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Speaker 1: The christ John O'Connell Breakfast Show Podcast Melbourn's Gold one

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Speaker 1: oh four point three Live from Level two twenty one

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Speaker 1: to thirty.

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Speaker 2: One Wood Street.

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Speaker 1: Wretchmen, this is the Chris John Old All Breakfast Show

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Speaker 1: on Nolvin's Gold one oh four point three.

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Speaker 2: Can someone go in that news boat and reboot pass?

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Speaker 3: Did that sund like Gomby Cook?

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Speaker 2: Yes it did. But don't worry. There's only anyone listening

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Speaker 2: this time of the day. You know, the Boss doesn't

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Speaker 2: listening to this part of the show between now and seven,

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Speaker 2: So it's all fine, don't worry about a bit. Seriously,

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Speaker 2: we do need to go and find your factory settings

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Speaker 2: and just quick you know what it is. It's always

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Speaker 2: you get so excitable, you know, about anything to do

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Speaker 2: with the breaking of the ten k. You're upset that

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Speaker 2: Huggey gave it away yesterday during his eighties Nuns and clues.

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Speaker 2: This is always too much to puss.

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Speaker 4: Are we're not doing the Are we doing the clues again?

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Speaker 5: And then it's run me for six No, because the clues.

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Speaker 6: Were redundant, and I worked angry about this. I made

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Speaker 6: five clues and then we come to yesterday when.

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Speaker 2: We played the song.

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Speaker 4: This is the song that will repeat at twelve o'clock today.

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Speaker 4: Oh well, what's the pun?

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Speaker 2: All right? So come on and welcome to shut Oh

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Speaker 2: my word, look at this. We're into our forties. Wow,

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Speaker 2: come on everyone, amazing work. We have made it to

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Speaker 2: show forty. I don't know if you met the people

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Speaker 2: were yesterday who were in the building. There was a

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Speaker 2: breakfast show. They're about to launch in Rotterdam in Holland

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Speaker 2: in September, and their new radio station has flown them

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Speaker 2: out to Australia to learn from how Australian radio is made.

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Speaker 2: How irriitated whether then shutting the room with a pommy

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Speaker 2: who starts patronizing about he does radio. And they were like,

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Speaker 2: look at what's he we want to learn from? Like, hey,

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Speaker 2: mish Nandy, Carl and Jackio some pom he's going to

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Speaker 2: start telling us how I do radio? Is washed up

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Speaker 2: here anyway, And then look chatting to them, and they

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Speaker 2: had all these questions for me. They listened to yesterday's show.

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Speaker 2: I didn't know anything about this. I was just hijacked

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Speaker 2: on my way out of here. You know that that strange,

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Speaker 2: mysterious man who sometimes shows up here's very powerful.

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Speaker 6: Yes, yes, well, but I thought you were totally joking

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Speaker 6: about them being Dutch broadcasters in the movie. It's sounded

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Speaker 6: like a set up to a joke. Did you see

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Speaker 6: the broadcasters from Holland walking around the halls yesterday? I

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Speaker 6: thought you were coming from Punchline, but you actually had

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Speaker 6: to give radio advice to I knew not think about

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Speaker 6: this Jo.

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Speaker 2: I was on my way out and that very secret,

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Speaker 2: mysterious man you know who just shows up every once

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Speaker 2: in a while a consultant goes, have you got a minute?

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Speaker 2: I went, yeah, I'm literally about to head out the door,

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Speaker 2: went because can you come in this room and just

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Speaker 2: chat to this breakfast show from Rotterdam. I'm like, what

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Speaker 2: you know? I got my I'm sat there for half

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Speaker 2: an hour of my jacket on, and they've got all

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Speaker 2: these questions They've obviously been told Christian will happily feel questions,

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Speaker 2: and they are very they're very, very nice people. But

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Speaker 2: they were like, there was a lady and a guy,

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Speaker 2: as always is, and they were like, why do your name?

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Speaker 2: Why I don't know what accent that is because might

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Speaker 2: even be from a German war movie. Why do you know?

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Speaker 2: I stay with the accent's European. Why do you the

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Speaker 2: number of the shows? They was curious about this when

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Speaker 2: you can start to do this in September.

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Speaker 4: The biggest thing radiot of the show. Yeah, it's success alive.

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Speaker 2: And then the other thing was all right, so how

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Speaker 2: long have you been you to have been working together?

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Speaker 2: We're just about to start in September, all right. And

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Speaker 2: then this guy I go, so did you have someone?

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Speaker 7: Oh?

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Speaker 2: Yeah, yeah, we were number one massive radio show. We

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Speaker 2: had an argument one day during the songs his radio partner,

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Speaker 2: another guy walked out on the show. It was on

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Speaker 2: the TV news for two weeks. He hasn't spoken to

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Speaker 2: him in two and a half years since that. Well, like,

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Speaker 2: you don't need my hat bad at radio? Why didn't

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Speaker 2: you have a reunion with him and get it of out?

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Speaker 2: That would be my advice. That was all I gave them. Anyway,

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Speaker 2: I've got caught off topic here yesterday. So I don't

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Speaker 2: know if there's any kind of European radio shows waiting

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Speaker 2: out there today to speak to us on someone on

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Speaker 2: the way into workers reading about what's going on online,

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Speaker 2: trying to focus on the show, and then constantly being

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Speaker 2: confronted with Steven Segar's massive inflated face. He looks like

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Speaker 2: he's been pumped full of air. You know, we know

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Speaker 2: when you go to the garrets to do your tires,

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Speaker 2: they go, don't put inflatables in. It looks like Steven's

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Speaker 2: the girl shoved that thing up his backside and he

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Speaker 2: gets no, guys, that's enough fair. I'm starting to look

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Speaker 2: a little bit bloated. Now that's enough, bad, guys. He

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Speaker 2: looks like he's about to pop, or a sausage that's

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Speaker 2: been on a barbecue too long, that's about to Anyway,

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Speaker 2: I kept seeing that face of him and that satin robe,

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Speaker 2: and he's now got some official job with Peutin. But

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Speaker 2: I'm trying to focus on the show. Then I see

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Speaker 2: the story come up that the house that they're using

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Speaker 2: the TV show of The Brady Bunch, it's just been sold.

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Speaker 2: Someone obviously wants to live in the house from their

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Speaker 2: TV show, The Brady Bunch. And I was thinking about

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Speaker 2: what kind of classic TV shows and movies that have

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Speaker 2: got great homes if I had to, if I had

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Speaker 2: the money and the means to live in one of them,

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Speaker 2: Like if I ever get to show sixty two, I

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Speaker 2: might be it'd afford to do that. And I'm thinking

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Speaker 2: there are a couple of homes I'd like to live

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Speaker 2: in from TV shows and movies. One the Norman Bates Motel,

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Speaker 2: the Baits Mansion. Tell you why it freak out any uber?

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Speaker 2: Each delivery driver that turns up is going to go,

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Speaker 2: there's something really familiar about this.

