1 00:00:02,640 --> 00:00:06,760 Speaker 1: Episode one, Becoming a pop Star. In the late nineties, 2 00:00:06,840 --> 00:00:09,760 Speaker 1: the hunt was on for Australia's answer to the Spice Girls. 3 00:00:09,920 --> 00:00:13,280 Speaker 2: We don't just want a group for the television show, 4 00:00:13,400 --> 00:00:15,240 Speaker 2: We're looking for a career act. 5 00:00:15,640 --> 00:00:18,560 Speaker 1: A call out was published a new Idea magazine, offering 6 00:00:18,600 --> 00:00:23,480 Speaker 1: the opportunity of a lifetime, or so they thought. Warner 7 00:00:23,600 --> 00:00:26,439 Speaker 1: Music was set to plug five girls from obscurity and 8 00:00:26,560 --> 00:00:30,000 Speaker 1: turn them into household names, offering up a three album 9 00:00:30,040 --> 00:00:32,960 Speaker 1: recording contract and a place in a girl band. The 10 00:00:33,040 --> 00:00:33,919 Speaker 1: twel's definitely out there. 11 00:00:33,920 --> 00:00:35,280 Speaker 2: It's our job, naga and find it. 12 00:00:35,440 --> 00:00:38,519 Speaker 1: Australia strapped in for the ride, with Channel seven bringing 13 00:00:38,560 --> 00:00:45,040 Speaker 1: a new show called pop Stars to our screens. Millions 14 00:00:45,080 --> 00:00:47,520 Speaker 1: tuned in to watch the auditions, and it wasn't long 15 00:00:47,600 --> 00:00:51,400 Speaker 1: until we were heavily invested. Don't you Treat Me back? 16 00:00:52,000 --> 00:00:55,720 Speaker 1: Don't You make Me Sad? But behind the scenes, fame 17 00:00:55,840 --> 00:00:59,160 Speaker 1: wasn't as they expected. Whilst the TV execs were raking 18 00:00:59,200 --> 00:01:02,120 Speaker 1: in millions from the band, the five girls weren't making 19 00:01:02,200 --> 00:01:05,640 Speaker 1: a cent. Their mental health was also struggling as they 20 00:01:05,680 --> 00:01:09,440 Speaker 1: buckled under the intense media pressure to stay thin. So 21 00:01:10,040 --> 00:01:13,560 Speaker 1: was life as a pop star really worth it. We 22 00:01:13,600 --> 00:01:16,360 Speaker 1: are journalist Sophie Kate and Amy Torbert, and this is 23 00:01:16,400 --> 00:01:19,800 Speaker 1: our new series Unspoken, where we bring you the unspoken 24 00:01:19,880 --> 00:01:22,840 Speaker 1: stories behind the biggest pop culture headlines to rock the 25 00:01:22,920 --> 00:01:28,760 Speaker 1: nineties and early naughties. Welcome to the first installment of 26 00:01:28,800 --> 00:01:31,640 Speaker 1: our deep dive series on pop stars. Now. We were 27 00:01:31,720 --> 00:01:34,480 Speaker 1: just eleven when the show came out and I remember 28 00:01:34,560 --> 00:01:38,720 Speaker 1: at the time being so infatuated by Bardo. I remember 29 00:01:38,760 --> 00:01:40,520 Speaker 1: having to beg our mum to take us down to 30 00:01:40,560 --> 00:01:44,319 Speaker 1: their instore appearance in Adelaide and it was absolutely packed. Oh, 31 00:01:44,480 --> 00:01:48,400 Speaker 1: these in store appearances were unprecedented. They had thousands of 32 00:01:48,480 --> 00:01:51,200 Speaker 1: young girls lining up for hours to see them. I 33 00:01:51,240 --> 00:01:53,480 Speaker 1: think the show was even shocked by how big the 34 00:01:53,560 --> 00:01:56,040 Speaker 1: crowds got. And everyone had their favorite. I don't know 35 00:01:56,240 --> 00:01:59,480 Speaker 1: who were your favorites. Kane so oh like any other kid. 36 00:01:59,520 --> 00:02:02,200 Speaker 1: My favorite Sophie Monk. Watching the show back, it's quite 37 00:02:02,280 --> 00:02:04,800 Speaker 1: clear that she was the standout favorite. I also had 38 00:02:04,840 --> 00:02:07,360 Speaker 1: a soft spot for Belinda Chapel as well. Yeah, they 39 00:02:07,400 --> 00:02:09,919 Speaker 1: were my two favorites, along with Sally because she was 40 00:02:09,919 --> 00:02:12,320 Speaker 1: an Adelaide girl. I want to take you back to 41 00:02:12,360 --> 00:02:16,000 Speaker 1: September nineteen ninety nine. That is when Channel seven announced 42 00:02:16,000 --> 00:02:18,000 Speaker 1: it was set to bring out a new show called 43 00:02:18,040 --> 00:02:21,240 Speaker 1: Pop Stars, and at the time, the term reality TV 44 00:02:21,440 --> 00:02:24,680 Speaker 1: didn't really exist, with the show instead described as a 45 00:02:24,680 --> 00:02:27,960 Speaker 1: thirteen part doc u soap which followed the creation of 46 00:02:28,000 --> 00:02:30,600 Speaker 1: an all female pop group. Now, this was at a 47 00:02:30,639 --> 00:02:33,200 Speaker 1: time when the Spice Girls were still top of the 48 00:02:33,320 --> 00:02:36,480 Speaker 1: charts and Aussie music producers were desperate to create their 49 00:02:36,520 --> 00:02:39,880 Speaker 1: own homegrown supergroup. Now, while the format of the show 50 00:02:40,000 --> 00:02:42,760 Speaker 1: was unlike anything we'd seen on our screens before, the 51 00:02:42,840 --> 00:02:46,799 Speaker 1: concept actually originated from New Zealand. So in nineteen ninety nine, 52 00:02:46,880 --> 00:02:49,280 Speaker 1: the show followed the journey of a girl group called 53 00:02:49,440 --> 00:02:52,320 Speaker 1: True Bliss. Now, there was a lot of publicity around 54 00:02:52,440 --> 00:02:55,120 Speaker 1: True Bliss, but they didn't have the success of Bardo 55 00:02:55,440 --> 00:02:58,760 Speaker 1: or the longevity, and this was because the show failed 56 00:02:58,800 --> 00:03:01,880 Speaker 1: to select the girls and they failed to actually place 57 00:03:01,919 --> 00:03:05,000 Speaker 1: them in the right market. So it seemed like Channel 58 00:03:05,080 --> 00:03:08,280 Speaker 1: seven were able to see where this show failed and 59 00:03:08,320 --> 00:03:10,639 Speaker 1: when they brought out Pop Stars, it was so important 60 00:03:10,639 --> 00:03:13,720 Speaker 1: for the producers to actually select the right group of girls, 61 00:03:13,720 --> 00:03:16,280 Speaker 1: which they obviously did so well, and the show really 62 00:03:16,280 --> 00:03:19,360 Speaker 1: did act as a blueprint for singing competitions going forward, 63 00:03:19,440 --> 00:03:22,200 Speaker 1: because after that we saw Australian Idol launch, We've seen 64 00:03:22,200 --> 00:03:25,359 Speaker 1: the Voice. There's been so many singing competitions. It's pretty 65 00:03:25,360 --> 00:03:28,120 Speaker 1: interesting because Channel seven decided to buy the rights to 66 00:03:28,160 --> 00:03:31,320 Speaker 1: this show and have it screen just before the Sydney Olympics, 67 00:03:31,360 --> 00:03:34,520 Speaker 1: so it started screening in February two thousand and I 68 00:03:34,560 --> 00:03:36,920 Speaker 1: loved seeing all of the signage for the Olympics in 69 00:03:36,960 --> 00:03:39,360 Speaker 1: the background of the additions. It made me feel extra 70 00:03:39,440 --> 00:03:42,200 Speaker 1: nostalgic watching this bag. Well, they really wanted a show 71 00:03:42,240 --> 00:03:44,360 Speaker 1: that was going to draw in ratings so that people 72 00:03:44,400 --> 00:03:47,080 Speaker 1: stayed on Channel seven, and this is exactly what they got. 73 00:03:47,120 --> 00:03:49,760 Speaker 1: Because the show was a huge success. They ended up 74 00:03:49,800 --> 00:03:52,960 Speaker 1: buying the franchise from New Zealand for a really small sum. 75 00:03:53,000 --> 00:03:55,680 Speaker 1: So I wonder how the original creators of Pop Stars 76 00:03:55,720 --> 00:03:58,960 Speaker 1: felt about it. They'd be so pissed off now. Auditions 77 00:03:58,960 --> 00:04:02,200 Speaker 1: were held across the country in July nineteen ninety nine, 78 00:04:02,320 --> 00:04:04,960 Speaker 1: with a three person judging panel made up of Warner 79 00:04:05,040 --> 00:04:09,440 Speaker 1: Music executive Chris Moss, band manager Michael Naphthali and radio 80 00:04:09,480 --> 00:04:13,120 Speaker 1: host Jackie O. Henderson. Is crazy to think Jackieo was 81 00:04:13,200 --> 00:04:15,840 Speaker 1: only twenty four at the time that she was appointed 82 00:04:15,880 --> 00:04:18,360 Speaker 1: as judge, so she was the same age as many 83 00:04:18,400 --> 00:04:20,599 Speaker 1: of the band members. She went on to select I 84 00:04:20,600 --> 00:04:22,960 Speaker 1: feel like this is the reason why she just never 85 00:04:23,000 --> 00:04:25,600 Speaker 1: seems to age, because I didn't realize she was so 86 00:04:25,800 --> 00:04:28,039 Speaker 1: young at the time of being on Pop Stars. The 87 00:04:28,120 --> 00:04:31,240 Speaker 1: craziest thing was she wasn't even paid for being part 88 00:04:31,279 --> 00:04:33,320 Speaker 1: of the judging panel, which blew my mind because, as 89 00:04:33,320 --> 00:04:35,960 Speaker 1: we said, this was the biggest show on television at 90 00:04:35,960 --> 00:04:38,280 Speaker 1: the time. Yeah. Well, it's kind of a theme that 91 00:04:38,320 --> 00:04:40,720 Speaker 1: we'll see throughout this whole process that the young women 92 00:04:40,800 --> 00:04:44,040 Speaker 1: on the show really weren't compensated for their efforts. Yeah. So, 93 00:04:44,080 --> 00:04:47,320 Speaker 1: in twenty nineteen, JACKIEO told Kiss listeners that she did 94 00:04:47,360 --> 00:04:49,960 Speaker 1: Pop Stars for free. She said, no one mentioned anything 95 00:04:50,000 --> 00:04:52,840 Speaker 1: about money, so I didn't mention money. I remember we 96 00:04:52,839 --> 00:04:55,200 Speaker 1: were in Adelaide doing auditions, and you know how they 97 00:04:55,240 --> 00:04:57,800 Speaker 1: hand out per dims, which is like sixty dollars. They 98 00:04:57,839 --> 00:05:00,719 Speaker 1: handed me this envelope and I didn't know what appear was. 99 00:05:01,000 --> 00:05:03,440 Speaker 1: So I opened it and I saw sixty seven dollars 100 00:05:03,440 --> 00:05:05,520 Speaker 1: in there, and I went up to the executive director 101 00:05:05,600 --> 00:05:07,400 Speaker 1: and gave him a big hug and said thank you 102 00:05:07,480 --> 00:05:10,280 Speaker 1: so much. I was stoked I was getting cash. I 103 00:05:10,279 --> 00:05:12,359 Speaker 1: would love to know if the mail judges were also 104 00:05:12,440 --> 00:05:14,240 Speaker 1: paid in per deems or if they actually got a 105 00:05:14,279 --> 00:05:16,880 Speaker 1: proper salary. Well, I would hazard a guess that Michael 106 00:05:16,960 --> 00:05:20,279 Speaker 1: Naphthaalaie didn't actually get paid too much because he was 107 00:05:20,320 --> 00:05:24,200 Speaker 1: a ringing at the last hour because his boss, Grant Thomas, 108 00:05:24,200 --> 00:05:27,599 Speaker 1: who owned Grant