1 00:00:00,240 --> 00:00:05,560 Speaker 1: Christad miner Mine empowered by the iHeart app from ninety 2 00:00:05,600 --> 00:00:09,720 Speaker 1: six AIRFM to whenever You're listening Today, this is Lisa 3 00:00:09,800 --> 00:00:11,640 Speaker 1: and Russell's podcast showing up on. 4 00:00:11,600 --> 00:00:14,120 Speaker 2: The podcast, We crossed to Lisa to see how her 5 00:00:14,200 --> 00:00:17,240 Speaker 2: first day in the courthouse went. Taylor Swift has hinted 6 00:00:17,360 --> 00:00:21,040 Speaker 2: ed Sheeran might perform at her wedding. Actor Susie Porter 7 00:00:21,200 --> 00:00:23,560 Speaker 2: chats about her new film The Travelers, which was shot 8 00:00:23,640 --> 00:00:26,200 Speaker 2: here in wa. We hear your tales from the court 9 00:00:26,280 --> 00:00:30,040 Speaker 2: room with Lisa being summons to jury duty. The number 10 00:00:30,040 --> 00:00:33,560 Speaker 2: one things couples fight about has been revealed and it's 11 00:00:33,600 --> 00:00:36,519 Speaker 2: not what you think. And producer Susie has an update 12 00:00:36,640 --> 00:00:39,800 Speaker 2: on dog poo bag Gate. We now have not one, 13 00:00:40,440 --> 00:00:46,879 Speaker 2: but two suspects. We do have an ongoing case here 14 00:00:46,920 --> 00:00:51,199 Speaker 2: at ninety six afm Our. Producer Susie is always on 15 00:00:51,280 --> 00:00:56,400 Speaker 2: the case of dog poo Gates, remember from a few 16 00:00:56,480 --> 00:01:00,760 Speaker 2: weeks ago, and this is an ongoing case and the 17 00:01:00,800 --> 00:01:03,640 Speaker 2: case goes on. What's the update? 18 00:01:03,840 --> 00:01:06,760 Speaker 3: There has been an update, guys. So last week I 19 00:01:06,800 --> 00:01:09,200 Speaker 3: had a few days off as well as Lisa, and 20 00:01:09,560 --> 00:01:15,600 Speaker 3: I was walking to my local pub on Wednesday and 21 00:01:16,280 --> 00:01:20,240 Speaker 3: I've spotted a suspect. I've spotted a lady with a 22 00:01:20,280 --> 00:01:23,320 Speaker 3: sausage dog. I have a description. 23 00:01:23,720 --> 00:01:26,000 Speaker 2: Was there was there a poo bag in hand, ready 24 00:01:26,000 --> 00:01:26,320 Speaker 2: to be there? 25 00:01:26,520 --> 00:01:31,160 Speaker 3: I was there was green bags. They were empty, but 26 00:01:31,600 --> 00:01:36,280 Speaker 3: the famous ready to be filled. So I have a description. 27 00:01:36,440 --> 00:01:39,720 Speaker 3: Now I have a time and a day that they walk, 28 00:01:39,840 --> 00:01:42,080 Speaker 3: so I can kind of, you know, see if anything 29 00:01:42,080 --> 00:01:46,120 Speaker 3: happens after that. So I was I was very like, 30 00:01:46,160 --> 00:01:47,640 Speaker 3: oh my god, Oh my god. And then I was 31 00:01:47,720 --> 00:01:50,600 Speaker 3: late to the pub meeting my friends because I was 32 00:01:50,640 --> 00:01:52,760 Speaker 3: just like the case. I was in a tears and 33 00:01:52,800 --> 00:01:54,120 Speaker 3: I was messaging my neighbors. 34 00:01:53,800 --> 00:01:55,200 Speaker 2: And I think I've spotted them. 35 00:01:55,800 --> 00:01:59,320 Speaker 3: Anyway, the next day, which is was the Thursday, I 36 00:01:59,640 --> 00:02:03,720 Speaker 3: was driving out of my street. I saw another lady 37 00:02:03,720 --> 00:02:07,720 Speaker 3: with a sausage dog. Different lady. There's two suspects. Now, guys, this. 38 00:02:07,600 --> 00:02:08,679 Speaker 2: Is getting complicated. 39 00:02:08,919 --> 00:02:12,760 Speaker 3: Yeah, so at least we have some Once. 40 00:02:12,600 --> 00:02:15,880 Speaker 2: Again, we need CCTV footage, don't we, Yeah, we do. 41 00:02:17,080 --> 00:02:20,640 Speaker 2: It must be so even dash cam, Yes, anybody who 42 00:02:20,720 --> 00:02:27,360 Speaker 2: has Yeah, who has dash cam footage of green bags 43 00:02:27,360 --> 00:02:28,639 Speaker 2: of poo been thrown. 44 00:02:29,360 --> 00:02:32,120 Speaker 3: Yeah, so we've got it. They'll probably like, i'd say, 45 00:02:32,160 --> 00:02:37,120 Speaker 3: thirties brunette one had short hair, one had long hair, 46 00:02:37,639 --> 00:02:39,800 Speaker 3: and then the lady with the short hair had a 47 00:02:39,840 --> 00:02:41,000 Speaker 3: short haired sausage dog. 48 00:02:41,240 --> 00:02:44,240 Speaker 2: Careful just in case. 49 00:02:45,200 --> 00:02:47,160 Speaker 3: The lady with the long hair had it. No, the 50 00:02:47,240 --> 00:02:50,200 Speaker 3: lady with the long hair had a long head sausage dog. 51 00:02:50,440 --> 00:02:54,040 Speaker 2: Right, Yes, so so different. Two different kinds of very 52 00:02:54,040 --> 00:02:55,760 Speaker 2: different looking sausage dogs as well. 53 00:02:55,840 --> 00:02:57,880 Speaker 4: Yes, so we'll see. 54 00:02:58,280 --> 00:02:59,960 Speaker 3: But then also, like my neighbor said, it was. 55 00:02:59,880 --> 00:03:01,440 Speaker 2: A maybe we need to maybe we need to get 56 00:03:01,440 --> 00:03:02,840 Speaker 2: the sausage dogs and give them a give bit of 57 00:03:02,840 --> 00:03:04,080 Speaker 2: a squeeze. 58 00:03:03,720 --> 00:03:03,880 Speaker 3: Just. 59 00:03:05,919 --> 00:03:08,040 Speaker 2: See who looks like they might be the culprit. 60 00:03:08,200 --> 00:03:10,760 Speaker 3: But now I've seen some people walking with them, I 61 00:03:10,800 --> 00:03:12,960 Speaker 3: feel like there's a bit of progress, and I can 62 00:03:13,040 --> 00:03:14,000 Speaker 3: keep an eye out a bit more. 63 00:03:14,120 --> 00:03:14,720 Speaker 5: I know what to. 64 00:03:14,680 --> 00:03:17,519 Speaker 3: Look for, what days to go out and check. 