WEBVTT - Bardot: Becoming a Popstar

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<v Speaker 1>Episode one, Becoming a pop Star. In the late nineties,

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<v Speaker 1>the hunt was on for Australia's answer to the Spice Girls.

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<v Speaker 2>We don't just want a group for the television show,

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<v Speaker 2>We're looking for a career act.

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<v Speaker 1>A call out was published a new Idea magazine, offering

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<v Speaker 1>the opportunity of a lifetime, or so they thought. Warner

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<v Speaker 1>Music was set to plug five girls from obscurity and

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<v Speaker 1>turn them into household names, offering up a three album

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<v Speaker 1>recording contract and a place in a girl band. The

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<v Speaker 1>twel's definitely out there.

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<v Speaker 2>It's our job, naga and find it.

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<v Speaker 1>Australia strapped in for the ride, with Channel seven bringing

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<v Speaker 1>a new show called pop Stars to our screens. Millions

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<v Speaker 1>tuned in to watch the auditions, and it wasn't long

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<v Speaker 1>until we were heavily invested. Don't you Treat Me back?

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<v Speaker 1>Don't You make Me Sad? But behind the scenes, fame

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<v Speaker 1>wasn't as they expected. Whilst the TV execs were raking

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<v Speaker 1>in millions from the band, the five girls weren't making

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<v Speaker 1>a cent. Their mental health was also struggling as they

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<v Speaker 1>buckled under the intense media pressure to stay thin. So

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<v Speaker 1>was life as a pop star really worth it. We

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<v Speaker 1>are journalist Sophie Kate and Amy Torbert, and this is

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<v Speaker 1>our new series Unspoken, where we bring you the unspoken

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<v Speaker 1>stories behind the biggest pop culture headlines to rock the

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<v Speaker 1>nineties and early naughties. Welcome to the first installment of

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<v Speaker 1>our deep dive series on pop stars. Now. We were

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<v Speaker 1>just eleven when the show came out and I remember

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<v Speaker 1>at the time being so infatuated by Bardo. I remember

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<v Speaker 1>having to beg our mum to take us down to

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<v Speaker 1>their instore appearance in Adelaide and it was absolutely packed. Oh,

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<v Speaker 1>these in store appearances were unprecedented. They had thousands of

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<v Speaker 1>young girls lining up for hours to see them. I

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<v Speaker 1>think the show was even shocked by how big the

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<v Speaker 1>crowds got. And everyone had their favorite. I don't know

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<v Speaker 1>who were your favorites. Kane so oh like any other kid.

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<v Speaker 1>My favorite Sophie Monk. Watching the show back, it's quite

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<v Speaker 1>clear that she was the standout favorite. I also had

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<v Speaker 1>a soft spot for Belinda Chapel as well. Yeah, they

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<v Speaker 1>were my two favorites, along with Sally because she was

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<v Speaker 1>an Adelaide girl. I want to take you back to

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<v Speaker 1>September nineteen ninety nine. That is when Channel seven announced

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<v Speaker 1>it was set to bring out a new show called

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<v Speaker 1>Pop Stars, and at the time, the term reality TV

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<v Speaker 1>didn't really exist, with the show instead described as a

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<v Speaker 1>thirteen part doc u soap which followed the creation of

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<v Speaker 1>an all female pop group. Now, this was at a

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<v Speaker 1>time when the Spice Girls were still top of the

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<v Speaker 1>charts and Aussie music producers were desperate to create their

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<v Speaker 1>own homegrown supergroup. Now, while the format of the show

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<v Speaker 1>was unlike anything we'd seen on our screens before, the

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<v Speaker 1>concept actually originated from New Zealand. So in nineteen ninety nine,

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<v Speaker 1>the show followed the journey of a girl group called

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<v Speaker 1>True Bliss. Now, there was a lot of publicity around

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<v Speaker 1>True Bliss, but they didn't have the success of Bardo

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<v Speaker 1>or the longevity, and this was because the show failed

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<v Speaker 1>to select the girls and they failed to actually place

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<v Speaker 1>them in the right market. So it seemed like Channel

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<v Speaker 1>seven were able to see where this show failed and

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<v Speaker 1>when they brought out Pop Stars, it was so important

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<v Speaker 1>for the producers to actually select the right group of girls,

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<v Speaker 1>which they obviously did so well, and the show really

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<v Speaker 1>did act as a blueprint for singing competitions going forward,

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<v Speaker 1>because after that we saw Australian Idol launch, We've seen

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<v Speaker 1>the Voice. There's been so many singing competitions. It's pretty

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<v Speaker 1>interesting because Channel seven decided to buy the rights to

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<v Speaker 1>this show and have it screen just before the Sydney Olympics,

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<v Speaker 1>so it started screening in February two thousand and I

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<v Speaker 1>loved seeing all of the signage for the Olympics in

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<v Speaker 1>the background of the additions. It made me feel extra

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<v Speaker 1>nostalgic watching this bag. Well, they really wanted a show

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<v Speaker 1>that was going to draw in ratings so that people

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<v Speaker 1>stayed on Channel seven, and this is exactly what they got.

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<v Speaker 1>Because the show was a huge success. They ended up

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<v Speaker 1>buying the franchise from New Zealand for a really small sum.

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<v Speaker 1>So I wonder how the original creators of Pop Stars

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<v Speaker 1>felt about it. They'd be so pissed off now. Auditions

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<v Speaker 1>were held across the country in July nineteen ninety nine,

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<v Speaker 1>with a three person judging panel made up of Warner

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<v Speaker 1>Music executive Chris Moss, band manager Michael Naphthali and radio

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<v Speaker 1>host Jackie O. Henderson. Is crazy to think Jackieo was

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<v Speaker 1>only twenty four at the time that she was appointed

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<v Speaker 1>as judge, so she was the same age as many

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<v Speaker 1>of the band members. She went on to select I

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<v Speaker 1>feel like this is the reason why she just never

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<v Speaker 1>seems to age, because I didn't realize she was so

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<v Speaker 1>young at the time of being on Pop Stars. The

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<v Speaker 1>craziest thing was she wasn't even paid for being part

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<v Speaker 1>of the judging panel, which blew my mind because, as

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<v Speaker 1>we said, this was the biggest show on television at

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<v Speaker 1>the time. Yeah. Well, it's kind of a theme that

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<v Speaker 1>we'll see throughout this whole process that the young women

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<v Speaker 1>on the show really weren't compensated for their efforts. Yeah. So,

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<v Speaker 1>in twenty nineteen, JACKIEO told Kiss listeners that she did

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<v Speaker 1>Pop Stars for free. She said, no one mentioned anything

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<v Speaker 1>about money, so I didn't mention money. I remember we

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<v Speaker 1>were in Adelaide doing auditions, and you know how they

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<v Speaker 1>hand out per dims, which is like sixty dollars. They

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<v Speaker 1>handed me this envelope and I didn't know what appear was.

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<v Speaker 1>So I opened it and I saw sixty seven dollars

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<v Speaker 1>in there, and I went up to the executive director

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<v Speaker 1>and gave him a big hug and said thank you

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<v Speaker 1>so much. I was stoked I was getting cash. I

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<v Speaker 1>would love to know if the mail judges were also

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<v Speaker 1>paid in per deems or if they actually got a

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<v Speaker 1>proper salary. Well, I would hazard a guess that Michael

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<v Speaker 1>Naphthaalaie didn't actually get paid too much because he was

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<v Speaker 1>a ringing at the last hour because his boss, Grant Thomas,

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<v Speaker 1>who owned Grant Thomas Management, declined from being filmed, so

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<v Speaker 1>he was their first pick and he suddenly goes, no,

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<v Speaker 1>I don't want to do it. So they brought in

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<v Speaker 1>Michael and he was really popular with the girls. Belinda

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<v Speaker 1>Chappele actually said in her book that he was the

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<v Speaker 1>least intimidating judge of them all. He was really qualified

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<v Speaker 1>at the time because he was an entertainment lawyer and also,

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<v Speaker 1>as you say, okay, he worked at this management company

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<v Speaker 1>and they managed the likes of the Finn Brothers, Split

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<v Speaker 1>Ends and Crowded House. So this was a huge opportunity

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<v Speaker 1>for five unknowns to get managed by a huge company

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<v Speaker 1>like this. Yeah, but I suppose it's an opportunity for

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<v Speaker 1>Michael himself because you see Jackie O also jumped at

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<v Speaker 1>the chance to be on primetime TV. And nowadays we've

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<v Speaker 1>got social media where everyone's got an opportunity to get

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<v Speaker 1>their face out there. But at the time, being on

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<v Speaker 1>TV was such a massive thing and so many people

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<v Speaker 1>would do it for free. It's ironic because, as you

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<v Speaker 1>touched on Kate Grant, Thomas didn't want to actually appear

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<v Speaker 1>on camera. But Belinda said in her book that there

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<v Speaker 1>was a judging panel for the cameras and there was

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<v Speaker 1>also a judging panel behind the scenes, so although he

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<v Speaker 1>wasn't on camera, he was there every step of the

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<v Speaker 1>way through the audition process helping them make the decisions. Well,

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<v Speaker 1>Michael would go up and ask his opinions, so it

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<v Speaker 1>was kind of like a group vote yeah, and Belinda

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<v Speaker 1>described this as the first taste of reception that was

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<v Speaker 1>going to unfold behind the scenes of pop stars Now.

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<v Speaker 1>The last judge was Chris Moss, who was the managing

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<v Speaker 1>director of Warner Music and he was set to sign

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<v Speaker 1>the group to a three album deal. You'll probably remember

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<v Speaker 1>him because he used to wear these really bold, wacky

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<v Speaker 1>T shirts. He also looks a lot like Ian Hewitson,

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<v Speaker 1>who was a TV chef at the time. He was

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<v Speaker 1>described by Belinda as being very kind and genuine with

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<v Speaker 1>a good high but my perception of him on the

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<v Speaker 1>show was really different because I always remember he would

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<v Speaker 1>oggle at the young women who were auditioning, and in

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<v Speaker 1>a bonus episode, he was actually caught out staring at

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<v Speaker 1>a number of the girl's boobs or either gushing over

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<v Speaker 1>them behind the scenes. Yeah, it's interesting that the TV

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<v Speaker 1>stations decided to portray him like that when Belinda actually

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<v Speaker 1>said he was so genuinely kind. It was clear from

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<v Speaker 1>the start of this show that the TV network and

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<v Speaker 1>music bosses really wanted this to be big. They seemed

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<v Speaker 1>to throw everything at it. They enlisted the help of

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<v Speaker 1>a lot of Australia's top music professionals and dancers to

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<v Speaker 1>act as coaches for the girls. There were some huge

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<v Speaker 1>names that they selected. Now as we touched on, the

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<v Speaker 1>first episode did air in February two thousand and Who

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<v Speaker 1>could forget this iconic theme song. This song has been

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<v Speaker 1>in my head ever since we decided to do this

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<v Speaker 1>deep dive and it really does take me back. It

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<v Speaker 1>really takes me back to Sunday night during summer. That feeling.