Thomas Management, declined from being filmed, so 109 00:05:27,640 --> 00:05:30,320 Speaker 1: he was their first pick and he suddenly goes, no, 110 00:05:30,360 --> 00:05:32,040 Speaker 1: I don't want to do it. So they brought in 111 00:05:32,240 --> 00:05:35,479 Speaker 1: Michael and he was really popular with the girls. Belinda 112 00:05:35,520 --> 00:05:37,680 Speaker 1: Chappele actually said in her book that he was the 113 00:05:37,760 --> 00:05:40,640 Speaker 1: least intimidating judge of them all. He was really qualified 114 00:05:40,640 --> 00:05:43,119 Speaker 1: at the time because he was an entertainment lawyer and also, 115 00:05:43,120 --> 00:05:45,279 Speaker 1: as you say, okay, he worked at this management company 116 00:05:45,480 --> 00:05:47,760 Speaker 1: and they managed the likes of the Finn Brothers, Split 117 00:05:47,880 --> 00:05:50,800 Speaker 1: Ends and Crowded House. So this was a huge opportunity 118 00:05:51,160 --> 00:05:54,120 Speaker 1: for five unknowns to get managed by a huge company 119 00:05:54,160 --> 00:05:56,120 Speaker 1: like this. Yeah, but I suppose it's an opportunity for 120 00:05:56,200 --> 00:05:59,440 Speaker 1: Michael himself because you see Jackie O also jumped at 121 00:05:59,480 --> 00:06:03,000 Speaker 1: the chance to be on primetime TV. And nowadays we've 122 00:06:03,000 --> 00:06:05,400 Speaker 1: got social media where everyone's got an opportunity to get 123 00:06:05,400 --> 00:06:07,719 Speaker 1: their face out there. But at the time, being on 124 00:06:07,839 --> 00:06:10,360 Speaker 1: TV was such a massive thing and so many people 125 00:06:10,400 --> 00:06:12,360 Speaker 1: would do it for free. It's ironic because, as you 126 00:06:12,440 --> 00:06:14,960 Speaker 1: touched on Kate Grant, Thomas didn't want to actually appear 127 00:06:15,000 --> 00:06:17,880 Speaker 1: on camera. But Belinda said in her book that there 128 00:06:17,960 --> 00:06:20,000 Speaker 1: was a judging panel for the cameras and there was 129 00:06:20,040 --> 00:06:22,680 Speaker 1: also a judging panel behind the scenes, so although he 130 00:06:22,880 --> 00:06:25,359 Speaker 1: wasn't on camera, he was there every step of the 131 00:06:25,400 --> 00:06:28,400 Speaker 1: way through the audition process helping them make the decisions. Well, 132 00:06:28,440 --> 00:06:30,320 Speaker 1: Michael would go up and ask his opinions, so it 133 00:06:30,360 --> 00:06:32,599 Speaker 1: was kind of like a group vote yeah, and Belinda 134 00:06:32,600 --> 00:06:35,320 Speaker 1: described this as the first taste of reception that was 135 00:06:35,360 --> 00:06:38,000 Speaker 1: going to unfold behind the scenes of pop stars Now. 136 00:06:38,040 --> 00:06:40,960 Speaker 1: The last judge was Chris Moss, who was the managing 137 00:06:41,000 --> 00:06:44,039 Speaker 1: director of Warner Music and he was set to sign 138 00:06:44,120 --> 00:06:47,000 Speaker 1: the group to a three album deal. You'll probably remember 139 00:06:47,080 --> 00:06:50,000 Speaker 1: him because he used to wear these really bold, wacky 140 00:06:50,040 --> 00:06:53,320 Speaker 1: T shirts. He also looks a lot like Ian Hewitson, 141 00:06:53,360 --> 00:06:56,160 Speaker 1: who was a TV chef at the time. He was 142 00:06:56,200 --> 00:06:59,479 Speaker 1: described by Belinda as being very kind and genuine with 143 00:06:59,560 --> 00:07:01,960 Speaker 1: a good high but my perception of him on the 144 00:07:01,960 --> 00:07:04,880 Speaker 1: show was really different because I always remember he would 145 00:07:04,880 --> 00:07:07,479 Speaker 1: oggle at the young women who were auditioning, and in 146 00:07:07,520 --> 00:07:10,400 Speaker 1: a bonus episode, he was actually caught out staring at 147 00:07:10,400 --> 00:07:13,160 Speaker 1: a number of the girl's boobs or either gushing over 148 00:07:13,200 --> 00:07:16,320 Speaker 1: them behind the scenes. Yeah, it's interesting that the TV 149 00:07:16,440 --> 00:07:19,559 Speaker 1: stations decided to portray him like that when Belinda actually 150 00:07:19,600 --> 00:07:22,720 Speaker 1: said he was so genuinely kind. It was clear from 151 00:07:22,760 --> 00:07:24,840 Speaker 1: the start of this show that the TV network and 152 00:07:24,960 --> 00:07:27,800 Speaker 1: music bosses really wanted this to be big. They seemed 153 00:07:27,840 --> 00:07:30,720 Speaker 1: to throw everything at it. They enlisted the help of 154 00:07:30,760 --> 00:07:33,680 Speaker 1: a lot of Australia's top music professionals and dancers to 155 00:07:33,720 --> 00:07:36,000 Speaker 1: act as coaches for the girls. There were some huge 156 00:07:36,080 --> 00:07:38,560 Speaker 1: names that they selected. Now as we touched on, the 157 00:07:38,600 --> 00:07:42,080 Speaker 1: first episode did air in February two thousand and Who 158 00:07:42,160 --> 00:07:51,480 Speaker 1: could forget this iconic theme song. This song has been 159 00:07:51,520 --> 00:07:53,720 Speaker 1: in my head ever since we decided to do this 160 00:07:53,800 --> 00:07:56,320 Speaker 1: deep dive and it really does take me back. It 161 00:07:56,400 --> 00:07:59,600 Speaker 1: really takes me back to Sunday night during summer. That feeling. 162 00:07:59,640 --> 00:08:01,600 Speaker 1: I still that feeling when I hear that song, And 163 00:08:01,640 --> 00:08:03,640 Speaker 1: it was a really positive feeling that you got when 164 00:08:03,680 --> 00:08:07,000 Speaker 1: you watch this show because you think about talent competitions 165 00:08:07,040 --> 00:08:09,960 Speaker 1: now and it's very cutthroat and negative and people are 166 00:08:10,000 --> 00:08:12,480 Speaker 1: pitted against each other. But it didn't have that vibe 167 00:08:12,520 --> 00:08:15,040 Speaker 1: at all. It was a bit more wholesome, it really was. 168 00:08:15,320 --> 00:08:17,320 Speaker 1: And when you go back and you watch the show, 169 00:08:17,480 --> 00:08:20,360 Speaker 1: it was really shot so differently to say how Maths 170 00:08:20,440 --> 00:08:24,080 Speaker 1: is shot now, because it was that doco style filming. 171 00:08:24,360 --> 00:08:27,520 Speaker 1: There was no sensationalized music which set the tone like 172 00:08:27,560 --> 00:08:30,000 Speaker 1: we see now on reality shows, and there weren't those 173 00:08:30,080 --> 00:08:32,640 Speaker 1: quick edits which made people look really bad. It was 174 00:08:32,679 --> 00:08:36,040 Speaker 1: sort of more a really genuine fly on the wall experience. 175 00:08:36,200 --> 00:08:38,640 Speaker 1: Belinda Chapple mentioned in her book that the girls had 176 00:08:38,640 --> 00:08:41,040 Speaker 1: no idea what the TV series was going to look like. 177 00:08:41,120 --> 00:08:43,800 Speaker 1: She did say that everything was being filmed, but because 178 00:08:43,840 --> 00:08:46,720 Speaker 1: they didn't have a template for what this show looked 179 00:08:46,760 --> 00:08:48,719 Speaker 1: like on TV, they're like, how are they going to 180 00:08:48,800 --> 00:08:51,840 Speaker 1: make this interesting? But it was interesting. It drew you 181 00:08:51,880 --> 00:08:54,720 Speaker 1: in straight away. We've obviously watched it back, yeah, and 182 00:08:54,760 --> 00:08:57,000 Speaker 1: I couldn't stop watching like it was really good. It 183 00:08:57,080 --> 00:08:59,560 Speaker 1: was just so raw and authentic because no one knew 184 00:08:59,559 --> 00:09:01,760 Speaker 1: how they were actually going to come across on TV. 185 00:09:01,880 --> 00:09:04,600 Speaker 1: So people haven't tried to create these personas and if 186 00:09:04,600 --> 00:09:06,800 Speaker 1: it couldn't get any more nineties. In order to actually 187 00:09:06,840 --> 00:09:09,240 Speaker 1: audition for pop stars, you had to buy New Idea 188 00:09:09,280 --> 00:09:11,920 Speaker 1: magazine which had the audition form inside. Yeah, it was 189 00:09:12,000 --> 00:09:14,440 Speaker 1: quite funny because Belinda said that the headline on the 190 00:09:14,480 --> 00:09:17,640 Speaker 1: magazine was Australia's answer to the Spy Skirls, and the 191 00:09:17,679 --> 00:09:20,200 Speaker 1: premise was that every girl who filled out the form 192 00:09:20,200 --> 00:09:22,520 Speaker 1: would get a shot at being signed to Warner Music. 193 00:09:22,559 --> 00:09:25,240 Speaker 1: And in the first episode we see all these girls 194 00:09:25,240 --> 00:09:27,400 Speaker 1: with the magazine in the line filling it out, so 195 00:09:27,440 --> 00:09:30,560 Speaker 1: it was great promotion for the magazine. Well, that magazine 196 00:09:30,640 --> 00:09:33,640 Speaker 1: ends up being quite a contentious topic. We will get 197 00:09:33,679 --> 00:09:35,920 Speaker 1: into all of the scandals later down the track, but 198 00:09:36,040 --> 00:09:39,040 Speaker 1: one of the contestants that actually made the band was 199 00:09:39,080 --> 00:09:43,200 Speaker 1: accused of stealing the magazine and twist. Now, there was 200 00:09:43,240 --> 00:09:46,520 Speaker 1: such a huge response to the auditions, with thousands showing 201 00:09:46,600 --> 00:09:49,000 Speaker 1: up to get their chance, and the show kept reminding 202 00:09:49,080 --> 00:09:52,040 Speaker 1: us that the judges were plucking five unknowns off the 203 00:09:52,080 --> 00:09:55,200 Speaker 1: street and turning them into pop stars. The concept of 204 00:09:55,240 --> 00:09:58,400 Speaker 1: being plucked from obscurity and then receiving this instant fame, 205 00:09:58,440 --> 00:10:00,800 Speaker 1: it was completely new to all of and it led 206 00:10:00,840 --> 00:10:04,120 Speaker 1: to a lot of intense media scrutiny and think pieces 207 00:10:04,160 --> 00:10:07,000 Speaker 1: at the time about whether the band members were worthy 208 00:10:07,080 --> 00:10:09,600 Speaker 1: of the fame that they were receiving. And I think 209 00:10:09,640 --> 00:10:12,200 Speaker 1: the popularity of this show really came down to the 210 00:10:12,240 --> 00:10:15,040 Speaker 1: timing because it was the first time we'd seen anything 211 00:10:15,200 --> 00:10:18,160 Speaker 1: like this before, and we weren't jaded or cynical about 212 00:10:18,160 --> 00:10:20,920 Speaker 1: the concept. We were really rooting for the girls in 213 00:10:20,960 --> 00:10:23,280 Speaker 1: the group. We wanted them to be successful. We were 214 00:10:23,320 --> 00:10:26,280 Speaker 1: out there supporting them, buying their CDs. Now, in what 215 00:10:26,320 --> 00:10:29,000 Speaker 1: they called a cattle call, the girls were shepherded into 216 00:10:29,000 --> 00:10:31,679 Speaker 1: a conference room and asked us seeing three lines from 217 00:10:31,720 --> 00:10:33,959 Speaker 1: one of four songs and this really takes me back 218 00:10:33,960 --> 00:10:37,400 Speaker 1: to the late nineties. They could choose from Wanna Be Respect, 219 00:10:37,600 --> 00:10:40,520 Speaker 1: My Heart Will Go On for Ain't No Sunshine, and 220 00:10:40,559 --> 00:10:42,679 Speaker 1: they auditioned in a line of five girls and they 221 00:10:42,720 --> 00:10:45,400 Speaker 1: had a couple of seconds to impress the judges, and 222 00:10:45,480 --> 00:10:47,839 Speaker 1: if they made it through the first round, they'd come 223 00:10:47,920 --> 00:10:50,720 Speaker 1: back for the second day of auditions, where the judges 224 00:10:50,720 --> 00:10:52,920 Speaker 1: would then make a short list of twenty five to 225 00:10:52,960 --> 00:10:55,200 Speaker 1: go to Sydney for a week of what they called 226 00:10:55,360 --> 00:10:59,040 Speaker 1: very intense auditions. What I noticed about these auditions whether 227 00:10:59,040 --> 00:11:01,840 Speaker 1: the judges weren't act like you're so used to seeing, 228 00:11:01,880 --> 00:11:05,720 Speaker 1: you know, Ian Dicko Dixon just absolutely tearing someone to shreds. 