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Speaker 4: Wait, so you're living in the motel or the house.

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Speaker 2: The house is scarier, isn't it the haunted house? You

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Speaker 2: know you breez guy's going to turn up in his

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Speaker 2: little moped and go. I don't get it out of it. Actually,

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Speaker 2: I want the tip book. This drive on just powers

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Speaker 2: out there. The other one is I know, downtown Abbey

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Speaker 2: down to Nabby. The TV show made it out here,

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Speaker 2: didn't it. I want to be in that castle. Must

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Speaker 2: take ages to do the hoovering there, High Clear Castle.

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Speaker 2: I believe it's cooled, but I'd love to be somewhere

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Speaker 2: somewhere like that, somewhere really really ott after this. So

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Speaker 2: then I'll ask Jack and Pats. But I want to

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Speaker 2: know if you could live in any house there was

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Speaker 2: in a TV show or a movie, give me a call.

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Speaker 2: Nine four one four one four three.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: I don't know how your weeks start off, whether you're

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Speaker 2: having a good start two week or bad start toe

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Speaker 2: but please go online today have a look at Steven

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Speaker 2: Sigar's face, the outfit, and his official then read read

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Speaker 2: the story about his now official role, official role to

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Speaker 2: butt in a some kind of American ambassador to Rush.

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Speaker 2: So have they got a guy who does that? And

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Speaker 2: now you've got Steven Segull you know, I mean, wow,

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Speaker 2: it's it's I mean, what a time to be alive

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Speaker 2: that Steven Seagal is now working with Putin.

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Speaker 6: And he's one of your favorites. And am I writer is

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Speaker 6: saying that you love a Steven Sigar.

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Speaker 2: There's his body of work. Anyone who can actually put

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Speaker 2: out a movie called half past Dead without without without

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Speaker 2: any of irony? Didn't it? Didn't You just spend another

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Speaker 2: one minute thinking can we really call it half past dead?

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Speaker 2: Not quarter to Die? Or what else? What they can

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Speaker 2: to call it? Anyway, I'm dragging the show somewhere else

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Speaker 2: this morning. I don't want to talk about the Brady

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Speaker 2: Bunch House has just been sold. If you could live

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Speaker 2: in a house in a TV show or a movie. What

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Speaker 2: would it be, Pats Way? Where would you move to

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Speaker 2: if you had the money?

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Speaker 3: Well, it doesn't need to be a big place.

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Speaker 5: But I like the location of Carrie Bradshaw's apartment in

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Speaker 5: Sex and the City.

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Speaker 3: So it's actually in the West Village in Perry Street.

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Speaker 3: I've been there and seen it, salted out, talked it out,

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Speaker 3: I have, but we're led to believe.

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Speaker 5: I think it's on the Upper West Side, which is

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Speaker 5: a little bit further away, but that would be my

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Speaker 5: dream location.

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Speaker 6: Pat Is it one of those places I went to

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Speaker 6: the What's a Bob Sega one?

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Speaker 2: That the Risky Business?

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Speaker 4: No, no, no, no, the sitcom he did, the famous

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Speaker 4: one about families.

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Speaker 2: It's not Bob Seger, that's the cigar that's gonna say.

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Speaker 2: I love Bob Singer. Singer did a sitcom, The Fresh

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Speaker 2: Prince of Seagar, Full.

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Speaker 4: House, The Full House.

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Speaker 2: Give me some of the old dam rocking Bob Saga.

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Speaker 2: Just just get any old Bob. He's demanding too much money. Yeah,

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Speaker 2: there must have been that fourth season where the replaced

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Speaker 2: Bob Saga with Bob Seegar. Then it was the next

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Speaker 2: season Bob Dylan.

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Speaker 6: Anyway is going to make about the full house is

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Speaker 6: there's people always lining up the front of that house

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Speaker 6: taking photos of it. But in somebody's actual house Carry

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Speaker 6: Brad does.

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Speaker 5: In fact, when we went there, there's a really grumpy

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Speaker 5: old lady on a walking stick.

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Speaker 3: She's probably did now, but she.

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Speaker 5: Used to hunt people off the stoop because it's a

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Speaker 5: beautiful old brown stone building and she'd peer out our

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Speaker 5: window or out of her window.

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Speaker 3: And when you go on the tour, the tour guide.

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Speaker 5: Specifically says, look, you can get up on the stoop,

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Speaker 5: but only like two or three steps before the elderly

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Speaker 5: lady comes out and whacks.

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Speaker 2: You with the awful constantly, just trying to mind you

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Speaker 2: in business or maybe you got a tour it. You

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Speaker 2: look out your window and there's a load of wine

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Speaker 2: eyed looms like pats there, you know, going through your rubbish.

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Speaker 6: You reminded me when you said stoop had I worked

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Speaker 6: with a guy in radio at Fox FM who proposed

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Speaker 6: to his girlfriend on the stoop of the Carry branch

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Speaker 6: Or apartment.

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Speaker 2: Old lady must be going nuts out there. All right,

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Speaker 2: Let's go to line Scott good morning, Yeah, pretty good, Scott,

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Speaker 2: So which TV or movie house are you moving into.

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Speaker 4: I want to go back to the eighties.

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Speaker 8: Different strokes in the park avenue, A huge apartment with

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Speaker 8: those huge stays are behind the limbs.

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Speaker 2: Yes, what you're talking about, willis that's a great one, Scott,

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Speaker 2: Thank you very much. Jane morning, Jake. Sorry, oh good morning.

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Speaker 2: This is twenty eighteen. It could be anything these days. Hey,

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Speaker 2: good morning, Jake. Which TV or movie house you were

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Speaker 2: moving into? Mate?

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Speaker 9: I'm the castle from King's Landing.

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Speaker 2: Oh yes, but it looks freezing cold, all the all

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Speaker 2: the crows turning up there. It's like they've got no

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Speaker 2: curtains in it. I think Jake is surprised. I've even

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Speaker 2: thought about the home furnishing. There aren't any curtains. Always

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Speaker 2: looks very drafty. When of us see that, we've got

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Speaker 2: another Scott. Good morning, Scott, Good morning guys. How are

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Speaker 2: we be pretty good? Mate? And Thanksgiving? The show A

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Speaker 2: called a cold? You've got freezing cold. It's a draft today, Scott.

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Speaker 2: What's the TV show house you'd move into?

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Speaker 10: The resident of I reckon?

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Speaker 2: Yeah it was. It wasn't Thomas Magnum's place. He was

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Speaker 2: house sitting. It wasn't it for Robin Masters, that mysterious or.

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Speaker 4: Every episode of the TV show he was.

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Speaker 2: Yeah, he was like looking after the grounds and stuff

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Speaker 2: like that. Was never quite sure about you know, if

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Speaker 2: you grew up in the eighties with that Magnum place.

