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Speaker 1: It's the Rym Wooding Podcast.

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Speaker 2: Yes, Woods loves a fence between his legs. Just to

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Speaker 2: spoil that's who we are talking about there.

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Speaker 3: Would he metaphorically speaking, Although, no, no, that's because I'm

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Speaker 3: very good sitting on a fence.

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Speaker 4: Will we put that through the test.

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Speaker 3: And I mean, look, I mean I don't want me

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Speaker 3: to blow my own trumpet here, but Jesus, I was

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Speaker 3: good at getting on that fence.

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Speaker 2: Well, yeah, no, you were good, I said today, and

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Speaker 2: I meant it. The only fence sitter who might have

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Speaker 2: you your measure is the Queen who literally has been

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Speaker 2: a fence sitter for the royal family for twenty years,

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Speaker 2: so for sixty years, I should say, so. For you

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Speaker 2: to be said in the same sentence as there as

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Speaker 2: a fence sitter, impressive. It has to be heard to

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Speaker 2: be believed those guys, so you get that. On this episode,

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Speaker 2: he covers topics such as should you have to use

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Speaker 2: a fork? Or people that use forks in Chinese restaurants?

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Speaker 4: Oh yeah, cover them all, baby.

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Speaker 3: We also speak to a sexologist called doctor Nicki Goldsteins.

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Speaker 3: It's actually about amazing stuff. At the start of the show,

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Speaker 3: it's all about men being vulnerable in the bedroom and

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Speaker 3: why they struggle to be that way, and why they

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Speaker 3: are not honest about what they need or want. I

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Speaker 3: don't want to go and do any more than that,

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Speaker 3: because the chat is awesome stuff. If you're in a

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Speaker 3: relationship or plan on being in a relationship at any stage,

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Speaker 3: must listen.

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Speaker 2: Yeah it's yeah, yeah, no, that blow is a bloody

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Speaker 2: good chat. Dean Lewis joins us as well. Bloody good,

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Speaker 2: bloody good gear.

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Speaker 3: Absolutely, and we get in and around your return to

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Speaker 3: social media. I mean it's amazing, but again a bit

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Speaker 3: behind the scenes here. You've already deleted the app.

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Speaker 4: Yeah, you've posted. The post is still there, so you

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Speaker 4: can go and see yeh.

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Speaker 2: Because I don't want because I want to use Instagram,

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Speaker 2: I don't want it to use me.

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Speaker 4: Oh they're the product.

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Speaker 2: You're not the product exactly, So I'm using them so

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Speaker 2: I use them to post my poetry on there.

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Speaker 5: Yep.

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Speaker 2: I don't want to be caught up in the well

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Speaker 2: baited hook that they use for everybody, which is check

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Speaker 2: out who likes your post?

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Speaker 4: I don't you want a little bit of that. Look

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Speaker 4: at all those people saying I love my poem.

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Speaker 2: Dove means a wonderful thing when you've got it, and

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Speaker 2: it's an awful thing when you don't, particularly after you've

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Speaker 2: had a big dose of it. So I just staying

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Speaker 2: away from it.

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Speaker 4: Just post another poem and get a bit more of.

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Speaker 2: That dopey Yeah, but I don't need that. That's see,

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Speaker 2: That's why I got off Instagram.

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Speaker 4: Yeah, they're dangerous because I.

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Speaker 2: Didn't want to get fulfilled by other people liking it.

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Speaker 2: I want to get fulfilled by knowing that I've posted

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Speaker 2: a poem out in the world that you know, someone like,

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Speaker 2: someone like someone might get around. I don't need them

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Speaker 2: to get around me. I don't need them to reciprocate

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Speaker 2: that in order for me to feel good about myself.

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Speaker 2: I've already given them something that's the best love in

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Speaker 2: the world. The sun never says to the earth, you

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Speaker 2: owe me for heating you up every day.

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Speaker 4: It should though he's working hard up there. There's a

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Speaker 4: little bit of love anyway.

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Speaker 3: It's pretty much to show a guy so enjoyable see

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Speaker 3: it tomorrow.

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Speaker 6: And will Is Barbody doesn't care what.

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Speaker 2: We are talking right now, but I'm one to six

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Speaker 2: y five. Do you think it's hard for guys to

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Speaker 2: be vulnerable in the bedroom. Yeah, saucy question to start

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Speaker 2: the show and from school.

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Speaker 3: No, it's an interesting and we don't go into the

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Speaker 3: specifics there. This is a family friendly show, but it's

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Speaker 3: super interesting to think about are you vulnerable enough to

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Speaker 3: truly ask for what you want in the bedroom, especially

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Speaker 3: if that goes against you know, the archetypal matro man

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Speaker 3: and what he's supposed to look like in a bedroom.

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Speaker 3: Last night on Maps we saw Russell aka look alike

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Speaker 3: to Dan Andrews Victorian Premier talk about what he wants

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Speaker 3: in the bedroom. You know, quite frankly, it's not exactly

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Speaker 3: a posy or showy answer.

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Speaker 4: Well, I guess with me, I'm coming into pedestrians sort

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Speaker 4: of stuff.

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Speaker 2: Just me and the chicken.

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Speaker 4: Don't know much about the toy side sex with me.

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Speaker 7: He's kind of like go under a supermarket, not the

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Speaker 7: organic one where I don't know what anything is.

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Speaker 2: We can go low and slow like a brisket.

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Speaker 1: Sounds like you like a bit of like vanilla effect.

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Speaker 4: Kind And it was a shame to hear being canned.

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Speaker 3: He got candy for she Yeah, she sort of laughed

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Speaker 3: at him there, and good on Russell for being honest

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Speaker 3: and the binding.

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Speaker 2: Got caned for it as well, like you know, being

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Speaker 2: unoriginal and all that sort of stuff. And I think

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Speaker 2: it's a shame because I think it's really tough guys,

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Speaker 2: particularly straight guys, to be actually just be honest about

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Speaker 2: what they're into, because there's very much a stereotype we've

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Speaker 2: got to play into there. We've got doctor Nicki Goldstein,

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Speaker 2: who's the sex ologist from doctor Nicki shop dot com

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Speaker 2: dot u if you want to check out his stuff.

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Speaker 2: But doctor Nicki, what do you reckon about this?

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Speaker 5: Well, I think you're really right when you're saying that

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Speaker 5: this idea of men being vulnerable and being open and honest,

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Speaker 5: because I think really what we have to look about

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Speaker 5: when we speak about vulnerability. It's one of those trend

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Speaker 5: words that we throw around a lot, especially in Australia.

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Speaker 5: There is this unfest aernotype that a man should be

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Speaker 5: a certain way, and I even think it goes deeper

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Speaker 5: that it's not being a certain way. But we don't

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Speaker 5: teach men to ask what they want from the bedroom.

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Speaker 5: We teach them to dominate and control and to do

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Speaker 5: those things. So now we're saying to you guys, hey,

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Speaker 5: let's have a conversation about what you might like, and

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Speaker 5: it might not be stereotypically what we think and then

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Speaker 5: should want. It might be about even emotions and love

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Speaker 5: or something outside of that vanilla box. But we go

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Speaker 5: back into that stereotype of what should a guy be

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Speaker 5: doing in the bedroom because we have these societal ideas,

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Speaker 5: And what do you think.

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Speaker 2: Nikki So I said before, I mean, and I know

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Speaker 2: I'm stereotyping here, and maybe it is because I'm a

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Speaker 2: heterosexual guy. But like for girls, you know, if they're

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Speaker 2: doing something that's considered kinky or outside the box or whatever,

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Speaker 2: that's sexy. If for a heterosexual guy to be doing

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Speaker 2: something that's kinky or have a fetish or whatever it is,

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Speaker 2: that's considered something that needs to be repressed or suppressed,

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Speaker 2: and it's you know, often leads to a lot of issues.

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Speaker 5: Why is that, I think it's how we see men

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Speaker 5: when they desire sex. So we see when women desire sex,

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Speaker 5: and when we put our hands up and say, hey,

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Speaker 5: we want vibrators and we want all these things, that's okay,

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Speaker 5: it's female empowerment. But when we see a guy that

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Speaker 5: wants something particular or is desiring sex, we seem to

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Speaker 5: see it as being a sexual deviant or a sexual demon.

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Speaker 5: You know, we never quite use that word male and

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Speaker 5: holman in the bedroom, or it's seen as a positive.

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Speaker 5: We have this dynamic as the woman sometimes being the

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Speaker 5: gatekeeper and the innocent one, and the man who wants

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Speaker 5: sex are seen in that deviant way. So we still

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Speaker 5: have those views in society that when somebody does want

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Speaker 5: something that is in inverted commons outside of the box

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Speaker 5: of kinky, if it is a heterosexual man, especially, we

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Speaker 5: tend to flack on that label of it being something

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Speaker 5: deep here.

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Speaker 3: Yes, interesting, Sorry, Nikki, this is all amazing stuff you're saying,

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Speaker 3: and there's a lot of couples, no doubt that are

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Speaker 3: listening to us who maybe they're sitting there going gee,

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Speaker 3: I'll probably haven't men vulnerable about what I want in

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Speaker 3: the bedroom. When is the right time or place to

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Speaker 3: bring that up? I mean, is it are you in

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Speaker 3: the bedroom and go hey, before you know, we get

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Speaker 3: we get things started here. I actually wouldn't mind a

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Speaker 3: bit of that. Or is it you know, saying you

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Speaker 3: bring up over tea in the afternoon before you actually.

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Speaker 2: Wait, Nikki, that's a great question. Before you answer it

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Speaker 2: let's go to a song and then we can speak

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Speaker 2: about it. Up next. Is that sound all right with you?

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Speaker 2: That sounds coo okay, great, good question, Woods, Thank you

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Speaker 2: first one in three months for twenty twenty one. Good stuff.

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Speaker 4: Gee, that's harsh.

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Speaker 2: We're talking more about guys being vulnerable in the bedroom

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Speaker 2: up next. Do you think it's hard for guys to

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Speaker 2: be vulnerable in the bedroom? Wild question to start the show,

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Speaker 2: But we are talking. We're talking about it because maps

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Speaker 2: last night it was all about all about rinsing the squirrel,

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Speaker 2: flossing the fairy, planting the pass andip whatever you want

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Speaker 2: to call it. It was sex week on Maths and one

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Speaker 2: of the guys, Russell, was pretty vulnerable being block. Woods

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Speaker 2: and you and I've been talking about this all morning.

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Speaker 2: It's body hard for guys to admit what they want.

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Speaker 2: And we've got doctor Nikki Goldstein who's sex ologist aging.

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Speaker 2: So doctor Nikki shop dot com dot are you going

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Speaker 2: to get some other doctor Nikki? Give it? Well, you

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Speaker 2: have a question for doctor Niki before the song, which

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Speaker 2: I'd love to hear answer it.