65 00:03:17,639 --> 00:03:20,760 Speaker 2: So if you live in Susie's area and you have 66 00:03:20,800 --> 00:03:25,600 Speaker 2: a sausage dog, guilty or not, you are going to 67 00:03:25,639 --> 00:03:29,360 Speaker 2: be watched. Yeah, well, you're lucky at least that the 68 00:03:29,400 --> 00:03:32,000 Speaker 2: people walking around actually have the pooh bags and they 69 00:03:32,000 --> 00:03:35,280 Speaker 2: put them in. Because I took my dog Ruby for 70 00:03:35,320 --> 00:03:38,320 Speaker 2: a walk on the weekend, walking around the oval near 71 00:03:38,360 --> 00:03:41,600 Speaker 2: our place, and there must have been four piles of 72 00:03:41,840 --> 00:03:44,800 Speaker 2: a dog as the kids used to call them, and 73 00:03:44,840 --> 00:03:50,840 Speaker 2: they were little bom bombs. But these certainly we weren't 74 00:03:50,880 --> 00:03:53,960 Speaker 2: going to get accused of doing it because like the 75 00:03:54,000 --> 00:03:56,160 Speaker 2: piles were about half the size of my dog, so 76 00:03:56,720 --> 00:04:00,200 Speaker 2: it wasn't wasn't ass but and just all over the football. 77 00:03:59,840 --> 00:04:02,160 Speaker 3: For Yeah, that's gross. That's so gross. 78 00:04:02,160 --> 00:04:06,200 Speaker 2: And there's the green bags, you know, hanging out of 79 00:04:06,240 --> 00:04:10,080 Speaker 2: one of those little dispenser things, only what twenty meters away? 80 00:04:10,160 --> 00:04:12,800 Speaker 3: Yeah, it's disgusting. Guys, Just pick up after. 81 00:04:12,640 --> 00:04:16,760 Speaker 2: Your especially especially if you have a sausage dog, and 82 00:04:16,800 --> 00:04:18,839 Speaker 2: when you do pick it up, put it in the 83 00:04:18,880 --> 00:04:21,479 Speaker 2: provided bin. Yes, not Susie's front. 84 00:04:21,320 --> 00:04:24,040 Speaker 3: Yard, yep, no, or behind my rock all all. 85 00:04:24,000 --> 00:04:26,760 Speaker 2: Right, So we have two suspects suspects now guys, all right, 86 00:04:27,520 --> 00:04:31,039 Speaker 2: I definitely you need footage, yes, or you could go 87 00:04:31,080 --> 00:04:34,800 Speaker 2: with that option of squeezing the two sage dock. 88 00:04:34,880 --> 00:04:36,240 Speaker 3: It sounds like I might be in trouble. 89 00:04:39,120 --> 00:04:42,200 Speaker 2: All right. We look forward to an update. I wonder 90 00:04:42,200 --> 00:04:44,320 Speaker 2: when that's going to be. Thanks for us, you're going 91 00:04:44,400 --> 00:04:48,440 Speaker 2: to have eyes on the eyes on the dogs and 92 00:04:48,480 --> 00:04:53,560 Speaker 2: the owners and the incriminating green bags that are landing 93 00:04:53,560 --> 00:04:57,840 Speaker 2: in your front yard Lisa is getting ready for day 94 00:04:57,880 --> 00:05:03,080 Speaker 2: two at the Halls of Justice. Good morning, Lisa, Oh, 95 00:05:03,120 --> 00:05:03,719 Speaker 2: good morning. 96 00:05:03,760 --> 00:05:05,799 Speaker 6: You know I can't talk about it. It's like fight club. 97 00:05:06,160 --> 00:05:09,159 Speaker 2: It is so you can't. You can't give us any 98 00:05:09,320 --> 00:05:11,040 Speaker 2: insight into what's going on. 99 00:05:11,720 --> 00:05:13,320 Speaker 6: Not adult nothing. 100 00:05:14,240 --> 00:05:16,520 Speaker 2: Oh this is rather disappointing. 101 00:05:17,279 --> 00:05:20,159 Speaker 6: Well I can tell you is I didn't do much yesterday. 102 00:05:20,240 --> 00:05:20,880 Speaker 6: I went home. 103 00:05:22,160 --> 00:05:22,799 Speaker 2: Is it catered? 104 00:05:24,400 --> 00:05:27,520 Speaker 6: Not really? Not that I could tell. No, not in 105 00:05:27,600 --> 00:05:29,320 Speaker 6: the first sort of fit. 106 00:05:30,720 --> 00:05:34,960 Speaker 2: So they just looked at you and went come back 107 00:05:35,040 --> 00:05:35,960 Speaker 2: for another try. 108 00:05:36,200 --> 00:05:37,919 Speaker 6: No, they didn't even they didn't even look at me. 109 00:05:38,080 --> 00:05:42,400 Speaker 2: Didn't they get no? Oh dear, all right, maybe there'll 110 00:05:42,440 --> 00:05:48,840 Speaker 2: be more action today, maybe maybe. All right, Lisa's tight 111 00:05:48,920 --> 00:05:53,800 Speaker 2: lipped legally, all right, all right, maybe Lisa can talk 112 00:05:53,839 --> 00:05:57,839 Speaker 2: a little more when we do this. There's sure report 113 00:05:58,000 --> 00:06:05,080 Speaker 2: on ninety six AIRVM. Yes you can have a look, right, 114 00:06:05,160 --> 00:06:07,200 Speaker 2: you can open your mouth about this one. 115 00:06:07,600 --> 00:06:09,320 Speaker 6: Oh yes, let's have a lot of what's happening around 116 00:06:09,360 --> 00:06:12,680 Speaker 6: the show biz ground. Taylor Swift has hinted her good 117 00:06:12,680 --> 00:06:15,400 Speaker 6: friend and fellow pop star Ed Sheeran may perform at 118 00:06:15,440 --> 00:06:19,440 Speaker 6: her wedding. Speaking on UK's Hits Radio breakfast show, Swifty 119 00:06:19,520 --> 00:06:21,920 Speaker 6: joke that there's nothing she and Ed love more than 120 00:06:21,960 --> 00:06:24,400 Speaker 6: to be asked to sing at a big event. Def 121 00:06:24,800 --> 00:06:28,000 Speaker 6: Leopard is set to receive the two thousand, eight hundred 122 00:06:28,040 --> 00:06:31,880 Speaker 6: and twenty fifth star on the Hollywood Walker Frame on Thursday. 