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Speaker 2: It's a massive, beautiful Hawaii beachfront sort of apartment and place,

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Speaker 2: and he was like looking after the place for this

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Speaker 2: author who is never then you weren't sure if it

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Speaker 2: was TJ or who Robin Masters was. It was this

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Speaker 2: whole other kind of mystery within the show. It's really

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Speaker 2: good TV showes to idolize that that show Tom Seille.

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Speaker 4: Do you ever see the homeowner?

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Speaker 1: Yeah, it's Bob Seeger, The Christian O'Connell breakfast Show, Melbourne's

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Speaker 1: Gold one oh four point three.

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Speaker 2: Money was no objects And you could buy a house

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Speaker 2: that you've seen on a TV show or a movie.

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Speaker 2: Where would you move into? That's on one on This

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Speaker 2: Morning on nine four one one oh four three. Daniel,

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Speaker 2: good morning, Good morning. How are you. I'm pretty good,

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Speaker 2: Danny Boyne, I hope you're well as well. Where would

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Speaker 2: you like to move into? Wayne Manor from Betmany Oh, yes, yeah,

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Speaker 2: definitely looks amazing. He's got his own secret all lay

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Speaker 2: down there and stuff like that that. I know that

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Speaker 2: if I had a secret there, my wife would want

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Speaker 2: to know the access codes. What do you up to

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Speaker 2: you down there? You know I wouldn't want her coming

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Speaker 2: into my secret lair. She take the fact that I

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Speaker 2: had a secret lair.

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Speaker 4: But another one that looks cold. I feel like you'd

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Speaker 4: have to cold wheel and an electric heater anything.

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Speaker 2: That's why I bet he's got a blanket round him

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Speaker 2: a lot on a throw and that just sinks to

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Speaker 2: the heating. Sharon, Good morning, Good morning, Christian Hill.

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Speaker 7: Are you today.

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Speaker 2: I'm good to you well, Sharon, I'm not too bad.

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Speaker 11: I've had bit of weeks, but here it's.

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Speaker 12: Okay, okay.

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Speaker 2: I hope things pick up for you, mate. And where

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Speaker 2: would you move into Willy.

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Speaker 13: Won't is chocolate sectory?

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Speaker 2: Oh yeah, you're right. I mean so much to do there.

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Speaker 2: I means so much going on. I mean a terrifying

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Speaker 2: dangerous place to live because obviously kids got wiped out there.

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Speaker 7: But you know what, you could have so much time.

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Speaker 11: It's all that chocolate.

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Speaker 12: Seriously, if anyone blazing guys, it's the Willy one can

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Speaker 12: Chocko factory here four missing good morning, God.

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Speaker 2: Here are you welcome to the show, Paul? What's the

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Speaker 2: TV or movie house for you? Mate?

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Speaker 14: I'm like to move into Uncle Jersey's farm on the

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Speaker 14: Dunkes of Presents.

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Speaker 2: Yeah, it looked like it was always like a moonshine

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Speaker 2: distillery going on just out of you as well. So

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Speaker 2: I think that's probably that you've got to wear denim

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Speaker 2: dungarees to live there as well. Let's take one last one, Brad,

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Speaker 2: good morning. I'm good Brad. What's the home for you?

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Speaker 10: I'm two and a half man?

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Speaker 2: The second is that that turn off? Man? What they

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Speaker 2: got like that in that big apartment?

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Speaker 12: Is that?

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Speaker 2: All these TV shows, right, the more you think about there,

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Speaker 2: one of ours is melting down there or something that's

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Speaker 2: hearing it far enough? All these TV shows were talking

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Speaker 2: about the movies. They're all absolutely minted, aren't they. Yeah?

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Speaker 2: Have we ever watched a TV show a movie where

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Speaker 2: it's someone in some kind of bedsit where you know

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Speaker 2: there's any future? It's not, is there?

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Speaker 7: You know?

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Speaker 2: This is someone living out of a hostel or their car.

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: Hey miss and Andy back on our screens tonight with

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Speaker 2: the second season of Two Stories, and they would join

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Speaker 2: us on Friday's Breakfast Show, and we don't have any

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Speaker 2: good hour with them. Uh you know Andy never He's

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Speaker 2: always constantly thinking that guy, isn't he Yep? I get

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Speaker 2: a text from Andy Lee Saturday night. Seriously, must be

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Speaker 2: about caught to ten in the evening. Some business idea

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Speaker 2: he's randomly thought of where I could make some extra money.

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Speaker 4: Oh no, don't get that's a Pyramids game. How much

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Speaker 4: does he want to borrow from you?

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Speaker 7: What?

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Speaker 2: He just not need to borrow money from me. It's

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Speaker 2: the other way around, all right. So when they're on,

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Speaker 2: we've were just going through what they've been looking at online,

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Speaker 2: you know, with their internet history, and Hamid stance telling

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Speaker 2: and telling us about is his wife and her granddad.

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Speaker 2: Her dad used to do a big TV show. That's

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Speaker 2: the members He used to go around the world. This

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Speaker 2: is when TV shows us to be very different. It

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Speaker 2: was in the nineteen fifties and it was a whole

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Speaker 2: hour of TV members of the public coming on and

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Speaker 2: panelists having to guess over an hour what some guy

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Speaker 2: or lady's job was. And it was really, really, really slow.

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Speaker 2: There were wan't many TV shows around then, there wasn't

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Speaker 2: a lot of competition, and it was a guy in

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Speaker 2: like a tuxxeder or a tickibo with big, old thick glasses,

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Speaker 2: you know, old nineteen fifties glasses about the size of

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Speaker 2: window frames and stuff like that. Anyway, it was called

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Speaker 2: What's uh, What's My line? And we've brought it back.

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Speaker 15: It's time for the radio version of everyone's favorite nineteen

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Speaker 15: fifties television game show, What's My Line of Work?

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Speaker 2: This is a great theme too. I think this is

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Speaker 2: of great this time of the day, this part of

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Speaker 2: your early morning routine. Route music. It's like a it's

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Speaker 2: like a soundtrack to it.

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Speaker 4: There's gonna be a good stocks.

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Speaker 2: On, putting your socks on, brushing your teeth.

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Speaker 3: It's not annoying at all, is it? And kids are

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Speaker 3: screaming in the back. Yeah, thank you.

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Speaker 6: I would wake up to this because I feel like

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Speaker 6: it wouldn't be you couldn't be angry.

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Speaker 2: I've got a great idea now for I don't need

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Speaker 2: Andy Lee's business idea. An alarm clock waitshot and then

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Speaker 2: plays this, What a better way to get out of

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Speaker 2: the bed? If I was listening to this Good morning wife.

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Speaker 2: I don't talk to my wife like that, especially why

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Speaker 2: because you wake up and play a sleep trying to

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Speaker 2: punch me in the balls. Sorry, I forgot about that.

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Speaker 2: Not such good morning for you, but anyway, bye bye, anyway.