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Speaker 3: That's it, yeah, doctor Nikki. I'm sure there are a

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Speaker 3: lot of couples listening to us right now that it

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Speaker 3: may be struggling to be open honest about what they

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Speaker 3: want in the bedroom. My question too is when is

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Speaker 3: the right time to have that chator and how do

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Speaker 3: you bring it up?

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Speaker 5: Or anytime is the right time? And this always baffles

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Speaker 5: me that people can have sex with somebody, but when

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Speaker 5: it comes to talking about sex them they freak out,

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Speaker 5: but you get nervous. It's a crazy concept when you

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Speaker 5: think about it, but I get that it can cause

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Speaker 5: a lot of nerves for a lot of people. But

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Speaker 5: if you are feeling nervous and you think, hey, there's

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Speaker 5: something I really want to talk to this person about,

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Speaker 5: it's really good to own it and just say, you

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Speaker 5: know what, I really want to talk about something through

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Speaker 5: our sex life. But I'm feeling a little bit anxious

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Speaker 5: for nervous or worry. You're going to think I'm weird

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Speaker 5: for it and my person might be feeling something similar

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Speaker 5: and at least she get it out in the open

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Speaker 5: and kind of give that space to say, hey, this

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Speaker 5: might be an awkward conversation and I'm going to flag it,

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Speaker 5: but let's go for it.

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Speaker 4: Yeah, to flag it as well, I reckon, And.

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Speaker 2: Then well, you got a new partner would so.

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Speaker 4: Yeah, Actually, really interestingly, I would say, and again I

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Speaker 4: don't want to go into too much because it's not

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Speaker 4: fair on Membo's listening. She's not involved or anything.

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Speaker 3: But we're exploring each other a little bit now and

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Speaker 3: finding out what we want, what we don't like. We're

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Speaker 3: starting to have those sorts of conversations. But it's interially

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Speaker 3: when you're throwing sometimes, and this might it be for everyone,

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Speaker 3: when you're throwing alcohol in the mix, all of a sudden,

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Speaker 3: there might be a little bit of common exuberance or

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Speaker 3: confidence in the bedroom.

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Speaker 5: In a Dutch courage, a little bit.

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Speaker 4: Of Dutch courage.

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Speaker 2: Let's go to Amy here. Amy, you've got a question

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Speaker 2: for doctor Nicki Goldstein.

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Speaker 5: I do so basically, what's the easiest way to go about,

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Speaker 5: you know, talking about your partner and men at the

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Speaker 5: same issue was super Bowl on the board of the bedroom.

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Speaker 8: We'll figure that all out now, But how is.

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Speaker 5: The easiest way to go about that? Sorry, just you're

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Speaker 5: saying you're a bit bored in the bedroom.

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Speaker 2: To answer that question, yeah, I think Nikki pretty much.

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Speaker 3: Question Amy, I'll rephrase what Nikki just said. It's pretty

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Speaker 3: much there's never a bad time to bring it up,

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Speaker 3: and Nikki also said sometimes it's worth just flagging it

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Speaker 3: as well. You say like, hey, it's going to be

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Speaker 3: of an awkward conversation, but here we go. I'm interested

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Speaker 3: in this in the bedroom, and yeah.

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Speaker 2: Let's go to Maida. You got a question for doctor

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Speaker 2: Nicki Goldstand about guys being vulnerable in the bedroom.

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Speaker 9: Yes, doructor Nicki. My question is does it mean that

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Speaker 9: they actually love us if they're being vulnerable during sex

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Speaker 9: or like, instead of it being very transactional and like,

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Speaker 9: you know, kind of feeling like a piece of meat

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Speaker 9: when we're sleeping together, if they're being very vulnerable, like,

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Speaker 9: does that actually mean that they love us?

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Speaker 5: Not necessarily as horrible as that sounds, because you could

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Speaker 5: have great casual sex with somebody, feel really comfortable with them,

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Speaker 5: feel comfortable enough to be vulnerable, and that's where it stops.

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Speaker 5: So I think we get very confused when it comes

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Speaker 5: to love and lost and sex, and we need to

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Speaker 5: make sure that if we are looking to see if

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Speaker 5: somebody loves us, But that's a separate conversation. But if

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Speaker 5: somebody does feel vulnerable enough with you to open up,

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Speaker 5: then I think that's something that's really beautiful and you

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Speaker 5: should be grateful for that. But don't got over analyzed

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Speaker 5: and thinking does this mean it's true love? If you

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Speaker 5: can open up, can I can?

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Speaker 2: I wait in on there actually made it? Because this

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Speaker 2: is why we're talking about it is why what do

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Speaker 2: you know I'm talking Aboutcause this guy on Maps last night, Russell,

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Speaker 2: who was like branded as you know, just wanting things

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Speaker 2: to be too vanilla and stuff. I honestly, honestly like,

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Speaker 2: and I'm speaking on behalf of a lot a lot

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Speaker 2: of other guys who I'm mates with as well. I

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Speaker 2: reckon the transactional side of things is genuinely just like

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Speaker 2: the biggest smoke screen.

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Speaker 4: In the world.

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Speaker 2: I think more often most heterosexual guys are just trying

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Speaker 2: to do what they think is normal or what they've seen.

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Speaker 4: On pawn or like movies, movies, movies.

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Speaker 2: We just don't talk about it like in that way

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Speaker 2: with other guys, and we don't learn like it, Yeah,

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Speaker 2: we don't exactly. We just don't learn enough about it,

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Speaker 2: like it takes a woman to be able to go,

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Speaker 2: hey mate, that is not okay or like that what

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Speaker 2: you're doing there is, do you know? And and I

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Speaker 2: think we can be educated a lot better. That's why

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Speaker 2: I want to talk about it more, and that's why

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Speaker 2: I'm really that doctor Nikki has come and join us.

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Speaker 2: Thanks for joining us, dodtor Niki Goldstein. That was awesome,

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Speaker 2: No worries at all, Doctor Nikkishop dot com dot au.

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Speaker 2: Going to get more of doctor Nikki Goldstand. Great insights there.

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Speaker 2: This dude's gonna join us a bit later on.

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Speaker 4: We should bring it up with deans to you.

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Speaker 2: I'll leave that to you, and we're back. We're back

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Speaker 2: behind our fences as intersexual guys. Let's go to the traffic.

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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Right now, I've got a very special guest on the show.

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Speaker 1: Our next guest is.

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Speaker 10: Locked the world over by fans and with the announcement

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Speaker 10: of his new single, Falling Hoop has left physics teachers

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Speaker 10: everywhere with their heads in their hands looking for him.

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Speaker 10: And understanding of gravity isn't a requirement for becoming a

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Speaker 10: musical superstar. He's not after that Nobel prize. He's a

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Speaker 10: multi Platinum Area Award winner.

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Speaker 1: Please welcome to the show. Failed physics student dealeris.

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Speaker 6: You Robert?

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Speaker 8: Hello?

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Speaker 7: Hello? Hello?

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Speaker 4: Hello, oh mate, I did fail physics.

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Speaker 7: I actually did physics.

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Speaker 4: Were you not good in school? I'm great, I'm great, guys?

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Speaker 4: Were you were you my physics teacher?

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Speaker 7: Actually he actually said you have a He said, what

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Speaker 7: do you say? You have a plastic head? Because nothing

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Speaker 7: was going in So I was like, oh, thanks, but

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Speaker 7: he was a great teacher.

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Speaker 4: But how are you guys going?

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Speaker 3: We're good man, We're pumped about falling up your new single?

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Speaker 3: Can you tell us what falling up really means? You know,

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Speaker 3: like what what is falling up?

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Speaker 4: Then? Yeah, yeah, no worries.

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Speaker 7: I mean it's really for me looking back when the

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Speaker 7: you know, after b orright and things went kind of crazy. Yeah,

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Speaker 7: I kind of got to the end of the the

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Speaker 7: Last tour and I just kind of looked back over

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Speaker 7: my last basically my whole life. And I'd thought that

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Speaker 7: I'd be happy when I you know, when i'd finish

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Speaker 7: school or when I got a job or I got

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Speaker 7: a promotion, that i'd be like, you know, I'd be happy.

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Speaker 7: And then then I got a record deal and I

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Speaker 7: was like, what if I have a big song? What

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Speaker 7: if a song does well in America? And I kind

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Speaker 7: of had all those things and I went I look

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Speaker 7: back and went along all these times in my life,

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Speaker 7: I've never really felt like any better. I actually felt

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Speaker 7: more anxious and less president and more worried. So it's

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Speaker 7: one of those moments of me kind of well, I've

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Speaker 7: got to figure this out for me and look internally

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Speaker 7: more than just like for these external things. That's what

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Speaker 7: the song's about.

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Speaker 11: Right, amazing message really saying you're falling up because you know,

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Speaker 11: you're like you know, from the outside, ostensibly you actually

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Speaker 11: are moving up, but it's almost like an.

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Speaker 2: Involuntary all that way. It's not you're not like excelling

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Speaker 2: for it or anything. You're kind of like tumbling into

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Speaker 2: it and really falling kind of kind of yeah.

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Speaker 8: Yeah.

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Speaker 7: It's also like the idea of you know, and things,

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Speaker 7: things are always looking good, and it's like you think

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Speaker 7: that when you get this thing, it's going to be good.

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Speaker 7: But at the same time, you know you're not feeling

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Speaker 7: that way, and so you're feeling kind of down as

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Speaker 7: things are going up.

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Speaker 2: I know it sounds, but it's something that it wasn't

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Speaker 2: even music.

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Speaker 7: It was kind of even when I was younger. It's

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Speaker 7: just something I've dealt with my whole life, and I

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Speaker 7: just I get I guess I got to break through

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Speaker 7: the illusion for me to go beyond where I thought

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Speaker 7: I would ever get to. I'm like, there's no chance

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Speaker 7: this is going to happen. So the fact that it

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Speaker 7: did kind of let me let me know that it's

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Speaker 7: got to be internal.

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Speaker 4: What is satisfying for you?

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Speaker 2: Dean?

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Speaker 5: Though?

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Speaker 3: I agree with there's all these things that we think

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Speaker 3: will make us happy when we get there, but so

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Speaker 3: many of those things when you actually get them, it's like, ah,

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Speaker 3: it wasn't as good as I thought it was going

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Speaker 3: to be. I mean for me personally, like fried chicken.

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Speaker 3: When you think about fried chicken and then you put

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Speaker 3: that thing in your mouth, it's like it was better

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Speaker 3: than you thought it would be. What's satisfaction for you, Dan.

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Speaker 7: Unless it's like dry? Right?

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Speaker 4: Oh, no, very true. That's a good call. I mean

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Speaker 4: you've always had some sauce though, I get anyway. Yeah, sorry.

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Speaker 7: For me?

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Speaker 4: Yeah yeah yeah? Like what for you in your life?

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Speaker 4: You know, for me it's fried chicken. Like for you

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Speaker 4: in your life, what have you found in your experience?

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Speaker 4: Obviously the success wasn't you know? That didn't make you happy?

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Speaker 4: What things in your life genuinely that you've got or

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Speaker 4: you've had made you go. Yeah, that made me feel

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Speaker 4: fulfilled and happy.