123 00:06:32,160 --> 00:06:34,520 Speaker 6: The star will be located right in front of the 124 00:06:34,640 --> 00:06:37,640 Speaker 6: historic Capitol Records Building and the event will be streamed 125 00:06:37,760 --> 00:06:40,800 Speaker 6: live on the Walk of Fame's website. Job on Jovi, 126 00:06:41,520 --> 00:06:44,839 Speaker 6: so I just enjoyed on hold? There will be one 127 00:06:44,839 --> 00:06:47,640 Speaker 6: of their guest speakers on hand to present them with 128 00:06:47,839 --> 00:06:51,880 Speaker 6: their star. Speaking of John show be not that long 129 00:06:51,920 --> 00:06:54,839 Speaker 6: ago he joined the club of artists with namesake bars 130 00:06:54,839 --> 00:06:57,400 Speaker 6: on Nashville's Fame blow of Broadway. But after just one 131 00:06:57,480 --> 00:06:59,800 Speaker 6: year in business, jbj's Nashville Bar has gone on the 132 00:06:59,839 --> 00:07:03,719 Speaker 6: market quite the asking price just short to two hundred 133 00:07:03,720 --> 00:07:08,120 Speaker 6: billion dollars. What I know, Well, it has eight bars, 134 00:07:08,400 --> 00:07:16,440 Speaker 6: five floors, three stages, two rooftops, two rooftops, including including 135 00:07:16,480 --> 00:07:19,880 Speaker 6: the highest rooftop bar on Broadway. Each floor is stacked 136 00:07:19,920 --> 00:07:22,720 Speaker 6: out in John von Jovi memorabilia. Of course, it's even 137 00:07:22,720 --> 00:07:27,560 Speaker 6: got a tattoo shop and naturally there's a mechanical ball. Now, 138 00:07:28,000 --> 00:07:30,679 Speaker 6: there is a story online this morning about the number 139 00:07:30,720 --> 00:07:34,000 Speaker 6: one thing people fight about in relationships, and you would 140 00:07:34,080 --> 00:07:37,960 Speaker 6: expect the usual answers, like money or division of chores, 141 00:07:38,120 --> 00:07:41,800 Speaker 6: something like that. But according to this couple psychologist Mark Travis, 142 00:07:41,880 --> 00:07:45,880 Speaker 6: he says, after years and years of research, the answer 143 00:07:46,040 --> 00:07:50,080 Speaker 6: is really simple. It's your tone of voice. It's not 144 00:07:50,200 --> 00:07:52,800 Speaker 6: the dishes in the sink or the unpaid credit card bill. 145 00:07:53,160 --> 00:07:57,240 Speaker 6: It's our partners speak to each other about those things. 146 00:07:57,520 --> 00:07:59,920 Speaker 2: It's don't you take that tone with me? 147 00:08:01,400 --> 00:08:05,560 Speaker 6: He says, I guess spycasm doesn't go down. He says, 148 00:08:05,600 --> 00:08:08,200 Speaker 6: it only takes the subtlest of tone shifts for a 149 00:08:08,240 --> 00:08:11,480 Speaker 6: simple question like did you take the bins out to lad? 150 00:08:11,520 --> 00:08:14,480 Speaker 6: Like an accusation and a sigh or an eye roll 151 00:08:14,560 --> 00:08:17,360 Speaker 6: will push it right over the edge. There's actually plenty 152 00:08:17,400 --> 00:08:19,840 Speaker 6: of research that backs him up. One study found that 153 00:08:19,920 --> 00:08:23,600 Speaker 6: when we interpret messages, only a small portion comes from 154 00:08:23,600 --> 00:08:28,120 Speaker 6: the actual words. The rest is all nonverbal facial expressions, 155 00:08:28,120 --> 00:08:31,360 Speaker 6: body language, and especially tone. 156 00:08:31,200 --> 00:08:32,120 Speaker 2: That doesn't really. 157 00:08:33,520 --> 00:08:36,160 Speaker 6: When you argue with your partner, tone tends to dominate 158 00:08:36,440 --> 00:08:40,280 Speaker 6: because it carries emotional weight. A clipped delivery can sound 159 00:08:40,400 --> 00:08:44,520 Speaker 6: like flame, a flat one might feel like indifference. So 160 00:08:45,040 --> 00:08:52,480 Speaker 6: his advice is when your partner's tone turns sharp, say 161 00:08:52,720 --> 00:08:55,760 Speaker 6: something like I want to hear you out, but your 162 00:08:55,800 --> 00:08:58,559 Speaker 6: tone is making that difficult for me right now? Can 163 00:08:58,679 --> 00:09:04,640 Speaker 6: you try again? You're right, it doesn't work like that. 164 00:09:04,840 --> 00:09:06,160 Speaker 2: That it only make it worse. 165 00:09:06,760 --> 00:09:09,640 Speaker 6: I think so true. I think maybe echer sketches are 166 00:09:09,679 --> 00:09:12,760 Speaker 6: the answer. Don't say it out loud, just write it down, 167 00:09:12,920 --> 00:09:15,120 Speaker 6: and that way they'll be spared the fact it's dripping 168 00:09:15,160 --> 00:09:19,040 Speaker 6: in sarcasms and turn away. Don't look at them. 169 00:09:18,920 --> 00:09:20,280 Speaker 2: Either, Okay, but just make sure it. 170 00:09:20,320 --> 00:09:22,560 Speaker 6: Write something down on an edgra sketch and hold it 171 00:09:22,640 --> 00:09:23,640 Speaker 6: up over your shoulder. 172 00:09:23,920 --> 00:09:25,840 Speaker 2: Just don't make it all in bold letters though, with 173 00:09:25,960 --> 00:09:28,040 Speaker 2: all upper case, with the exclamation. 174 00:09:31,520 --> 00:09:31,760 Speaker 6: Oh. 175 00:09:32,320 --> 00:09:33,080 Speaker 1: The last time, in the. 176 00:09:33,040 --> 00:09:35,199 Speaker 6: Middle of an argument, you said, I want to hear 177 00:09:35,200 --> 00:09:37,480 Speaker 6: you out, but your tone is making that difficult for me. 178 00:09:37,600 --> 00:09:39,000 Speaker 6: Right now? Can't you try it? 179 00:09:39,080 --> 00:09:41,640 Speaker 2: I would not I would not do that. I would 180 00:09:41,679 --> 00:09:45,360 Speaker 2: not do that. That in itself is aggravating. That in 181 00:09:45,400 --> 00:09:48,040 Speaker 2: itself is aggravating. All right, Well, look you watch you 182 00:09:48,080 --> 00:09:50,600 Speaker 2: watch your facial expressions and your tone of voice today 183 00:09:50,640 --> 00:09:53,640 Speaker 2: when you go to the courthouse, because they take all 184 00:09:53,720 --> 00:09:57,120 Speaker 2: of that in Lisa, all right, all right, I know 185 00:09:57,240 --> 00:09:59,800 Speaker 2: you can't talk to me about it, but hopefully maybe 186 00:09:59,840 --> 00:10:03,479 Speaker 2: to tomorrow you'll be back and you can dive old. Maybe. 