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<v Speaker 1>I still that feeling when I hear that song, And

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<v Speaker 1>it was a really positive feeling that you got when

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<v Speaker 1>you watch this show because you think about talent competitions

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<v Speaker 1>now and it's very cutthroat and negative and people are

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<v Speaker 1>pitted against each other. But it didn't have that vibe

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<v Speaker 1>at all. It was a bit more wholesome, it really was.

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<v Speaker 1>And when you go back and you watch the show,

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<v Speaker 1>it was really shot so differently to say how Maths

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<v Speaker 1>is shot now, because it was that doco style filming.

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<v Speaker 1>There was no sensationalized music which set the tone like

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<v Speaker 1>we see now on reality shows, and there weren't those

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<v Speaker 1>quick edits which made people look really bad. It was

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<v Speaker 1>sort of more a really genuine fly on the wall experience.

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<v Speaker 1>Belinda Chapple mentioned in her book that the girls had

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<v Speaker 1>no idea what the TV series was going to look like.

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<v Speaker 1>She did say that everything was being filmed, but because

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<v Speaker 1>they didn't have a template for what this show looked

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<v Speaker 1>like on TV, they're like, how are they going to

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<v Speaker 1>make this interesting? But it was interesting. It drew you

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<v Speaker 1>in straight away. We've obviously watched it back, yeah, and

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<v Speaker 1>I couldn't stop watching like it was really good. It

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<v Speaker 1>was just so raw and authentic because no one knew

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<v Speaker 1>how they were actually going to come across on TV.

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<v Speaker 1>So people haven't tried to create these personas and if

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<v Speaker 1>it couldn't get any more nineties. In order to actually

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<v Speaker 1>audition for pop stars, you had to buy New Idea

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<v Speaker 1>magazine which had the audition form inside. Yeah, it was

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<v Speaker 1>quite funny because Belinda said that the headline on the

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<v Speaker 1>magazine was Australia's answer to the Spy Skirls, and the

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<v Speaker 1>premise was that every girl who filled out the form

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<v Speaker 1>would get a shot at being signed to Warner Music.

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<v Speaker 1>And in the first episode we see all these girls

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<v Speaker 1>with the magazine in the line filling it out, so

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<v Speaker 1>it was great promotion for the magazine. Well, that magazine

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<v Speaker 1>ends up being quite a contentious topic. We will get

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<v Speaker 1>into all of the scandals later down the track, but

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<v Speaker 1>one of the contestants that actually made the band was

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<v Speaker 1>accused of stealing the magazine and twist. Now, there was

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<v Speaker 1>such a huge response to the auditions, with thousands showing

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<v Speaker 1>up to get their chance, and the show kept reminding

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<v Speaker 1>us that the judges were plucking five unknowns off the

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<v Speaker 1>street and turning them into pop stars. The concept of

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<v Speaker 1>being plucked from obscurity and then receiving this instant fame,

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<v Speaker 1>it was completely new to all of and it led

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<v Speaker 1>to a lot of intense media scrutiny and think pieces

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<v Speaker 1>at the time about whether the band members were worthy

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<v Speaker 1>of the fame that they were receiving. And I think

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<v Speaker 1>the popularity of this show really came down to the

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<v Speaker 1>timing because it was the first time we'd seen anything

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<v Speaker 1>like this before, and we weren't jaded or cynical about

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<v Speaker 1>the concept. We were really rooting for the girls in

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<v Speaker 1>the group. We wanted them to be successful. We were

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<v Speaker 1>out there supporting them, buying their CDs. Now, in what

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<v Speaker 1>they called a cattle call, the girls were shepherded into

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<v Speaker 1>a conference room and asked us seeing three lines from

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<v Speaker 1>one of four songs and this really takes me back

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<v Speaker 1>to the late nineties. They could choose from Wanna Be Respect,

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<v Speaker 1>My Heart Will Go On for Ain't No Sunshine, and

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<v Speaker 1>they auditioned in a line of five girls and they

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<v Speaker 1>had a couple of seconds to impress the judges, and

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<v Speaker 1>if they made it through the first round, they'd come

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<v Speaker 1>back for the second day of auditions, where the judges

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<v Speaker 1>would then make a short list of twenty five to

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<v Speaker 1>go to Sydney for a week of what they called

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<v Speaker 1>very intense auditions. What I noticed about these auditions whether

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<v Speaker 1>the judges weren't act like you're so used to seeing,

0:11:01.880 --> 0:11:05.720
<v Speaker 1>you know, Ian Dicko Dixon just absolutely tearing someone to shreds.

0:11:06.000 --> 0:11:08.760
<v Speaker 1>But they were all kind of positive about it, like yeah, yeah,

0:11:08.760 --> 0:11:10.760
<v Speaker 1>that's enough. There seemed to be a lot more care

0:11:10.800 --> 0:11:13.840
<v Speaker 1>and almost dignity given to the girls that were auditioning,

0:11:13.920 --> 0:11:16.120
<v Speaker 1>because they seemed to gloss over a lot of the

0:11:16.200 --> 0:11:19.680
<v Speaker 1>bad auditions. And also the judges were shown being quite

0:11:19.679 --> 0:11:22.400
<v Speaker 1>supportive of the girls. I mean in one of the episodes,

0:11:22.440 --> 0:11:24.920
<v Speaker 1>we see a girl visibly shaking and they're given a

0:11:24.960 --> 0:11:27.120
<v Speaker 1>lot of support instead of being made fun of. Their

0:11:27.160 --> 0:11:30.319
<v Speaker 1>faces were quite hilariously, like you could tell instantly if

0:11:30.400 --> 0:11:32.640
<v Speaker 1>Jackie O was a bit like yeah. I loved the

0:11:32.760 --> 0:11:35.400
<v Speaker 1>shot from behind the contestants and it was you know,

0:11:35.440 --> 0:11:37.840
<v Speaker 1>you can see the contestants singing and just the judges'

0:11:37.880 --> 0:11:40.800
<v Speaker 1>faces and they were classic. It's almost that trying not

0:11:40.920 --> 0:11:43.240
<v Speaker 1>to laugh. And I did love how Chris Moss would

0:11:43.280 --> 0:11:45.640
<v Speaker 1>have this certain hand movement that he would do when

0:11:45.679 --> 0:11:48.840
<v Speaker 1>he'd heard enough. Yeah, sometimes it was quite quick. One

0:11:48.840 --> 0:11:51.480
<v Speaker 1>thing that I couldn't get over was the eyebrows. I

0:11:51.600 --> 0:11:53.680
<v Speaker 1>just can't believe it because they were plucked within an

0:11:53.720 --> 0:11:57.359
<v Speaker 1>inch of their life. Like every girl had pencils in eyebrows.

0:11:57.440 --> 0:12:03.280
<v Speaker 1>Everyone was so thin, like thin you forget that diet culture.

0:12:03.360 --> 0:12:05.800
<v Speaker 1>Back in the nineties, it was the Kate Moss era.

0:12:06.080 --> 0:12:08.280
<v Speaker 1>I did love the fashion though, because we are seeing

0:12:08.280 --> 0:12:11.040
<v Speaker 1>the nineties come back in a big way. Everyone was

0:12:11.080 --> 0:12:14.439
<v Speaker 1>trying to emulate the spice perse. Now in the first episode,

0:12:14.440 --> 0:12:16.880
<v Speaker 1>we meet the five girls who do eventually go on

0:12:17.000 --> 0:12:19.920
<v Speaker 1>to join Bardo, and from the start, Sophie Monk was

0:12:19.960 --> 0:12:22.480
<v Speaker 1>a fan favorite. As you touched on. She was only

0:12:22.600 --> 0:12:25.520
<v Speaker 1>nineteen at the time, and she'd driven nine hours through

0:12:25.520 --> 0:12:27.880
<v Speaker 1>the night to make the auditions, and at the time

0:12:27.960 --> 0:12:30.080
<v Speaker 1>she was working on the Gold Coast performing as a

0:12:30.120 --> 0:12:32.760
<v Speaker 1>Marilyn Monroe impersonator. And I feel like he can really

0:12:32.760 --> 0:12:36.160
<v Speaker 1>pick that up in her audition. Let's throw to it

0:12:36.360 --> 0:12:44.360
<v Speaker 1>that the hardly goal. You could just tell that Sophie

0:12:44.360 --> 0:12:47.439
<v Speaker 1>Monk had that instant star quality when she performs. I

0:12:47.480 --> 0:12:49.720
<v Speaker 1>still can't believe she was only nineteen. It really blows

0:12:49.760 --> 0:12:52.440
<v Speaker 1>my mind. Now. The next girl was Katie Underwood, and

0:12:52.480 --> 0:12:55.360
<v Speaker 1>the judges weren't really sure about her. She clearly had

0:12:55.400 --> 0:12:57.840
<v Speaker 1>the X factor, but there were concerns that her voice

0:12:57.880 --> 0:13:02.120
<v Speaker 1>wasn't strong enough. What love got to do got to

0:13:02.200 --> 0:13:05.440
<v Speaker 1>do with it. She made quite the impression because I

0:13:05.520 --> 0:13:08.040
<v Speaker 1>still have a vivid memory of what she wore to

0:13:08.040 --> 0:13:11.960
<v Speaker 1>this first audition. So she had this silver reflective top

0:13:12.000 --> 0:13:14.640
<v Speaker 1>on that looked a bit like a metal shield. And

0:13:15.040 --> 0:13:17.520
<v Speaker 1>while it made hers stand out to the judges, they

0:13:17.559 --> 0:13:20.280
<v Speaker 1>actually ended up asking her to change her outfit. Let's

0:13:20.280 --> 0:13:22.520
<v Speaker 1>throw to what they said, we're.

0:13:22.320 --> 0:13:24.840
<v Speaker 2>Going to ask you to come back, given that you've

0:13:24.880 --> 0:13:28.040
<v Speaker 2>gone to so much trouble and it looks absolutely fantastic.

0:13:28.559 --> 0:13:31.120
<v Speaker 2>Is there a chance that you can change your attire

0:13:31.400 --> 0:13:34.080
<v Speaker 2>by one o'clock? I want you to rush out and

0:13:34.160 --> 0:13:39.000
<v Speaker 2>like spend. That's not what we're some looking for problem.

0:13:39.000 --> 0:13:39.320
<v Speaker 2>Thank you.