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Speaker 7: Yeah, I guess it was actually finishing the tour and

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Speaker 7: then I had a year off and it was just

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Speaker 7: like getting up in the morning and just going for

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Speaker 7: a walk to you know, and just having time to

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Speaker 7: to just you know, take it in, just like just

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Speaker 7: having time to just go for a walk and live

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Speaker 7: and see your friends and stuff like that. That's when

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Speaker 7: I started feeling happy and I'm like, well, it's really weird,

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Speaker 7: you think I sat. I thought I had to do

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Speaker 7: all this really cool, crazy stuff to get there, and

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Speaker 7: in the end, it really is just seeing your family

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Speaker 7: or seeing your friends and like doing small things I think.

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Speaker 7: And that was that was big for me.

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Speaker 2: Dean, I was looking before be all right, nearly a

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Speaker 2: billion streams on Spotify.

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Speaker 7: Holy shit, Yeah, I sound like such a wanker. Donut

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Speaker 7: and say we say ten times platinum. It's like this

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Speaker 7: guy must think he's awesome, right, given it's crazy though,

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Speaker 7: I'm not sure.

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Speaker 2: Are you at your house? Are you at your house

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Speaker 2: right now?

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Speaker 9: Yes?

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Speaker 2: Give it. I can say that you've got a platinum

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Speaker 2: record on the wall behind you with Dean Lewis above

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Speaker 2: it is that.

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Speaker 3: Sorry Dean crazy if I'm wrong, But is that in

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Speaker 3: your bedroom as well?

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Speaker 4: Just on the edge of the bed there, No.

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Speaker 7: That's no, that's a little studio back there. That's it's

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Speaker 7: like all the money's gone. I'm in a studio apartment,

401
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Speaker 7: like just struggling.

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Speaker 8: You know what.

403
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Speaker 7: All my plucks are actually in my mum and dad's house.

404
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Speaker 7: They actually are not even kidding. They have this two

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Speaker 7: bedroom house and the room my brother's room. They actually

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Speaker 7: put up my plucks in his rooms. Well all the

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Speaker 7: walls were colored. But it's just yeah, it wasn't It's

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Speaker 7: honestly brutal my parents, but they have all my plucks.

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Speaker 7: I just have one of them here because I don't

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Speaker 7: want to look like.

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Speaker 2: You know, you actually are genuinely a lovely dude, so

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Speaker 2: I don't think anybody thinks you're awaken.

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Speaker 7: Man.

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Speaker 2: I wanted to I wanted to follow in a little bit.

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Speaker 2: You said last year you had a year off. You

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Speaker 2: finished the two A good time to have a year off,

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00:17:28,080 --> 00:17:29,840
Speaker 2: by the way, like I mean, of all the years

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Speaker 2: let me know of this is a little bit personal.

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Speaker 2: But you followed love over to the USA, Is that right?

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Speaker 2: Found it?

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Speaker 8: Yeah?

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Speaker 4: Yeah, you know, it's one of those things.

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Speaker 7: Yeah, yeah, slip through my fingers. It was. I mean, look,

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Speaker 7: I wrote a lot of the album about one Go

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Speaker 7: in particular, and you know, it didn't work out in

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Speaker 7: the end, which is actually great for the music.

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Speaker 4: Yeah, yeah, it was.

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Speaker 7: But in a way it was just nice to have

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Speaker 7: time off and just to like just be be normal again.

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Speaker 2: Yeah. Adele Is spoken about the fact that she can't

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Speaker 2: write songs unless she's suffering some sort of heartache, and

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Speaker 2: I think, actually, funnily enough, in her divorce proceeding, they

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Speaker 2: had a deal where she wasn't allowed to write about

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Speaker 2: their relationship, the past relationship, because her husband was just like,

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Speaker 2: I know, you're going to write a billion songs about

436
00:18:18,119 --> 00:18:20,480
Speaker 2: anyone's covered. Did that? Does that happen at all with

437
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Speaker 2: the relationship you've just tumbled out of? Like, is there

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Speaker 2: any a moment where you're like, geez, no, no, no

439
00:18:24,800 --> 00:18:26,480
Speaker 2: stepping on your toes or anything like that. Do you

440
00:18:26,480 --> 00:18:26,960
Speaker 2: talk about it?

441
00:18:28,280 --> 00:18:29,600
Speaker 7: No, we're still close?

442
00:18:29,680 --> 00:18:31,360
Speaker 4: Actually yeah, great, that's good.

443
00:18:31,680 --> 00:18:34,000
Speaker 7: Actually, I think no, I think you know, she's a

444
00:18:34,040 --> 00:18:35,480
Speaker 7: stoke to have songs written aout it, and there are

445
00:18:35,480 --> 00:18:35,800
Speaker 7: a lot of.

446
00:18:39,800 --> 00:18:40,560
Speaker 4: They're actually good.

447
00:18:40,680 --> 00:18:43,600
Speaker 7: You know, talking about Adele, I would say, it's very

448
00:18:43,640 --> 00:18:47,399
Speaker 7: easy just to like, how do you enforce that, like like.

449
00:18:49,240 --> 00:18:50,440
Speaker 2: Through the courts, through the courts?

450
00:18:50,480 --> 00:18:53,240
Speaker 3: Actually there's like there's big but as Adele would be

451
00:18:53,280 --> 00:18:55,000
Speaker 3: able to go, that's not about you, like how vain

452
00:18:55,040 --> 00:18:55,280
Speaker 3: are you?

453
00:18:55,280 --> 00:18:57,719
Speaker 4: I'm talking about a relationship in kindergarten.

454
00:18:57,680 --> 00:18:59,600
Speaker 2: At the end of the day, I don't think she'd

455
00:18:59,680 --> 00:19:01,040
Speaker 2: run with that line. You guys have got a weird

456
00:19:01,200 --> 00:19:03,440
Speaker 2: energy going on. Dan, you gotta stop picking up on

457
00:19:03,520 --> 00:19:05,679
Speaker 2: what he's pitten down. I mean the fried chicken thing.

458
00:19:05,760 --> 00:19:07,080
Speaker 2: You could have let that one go over your head.

459
00:19:07,119 --> 00:19:09,120
Speaker 2: You didn't have to grab the kindergarten thing made that way.

460
00:19:09,119 --> 00:19:10,800
Speaker 2: I didn't know you didn't. You didn't have to.

461
00:19:11,880 --> 00:19:14,240
Speaker 7: But the chicken one was. Yeah, that was and also

462
00:19:14,280 --> 00:19:15,840
Speaker 7: created like a bit of an awkward moment because you

463
00:19:15,840 --> 00:19:17,320
Speaker 7: wanted to get to the question I jumped on I

464
00:19:17,359 --> 00:19:18,080
Speaker 7: like I'm doing right now.

465
00:19:18,119 --> 00:19:19,359
Speaker 2: Actually, yeah, And.

466
00:19:19,880 --> 00:19:21,000
Speaker 4: I respect you for that, Dean.

467
00:19:21,080 --> 00:19:22,719
Speaker 3: I love it because it pisss off Will a lot,

468
00:19:22,720 --> 00:19:27,040
Speaker 3: and anyone who piss off Will makes me happy. I

469
00:19:27,040 --> 00:19:28,720
Speaker 3: actually want to quickly ask it, and I know we've

470
00:19:28,720 --> 00:19:30,120
Speaker 3: got to wrap things up, but I want to quickly

471
00:19:30,119 --> 00:19:32,320
Speaker 3: ask you about your creative process. I read a quote

472
00:19:32,359 --> 00:19:34,119
Speaker 3: from you, and I mean, maybe it frustrated me a

473
00:19:34,119 --> 00:19:36,520
Speaker 3: little bit to read this. You said the creation of

474
00:19:36,600 --> 00:19:38,639
Speaker 3: ideas was there from the start. I feel very lucky.

475
00:19:38,760 --> 00:19:41,240
Speaker 3: I pick up a guitar and the ideas just flow out.

476
00:19:41,440 --> 00:19:44,280
Speaker 3: It's like a tap. Can you just talk a bit

477
00:19:44,320 --> 00:19:44,919
Speaker 3: more about that?

478
00:19:45,080 --> 00:19:46,879
Speaker 2: Or actually before before you talk about it, is there

479
00:19:46,880 --> 00:19:49,200
Speaker 2: any chance you got a guitar around you at the moment?

480
00:19:50,080 --> 00:19:52,520
Speaker 7: Yeah, I could totally want to go on here one zec.

481
00:19:53,920 --> 00:19:56,280
Speaker 4: So we actually didn't.

482
00:19:56,280 --> 00:19:58,679
Speaker 7: This wasn't planned. But you're just like the way that

483
00:19:58,720 --> 00:20:01,320
Speaker 7: it works for me is I'll just like usually I'll find.

484
00:20:01,040 --> 00:20:05,000
Speaker 3: A give me a word, give me a chicken, chicken

485
00:20:05,040 --> 00:20:07,480
Speaker 3: fried chicken being too dry?

486
00:20:06,680 --> 00:20:12,639
Speaker 7: Okay, So it's like, why is the chicken so dry?

487
00:20:13,320 --> 00:20:15,520
Speaker 10: And look in you're right.

488
00:20:16,160 --> 00:20:18,480
Speaker 1: And it falls out your mouth.

489
00:20:20,560 --> 00:20:23,920
Speaker 7: And and and you say, I cooked it too.

490
00:20:25,600 --> 00:20:32,000
Speaker 4: Fat, too much. I need your not your touch.

491
00:20:36,160 --> 00:20:44,000
Speaker 6: It's GPS chicken tap man, What a guy.

492
00:20:44,400 --> 00:20:46,439
Speaker 2: It's been a pleasure to you. It's always nice to

493
00:20:46,480 --> 00:20:48,360
Speaker 2: talk to you get falling up wherever you get your music.

494
00:20:48,400 --> 00:20:49,960
Speaker 2: It's a ripper of a song from a ripper of

495
00:20:50,000 --> 00:20:52,359
Speaker 2: a man. It's always been a pleasure, hopefully say so.

496
00:20:52,520 --> 00:20:52,720
Speaker 7: Thanks.

497
00:20:52,720 --> 00:20:53,840
Speaker 4: God's pretty sure it thanks.

498
00:20:53,680 --> 00:20:56,680
Speaker 1: So much to It's the Rhythm Podcast.

499
00:20:57,800 --> 00:20:59,320
Speaker 2: You just got to convince this if you're in the

500
00:20:59,320 --> 00:21:03,880
Speaker 2: car with somebody else or are your final line Willard woes.

501
00:21:06,240 --> 00:21:08,080
Speaker 3: All right, let's crack and we've got Marina here on

502
00:21:08,119 --> 00:21:09,359
Speaker 3: thirty one oh six or five.

503
00:21:09,560 --> 00:21:13,439
Speaker 4: Marina, Hello, Hey, hey, you going very well? Thank you?