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Speaker 2: This other game works if you've got a job. I've

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Speaker 2: met some of you. Notice the emphasis on the word if.

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Speaker 2: If you have a job, you call up. We ask

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Speaker 2: you a couple of questions about your job. You only

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Speaker 2: answer yes or no. Then we've got to try and

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Speaker 2: guess what your job is. If we get it wrong,

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Speaker 2: you win a prize. This week. It's a great price

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Speaker 2: off to go and see a great movie. Spike Lee

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Speaker 2: is back with a big movie starring Adam Driver. It's

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Speaker 2: called Black Klansman. I've got tickets for you to go

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Speaker 2: and see that, but only if we don't guess your job.

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Speaker 2: Calling out to play nine four one four one oh four.

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Speaker 1: Three The Christian O'Connell breakfast Show, Melbourne's Gold one oh

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Speaker 1: four point three.

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Speaker 2: All right, let's play our new early morning game. Well

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Speaker 2: you need is a job?

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Speaker 15: It's time for the radio version of everyone's favorite nineteen

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Speaker 15: fifties television game show, What's My line of work.

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Speaker 2: Okay, full disclosure, this is not our idea. This was

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Speaker 2: a TV show that used to be on all over

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Speaker 2: the world in the nineteen fifties. There may be a

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Speaker 2: reason it hasn't been on our screen since the nineteen fifties.

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Speaker 2: But at the moment, we're enjoying this new early morning game.

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Speaker 2: You come on air, we ask you a couple of questions.

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Speaker 2: You just say yes or no about your line of work,

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Speaker 2: and then we've got to guess your job. All right,

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Speaker 2: let's meet today's first contestant. Come on down, Megan, Good morning,

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Speaker 2: good morning. Here. Are you going pretty good? So you

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Speaker 2: ready to play?

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Speaker 13: I'm ready?

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Speaker 7: Let's go.

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Speaker 2: All right, So Meghan, you're going to go. It's just

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Speaker 2: one little line about your job.

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Speaker 13: I look after people.

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Speaker 2: You look after people? Okay, all right? My first question

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Speaker 2: is are these people young?

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Speaker 13: Not always?

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Speaker 2: Okay? Jack? Your question?

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Speaker 4: Do you work in the same at the same location

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Speaker 4: every day?

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Speaker 14: No?

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Speaker 3: Do you do shift work? Meghan?

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Speaker 2: Yes? Do you work in a hospital? No?

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Speaker 4: Do you do you like your job?

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Speaker 3: I can't think of a question.

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Speaker 4: Do you like your job? I missed that?

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Speaker 16: Yes?

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Speaker 4: Okay, oh that's helpful.

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Speaker 3: Do you work in a nursing home. Megan.

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Speaker 2: No, all right, time for my guest. Then I think

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Speaker 2: you are a paramedic.

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Speaker 4: No, I think you're one of those doctors you can

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Speaker 4: call to the house.

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Speaker 2: No, Pats, do.

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Speaker 5: You have like family daycare questions? Come on, family, not

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Speaker 5: a day care family person.

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Speaker 2: No, we need to guess from the the job now.

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Speaker 3: Pats, Yeah, that's my guess.

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Speaker 5: Family.

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Speaker 4: Okay, I would have guessed the job if I was

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Speaker 4: trying to guess the job.

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Speaker 2: Megan and Megan, what's what's the job?

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Speaker 13: I'm a funeral director.

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Speaker 2: Wow, we never would have guessed that. And sadly, you're

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Speaker 2: quite right.

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Speaker 13: When you ask me to do my life my job. I mean, yes,

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Speaker 13: I love it, but some days are really hard.

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Speaker 2: I always wondering about people that do your line of work.

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Speaker 2: They how you feel about it? Are you going in

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Speaker 2: so when you say funeral director, you like you're looking

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Speaker 2: after the whole, everything to do with it, engrangements, flowers in.

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Speaker 13: Yes, yes, there you are.

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Speaker 2: You in the hearse with the coffin.

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Speaker 13: Sometimes if I'm going out on the funeral, I'll be

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Speaker 13: in the hearse all.

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Speaker 2: Right telling us. Then if say we know each other

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Speaker 2: and I'm out about walking down the street and I

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Speaker 2: see you driving. You knows she works fan. It's a

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Speaker 2: herse and I just thought about to go away. Megan,

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Speaker 2: you're not allowed to wave back at anyone.

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Speaker 13: Know, we're not let live. We turn't smile very much.

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Speaker 13: We sit quite very quietly.

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Speaker 9: Rehearse always goes very slowly.

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Speaker 13: You always find us in the left, going very slowly.

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Speaker 2: Always on the left. And tell me this, have you

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Speaker 2: were any your colleagues ever been in like a fender ben?

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Speaker 2: How's the hearse with the coffin ever crashed into?

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Speaker 13: We've had that happened. Unfortunately, we had a hearse hit

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Speaker 13: on the way, t boned on the way to it.

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Speaker 2: How bad would you feel?

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Speaker 13: How it was pretty It was pretty bad?

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Speaker 2: And were the poor weather? Por can ask? Were the

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Speaker 2: poor mourners in the car?

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Speaker 13: We're lucky we were well, I mean the coffin was there,

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Speaker 13: but yeah, we we just had to basically get a

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Speaker 13: hearse around the accident site and put the coffin into

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Speaker 13: the new hearse and take off the funeral so that

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00:19:38,000 --> 00:19:38,359
Speaker 13: we weren't.

439
00:19:38,520 --> 00:19:40,600
Speaker 2: I always wondered that what happens if they're in you know,

440
00:19:40,640 --> 00:19:42,199
Speaker 2: it's like these days. So we used to have a

441
00:19:42,200 --> 00:19:44,320
Speaker 2: little you know, rear end somebody or be t bone.

442
00:19:44,320 --> 00:19:46,440
Speaker 2: That's incredible, well, I said Meghan. I've love having you

443
00:19:46,520 --> 00:19:48,200
Speaker 2: on the show this morning. Cay, you more than deserve

444
00:19:48,240 --> 00:19:50,200
Speaker 2: your prize to send your tickets. Go and see Spike

445
00:19:50,280 --> 00:19:52,080
Speaker 2: Lee's new movie with Adam and Drivers out on the

446
00:19:52,080 --> 00:19:55,639
Speaker 2: sixteenth of August. Black Clansman Megan noice for talk to you.

447
00:19:55,640 --> 00:19:58,880
Speaker 2: You pleasure, thanks very much. All right, we'll take one

448
00:19:59,000 --> 00:20:00,960
Speaker 2: quick one. Okay, We've I got time for one question

449
00:20:01,040 --> 00:20:05,200
Speaker 2: each team. Have you got on the line here, Judy, Hi,

450
00:20:05,359 --> 00:20:08,520
Speaker 2: good morning, Good morning, Julie. What's your Give us a clue? Then,

451
00:20:08,520 --> 00:20:09,840
Speaker 2: about roughly your line of work?

