a Sames pitch music. You're a

1:04:21.480 --> 1:04:21.920
<v Speaker 7>shark tack.

1:04:22.680 --> 1:04:23.800
<v Speaker 9>All right, thank you for joining me.

1:04:23.800 --> 1:04:26.120
<v Speaker 2>Everybody, elevator and or hold music.

1:04:26.160 --> 1:04:27.480
<v Speaker 9>It's not pitch elevator.

1:04:30.240 --> 1:04:30.640
<v Speaker 6>That's good.

1:04:31.080 --> 1:04:33.160
<v Speaker 7>That's a good call. Okay, funny it.

1:04:33.920 --> 1:04:37.280
<v Speaker 8>So first time. Because it's Marty Gray. Everyone's after a

1:04:37.320 --> 1:04:40.640
<v Speaker 8>bit of fun on Marty Gras weekend. So this one

1:04:40.760 --> 1:04:42.760
<v Speaker 8>is designed to look like it's on a toilet wall.

1:04:43.280 --> 1:04:45.680
<v Speaker 2>Oh my god, fancy a good time. It's written in pen.

1:04:45.960 --> 1:04:48.720
<v Speaker 7>Yeah that's funny. Or it could be written in like

1:04:48.720 --> 1:04:51.560
<v Speaker 7>a mix of blood and come kind of Well, it's

1:04:51.560 --> 1:04:52.520
<v Speaker 7>gone for lipstick, but.

1:04:52.480 --> 1:04:55.160
<v Speaker 2>It can be both. It does look like lipsticks, yep.

1:04:55.200 --> 1:04:55.680
<v Speaker 2>I like it.

1:04:56.280 --> 1:04:58.280
<v Speaker 8>The next one is something that's just a little bit

1:04:58.320 --> 1:05:00.520
<v Speaker 8>more bright, a little bit more fun, to add some

1:05:00.560 --> 1:05:06.920
<v Speaker 8>accent to it. This one is just want, funny, breat

1:05:06.920 --> 1:05:09.280
<v Speaker 8>want with a nice big laugh.

1:05:11.200 --> 1:05:12.880
<v Speaker 2>It's teeth, it's smiling teeth.

1:05:12.680 --> 1:05:16.880
<v Speaker 7>It's menacing the tea. Yeah maybe or.

1:05:17.200 --> 1:05:19.480
<v Speaker 2>Ye, not funny, I know, I think maybe.

1:05:19.520 --> 1:05:21.840
<v Speaker 7>It's definitely behind the coum blood one for.

1:05:21.800 --> 1:05:24.400
<v Speaker 8>Me, okay, all right, so I'll put that in the maybe.

1:05:24.880 --> 1:05:27.720
<v Speaker 8>And finally this one is just a classic want to laugh.

1:05:29.280 --> 1:05:29.680
<v Speaker 7>That's fine.

1:05:29.720 --> 1:05:30.000
<v Speaker 6>I like.

1:05:31.280 --> 1:05:33.400
<v Speaker 8>I like you know those things where you see posters

1:05:33.400 --> 1:05:36.400
<v Speaker 8>that are on like posts around the city, like the

1:05:36.440 --> 1:05:38.040
<v Speaker 8>concerts and ship we can do that.

1:05:38.080 --> 1:05:39.760
<v Speaker 9>There's a little guy in the bike that goes around.

1:05:40.040 --> 1:05:40.600
<v Speaker 7>Let's do it.

1:05:40.920 --> 1:05:42.240
<v Speaker 2>Do we have to get his permission.

1:05:42.400 --> 1:05:45.360
<v Speaker 8>No, no, you hire him and they print like, I

1:05:45.360 --> 1:05:46.640
<v Speaker 8>don't know, one hundreds of them.

1:05:47.760 --> 1:05:50.560
<v Speaker 2>Even better, let me find it out, let's do it.

1:05:50.560 --> 1:05:55.760
<v Speaker 8>It's like Sydney Bike Messenger poster company and brothers.

1:05:55.520 --> 1:05:57.680
<v Speaker 2>Actually know why are we hiring Why are we hiring him?