504
00:21:13,480 --> 00:21:14,800
Speaker 4: Who are you in the car with, Marina?

505
00:21:15,040 --> 00:21:17,960
Speaker 8: I'm in the car with my mom, but she doesn't

506
00:21:18,000 --> 00:21:18,919
Speaker 8: speak very good English.

507
00:21:19,920 --> 00:21:20,280
Speaker 4: Marina.

508
00:21:20,400 --> 00:21:24,240
Speaker 2: Is your Mamatalian? Have you called before? Is your mum Italian? No?

509
00:21:24,720 --> 00:21:25,639
Speaker 8: No, Croatian?

510
00:21:25,760 --> 00:21:26,480
Speaker 2: Your Croatian?

511
00:21:26,560 --> 00:21:30,080
Speaker 8: All right, okay, so maybe just speak speak a little

512
00:21:30,080 --> 00:21:33,000
Speaker 8: bit slower for it. You can pick up some words

513
00:21:33,000 --> 00:21:33,480
Speaker 8: at least.

514
00:21:33,600 --> 00:21:35,240
Speaker 4: Okay. Can you throw your mom on the phone. Sorry,

515
00:21:35,240 --> 00:21:36,040
Speaker 4: what's her name, Marina?

516
00:21:36,640 --> 00:21:36,960
Speaker 8: Emma?

517
00:21:37,640 --> 00:21:38,439
Speaker 4: Her name is Emma?

518
00:21:38,640 --> 00:21:41,320
Speaker 5: Okay, Emma, yeah, but let me just explain to her

519
00:21:41,320 --> 00:21:42,120
Speaker 5: what's happening first.

520
00:21:42,200 --> 00:21:46,159
Speaker 8: Yeah, okay, how do mama.

521
00:21:47,920 --> 00:21:48,000
Speaker 7: Is?

522
00:21:49,200 --> 00:21:59,520
Speaker 8: Yes? No whatever? Yeah, okay, okay, Hello hi Emma? Yeah, yeah,

523
00:21:59,600 --> 00:22:01,919
Speaker 8: hello Ami?

524
00:22:03,080 --> 00:22:06,800
Speaker 2: Are you are you in the cow with your Who

525
00:22:06,840 --> 00:22:07,360
Speaker 2: are you in the.

526
00:22:07,320 --> 00:22:16,040
Speaker 8: Car with PFI Marina? Marina?

527
00:22:16,840 --> 00:22:18,240
Speaker 4: Okay, I'm pretty sure, Marina.

528
00:22:18,280 --> 00:22:20,960
Speaker 3: It's just it's your same voice, but you're just speaking

529
00:22:21,000 --> 00:22:21,720
Speaker 3: in Croatian.

530
00:22:23,040 --> 00:22:30,760
Speaker 4: But good try. Let's go to Phoebe's are you thanks, Phoebe?

531
00:22:30,840 --> 00:22:31,679
Speaker 4: Who are you in the car with?

532
00:22:31,760 --> 00:22:32,000
Speaker 2: Phoebe?

533
00:22:33,119 --> 00:22:34,680
Speaker 8: I'm in the car with my girlfriend, Britt.

534
00:22:35,080 --> 00:22:37,840
Speaker 4: Your girlfriend, Britt? Okay? Can you throw Britt on the phone?

535
00:22:38,720 --> 00:22:38,920
Speaker 8: Yep?

536
00:22:39,800 --> 00:22:42,959
Speaker 4: Hello, Jesus Christ, how do you know? Fhabe? Britt?

537
00:22:44,119 --> 00:22:45,520
Speaker 5: My girlfriend?

538
00:22:45,560 --> 00:22:46,400
Speaker 4: But how'd your mate?

539
00:22:47,680 --> 00:22:48,000
Speaker 8: Tinder?

540
00:22:48,160 --> 00:22:49,960
Speaker 4: Of course you met on Tinder?

541
00:22:50,119 --> 00:22:51,000
Speaker 2: Nice? Nice?

542
00:22:51,080 --> 00:22:52,280
Speaker 8: Oh yeah?

543
00:22:52,359 --> 00:22:57,000
Speaker 2: What's your favorite thing about Phoebe? Sorry?

544
00:22:57,080 --> 00:22:59,000
Speaker 4: You guys romantically connected or just friends?

545
00:22:59,800 --> 00:23:00,240
Speaker 8: Oh?

546
00:23:00,080 --> 00:23:00,199
Speaker 9: Ye?

547
00:23:00,280 --> 00:23:03,439
Speaker 2: Around therein bro I think they're romantically can I think

548
00:23:03,480 --> 00:23:05,000
Speaker 2: you can on Tinder you can say you're searching for

549
00:23:05,000 --> 00:23:12,400
Speaker 2: SI friends. I did that, sort of a loser, I did? Sorry?

550
00:23:12,440 --> 00:23:14,600
Speaker 4: Can you put Phoebe back on the phone please, Britt

551
00:23:15,000 --> 00:23:15,480
Speaker 4: now worry?

552
00:23:16,520 --> 00:23:16,800
Speaker 8: Hello?

553
00:23:17,680 --> 00:23:20,959
Speaker 3: Oh wow, seems to be a similar sort of twang there, Phoebe.

554
00:23:20,960 --> 00:23:22,679
Speaker 3: What was it that attracted you about Britt?

555
00:23:25,200 --> 00:23:27,240
Speaker 4: Definitely again the double eyes.

556
00:23:27,320 --> 00:23:31,680
Speaker 2: I think pers same person, Phoebe. We think you're the

557
00:23:31,720 --> 00:23:33,440
Speaker 2: same person. What you're both there?

558
00:23:34,400 --> 00:23:34,600
Speaker 8: Yeah?

559
00:23:34,640 --> 00:23:35,159
Speaker 1: We're both here?

560
00:23:37,080 --> 00:23:37,320
Speaker 6: Wow?

561
00:23:37,720 --> 00:23:38,760
Speaker 2: Oh well, and.

562
00:23:39,080 --> 00:23:42,880
Speaker 3: Good stuff you too, hopefully It continues to soar after

563
00:23:42,920 --> 00:23:44,680
Speaker 3: the meeting on Tinder. Just love each other's eyes will

564
00:23:45,600 --> 00:23:49,280
Speaker 3: Let's go to Joe now, Huda que Well good, thanks mate.

565
00:23:49,280 --> 00:23:50,440
Speaker 4: Who are you in the car with, Joe?

566
00:23:51,160 --> 00:23:56,720
Speaker 11: I've just got my work mate, Josh, Yosh, Josh, Yeah, Josh.

567
00:23:56,800 --> 00:24:00,600
Speaker 4: Can you put Josh on the phone?

568
00:24:01,720 --> 00:24:06,840
Speaker 2: Hey always gee whiz wow? So this is Josh. We've

569
00:24:06,840 --> 00:24:10,160
Speaker 2: got Josh and Joe. Yeah right, Josh. What's your what's

570
00:24:10,200 --> 00:24:13,160
Speaker 2: your favorite I'm gonna go with the pokemon theory. What's

571
00:24:13,200 --> 00:24:14,840
Speaker 2: your favorite Pokemon? Josh?

572
00:24:14,880 --> 00:24:16,720
Speaker 9: I don't really for a pokemon much?

573
00:24:16,920 --> 00:24:17,120
Speaker 2: Yeah?

574
00:24:17,160 --> 00:24:19,400
Speaker 4: Okay, what do you guys do? What do you do? Josh?

575
00:24:19,440 --> 00:24:20,080
Speaker 4: What what's work?

576
00:24:20,280 --> 00:24:22,360
Speaker 8: I will go along mining and gardening business?

577
00:24:22,520 --> 00:24:25,160
Speaker 4: Okay, so what do you What do you do Josh?

578
00:24:25,160 --> 00:24:26,000
Speaker 4: For that business?

579
00:24:27,200 --> 00:24:30,480
Speaker 8: I just did laboring, cutting grass and what intreasy?

580
00:24:31,400 --> 00:24:32,119
Speaker 4: What does Joe do?

581
00:24:33,320 --> 00:24:33,439
Speaker 7: Yo?

582
00:24:33,560 --> 00:24:35,040
Speaker 8: He's the boss? Is a bit lazy?

583
00:24:36,000 --> 00:24:36,880
Speaker 4: Sound pretty good?

584
00:24:36,960 --> 00:24:37,120
Speaker 5: Joe?

585
00:24:37,160 --> 00:24:39,480
Speaker 4: Can you put Josh back on the phone, Josh. Could

586
00:24:39,520 --> 00:24:40,480
Speaker 4: you put Joe back on the phone.

587
00:24:40,520 --> 00:24:40,680
Speaker 9: Yeah?

588
00:24:43,480 --> 00:24:45,120
Speaker 8: Hello, Joe.

589
00:24:47,520 --> 00:24:50,360
Speaker 2: Oh, so you what do you think do you think

590
00:24:50,400 --> 00:24:51,800
Speaker 2: that one person? You think they're one person?

591
00:24:52,680 --> 00:24:53,000
Speaker 4: Joe?

592
00:24:54,160 --> 00:24:54,520
Speaker 5: Yes?

593
00:24:54,880 --> 00:24:56,160
Speaker 4: Is Josh got employee?

594
00:24:57,280 --> 00:24:59,439
Speaker 9: He he's not too bad other than what he just

595
00:24:59,440 --> 00:25:01,640
Speaker 9: said to me that I'm a blood yard.

596
00:25:02,200 --> 00:25:03,640
Speaker 3: Yeah, that's true. He did have a whack there. Did

597
00:25:03,640 --> 00:25:05,320
Speaker 3: have a whack there. I mean, would an employee have

598
00:25:05,359 --> 00:25:06,160
Speaker 3: a whack at his boss?

599
00:25:06,200 --> 00:25:08,080
Speaker 2: Or is that if they're mates? If their mates?

600
00:25:08,119 --> 00:25:09,720
Speaker 4: Definitely? What do you think.

601
00:25:12,640 --> 00:25:15,040
Speaker 2: I reckon Joe's ops one person. I know I'm a

602
00:25:15,080 --> 00:25:17,840
Speaker 2: little bit hasty with the one person swipes, but I

603
00:25:17,880 --> 00:25:19,320
Speaker 2: reckon Joe.

604
00:25:19,320 --> 00:25:20,640
Speaker 4: We think it's one person in there.

605
00:25:21,520 --> 00:25:22,680
Speaker 11: Yeah, you're right. Yeah.

606
00:25:22,760 --> 00:25:26,960
Speaker 4: Wow. Hey, good voice though, Joe, good voice, good backstory.

607
00:25:27,080 --> 00:25:28,480
Speaker 2: Better luck next year, Joe.

608
00:25:29,640 --> 00:25:35,160
Speaker 4: The big celebrity everyone who is returning to Instagram today

609
00:25:36,560 --> 00:25:38,000
Speaker 4: is you. Will McMahon.

610
00:25:41,040 --> 00:25:45,480
Speaker 3: Is wild and again, will you are you're going to

611
00:25:45,520 --> 00:25:46,840
Speaker 3: be posting within the nest?