0:13:40.320 --> 0:13:42.440
<v Speaker 1>I love how polite they were. You know, if you

0:13:42.520 --> 0:13:44.600
<v Speaker 1>can go out and buy something, it'd be great. I

0:13:44.640 --> 0:13:47.280
<v Speaker 1>do recall when I saw Katie, I thought, oh, she's

0:13:47.320 --> 0:13:49.320
<v Speaker 1>going to be one of those people like that everyone

0:13:49.400 --> 0:13:51.680
<v Speaker 1>laughs at, you know, like the person. Well really, I

0:13:51.720 --> 0:13:54.440
<v Speaker 1>actually had the opposite opinion. I thought that she looked

0:13:54.480 --> 0:13:57.640
<v Speaker 1>like a star because she had a really unusual look

0:13:57.640 --> 0:13:59.600
<v Speaker 1>and a striking look. Yeah, but I thought it came

0:13:59.640 --> 0:14:01.880
<v Speaker 1>across that she was trying too hard and you know

0:14:01.920 --> 0:14:04.920
<v Speaker 1>those people that go for that shock factor, they end

0:14:05.000 --> 0:14:07.760
<v Speaker 1>up being the center of the show for five minutes

0:14:07.800 --> 0:14:10.760
<v Speaker 1>and then they get kicked off. Well, when Belinda Chappel auditioned,

0:14:10.800 --> 0:14:13.520
<v Speaker 1>she made a big impression. She was actually working as

0:14:13.559 --> 0:14:16.000
<v Speaker 1>a model at the time and her agent had actually

0:14:16.000 --> 0:14:18.480
<v Speaker 1>booked it in for three catwalk shows that day, so

0:14:18.840 --> 0:14:21.000
<v Speaker 1>she knew in order to be seen by the judges

0:14:21.040 --> 0:14:23.320
<v Speaker 1>she had to talk her way in to getting into

0:14:23.320 --> 0:14:26.400
<v Speaker 1>one of those early audition groups. They must have known

0:14:26.440 --> 0:14:29.480
<v Speaker 1>she had star quality then, because we did see a

0:14:29.480 --> 0:14:32.840
<v Speaker 1>lot of duds performing and she did bring along her

0:14:32.920 --> 0:14:36.280
<v Speaker 1>CV to show, look, I actually am a performer. They

0:14:36.280 --> 0:14:38.160
<v Speaker 1>would have taken one look at her and gone, yeah,

0:14:38.200 --> 0:14:40.120
<v Speaker 1>you can go to the front. Ye go straight through,

0:14:40.320 --> 0:14:42.760
<v Speaker 1>because we know that so much of it was about

0:14:42.800 --> 0:14:45.560
<v Speaker 1>the look and having that right pop star look. Definitely

0:14:45.760 --> 0:14:48.000
<v Speaker 1>in her book, I found it quite interesting because she

0:14:48.120 --> 0:14:50.600
<v Speaker 1>said that she'd always dreamt of being a pop star

0:14:50.720 --> 0:14:53.080
<v Speaker 1>and when she saw it advertised a new idea, she

0:14:53.320 --> 0:14:55.400
<v Speaker 1>just had this feeling that she was going to land

0:14:55.480 --> 0:14:58.080
<v Speaker 1>the job. It seems to be this gut feeling that

0:14:58.200 --> 0:15:01.280
<v Speaker 1>a lot of people get for something like Sadly, there

0:15:01.280 --> 0:15:03.160
<v Speaker 1>are a lot of people that have no chance also

0:15:03.600 --> 0:15:06.080
<v Speaker 1>a cut feeling, which we saw on the show. I

0:15:06.160 --> 0:15:09.400
<v Speaker 1>do recall when Michael was saying, there are some people

0:15:09.440 --> 0:15:12.280
<v Speaker 1>that really thought they had a good chance. And I

0:15:12.280 --> 0:15:15.120
<v Speaker 1>suppose it's because, again, they'd never done big auditions like

0:15:15.200 --> 0:15:17.760
<v Speaker 1>that in the past, because Belinda Chappele in her book

0:15:17.800 --> 0:15:19.640
<v Speaker 1>talks about the fact that she used to go to

0:15:19.680 --> 0:15:22.440
<v Speaker 1>auditions all the time, but these were professional auditions where

0:15:22.440 --> 0:15:25.160
<v Speaker 1>they just don't let anyone in. But with pop stars,

0:15:25.520 --> 0:15:28.600
<v Speaker 1>anyone who bought a new idea could audition. Now, Belinda

0:15:28.720 --> 0:15:31.120
<v Speaker 1>did opt to sing respect, and in the book she

0:15:31.160 --> 0:15:33.960
<v Speaker 1>said that it was a fairly average rendition of the song,

0:15:34.040 --> 0:15:36.720
<v Speaker 1>and she explained that she was so nervous that she

0:15:36.800 --> 0:15:38.480
<v Speaker 1>felt like her heart was going to jump out of

0:15:38.480 --> 0:15:41.640
<v Speaker 1>her chest. So she made this very impromptu dance move

0:15:41.720 --> 0:15:44.880
<v Speaker 1>actioning her pounding heart. And I always remember watching this thinking,

0:15:45.240 --> 0:15:48.120
<v Speaker 1>what's that about? Yeah, I never knew what it was about,

0:15:48.200 --> 0:15:49.720
<v Speaker 1>but I thought it was kind of like she was

0:15:49.760 --> 0:15:52.680
<v Speaker 1>showing that she was fun and creative. Let's throw to

0:15:52.720 --> 0:15:58.000
<v Speaker 1>her audition, Ah that scared. It's for their respect when

0:15:58.000 --> 0:16:02.840
<v Speaker 1>you come home, hey, baby, when you get home, mister.

0:16:06.680 --> 0:16:09.320
<v Speaker 1>It's so funny watching this show back more than twenty

0:16:09.520 --> 0:16:11.680
<v Speaker 1>years on, because there are so many things that just

0:16:11.720 --> 0:16:14.600
<v Speaker 1>wouldn't fly now. One of them that really stood out

0:16:14.640 --> 0:16:17.320
<v Speaker 1>was the ageism. So in the first episode, they make

0:16:17.440 --> 0:16:19.440
<v Speaker 1>fun of a group of women in their late thirties

0:16:19.440 --> 0:16:22.360
<v Speaker 1>to early forties auditioning for the show. Let's throw to

0:16:22.400 --> 0:16:23.200
<v Speaker 1>the clip.

0:16:23.800 --> 0:16:26.440
<v Speaker 2>The auditions are open to any girl who was eighteen.

0:16:27.920 --> 0:16:30.160
<v Speaker 1>My boyfriend's wife rang up and told me about it.

0:16:30.200 --> 0:16:33.520
<v Speaker 2>Actually, Oh love her. She's a lovely lady.

0:16:33.720 --> 0:16:34.200
<v Speaker 1>I'm shame.

0:16:37.240 --> 0:16:38.600
<v Speaker 2>No, so what you reckon?

0:16:38.640 --> 0:16:42.520
<v Speaker 1>You're gonna need chicky babes end today. If anything, were

0:16:42.600 --> 0:16:46.920
<v Speaker 1>just going to help those young ladies out every night.

0:16:47.520 --> 0:16:55.360
<v Speaker 1>Oh my dreams, I see I see you. The funniest

0:16:55.400 --> 0:16:57.880
<v Speaker 1>thing about this was that these women actually seemed a

0:16:57.880 --> 0:17:00.440
<v Speaker 1>lot more talented than some that actually made it through.

0:17:00.480 --> 0:17:02.880
<v Speaker 1>They actually had good voices, yeah, but you could tell

0:17:02.920 --> 0:17:05.840
<v Speaker 1>they just weren't what they were looking for. Maybe if

0:17:05.840 --> 0:17:09.280
<v Speaker 1>it was the voice and they're particularly looking for a voice,

0:17:09.280 --> 0:17:12.399
<v Speaker 1>but it's clear they were looking to manufacture a pop

0:17:12.440 --> 0:17:15.600
<v Speaker 1>group of five twenty something. Something that was also really

0:17:15.640 --> 0:17:18.800
<v Speaker 1>evident was the lack of diversity, because this show claimed

0:17:18.800 --> 0:17:21.880
<v Speaker 1>that it wanted five different girls, that girls at home

0:17:21.920 --> 0:17:24.480
<v Speaker 1>could relate to. However, the five women that they ended

0:17:24.560 --> 0:17:27.399
<v Speaker 1>up choosing were all white and straight sized women. In

0:17:27.520 --> 0:17:30.080
<v Speaker 1>saying that when watching the auditions, there were quite a

0:17:30.080 --> 0:17:33.520
<v Speaker 1>few different nationalities that were actually put through the process,

0:17:33.760 --> 0:17:35.920
<v Speaker 1>but they just went picked at the end. I also

0:17:35.960 --> 0:17:39.320
<v Speaker 1>found it really uncomfortable because the judges would use someone's

0:17:39.440 --> 0:17:43.280
<v Speaker 1>dancing ability as this thinly veiled excuse to reject plus

0:17:43.320 --> 0:17:46.320
<v Speaker 1>size contestants. So in the first episode, we see an

0:17:46.400 --> 0:17:48.800
<v Speaker 1>eighteen year old girl called Beth Huddle get through the

0:17:48.840 --> 0:17:51.760
<v Speaker 1>first stage of the audition process and at the time

0:17:51.800 --> 0:17:54.359
<v Speaker 1>she was working as a hairstylist and a cake decorator.

0:17:54.359 --> 0:17:56.960
<v Speaker 1>For some reason, I loved the inclusion that she was

0:17:56.960 --> 0:18:00.639
<v Speaker 1>a cake decorator and apparently she'd had five years singing experience,

0:18:00.760 --> 0:18:03.600
<v Speaker 1>and the narrator explained that she'd been to many auditions

0:18:03.640 --> 0:18:06.680
<v Speaker 1>before and during this one on one audition she did,

0:18:06.800 --> 0:18:09.240
<v Speaker 1>Jackie O said to her, could you move around a

0:18:09.280 --> 0:18:11.440
<v Speaker 1>bit because we want to see some of your dancing,

0:18:11.600 --> 0:18:14.639
<v Speaker 1>And during this audition, Beth stuffed up the lyrics a

0:18:14.640 --> 0:18:17.040
<v Speaker 1>couple of times, and she asks if she can get

0:18:17.040 --> 0:18:21.120
<v Speaker 1>the lyrics to the song, let's play the exchange. Shall

0:18:21.320 --> 0:18:30.240
<v Speaker 1>your hand Tato makes my upholstery. Oh my god, a couple. So,

0:18:31.040 --> 0:18:32.840
<v Speaker 1>I know this looks really bad. It looks like I'm nervous,

0:18:32.880 --> 0:18:34.560
<v Speaker 1>but I've just forgot my ways. I only let the

0:18:34.600 --> 0:18:37.000
<v Speaker 1>song this morning. Is it okay if I get some lyrics? Sure?