229 00:11:06,000 --> 00:11:08,760 Speaker 1: But they were all kind of positive about it, like yeah, yeah, 230 00:11:08,760 --> 00:11:10,760 Speaker 1: that's enough. There seemed to be a lot more care 231 00:11:10,800 --> 00:11:13,840 Speaker 1: and almost dignity given to the girls that were auditioning, 232 00:11:13,920 --> 00:11:16,120 Speaker 1: because they seemed to gloss over a lot of the 233 00:11:16,200 --> 00:11:19,680 Speaker 1: bad auditions. And also the judges were shown being quite 234 00:11:19,679 --> 00:11:22,400 Speaker 1: supportive of the girls. I mean in one of the episodes, 235 00:11:22,440 --> 00:11:24,920 Speaker 1: we see a girl visibly shaking and they're given a 236 00:11:24,960 --> 00:11:27,120 Speaker 1: lot of support instead of being made fun of. Their 237 00:11:27,160 --> 00:11:30,319 Speaker 1: faces were quite hilariously, like you could tell instantly if 238 00:11:30,400 --> 00:11:32,640 Speaker 1: Jackie O was a bit like yeah. I loved the 239 00:11:32,760 --> 00:11:35,400 Speaker 1: shot from behind the contestants and it was you know, 240 00:11:35,440 --> 00:11:37,840 Speaker 1: you can see the contestants singing and just the judges' 241 00:11:37,880 --> 00:11:40,800 Speaker 1: faces and they were classic. It's almost that trying not 242 00:11:40,920 --> 00:11:43,240 Speaker 1: to laugh. And I did love how Chris Moss would 243 00:11:43,280 --> 00:11:45,640 Speaker 1: have this certain hand movement that he would do when 244 00:11:45,679 --> 00:11:48,840 Speaker 1: he'd heard enough. Yeah, sometimes it was quite quick. One 245 00:11:48,840 --> 00:11:51,480 Speaker 1: thing that I couldn't get over was the eyebrows. I 246 00:11:51,600 --> 00:11:53,680 Speaker 1: just can't believe it because they were plucked within an 247 00:11:53,720 --> 00:11:57,359 Speaker 1: inch of their life. Like every girl had pencils in eyebrows. 248 00:11:57,440 --> 00:12:03,280 Speaker 1: Everyone was so thin, like thin you forget that diet culture. 249 00:12:03,360 --> 00:12:05,800 Speaker 1: Back in the nineties, it was the Kate Moss era. 250 00:12:06,080 --> 00:12:08,280 Speaker 1: I did love the fashion though, because we are seeing 251 00:12:08,280 --> 00:12:11,040 Speaker 1: the nineties come back in a big way. Everyone was 252 00:12:11,080 --> 00:12:14,439 Speaker 1: trying to emulate the spice perse. Now in the first episode, 253 00:12:14,440 --> 00:12:16,880 Speaker 1: we meet the five girls who do eventually go on 254 00:12:17,000 --> 00:12:19,920 Speaker 1: to join Bardo, and from the start, Sophie Monk was 255 00:12:19,960 --> 00:12:22,480 Speaker 1: a fan favorite. As you touched on. She was only 256 00:12:22,600 --> 00:12:25,520 Speaker 1: nineteen at the time, and she'd driven nine hours through 257 00:12:25,520 --> 00:12:27,880 Speaker 1: the night to make the auditions, and at the time 258 00:12:27,960 --> 00:12:30,080 Speaker 1: she was working on the Gold Coast performing as a 259 00:12:30,120 --> 00:12:32,760 Speaker 1: Marilyn Monroe impersonator. And I feel like he can really 260 00:12:32,760 --> 00:12:36,160 Speaker 1: pick that up in her audition. Let's throw to it 261 00:12:36,360 --> 00:12:44,360 Speaker 1: that the hardly goal. You could just tell that Sophie 262 00:12:44,360 --> 00:12:47,439 Speaker 1: Monk had that instant star quality when she performs. I 263 00:12:47,480 --> 00:12:49,720 Speaker 1: still can't believe she was only nineteen. It really blows 264 00:12:49,760 --> 00:12:52,440 Speaker 1: my mind. Now. The next girl was Katie Underwood, and 265 00:12:52,480 --> 00:12:55,360 Speaker 1: the judges weren't really sure about her. She clearly had 266 00:12:55,400 --> 00:12:57,840 Speaker 1: the X factor, but there were concerns that her voice 267 00:12:57,880 --> 00:13:02,120 Speaker 1: wasn't strong enough. What love got to do got to 268 00:13:02,200 --> 00:13:05,440 Speaker 1: do with it. She made quite the impression because I 269 00:13:05,520 --> 00:13:08,040 Speaker 1: still have a vivid memory of what she wore to 270 00:13:08,040 --> 00:13:11,960 Speaker 1: this first audition. So she had this silver reflective top 271 00:13:12,000 --> 00:13:14,640 Speaker 1: on that looked a bit like a metal shield. And 272 00:13:15,040 --> 00:13:17,520 Speaker 1: while it made hers stand out to the judges, they 273 00:13:17,559 --> 00:13:20,280 Speaker 1: actually ended up asking her to change her outfit. Let's 274 00:13:20,280 --> 00:13:22,520 Speaker 1: throw to what they said, we're. 275 00:13:22,320 --> 00:13:24,840 Speaker 2: Going to ask you to come back, given that you've 276 00:13:24,880 --> 00:13:28,040 Speaker 2: gone to so much trouble and it looks absolutely fantastic. 277 00:13:28,559 --> 00:13:31,120 Speaker 2: Is there a chance that you can change your attire 278 00:13:31,400 --> 00:13:34,080 Speaker 2: by one o'clock? I want you to rush out and 279 00:13:34,160 --> 00:13:39,000 Speaker 2: like spend. That's not what we're some looking for problem. 280 00:13:39,000 --> 00:13:39,320 Speaker 2: Thank you. 281 00:13:40,320 --> 00:13:42,440 Speaker 1: I love how polite they were. You know, if you 282 00:13:42,520 --> 00:13:44,600 Speaker 1: can go out and buy something, it'd be great. I 283 00:13:44,640 --> 00:13:47,280 Speaker 1: do recall when I saw Katie, I thought, oh, she's 284 00:13:47,320 --> 00:13:49,320 Speaker 1: going to be one of those people like that everyone 285 00:13:49,400 --> 00:13:51,680 Speaker 1: laughs at, you know, like the person. Well really, I 286 00:13:51,720 --> 00:13:54,440 Speaker 1: actually had the opposite opinion. I thought that she looked 287 00:13:54,480 --> 00:13:57,640 Speaker 1: like a star because she had a really unusual look 288 00:13:57,640 --> 00:13:59,600 Speaker 1: and a striking look. Yeah, but I thought it came 289 00:13:59,640 --> 00:14:01,880 Speaker 1: across that she was trying too hard and you know 290 00:14:01,920 --> 00:14:04,920 Speaker 1: those people that go for that shock factor, they end 291 00:14:05,000 --> 00:14:07,760 Speaker 1: up being the center of the show for five minutes 292 00:14:07,800 --> 00:14:10,760 Speaker 1: and then they get kicked off. Well, when Belinda Chappel auditioned, 293 00:14:10,800 --> 00:14:13,520 Speaker 1: she made a big impression. She was actually working as 294 00:14:13,559 --> 00:14:16,000 Speaker 1: a model at the time and her agent had actually 295 00:14:16,000 --> 00:14:18,480 Speaker 1: booked it in for three catwalk shows that day, so 296 00:14:18,840 --> 00:14:21,000 Speaker 1: she knew in order to be seen by the judges 297 00:14:21,040 --> 00:14:23,320 Speaker 1: she had to talk her way in to getting into 298 00:14:23,320 --> 00:14:26,400 Speaker 1: one of those early audition groups. They must have known 299 00:14:26,440 --> 00:14:29,480 Speaker 1: she had star quality then, because we did see a 300 00:14:29,480 --> 00:14:32,840 Speaker 1: lot of duds performing and she did bring along her 301 00:14:32,920 --> 00:14:36,280 Speaker 1: CV to show, look, I actually am a performer. They 302 00:14:36,280 --> 00:14:38,160 Speaker 1: would have taken one look at her and gone, yeah, 303 00:14:38,200 --> 00:14:40,120 Speaker 1: you can go to the front. Ye go straight through, 304 00:14:40,320 --> 00:14:42,760 Speaker 1: because we know that so much of it was about 305 00:14:42,800 --> 00:14:45,560 Speaker 1: the look and having that right pop star look. Definitely 306 00:14:45,760 --> 00:14:48,000 Speaker 1: in her book, I found it quite interesting because she 307 00:14:48,120 --> 00:14:50,600 Speaker 1: said that she'd always dreamt of being a pop star 308 00:14:50,720 --> 00:14:53,080 Speaker 1: and when she saw it advertised a new idea, she 309 00:14:53,320 --> 00:14:55,400 Speaker 1: just had this feeling that she was going to land 310 00:14:55,480 --> 00:14:58,080 Speaker 1: the job. It seems to be this gut feeling that 311 00:14:58,200 --> 00:15:01,280 Speaker 1: a lot of people get for something like Sadly, there 312 00:15:01,280 --> 00:15:03,160 Speaker 1: are a lot of people that have no chance also 313 00:15:03,600 --> 00:15:06,080 Speaker 1: a cut feeling, which we saw on the show. I 314 00:15:06,160 --> 00:15:09,400 Speaker 1: do recall when Michael was saying, there are some people 315 00:15:09,440 --> 00:15:12,280 Speaker 1: that really thought they had a good chance. And I 316 00:15:12,280 --> 00:15:15,120 Speaker 1: suppose it's because, again, they'd never done big auditions like 317 00:15:15,200 --> 00:15:17,760 Speaker 1: that in the past, because Belinda Chappele in her book 318 00:15:17,800 --> 00:15:19,640 Speaker 1: talks about the fact that she used to go to 319 00:15:19,680 --> 00:15:22,440 Speaker 1: auditions all the time, but these were professional auditions where 320 00:15:22,440 --> 00:15:25,160 Speaker 1: they just don't let anyone in. But with pop stars, 321 00:15:25,520 --> 00:15:28,600 Speaker 1: anyone who bought a new idea could audition. Now, Belinda 322 00:15:28,720 --> 00:15:31,120 Speaker 1: did opt to sing respect, and in the book she 323 00:15:31,160 --> 00:15:33,960 Speaker 1: said that it was a fairly average rendition of the song, 324 00:15:34,040 --> 00:15:36,720 Speaker 1: and she explained that she was so nervous that she 325 00:15:36,800 --> 00:15:38,480 Speaker 1: felt like her heart was going to jump out of 326 00:15:38,480 --> 00:15:41,640 Speaker 1: her chest. So she made this very impromptu dance move 327 00:15:41,720 --> 00:15:44,880 Speaker 1: actioning her pounding heart. And I always remember watching this thinking, 328 00:15:45,240 --> 00:15:48,120 Speaker 1: what's that about? Yeah, I never knew what it was about, 329 00:15:48,200 --> 00:15:49,720 Speaker 1: but I thought it was kind of like she was 330 00:15:49,760 --> 00:15:52,680 Speaker 1: showing that she was fun and creative. Let's throw to 331 00:15:52,720 --> 00:15:58,000 Speaker 1: her audition, Ah that scared. It's for their respect when 332 00:15:58,000 --> 00:16:02,840 Speaker 1: you come home, hey, baby, when you get home, mister. 