612
00:25:46,920 --> 00:25:49,960
Speaker 2: Can we just just put the brakes on, just let's

613
00:25:50,000 --> 00:25:51,600
Speaker 2: just let's just put the brakes on.

614
00:25:51,680 --> 00:25:53,159
Speaker 4: Well this, I'm sorry, this is a very He's not

615
00:25:53,200 --> 00:25:54,480
Speaker 4: a big deal. It's got a big deal.

616
00:25:54,520 --> 00:25:56,520
Speaker 2: If I didn't have said this conversationally to one of

617
00:25:56,560 --> 00:25:59,359
Speaker 2: the producers who's absolutely turned coded me here, I would

618
00:25:59,359 --> 00:26:03,400
Speaker 2: have comfortably posted in quiet and we wouldn't have made

619
00:26:03,400 --> 00:26:04,720
Speaker 2: a big deal of it. And you know, I would

620
00:26:04,720 --> 00:26:05,200
Speaker 2: prefer that.

621
00:26:05,240 --> 00:26:07,080
Speaker 4: Well, here we are in the huha will and it's

622
00:26:07,080 --> 00:26:09,000
Speaker 4: going to be great for your big return because again

623
00:26:09,040 --> 00:26:10,280
Speaker 4: you famously got off.

624
00:26:10,720 --> 00:26:12,480
Speaker 2: Famously, I didn't famously get off.

625
00:26:12,680 --> 00:26:15,080
Speaker 4: We're in wa. It made the Wa Times.

626
00:26:15,440 --> 00:26:16,440
Speaker 2: We Wa Times.

627
00:26:16,480 --> 00:26:19,160
Speaker 4: Isn't even a paper, isn't it? I call the wrong paper?

628
00:26:19,200 --> 00:26:19,320
Speaker 7: Then?

629
00:26:20,720 --> 00:26:22,280
Speaker 3: No, no know, but three and a half years you didn't

630
00:26:22,280 --> 00:26:25,040
Speaker 3: get off. Now, before I do go on, you are

631
00:26:26,000 --> 00:26:28,840
Speaker 3: you are going to be revealing why I don't want

632
00:26:28,840 --> 00:26:31,080
Speaker 3: to do this. Well, now we're doing that, you're going

633
00:26:31,119 --> 00:26:34,280
Speaker 3: to be revealing what post you're making to make you big.

634
00:26:34,320 --> 00:26:37,240
Speaker 2: Follows me so it doesn't matter, and I don't know.

635
00:26:37,280 --> 00:26:39,480
Speaker 3: They'll start following you now, my friend. But I think

636
00:26:39,520 --> 00:26:42,679
Speaker 3: it's actually interesting before we get into that stuff. Why

637
00:26:42,680 --> 00:26:44,000
Speaker 3: did you get off social media?

638
00:26:44,000 --> 00:26:46,040
Speaker 2: I don't think anyone cares about this? No, because this

639
00:26:46,080 --> 00:26:49,280
Speaker 2: is actually people don't even know who I am.

640
00:26:49,760 --> 00:26:50,359
Speaker 4: Take you out of it.

641
00:26:50,400 --> 00:26:52,159
Speaker 3: I mean, you are the most influential bald man in

642
00:26:52,200 --> 00:26:55,960
Speaker 3: Australian media and you know that. But put that to

643
00:26:56,040 --> 00:26:58,360
Speaker 3: one side. I think people might be interested to hear yeah,

644
00:26:58,440 --> 00:26:59,359
Speaker 3: you know, because a lot of people are on the

645
00:26:59,400 --> 00:27:01,800
Speaker 3: fence with social media, so it can be great to

646
00:27:01,880 --> 00:27:03,840
Speaker 3: keep it in touch with people. You can reach out,

647
00:27:03,840 --> 00:27:05,399
Speaker 3: you can see what your friends are up to. But

648
00:27:05,480 --> 00:27:08,560
Speaker 3: on the other side, there's a very toxic reality of

649
00:27:08,560 --> 00:27:11,600
Speaker 3: comparing yourself to people with social media. Yes, why did

650
00:27:11,640 --> 00:27:14,680
Speaker 3: you get off four years ago?

651
00:27:15,840 --> 00:27:21,000
Speaker 4: What did you get off social media? Why did you

652
00:27:21,040 --> 00:27:23,600
Speaker 4: get off social media? What was your main reason?

653
00:27:24,800 --> 00:27:28,760
Speaker 2: We've all heard about what's wrong with social media and

654
00:27:28,920 --> 00:27:31,639
Speaker 2: nauseum like it's it's really it was really bad for

655
00:27:31,680 --> 00:27:35,000
Speaker 2: my mental health. And as somebody who I really struggle

656
00:27:35,040 --> 00:27:40,200
Speaker 2: with liking myself, I really struggle struggle with loving myself,

657
00:27:40,920 --> 00:27:49,960
Speaker 2: and it's totally re navigated my values for like how

658
00:27:50,000 --> 00:27:52,320
Speaker 2: I rated myself was based on what other people thought

659
00:27:52,359 --> 00:27:55,119
Speaker 2: about me, based on what I thought about myself and stuff.

660
00:27:57,359 --> 00:28:00,320
Speaker 2: I'm a good person because lots of people followed lots

661
00:28:00,320 --> 00:28:01,960
Speaker 2: of people like me, and then I got and then

662
00:28:01,960 --> 00:28:03,920
Speaker 2: obviously you and I started doing this job, and then

663
00:28:04,040 --> 00:28:06,639
Speaker 2: you know, we've got a We've got a social media boy,

664
00:28:06,720 --> 00:28:08,960
Speaker 2: now a little video boy. He's a man, he's a man,

665
00:28:09,000 --> 00:28:13,000
Speaker 2: he's coming coming into manhood, and so he looks after

666
00:28:13,000 --> 00:28:15,120
Speaker 2: the Will and Woody page, which is where people can

667
00:28:15,119 --> 00:28:17,560
Speaker 2: follow us. So I mean, and I'm not I don't

668
00:28:17,560 --> 00:28:19,080
Speaker 2: even have that. I don't know, I don't have the apps,

669
00:28:19,200 --> 00:28:20,480
Speaker 2: I don't have any of that stuff. I try and

670
00:28:20,480 --> 00:28:21,760
Speaker 2: stay away from it best I can, And to be

671
00:28:21,760 --> 00:28:24,159
Speaker 2: perfectly honest with you, I feel a lot better for it.

672
00:28:25,040 --> 00:28:26,679
Speaker 4: Interesting you're making your return then.

673
00:28:29,520 --> 00:28:30,119
Speaker 2: For a reason?

674
00:28:30,520 --> 00:28:32,399
Speaker 4: Was there a breaking point?

675
00:28:32,440 --> 00:28:32,640
Speaker 11: Though?

676
00:28:32,760 --> 00:28:32,800
Speaker 7: So?

677
00:28:33,080 --> 00:28:34,280
Speaker 4: Was there? Sorry? Just about on?

678
00:28:34,480 --> 00:28:37,760
Speaker 3: Like for you like everything you're saying, they're comparing yourself, sorry,

679
00:28:37,800 --> 00:28:40,440
Speaker 3: like not loving yourself, not liking yourself, you know, using

680
00:28:40,800 --> 00:28:42,760
Speaker 3: likes to decide if you're you know you are, if.

681
00:28:42,720 --> 00:28:45,160
Speaker 4: I'm worth it? Yeah, but what was the point where you.

682
00:28:45,160 --> 00:28:46,360
Speaker 3: Actually went like, no, I'm going to put it away

683
00:28:46,360 --> 00:28:47,880
Speaker 3: because I think everyone agrees with that. I think everyone

684
00:28:47,920 --> 00:28:49,600
Speaker 3: struggles with that, but a lot of people have still

685
00:28:49,600 --> 00:28:51,080
Speaker 3: got Instagram.

686
00:28:51,560 --> 00:28:53,280
Speaker 2: I think there was a point. Well, what I did,

687
00:28:53,280 --> 00:28:55,560
Speaker 2: and I reckon everyone should give this a go because

688
00:28:55,600 --> 00:28:57,840
Speaker 2: it was really fascinating for me. Was just I just

689
00:28:57,920 --> 00:29:00,840
Speaker 2: I think I heard a podcast about well and actually

690
00:29:00,840 --> 00:29:02,840
Speaker 2: I didn't even hear this on a podcast. I started

691
00:29:02,960 --> 00:29:04,760
Speaker 2: tallying up, and I'm a bit of a nerd. I

692
00:29:04,760 --> 00:29:08,680
Speaker 2: started tallying up how much time I was spending on

693
00:29:08,720 --> 00:29:11,479
Speaker 2: my phone per day. I went into that you know,

694
00:29:11,640 --> 00:29:15,200
Speaker 2: your time, yourself time and stuff. Yeah, fifteen minutes a

695
00:29:15,240 --> 00:29:17,520
Speaker 2: day on Instagram whatever, it's half now a day. And

696
00:29:17,560 --> 00:29:19,680
Speaker 2: what I like doing is just thinking about my life

697
00:29:19,680 --> 00:29:22,280
Speaker 2: as a whole. So I extrapolated that and it turned

698
00:29:22,280 --> 00:29:24,480
Speaker 2: out that I was spending like years on my phone.

699
00:29:24,760 --> 00:29:26,920
Speaker 4: Oh that's scary, and I was like.

700
00:29:27,040 --> 00:29:28,920
Speaker 2: Nah, I don't want to do that. So I got

701
00:29:28,960 --> 00:29:31,840
Speaker 2: rid of it. And then the really scary part was

702
00:29:31,880 --> 00:29:34,840
Speaker 2: when after I'd got rid of both Instagram and Facebook,

703
00:29:34,880 --> 00:29:38,040
Speaker 2: the app sometimes, well, what would happen is for the

704
00:29:38,040 --> 00:29:41,360
Speaker 2: first month at least I would unlock my phone and

705
00:29:41,480 --> 00:29:46,240
Speaker 2: find myself looking for something without realizing that I was

706
00:29:46,360 --> 00:29:48,400
Speaker 2: looking for Instagram and Facebook. And then I'd be halfway

707
00:29:48,440 --> 00:29:49,800
Speaker 2: through the look and I'd be like, oh my god,

708
00:29:50,240 --> 00:29:50,960
Speaker 2: what am I doing?

709
00:29:51,080 --> 00:29:53,240
Speaker 4: You do go into a bit of a for.

710
00:29:53,120 --> 00:29:55,280
Speaker 2: Me to get rid of the apps and cleanse myself completely.

711
00:29:55,400 --> 00:29:57,920
Speaker 3: Those are all great reasons and not be on social

712
00:29:58,000 --> 00:29:59,040
Speaker 3: media kids.

713
00:29:58,920 --> 00:30:04,000
Speaker 4: But it's coming back still, coming back to smite all

714
00:30:04,040 --> 00:30:05,040
Speaker 4: those great reasons.