0:18:37.440 --> 0:18:40.240
<v Speaker 2>Well, no, it's not. Actually, to be honest, it's not.

0:18:41.400 --> 0:18:44.080
<v Speaker 1>Since this show, it seems like Jackie O has continued

0:18:44.119 --> 0:18:46.480
<v Speaker 1>to be cast in the role of the good cop

0:18:46.840 --> 0:18:49.360
<v Speaker 1>woman that asked the girls to do something and kind

0:18:49.359 --> 0:18:52.760
<v Speaker 1>of sets them up for failure and critique from a male. Yeah,

0:18:52.760 --> 0:18:56.280
<v Speaker 1>that's so true. Now, following this scolding, Beth then sings

0:18:56.320 --> 0:18:58.760
<v Speaker 1>the chorus and she sounds really great, and the judges

0:18:58.800 --> 0:19:01.320
<v Speaker 1>basically deliberate and in front of her, and they say

0:19:01.359 --> 0:19:04.040
<v Speaker 1>her voice is really strong, but they didn't see any movement,

0:19:04.280 --> 0:19:06.239
<v Speaker 1>and despite the fact that she really did have one

0:19:06.280 --> 0:19:09.399
<v Speaker 1>of the strongest voices in this competition, they chose to

0:19:09.400 --> 0:19:12.840
<v Speaker 1>cut her. Here's what they said, what love.

0:19:12.800 --> 0:19:13.400
<v Speaker 2>Got to do?

0:19:13.960 --> 0:19:19.600
<v Speaker 1>Got to do that? Why love the second handed bullshit?

0:19:20.080 --> 0:19:22.879
<v Speaker 2>fIF We know everyone gets radiled with the nerves and

0:19:22.880 --> 0:19:25.280
<v Speaker 2>it makes it really difficult and everything else, but it

0:19:25.359 --> 0:19:27.800
<v Speaker 2>was a second callback and we see you come in

0:19:28.040 --> 0:19:30.439
<v Speaker 2>and be very confident with the song at least the

0:19:30.520 --> 0:19:33.440
<v Speaker 2>other point, because it wasn't just that movement and dance

0:19:33.520 --> 0:19:36.400
<v Speaker 2>is also important to us as well, and we don't

0:19:36.440 --> 0:19:39.399
<v Speaker 2>feel that we saw enough animation from that point. Ye,

0:19:39.520 --> 0:19:43.159
<v Speaker 2>that's cool, So on that basis, we won't go for

0:19:43.200 --> 0:19:44.000
<v Speaker 2>a callback from here.

0:19:44.320 --> 0:19:47.160
<v Speaker 1>Thanks very much for your time. Anyway, you can see

0:19:47.160 --> 0:19:49.680
<v Speaker 1>that poor Beth was really shaken by this experience. She

0:19:49.800 --> 0:19:51.679
<v Speaker 1>did mutter under her breath that it was such a

0:19:51.800 --> 0:19:53.800
<v Speaker 1>joke and said that she'd never heard of anyone not

0:19:53.840 --> 0:19:56.720
<v Speaker 1>getting a callback because they couldn't dance, And she ended

0:19:56.800 --> 0:19:59.320
<v Speaker 1>up breaking down in tears when she left, and all

0:19:59.320 --> 0:20:01.919
<v Speaker 1>of the contestants asking her what was wrong. This is

0:20:01.920 --> 0:20:04.879
<v Speaker 1>what she said, you know what, It's all about the

0:20:04.920 --> 0:20:10.560
<v Speaker 1>image And oh darly, I got offered a contract with

0:20:10.640 --> 0:20:13.000
<v Speaker 1>PolyGram in London and they told me I had to

0:20:13.040 --> 0:20:16.080
<v Speaker 1>lose teen heroes, I had to get hair extensions and

0:20:16.119 --> 0:20:18.639
<v Speaker 1>bleash it. It's all about the image. It was so

0:20:18.760 --> 0:20:21.720
<v Speaker 1>obvious that the judges were just using Beth dancing as

0:20:21.720 --> 0:20:24.119
<v Speaker 1>an excuse not to take her on because her image

0:20:24.160 --> 0:20:26.679
<v Speaker 1>didn't suit the band. Yeah, which I'm surprised about because

0:20:26.680 --> 0:20:28.600
<v Speaker 1>I would have thought in the early two thousands. They

0:20:28.600 --> 0:20:31.800
<v Speaker 1>didn't really care about hurting people's feelings. Yeah, but everyone

0:20:31.800 --> 0:20:33.920
<v Speaker 1>could see through it. They were even more avert as

0:20:33.960 --> 0:20:37.080
<v Speaker 1>it went on because there was another contestant called Kara Holdham.

0:20:37.240 --> 0:20:40.040
<v Speaker 1>Here's what they said about her, like.

0:20:40.080 --> 0:20:42.439
<v Speaker 2>He had a real bit of character about her, and

0:20:42.480 --> 0:20:46.239
<v Speaker 2>then got into the group tried to overplayed. I think

0:20:46.320 --> 0:20:48.639
<v Speaker 2>it's rd to go and you feel comfortable in yourself

0:20:48.640 --> 0:20:50.400
<v Speaker 2>and you should just be able to jump in the image.

0:20:50.880 --> 0:20:52.480
<v Speaker 2>So I think that the fact that she was putting

0:20:52.480 --> 0:20:56.040
<v Speaker 2>it down to the whole process I found that she

0:20:56.080 --> 0:21:01.879
<v Speaker 2>had governed. I don't think we need to see anymore.

0:21:02.440 --> 0:21:04.959
<v Speaker 1>It's hard to listen to that back because it's pretty

0:21:05.000 --> 0:21:07.879
<v Speaker 1>clear the judges already had a very strict mold of

0:21:07.880 --> 0:21:10.560
<v Speaker 1>what they wanted the girls to be. And I think

0:21:10.600 --> 0:21:13.359
<v Speaker 1>this sort of fat phobic rhetoric and lack of diversity

0:21:13.400 --> 0:21:16.160
<v Speaker 1>shows just how far we've come in twenty twenty three,

0:21:16.200 --> 0:21:19.639
<v Speaker 1>like this would not be allowed now. Watching this series back,

0:21:19.920 --> 0:21:23.480
<v Speaker 1>the entire audition process is really quite quick because by

0:21:23.520 --> 0:21:26.960
<v Speaker 1>the second episode, the judges are already forming the final

0:21:27.000 --> 0:21:28.960
<v Speaker 1>twenty five who will go to Sydney for the last

0:21:29.080 --> 0:21:32.160
<v Speaker 1>round of auditions before the final five are then announced,

0:21:32.200 --> 0:21:33.760
<v Speaker 1>and I think it was really good to do it

0:21:33.800 --> 0:21:36.359
<v Speaker 1>this way because a lot of current singing competitions I

0:21:36.359 --> 0:21:38.960
<v Speaker 1>feel like they really drag out the audition process and

0:21:38.960 --> 0:21:41.040
<v Speaker 1>they sort of just use it as an opportunity to

0:21:41.040 --> 0:21:44.080
<v Speaker 1>make fun of everyone. Australian Idle were the worst at that.

0:21:44.119 --> 0:21:46.320
<v Speaker 1>The auditions went for so long, you like just get

0:21:46.359 --> 0:21:48.560
<v Speaker 1>to the good bit, and I think because they wanted

0:21:48.600 --> 0:21:51.119
<v Speaker 1>to drag it out, that's why they always humiliated people

0:21:51.160 --> 0:21:52.800
<v Speaker 1>so much, because you can't just show all of the

0:21:52.840 --> 0:21:56.240
<v Speaker 1>good scenes. Yes, now, in this episode, it's really nostalgic

0:21:56.280 --> 0:21:59.240
<v Speaker 1>because the judges sit around watching the auditions back on

0:21:59.280 --> 0:22:02.520
<v Speaker 1>a VHS player and then they use landline phones to

0:22:02.600 --> 0:22:05.080
<v Speaker 1>ring the contestants to tell them whether they're going through

0:22:05.080 --> 0:22:07.520
<v Speaker 1>to the Sydney auditions. And I love it because the

0:22:07.560 --> 0:22:09.840
<v Speaker 1>girls are either living at home with their parents in

0:22:09.880 --> 0:22:13.040
<v Speaker 1>a very suburban setup, or they're living in very small,

0:22:13.080 --> 0:22:15.760
<v Speaker 1>one bedroom apartment and it's just wild to me how

0:22:15.800 --> 0:22:18.200
<v Speaker 1>we operated without mobile phones. Then, like the fact that

0:22:18.240 --> 0:22:20.719
<v Speaker 1>you're having to wait by a landline phone to hear

0:22:20.760 --> 0:22:22.719
<v Speaker 1>the biggest news of your life. It's fairly obviously. This

0:22:22.800 --> 0:22:25.359
<v Speaker 1>is set up firstly because the TV cameras are filming

0:22:25.400 --> 0:22:28.119
<v Speaker 1>the girl's reactions. But if you didn't have a mobile

0:22:28.119 --> 0:22:30.199
<v Speaker 1>phone back in the day, you have to let that

0:22:30.240 --> 0:22:33.200
<v Speaker 1>phone call go to the answering machine. Imagine wait getting

0:22:33.200 --> 0:22:35.080
<v Speaker 1>that when you got here. Well, they had TV crews

0:22:35.080 --> 0:22:36.879
<v Speaker 1>set up at the girl's family homes, and it was

0:22:36.880 --> 0:22:38.920
<v Speaker 1>really awkward to see the ones who didn't get through

0:22:38.920 --> 0:22:41.080
<v Speaker 1>because basically they'd asked them to gather all of their

0:22:41.119 --> 0:22:44.080
<v Speaker 1>family and friends over years. But I just couldn't get

0:22:44.119 --> 0:22:47.000
<v Speaker 1>over the early two thousands decore and some of the

0:22:47.080 --> 0:22:50.240
<v Speaker 1>homes because there were so many fake gerbras, which I

0:22:50.280 --> 0:22:52.560
<v Speaker 1>remember we had them in our house. They also had

0:22:52.640 --> 0:22:56.399
<v Speaker 1>so much dark wood like as furniture, and one girl

0:22:56.440 --> 0:23:00.000
<v Speaker 1>she had this turquoise couch that had little swirls on it.