1:05:57.880 --> 1:05:59.680
<v Speaker 2>The whole the reason this came up with because we

1:05:59.680 --> 1:06:01.880
<v Speaker 2>were like, what are we doing with Jenna? She's not

1:06:01.920 --> 1:06:04.680
<v Speaker 2>doing price keeping? Oh yeah, this is your job, Jen, Jenna,

1:06:04.680 --> 1:06:06.120
<v Speaker 2>can we give you a job? You just stand in

1:06:06.120 --> 1:06:08.720
<v Speaker 2>that big tunnel at Central Station handing out pamphlets and

1:06:08.760 --> 1:06:10.960
<v Speaker 2>you're almost forced it into their hands, even if you

1:06:10.960 --> 1:06:12.200
<v Speaker 2>don't make Icond dead. They're like, here go.

1:06:12.640 --> 1:06:14.880
<v Speaker 9>Yeah, we'll get your T shirt. It'll be a whole thing.

1:06:15.240 --> 1:06:17.120
<v Speaker 2>Yeah, okay, oh my god, you want to do that?

1:06:17.280 --> 1:06:21.120
<v Speaker 7>Yeah, now, let's printed here at iHeartRadio HQ. Yes, and

1:06:21.360 --> 1:06:23.400
<v Speaker 7>they can pay for the printing. All right, Sam? Well done?

1:06:23.480 --> 1:06:24.640
<v Speaker 7>Right on pause for Sam?

1:06:25.160 --> 1:06:26.640
<v Speaker 2>Yeah, approved love it.

1:06:26.760 --> 1:06:30.840
<v Speaker 7>You really have succeeded this season. Thank you very much,

1:06:30.840 --> 1:06:33.160
<v Speaker 7>and for that you can keep your titles contracept your diaphragm.

1:06:33.200 --> 1:06:35.080
<v Speaker 7>Sam going into the one hundredth episode.

1:06:34.800 --> 1:06:36.400
<v Speaker 9>Excellent, didn't know that was up for contention.

1:06:36.920 --> 1:06:39.439
<v Speaker 7>Well, we reassess Jenna and it got us thinking, so, yes,

1:06:39.880 --> 1:06:41.919
<v Speaker 7>pig bitch Jenna, pig bitch je Yeah.

1:06:41.960 --> 1:06:42.560
<v Speaker 2>Do you like that.

1:06:42.680 --> 1:06:45.560
<v Speaker 8>I feel like it's it's a little aggressive. Yeah, first

1:06:45.600 --> 1:06:47.800
<v Speaker 8>time listener. Yeah, but it's warranted, I think.

1:06:47.840 --> 1:06:53.040
<v Speaker 3>No, it's a nice ring to it. I mean, it's

1:06:53.080 --> 1:06:54.080
<v Speaker 3>definitely unique.

1:06:54.200 --> 1:06:58.280
<v Speaker 7>That's shocking. Imagine if we had an esteem guest like

1:06:58.360 --> 1:07:01.440
<v Speaker 7>Angela Bishop in studio and we went Angela Bishop is here,

1:07:01.480 --> 1:07:03.680
<v Speaker 7>it's great to have here, and of course pig bitch Jenna.

1:07:04.320 --> 1:07:06.160
<v Speaker 2>I wish that happened that. I wish that top five

1:07:06.240 --> 1:07:08.280
<v Speaker 2>happened before we had rec on Ildy think. Oh, sorry,

1:07:08.360 --> 1:07:10.640
<v Speaker 2>recent we got pig bitch Jenny here as well. He

1:07:10.640 --> 1:07:11.440
<v Speaker 2>wouldn't have blinked.

1:07:11.680 --> 1:07:13.840
<v Speaker 7>No, he wouldn't have. Oh my pig bitch is just

1:07:13.840 --> 1:07:17.480
<v Speaker 7>gone to get coffee. All the successful media games have one,

1:07:20.920 --> 1:07:22.920
<v Speaker 7>I reckon. That's what Kerrianne calls her team to.

1:07:23.560 --> 1:07:27.959
<v Speaker 2>Oh. Absolutely, absolutely, Kirian doesn't have a team. No, don't

1:07:27.960 --> 1:07:28.640
<v Speaker 2>be ridiculous.

1:07:28.720 --> 1:07:29.440
<v Speaker 7>Name of doctors.

1:07:31.520 --> 1:07:35.480
<v Speaker 2>Yeah, I still haven't gotten a reply from her.

1:07:35.520 --> 1:07:39.960
<v Speaker 7>By the way, I forgot about that. Let me check.

1:07:40.520 --> 1:07:44.480
<v Speaker 9>Aaron Eaton was in the news recently. Yes, oh she's

1:07:44.480 --> 1:07:44.919
<v Speaker 9>not dead.