452
00:20:10,920 --> 00:20:11,920
Speaker 8: I work with children?

453
00:20:13,400 --> 00:20:21,159
Speaker 2: Is it down? Are you a nursery school teacher?

454
00:20:21,880 --> 00:20:22,160
Speaker 17: No?

455
00:20:22,840 --> 00:20:25,840
Speaker 4: Do you need a grade to get this job? No?

456
00:20:26,760 --> 00:20:27,080
Speaker 2: Oh?

457
00:20:29,880 --> 00:20:34,000
Speaker 5: Are you liking Mary Poppins questions?

458
00:20:36,240 --> 00:20:37,600
Speaker 3: I'm getting it? Are you and nanny?

459
00:20:38,480 --> 00:20:41,680
Speaker 2: No? Non? Okay, quick fire around this one.

460
00:20:41,720 --> 00:20:41,840
Speaker 4: Then.

461
00:20:41,880 --> 00:20:46,120
Speaker 2: Then are you a charter children's doctor? No?

462
00:20:47,560 --> 00:20:50,119
Speaker 4: Are you a TV show host for a children's program?

463
00:20:53,480 --> 00:20:54,960
Speaker 3: Do you work in a christ Julie?

464
00:20:55,640 --> 00:20:56,720
Speaker 2: No? What do you do?

465
00:20:57,880 --> 00:21:02,000
Speaker 8: I work Teddy my little girl.

466
00:21:02,840 --> 00:21:05,640
Speaker 2: To love, taking my kids to those you pick out

467
00:21:05,680 --> 00:21:08,879
Speaker 2: the little heart you know, get their little shoes.

468
00:21:09,040 --> 00:21:11,160
Speaker 3: We were just there on Saturdays.

469
00:21:11,800 --> 00:21:14,280
Speaker 2: Great prices. That is great, Julie. We'll give your prize

470
00:21:14,280 --> 00:21:14,960
Speaker 2: as well. Well done.

471
00:21:15,040 --> 00:21:18,840
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

472
00:21:18,720 --> 00:21:21,879
Speaker 2: Three Tuesday Morning. We got five topic Tuesday coming up

473
00:21:21,920 --> 00:21:25,280
Speaker 2: in an hour's time. Melbourne'sig is Radiophone in Also we

474
00:21:25,400 --> 00:21:29,680
Speaker 2: got the stuff that people are selling on Facebook marketplace.

475
00:21:30,000 --> 00:21:32,439
Speaker 2: But right now my wife has come back and she

476
00:21:32,560 --> 00:21:35,399
Speaker 2: has seen that I have let things slide. And I

477
00:21:35,440 --> 00:21:38,520
Speaker 2: don't just mean with myself. I mean just five short

478
00:21:38,640 --> 00:21:42,000
Speaker 2: days being in sole charge of the kids. You know,

479
00:21:42,119 --> 00:21:44,119
Speaker 2: yesterday I was saying how i'd I was very proud.

480
00:21:44,160 --> 00:21:46,000
Speaker 2: How over the weekend, despite taking the kids all the

481
00:21:46,000 --> 00:21:48,159
Speaker 2: way to Mount Butler and back, still found time to

482
00:21:48,440 --> 00:21:51,800
Speaker 2: give some performance direction for my youngest daughter's audition for

483
00:21:52,040 --> 00:21:53,800
Speaker 2: her first school play Aladdin.

484
00:21:53,960 --> 00:21:55,200
Speaker 4: Oh had she go by the way?

485
00:21:55,359 --> 00:21:59,840
Speaker 2: Well, yeah, what I forgot to mention was the bit

486
00:21:59,840 --> 00:22:01,720
Speaker 2: of the bot. The email said they also need to

487
00:22:01,800 --> 00:22:04,879
Speaker 2: learn these lines from a song. Lois suddenly gets to

488
00:22:04,920 --> 00:22:06,680
Speaker 2: school and the kids they will be going have you

489
00:22:06,760 --> 00:22:09,160
Speaker 2: been practicing? Yeah, yeah, my dad's happened with the lines.

490
00:22:09,200 --> 00:22:11,200
Speaker 2: What about the song? What song?

491
00:22:12,080 --> 00:22:14,240
Speaker 4: You've been doing hand gestures for three hours on the

492
00:22:14,280 --> 00:22:15,720
Speaker 4: Sunday and you haven't touched the song.

493
00:22:15,800 --> 00:22:17,800
Speaker 2: No, so you know that what's the song? Brave? Is

494
00:22:17,800 --> 00:22:18,520
Speaker 2: it whole New World?

495
00:22:18,920 --> 00:22:19,840
Speaker 3: Brave new whole new world?

496
00:22:20,080 --> 00:22:22,320
Speaker 2: Who only brave New World? Something like that. What don't

497
00:22:22,320 --> 00:22:24,399
Speaker 2: you know what the song was called? This one? You know?

498
00:22:24,760 --> 00:22:29,640
Speaker 2: Oh new that she had to learn a set number

499
00:22:29,640 --> 00:22:32,560
Speaker 2: of lines on that. So outside the audition room, I'm

500
00:22:32,560 --> 00:22:34,439
Speaker 2: trying to get my forty up. Hey, don't need to

501
00:22:34,480 --> 00:22:38,200
Speaker 2: worry about it. It's a well known song. Is this this?

502
00:22:38,480 --> 00:22:39,960
Speaker 2: She goes, No, it's the bit. This is a couple

503
00:22:40,000 --> 00:22:41,480
Speaker 2: of bars in I'm just trying to do it, not

504
00:22:41,520 --> 00:22:45,240
Speaker 2: the dialogue. But this is outside the audition room. So anyway,

505
00:22:45,320 --> 00:22:47,119
Speaker 2: she she did the audition. And my wife when we

506
00:22:47,160 --> 00:22:49,800
Speaker 2: get back, she goes, look, and I've been busy. However,

507
00:22:49,880 --> 00:22:53,040
Speaker 2: things things are falling by the way, so that hey, hey, hey, hey,

508
00:22:53,560 --> 00:22:55,159
Speaker 2: so the big thing that were my wife and I.

509
00:22:55,280 --> 00:22:58,640
Speaker 2: This afternoon we have a meeting, my wife and I

510
00:22:58,720 --> 00:23:01,080
Speaker 2: and you you all get to this when your kids

511
00:23:01,119 --> 00:23:03,119
Speaker 2: are older. It is time. No, seriously, we have to

512
00:23:03,160 --> 00:23:06,119
Speaker 2: do this. We have to agree a contract that the

513
00:23:06,200 --> 00:23:09,879
Speaker 2: kids are going to buy into about their commitments in

514
00:23:09,920 --> 00:23:12,840
Speaker 2: the house, but more importantly their their phone usage because

515
00:23:12,840 --> 00:23:14,000
Speaker 2: it's got out of control.