187 00:10:03,280 --> 00:10:06,079 Speaker 2: I never know unless you get that Dinny style case 188 00:10:06,080 --> 00:10:09,360 Speaker 2: that goes on for months and months. We're hoping that's 189 00:10:09,400 --> 00:10:12,240 Speaker 2: not going to happen. All right, all right, thanks for it, 190 00:10:12,480 --> 00:10:16,280 Speaker 2: all right, have fun at the courthouse today, Lisa, Lisa 191 00:10:16,679 --> 00:10:21,560 Speaker 2: More Russell more podcasting soon. Lisa's getting ready to head 192 00:10:21,600 --> 00:10:25,200 Speaker 2: into the courtroom for day two of jury selection. You know, 193 00:10:25,240 --> 00:10:28,040 Speaker 2: we'd love to hear from you. Do you have any 194 00:10:28,080 --> 00:10:33,160 Speaker 2: tales from the courtroom. Maybe you have been up for 195 00:10:33,320 --> 00:10:36,160 Speaker 2: jury duty in the past, maybe you found a way 196 00:10:36,200 --> 00:10:39,319 Speaker 2: out of it. I believe that is quite difficult now, 197 00:10:39,840 --> 00:10:41,319 Speaker 2: but there used to be a way to get out 198 00:10:41,360 --> 00:10:43,920 Speaker 2: of it. Maybe you could share with us how you 199 00:10:44,040 --> 00:10:47,839 Speaker 2: managed to get your way out of jury duty. As 200 00:10:47,880 --> 00:10:50,280 Speaker 2: I said, not easy to do these days, but once 201 00:10:50,360 --> 00:10:52,800 Speaker 2: upon a time, there were let's just say, tricks of 202 00:10:52,840 --> 00:10:54,600 Speaker 2: the trade. What was it like in the jury room? 203 00:10:54,600 --> 00:10:56,080 Speaker 2: What was it like in the court real well, no 204 00:10:56,200 --> 00:10:58,720 Speaker 2: catering in the courtroom, but maybe for the jurors, what 205 00:10:58,760 --> 00:11:01,720 Speaker 2: was it catering like? Did everyone one get on? Were 206 00:11:01,760 --> 00:11:05,600 Speaker 2: there any fights? Were there any any pending court cases 207 00:11:05,600 --> 00:11:09,800 Speaker 2: that arose from disagreements in the jury room. Anonymous has 208 00:11:09,840 --> 00:11:12,760 Speaker 2: texted through on zero four seven six ninety six nighty 209 00:11:12,800 --> 00:11:16,400 Speaker 2: six ninety six morning, Russell, my neighbor took me to 210 00:11:16,480 --> 00:11:20,920 Speaker 2: court and I just didn't turn up, simple as that 211 00:11:21,480 --> 00:11:25,800 Speaker 2: cost her thousands in legal fees and absolutely no repercussions 212 00:11:25,800 --> 00:11:28,440 Speaker 2: for me, and I still laugh to this day. How 213 00:11:28,440 --> 00:11:31,559 Speaker 2: did you make that happen? Kylie has texted in. Even 214 00:11:31,600 --> 00:11:35,920 Speaker 2: at forty one weeks pregnant, I couldn't get out of it. 215 00:11:36,520 --> 00:11:39,560 Speaker 2: Foreman got sick, Judge thought I was going into labor 216 00:11:39,600 --> 00:11:43,120 Speaker 2: at one point, but still the trial went on with 217 00:11:43,240 --> 00:11:46,560 Speaker 2: Kylie there for just over two weeks. Baby born just 218 00:11:46,760 --> 00:11:50,880 Speaker 2: two days after the verdict. That is a close call, 219 00:11:51,880 --> 00:11:53,360 Speaker 2: Rob from Victoria Park. 220 00:11:53,400 --> 00:11:53,559 Speaker 5: Mate. 221 00:11:53,600 --> 00:11:56,160 Speaker 2: You've been in numerous times. 222 00:11:56,559 --> 00:11:59,800 Speaker 7: Indeed I have here. I've done five different journeys with 223 00:12:00,040 --> 00:12:03,560 Speaker 7: seven different cases away from the eighties right up to 224 00:12:04,240 --> 00:12:07,160 Speaker 7: about four years ago. Six years ago was the last 225 00:12:07,160 --> 00:12:07,679 Speaker 7: time I was in. 226 00:12:07,960 --> 00:12:09,360 Speaker 2: Is this a bit of a hobby for you, rob 227 00:12:09,880 --> 00:12:12,240 Speaker 2: Ah or are you just unlucky? 228 00:12:12,920 --> 00:12:15,120 Speaker 7: I wish I was this lucky lotto. I'm telling it. 229 00:12:16,640 --> 00:12:18,600 Speaker 7: There's no way of getting out of it either. I've 230 00:12:18,600 --> 00:12:20,600 Speaker 7: heard of all sorts of people getting up there, Megan, 231 00:12:20,679 --> 00:12:21,839 Speaker 7: all sorts of excuses. 232 00:12:22,760 --> 00:12:24,400 Speaker 2: No, I think it used to be a bit easier. 233 00:12:24,400 --> 00:12:26,520 Speaker 2: A while back. You could get a letter from the boss. 234 00:12:26,960 --> 00:12:29,640 Speaker 2: But these days have really clammed down and it's almost 235 00:12:29,720 --> 00:12:34,360 Speaker 2: impossible to get out of it these days. What was 236 00:12:34,400 --> 00:12:37,679 Speaker 2: the longest time you were sat in the jury box? 237 00:12:38,960 --> 00:12:42,000 Speaker 7: In? This one? Was the carabouta case I was six 238 00:12:42,040 --> 00:12:44,360 Speaker 7: weeks long and I was the foreman in that one. 239 00:12:44,640 --> 00:12:48,440 Speaker 7: And after six weeks the case was thrown out and 240 00:12:48,480 --> 00:12:51,800 Speaker 7: the case was resat again sometime later. Obviously it wasn't 241 00:12:51,800 --> 00:12:53,719 Speaker 7: on that one. No, it was re sat again and 242 00:12:53,760 --> 00:12:56,439 Speaker 7: went for another six weeks thereabout. I've got thrown out 243 00:12:56,640 --> 00:13:01,840 Speaker 7: again by the judge because of a vision information provided 244 00:13:01,880 --> 00:13:05,720 Speaker 7: by the prosecution to the defense. So got thrown out. 245 00:13:05,760 --> 00:13:07,319 Speaker 2: Did they go back to three times lucky? 246 00:13:08,400 --> 00:13:11,120 Speaker 7: No, I believe not. No, they don't think it's sad again. 247 00:13:11,640 --> 00:13:13,760 Speaker 2: And what's the shortest time, given that you've been in 248 00:13:13,800 --> 00:13:16,120 Speaker 2: there five times, rob, what was the shortest time you 249 00:13:16,160 --> 00:13:17,800 Speaker 2: had to spend the court? 250 00:13:17,880 --> 00:13:22,760 Speaker 7: The shortest case I did was a dangerous driving causing 251 00:13:22,840 --> 00:13:25,439 Speaker 7: death and that was only in one day in the 252 00:13:25,559 --> 00:13:26,079 Speaker 7: day that was. 253 00:13:26,280 --> 00:13:28,239 Speaker 2: That was an open and shutcase really. 