0:23:00.000 --> 0:23:03.400
<v Speaker 1>Anyone have blow up furniture? No, I mean maybe more

0:23:03.400 --> 0:23:05.080
<v Speaker 1>in the girl's bedrooms. I feel like that was more

0:23:05.080 --> 0:23:08.119
<v Speaker 1>of a teenage thing. There was one contestant who was

0:23:08.160 --> 0:23:11.560
<v Speaker 1>issued an ultimatum by the judges. Her name was Cherry

0:23:11.600 --> 0:23:14.000
<v Speaker 1>Western Pearce, and she was told if she wanted to

0:23:14.040 --> 0:23:16.879
<v Speaker 1>move through to the next round, she had to remove

0:23:16.920 --> 0:23:19.920
<v Speaker 1>her tongue ring. Now they claimed it's because it made

0:23:20.000 --> 0:23:22.960
<v Speaker 1>her have a lisp when she sung, but I think

0:23:23.000 --> 0:23:25.080
<v Speaker 1>it's just that they didn't like the look of it.

0:23:25.359 --> 0:23:29.040
<v Speaker 1>Now this line really cracked me up. Cherry's got to

0:23:29.040 --> 0:23:30.480
<v Speaker 1>prove she wants it bad enough.

0:23:30.560 --> 0:23:34.240
<v Speaker 2>If she wants to go to Sydney, a man covered

0:23:34.240 --> 0:23:36.080
<v Speaker 2>in tattoos is her only solution.

0:23:36.960 --> 0:23:39.600
<v Speaker 1>Now, this man with tattoos was the guy that was

0:23:39.640 --> 0:23:42.359
<v Speaker 1>going to remove the tongue ring for Cherry. The way

0:23:42.359 --> 0:23:45.720
<v Speaker 1>that the voiceover said tattoos was so funny, and I

0:23:45.760 --> 0:23:48.360
<v Speaker 1>love the way they acted, like going to a tattoo

0:23:48.400 --> 0:23:51.840
<v Speaker 1>shop was so scandalous and edgy at the time. Following this,

0:23:52.040 --> 0:23:54.320
<v Speaker 1>the top twenty five are flown to Sydney and this

0:23:54.359 --> 0:23:57.159
<v Speaker 1>is for their intense week of auditions where some of

0:23:57.200 --> 0:24:00.600
<v Speaker 1>the top choreographers in Australia and vocal coach put them

0:24:00.640 --> 0:24:03.639
<v Speaker 1>through their paces. It's pretty classic because when the girls

0:24:03.720 --> 0:24:06.680
<v Speaker 1>arrive at Sydney Airport, we see Sophie Monk have this

0:24:06.760 --> 0:24:10.840
<v Speaker 1>really awkward exchange with Ossie TV icon Barry Crocker. So

0:24:11.080 --> 0:24:14.359
<v Speaker 1>Barry approaches Sophie and another contestant and he tells them

0:24:14.400 --> 0:24:17.639
<v Speaker 1>that his granddaughter auditioned but she didn't get through, so

0:24:17.720 --> 0:24:20.439
<v Speaker 1>they must be pretty great. When he departs, he then

0:24:20.520 --> 0:24:22.480
<v Speaker 1>says to them, I'll see you on the stages of

0:24:22.520 --> 0:24:26.080
<v Speaker 1>the world. Now, Sophie Monk had no idea who Barry

0:24:26.119 --> 0:24:28.000
<v Speaker 1>Krocker was. And for those who might be in the

0:24:28.040 --> 0:24:30.560
<v Speaker 1>same boat, he is a Gold Logi winning actor and

0:24:30.600 --> 0:24:33.800
<v Speaker 1>he's also a singer. And there's also a saying that

0:24:33.920 --> 0:24:36.280
<v Speaker 1>if you're having a Barry Crocker, it means that you're

0:24:36.320 --> 0:24:38.680
<v Speaker 1>having a bad day or a shocker. So Sophie Monk

0:24:38.720 --> 0:24:40.800
<v Speaker 1>seemed to be having a Barry Croker that day. Is

0:24:40.800 --> 0:24:44.520
<v Speaker 1>it bad? All I can think of is Betty Crocker. Yeah. Now,

0:24:44.520 --> 0:24:47.240
<v Speaker 1>the girls end up being taken to the Noverteale Hotel

0:24:47.320 --> 0:24:49.720
<v Speaker 1>in the heart of Sydney, where the show puts on

0:24:49.760 --> 0:24:52.520
<v Speaker 1>a thank you party. Now, the voiceover says, the girls

0:24:52.520 --> 0:24:54.280
<v Speaker 1>are dressed up for a night on the town as

0:24:54.280 --> 0:24:56.560
<v Speaker 1>they meet with the judges at the social event in

0:24:56.600 --> 0:24:59.520
<v Speaker 1>the hotel bar. And you can really tell at this

0:24:59.600 --> 0:25:02.280
<v Speaker 1>point how low budget the show is because there's just

0:25:02.320 --> 0:25:04.520
<v Speaker 1>a couple of counterpas and a glass of wine for

0:25:04.560 --> 0:25:07.520
<v Speaker 1>the girls. Yeah. And in her book, Belinda references this

0:25:07.560 --> 0:25:09.960
<v Speaker 1>event and she said that at this time she became

0:25:10.040 --> 0:25:12.879
<v Speaker 1>really aware of the cameras, and she noticed that a

0:25:12.920 --> 0:25:15.960
<v Speaker 1>lot of the camera men were inappropriately zooming up on

0:25:16.040 --> 0:25:18.600
<v Speaker 1>the women's bodies, and she knew that she had to

0:25:18.720 --> 0:25:21.000
<v Speaker 1>use the cameras to her advantage, but she said she

0:25:21.040 --> 0:25:22.800
<v Speaker 1>felt really nervous around them.

0:25:23.000 --> 0:25:23.119
<v Speaker 2>Now.

0:25:23.160 --> 0:25:25.760
<v Speaker 1>The next day, the auditions were held at George Hall

0:25:25.840 --> 0:25:29.119
<v Speaker 1>and a leading choreographer took the girls through their paces. Now,

0:25:29.160 --> 0:25:32.280
<v Speaker 1>whilst the judges did use dancing ability as an excuse

0:25:32.320 --> 0:25:34.760
<v Speaker 1>to send some girls home, it is apparent in this

0:25:34.840 --> 0:25:37.840
<v Speaker 1>episode that the girl's ability to dance is actually a

0:25:37.880 --> 0:25:40.560
<v Speaker 1>big deal and it looked like hard work. The girls

0:25:40.560 --> 0:25:43.080
<v Speaker 1>are taught a dance routine so the judges can see

0:25:43.080 --> 0:25:46.280
<v Speaker 1>who can pick up the moves quickly. Now, Sally Polaronos

0:25:46.359 --> 0:25:49.480
<v Speaker 1>completely stands out from the pack, which isn't really surprising

0:25:49.520 --> 0:25:53.159
<v Speaker 1>because it's revealed that she previously trained in dance, tap, jazz,

0:25:53.200 --> 0:25:55.720
<v Speaker 1>and ballet, and as a child, she was also part

0:25:55.720 --> 0:25:58.680
<v Speaker 1>of the Johnny Young Talent School. In a bonus episode

0:25:58.680 --> 0:26:02.560
<v Speaker 1>of Pop Stars, the judges actually admitted that when Sally auditioned,

0:26:02.600 --> 0:26:06.080
<v Speaker 1>they thought that she was a stripper. It's really awkward

0:26:06.119 --> 0:26:19.320
<v Speaker 1>to listen to. Here's what they said to her.

0:26:13.800 --> 0:26:16.840
<v Speaker 2>That they're getting it from because all these journos kept saying, like,

0:26:16.880 --> 0:26:18.480
<v Speaker 2>you know, the rumor that one of us was a stripper.

0:26:19.240 --> 0:26:21.879
<v Speaker 1>Now this is in reference to the media reports that

0:26:21.920 --> 0:26:24.520
<v Speaker 1>were circulating around the time that Bardo was formed that

0:26:24.560 --> 0:26:26.800
<v Speaker 1>one of the band members was a stripper, and the

0:26:26.840 --> 0:26:29.479
<v Speaker 1>slight shaming nature of these comments was really gross. And

0:26:29.520 --> 0:26:31.879
<v Speaker 1>I just think it's so ironic to think now that

0:26:31.920 --> 0:26:35.040
<v Speaker 1>Anna Paul is a role model for young girls and

0:26:35.160 --> 0:26:38.080
<v Speaker 1>also one of Australia's biggest influences, and people don't seem

0:26:38.119 --> 0:26:40.080
<v Speaker 1>to bat an eyelid at the fact that she's also

0:26:40.119 --> 0:26:43.159
<v Speaker 1>a sex worker. But people seem so appalled that one

0:26:43.160 --> 0:26:45.680
<v Speaker 1>of the pop stars could have previously worked as a stripper.

0:26:45.880 --> 0:26:48.280
<v Speaker 1>It's pretty funny that they thought Sally was a stripper

0:26:48.320 --> 0:26:51.399
<v Speaker 1>because in Belinda's book, she spoke about how she shared

0:26:51.400 --> 0:26:53.720
<v Speaker 1>a room with Sally to begin with, and she was

0:26:53.840 --> 0:26:56.600
<v Speaker 1>quite taken aback when Sally got out a picture of

0:26:56.680 --> 0:26:59.960
<v Speaker 1>Jesus and Rosary beads and put them by her bed. Yes, Sally,

0:27:00.000 --> 0:27:02.440
<v Speaker 1>he was actually one of the most conservative members of

0:27:02.480 --> 0:27:05.760
<v Speaker 1>the band. Now back to the auditions, and ironically, Marsha

0:27:05.840 --> 0:27:08.679
<v Speaker 1>Heines drops past the auditions to speak to the girls

0:27:08.720 --> 0:27:12.040
<v Speaker 1>and discusses the complexities of stardom, and she tells the

0:27:12.080 --> 0:27:14.919
<v Speaker 1>cameras that pop stars is such a great initiative and

0:27:14.960 --> 0:27:17.919
<v Speaker 1>something Australia should do more of, which is quite funny

0:27:17.920 --> 0:27:21.520
<v Speaker 1>because years later she then went on to judge Australian Idol. Now,

0:27:21.600 --> 0:27:25.119
<v Speaker 1>during the auditions, we also meet vocal coach Mark Williams,

0:27:25.200 --> 0:27:27.600
<v Speaker 1>who was there to assess the girl's voices, and we

0:27:27.680 --> 0:27:29.800
<v Speaker 1>hear that they don't want to pick girls with the

0:27:29.800 --> 0:27:33.000
<v Speaker 1>same voice, they want a range of voices which compliment

0:27:33.080 --> 0:27:35.840
<v Speaker 1>each other. It's pretty funny because by the end of

0:27:35.880 --> 0:27:38.600
<v Speaker 1>the day Tiffany Wood had lost her voice and she

0:27:38.680 --> 0:27:40.879
<v Speaker 1>told the judges her voice had gone due to the

0:27:40.920 --> 0:27:43.800
<v Speaker 1>six glasses of champagne she had at the welcome party

0:27:43.920 --> 0:27:47.400
<v Speaker 1>the night before. Now, the group slowly gets whittled down

0:27:47.480 --> 0:27:50.040
<v Speaker 1>until there's fifteen girls who are put into the groups

0:27:50.119 --> 0:27:53.159
<v Speaker 1>for the final performance. Now, these girls are given a

0:27:53.160 --> 0:27:55.960
<v Speaker 1>bit of a makeover and styled to look like pop stars,

0:27:56.240 --> 0:28:00.399
<v Speaker 1>so think crimped hair, pedal pushes, upper arm brace, flirts,

0:28:00.480 --> 0:28:03.359
<v Speaker 1>butterfly clips and there's also a lot of fake leather

0:28:03.440 --> 0:28:06.680
<v Speaker 1>going on. Now, Interestingly, the judges were supposed to pick

0:28:06.760 --> 0:28:09.080
<v Speaker 1>the final five from there, but they bring it down

0:28:09.119 --> 0:28:11.720
<v Speaker 1>to ten girls and they say to the cameras that

0:28:11.720 --> 0:28:13.920
<v Speaker 1>they're going to send the girls home with the promise

0:28:13.960 --> 0:28:16.680
<v Speaker 1>that they'll make their final decision within a week now.