516
00:23:14,160 --> 00:23:15,760
Speaker 4: So this is a document you're going to ride out

517
00:23:16,640 --> 00:23:17,200
Speaker 4: all part of it.

518
00:23:17,280 --> 00:23:18,680
Speaker 2: And I didn't realize what I thought this was a

519
00:23:18,720 --> 00:23:21,159
Speaker 2: bit ott and I didn't realize that this is happening

520
00:23:21,200 --> 00:23:23,000
Speaker 2: now all over the world. This is a big thing.

521
00:23:23,400 --> 00:23:25,320
Speaker 2: I get, I bet, and I hope there are people

522
00:23:25,320 --> 00:23:26,720
Speaker 2: listen to me right now that can actually give me a

523
00:23:26,720 --> 00:23:28,679
Speaker 2: bit of guidance on this because I need something because

524
00:23:29,160 --> 00:23:31,280
Speaker 2: it's a new area. And now mom and dad did

525
00:23:31,280 --> 00:23:33,720
Speaker 2: not have to worry about this because we didn't have phones.

526
00:23:34,000 --> 00:23:35,360
Speaker 2: And it's the same for kids, and it's the same

527
00:23:35,359 --> 00:23:38,480
Speaker 2: for us grown ups. As like an umbilical cord your phone. Now,

528
00:23:38,720 --> 00:23:40,199
Speaker 2: what's you think they do If you can't find it

529
00:23:40,240 --> 00:23:41,160
Speaker 2: within five seconds?

530
00:23:42,119 --> 00:23:44,080
Speaker 3: Oxygen, it's like you're missing a limb.

531
00:23:44,600 --> 00:23:47,240
Speaker 2: It's like you don't exist. So I found over the

532
00:23:47,240 --> 00:23:49,240
Speaker 2: weekend there's a device you can just quickly get the

533
00:23:49,240 --> 00:23:52,040
Speaker 2: phone and checks out usage. So I grabbed the kid's

534
00:23:52,119 --> 00:23:53,560
Speaker 2: usage and I said, do you know how many hours

535
00:23:53,600 --> 00:23:56,520
Speaker 2: you spent the last twenty four hours on Instagram? And unfortunately,

536
00:23:57,119 --> 00:23:58,960
Speaker 2: while I was in charge, three and a half hours

537
00:23:59,520 --> 00:24:01,800
Speaker 2: Instagram alone three and a half hours, three and a

538
00:24:01,800 --> 00:24:02,399
Speaker 2: half hours.

539
00:24:02,880 --> 00:24:04,720
Speaker 5: You know what, they don't feel guilty. I think a

540
00:24:04,720 --> 00:24:06,399
Speaker 5: lot of parents would be in the same boat.

541
00:24:06,480 --> 00:24:06,800
Speaker 3: Christian.

542
00:24:06,960 --> 00:24:08,359
Speaker 2: Yeah, but now we know about it, we need to

543
00:24:08,359 --> 00:24:10,600
Speaker 2: take action. So we need to like a contract of

544
00:24:10,760 --> 00:24:13,159
Speaker 2: like when you've done your basic household chores, you're in

545
00:24:13,520 --> 00:24:15,800
Speaker 2: and how much and a set time. And they have

546
00:24:15,880 --> 00:24:19,000
Speaker 2: to understand because otherwise everywhere they go, even if they're

547
00:24:19,000 --> 00:24:21,720
Speaker 2: talking to you or they're watching TV, it's a drip drip, drip,

548
00:24:21,760 --> 00:24:23,520
Speaker 2: drip trip. There's no they're never doing just one thing

549
00:24:23,560 --> 00:24:26,200
Speaker 2: and focus. Yeah, got attention to The brains are frying,

550
00:24:26,640 --> 00:24:28,239
Speaker 2: so this morning they need them out. Do you have

551
00:24:28,280 --> 00:24:30,360
Speaker 2: a contract with your kids? Can you give me some advice?

552
00:24:30,520 --> 00:24:33,120
Speaker 2: Nine four one for one oh four three. Briany works

553
00:24:33,160 --> 00:24:34,840
Speaker 2: on the show with us. He's got one. He's going

554
00:24:34,880 --> 00:24:36,480
Speaker 2: to give me some advice next. But if you've done

555
00:24:36,520 --> 00:24:39,280
Speaker 2: this nine four one four one o four to three,

556
00:24:39,359 --> 00:24:39,840
Speaker 2: give me a call.

557
00:24:40,000 --> 00:24:43,360
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

558
00:24:43,400 --> 00:24:43,880
Speaker 1: point three.

559
00:24:44,080 --> 00:24:46,560
Speaker 2: So this morning, have you done the thing I'm about

560
00:24:46,600 --> 00:24:49,679
Speaker 2: to do? Then actually draw up, seriously, actually type up

561
00:24:49,720 --> 00:24:52,920
Speaker 2: a contract with your kids about the usage on their phone.

562
00:24:52,920 --> 00:24:54,320
Speaker 2: This is the world we live in now. I know

563
00:24:54,359 --> 00:24:55,920
Speaker 2: it sounds ludicrous if you listen to this and you

564
00:24:55,960 --> 00:24:58,160
Speaker 2: don't have kids, trust me, it's a It's a wild

565
00:24:58,240 --> 00:25:00,480
Speaker 2: new frontier that are mums and dad did not have

566
00:25:00,520 --> 00:25:02,800
Speaker 2: to worry about because we didn't have phones like that.

567
00:25:03,000 --> 00:25:04,919
Speaker 2: When I look back now, I think, what exactly did

568
00:25:05,359 --> 00:25:07,800
Speaker 2: did my dad do? My dad had a proper job, right,

569
00:25:07,840 --> 00:25:10,439
Speaker 2: He worked in a car factory, and he worked like shifts,

570
00:25:10,440 --> 00:25:11,840
Speaker 2: so he did two weeks during the day and then

571
00:25:11,880 --> 00:25:13,879
Speaker 2: two weeks at nights, and he worked really hard. I

572
00:25:13,880 --> 00:25:15,720
Speaker 2: remember one time, right when I was getting into music,

573
00:25:15,760 --> 00:25:17,359
Speaker 2: I said, Dad, I must have been really exciting, right

574
00:25:17,520 --> 00:25:20,720
Speaker 2: to be around when the Beatles, you know, were around,

575
00:25:20,800 --> 00:25:22,240
Speaker 2: And my dad just simply looked at me. And when

576
00:25:22,359 --> 00:25:23,840
Speaker 2: I was working nights.

577
00:25:26,280 --> 00:25:27,560
Speaker 4: No time to enjoy music.

578
00:25:28,240 --> 00:25:31,520
Speaker 2: I was working nights whilst the Beatles are out there

579
00:25:31,560 --> 00:25:33,480
Speaker 2: and Beatle maniam us on the streets.

580
00:25:33,560 --> 00:25:35,639
Speaker 4: I don't know what you're talking about. I've never heard of.