254 00:13:29,840 --> 00:13:32,240 Speaker 7: Really not really had to sit down. We still had 255 00:13:32,240 --> 00:13:35,760 Speaker 7: to sit down the jury. But sitting there with the jury, 256 00:13:35,800 --> 00:13:38,920 Speaker 7: I think everything's open and shut. But some people just 257 00:13:39,000 --> 00:13:41,960 Speaker 7: have a different opinion, and oh my lord, it's in 258 00:13:42,040 --> 00:13:44,440 Speaker 7: there some believable in the jury room. 259 00:13:44,840 --> 00:13:46,679 Speaker 2: Have there been some? Have there been some pretty big 260 00:13:46,720 --> 00:13:50,080 Speaker 2: barnies in the in the in the jury room in your. 261 00:13:50,040 --> 00:13:54,600 Speaker 7: Five times never seven cases, I've sat and never never 262 00:13:54,760 --> 00:13:57,480 Speaker 7: is you know, we might have different opinion, but never 263 00:13:57,559 --> 00:13:59,600 Speaker 7: any heated or like that. 264 00:14:00,800 --> 00:14:03,040 Speaker 2: For those of us who may get called up at 265 00:14:03,040 --> 00:14:05,240 Speaker 2: some point, because it is something that can happen to 266 00:14:05,440 --> 00:14:08,199 Speaker 2: absolutely everybody in the community. Do they look after you 267 00:14:08,280 --> 00:14:08,760 Speaker 2: and they're. 268 00:14:08,600 --> 00:14:13,360 Speaker 7: Rob, Oh, yes, you get looked after very well. I'd 269 00:14:13,400 --> 00:14:16,520 Speaker 7: got to say that, Yeah, very nice. No problem about 270 00:14:16,559 --> 00:14:18,920 Speaker 7: doing jury duty. But this just uses up a bit 271 00:14:18,960 --> 00:14:22,160 Speaker 7: of a day. You get your regular pay. Yeah, unless 272 00:14:22,160 --> 00:14:25,200 Speaker 7: your semi retire like I am, and I win him 273 00:14:25,200 --> 00:14:27,160 Speaker 7: in my days off and then you only get paid 274 00:14:27,160 --> 00:14:31,320 Speaker 7: twenty dollars for the day. Ah right, plush your transport 275 00:14:31,320 --> 00:14:32,640 Speaker 7: in and out on public transport. 276 00:14:33,680 --> 00:14:37,200 Speaker 2: So it's better to be fully employed. Indeed, Hey, Rob, 277 00:14:37,240 --> 00:14:40,120 Speaker 2: thanks for the insight as a man who's you know, 278 00:14:40,200 --> 00:14:44,280 Speaker 2: five times and seven different trials. It's a good insight too. 279 00:14:44,520 --> 00:14:47,120 Speaker 2: As I said, everybody else who you know, this could 280 00:14:47,120 --> 00:14:50,520 Speaker 2: come knocking for us at any time in the mail and. 281 00:14:50,600 --> 00:14:52,160 Speaker 7: Good luck trying to get out of it. 282 00:14:52,640 --> 00:14:57,000 Speaker 2: Well Lisa couldn't. She's not here, but who knows. Maybe 283 00:14:57,000 --> 00:15:00,680 Speaker 2: she won't get picked and maybe she'll be back tomorrow. Fingers, 284 00:15:01,200 --> 00:15:03,800 Speaker 2: very good, Thank you, Rob. All right, So there you go. 285 00:15:03,880 --> 00:15:07,800 Speaker 2: That's a very good insight into the whole jury process 286 00:15:08,200 --> 00:15:11,440 Speaker 2: at the courthouse. Wendy found a way out of jury 287 00:15:11,520 --> 00:15:14,560 Speaker 2: judy it was over in New South Wales. Got out 288 00:15:14,560 --> 00:15:18,600 Speaker 2: of it by being a corrective services employee. Can't do 289 00:15:18,680 --> 00:15:22,200 Speaker 2: jury judy if that's your job, And Jason says, beat 290 00:15:22,240 --> 00:15:25,880 Speaker 2: me by a week, Lisa, Jason's in there next week. 291 00:15:26,160 --> 00:15:30,280 Speaker 2: Lou from Bullbrook, what's your story from the court room? 292 00:15:31,160 --> 00:15:34,880 Speaker 5: Good morning, good morning years ago back in the state 293 00:15:34,880 --> 00:15:36,480 Speaker 5: to my wife friend, I rode on a jetski's It 294 00:15:36,520 --> 00:15:39,360 Speaker 5: was given late in the day when we got back 295 00:15:39,400 --> 00:15:42,040 Speaker 5: through short of marine patrol was there and they said 296 00:15:42,040 --> 00:15:44,760 Speaker 5: that were under water at night with no lights. Jet 297 00:15:44,800 --> 00:15:47,280 Speaker 5: Skis don't have lights, so they end up giving us 298 00:15:47,280 --> 00:15:50,560 Speaker 5: a ticket. Well, we went to court and sport started 299 00:15:50,560 --> 00:15:55,320 Speaker 5: at eight o'clock. Courtroom was full. Eight no judge, eight thirty, 300 00:15:55,360 --> 00:15:58,560 Speaker 5: no judge, nine o'clock, no judge. People are leaving, they're 301 00:15:58,600 --> 00:16:01,720 Speaker 5: getting mad. Nine pint thirty to judge walks and he goes, 302 00:16:01,720 --> 00:16:03,880 Speaker 5: I'd like to apologize for being late, but it wasn't 303 00:16:03,880 --> 00:16:06,880 Speaker 5: an accident. He goes, it was on purpose. And everybody's like, 304 00:16:06,960 --> 00:16:09,400 Speaker 5: are you kidding? And he goes, listen, he goes, you've 305 00:16:09,400 --> 00:16:12,160 Speaker 5: got silly tickets being on a boat drinking, be on 306 00:16:12,200 --> 00:16:13,040 Speaker 5: a beach drinking. 307 00:16:13,520 --> 00:16:14,760 Speaker 7: You're all adults. Screw up. 308 00:16:14,800 --> 00:16:16,360 Speaker 5: You probably had to take a day off of work 309 00:16:16,400 --> 00:16:19,280 Speaker 5: to be here, you already lost money. Do what you're 310 00:16:19,320 --> 00:16:23,320 Speaker 5: supposed to do. You're adults. Everybody's tickets dismissed. 311 00:16:23,800 --> 00:16:26,240 Speaker 2: That sounds like a judge judy kind of thing to do. 312 00:16:26,360 --> 00:16:29,360 Speaker 2: I'd see that's an American judge. I see, I don't 313 00:16:29,360 --> 00:16:31,320 Speaker 2: know that Australian judges roll that way. 314 00:16:31,400 --> 00:16:32,880 Speaker 7: Lou Well, it was. 315 00:16:32,960 --> 00:16:35,680 Speaker 5: It was like the best lessons in life are the 316 00:16:35,680 --> 00:16:38,160 Speaker 5: ones that mean something. You know, somebody gets a ticket, 317 00:16:38,240 --> 00:16:40,160 Speaker 5: they get pissed off. But if you tell a guy, 318 00:16:40,200 --> 00:16:42,080 Speaker 5: look at grow up, what are you doing. 