0:28:16.720 --> 0:28:19.560
<v Speaker 1>When the final ten were announced, the producers told them

0:28:19.560 --> 0:28:22.920
<v Speaker 1>to celebrate with an afternoon at Bondai Beach, and Belinda

0:28:22.960 --> 0:28:26.160
<v Speaker 1>recalled hearing one of the camera guys say to the others, okay,

0:28:26.240 --> 0:28:28.879
<v Speaker 1>ready for the TNA shots. Mate now. Belinda said she

0:28:28.960 --> 0:28:32.000
<v Speaker 1>was in disbelief and questioned if she'd really heard him

0:28:32.040 --> 0:28:34.760
<v Speaker 1>say tits and ass shots. I felt really sorry for

0:28:34.800 --> 0:28:37.840
<v Speaker 1>Belinda in this moment, because it would be pretty confronting

0:28:37.920 --> 0:28:40.200
<v Speaker 1>being a young woman who is trying to win a

0:28:40.240 --> 0:28:43.480
<v Speaker 1>singing competition and then you've got these camera guys wanting

0:28:43.520 --> 0:28:46.200
<v Speaker 1>to take shots of your ars and tits. She did

0:28:46.320 --> 0:28:48.200
<v Speaker 1>end up grabbing a shirt and a T shirt to

0:28:48.240 --> 0:28:51.360
<v Speaker 1>throw over her bathers, and the camera guy said, no, honey,

0:28:51.400 --> 0:28:54.480
<v Speaker 1>this is a bikini shot. Close off. Yeah. Now. To

0:28:54.600 --> 0:28:57.560
<v Speaker 1>celebrate making it through to the final ten, the producers

0:28:57.560 --> 0:28:59.840
<v Speaker 1>told the girls that they had something special planned for

0:28:59.840 --> 0:29:02.120
<v Speaker 1>them them that evening, and they picked them up at

0:29:02.120 --> 0:29:05.000
<v Speaker 1>the harbor at seven pm. They also told them to

0:29:05.040 --> 0:29:07.880
<v Speaker 1>throw on their sexiest frocks and look camera ready. I

0:29:07.920 --> 0:29:10.920
<v Speaker 1>wanted to include the word frocks because I didn't know this,

0:29:11.000 --> 0:29:13.440
<v Speaker 1>but that was actually one of the name suggestions for

0:29:13.520 --> 0:29:16.680
<v Speaker 1>the band Frocks. Really it was a terrible name suggestion,

0:29:16.800 --> 0:29:19.120
<v Speaker 1>but it shows that that word must have really been

0:29:19.280 --> 0:29:22.200
<v Speaker 1>used highly around two thousand. I remember when we were younger,

0:29:22.200 --> 0:29:24.840
<v Speaker 1>were like, why don't they just call the band popstars?

0:29:24.880 --> 0:29:27.280
<v Speaker 1>That's what it is. The girls were taken to dinner

0:29:27.360 --> 0:29:29.920
<v Speaker 1>to meet the company's execs for the first time, and

0:29:29.960 --> 0:29:33.200
<v Speaker 1>Belinda refers to them in the book as the Gray Suits,

0:29:33.480 --> 0:29:36.240
<v Speaker 1>and they own the production company, and she was wondering,

0:29:36.600 --> 0:29:39.080
<v Speaker 1>why are we only meeting them now this far into

0:29:39.120 --> 0:29:41.200
<v Speaker 1>the audition process. And I think this was one of

0:29:41.240 --> 0:29:45.240
<v Speaker 1>the pivotal parts when she realized that the composition wasn't

0:29:45.360 --> 0:29:48.720
<v Speaker 1>quite what they thought it was. It felt a bit wrong. Yeah.

0:29:48.760 --> 0:29:51.280
<v Speaker 1>So the next morning, the ten girls were instructed to

0:29:51.320 --> 0:29:53.960
<v Speaker 1>report to the conference room, but this time there were

0:29:54.000 --> 0:29:57.280
<v Speaker 1>no camera crews or judges there, just the two TV

0:29:57.480 --> 0:30:00.160
<v Speaker 1>executives that they'd met the night before. Now they they

0:30:00.200 --> 0:30:03.640
<v Speaker 1>walked in and introduced the girls to their lawyers. Blinda

0:30:03.680 --> 0:30:06.080
<v Speaker 1>said that the room suddenly felt colder, and that the

0:30:06.120 --> 0:30:09.800
<v Speaker 1>tone of the journey completely changed. She also wondered why

0:30:09.920 --> 0:30:13.360
<v Speaker 1>there were still ten contestants there now. The execs told

0:30:13.400 --> 0:30:15.640
<v Speaker 1>the group that they were through to the final stage

0:30:15.680 --> 0:30:18.360
<v Speaker 1>of the selection process and that they'd liked to give

0:30:18.400 --> 0:30:21.840
<v Speaker 1>them a contract, so they gave each woman five days

0:30:21.880 --> 0:30:24.240
<v Speaker 1>and fifteen hundred dollars to get a lawyer to look

0:30:24.320 --> 0:30:27.360
<v Speaker 1>over the documents. It's quite clear they didn't want to

0:30:27.360 --> 0:30:30.440
<v Speaker 1>whittle it down to five contestants because they wanted to

0:30:30.560 --> 0:30:33.840
<v Speaker 1>use these contracts as a bargaining tool, because if they

0:30:33.840 --> 0:30:37.480
<v Speaker 1>had selected five girls, these girls would have felt wanted

0:30:37.560 --> 0:30:40.479
<v Speaker 1>and maybe got together and said no, let's all agree

0:30:40.520 --> 0:30:44.000
<v Speaker 1>to these terms. However, they ended up feeling pretty replaceable

0:30:44.000 --> 0:30:46.280
<v Speaker 1>because if one didn't sign the contract, they had others

0:30:46.360 --> 0:30:48.840
<v Speaker 1>waiting in the wing. This part of Blinda's book made

0:30:48.840 --> 0:30:52.360
<v Speaker 1>me really angry because the production company was acting like

0:30:52.400 --> 0:30:54.680
<v Speaker 1>they were so lovely giving them money to go and

0:30:54.680 --> 0:30:58.320
<v Speaker 1>seek out legal advice, but in reality they probably did that.

0:30:58.440 --> 0:31:00.719
<v Speaker 1>So then if later the girls suit and said, oh,

0:31:00.720 --> 0:31:03.560
<v Speaker 1>you know, we won't given enough information, they could go, well,

0:31:03.640 --> 0:31:06.200
<v Speaker 1>you went to a lawyer. Well, the exacts actually told

0:31:06.240 --> 0:31:08.360
<v Speaker 1>the girls that if they don't sign it, they won't

0:31:08.400 --> 0:31:10.360
<v Speaker 1>be in contention for a place in the band. That's

0:31:10.400 --> 0:31:13.280
<v Speaker 1>how serious it was. These girls were so young at

0:31:13.280 --> 0:31:16.320
<v Speaker 1>the time as well. Now, after the meeting, the girls

0:31:16.320 --> 0:31:18.600
<v Speaker 1>were thrown into another meeting, and this time it was

0:31:18.640 --> 0:31:21.320
<v Speaker 1>with the judges and the camera crew. So Chris Moss

0:31:21.320 --> 0:31:24.040
<v Speaker 1>from Warner Music was there and he was telling them

0:31:24.240 --> 0:31:26.560
<v Speaker 1>that as their management company, they will give them a

0:31:26.680 --> 0:31:29.880
<v Speaker 1>daily schedule of what they're required to do as pop stars,

0:31:30.120 --> 0:31:32.640
<v Speaker 1>and he explained that there's a fine line between work

0:31:32.680 --> 0:31:35.200
<v Speaker 1>and entertainment and that's where a lot of people in

0:31:35.240 --> 0:31:38.760
<v Speaker 1>the industry fall down in terms of relationships. So he

0:31:38.800 --> 0:31:40.840
<v Speaker 1>told them that they won't be able to juggle what

0:31:40.920 --> 0:31:43.280
<v Speaker 1>their life is like now and that they'll need to

0:31:43.280 --> 0:31:46.640
<v Speaker 1>push themselves through it otherwise they'll buckle and break now.

0:31:46.680 --> 0:31:49.400
<v Speaker 1>Belinda detailed in her book that after this meeting, they

0:31:49.480 --> 0:31:52.720
<v Speaker 1>also had a subsequent meeting with a publicist from Channel

0:31:52.760 --> 0:31:55.960
<v Speaker 1>seven in a private room without cameras, and they were

0:31:56.000 --> 0:31:59.040
<v Speaker 1>basically told that if they're selected in the band, they'll

0:31:59.040 --> 0:32:02.360
<v Speaker 1>have to sacrifice their family time, their friendship time, and

0:32:02.440 --> 0:32:06.080
<v Speaker 1>also every waking hour will have to be alligated to

0:32:06.160 --> 0:32:09.080
<v Speaker 1>the band. And this essentially meant that all of the

0:32:09.120 --> 0:32:12.400
<v Speaker 1>girls that had boyfriends were expected to dump them. Now,

0:32:12.440 --> 0:32:15.760
<v Speaker 1>this didn't happen, but it did end up ruining all

0:32:15.760 --> 0:32:18.240
<v Speaker 1>of the relationships further down the track with the girls

0:32:18.320 --> 0:32:20.360
<v Speaker 1>because they were told that they wouldn't be able to

0:32:20.400 --> 0:32:22.560
<v Speaker 1>stay living with their partners and they had to move

0:32:22.600 --> 0:32:25.479
<v Speaker 1>into a sharehouse with the other girls, and also that

0:32:25.480 --> 0:32:27.680
<v Speaker 1>they would be traveling so much that it would be

0:32:27.720 --> 0:32:30.360
<v Speaker 1>really hard to maintain a relationship. We spoke at the

0:32:30.360 --> 0:32:32.959
<v Speaker 1>start of the episode about how Channel seven were so

0:32:33.080 --> 0:32:35.600
<v Speaker 1>eager to choose the right girls to ensure that this

0:32:35.640 --> 0:32:38.360
<v Speaker 1>group was popular. But do you also think they tried

0:32:38.360 --> 0:32:41.120
<v Speaker 1>to select girls that they thought, well, we can control you.