581
00:25:37,520 --> 00:25:40,679
Speaker 2: So Briany works on the show. You've done this with

582
00:25:40,720 --> 00:25:42,439
Speaker 2: your daughter, then, yeah, I had to like you.

583
00:25:42,600 --> 00:25:45,080
Speaker 18: She's on her phone on the internet, just as soon

584
00:25:45,080 --> 00:25:47,000
Speaker 18: as she gets home. It's all that's all they want

585
00:25:47,040 --> 00:25:48,800
Speaker 18: to do. It's all she wants to do. So I

586
00:25:48,840 --> 00:25:51,639
Speaker 18: actually wrote up a contract for her. However, So this

587
00:25:51,720 --> 00:25:53,280
Speaker 18: is the advice that I'll give you. Think of any

588
00:25:53,320 --> 00:25:57,760
Speaker 18: loophole that they can honestly think of, because like Johnny Cochrane,

589
00:25:58,680 --> 00:26:01,200
Speaker 18: she found a loophole because all she did was I

590
00:26:01,240 --> 00:26:04,239
Speaker 18: only gave her an hour to use the internet, so

591
00:26:04,280 --> 00:26:07,679
Speaker 18: she started downloading as much content from YouTube. She loves YouTube,

592
00:26:07,680 --> 00:26:09,120
Speaker 18: so she's just downloading.

593
00:26:08,640 --> 00:26:10,040
Speaker 2: Our printing off YouTube.

594
00:26:10,160 --> 00:26:13,720
Speaker 18: Yeah basically, so you know, I'd only gave her an hour,

595
00:26:13,720 --> 00:26:15,440
Speaker 18: but she's still on her phone and I couldn't figure

596
00:26:15,480 --> 00:26:16,919
Speaker 18: out why because she had downloaded and.

597
00:26:17,040 --> 00:26:19,320
Speaker 4: Got half the internet offline. Yeah exactly.

598
00:26:19,520 --> 00:26:22,920
Speaker 2: Well that's great advice. I'm very lucky because actually my

599
00:26:22,960 --> 00:26:24,880
Speaker 2: wife is a lot smarter than me, and she used

600
00:26:24,880 --> 00:26:27,400
Speaker 2: to be a lawyer. So I mean, good luck kids

601
00:26:27,400 --> 00:26:29,639
Speaker 2: trying to find a loophole in that which it's going

602
00:26:29,720 --> 00:26:32,800
Speaker 2: to be a seven hundred page document. Children, can we

603
00:26:32,840 --> 00:26:37,240
Speaker 2: go to page fifty two, sub course five paragraphs nine

604
00:26:37,640 --> 00:26:37,960
Speaker 2: and wait?

605
00:26:38,000 --> 00:26:39,680
Speaker 3: So they get the bill from her as well.

606
00:26:41,359 --> 00:26:44,720
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

607
00:26:44,760 --> 00:26:45,399
Speaker 1: point three.

608
00:26:45,480 --> 00:26:47,760
Speaker 2: I don't know if you've seen the trailer yet for

609
00:26:47,840 --> 00:26:51,800
Speaker 2: this new Freddie Mercury Queen movie. The trailer promises that

610
00:26:51,800 --> 00:26:55,399
Speaker 2: this could be the first truly great rot biopic that

611
00:26:55,400 --> 00:26:57,680
Speaker 2: we've been waiting for, because there's so many great characters

612
00:26:58,000 --> 00:26:59,959
Speaker 2: and people that have been in music that we love,

613
00:27:00,320 --> 00:27:02,520
Speaker 2: and yet there've been as a small feel for how

614
00:27:02,560 --> 00:27:05,320
Speaker 2: great how many great movies have been thrown out of it.

615
00:27:05,359 --> 00:27:07,199
Speaker 2: But the trailer for that Queen movie looks incredible, so

616
00:27:07,240 --> 00:27:09,399
Speaker 2: much so that we are trying to do something with

617
00:27:09,480 --> 00:27:11,439
Speaker 2: it as well where we can get exclusive screening of it,

618
00:27:11,480 --> 00:27:14,680
Speaker 2: because I can't wait to see it. It looks great on

619
00:27:14,720 --> 00:27:17,480
Speaker 2: this radio station. Since I've been here now nine weeks,

620
00:27:17,520 --> 00:27:19,320
Speaker 2: they let me have a lot of freedom because I

621
00:27:19,359 --> 00:27:21,399
Speaker 2: love the music. I think it's a great radio station.

622
00:27:21,680 --> 00:27:23,520
Speaker 2: You get more freedom with the music here than any

623
00:27:23,520 --> 00:27:25,280
Speaker 2: of the station that I've ever had in my life.

624
00:27:25,359 --> 00:27:27,960
Speaker 2: But also in Australia, and they definitely in Melbourne so

625
00:27:28,080 --> 00:27:30,760
Speaker 2: much so every Friday, four hours of the radio show

626
00:27:30,800 --> 00:27:32,359
Speaker 2: we hand the music over to you. You make it

627
00:27:32,400 --> 00:27:35,000
Speaker 2: the best four hours of radio on the dial. And

628
00:27:35,040 --> 00:27:36,960
Speaker 2: then now we're doing this every Wednesday, for an hour

629
00:27:37,119 --> 00:27:39,680
Speaker 2: nine till ten am. We picked the theme, you pick

630
00:27:39,720 --> 00:27:42,040
Speaker 2: all the songs, so we've called it the Midweek Mixtape.

631
00:27:42,280 --> 00:27:44,359
Speaker 2: And so last week it was Paranormal Songs because we

632
00:27:44,400 --> 00:27:46,280
Speaker 2: had the Ghostbusters in trying to find Little Timmy the

633
00:27:46,280 --> 00:27:48,800
Speaker 2: ghost It turned out to be Jeffrey Update for you

634
00:27:48,840 --> 00:27:51,639
Speaker 2: if you missed it. And tomorrow we're seeing if we

635
00:27:51,680 --> 00:27:54,520
Speaker 2: can build a great hour of songs where the song

636
00:27:54,600 --> 00:27:56,960
Speaker 2: titles all have questions in them. So you've got like

637
00:27:56,960 --> 00:27:59,600
Speaker 2: Elvis Costello, what's so funny about peace love and understanding

638
00:28:00,000 --> 00:28:01,679
Speaker 2: t is love? Do you remember that song kay lef

639
00:28:01,800 --> 00:28:04,680
Speaker 2: in the in the nineties, Megi's how Deep is You Love?

640
00:28:04,960 --> 00:28:07,120
Speaker 2: So it should I stay or should I go? From

641
00:28:07,400 --> 00:28:11,320
Speaker 2: the cash? So song titles with questions in them, that's

642
00:28:11,359 --> 00:28:12,960
Speaker 2: what we're seeing. If you've got any ideas, head over

643
00:28:13,000 --> 00:28:15,440
Speaker 2: to my Facebook page oh C one O four to three.