333 00:16:06,680 --> 00:16:09,320 Speaker 1: It's so funny watching this show back more than twenty 334 00:16:09,520 --> 00:16:11,680 Speaker 1: years on, because there are so many things that just 335 00:16:11,720 --> 00:16:14,600 Speaker 1: wouldn't fly now. One of them that really stood out 336 00:16:14,640 --> 00:16:17,320 Speaker 1: was the ageism. So in the first episode, they make 337 00:16:17,440 --> 00:16:19,440 Speaker 1: fun of a group of women in their late thirties 338 00:16:19,440 --> 00:16:22,360 Speaker 1: to early forties auditioning for the show. Let's throw to 339 00:16:22,400 --> 00:16:23,200 Speaker 1: the clip. 340 00:16:23,800 --> 00:16:26,440 Speaker 2: The auditions are open to any girl who was eighteen. 341 00:16:27,920 --> 00:16:30,160 Speaker 1: My boyfriend's wife rang up and told me about it. 342 00:16:30,200 --> 00:16:33,520 Speaker 2: Actually, Oh love her. She's a lovely lady. 343 00:16:33,720 --> 00:16:34,200 Speaker 1: I'm shame. 344 00:16:37,240 --> 00:16:38,600 Speaker 2: No, so what you reckon? 345 00:16:38,640 --> 00:16:42,520 Speaker 1: You're gonna need chicky babes end today. If anything, were 346 00:16:42,600 --> 00:16:46,920 Speaker 1: just going to help those young ladies out every night. 347 00:16:47,520 --> 00:16:55,360 Speaker 1: Oh my dreams, I see I see you. The funniest 348 00:16:55,400 --> 00:16:57,880 Speaker 1: thing about this was that these women actually seemed a 349 00:16:57,880 --> 00:17:00,440 Speaker 1: lot more talented than some that actually made it through. 350 00:17:00,480 --> 00:17:02,880 Speaker 1: They actually had good voices, yeah, but you could tell 351 00:17:02,920 --> 00:17:05,840 Speaker 1: they just weren't what they were looking for. Maybe if 352 00:17:05,840 --> 00:17:09,280 Speaker 1: it was the voice and they're particularly looking for a voice, 353 00:17:09,280 --> 00:17:12,399 Speaker 1: but it's clear they were looking to manufacture a pop 354 00:17:12,440 --> 00:17:15,600 Speaker 1: group of five twenty something. Something that was also really 355 00:17:15,640 --> 00:17:18,800 Speaker 1: evident was the lack of diversity, because this show claimed 356 00:17:18,800 --> 00:17:21,880 Speaker 1: that it wanted five different girls, that girls at home 357 00:17:21,920 --> 00:17:24,480 Speaker 1: could relate to. However, the five women that they ended 358 00:17:24,560 --> 00:17:27,399 Speaker 1: up choosing were all white and straight sized women. In 359 00:17:27,520 --> 00:17:30,080 Speaker 1: saying that when watching the auditions, there were quite a 360 00:17:30,080 --> 00:17:33,520 Speaker 1: few different nationalities that were actually put through the process, 361 00:17:33,760 --> 00:17:35,920 Speaker 1: but they just went picked at the end. I also 362 00:17:35,960 --> 00:17:39,320 Speaker 1: found it really uncomfortable because the judges would use someone's 363 00:17:39,440 --> 00:17:43,280 Speaker 1: dancing ability as this thinly veiled excuse to reject plus 364 00:17:43,320 --> 00:17:46,320 Speaker 1: size contestants. So in the first episode, we see an 365 00:17:46,400 --> 00:17:48,800 Speaker 1: eighteen year old girl called Beth Huddle get through the 366 00:17:48,840 --> 00:17:51,760 Speaker 1: first stage of the audition process and at the time 367 00:17:51,800 --> 00:17:54,359 Speaker 1: she was working as a hairstylist and a cake decorator. 368 00:17:54,359 --> 00:17:56,960 Speaker 1: For some reason, I loved the inclusion that she was 369 00:17:56,960 --> 00:18:00,639 Speaker 1: a cake decorator and apparently she'd had five years singing experience, 370 00:18:00,760 --> 00:18:03,600 Speaker 1: and the narrator explained that she'd been to many auditions 371 00:18:03,640 --> 00:18:06,680 Speaker 1: before and during this one on one audition she did, 372 00:18:06,800 --> 00:18:09,240 Speaker 1: Jackie O said to her, could you move around a 373 00:18:09,280 --> 00:18:11,440 Speaker 1: bit because we want to see some of your dancing, 374 00:18:11,600 --> 00:18:14,639 Speaker 1: And during this audition, Beth stuffed up the lyrics a 375 00:18:14,640 --> 00:18:17,040 Speaker 1: couple of times, and she asks if she can get 376 00:18:17,040 --> 00:18:21,120 Speaker 1: the lyrics to the song, let's play the exchange. Shall 377 00:18:21,320 --> 00:18:30,240 Speaker 1: your hand Tato makes my upholstery. Oh my god, a couple. So, 378 00:18:31,040 --> 00:18:32,840 Speaker 1: I know this looks really bad. It looks like I'm nervous, 379 00:18:32,880 --> 00:18:34,560 Speaker 1: but I've just forgot my ways. I only let the 380 00:18:34,600 --> 00:18:37,000 Speaker 1: song this morning. Is it okay if I get some lyrics? Sure? 381 00:18:37,440 --> 00:18:40,240 Speaker 2: Well, no, it's not. Actually, to be honest, it's not. 382 00:18:41,400 --> 00:18:44,080 Speaker 1: Since this show, it seems like Jackie O has continued 383 00:18:44,119 --> 00:18:46,480 Speaker 1: to be cast in the role of the good cop 384 00:18:46,840 --> 00:18:49,360 Speaker 1: woman that asked the girls to do something and kind 385 00:18:49,359 --> 00:18:52,760 Speaker 1: of sets them up for failure and critique from a male. Yeah, 386 00:18:52,760 --> 00:18:56,280 Speaker 1: that's so true. Now, following this scolding, Beth then sings 387 00:18:56,320 --> 00:18:58,760 Speaker 1: the chorus and she sounds really great, and the judges 388 00:18:58,800 --> 00:19:01,320 Speaker 1: basically deliberate and in front of her, and they say 389 00:19:01,359 --> 00:19:04,040 Speaker 1: her voice is really strong, but they didn't see any movement, 390 00:19:04,280 --> 00:19:06,239 Speaker 1: and despite the fact that she really did have one 391 00:19:06,280 --> 00:19:09,399 Speaker 1: of the strongest voices in this competition, they chose to 392 00:19:09,400 --> 00:19:12,840 Speaker 1: cut her. Here's what they said, what love. 393 00:19:12,800 --> 00:19:13,400 Speaker 2: Got to do? 394 00:19:13,960 --> 00:19:19,600 Speaker 1: Got to do that? Why love the second handed bullshit? 395 00:19:20,080 --> 00:19:22,879 Speaker 2: fIF We know everyone gets radiled with the nerves and 396 00:19:22,880 --> 00:19:25,280 Speaker 2: it makes it really difficult and everything else, but it 397 00:19:25,359 --> 00:19:27,800 Speaker 2: was a second callback and we see you come in 398 00:19:28,040 --> 00:19:30,439 Speaker 2: and be very confident with the song at least the 399 00:19:30,520 --> 00:19:33,440 Speaker 2: other point, because it wasn't just that movement and dance 400 00:19:33,520 --> 00:19:36,400 Speaker 2: is also important to us as well, and we don't 401 00:19:36,440 --> 00:19:39,399 Speaker 2: feel that we saw enough animation from that point. Ye, 402 00:19:39,520 --> 00:19:43,159 Speaker 2: that's cool, So on that basis, we won't go for 403 00:19:43,200 --> 00:19:44,000 Speaker 2: a callback from here. 404 00:19:44,320 --> 00:19:47,160 Speaker 1: Thanks very much for your time. Anyway, you can see 405 00:19:47,160 --> 00:19:49,680 Speaker 1: that poor Beth was really shaken by this experience. She 406 00:19:49,800 --> 00:19:51,679 Speaker 1: did mutter under her breath that it was such a 407 00:19:51,800 --> 00:19:53,800 Speaker 1: joke and said that she'd never heard of anyone not 408 00:19:53,840 --> 00:19:56,720 Speaker 1: getting a callback because they couldn't dance, And she ended 409 00:19:56,800 --> 00:19:59,320 Speaker 1: up breaking down in tears when she left, and all 410 00:19:59,320 --> 00:20:01,919 Speaker 1: of the contestants asking her what was wrong. This is 411 00:20:01,920 --> 00:20:04,879 Speaker 1: what she said, you know what, It's all about the 412 00:20:04,920 --> 00:20:10,560 Speaker 1: image And oh darly, I got offered a contract with 413 00:20:10,640 --> 00:20:13,000 Speaker 1: PolyGram in London and they told me I had to 414 00:20:13,040 --> 00:20:16,080 Speaker 1: lose teen heroes, I had to get hair extensions and 415 00:20:16,119 --> 00:20:18,639 Speaker 1: bleash it. It's all about the image. It was so 416 00:20:18,760 --> 00:20:21,720 Speaker 1: obvious that the judges were just using Beth dancing as 417 00:20:21,720 --> 00:20:24,119 Speaker 1: an excuse not to take her on because her image 418 00:20:24,160 --> 00:20:26,679 Speaker 1: didn't suit the band. Yeah, which I'm surprised about because 419 00:20:26,680 --> 00:20:28,600 Speaker 1: I would have thought in the early two thousands. They 420 00:20:28,600 --> 00:20:31,800 Speaker 1: didn't really care about hurting people's feelings. Yeah, but everyone 421 00:20:31,800 --> 00:20:33,920 Speaker 1: could see through it. They were even more avert as 422 00:20:33,960 --> 00:20:37,080 Speaker 1: it went on because there was another contestant called Kara Holdham. 423 00:20:37,240 --> 00:20:40,040 Speaker 1: Here's what they said about her, like. 424 00:20:40,080 --> 00:20:42,439 Speaker 2: He had a real bit of character about her, and 425 00:20:42,480 --> 00:20:46,239 Speaker 2: then got into the group tried to overplayed. I think 426 00:20:46,320 --> 00:20:48,639 Speaker 2: it's rd to go and you feel comfortable in yourself 427 00:20:48,640 --> 00:20:50,400 Speaker 2: and you should just be able to jump in the image. 428 00:20:50,880 --> 00:20:52,480 Speaker 2: So I think that the fact that she was putting 429 00:20:52,480 --> 00:20:56,040 Speaker 2: it down to the whole process I found that she 430 00:20:56,080 --> 00:21:01,879 Speaker 2: had governed. I don't think we need to see anymore. 