715
00:30:05,080 --> 00:30:07,120
Speaker 3: Now we're going to go to a song everyone, but

716
00:30:07,240 --> 00:30:10,479
Speaker 3: right up next we are revealing what your return post

717
00:30:10,640 --> 00:30:12,960
Speaker 3: is going to be, and then everyone can go and

718
00:30:12,960 --> 00:30:14,240
Speaker 3: see it's going to be wild stuff.

719
00:30:14,280 --> 00:30:17,720
Speaker 4: Guys. I'm sure it's going to be a great, very

720
00:30:17,760 --> 00:30:19,360
Speaker 4: persona four years.

721
00:30:19,680 --> 00:30:23,520
Speaker 2: Coming back because it's very personal making a public. Sorry

722
00:30:23,520 --> 00:30:25,080
Speaker 2: if you've just tuned in right now.

723
00:30:25,240 --> 00:30:31,200
Speaker 3: No apology required, Will, because you are returning to Instagram.

724
00:30:32,280 --> 00:30:36,480
Speaker 3: That's right, everyone, the bald one is returning to Instagram.

725
00:30:36,840 --> 00:30:39,680
Speaker 4: The most famous bald head in all of Australia is

726
00:30:39,720 --> 00:30:40,120
Speaker 4: going to.

727
00:30:40,000 --> 00:30:43,200
Speaker 2: Just there's just so many people who I would be

728
00:30:43,280 --> 00:30:48,200
Speaker 2: the twenty first Mate. David Kosh has got me on toast.

729
00:30:48,280 --> 00:30:50,400
Speaker 4: Yeah, gosh, she's got you your top five though.

730
00:30:50,640 --> 00:30:53,760
Speaker 2: Tom Gleeson he's still top five body sheer Gold.

731
00:30:53,880 --> 00:30:56,400
Speaker 3: Let's not name other radio hosts, Mate from Non Different Now,

732
00:30:56,920 --> 00:30:58,880
Speaker 3: well again you're naming other radio hosts.

733
00:30:59,280 --> 00:31:02,120
Speaker 4: They're all more ways yeah, Michael clim Actually the producers

734
00:31:02,120 --> 00:31:02,520
Speaker 4: are say.

735
00:31:04,320 --> 00:31:04,680
Speaker 1: Too much.

736
00:31:04,680 --> 00:31:07,520
Speaker 2: I'm happy with twenty seconds, but let's not prove them

737
00:31:07,560 --> 00:31:07,960
Speaker 2: in the thirty.

738
00:31:08,160 --> 00:31:08,840
Speaker 8: But you are.

739
00:31:09,000 --> 00:31:10,680
Speaker 4: Look, you're returning to Instagram.

740
00:31:10,680 --> 00:31:10,840
Speaker 7: Will.

741
00:31:10,920 --> 00:31:11,560
Speaker 4: It's very excited.

742
00:31:11,600 --> 00:31:11,760
Speaker 2: Now.

743
00:31:11,840 --> 00:31:14,920
Speaker 4: I don't know what your return post is going to be,

744
00:31:15,720 --> 00:31:17,680
Speaker 4: but obviously, I mean, you've been thinking about this for

745
00:31:17,720 --> 00:31:20,840
Speaker 4: four years and whatever this post is must have. It's

746
00:31:20,960 --> 00:31:24,040
Speaker 4: dragged you out of there, which I just think is

747
00:31:24,160 --> 00:31:26,320
Speaker 4: so excited because I can't wait to hear the creativity

748
00:31:26,360 --> 00:31:28,880
Speaker 4: and whatever you've got there to post about all the news,

749
00:31:29,320 --> 00:31:31,160
Speaker 4: the news from your life. Man, I just don't know.

750
00:31:31,800 --> 00:31:32,360
Speaker 5: No, you don't.

751
00:31:32,400 --> 00:31:34,000
Speaker 4: You don't know it's going.

752
00:31:33,840 --> 00:31:35,480
Speaker 2: Because it was meant to be a private post. I

753
00:31:35,520 --> 00:31:37,240
Speaker 2: told one of the producers, I've been routed out and

754
00:31:37,280 --> 00:31:37,680
Speaker 2: here we are.

755
00:31:38,040 --> 00:31:39,760
Speaker 3: Here we are now if you want to go and

756
00:31:39,760 --> 00:31:42,400
Speaker 3: follow Will he is Will p Mac. He doesn't have

757
00:31:42,400 --> 00:31:48,040
Speaker 3: a blue tick everyone he's fighting for that. I don't

758
00:31:48,040 --> 00:31:49,480
Speaker 3: have a blue ticket. I don't know what we bloody

759
00:31:49,520 --> 00:31:50,719
Speaker 3: have to do to get a blue tick. I think

760
00:31:50,720 --> 00:31:53,360
Speaker 3: we have to get over ten followers at least.

761
00:31:53,400 --> 00:31:55,120
Speaker 4: I would say we're trying.

762
00:31:55,640 --> 00:31:56,240
Speaker 2: I'm not drying.

763
00:31:56,360 --> 00:31:56,840
Speaker 8: I mean drying.

764
00:31:56,920 --> 00:31:59,640
Speaker 2: You've been for the last.

765
00:32:00,280 --> 00:32:02,280
Speaker 4: Emailing Instagram going what do I have to do?

766
00:32:02,520 --> 00:32:05,720
Speaker 3: Oh anyway, So look mate, you're about to review to

767
00:32:05,720 --> 00:32:08,680
Speaker 3: everyone what your return post is going to be. But

768
00:32:08,840 --> 00:32:10,840
Speaker 3: before that, Will I just thought it was worth maybe

769
00:32:11,120 --> 00:32:13,000
Speaker 3: you know, this is a huge comeback at the end

770
00:32:13,000 --> 00:32:14,720
Speaker 3: of the day, so I just thought we'd build a

771
00:32:14,760 --> 00:32:17,640
Speaker 3: little bit of theater around it. There have been some

772
00:32:17,800 --> 00:32:22,920
Speaker 3: incredible comebacks in our time. There was Robert Downey Junior's

773
00:32:22,920 --> 00:32:27,480
Speaker 3: return to the screen after time in jail, the amazing

774
00:32:27,560 --> 00:32:32,760
Speaker 3: comeback of John Farner, followed by this comeback from John Farner,

775
00:32:34,080 --> 00:32:38,640
Speaker 3: and did this comeback from John Farner? And who could

776
00:32:38,680 --> 00:32:43,160
Speaker 3: forget the return of the Spice Girls. But none of

777
00:32:43,200 --> 00:32:47,200
Speaker 3: them compare to a return to social media from the

778
00:32:47,200 --> 00:32:52,640
Speaker 3: most influential bald man in Australian media. Ladies and gentlemen,

779
00:32:52,920 --> 00:32:59,320
Speaker 3: Today marks the day that Will McMahon returns to Instagram

780
00:32:59,360 --> 00:33:02,320
Speaker 3: with thistamp post.

781
00:33:05,800 --> 00:33:10,560
Speaker 2: Wow, amazing intro. Well done to our audio. Sorry sorry, sorry,

782
00:33:10,640 --> 00:33:13,480
Speaker 2: all right, So okay, so I'm just sharing it now,

783
00:33:13,640 --> 00:33:17,120
Speaker 2: sharing so you can follow me on will P mack

784
00:33:17,600 --> 00:33:18,320
Speaker 2: that's my handle.

785
00:33:18,520 --> 00:33:21,479
Speaker 4: He's looking at himself, promoting herself. He's an influencer all

786
00:33:21,480 --> 00:33:22,280
Speaker 4: of a sudden, isn't he.

787
00:33:23,040 --> 00:33:25,160
Speaker 2: So the only reason I posted this is because I

788
00:33:25,160 --> 00:33:28,000
Speaker 2: didn't want to post stuff about photos of me anymore.

789
00:33:28,080 --> 00:33:30,640
Speaker 2: I was looking for other people's validation. The reason I

790
00:33:30,680 --> 00:33:34,600
Speaker 2: posted this is because I started writing poetry.

791
00:33:35,280 --> 00:33:39,520
Speaker 4: Oh dear God, you did not run this past your

792
00:33:39,520 --> 00:33:43,120
Speaker 4: pr You just posted a poem.

793
00:33:43,160 --> 00:33:44,360
Speaker 2: I started writing poetry.

794
00:33:44,840 --> 00:33:46,480
Speaker 4: Hang on, there's no foot, there's just a photo of

795
00:33:46,480 --> 00:33:46,920
Speaker 4: a poem.

796
00:33:47,480 --> 00:33:50,280
Speaker 2: Yeah, I started writing poetry, and I realized it was

797
00:33:50,280 --> 00:33:52,240
Speaker 2: just sort of sitting there wasting on my notebook. So

798
00:33:52,280 --> 00:33:53,600
Speaker 2: I was like, well, where am I going to put

799
00:33:53,640 --> 00:33:55,400
Speaker 2: it out? I don't I don't care if people like it,

800
00:33:55,440 --> 00:33:56,760
Speaker 2: and it's just a chance for me to share it

801
00:33:56,800 --> 00:33:58,280
Speaker 2: with the world to see if they get something out

802
00:33:58,280 --> 00:33:58,440
Speaker 2: of it.

803
00:33:58,440 --> 00:34:00,520
Speaker 4: It's not the point of Instagram shooting.

804
00:34:00,720 --> 00:34:03,040
Speaker 2: That's what I didn't like about Instagram, so I tried

805
00:34:03,040 --> 00:34:04,640
Speaker 2: to change the way I approached it. So do you

806
00:34:04,640 --> 00:34:05,360
Speaker 2: want to hear the poem?

807
00:34:05,400 --> 00:34:08,440
Speaker 4: Yeah? Absolutely, mate, Okay? Is it is a quick palm

808
00:34:08,560 --> 00:34:09,840
Speaker 4: or as long as it's.

809
00:34:09,719 --> 00:34:14,279
Speaker 2: Relatively It's called the Space between Us? Okay, And it's

810
00:34:14,280 --> 00:34:17,320
Speaker 2: for anyone who's ever felt distant from a loved one. Okay,

811
00:34:18,120 --> 00:34:19,320
Speaker 2: you've created these platform.

812
00:34:21,960 --> 00:34:23,160
Speaker 3: I thought it was going to be a cute photo

813
00:34:23,160 --> 00:34:26,000
Speaker 3: of you and your dog. Is a photo of you

814
00:34:26,040 --> 00:34:28,680
Speaker 3: on holiday saying take me back. That's sort of an Instagram.

815
00:34:28,560 --> 00:34:31,480
Speaker 2: Take me back. I'm going to start posting poultry on

816
00:34:31,520 --> 00:34:34,040
Speaker 2: my Instagram. Here he goes called the space between us.

817
00:34:34,520 --> 00:34:36,799
Speaker 2: There's a space between us, but I'm not sure how big.