1:07:44.960 --> 1:07:49.280
<v Speaker 2>She's on Newton goes to police after on Instagram she's

1:07:49.320 --> 1:07:52.760
<v Speaker 2>got a painting of her What.

1:07:52.480 --> 1:07:54.320
<v Speaker 7>That beat out the Ukraine Russia conflict.

1:07:54.440 --> 1:07:57.680
<v Speaker 2>Yeah, I'm so stunned. I missed that huge news fark

1:07:57.720 --> 1:07:58.960
<v Speaker 2>And how why was that even?

1:07:59.640 --> 1:08:02.440
<v Speaker 3>Because it's an Archible Prize contestant.

1:08:02.560 --> 1:08:04.760
<v Speaker 2>Yeah, you know you keep up with all the Archibald

1:08:04.840 --> 1:08:06.080
<v Speaker 2>Prize contestants, don't you.

1:08:06.360 --> 1:08:08.800
<v Speaker 7>Every year they used watercolor, this year ground brea.

1:08:09.000 --> 1:08:10.600
<v Speaker 9>You get that, and I love that.

1:08:10.680 --> 1:08:13.360
<v Speaker 8>You know, you've got seven years in seven years tonight,

1:08:13.760 --> 1:08:16.200
<v Speaker 8>Ukraine has started in World War three?

1:08:16.320 --> 1:08:18.639
<v Speaker 9>Will they survive? And Paddy Newton has a painting?

1:08:18.760 --> 1:08:20.960
<v Speaker 2>Well, you know they really give an equal billing to that?

1:08:21.760 --> 1:08:23.679
<v Speaker 2>Oh my god, the headlines.

1:08:23.760 --> 1:08:26.639
<v Speaker 3>Yeah, because Bert is in the moon, so his face

1:08:26.720 --> 1:08:27.800
<v Speaker 3>is the moon, like.

1:08:27.800 --> 1:08:29.439
<v Speaker 2>The bear and the big blue house.

1:08:30.160 --> 1:08:31.640
<v Speaker 3>What the fuck exactly?

1:08:33.280 --> 1:08:36.559
<v Speaker 7>Because I don't know why I'm defending it. Back in

1:08:36.600 --> 1:08:38.479
<v Speaker 7>the day, his nickname was Moonface because he had a

1:08:38.520 --> 1:08:40.679
<v Speaker 7>big grand moon, so they would always call him moonface.

1:08:40.680 --> 1:08:41.439
<v Speaker 7>So I guess that's it.

1:08:42.240 --> 1:08:45.759
<v Speaker 2>Well at all, And also imagine that good night moonface,

1:08:46.000 --> 1:08:47.000
<v Speaker 2>good night pig bitch.

1:08:52.040 --> 1:08:53.120
<v Speaker 7>No she hasn't replied.

1:08:55.920 --> 1:08:58.240
<v Speaker 2>You know what we should do actually next week because

1:08:58.320 --> 1:09:00.679
<v Speaker 2>for the hundredth episode, ben Fordham meant to be coming

1:09:00.720 --> 1:09:03.160
<v Speaker 2>on full circle moment because he was on the very

1:09:03.160 --> 1:09:06.560
<v Speaker 2>first episode. We should ask him if he has a

1:09:06.600 --> 1:09:10.519
<v Speaker 2>relationship with A Kerry and B Patty Newton, because maybe

1:09:10.560 --> 1:09:12.680
<v Speaker 2>he can just like, we can cut to the chase here.

1:09:12.800 --> 1:09:14.800
<v Speaker 7>Oh yeah, then we can start fresh with maybe some

1:09:14.880 --> 1:09:17.839
<v Speaker 7>lower grade celebs.

1:09:18.320 --> 1:09:21.280
<v Speaker 2>Yeah. I never thought that they were unattainable, but here

1:09:21.320 --> 1:09:21.559
<v Speaker 2>we are.

1:09:21.640 --> 1:09:23.280
<v Speaker 7>Here, we are living in a world where carry An

1:09:23.360 --> 1:09:26.679
<v Speaker 7>won't reply to the most highest urning podcast in the country.

1:09:26.720 --> 1:09:30.479
<v Speaker 2>Actually new tactic. Instead of voice messaging them, we voice

1:09:30.479 --> 1:09:34.280
<v Speaker 2>messaged their management. Who's Carrie and signed with it to

1:09:34.280 --> 1:09:34.519
<v Speaker 2>be like.