431 00:21:02,440 --> 00:21:04,959 Speaker 1: It's hard to listen to that back because it's pretty 432 00:21:05,000 --> 00:21:07,879 Speaker 1: clear the judges already had a very strict mold of 433 00:21:07,880 --> 00:21:10,560 Speaker 1: what they wanted the girls to be. And I think 434 00:21:10,600 --> 00:21:13,359 Speaker 1: this sort of fat phobic rhetoric and lack of diversity 435 00:21:13,400 --> 00:21:16,160 Speaker 1: shows just how far we've come in twenty twenty three, 436 00:21:16,200 --> 00:21:19,639 Speaker 1: like this would not be allowed now. Watching this series back, 437 00:21:19,920 --> 00:21:23,480 Speaker 1: the entire audition process is really quite quick because by 438 00:21:23,520 --> 00:21:26,960 Speaker 1: the second episode, the judges are already forming the final 439 00:21:27,000 --> 00:21:28,960 Speaker 1: twenty five who will go to Sydney for the last 440 00:21:29,080 --> 00:21:32,160 Speaker 1: round of auditions before the final five are then announced, 441 00:21:32,200 --> 00:21:33,760 Speaker 1: and I think it was really good to do it 442 00:21:33,800 --> 00:21:36,359 Speaker 1: this way because a lot of current singing competitions I 443 00:21:36,359 --> 00:21:38,960 Speaker 1: feel like they really drag out the audition process and 444 00:21:38,960 --> 00:21:41,040 Speaker 1: they sort of just use it as an opportunity to 445 00:21:41,040 --> 00:21:44,080 Speaker 1: make fun of everyone. Australian Idle were the worst at that. 446 00:21:44,119 --> 00:21:46,320 Speaker 1: The auditions went for so long, you like just get 447 00:21:46,359 --> 00:21:48,560 Speaker 1: to the good bit, and I think because they wanted 448 00:21:48,600 --> 00:21:51,119 Speaker 1: to drag it out, that's why they always humiliated people 449 00:21:51,160 --> 00:21:52,800 Speaker 1: so much, because you can't just show all of the 450 00:21:52,840 --> 00:21:56,240 Speaker 1: good scenes. Yes, now, in this episode, it's really nostalgic 451 00:21:56,280 --> 00:21:59,240 Speaker 1: because the judges sit around watching the auditions back on 452 00:21:59,280 --> 00:22:02,520 Speaker 1: a VHS player and then they use landline phones to 453 00:22:02,600 --> 00:22:05,080 Speaker 1: ring the contestants to tell them whether they're going through 454 00:22:05,080 --> 00:22:07,520 Speaker 1: to the Sydney auditions. And I love it because the 455 00:22:07,560 --> 00:22:09,840 Speaker 1: girls are either living at home with their parents in 456 00:22:09,880 --> 00:22:13,040 Speaker 1: a very suburban setup, or they're living in very small, 457 00:22:13,080 --> 00:22:15,760 Speaker 1: one bedroom apartment and it's just wild to me how 458 00:22:15,800 --> 00:22:18,200 Speaker 1: we operated without mobile phones. Then, like the fact that 459 00:22:18,240 --> 00:22:20,719 Speaker 1: you're having to wait by a landline phone to hear 460 00:22:20,760 --> 00:22:22,719 Speaker 1: the biggest news of your life. It's fairly obviously. This 461 00:22:22,800 --> 00:22:25,359 Speaker 1: is set up firstly because the TV cameras are filming 462 00:22:25,400 --> 00:22:28,119 Speaker 1: the girl's reactions. But if you didn't have a mobile 463 00:22:28,119 --> 00:22:30,199 Speaker 1: phone back in the day, you have to let that 464 00:22:30,240 --> 00:22:33,200 Speaker 1: phone call go to the answering machine. Imagine wait getting 465 00:22:33,200 --> 00:22:35,080 Speaker 1: that when you got here. Well, they had TV crews 466 00:22:35,080 --> 00:22:36,879 Speaker 1: set up at the girl's family homes, and it was 467 00:22:36,880 --> 00:22:38,920 Speaker 1: really awkward to see the ones who didn't get through 468 00:22:38,920 --> 00:22:41,080 Speaker 1: because basically they'd asked them to gather all of their 469 00:22:41,119 --> 00:22:44,080 Speaker 1: family and friends over years. But I just couldn't get 470 00:22:44,119 --> 00:22:47,000 Speaker 1: over the early two thousands decore and some of the 471 00:22:47,080 --> 00:22:50,240 Speaker 1: homes because there were so many fake gerbras, which I 472 00:22:50,280 --> 00:22:52,560 Speaker 1: remember we had them in our house. They also had 473 00:22:52,640 --> 00:22:56,399 Speaker 1: so much dark wood like as furniture, and one girl 474 00:22:56,440 --> 00:23:00,000 Speaker 1: she had this turquoise couch that had little swirls on it. 475 00:23:00,000 --> 00:23:03,400 Speaker 1: Anyone have blow up furniture? No, I mean maybe more 476 00:23:03,400 --> 00:23:05,080 Speaker 1: in the girl's bedrooms. I feel like that was more 477 00:23:05,080 --> 00:23:08,119 Speaker 1: of a teenage thing. There was one contestant who was 478 00:23:08,160 --> 00:23:11,560 Speaker 1: issued an ultimatum by the judges. Her name was Cherry 479 00:23:11,600 --> 00:23:14,000 Speaker 1: Western Pearce, and she was told if she wanted to 480 00:23:14,040 --> 00:23:16,879 Speaker 1: move through to the next round, she had to remove 481 00:23:16,920 --> 00:23:19,920 Speaker 1: her tongue ring. Now they claimed it's because it made 482 00:23:20,000 --> 00:23:22,960 Speaker 1: her have a lisp when she sung, but I think 483 00:23:23,000 --> 00:23:25,080 Speaker 1: it's just that they didn't like the look of it. 484 00:23:25,359 --> 00:23:29,040 Speaker 1: Now this line really cracked me up. Cherry's got to 485 00:23:29,040 --> 00:23:30,480 Speaker 1: prove she wants it bad enough. 486 00:23:30,560 --> 00:23:34,240 Speaker 2: If she wants to go to Sydney, a man covered 487 00:23:34,240 --> 00:23:36,080 Speaker 2: in tattoos is her only solution. 488 00:23:36,960 --> 00:23:39,600 Speaker 1: Now, this man with tattoos was the guy that was 489 00:23:39,640 --> 00:23:42,359 Speaker 1: going to remove the tongue ring for Cherry. The way 490 00:23:42,359 --> 00:23:45,720 Speaker 1: that the voiceover said tattoos was so funny, and I 491 00:23:45,760 --> 00:23:48,360 Speaker 1: love the way they acted, like going to a tattoo 492 00:23:48,400 --> 00:23:51,840 Speaker 1: shop was so scandalous and edgy at the time. Following this, 493 00:23:52,040 --> 00:23:54,320 Speaker 1: the top twenty five are flown to Sydney and this 494 00:23:54,359 --> 00:23:57,159 Speaker 1: is for their intense week of auditions where some of 495 00:23:57,200 --> 00:24:00,600 Speaker 1: the top choreographers in Australia and vocal coach put them 496 00:24:00,640 --> 00:24:03,639 Speaker 1: through their paces. It's pretty classic because when the girls 497 00:24:03,720 --> 00:24:06,680 Speaker 1: arrive at Sydney Airport, we see Sophie Monk have this 498 00:24:06,760 --> 00:24:10,840 Speaker 1: really awkward exchange with Ossie TV icon Barry Crocker. So 499 00:24:11,080 --> 00:24:14,359 Speaker 1: Barry approaches Sophie and another contestant and he tells them 500 00:24:14,400 --> 00:24:17,639 Speaker 1: that his granddaughter auditioned but she didn't get through, so 501 00:24:17,720 --> 00:24:20,439 Speaker 1: they must be pretty great. When he departs, he then 502 00:24:20,520 --> 00:24:22,480 Speaker 1: says to them, I'll see you on the stages of 503 00:24:22,520 --> 00:24:26,080 Speaker 1: the world. Now, Sophie Monk had no idea who Barry 504 00:24:26,119 --> 00:24:28,000 Speaker 1: Krocker was. And for those who might be in the 505 00:24:28,040 --> 00:24:30,560 Speaker 1: same boat, he is a Gold Logi winning actor and 506 00:24:30,600 --> 00:24:33,800 Speaker 1: he's also a singer. And there's also a saying that 507 00:24:33,920 --> 00:24:36,280 Speaker 1: if you're having a Barry Crocker, it means that you're 508 00:24:36,320 --> 00:24:38,680 Speaker 1: having a bad day or a shocker. So Sophie Monk 509 00:24:38,720 --> 00:24:40,800 Speaker 1: seemed to be having a Barry Croker that day. Is 510 00:24:40,800 --> 00:24:44,520 Speaker 1: it bad? All I can think of is Betty Crocker. Yeah. Now, 511 00:24:44,520 --> 00:24:47,240 Speaker 1: the girls end up being taken to the Noverteale Hotel 512 00:24:47,320 --> 00:24:49,720 Speaker 1: in the heart of Sydney, where the show puts on 513 00:24:49,760 --> 00:24:52,520 Speaker 1: a thank you party. Now, the voiceover says, the girls 514 00:24:52,520 --> 00:24:54,280 Speaker 1: are dressed up for a night on the town as 515 00:24:54,280 --> 00:24:56,560 Speaker 1: they meet with the judges at the social event in 516 00:24:56,600 --> 00:24:59,520 Speaker 1: the hotel bar. And you can really tell at this 517 00:24:59,600 --> 00:25:02,280 Speaker 1: point how low budget the show is because there's just 518 00:25:02,320 --> 00:25:04,520 Speaker 1: a couple of counterpas and a glass of wine for 519 00:25:04,560 --> 00:25:07,520 Speaker 1: the girls. Yeah. And in her book, Belinda references this 520 00:25:07,560 --> 00:25:09,960 Speaker 1: event and she said that at this time she became 521 00:25:10,040 --> 00:25:12,879 Speaker 1: really aware of the cameras, and she noticed that a 522 00:25:12,920 --> 00:25:15,960 Speaker 1: lot of the camera men were inappropriately zooming up on 523 00:25:16,040 --> 00:25:18,600 Speaker 1: the women's bodies, and she knew that she had to 524 00:25:18,720 --> 00:25:21,000 Speaker 1: use the cameras to her advantage, but she said she 525 00:25:21,040 --> 00:25:22,800 Speaker 1: felt really nervous around them. 526 00:25:23,000 --> 00:25:23,119 Speaker 2: Now. 527 00:25:23,160 --> 00:25:25,760 Speaker 1: The next day, the auditions were held at George Hall 528 00:25:25,840 --> 00:25:29,119 Speaker 1: and a leading choreographer took the girls through their paces. Now, 529 00:25:29,160 --> 00:25:32,280 Speaker 1: whilst the judges did use dancing ability as an excuse 530 00:25:32,320 --> 00:25:34,760 Speaker 1: to send some girls home, it is apparent in this 531 00:25:34,840 --> 00:25:37,840 Speaker 1: episode that the girl's ability to dance is actually a 532 00:25:37,880 --> 00:25:40,560 Speaker 1: big deal and it looked like hard work. The girls 533 00:25:40,560 --> 00:25:43,080 Speaker 1: are taught a dance routine so the judges can see 534 00:25:43,080 --> 00:25:46,280 Speaker 1: who can pick up the moves quickly. Now, Sally Polaronos 535 00:25:46,359 --> 00:25:49,480 Speaker 1: completely stands out from the pack, which isn't really surprising 536 00:25:49,520 --> 00:25:53,159 Speaker 1: because it's revealed that she previously trained in dance, tap, jazz, 537 00:25:53,200 --> 00:25:55,720 Speaker 1: and ballet, and as a child, she was also part 538 00:25:55,720 --> 00:25:58,680 Speaker 1: of the Johnny Young Talent School. In a bonus episode 539 00:25:58,680 --> 00:26:02,560 Speaker 1: of Pop Stars, the judges actually admitted that when Sally auditioned, 540 00:26:02,600 --> 00:26:06,080 Speaker 1: they thought that she was a stripper. It's really awkward 541 00:26:06,119 --> 00:26:19,320 Speaker 1: to listen to. Here's what they said to her. 542 00:26:13,800 --> 00:26:16,840 Speaker 2: That they're getting it from because all these journos kept saying, like, 543 00:26:16,880 --> 00:26:18,480 Speaker 2: you know, the rumor that one of us was a stripper. 