319 00:16:42,120 --> 00:16:42,440 Speaker 7: You're out. 320 00:16:42,520 --> 00:16:44,280 Speaker 5: You're out when you're not supposed to be. You're drinking 321 00:16:44,280 --> 00:16:46,040 Speaker 5: on the beach, you're not supposed to be. Do what 322 00:16:46,080 --> 00:16:48,800 Speaker 5: you're supposed to. I'll let you go. That has a 323 00:16:48,840 --> 00:16:49,520 Speaker 5: little impact. 324 00:16:49,600 --> 00:16:51,120 Speaker 2: So that's it. 325 00:16:51,360 --> 00:16:52,200 Speaker 7: That's it works for me. 326 00:16:52,440 --> 00:16:54,280 Speaker 2: That's a good Well i'll tell you why. It's a 327 00:16:54,280 --> 00:16:56,320 Speaker 2: good way of looking at it too, because it certainly 328 00:16:56,320 --> 00:16:59,600 Speaker 2: doesn't bug down the legal system being a. 329 00:16:59,560 --> 00:17:02,800 Speaker 5: Resident not a citizen yet although I am a plane, 330 00:17:02,920 --> 00:17:04,920 Speaker 5: I haven't been in trouble with the lot ever since 331 00:17:04,960 --> 00:17:05,480 Speaker 5: that moment. 332 00:17:05,600 --> 00:17:09,280 Speaker 2: Not just to be clear, because that was a real 333 00:17:09,320 --> 00:17:12,320 Speaker 2: get out of jail free card. That was that was 334 00:17:12,480 --> 00:17:15,040 Speaker 2: that was. That was actually a very very good first 335 00:17:15,280 --> 00:17:18,960 Speaker 2: brush with the law. And obviously the lesson has stuck 336 00:17:19,000 --> 00:17:19,520 Speaker 2: in your head. 337 00:17:19,920 --> 00:17:21,320 Speaker 5: Oh that's only what I could tell on the rid 338 00:17:21,359 --> 00:17:24,560 Speaker 5: of yourself. 339 00:17:25,200 --> 00:17:31,520 Speaker 2: Well at least hopefully not in our jurisdic jurisdic. Thanks 340 00:17:31,560 --> 00:17:33,639 Speaker 2: for the story, and thanks for letting us know how 341 00:17:33,680 --> 00:17:35,960 Speaker 2: the courtroom works on on the other side of the world. 342 00:17:36,040 --> 00:17:37,639 Speaker 2: We usually only see it on TV. 343 00:17:37,840 --> 00:17:39,400 Speaker 5: Unusual, that's unusual. 344 00:17:39,960 --> 00:17:44,880 Speaker 2: Well, you got lucky, lou. Thanks for your stay out 345 00:17:44,880 --> 00:17:46,000 Speaker 2: of trouble. 346 00:17:46,000 --> 00:17:48,560 Speaker 1: More of Lisa and Muscles podcast, it's on the way. 347 00:17:48,640 --> 00:17:54,520 Speaker 2: So The Travelers is a new Australian movie shot very 348 00:17:54,520 --> 00:17:57,359 Speaker 2: close to home, and I do mean very close to 349 00:17:57,400 --> 00:18:01,240 Speaker 2: where we are right now. It's in cinemas on the 350 00:18:01,359 --> 00:18:06,160 Speaker 2: ninth of October and it stars Brian Brown, Luke Bracy, 351 00:18:06,480 --> 00:18:10,880 Speaker 2: Nicholas Hammond and Susie Porter, who joins us now. Welcome, 352 00:18:11,160 --> 00:18:11,919 Speaker 2: Thank you, Russell. 353 00:18:12,000 --> 00:18:13,080 Speaker 4: Thank you for having me or. 354 00:18:13,040 --> 00:18:15,719 Speaker 2: Should I say welcome back because you spent a bit 355 00:18:15,760 --> 00:18:16,560 Speaker 2: of time here. 356 00:18:16,640 --> 00:18:19,960 Speaker 8: I have spent I was actually talking this morning. I 357 00:18:20,040 --> 00:18:23,159 Speaker 8: think this is the third film I've done in Perth 358 00:18:23,280 --> 00:18:24,080 Speaker 8: over the years. 359 00:18:24,640 --> 00:18:26,520 Speaker 4: So yeah, it's lovely to be back. 360 00:18:26,600 --> 00:18:29,520 Speaker 2: There's a lot of movie production happening over this part 361 00:18:29,560 --> 00:18:32,160 Speaker 2: of the world at the moment, which is very, very exciting. 362 00:18:32,320 --> 00:18:34,240 Speaker 8: I think it is very exciting when we're talking about 363 00:18:34,240 --> 00:18:37,800 Speaker 8: that this morning as well, about the studios and getting 364 00:18:37,840 --> 00:18:39,080 Speaker 8: those up and running. 365 00:18:38,800 --> 00:18:42,480 Speaker 4: And having you know, a real great. 366 00:18:42,400 --> 00:18:45,440 Speaker 8: Injection for the film industry for in Perth, which is 367 00:18:45,480 --> 00:18:49,360 Speaker 8: great for all the crews that work here. It's cheaper, 368 00:18:50,200 --> 00:18:53,000 Speaker 8: the weather's so good, it's just a great place to 369 00:18:53,080 --> 00:18:53,720 Speaker 8: make movies. 370 00:18:53,880 --> 00:18:59,040 Speaker 2: Yeah. So The Travelers is filmed basically a little bit 371 00:18:59,040 --> 00:19:02,479 Speaker 2: in Perth. A little bit Freemantle and much of it 372 00:19:02,520 --> 00:19:05,639 Speaker 2: out in the Avon Valley and it just the Avon 373 00:19:05,760 --> 00:19:09,199 Speaker 2: Valley just comes up so beautifully on the big screen. 374 00:19:09,560 --> 00:19:12,639 Speaker 2: It is wonderful to see our home up on the 375 00:19:12,640 --> 00:19:15,640 Speaker 2: big screen because you don't always get to see that. No, 376 00:19:15,960 --> 00:19:19,359 Speaker 2: a lot of stuff is international or it's filmed over East. 377 00:19:19,520 --> 00:19:21,080 Speaker 2: So to be able to go in there and say 378 00:19:21,200 --> 00:19:22,439 Speaker 2: I live there, I've been. 379 00:19:22,320 --> 00:19:24,480 Speaker 8: There, I know, and I could imagine people who live 380 00:19:24,600 --> 00:19:27,800 Speaker 8: in York as well, you know, with so much stuff 381 00:19:27,840 --> 00:19:31,080 Speaker 8: being shot there. Yes, it's just yeah, it's always a 382 00:19:31,119 --> 00:19:34,960 Speaker 8: thrill to see your local area up on the screen. 