0:32:41.120 --> 0:32:42.760
<v Speaker 1>You know, they have to be young, so they're going

0:32:42.760 --> 0:32:44.160
<v Speaker 1>to listen to what we say. They have to be

0:32:44.600 --> 0:32:47.560
<v Speaker 1>young enough to just sign this contract. I definitely think so.

0:32:47.760 --> 0:32:49.840
<v Speaker 1>I mean, as we've touched on, Sophie Monk was only

0:32:49.960 --> 0:32:53.600
<v Speaker 1>nineteen years old. She was highly impressionable, but also highly

0:32:53.720 --> 0:32:55.840
<v Speaker 1>mouldable to what they wanted. She seemed to be a

0:32:55.920 --> 0:32:59.040
<v Speaker 1>yes person. I think at this time anyone would have

0:32:59.080 --> 0:33:01.960
<v Speaker 1>signed this contract because it was a promise of fame

0:33:02.080 --> 0:33:04.640
<v Speaker 1>and also to live out their dreams. Back to the

0:33:04.680 --> 0:33:08.640
<v Speaker 1>conversation regarding their relationships, A big part of Belinda's book

0:33:08.880 --> 0:33:11.520
<v Speaker 1>was her relationship with her then boyfriend Nate. It was

0:33:11.520 --> 0:33:14.000
<v Speaker 1>a bit of an undertone throughout the story because they

0:33:14.000 --> 0:33:16.680
<v Speaker 1>did stay together for a bulk of the time while

0:33:16.720 --> 0:33:20.120
<v Speaker 1>she was in bar dough, but it seemed like it

0:33:20.200 --> 0:33:23.960
<v Speaker 1>really did put a strain on the relationship. Do you

0:33:24.040 --> 0:33:26.080
<v Speaker 1>think they actually wanted them to split up from their

0:33:26.120 --> 0:33:28.720
<v Speaker 1>partners so they were sort of seen as accessible to

0:33:28.760 --> 0:33:31.640
<v Speaker 1>the general problem. I think for marketability purposes, they probably

0:33:31.720 --> 0:33:33.960
<v Speaker 1>wanted them to appear single and as if they were

0:33:34.040 --> 0:33:37.200
<v Speaker 1>open to other options for any male consumers. And I

0:33:37.200 --> 0:33:39.200
<v Speaker 1>think that's also why they made them all live in

0:33:39.240 --> 0:33:42.080
<v Speaker 1>the same house, because they're taking them away from their boyfriends,

0:33:42.280 --> 0:33:45.080
<v Speaker 1>but they're also taking them away from the environment that

0:33:45.120 --> 0:33:47.640
<v Speaker 1>they know, so that makes them feel even more out

0:33:47.680 --> 0:33:50.680
<v Speaker 1>of control and mouldable to do whatever they want, and

0:33:50.720 --> 0:33:53.200
<v Speaker 1>that they're not listening to their boyfriends who might be saying,

0:33:53.200 --> 0:33:55.280
<v Speaker 1>wait a second, why aren't they paying you promptly? And

0:33:55.360 --> 0:33:57.960
<v Speaker 1>during this episode where there's still ten girls, we see

0:33:57.960 --> 0:34:00.640
<v Speaker 1>the huge medium machine that was a on this show.

0:34:00.640 --> 0:34:03.920
<v Speaker 1>They were already paparazzi following the final ten and they're

0:34:03.920 --> 0:34:05.640
<v Speaker 1>trying to scope out who was going to make it

0:34:05.680 --> 0:34:07.400
<v Speaker 1>into the band, and I think that would have also

0:34:07.520 --> 0:34:10.439
<v Speaker 1>played into the girl's decision to sign on. At the time,

0:34:10.480 --> 0:34:13.520
<v Speaker 1>a New Idea who published the audition form had exclusive

0:34:13.600 --> 0:34:16.240
<v Speaker 1>access to the band and they were used to build

0:34:16.239 --> 0:34:20.000
<v Speaker 1>the ongoing hype around them. And Osterio was also enlisted

0:34:20.000 --> 0:34:22.560
<v Speaker 1>in the project because it ensured that they got a

0:34:22.560 --> 0:34:24.520
<v Speaker 1>lot of radio time. And I didn't know about those

0:34:24.560 --> 0:34:27.839
<v Speaker 1>past connections and collaborations before. What that makes sense why

0:34:27.920 --> 0:34:29.759
<v Speaker 1>Jackie Oh was one of the judges. It seems like

0:34:29.800 --> 0:34:32.960
<v Speaker 1>everybody had these fingers in this pie and it was

0:34:33.000 --> 0:34:35.200
<v Speaker 1>all part of the money making machining en sure that

0:34:35.239 --> 0:34:39.440
<v Speaker 1>this band was successful. Now, after receiving the contract, Belinda

0:34:39.440 --> 0:34:41.960
<v Speaker 1>and her dad visited a top law firm and her

0:34:42.040 --> 0:34:45.160
<v Speaker 1>lawyer basically told her that if you sign this contract,

0:34:45.280 --> 0:34:48.000
<v Speaker 1>you will not make a cent in three years, and

0:34:48.040 --> 0:34:50.799
<v Speaker 1>he explained that one of the clauses meant that any

0:34:50.880 --> 0:34:54.000
<v Speaker 1>income made from the band, meaning all the moneies from

0:34:54.080 --> 0:34:57.279
<v Speaker 1>the income streams, will go straight back into paying all

0:34:57.320 --> 0:35:00.279
<v Speaker 1>of the costs. So basically the girls were paying the

0:35:00.360 --> 0:35:03.719
<v Speaker 1>costs of making the album and going on to it. Now.

0:35:03.800 --> 0:35:07.800
<v Speaker 1>Another clause which is so disgusting is that the contract

0:35:07.880 --> 0:35:11.440
<v Speaker 1>stated that the band member's weight or appearance could not

0:35:11.719 --> 0:35:15.759
<v Speaker 1>change in any significant way or they would terminate the contract.

0:35:15.840 --> 0:35:18.120
<v Speaker 1>What if one of them got pregnant or something, well,

0:35:18.239 --> 0:35:21.719
<v Speaker 1>contract gone. I just still can't believe that this was

0:35:21.760 --> 0:35:24.480
<v Speaker 1>allowed to happen. Now, clearly it was a very one

0:35:24.520 --> 0:35:27.440
<v Speaker 1>sided contract, and Belinda's lawyer told her that she was

0:35:27.560 --> 0:35:31.440
<v Speaker 1>essentially handing over her life and every waking moment to

0:35:31.480 --> 0:35:34.279
<v Speaker 1>the company that these two men ran, which was the

0:35:34.320 --> 0:35:37.480
<v Speaker 1>Gray Suits. The clincher was that if they were selected

0:35:37.520 --> 0:35:39.719
<v Speaker 1>in the band, they would have to survive on just

0:35:39.880 --> 0:35:42.759
<v Speaker 1>thirty five dollars a day in the form of a

0:35:42.800 --> 0:35:45.160
<v Speaker 1>per dim. So, for those who don't know, a per

0:35:45.280 --> 0:35:48.839
<v Speaker 1>dem is money given to you to pay for breakfast, lunch,

0:35:48.840 --> 0:35:51.880
<v Speaker 1>and dinner in this instance, so they weren't paid a salary.

0:35:51.920 --> 0:35:54.920
<v Speaker 1>They were literally just fed. Yeah, because their salary was

0:35:54.960 --> 0:35:57.120
<v Speaker 1>going in to paying off all these costs that they'd

0:35:57.120 --> 0:35:59.440
<v Speaker 1>accrued by being picked by this TV company to be

0:35:59.520 --> 0:36:01.960
<v Speaker 1>in the Bear. And as any good lawyer would do,

0:36:02.440 --> 0:36:05.880
<v Speaker 1>Blinda's lawyer said, don't sign this contract. However, he knew

0:36:05.880 --> 0:36:07.839
<v Speaker 1>how much she wanted it, and she said, it's really

0:36:07.920 --> 0:36:10.439
<v Speaker 1>difficult for me because I don't even know if I've

0:36:10.480 --> 0:36:12.960
<v Speaker 1>made the band. So he actually ended up making a

0:36:13.000 --> 0:36:15.760
<v Speaker 1>phone call to a contact he had and he confirmed

0:36:15.760 --> 0:36:18.000
<v Speaker 1>that she had in fact made it to the final five,

0:36:18.080 --> 0:36:21.000
<v Speaker 1>and after a lot of deliberation, she did decide to

0:36:21.040 --> 0:36:23.600
<v Speaker 1>sign the contract because she knew that if she did,

0:36:23.640 --> 0:36:25.960
<v Speaker 1>and others would and she would lose her spot in

0:36:26.040 --> 0:36:29.279
<v Speaker 1>the band. Do you guys think you would sign that contract? Yeah,

0:36:29.280 --> 0:36:32.120
<v Speaker 1>I would at the age of nineteen or twenty four,

0:36:32.200 --> 0:36:34.879
<v Speaker 1>I'd be signing it so far. The sad reality now

0:36:34.960 --> 0:36:37.560
<v Speaker 1>is if this contract was in place, you probably would

0:36:37.600 --> 0:36:40.439
<v Speaker 1>sign it because you'd be able to build off maybe

0:36:40.480 --> 0:36:44.239
<v Speaker 1>an influencing career or something in social media. But the

0:36:44.280 --> 0:36:47.680
<v Speaker 1>girls didn't have that ability to be able to do that. Now,

0:36:47.760 --> 0:36:51.520
<v Speaker 1>by episode five, we finally find out who our pop

0:36:51.560 --> 0:36:54.239
<v Speaker 1>stars are, and it felt so old school because the

0:36:54.360 --> 0:36:57.680
<v Speaker 1>judges had these printed at Kodak photos of the girls

0:36:57.680 --> 0:36:59.400
<v Speaker 1>and they set them out on a coffee table and

0:36:59.440 --> 0:37:01.680
<v Speaker 1>they used them to move around and work out different

0:37:01.719 --> 0:37:05.640
<v Speaker 1>combinations of girls for the potential group, and after assessing

0:37:05.680 --> 0:37:08.719
<v Speaker 1>all of the various possible lineups, they finally decide on

0:37:08.760 --> 0:37:12.040
<v Speaker 1>their final five. Now again, the camera crews appeared back

0:37:12.080 --> 0:37:14.439
<v Speaker 1>at the girls' houses to tell them whether they'd made

0:37:14.440 --> 0:37:17.480
<v Speaker 1>it or not. The first stop was Sally polar Onus

0:37:17.480 --> 0:37:20.759
<v Speaker 1>from Adelaide's house. JACKIEO arrives to tell her the good news,

0:37:20.800 --> 0:37:22.839
<v Speaker 1>and it's such a blast from the past because they

0:37:22.880 --> 0:37:25.560
<v Speaker 1>asked Sally if she's ever had a real job, and

0:37:25.600 --> 0:37:29.480
<v Speaker 1>she explains she's currently working in the retail store. A spree.