818
00:34:37,200 --> 00:34:40,280
Speaker 2: I can't seem to find the edges. Sound travels through,

819
00:34:40,440 --> 00:34:43,080
Speaker 2: but it blocks you from view like a giant mazes

820
00:34:43,120 --> 00:34:46,840
Speaker 2: green hedges. It's managed to intrude into our house like

821
00:34:46,880 --> 00:34:50,040
Speaker 2: a stranger we invited in, But it hasn't just come

822
00:34:50,080 --> 00:34:52,400
Speaker 2: to check the pipes or even ask for a donation.

823
00:34:52,960 --> 00:34:56,040
Speaker 2: It's come to crucify our love. Our hearts are screaming

824
00:34:56,080 --> 00:35:00,480
Speaker 2: for salvation. There's a chasm between us, and it's both

825
00:35:00,480 --> 00:35:04,239
Speaker 2: elusive and scary, like bigfoot or wear wolves, but it's

826
00:35:04,239 --> 00:35:08,040
Speaker 2: only less hairy. Its invisible mass is smothering our fight

827
00:35:08,520 --> 00:35:11,360
Speaker 2: as the ocean fills a sinking ship, or a gravestone

828
00:35:11,400 --> 00:35:14,840
Speaker 2: silence as the light. There's a void between us that

829
00:35:14,920 --> 00:35:17,759
Speaker 2: holds us in its stare, but it's eerily calm, like

830
00:35:17,800 --> 00:35:20,279
Speaker 2: the eye of the storm or deep in a villain's lair.

831
00:35:21,160 --> 00:35:23,840
Speaker 2: It follows me, it follows you, but it's went together

832
00:35:23,880 --> 00:35:26,719
Speaker 2: that it's vastest, as if you were lowest land, my love.

833
00:35:27,040 --> 00:35:29,759
Speaker 2: But I can't spin it back around, not even at

834
00:35:29,760 --> 00:35:33,960
Speaker 2: my fastest. There's a gulf between us and this the

835
00:35:34,000 --> 00:35:36,840
Speaker 2: scary bit. I still love you, but with this bastard

836
00:35:36,880 --> 00:35:39,239
Speaker 2: in the way, you can't see me show it. You're

837
00:35:39,280 --> 00:35:41,279
Speaker 2: out of sight and I'm out of mind. We can't

838
00:35:41,320 --> 00:35:44,719
Speaker 2: find a connection where a hook without bait, a watch

839
00:35:44,760 --> 00:35:49,720
Speaker 2: without hands, a question mark without inflection. It's bubbling, decrepit,

840
00:35:49,840 --> 00:35:53,240
Speaker 2: toxic air constantly undermines us, but in a cruel twist

841
00:35:53,239 --> 00:35:58,760
Speaker 2: of duality, I feel like it defines us. Definitely.

842
00:35:58,880 --> 00:36:04,440
Speaker 4: Wasn't expecting that. Wow, very good. It's obviously about me.

843
00:36:04,560 --> 00:36:06,680
Speaker 4: Thank you. Let's go to the traffic.

844
00:36:07,239 --> 00:36:08,960
Speaker 1: It's the Will and Woody podcast.

845
00:36:09,120 --> 00:36:13,279
Speaker 2: Would the Queen QI two finally delivered a statement on

846
00:36:14,200 --> 00:36:16,239
Speaker 2: Harry and Meghan's interview with Oprah.

847
00:36:16,360 --> 00:36:17,040
Speaker 4: Kept it brief.

848
00:36:17,360 --> 00:36:20,440
Speaker 2: The Queen kept it brief, sixty one words to be

849
00:36:20,480 --> 00:36:21,880
Speaker 2: exactly my friend's tiged.

850
00:36:21,920 --> 00:36:24,160
Speaker 4: It's almost a tweet, sixty one words.

851
00:36:24,200 --> 00:36:26,200
Speaker 2: It might have been a tweet. Actually, I don't know.

852
00:36:26,320 --> 00:36:28,960
Speaker 2: I don't know. She's done bloody well though, and once

853
00:36:29,040 --> 00:36:32,680
Speaker 2: again proved that she is the ultimate fence sitter. I mean,

854
00:36:32,719 --> 00:36:34,320
Speaker 2: I don't know if you guys know this, but the

855
00:36:34,400 --> 00:36:37,640
Speaker 2: Queen's offers she cannot make political statements about a lot

856
00:36:37,640 --> 00:36:40,920
Speaker 2: of things, so sometimes she'll wear a piece of clothing

857
00:36:41,640 --> 00:36:44,520
Speaker 2: to indicate what side. I mean, she's subtle, She's a

858
00:36:44,560 --> 00:36:46,880
Speaker 2: fence set She's the ultimate diplomat. She has been for

859
00:36:47,040 --> 00:36:49,680
Speaker 2: what jesus sixty years or something. So, I mean, have

860
00:36:49,719 --> 00:36:51,600
Speaker 2: a listened to her statement if you haven't heard it,

861
00:36:51,640 --> 00:36:54,160
Speaker 2: I mean she just yea, she plays it brilliantly, she says,

862
00:36:55,040 --> 00:36:57,960
Speaker 2: and I quote. The whole family is saddened to learn

863
00:36:58,000 --> 00:37:00,000
Speaker 2: the full extent of how challenging the last few year

864
00:37:00,120 --> 00:37:03,279
Speaker 2: have been for Harry and Meghan. The issues raised, particularly

865
00:37:03,280 --> 00:37:07,160
Speaker 2: that of race, are concerning. While some recollections may vary,

866
00:37:07,360 --> 00:37:09,600
Speaker 2: they are taken very seriously and will be addressed by

867
00:37:09,640 --> 00:37:12,719
Speaker 2: the private family. Harry, Meghan and Archie will always be

868
00:37:12,800 --> 00:37:14,400
Speaker 2: much loved members of the family.

869
00:37:14,719 --> 00:37:18,880
Speaker 4: That line in the middle there some recollections may vary.

870
00:37:18,640 --> 00:37:21,080
Speaker 2: They are taken, but they are taken very seriously.

871
00:37:21,200 --> 00:37:23,359
Speaker 4: As a fence sitter, that is that is I mean,

872
00:37:23,400 --> 00:37:24,399
Speaker 4: I that line.

873
00:37:24,960 --> 00:37:26,640
Speaker 2: I'm glad you brought this up, mate, because you are

874
00:37:26,680 --> 00:37:30,360
Speaker 2: a bloody good fence sitter. I mean, just yesterday on

875
00:37:30,400 --> 00:37:31,759
Speaker 2: the show, what was this about again? What was your

876
00:37:31,760 --> 00:37:32,839
Speaker 2: fen thinking about again? Joel?

877
00:37:33,040 --> 00:37:34,480
Speaker 4: It was about the Italian vaccine.

878
00:37:34,560 --> 00:37:36,919
Speaker 2: Oh, listen to this.

879
00:37:37,360 --> 00:37:39,560
Speaker 4: Italy was supposed to be sending two hundred and fifty

880
00:37:39,600 --> 00:37:43,680
Speaker 4: thousand units of the COVID vaccine astrazenica. Oh yeah, yeah,

881
00:37:43,719 --> 00:37:46,360
Speaker 4: they've held onto it. It's there it's their vaccine, so

882
00:37:46,400 --> 00:37:47,839
Speaker 4: they can do what they want. But you know, having

883
00:37:47,880 --> 00:37:49,840
Speaker 4: said that, you know gentlemen's agreement, you said you were

884
00:37:49,840 --> 00:37:55,000
Speaker 4: going to send them. I think the flip was quickly

885
00:37:55,880 --> 00:37:57,160
Speaker 4: at the end of the general's agreement.

886
00:37:57,400 --> 00:37:59,680
Speaker 2: You're a great what are you? A great fen sitter?

887
00:38:01,080 --> 00:38:04,799
Speaker 1: So fancy inside?

888
00:38:05,360 --> 00:38:10,720
Speaker 6: Makeup your Mind's time to decide.

889
00:38:10,600 --> 00:38:13,319
Speaker 2: Your super fancy mate, you are super fency and right

890
00:38:13,360 --> 00:38:16,560
Speaker 2: up next, I'm gonna put that to the tests, ultimate

891
00:38:16,640 --> 00:38:19,200
Speaker 2: test to see which side of the fence you can

892
00:38:19,320 --> 00:38:20,880
Speaker 2: sit on. I've got a bit of a warm up

893
00:38:20,920 --> 00:38:23,080
Speaker 2: for you. Yeah, I'll do it for you on the

894
00:38:23,120 --> 00:38:25,120
Speaker 2: other side. Okay, what do I think you are? The

895
00:38:25,239 --> 00:38:26,399
Speaker 2: ultimate fence sitter?

896
00:38:26,960 --> 00:38:31,160
Speaker 1: What fancy inside?

897
00:38:31,719 --> 00:38:33,280
Speaker 4: Make up your mind?

898
00:38:34,840 --> 00:38:36,600
Speaker 1: It's time to decide.

899
00:38:37,000 --> 00:38:39,160
Speaker 2: It's funny frustrating stuff, and being honest.

900
00:38:39,120 --> 00:38:41,239
Speaker 4: You're frustrating for you. Maybe do you think it makes

901
00:38:41,239 --> 00:38:42,600
Speaker 4: me a good person or a bad person?

902
00:38:42,640 --> 00:38:44,759
Speaker 2: I think it just makes you soft because you never

903
00:38:44,840 --> 00:38:46,839
Speaker 2: choose a side. It's Bundy annoying for me. And we're

904
00:38:46,840 --> 00:38:48,279
Speaker 2: putting that to the test rack now. I want to

905
00:38:48,280 --> 00:38:50,880
Speaker 2: see if you can sit on the fence as a

906
00:38:50,880 --> 00:38:52,760
Speaker 2: bit of a warm up and just to show you guys,

907
00:38:52,960 --> 00:38:56,000
Speaker 2: how soft and how much offense city you actually are?

908
00:38:58,400 --> 00:39:01,240
Speaker 2: Can you fences? To try and sit on the fence

909
00:39:01,280 --> 00:39:02,000
Speaker 2: about fences?

910
00:39:02,040 --> 00:39:03,200
Speaker 4: Sit on the fence about fences?

911
00:39:03,239 --> 00:39:05,600
Speaker 3: Okay, well, look, I don't believe in trying to divide

912
00:39:05,680 --> 00:39:07,719
Speaker 3: land up, you know, between two backyards. I wanted to

913
00:39:07,760 --> 00:39:09,719
Speaker 3: share a huge space together. But at the end of

914
00:39:09,719 --> 00:39:12,160
Speaker 3: the day, a fence is a great way to say, hey,

915
00:39:12,160 --> 00:39:13,239
Speaker 3: that's your land, that's my land.

916
00:39:13,320 --> 00:39:14,719
Speaker 4: Is going to make it very clear.

917
00:39:14,760 --> 00:39:18,520
Speaker 2: Isn't it. That was a joke. That was a joke.

918
00:39:18,600 --> 00:39:20,240
Speaker 2: How do you sit on the fence about fences?