383 00:19:35,200 --> 00:19:38,000 Speaker 2: The Travelers just shot there. Runt was another movie that 384 00:19:38,119 --> 00:19:40,600 Speaker 2: was shot there and only about a year ago. So 385 00:19:41,160 --> 00:19:43,800 Speaker 2: it's very exciting times. So tell us a little bit 386 00:19:43,880 --> 00:19:48,200 Speaker 2: about The Travelers. Written and directed by Bruce Beresford, Yes, 387 00:19:48,720 --> 00:19:52,800 Speaker 2: who has a long run of credit. It's a very 388 00:19:52,880 --> 00:19:56,280 Speaker 2: very successful man. We're talking driving Miss Daisy black Robe 389 00:19:56,560 --> 00:19:58,520 Speaker 2: Break Him a Rant, which is one of the all 390 00:19:58,560 --> 00:20:02,520 Speaker 2: time classic Australian movie. Tell us a little bit about 391 00:20:02,560 --> 00:20:03,160 Speaker 2: the movie. 392 00:20:03,320 --> 00:20:07,560 Speaker 8: I would describe the movie as the character of Luke Bracey. 393 00:20:08,040 --> 00:20:14,160 Speaker 8: He works overseas in opera and basically our mother gets sick. 394 00:20:14,280 --> 00:20:16,760 Speaker 8: So we're brother and sister and our father is Brian 395 00:20:17,320 --> 00:20:21,440 Speaker 8: and so he summons back to Australia and it's what 396 00:20:21,640 --> 00:20:23,639 Speaker 8: unfolds once he gets back. 397 00:20:23,560 --> 00:20:26,520 Speaker 2: Two very different worlds for a start, a small Australian 398 00:20:26,560 --> 00:20:31,440 Speaker 2: country town to the opera houses of Europe. So there's 399 00:20:31,480 --> 00:20:34,000 Speaker 2: a culture clash right there that is being dealt with. 400 00:20:34,200 --> 00:20:34,520 Speaker 4: Yeah. 401 00:20:34,800 --> 00:20:37,720 Speaker 8: Yeah, And I think you know a lot of people 402 00:20:37,760 --> 00:20:42,439 Speaker 8: will have, you know, aging parents, parents dying. You know, 403 00:20:42,520 --> 00:20:46,440 Speaker 8: it's a real part of life that I don't see 404 00:20:46,640 --> 00:20:49,160 Speaker 8: often explored in film. 405 00:20:48,840 --> 00:20:50,919 Speaker 4: Really, So I think it's just such a. 406 00:20:50,800 --> 00:20:56,480 Speaker 8: Beautiful nod to that to family and connection with family. 407 00:20:57,240 --> 00:21:01,280 Speaker 2: It's, like you say, it's something that everybody will confront, 408 00:21:01,400 --> 00:21:03,480 Speaker 2: so everybody can relate to it when they see the 409 00:21:03,480 --> 00:21:04,760 Speaker 2: story in the cinema. 410 00:21:04,920 --> 00:21:05,720 Speaker 4: Yeah, definitely. 411 00:21:05,960 --> 00:21:11,400 Speaker 2: So you play the sister and Brian Brown plays the father. Yeah, 412 00:21:12,119 --> 00:21:15,560 Speaker 2: and he lives a very different life, shall we say 413 00:21:15,600 --> 00:21:18,879 Speaker 2: to his son who comes back to visit and there 414 00:21:18,920 --> 00:21:22,240 Speaker 2: is a little bit aghast at what he finds. How 415 00:21:22,280 --> 00:21:26,159 Speaker 2: would you describe the relationship between father and son and 416 00:21:26,800 --> 00:21:29,520 Speaker 2: sister as well in this movie? 417 00:21:29,680 --> 00:21:30,640 Speaker 4: Well, look, I think. 418 00:21:30,520 --> 00:21:35,120 Speaker 8: All three of them are very different and Luke's character 419 00:21:35,800 --> 00:21:38,240 Speaker 8: is different in the family that he chose to move 420 00:21:38,280 --> 00:21:41,840 Speaker 8: away from the city and explore different different parts. My 421 00:21:41,960 --> 00:21:45,520 Speaker 8: character is happy to stay locally and raise a family 422 00:21:46,000 --> 00:21:49,560 Speaker 8: and I work in it and have the connection with dad. 423 00:21:49,600 --> 00:21:52,320 Speaker 4: But it's also, yeah, how would I describe it? 424 00:21:52,520 --> 00:21:56,800 Speaker 8: Three very different people having to maneuver how the future 425 00:21:56,840 --> 00:22:01,280 Speaker 8: looks for all three of them, because also younger family members. 426 00:22:01,840 --> 00:22:05,240 Speaker 8: You know that we're there to look after our elderly parents, 427 00:22:05,280 --> 00:22:08,880 Speaker 8: but also to have their own life as well. It's 428 00:22:08,920 --> 00:22:10,480 Speaker 8: a fine balance, I think. 429 00:22:10,600 --> 00:22:13,600 Speaker 2: So does that kind of a culture difference as well. 430 00:22:14,000 --> 00:22:16,679 Speaker 2: And you say that you stay but if I remember 431 00:22:16,760 --> 00:22:20,359 Speaker 2: rightly in the movie, you're in Albany, I am in 432 00:22:20,400 --> 00:22:21,200 Speaker 2: a different spot. 433 00:22:21,320 --> 00:22:22,400 Speaker 4: Yeah, so I sort. 434 00:22:22,200 --> 00:22:24,359 Speaker 2: Of stay low the place that we can all relate to. 435 00:22:24,840 --> 00:22:25,920 Speaker 4: Yeah, I stay locally. 436 00:22:25,960 --> 00:22:29,159 Speaker 8: I didn't go to Europe, but yes, I need you know, 437 00:22:29,280 --> 00:22:31,720 Speaker 8: my character talks about getting on with her life as 438 00:22:31,720 --> 00:22:34,880 Speaker 8: well of having husband and a couple of young kids 439 00:22:34,880 --> 00:22:38,439 Speaker 8: at school, and yeah, having to get on with that. 440 00:22:38,520 --> 00:22:41,240 Speaker 8: But I think that that is a dilemma that a 441 00:22:41,240 --> 00:22:45,440 Speaker 8: lot of people face. Like my mum who's eighty one. Now, 442 00:22:45,520 --> 00:22:47,600 Speaker 8: I mean she's in good health, but she lives in 443 00:22:47,640 --> 00:22:50,560 Speaker 8: Newcastle and there's one sister who lives in Newcastle and 444 00:22:50,600 --> 00:22:53,439 Speaker 8: the rest of us either Melbourne or Sydney, so it's 445 00:22:53,480 --> 00:22:55,040 Speaker 8: a very similar. 446 00:22:55,280 --> 00:22:58,359 Speaker 4: Yeah, that we kind of go, well we would. 447 00:22:58,119 --> 00:23:02,399 Speaker 8: Move up to Newcastle or also my husband his father's 448 00:23:02,400 --> 00:23:06,040 Speaker 8: in Newcastle in England, so that's another thing that we 449 00:23:06,119 --> 00:23:08,600 Speaker 8: sort of talk about as like the time do you 450 00:23:08,720 --> 00:23:10,840 Speaker 8: move over there for it? You know, time being to 451 00:23:10,920 --> 00:23:12,840 Speaker 8: help with that transition. 