0:37:30.160 --> 0:37:32.319
<v Speaker 1>Is a spree still a thing? Now? No, I don't

0:37:32.360 --> 0:37:34.560
<v Speaker 1>think it is. It was funny because they made Sally

0:37:34.640 --> 0:37:36.640
<v Speaker 1>go back and tell her colleagues in a spree that

0:37:36.719 --> 0:37:39.560
<v Speaker 1>she was joining the band. And I had totally forgotten

0:37:39.560 --> 0:37:41.520
<v Speaker 1>about a spree. It's all I used to wear in

0:37:41.600 --> 0:37:43.920
<v Speaker 1>the late nineties and early noughties. I loved in a

0:37:44.000 --> 0:37:46.880
<v Speaker 1>spree top. How awkward was it watching them break the

0:37:46.960 --> 0:37:49.320
<v Speaker 1>news to the girls who didn't make it, Yeah, especially

0:37:49.360 --> 0:37:51.919
<v Speaker 1>when they had their family around. And also it kind

0:37:51.920 --> 0:37:56.040
<v Speaker 1>of drummed into me how polite girls are more so

0:37:56.080 --> 0:37:58.560
<v Speaker 1>back then, because they're all like, yeah, that's cool. That's

0:37:58.760 --> 0:38:01.680
<v Speaker 1>kind of like on The Simpsons, Ralph Wiggans's heartbreaks, Like

0:38:01.719 --> 0:38:05.120
<v Speaker 1>you could actually see the moment they were just absolutely shattered. Yeah,

0:38:05.120 --> 0:38:07.279
<v Speaker 1>and one of the girls who didn't originally get through

0:38:07.440 --> 0:38:10.400
<v Speaker 1>was Tiffany Wood. So Chris Moss rocked up to her

0:38:10.440 --> 0:38:13.239
<v Speaker 1>really tiny apartment with the camera crew, and it didn't

0:38:13.280 --> 0:38:15.400
<v Speaker 1>look like she knew that he was coming, because she

0:38:15.520 --> 0:38:18.279
<v Speaker 1>opened the door in a nighty and quickly slammed that

0:38:18.320 --> 0:38:20.440
<v Speaker 1>she was shocked that he was there. And they tell

0:38:20.520 --> 0:38:22.680
<v Speaker 1>us that during the day Tiffany works at the Hilton

0:38:22.719 --> 0:38:25.360
<v Speaker 1>Hotel and by night she's the lead singer in a band,

0:38:25.400 --> 0:38:28.359
<v Speaker 1>so she had a really strong voice. I think it

0:38:28.400 --> 0:38:30.480
<v Speaker 1>was a really bad move that they didn't put her

0:38:30.520 --> 0:38:33.160
<v Speaker 1>in the band to begin with. And it was interesting

0:38:33.200 --> 0:38:36.440
<v Speaker 1>to see her apartment because begrudgingly after getting changed, she

0:38:36.520 --> 0:38:40.040
<v Speaker 1>opened the door and the apartment was an absolute shit hole.

0:38:40.120 --> 0:38:43.040
<v Speaker 1>She even said, welcome to my little hole of a place.

0:38:44.200 --> 0:38:46.640
<v Speaker 1>Well as you touched on, Sophie. Some listeners might be

0:38:46.680 --> 0:38:49.279
<v Speaker 1>surprised to hear that Tiffany would didn't actually make it

0:38:49.400 --> 0:38:52.960
<v Speaker 1>into the band originally, So she did take the rejection

0:38:53.200 --> 0:38:55.560
<v Speaker 1>really well and told Chris that she didn't think she'd

0:38:55.560 --> 0:38:58.160
<v Speaker 1>get in because she was sick during the audition process.

0:38:58.239 --> 0:39:00.480
<v Speaker 1>It's kind of ironic that she didn't make it because

0:39:00.520 --> 0:39:04.280
<v Speaker 1>their first single she was basically the main singer in it. Yeah,

0:39:04.320 --> 0:39:06.120
<v Speaker 1>she was such a huge part of it. We then

0:39:06.200 --> 0:39:08.960
<v Speaker 1>see fan favorite Sophie Munk make the cut and she

0:39:09.000 --> 0:39:11.520
<v Speaker 1>shows Michael her baby videos and her dad tells a

0:39:11.560 --> 0:39:14.359
<v Speaker 1>camera that she's very comfortable around strangers and can talk

0:39:14.400 --> 0:39:17.799
<v Speaker 1>to anyone. Next is the infamous Chantel Barry, who is

0:39:17.840 --> 0:39:21.000
<v Speaker 1>only nineteen at the time, and she's told by Jackie

0:39:21.000 --> 0:39:24.840
<v Speaker 1>Oh that she's in now. Chantell was very confident. Here's

0:39:24.840 --> 0:39:28.080
<v Speaker 1>what she said during her first audition, what do you

0:39:28.080 --> 0:39:28.839
<v Speaker 1>think we're looking for.

0:39:30.360 --> 0:39:30.440
<v Speaker 2>Me?

0:39:31.520 --> 0:39:34.320
<v Speaker 1>Yeah, she really seemed sure of herself because she'd actually

0:39:34.320 --> 0:39:36.480
<v Speaker 1>moved to Sydney a couple of weeks before to break

0:39:36.480 --> 0:39:39.640
<v Speaker 1>into the industry, and she didn't really seem that shocked

0:39:39.640 --> 0:39:41.600
<v Speaker 1>when it was announced that she was in the band. Well,

0:39:41.600 --> 0:39:43.800
<v Speaker 1>I'm guessing there are a lot of whispers going around

0:39:43.800 --> 0:39:46.319
<v Speaker 1>with all these conversations the lawyers were having with the

0:39:46.320 --> 0:39:49.120
<v Speaker 1>production team over the contracts. And I mean that was

0:39:49.200 --> 0:39:52.520
<v Speaker 1>very evident when you read Belinda's book, because she already

0:39:52.520 --> 0:39:54.239
<v Speaker 1>had been given the heads up that she was in

0:39:54.280 --> 0:39:57.439
<v Speaker 1>the band, and she had been asked by the producers

0:39:57.440 --> 0:39:59.760
<v Speaker 1>to get her mum and her sister around the house,

0:40:00.080 --> 0:40:03.359
<v Speaker 1>and all her family declined being in the video. Even

0:40:03.400 --> 0:40:06.719
<v Speaker 1>her boyfriend declined. He was hiding behind a curtain while

0:40:06.760 --> 0:40:08.680
<v Speaker 1>she was told she made it. I got the feeling

0:40:08.680 --> 0:40:10.640
<v Speaker 1>that they didn't want any of the boyfriends in any

0:40:10.640 --> 0:40:13.240
<v Speaker 1>of the shots. But yeah, she had to basically fake

0:40:13.360 --> 0:40:16.359
<v Speaker 1>that she was surprised, and she really wanted to ham

0:40:16.400 --> 0:40:18.200
<v Speaker 1>it up because she didn't want any of the production

0:40:18.280 --> 0:40:20.440
<v Speaker 1>crew to know that she'd found out either. She did

0:40:20.480 --> 0:40:23.640
<v Speaker 1>a pretty good job of item genuine. Now, Katie Underwood

0:40:23.680 --> 0:40:26.240
<v Speaker 1>was the final member to find out that she was through,

0:40:26.280 --> 0:40:28.520
<v Speaker 1>and Jackie O broke the news by giving her a

0:40:28.560 --> 0:40:30.759
<v Speaker 1>boarding pass. Now, this is where we're going to leave

0:40:30.800 --> 0:40:33.640
<v Speaker 1>you for today. In next week's show, we discuss the

0:40:33.680 --> 0:40:36.600
<v Speaker 1>fallout as a final five are forced to move into

0:40:36.640 --> 0:40:39.840
<v Speaker 1>a new house together and start a grueling fitness regime.

0:40:40.160 --> 0:40:43.400
<v Speaker 1>A storm is brewing, a scandal so juicy. Channel seven

0:40:43.480 --> 0:40:47.160
<v Speaker 1>couldn't have scripted it better themselves, as band member Shantel

0:40:47.239 --> 0:40:51.120
<v Speaker 1>Barry leaves a group under suspicious circumstances. We really hope

0:40:51.120 --> 0:40:53.600
<v Speaker 1>you have enjoyed today's episode. If you have, could you

0:40:53.600 --> 0:40:56.359
<v Speaker 1>please make sure you are subscribed on Apple podcast and

0:40:56.440 --> 0:40:59.200
<v Speaker 1>also Spotify and if you can leave us a five

0:40:59.280 --> 0:41:01.879
<v Speaker 1>star review and if you want extra content from us,

0:41:01.920 --> 0:41:05.239
<v Speaker 1>don't forget to sign up to Outspoken Plus. This episode

0:41:05.320 --> 0:41:07.800
<v Speaker 1>was recorded on the traditional land of the Ghana people

0:41:07.840 --> 0:41:10.520
<v Speaker 1>of the Adelaide Plaines. We pay respect to elders past

0:41:10.600 --> 0:41:13.960
<v Speaker 1>and present, and don't forget to follow Outspoken on TikTok

0:41:14.000 --> 0:41:18.080
<v Speaker 1>and on Instagram. We're at Outspoken Underscore d Underscored podcast.

0:41:18.320 --> 0:41:21.279
<v Speaker 1>We'll be sharing lots of reels and iconic moments from

0:41:21.280 --> 0:41:21.960
<v Speaker 1>pop stars