544 00:26:19,240 --> 00:26:21,879 Speaker 1: Now this is in reference to the media reports that 545 00:26:21,920 --> 00:26:24,520 Speaker 1: were circulating around the time that Bardo was formed that 546 00:26:24,560 --> 00:26:26,800 Speaker 1: one of the band members was a stripper, and the 547 00:26:26,840 --> 00:26:29,479 Speaker 1: slight shaming nature of these comments was really gross. And 548 00:26:29,520 --> 00:26:31,879 Speaker 1: I just think it's so ironic to think now that 549 00:26:31,920 --> 00:26:35,040 Speaker 1: Anna Paul is a role model for young girls and 550 00:26:35,160 --> 00:26:38,080 Speaker 1: also one of Australia's biggest influences, and people don't seem 551 00:26:38,119 --> 00:26:40,080 Speaker 1: to bat an eyelid at the fact that she's also 552 00:26:40,119 --> 00:26:43,159 Speaker 1: a sex worker. But people seem so appalled that one 553 00:26:43,160 --> 00:26:45,680 Speaker 1: of the pop stars could have previously worked as a stripper. 554 00:26:45,880 --> 00:26:48,280 Speaker 1: It's pretty funny that they thought Sally was a stripper 555 00:26:48,320 --> 00:26:51,399 Speaker 1: because in Belinda's book, she spoke about how she shared 556 00:26:51,400 --> 00:26:53,720 Speaker 1: a room with Sally to begin with, and she was 557 00:26:53,840 --> 00:26:56,600 Speaker 1: quite taken aback when Sally got out a picture of 558 00:26:56,680 --> 00:26:59,960 Speaker 1: Jesus and Rosary beads and put them by her bed. Yes, Sally, 559 00:27:00,000 --> 00:27:02,440 Speaker 1: he was actually one of the most conservative members of 560 00:27:02,480 --> 00:27:05,760 Speaker 1: the band. Now back to the auditions, and ironically, Marsha 561 00:27:05,840 --> 00:27:08,679 Speaker 1: Heines drops past the auditions to speak to the girls 562 00:27:08,720 --> 00:27:12,040 Speaker 1: and discusses the complexities of stardom, and she tells the 563 00:27:12,080 --> 00:27:14,919 Speaker 1: cameras that pop stars is such a great initiative and 564 00:27:14,960 --> 00:27:17,919 Speaker 1: something Australia should do more of, which is quite funny 565 00:27:17,920 --> 00:27:21,520 Speaker 1: because years later she then went on to judge Australian Idol. Now, 566 00:27:21,600 --> 00:27:25,119 Speaker 1: during the auditions, we also meet vocal coach Mark Williams, 567 00:27:25,200 --> 00:27:27,600 Speaker 1: who was there to assess the girl's voices, and we 568 00:27:27,680 --> 00:27:29,800 Speaker 1: hear that they don't want to pick girls with the 569 00:27:29,800 --> 00:27:33,000 Speaker 1: same voice, they want a range of voices which compliment 570 00:27:33,080 --> 00:27:35,840 Speaker 1: each other. It's pretty funny because by the end of 571 00:27:35,880 --> 00:27:38,600 Speaker 1: the day Tiffany Wood had lost her voice and she 572 00:27:38,680 --> 00:27:40,879 Speaker 1: told the judges her voice had gone due to the 573 00:27:40,920 --> 00:27:43,800 Speaker 1: six glasses of champagne she had at the welcome party 574 00:27:43,920 --> 00:27:47,400 Speaker 1: the night before. Now, the group slowly gets whittled down 575 00:27:47,480 --> 00:27:50,040 Speaker 1: until there's fifteen girls who are put into the groups 576 00:27:50,119 --> 00:27:53,159 Speaker 1: for the final performance. Now, these girls are given a 577 00:27:53,160 --> 00:27:55,960 Speaker 1: bit of a makeover and styled to look like pop stars, 578 00:27:56,240 --> 00:28:00,399 Speaker 1: so think crimped hair, pedal pushes, upper arm brace, flirts, 579 00:28:00,480 --> 00:28:03,359 Speaker 1: butterfly clips and there's also a lot of fake leather 580 00:28:03,440 --> 00:28:06,680 Speaker 1: going on. Now, Interestingly, the judges were supposed to pick 581 00:28:06,760 --> 00:28:09,080 Speaker 1: the final five from there, but they bring it down 582 00:28:09,119 --> 00:28:11,720 Speaker 1: to ten girls and they say to the cameras that 583 00:28:11,720 --> 00:28:13,920 Speaker 1: they're going to send the girls home with the promise 584 00:28:13,960 --> 00:28:16,680 Speaker 1: that they'll make their final decision within a week now. 585 00:28:16,720 --> 00:28:19,560 Speaker 1: When the final ten were announced, the producers told them 586 00:28:19,560 --> 00:28:22,920 Speaker 1: to celebrate with an afternoon at Bondai Beach, and Belinda 587 00:28:22,960 --> 00:28:26,160 Speaker 1: recalled hearing one of the camera guys say to the others, okay, 588 00:28:26,240 --> 00:28:28,879 Speaker 1: ready for the TNA shots. Mate now. Belinda said she 589 00:28:28,960 --> 00:28:32,000 Speaker 1: was in disbelief and questioned if she'd really heard him 590 00:28:32,040 --> 00:28:34,760 Speaker 1: say tits and ass shots. I felt really sorry for 591 00:28:34,800 --> 00:28:37,840 Speaker 1: Belinda in this moment, because it would be pretty confronting 592 00:28:37,920 --> 00:28:40,200 Speaker 1: being a young woman who is trying to win a 593 00:28:40,240 --> 00:28:43,480 Speaker 1: singing competition and then you've got these camera guys wanting 594 00:28:43,520 --> 00:28:46,200 Speaker 1: to take shots of your ars and tits. She did 595 00:28:46,320 --> 00:28:48,200 Speaker 1: end up grabbing a shirt and a T shirt to 596 00:28:48,240 --> 00:28:51,360 Speaker 1: throw over her bathers, and the camera guy said, no, honey, 597 00:28:51,400 --> 00:28:54,480 Speaker 1: this is a bikini shot. Close off. Yeah. Now. To 598 00:28:54,600 --> 00:28:57,560 Speaker 1: celebrate making it through to the final ten, the producers 599 00:28:57,560 --> 00:28:59,840 Speaker 1: told the girls that they had something special planned for 600 00:28:59,840 --> 00:29:02,120 Speaker 1: them them that evening, and they picked them up at 601 00:29:02,120 --> 00:29:05,000 Speaker 1: the harbor at seven pm. They also told them to 602 00:29:05,040 --> 00:29:07,880 Speaker 1: throw on their sexiest frocks and look camera ready. I 603 00:29:07,920 --> 00:29:10,920 Speaker 1: wanted to include the word frocks because I didn't know this, 604 00:29:11,000 --> 00:29:13,440 Speaker 1: but that was actually one of the name suggestions for 605 00:29:13,520 --> 00:29:16,680 Speaker 1: the band Frocks. Really it was a terrible name suggestion, 606 00:29:16,800 --> 00:29:19,120 Speaker 1: but it shows that that word must have really been 607 00:29:19,280 --> 00:29:22,200 Speaker 1: used highly around two thousand. I remember when we were younger, 608 00:29:22,200 --> 00:29:24,840 Speaker 1: were like, why don't they just call the band popstars? 609 00:29:24,880 --> 00:29:27,280 Speaker 1: That's what it is. The girls were taken to dinner 610 00:29:27,360 --> 00:29:29,920 Speaker 1: to meet the company's execs for the first time, and 611 00:29:29,960 --> 00:29:33,200 Speaker 1: Belinda refers to them in the book as the Gray Suits, 612 00:29:33,480 --> 00:29:36,240 Speaker 1: and they own the production company, and she was wondering, 613 00:29:36,600 --> 00:29:39,080 Speaker 1: why are we only meeting them now this far into 614 00:29:39,120 --> 00:29:41,200 Speaker 1: the audition process. And I think this was one of 615 00:29:41,240 --> 00:29:45,240 Speaker 1: the pivotal parts when she realized that the composition wasn't 616 00:29:45,360 --> 00:29:48,720 Speaker 1: quite what they thought it was. It felt a bit wrong. Yeah. 617 00:29:48,760 --> 00:29:51,280 Speaker 1: So the next morning, the ten girls were instructed to 618 00:29:51,320 --> 00:29:53,960 Speaker 1: report to the conference room, but this time there were 619 00:29:54,000 --> 00:29:57,280 Speaker 1: no camera crews or judges there, just the two TV 620 00:29:57,480 --> 00:30:00,160 Speaker 1: executives that they'd met the night before. Now they they 621 00:30:00,200 --> 00:30:03,640 Speaker 1: walked in and introduced the girls to their lawyers. Blinda 622 00:30:03,680 --> 00:30:06,080 Speaker 1: said that the room suddenly felt colder, and that the 623 00:30:06,120 --> 00:30:09,800 Speaker 1: tone of the journey completely changed. She also wondered why 624 00:30:09,920 --> 00:30:13,360 Speaker 1: there were still ten contestants there now. The execs told 625 00:30:13,400 --> 00:30:15,640 Speaker 1: the group that they were through to the final stage 626 00:30:15,680 --> 00:30:18,360 Speaker 1: of the selection process and that they'd liked to give 627 00:30:18,400 --> 00:30:21,840 Speaker 1: them a contract, so they gave each woman five days 628 00:30:21,880 --> 00:30:24,240 Speaker 1: and fifteen hundred dollars to get a lawyer to look 629 00:30:24,320 --> 00:30:27,360 Speaker 1: over the documents. It's quite clear they didn't want to 630 00:30:27,360 --> 00:30:30,440 Speaker 1: whittle it down to five contestants because they wanted to 631 00:30:30,560 --> 00:30:33,840 Speaker 1: use these contracts as a bargaining tool, because if they 632 00:30:33,840 --> 00:30:37,480 Speaker 1: had selected five girls, these girls would have felt wanted 633 00:30:37,560 --> 00:30:40,479 Speaker 1: and maybe got together and said no, let's all agree 634 00:30:40,520 --> 00:30:44,000 Speaker 1: to these terms. However, they ended up feeling pretty replaceable 635 00:30:44,000 --> 00:30:46,280 Speaker 1: because if one didn't sign the contract, they had others 636 00:30:46,360 --> 00:30:48,840 Speaker 1: waiting in the wing. This part of Blinda's book made 637 00:30:48,840 --> 00:30:52,360 Speaker 1: me really angry because the production company was acting like 638 00:30:52,400 --> 00:30:54,680 Speaker 1: they were so lovely giving them money to go and 639 00:30:54,680 --> 00:30:58,320 Speaker 1: seek out legal advice, but in reality they probably did that. 640 00:30:58,440 --> 00:31:00,719 Speaker 1: So then if later the girls suit and said, oh, 641 00:31:00,720 --> 00:31:03,560 Speaker 1: you know, we won't given enough information, they could go, well, 642 00:31:03,640 --> 00:31:06,200 Speaker 1: you went to a lawyer. Well, the exacts actually told 643 00:31:06,240 --> 00:31:08,360 Speaker 1: the girls that if they don't sign it, they won't 644 00:31:08,400 --> 00:31:10,360 Speaker 1: be in contention for a place in the band. That's 645 00:31:10,400 --> 00:31:13,280 Speaker 1: how serious it was. These girls were so young at 646 00:31:13,280 --> 00:31:16,320 Speaker 1: the time as well. Now, after the meeting, the girls 647 00:31:16,320 --> 00:31:18,600 Speaker 1: were thrown into another meeting, and this time it was 648 00:31:18,640 --> 00:31:21,320 Speaker 1: with the judges and the camera crew. So Chris Moss 649 00:31:21,320 --> 00:31:24,040 Speaker 1: from Warner Music was there and he was telling them 650 00:31:24,240 --> 00:31:26,560 Speaker 1: that as their management company, they will give them a 651 00:31:26,680 --> 00:31:29,880 Speaker 1: daily schedule of what they're required to do as pop stars, 652 00:31:30,120 --> 00:31:32,640 Speaker 1: and he explained that there's a fine line between work 653 00:31:32,680 --> 00:31:35,200 Speaker 1: and entertainment and that's where a lot of people in 654 00:31:35,240 --> 00:31:38,760 Speaker 1: the industry fall down in terms of relationships. So he 655 00:31:38,800 --> 00:31:40,840 Speaker 1: told them that they won't be able to juggle what 656 00:31:40,920 --> 00:31:43,280 Speaker 1: their life is like now and that they'll need to 657 00:31:43,280 --> 00:31:46,640 Speaker 1: push themselves through it otherwise they'll buckle and break now. 658 00:31:46,680 --> 00:31:49,400 Speaker 1: Belinda detailed in her book that after this meeting, they 659 00:31:49,480 --> 00:31:52,720 Speaker 1: also had a subsequent meeting with a publicist from Channel 660 00:31:52,760 --> 00:31:55,960 Speaker 1: seven in a private room without cameras, and they were 661 00:31:56,000 --> 00:31:59,040 Speaker 1: basically told that if they're selected in the band, they'll 662 00:31:59,040 --> 00:32:02,360 Speaker 1: have to sacrifice their family time, their friendship time, and 663 00:32:02,440 --> 00:32:06,080 Speaker 1: also every waking hour will have to be alligated to 664 00:32:06,160 --> 00:32:09,080 Speaker 1: the band. And this essentially meant that all of the 665 00:32:09,120 --> 00:32:12,400 Speaker 1: girls that had boyfriends were expected to dump them. Now, 666 00:32:12,440 --> 00:32:15,760 Speaker 1: this didn't happen, but it did end up ruining all 667 00:32:15,760 --> 00:32:18,240 Speaker 1: of the relationships further down the track with the girls 668 00:32:18,320 --> 00:32:20,360 Speaker 1: because they were told that they wouldn't be able to 669 00:32:20,400 --> 00:32:22,560 Speaker 1: stay living with their partners and they had to move 670 00:32:22,600 --> 00:32:25,479 Speaker 1: into a sharehouse with the other girls, and also that 671 00:32:25,480 --> 00:32:27,680 Speaker 1: they would be traveling so much that it would be 672 00:32:27,720 --> 00:32:30,360 Speaker 1: really hard to maintain a relationship. We spoke at the 673 00:32:30,360 --> 00:32:32,959 Speaker 1: start of the episode about how Channel seven were so 674 00:32:33,080 --> 00:32:35,600 Speaker 1: eager to choose the right girls to ensure that this 675 00:32:35,640 --> 00:32:38,360 Speaker 1: group was popular. But do you also think they tried 676 00:32:38,360 --> 00:32:41,120 Speaker 1: to select girls that they thought, well, we can control you. 677 00:32:41,120 --> 00:32:42,760 Speaker 1: You know, they have to be young, so they're going 678 00:32:42,760 --> 00:32:44,160 Speaker 1: to listen to what we say. They have to be 679 00:32:44,600 --> 00:32:47,560 Speaker 1: young enough to just sign this contract. I definitely think so. 680 00:32:47,760 --> 00:32:49,840 Speaker 1: I mean, as we've touched on, Sophie Monk was only 681 00:32:49,960 --> 00:32:53,600 Speaker 1: nineteen years old. She was highly impressionable, but also highly 682 00:32:53,720 --> 00:32:55,840 Speaker 1: mouldable to what they wanted. She seemed to be a 683 00:32:55,920 --> 00:32:59,040 Speaker 1: yes person. I think at this time anyone would have 684 00:32:59,080 --> 00:33:01,960 Speaker 1: signed this contract because it was a promise of fame 685 00:33:02,080 --> 00:33:04,640 Speaker 1: and also to live out their dreams. Back to the 686 00:33:04,680 --> 00:33:08,640 Speaker 1: conversation regarding their relationships, A big part of Belinda's book 687 00:33:08,880 --> 00:33:11,520 Speaker 1: was her relationship with her then boyfriend Nate. It was 688 00:33:11,520 --> 00:33:14,000 Speaker 1: a bit of an undertone throughout the story because they 689 00:33:14,000 --> 00:33:16,680 Speaker 1: did stay together for a bulk of the time while 690 00:33:16,720 --> 00:33:20,120 Speaker 1: she was in bar dough, but it seemed like it 691 00:33:20,200 --> 00:33:23,960 Speaker 1: really did put a strain on the relationship. Do you 692 00:33:24,040 --> 00:33:26,080 Speaker 1: think they actually wanted them to split up from their 693 00:33:26,120 --> 00:33:28,720 Speaker 1: partners so they were sort of seen as accessible to 694 00:33:28,760 --> 00:33:31,640 Speaker 1: the general problem. I think for marketability purposes, they probably 695 00:33:31,720 --> 00:33:33,960 Speaker 1: wanted them to appear single and as if they were 696 00:33:34,040 --> 00:33:37,200 Speaker 1: open to other options for any male consumers. And I 697 00:33:37,200 --> 00:33:39,200 Speaker 1: think that's also why they made them all live in 698 00:33:39,240 --> 00:33:42,080 Speaker 1: the same house, because they're taking them away from their boyfriends, 699 00:33:42,280 --> 00:33:45,080 Speaker 1: but they're also taking them away from the environment that 700 00:33:45,120 --> 00:33:47,640 Speaker 1: they know, so that makes them feel even more out 701 00:33:47,680 --> 00:33:50,680 Speaker 1: of control and mouldable to do whatever they want, and 702 00:33:50,720 --> 00:33:53,200 Speaker 1: that they're not listening to their boyfriends who might be saying, 703 00:33:53,200 --> 00:33:55,280 Speaker 1: wait a second, why aren't they paying you promptly? And 704 00:33:55,360 --> 00:33:57,960 Speaker 1: during this episode where there's still ten girls, we see 705 00:33:57,960 --> 00:34:00,640 Speaker 1: the huge medium machine that was a on this show. 706 00:34:00,640 --> 00:34:03,920 Speaker 1: They were already paparazzi following the final ten and they're 707 00:34:03,920 --> 00:34:05,640 Speaker 1: trying to scope out who was going to make it 708 00:34:05,680 --> 00:34:07,400 Speaker 1: into the band, and I think that would have also 709 00:34:07,520 --> 00:34:10,439 Speaker 1: played into the girl's decision to sign on. At the time, 710 00:34:10,480 --> 00:34:13,520 Speaker 1: a New Idea who published the audition form had exclusive 711 00:34:13,600 --> 00:34:16,240 Speaker 1: access to the band and they were used to build 712 00:34:16,239 --> 00:34:20,000 Speaker 1: the ongoing hype around them. And Osterio was also enlisted 713 00:34:20,000 --> 00:34:22,560 Speaker 1: in the project because it ensured that they got a 714 00:34:22,560 --> 00:34:24,520 Speaker 1: lot of radio time. And I didn't know about those 715 00:34:24,560 --> 00:34:27,839 Speaker 1: past connections and collaborations before. What that makes sense why 716 00:34:27,920 --> 00:34:29,759 Speaker 1: Jackie Oh was one of the judges. It seems like 717 00:34:29,800 --> 00:34:32,960 Speaker 1: everybody had these fingers in this pie and it was 718 00:34:33,000 --> 00:34:35,200 Speaker 1: all part of the money making machining en sure that 719 00:34:35,239 --> 00:34:39,440 Speaker 1: this band was successful. Now, after receiving the contract, Belinda 720 00:34:39,440 --> 00:34:41,960 Speaker 1: and her dad visited a top law firm and her 721 00:34:42,040 --> 00:34:45,160 Speaker 1: lawyer basically told her that if you sign this contract, 722 00:34:45,280 --> 00:34:48,000 Speaker 1: you will not make a cent in three years, and 723 00:34:48,040 --> 00:34:50,799 Speaker 1: he explained that one of the clauses meant that any 724 00:34:50,880 --> 00:34:54,000 Speaker 1: income made from the band, meaning all the moneies from 725 00:34:54,080 --> 00:34:57,279 Speaker 1: the income streams, will go straight back into paying all 726 00:34:57,320 --> 00:35:00,279 Speaker 1: of the costs. So basically the girls were paying the 727 00:35:00,360 --> 00:35:03,719 Speaker 1: costs of making the album and going on to it. Now. 728 00:35:03,800 --> 00:35:07,800 Speaker 1: Another clause which is so disgusting is that the contract 729 00:35:07,880 --> 00:35:11,440 Speaker 1: stated that the band member's weight or appearance could not 730 00:35:11,719 --> 00:35:15,759 Speaker 1: change in any significant way or they would terminate the contract. 731 00:35:15,840 --> 00:35:18,120 Speaker 1: What if one of them got pregnant or something, well, 732 00:35:18,239 --> 00:35:21,719 Speaker 1: contract gone. I just still can't believe that this was 733 00:35:21,760 --> 00:35:24,480 Speaker 1: allowed to happen. Now, clearly it was a very one 734 00:35:24,520 --> 00:35:27,440 Speaker 1: sided contract, and Belinda's lawyer told her that she was 735 00:35:27,560 --> 00:35:31,440 Speaker 1: essentially handing over her life and every waking moment to 736 00:35:31,480 --> 00:35:34,279 Speaker 1: the company that these two men ran, which was the 737 00:35:34,320 --> 00:35:37,480 Speaker 1: Gray Suits. The clincher was that if they were selected 738 00:35:37,520 --> 00:35:39,719 Speaker 1: in the band, they would have to survive on just 739 00:35:39,880 --> 00:35:42,759 Speaker 1: thirty five dollars a day in the form of a 740 00:35:42,800 --> 00:35:45,160 Speaker 1: per dim. So, for those who don't know, a per 741 00:35:45,280 --> 00:35:48,839 Speaker 1: dem is money given to you to pay for breakfast, lunch, 742 00:35:48,840 --> 00:35:51,880 Speaker 1: and dinner in this instance, so they weren't paid a salary. 