1:09:34.479 --> 1:09:38.919
<v Speaker 7>Hello Pineapple Management, Peak bitch management.

1:09:41.120 --> 1:09:43.840
<v Speaker 3>Okay, So Kerry Anne lives in Double Bay. Of course

1:09:44.040 --> 1:09:47.559
<v Speaker 3>she's just sold her Wullara mansion for twenty two million.

1:09:47.760 --> 1:09:49.719
<v Speaker 7>Ah that makes me ill.

1:09:50.040 --> 1:09:52.400
<v Speaker 3>I think I can go to her house and put

1:09:52.439 --> 1:09:52.920
<v Speaker 3>something up.

1:09:53.560 --> 1:09:55.160
<v Speaker 2>Does it tell you the address of the new joint?

1:09:55.200 --> 1:09:55.760
<v Speaker 3>I'll find it.

1:09:56.200 --> 1:09:57.680
<v Speaker 2>All right, let's go.

1:09:58.160 --> 1:09:59.680
<v Speaker 7>Thanks everyone, We'll see you in a week. For I

1:09:59.720 --> 1:10:02.160
<v Speaker 7>want hundred. Is it a centenary? What's one hundred? Just

1:10:02.200 --> 1:10:04.679
<v Speaker 7>say by what's one hundred?

1:10:04.720 --> 1:10:06.080
<v Speaker 9>It's episode?

1:10:06.320 --> 1:10:08.240
<v Speaker 2>See you in a week from Is it not like

1:10:08.240 --> 1:10:11.800
<v Speaker 2>a diamond jubilee or something. It's the centenary centenary.

1:10:11.920 --> 1:10:13.680
<v Speaker 7>What is it? We can get a diamond jubilee for

1:10:13.720 --> 1:10:15.680
<v Speaker 7>eighty five and we get nothing for one.

1:10:15.760 --> 1:10:17.519
<v Speaker 2>Sam, Can you make us a little intro that goes

1:10:17.520 --> 1:10:18.920
<v Speaker 2>at the very start of the podcast. It's like a

1:10:18.920 --> 1:10:24.000
<v Speaker 2>gravelly radio and that's tenorary celebration. Because you've got the accent,

1:10:24.000 --> 1:10:24.479
<v Speaker 2>it'll be fair.

1:10:24.560 --> 1:10:25.680
<v Speaker 9>I could absolutely do that.

1:10:25.720 --> 1:10:27.960
<v Speaker 7>You could do a really killer trans Atlantic accent.

1:10:28.479 --> 1:10:31.320
<v Speaker 9>Yeah. No, it's very much like old school. Yeah yeah,

1:10:31.520 --> 1:10:32.000
<v Speaker 9>news reel.

1:10:32.320 --> 1:10:34.080
<v Speaker 7>Isn't it bizarre that the world is potentially going into

1:10:34.120 --> 1:10:37.400
<v Speaker 7>World War three and at the time of the original Wars,

1:10:37.400 --> 1:10:40.400
<v Speaker 7>the radio announcers are like true grit, real and true

1:10:40.439 --> 1:10:41.840
<v Speaker 7>men broadcasting in.

1:10:41.880 --> 1:10:47.200
<v Speaker 9>The world, just proper. We are all going to.

1:10:48.760 --> 1:10:50.120
<v Speaker 7>Taken down in the Western front.

1:10:50.200 --> 1:10:52.160
<v Speaker 2>Now we've got pig bitches like you on the radio,

1:10:52.880 --> 1:10:53.639
<v Speaker 2>tell them like.

1:10:55.120 --> 1:10:58.240
<v Speaker 7>And not giving out free grill burghers. All right, let's

1:10:58.240 --> 1:11:00.519
<v Speaker 7>get out of here listening. Leave us a five star review.

1:11:00.560 --> 1:11:03.040
<v Speaker 7>We love you all, thank you for buying our merchant cetera, etcetera,

1:11:03.040 --> 1:11:07.120
<v Speaker 7>and we will see you all next week for see.

1:11:06.880 --> 1:11:09.840
<v Speaker 2>You then, guys, It's gonna be a big one.

1:11:10.040 --> 1:11:11.280
<v Speaker 1>Is It Just Me?

1:11:11.840 --> 1:11:14.000
<v Speaker 2>A podcast by a couple of mechs.

1:11:14.320 --> 1:11:17.440
<v Speaker 7>Make sure you've hit follow on your podcast