919
00:39:20,280 --> 00:39:20,840
Speaker 4: Ridiculous?

920
00:39:20,880 --> 00:39:24,799
Speaker 2: Just did It's a super power.

921
00:39:26,239 --> 00:39:28,160
Speaker 4: Almost. I almost went into a trance there. I'm not

922
00:39:28,160 --> 00:39:29,280
Speaker 4: even sure if I was here.

923
00:39:30,760 --> 00:39:33,120
Speaker 2: Fences fences. I mean at the end of the day,

924
00:39:33,120 --> 00:39:35,319
Speaker 2: I mean I'm not I'm not going to say you

925
00:39:35,320 --> 00:39:36,319
Speaker 2: need to divide your land up.

926
00:39:36,320 --> 00:39:38,400
Speaker 3: That was I like the idea of sharing that honestly

927
00:39:38,440 --> 00:39:40,000
Speaker 3: do Like, you know, you can go my backyard, I

928
00:39:40,040 --> 00:39:40,760
Speaker 3: come in you're backyard.

929
00:39:40,800 --> 00:39:42,200
Speaker 4: At the end of the day. Sometimes you do things

930
00:39:42,200 --> 00:39:43,880
Speaker 4: in private, you know, so stop it.

931
00:39:43,880 --> 00:39:45,600
Speaker 2: You've done it, You've done You've already done it. All right,

932
00:39:45,600 --> 00:39:48,719
Speaker 2: these are going to get you really get carried away

933
00:39:48,719 --> 00:39:49,240
Speaker 2: with yourself.

934
00:39:49,719 --> 00:39:51,719
Speaker 4: We get fired off about the fence. I love a

935
00:39:51,719 --> 00:39:52,680
Speaker 4: fence between my legs.

936
00:39:52,719 --> 00:39:55,279
Speaker 2: Here we go, all right, these are going to get

937
00:39:55,280 --> 00:39:58,879
Speaker 2: increasingly difficult for you to sit on the fence off,

938
00:39:59,000 --> 00:40:02,640
Speaker 2: all right. First one, forks in Chinese restaurants.

939
00:40:03,440 --> 00:40:05,799
Speaker 3: Forks in Chinese restaurant. Look, if you don't know how

940
00:40:05,840 --> 00:40:08,239
Speaker 3: to use chopsticks, then it makes a whole lot of

941
00:40:08,239 --> 00:40:09,680
Speaker 3: sense that you use a fork. Then the day you're

942
00:40:09,680 --> 00:40:11,520
Speaker 3: just trying to get the food in your mouth. But

943
00:40:12,040 --> 00:40:14,319
Speaker 3: a little bit culturally insensitive to go. If you're gonna

944
00:40:14,320 --> 00:40:16,520
Speaker 3: go to a Chinese restaurant, learn how to use bloody chopsticks.

945
00:40:16,560 --> 00:40:17,440
Speaker 3: All right, it's offensive.

946
00:40:18,760 --> 00:40:23,200
Speaker 2: It's offensive. I also like how aggressive you get on

947
00:40:23,239 --> 00:40:26,680
Speaker 2: either side. When you say the first side, I'm like, wow,

948
00:40:26,680 --> 00:40:28,719
Speaker 2: I'm really brought into this. And then you flip and

949
00:40:28,760 --> 00:40:31,120
Speaker 2: you're equally as aggressive on the other side. Like the

950
00:40:31,160 --> 00:40:32,840
Speaker 2: weighted aggression is perfect.

951
00:40:33,040 --> 00:40:36,640
Speaker 4: I flip myself. No one can listen to me and

952
00:40:36,680 --> 00:40:38,240
Speaker 4: think that I was one way or the other.

953
00:40:38,520 --> 00:40:38,839
Speaker 3: All right.

954
00:40:38,880 --> 00:40:43,600
Speaker 2: Next one, refusing to get the fires of vaccine.

955
00:40:44,840 --> 00:40:47,480
Speaker 3: Well, I believe in freedom of speech, freedom of Well,

956
00:40:47,480 --> 00:40:51,680
Speaker 3: we can't force anyone to do anything, but come on, guys, like,

957
00:40:51,760 --> 00:40:53,160
Speaker 3: there is a COVID thing there and the only way

958
00:40:53,160 --> 00:40:55,480
Speaker 3: to beat is to take that jab so bloody take it,

959
00:40:56,440 --> 00:40:58,000
Speaker 3: done it again again?

960
00:40:58,600 --> 00:41:00,400
Speaker 2: Is Math's good tele vision?

961
00:41:01,480 --> 00:41:04,160
Speaker 3: Well yeah, if you lose the definition of good jelevision

962
00:41:04,239 --> 00:41:06,560
Speaker 3: if you look at the definition, if you look at

963
00:41:06,560 --> 00:41:09,080
Speaker 3: the definition of good television, it's getting people watching it,

964
00:41:09,080 --> 00:41:09,840
Speaker 3: so it's successful.

965
00:41:09,840 --> 00:41:12,239
Speaker 4: It is an outrageously successful show. On the other hand,

966
00:41:12,239 --> 00:41:14,839
Speaker 4: it is a disgusting TV show. It's a real shame

967
00:41:14,840 --> 00:41:17,000
Speaker 4: that it shows off the worst about humans and people

968
00:41:17,080 --> 00:41:19,000
Speaker 4: celebrate the worst of humans and brings more hate in

969
00:41:19,000 --> 00:41:20,480
Speaker 4: the world. It should be off TV. It's a shocking

970
00:41:20,520 --> 00:41:21,080
Speaker 4: TV show.

971
00:41:21,719 --> 00:41:26,200
Speaker 2: Jesus, pretty good, not bad, sat on the fence three times,

972
00:41:26,239 --> 00:41:26,880
Speaker 2: pretty well.

973
00:41:26,920 --> 00:41:28,640
Speaker 4: Not bad, give me a hard one.

974
00:41:29,239 --> 00:41:30,400
Speaker 2: Arranged marriage.

975
00:41:31,080 --> 00:41:36,359
Speaker 4: I actually had an amazing conversation with we know he's

976
00:41:36,400 --> 00:41:36,640
Speaker 4: going to.

977
00:41:36,680 --> 00:41:38,080
Speaker 2: Be saved by his backup.

978
00:41:38,120 --> 00:41:39,560
Speaker 3: It's the true story. I listen to a podcast with

979
00:41:39,600 --> 00:41:41,640
Speaker 3: a woman called Tara Barak. If you haven't heard of her,

980
00:41:41,680 --> 00:41:43,440
Speaker 3: go and look her up. She had an arranged marriage

981
00:41:43,440 --> 00:41:45,880
Speaker 3: and she was well on the fence about it a

982
00:41:45,880 --> 00:41:48,680
Speaker 3: little bit. Actually, she talked about how good is because

983
00:41:48,680 --> 00:41:50,279
Speaker 3: you know, a lot of work goes into finding the

984
00:41:50,320 --> 00:41:53,680
Speaker 3: right partner for you. Actually, you work through marital problems

985
00:41:53,719 --> 00:41:55,960
Speaker 3: with your whole family. It's great communication there. But on

986
00:41:56,000 --> 00:41:58,480
Speaker 3: the other hand, I mean true love. You know, true

987
00:41:58,480 --> 00:42:01,360
Speaker 3: love is finding someone seeing at first, not having it arranged.

988
00:42:01,360 --> 00:42:03,640
Speaker 3: It's leaving it to fate. Isn't that exciting? Isn't that

989
00:42:03,680 --> 00:42:05,920
Speaker 3: the thing of love? You know, bumping into someone and

990
00:42:05,920 --> 00:42:07,080
Speaker 3: saying I might spend the rest of my.

991
00:42:07,040 --> 00:42:07,480
Speaker 4: Life with you.

992
00:42:08,400 --> 00:42:10,920
Speaker 2: I'm not sure about that ding there, that's a premature ding.

993
00:42:11,480 --> 00:42:12,239
Speaker 4: Which side of my mine?

994
00:42:12,280 --> 00:42:17,200
Speaker 2: Well, I think you're bostly more pro arranged marriages makes sense.

995
00:42:18,000 --> 00:42:23,000
Speaker 3: Actually, my cab driver actually about it. He'd been married

996
00:42:23,000 --> 00:42:25,920
Speaker 3: for twenty years and he said I was done. It

997
00:42:25,960 --> 00:42:28,040
Speaker 3: was an arranged marriage. And I said to him, I

998
00:42:28,160 --> 00:42:30,520
Speaker 3: just heard a podcast on arranged marriage. He opened my

999
00:42:30,520 --> 00:42:33,200
Speaker 3: eyes to this new perspective, which is you're not forced

1000
00:42:33,280 --> 00:42:36,600
Speaker 3: to marry someone. It's a conversation with your family where

1001
00:42:36,600 --> 00:42:38,279
Speaker 3: they say, hey, we do you think this person's going

1002
00:42:38,320 --> 00:42:40,200
Speaker 3: to be great for you? Then you all agree as

1003
00:42:40,200 --> 00:42:41,520
Speaker 3: a family before you go here.

1004
00:42:41,600 --> 00:42:44,200
Speaker 2: Doesn't you're pro arranged marriages right now, You're not sitting

1005
00:42:44,200 --> 00:42:44,680
Speaker 2: on the fence.

1006
00:42:45,480 --> 00:42:49,200
Speaker 3: But I think fate needs to be a play with love,

1007
00:42:49,200 --> 00:42:51,160
Speaker 3: and I love meeting someone in a bar and the

1008
00:42:51,239 --> 00:42:53,359
Speaker 3: excitement my family doesn't know about it. And sometimes when

1009
00:42:53,360 --> 00:42:55,239
Speaker 3: the family doesn't know about a bit of forbidden love,

1010
00:42:55,280 --> 00:42:56,160
Speaker 3: isn't that exciting?

1011
00:42:56,520 --> 00:42:56,719
Speaker 1: You know?

1012
00:42:56,880 --> 00:42:58,240
Speaker 4: Arrange marriage does take away.

1013
00:42:58,040 --> 00:43:00,279
Speaker 3: That excitement of finding a stranger in the street and

1014
00:43:00,480 --> 00:43:02,520
Speaker 3: who knows what's going to happen. I mean, let's pop

1015
00:43:02,520 --> 00:43:04,200
Speaker 3: a bottle of champagne and see what happens.

1016
00:43:04,960 --> 00:43:08,640
Speaker 2: Wow, that was a lot to take on, but I

1017
00:43:08,680 --> 00:43:10,279
Speaker 2: do think you got to the fence. Their final one

1018
00:43:10,320 --> 00:43:13,920
Speaker 2: here Capture and deportation of war criminals from Syria.

1019
00:43:14,080 --> 00:43:14,760
Speaker 4: Go again there.

1020
00:43:16,960 --> 00:43:20,120
Speaker 1: See what you're hearing. Find us on Instagram and Facebook

1021
00:43:20,280 --> 00:43:21,280
Speaker 1: search Will and Woody