452 00:23:13,200 --> 00:23:13,560 Speaker 6: It is. 453 00:23:13,800 --> 00:23:15,360 Speaker 4: Yeah, it's a really well. 454 00:23:15,280 --> 00:23:18,800 Speaker 8: Everyone you know, if they have their parents alive, people 455 00:23:18,840 --> 00:23:20,040 Speaker 8: have that experience. 456 00:23:20,040 --> 00:23:22,840 Speaker 2: It's something that everyone gets to has to wrestle with. 457 00:23:23,119 --> 00:23:25,520 Speaker 2: As we said before, the film written and directed by 458 00:23:25,560 --> 00:23:28,320 Speaker 2: Bruce Beresford, what was it. Have you worked with him before? 459 00:23:28,880 --> 00:23:29,280 Speaker 5: I have? 460 00:23:29,600 --> 00:23:31,320 Speaker 4: Do you know what? I've been lucky enough. This is 461 00:23:31,359 --> 00:23:33,240 Speaker 4: my third fil with Bruce. 462 00:23:33,480 --> 00:23:34,040 Speaker 2: He likes you. 463 00:23:34,920 --> 00:23:39,080 Speaker 8: Yeah, look, I feel just I'm really grateful that I 464 00:23:39,680 --> 00:23:41,680 Speaker 8: got to work with him. He's such a beautiful man 465 00:23:41,720 --> 00:23:44,200 Speaker 8: and such a gentleman. But as you said, like he's 466 00:23:44,280 --> 00:23:47,520 Speaker 8: a real legend and he's worked not. 467 00:23:47,480 --> 00:23:50,000 Speaker 2: Just in Australia, We're talking worldwide. This man is all 468 00:23:50,080 --> 00:23:50,919 Speaker 2: around the world. 469 00:23:51,040 --> 00:23:53,880 Speaker 8: So I first met Bruce when I did Paradise Road. 470 00:23:53,960 --> 00:23:56,600 Speaker 8: It was my first year out of drama school, and 471 00:23:56,760 --> 00:24:00,359 Speaker 8: that was set in a prison of war camp and 472 00:24:00,400 --> 00:24:03,080 Speaker 8: it was about a women's choir through that and that 473 00:24:03,720 --> 00:24:07,240 Speaker 8: was a beautiful film. And many years later he spoke 474 00:24:07,280 --> 00:24:10,320 Speaker 8: about Ladies in Black when we were filming Paradise Road, 475 00:24:10,400 --> 00:24:12,600 Speaker 8: but it took a long time to actually fund the 476 00:24:12,640 --> 00:24:15,080 Speaker 8: film and get it up, so instead of me playing 477 00:24:15,080 --> 00:24:17,040 Speaker 8: one of the younger girls, I ended up being cast 478 00:24:17,080 --> 00:24:20,520 Speaker 8: as one of the moms. So I did Ladies in 479 00:24:20,640 --> 00:24:25,240 Speaker 8: Black with him in twenty seventeen, and then now there's 480 00:24:25,320 --> 00:24:28,560 Speaker 8: in twenty twenty twenty five. Of course you filmed it 481 00:24:29,680 --> 00:24:33,480 Speaker 8: twenty four So look, I feel, yeah, just really privileged 482 00:24:33,520 --> 00:24:36,959 Speaker 8: to have been able to work with him so many times. 483 00:24:37,040 --> 00:24:39,680 Speaker 2: And we feel privileged that he decided to pick a 484 00:24:40,000 --> 00:24:43,359 Speaker 2: Perth Freemantle and the Avon Valley to film, Yeah, the 485 00:24:43,440 --> 00:24:46,240 Speaker 2: movie in because it's a great advertisement for this part 486 00:24:46,280 --> 00:24:48,160 Speaker 2: of the world it is, and also for Perth. 487 00:24:48,400 --> 00:24:51,880 Speaker 8: You know, you can get hilly kind of areas around York, 488 00:24:51,920 --> 00:24:55,680 Speaker 8: but then you've got the beautiful beaches, you've got Margaret River, 489 00:24:55,920 --> 00:25:00,320 Speaker 8: You've got you've just got everything here and no humidity either, 490 00:25:00,960 --> 00:25:03,600 Speaker 8: so you know, and the light is so beautiful. We're 491 00:25:03,600 --> 00:25:07,080 Speaker 8: talking about that this morning. The light here is so beautiful. 492 00:25:07,280 --> 00:25:10,520 Speaker 2: So all directors who are listening, this is a great 493 00:25:10,560 --> 00:25:12,760 Speaker 2: spot to come and make movies. Yeah, and I think 494 00:25:12,800 --> 00:25:13,800 Speaker 2: that so many reasons. 495 00:25:13,920 --> 00:25:15,879 Speaker 8: Yeah, and I think that's what's a really good idea 496 00:25:15,920 --> 00:25:18,200 Speaker 8: to have, you know, get those studios up and running, 497 00:25:18,240 --> 00:25:22,000 Speaker 8: which is they're meant to be next year. That it 498 00:25:22,119 --> 00:25:25,040 Speaker 8: is just great for the film community here. 499 00:25:25,080 --> 00:25:27,399 Speaker 2: There's a lot of anticipation for it. Do you have 500 00:25:27,600 --> 00:25:29,919 Speaker 2: any other projects on the go that you're working on 501 00:25:30,000 --> 00:25:31,879 Speaker 2: at the moment, anything in the pipeline. 502 00:25:31,920 --> 00:25:35,800 Speaker 8: Well, I just finished doing The Artful Dodger for Disney 503 00:25:35,800 --> 00:25:38,600 Speaker 8: Plus and Luke was in that, so we actually did 504 00:25:38,600 --> 00:25:41,359 Speaker 8: the last two jobs together beautiful Luke Bracy, so that 505 00:25:41,520 --> 00:25:42,880 Speaker 8: was pretty cool. 506 00:25:43,000 --> 00:25:46,480 Speaker 2: So yeah, well we look forward to seeing that. But now, 507 00:25:46,880 --> 00:25:49,240 Speaker 2: as of the ninth of October, we need to see 508 00:25:49,280 --> 00:25:52,600 Speaker 2: you in The Travelers. Travelers Brian Brown and Luke Bracy 509 00:25:52,640 --> 00:25:55,280 Speaker 2: and Nicholas Hammond. That's it, and the Beauty of Western 510 00:25:55,320 --> 00:25:58,600 Speaker 2: Australia on the big screen. Absolutely, it's a great movie. 511 00:25:58,760 --> 00:26:01,679 Speaker 2: Thank you for dropping by, thanks for talking, and we 512 00:26:01,760 --> 00:26:04,560 Speaker 2: look forward to seeing you on Disney Plus. 513 00:26:04,680 --> 00:26:08,800 Speaker 8: Yes, The Artful Dodger Boy M Russell ninety six a 514 00:26:08,840 --> 00:26:14,320 Speaker 8: FM