743 00:35:51,920 --> 00:35:54,920 Speaker 1: They were literally just fed. Yeah, because their salary was 744 00:35:54,960 --> 00:35:57,120 Speaker 1: going in to paying off all these costs that they'd 745 00:35:57,120 --> 00:35:59,440 Speaker 1: accrued by being picked by this TV company to be 746 00:35:59,520 --> 00:36:01,960 Speaker 1: in the Bear. And as any good lawyer would do, 747 00:36:02,440 --> 00:36:05,880 Speaker 1: Blinda's lawyer said, don't sign this contract. However, he knew 748 00:36:05,880 --> 00:36:07,839 Speaker 1: how much she wanted it, and she said, it's really 749 00:36:07,920 --> 00:36:10,439 Speaker 1: difficult for me because I don't even know if I've 750 00:36:10,480 --> 00:36:12,960 Speaker 1: made the band. So he actually ended up making a 751 00:36:13,000 --> 00:36:15,760 Speaker 1: phone call to a contact he had and he confirmed 752 00:36:15,760 --> 00:36:18,000 Speaker 1: that she had in fact made it to the final five, 753 00:36:18,080 --> 00:36:21,000 Speaker 1: and after a lot of deliberation, she did decide to 754 00:36:21,040 --> 00:36:23,600 Speaker 1: sign the contract because she knew that if she did, 755 00:36:23,640 --> 00:36:25,960 Speaker 1: and others would and she would lose her spot in 756 00:36:26,040 --> 00:36:29,279 Speaker 1: the band. Do you guys think you would sign that contract? Yeah, 757 00:36:29,280 --> 00:36:32,120 Speaker 1: I would at the age of nineteen or twenty four, 758 00:36:32,200 --> 00:36:34,879 Speaker 1: I'd be signing it so far. The sad reality now 759 00:36:34,960 --> 00:36:37,560 Speaker 1: is if this contract was in place, you probably would 760 00:36:37,600 --> 00:36:40,439 Speaker 1: sign it because you'd be able to build off maybe 761 00:36:40,480 --> 00:36:44,239 Speaker 1: an influencing career or something in social media. But the 762 00:36:44,280 --> 00:36:47,680 Speaker 1: girls didn't have that ability to be able to do that. Now, 763 00:36:47,760 --> 00:36:51,520 Speaker 1: by episode five, we finally find out who our pop 764 00:36:51,560 --> 00:36:54,239 Speaker 1: stars are, and it felt so old school because the 765 00:36:54,360 --> 00:36:57,680 Speaker 1: judges had these printed at Kodak photos of the girls 766 00:36:57,680 --> 00:36:59,400 Speaker 1: and they set them out on a coffee table and 767 00:36:59,440 --> 00:37:01,680 Speaker 1: they used them to move around and work out different 768 00:37:01,719 --> 00:37:05,640 Speaker 1: combinations of girls for the potential group, and after assessing 769 00:37:05,680 --> 00:37:08,719 Speaker 1: all of the various possible lineups, they finally decide on 770 00:37:08,760 --> 00:37:12,040 Speaker 1: their final five. Now again, the camera crews appeared back 771 00:37:12,080 --> 00:37:14,439 Speaker 1: at the girls' houses to tell them whether they'd made 772 00:37:14,440 --> 00:37:17,480 Speaker 1: it or not. The first stop was Sally polar Onus 773 00:37:17,480 --> 00:37:20,759 Speaker 1: from Adelaide's house. JACKIEO arrives to tell her the good news, 774 00:37:20,800 --> 00:37:22,839 Speaker 1: and it's such a blast from the past because they 775 00:37:22,880 --> 00:37:25,560 Speaker 1: asked Sally if she's ever had a real job, and 776 00:37:25,600 --> 00:37:29,480 Speaker 1: she explains she's currently working in the retail store. A spree. 777 00:37:30,160 --> 00:37:32,319 Speaker 1: Is a spree still a thing? Now? No, I don't 778 00:37:32,360 --> 00:37:34,560 Speaker 1: think it is. It was funny because they made Sally 779 00:37:34,640 --> 00:37:36,640 Speaker 1: go back and tell her colleagues in a spree that 780 00:37:36,719 --> 00:37:39,560 Speaker 1: she was joining the band. And I had totally forgotten 781 00:37:39,560 --> 00:37:41,520 Speaker 1: about a spree. It's all I used to wear in 782 00:37:41,600 --> 00:37:43,920 Speaker 1: the late nineties and early noughties. I loved in a 783 00:37:44,000 --> 00:37:46,880 Speaker 1: spree top. How awkward was it watching them break the 784 00:37:46,960 --> 00:37:49,320 Speaker 1: news to the girls who didn't make it, Yeah, especially 785 00:37:49,360 --> 00:37:51,919 Speaker 1: when they had their family around. And also it kind 786 00:37:51,920 --> 00:37:56,040 Speaker 1: of drummed into me how polite girls are more so 787 00:37:56,080 --> 00:37:58,560 Speaker 1: back then, because they're all like, yeah, that's cool. That's 788 00:37:58,760 --> 00:38:01,680 Speaker 1: kind of like on The Simpsons, Ralph Wiggans's heartbreaks, Like 789 00:38:01,719 --> 00:38:05,120 Speaker 1: you could actually see the moment they were just absolutely shattered. Yeah, 790 00:38:05,120 --> 00:38:07,279 Speaker 1: and one of the girls who didn't originally get through 791 00:38:07,440 --> 00:38:10,400 Speaker 1: was Tiffany Wood. So Chris Moss rocked up to her 792 00:38:10,440 --> 00:38:13,239 Speaker 1: really tiny apartment with the camera crew, and it didn't 793 00:38:13,280 --> 00:38:15,400 Speaker 1: look like she knew that he was coming, because she 794 00:38:15,520 --> 00:38:18,279 Speaker 1: opened the door in a nighty and quickly slammed that 795 00:38:18,320 --> 00:38:20,440 Speaker 1: she was shocked that he was there. And they tell 796 00:38:20,520 --> 00:38:22,680 Speaker 1: us that during the day Tiffany works at the Hilton 797 00:38:22,719 --> 00:38:25,360 Speaker 1: Hotel and by night she's the lead singer in a band, 798 00:38:25,400 --> 00:38:28,359 Speaker 1: so she had a really strong voice. I think it 799 00:38:28,400 --> 00:38:30,480 Speaker 1: was a really bad move that they didn't put her 800 00:38:30,520 --> 00:38:33,160 Speaker 1: in the band to begin with. And it was interesting 801 00:38:33,200 --> 00:38:36,440 Speaker 1: to see her apartment because begrudgingly after getting changed, she 802 00:38:36,520 --> 00:38:40,040 Speaker 1: opened the door and the apartment was an absolute shit hole. 803 00:38:40,120 --> 00:38:43,040 Speaker 1: She even said, welcome to my little hole of a place. 804 00:38:44,200 --> 00:38:46,640 Speaker 1: Well as you touched on, Sophie. Some listeners might be 805 00:38:46,680 --> 00:38:49,279 Speaker 1: surprised to hear that Tiffany would didn't actually make it 806 00:38:49,400 --> 00:38:52,960 Speaker 1: into the band originally, So she did take the rejection 807 00:38:53,200 --> 00:38:55,560 Speaker 1: really well and told Chris that she didn't think she'd 808 00:38:55,560 --> 00:38:58,160 Speaker 1: get in because she was sick during the audition process. 809 00:38:58,239 --> 00:39:00,480 Speaker 1: It's kind of ironic that she didn't make it because 810 00:39:00,520 --> 00:39:04,280 Speaker 1: their first single she was basically the main singer in it. Yeah, 811 00:39:04,320 --> 00:39:06,120 Speaker 1: she was such a huge part of it. We then 812 00:39:06,200 --> 00:39:08,960 Speaker 1: see fan favorite Sophie Munk make the cut and she 813 00:39:09,000 --> 00:39:11,520 Speaker 1: shows Michael her baby videos and her dad tells a 814 00:39:11,560 --> 00:39:14,359 Speaker 1: camera that she's very comfortable around strangers and can talk 815 00:39:14,400 --> 00:39:17,799 Speaker 1: to anyone. Next is the infamous Chantel Barry, who is 816 00:39:17,840 --> 00:39:21,000 Speaker 1: only nineteen at the time, and she's told by Jackie 817 00:39:21,000 --> 00:39:24,840 Speaker 1: Oh that she's in now. Chantell was very confident. Here's 818 00:39:24,840 --> 00:39:28,080 Speaker 1: what she said during her first audition, what do you 819 00:39:28,080 --> 00:39:28,839 Speaker 1: think we're looking for. 820 00:39:30,360 --> 00:39:30,440 Speaker 2: Me? 821 00:39:31,520 --> 00:39:34,320 Speaker 1: Yeah, she really seemed sure of herself because she'd actually 822 00:39:34,320 --> 00:39:36,480 Speaker 1: moved to Sydney a couple of weeks before to break 823 00:39:36,480 --> 00:39:39,640 Speaker 1: into the industry, and she didn't really seem that shocked 824 00:39:39,640 --> 00:39:41,600 Speaker 1: when it was announced that she was in the band. Well, 825 00:39:41,600 --> 00:39:43,800 Speaker 1: I'm guessing there are a lot of whispers going around 826 00:39:43,800 --> 00:39:46,319 Speaker 1: with all these conversations the lawyers were having with the 827 00:39:46,320 --> 00:39:49,120 Speaker 1: production team over the contracts. And I mean that was 828 00:39:49,200 --> 00:39:52,520 Speaker 1: very evident when you read Belinda's book, because she already 829 00:39:52,520 --> 00:39:54,239 Speaker 1: had been given the heads up that she was in 830 00:39:54,280 --> 00:39:57,439 Speaker 1: the band, and she had been asked by the producers 831 00:39:57,440 --> 00:39:59,760 Speaker 1: to get her mum and her sister around the house, 832 00:40:00,080 --> 00:40:03,359 Speaker 1: and all her family declined being in the video. Even 833 00:40:03,400 --> 00:40:06,719 Speaker 1: her boyfriend declined. He was hiding behind a curtain while 834 00:40:06,760 --> 00:40:08,680 Speaker 1: she was told she made it. I got the feeling 835 00:40:08,680 --> 00:40:10,640 Speaker 1: that they didn't want any of the boyfriends in any 836 00:40:10,640 --> 00:40:13,240 Speaker 1: of the shots. But yeah, she had to basically fake 837 00:40:13,360 --> 00:40:16,359 Speaker 1: that she was surprised, and she really wanted to ham 838 00:40:16,400 --> 00:40:18,200 Speaker 1: it up because she didn't want any of the production 839 00:40:18,280 --> 00:40:20,440 Speaker 1: crew to know that she'd found out either. She did 840 00:40:20,480 --> 00:40:23,640 Speaker 1: a pretty good job of item genuine. Now, Katie Underwood 841 00:40:23,680 --> 00:40:26,240 Speaker 1: was the final member to find out that she was through, 842 00:40:26,280 --> 00:40:28,520 Speaker 1: and Jackie O broke the news by giving her a 843 00:40:28,560 --> 00:40:30,759 Speaker 1: boarding pass. Now, this is where we're going to leave 844 00:40:30,800 --> 00:40:33,640 Speaker 1: you for today. In next week's show, we discuss the 845 00:40:33,680 --> 00:40:36,600 Speaker 1: fallout as a final five are forced to move into 846 00:40:36,640 --> 00:40:39,840 Speaker 1: a new house together and start a grueling fitness regime. 847 00:40:40,160 --> 00:40:43,400 Speaker 1: A storm is brewing, a scandal so juicy. Channel seven 848 00:40:43,480 --> 00:40:47,160 Speaker 1: couldn't have scripted it better themselves, as band member Shantel 849 00:40:47,239 --> 00:40:51,120 Speaker 1: Barry leaves a group under suspicious circumstances. We really hope 850 00:40:51,120 --> 00:40:53,600 Speaker 1: you have enjoyed today's episode. If you have, could you 851 00:40:53,600 --> 00:40:56,359 Speaker 1: please make sure you are subscribed on Apple podcast and 852 00:40:56,440 --> 00:40:59,200 Speaker 1: also Spotify and if you can leave us a five 853 00:40:59,280 --> 00:41:01,879 Speaker 1: star review and if you want extra content from us, 854 00:41:01,920 --> 00:41:05,239 Speaker 1: don't forget to sign up to Outspoken Plus. This episode 855 00:41:05,320 --> 00:41:07,800 Speaker 1: was recorded on the traditional land of the Ghana people 856 00:41:07,840 --> 00:41:10,520 Speaker 1: of the Adelaide Plaines. We pay respect to elders past 857 00:41:10,600 --> 00:41:13,960 Speaker 1: and present, and don't forget to follow Outspoken on TikTok 858 00:41:14,000 --> 00:41:18,080 Speaker 1: and on Instagram. We're at Outspoken Underscore d Underscored podcast. 859 00:41:18,320 --> 00:41:21,279 Speaker 1: We'll be sharing lots of reels and iconic moments from 860 00:41:21,280 --> 00:41:21,960 Speaker 1: pop stars