644
00:28:15,400 --> 00:28:18,760
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

645
00:28:18,800 --> 00:28:19,399
Speaker 1: point three.

646
00:28:19,520 --> 00:28:21,879
Speaker 2: So some of you who use Facebook might not be

647
00:28:21,920 --> 00:28:24,040
Speaker 2: aware that there is this big kind of marketplace on

648
00:28:24,080 --> 00:28:26,880
Speaker 2: the now where people sell stuff and is not like eBay.

649
00:28:27,320 --> 00:28:30,080
Speaker 2: eBay is this big money making machine now people actually

650
00:28:30,119 --> 00:28:32,720
Speaker 2: making a killing. They're making a living off selling stuff

651
00:28:32,760 --> 00:28:35,960
Speaker 2: on eBay. You get proper big brands selling stuff on eBay. Now.

652
00:28:36,600 --> 00:28:40,080
Speaker 2: Facebook Marketplace is the opposite of that. It is tat

653
00:28:40,920 --> 00:28:43,080
Speaker 2: as I scrolled through, and I was looking around yesterday,

654
00:28:43,200 --> 00:28:46,720
Speaker 2: just like who sells this? I'm going to drive and

655
00:28:46,720 --> 00:28:48,600
Speaker 2: get this and I to spend more money on the

656
00:28:48,640 --> 00:28:51,680
Speaker 2: fuel like this one I'm looking at here right, it's

657
00:28:51,720 --> 00:28:56,640
Speaker 2: a VHS copy of Titanic. Not just that they're not

658
00:28:56,680 --> 00:28:58,080
Speaker 2: even gonna send it to me in the post. I've

659
00:28:58,080 --> 00:29:02,240
Speaker 2: got to try to packing them. Hell yeah, I'm here

660
00:29:02,400 --> 00:29:05,320
Speaker 2: for the VHS copy of Titanic. I'm aware it's on

661
00:29:05,440 --> 00:29:08,280
Speaker 2: DVD Blu Rain. I can just download the pushing a

662
00:29:08,320 --> 00:29:10,760
Speaker 2: Mutter on my phone, right, But now I want a

663
00:29:10,840 --> 00:29:12,800
Speaker 2: VHS copy of Titanic?

664
00:29:13,000 --> 00:29:14,360
Speaker 4: Do you mind if we watch it all the way

665
00:29:14,400 --> 00:29:14,720
Speaker 4: through this?

666
00:29:14,880 --> 00:29:15,520
Speaker 8: I can check the.

667
00:29:15,560 --> 00:29:21,040
Speaker 2: Colony yra aware. So each week I have a little

668
00:29:21,160 --> 00:29:25,080
Speaker 2: look around the stuff that people are selling on Facebook Marketplace,

669
00:29:25,080 --> 00:29:27,200
Speaker 2: and we turn into Facebook Marketplace. The price is right

670
00:29:27,200 --> 00:29:29,120
Speaker 2: with Jack and Pats and I guess what stuffs worth?

671
00:29:29,240 --> 00:29:29,760
Speaker 2: What do you reckon?

672
00:29:29,760 --> 00:29:29,880
Speaker 4: Then?

673
00:29:29,880 --> 00:29:31,959
Speaker 2: What do you reckon? There's someone wants this person here?

674
00:29:32,040 --> 00:29:37,400
Speaker 2: Our friend in, Yeah, packing them. They want Titanic VHS copy.

675
00:29:38,040 --> 00:29:39,720
Speaker 2: What would you more than a.

676
00:29:39,640 --> 00:29:40,959
Speaker 4: Couple of bucks three dollars?

677
00:29:41,240 --> 00:29:42,840
Speaker 5: You know what though, the Beauty and the Based one

678
00:29:42,920 --> 00:29:45,400
Speaker 5: is worth an absolute maza. Apparently we've got one at

679
00:29:45,400 --> 00:29:47,200
Speaker 5: home like a grand They're going.

680
00:29:47,040 --> 00:29:51,480
Speaker 2: For a Beauty and a Beast, got them locked up

681
00:29:51,520 --> 00:29:52,320
Speaker 2: in the garage.

682
00:29:52,840 --> 00:29:55,960
Speaker 3: Titanic. I reckon twenty bucks.

683
00:29:55,800 --> 00:29:58,400
Speaker 2: Five dollars, not that I've got to drive to go

684
00:29:58,440 --> 00:30:00,400
Speaker 2: and get it the field alone. Go on the other

685
00:30:00,440 --> 00:30:02,560
Speaker 2: get five dollars to get this when I can just

686
00:30:02,600 --> 00:30:04,560
Speaker 2: download it right now on my phone and watch.

687
00:30:04,320 --> 00:30:06,120
Speaker 6: It and pats the person who told you that your

688
00:30:06,160 --> 00:30:08,080
Speaker 6: copy of Beauty and the Beast on VHS is worth

689
00:30:08,120 --> 00:30:08,840
Speaker 6: a thousand dollars.

690
00:30:09,000 --> 00:30:11,720
Speaker 3: No, it's true. Come on, go have a look on eBay.

691
00:30:12,000 --> 00:30:12,680
Speaker 2: Really look.

692
00:30:12,720 --> 00:30:14,520
Speaker 3: Brian's nodding, go have a little one even I'm.

693
00:30:14,400 --> 00:30:15,640
Speaker 2: Gonna go and have a look. We'll come back then

694
00:30:15,680 --> 00:30:18,320
Speaker 2: and we play Facebook market based price is right.

695
00:30:18,160 --> 00:30:21,640
Speaker 1: Next the Christian O'Connell breakfast Show, Melbourne's Gold one oh

696
00:30:21,720 --> 00:30:22,440
Speaker 1: four point three.

697
00:30:22,960 --> 00:30:25,600
Speaker 2: Christian, I had you earlier talking about kids using their

698
00:30:25,640 --> 00:30:29,560
Speaker 2: phones too much and chewing up contracts. I took technology

699
00:30:29,640 --> 00:30:32,200
Speaker 2: off my son as a form of punishment. You could

700
00:30:32,240 --> 00:30:37,240
Speaker 2: have sworn I'd taken a testicle the pain he you

701
00:30:37,280 --> 00:30:39,040
Speaker 2: didn't put your name on that. That is a great text.

702
00:30:39,080 --> 00:30:41,240
Speaker 2: Thank you very much to have her send that into us.

703
00:30:41,360 --> 00:30:43,080
Speaker 4: It's the Facebook marketplace.

704
00:30:43,520 --> 00:30:45,720
Speaker 2: Price is right.

705
00:30:46,960 --> 00:30:57,240
Speaker 17: Light down, ship host shot down. Here's your host, Christian.

706
00:30:59,200 --> 00:31:02,560
Speaker 2: Let's play this week's Spacebook marketplace to find out what

707
00:31:02,680 --> 00:31:06,080
Speaker 2: are people selling? Burst up pats? How much do you reckon?

708
00:31:06,200 --> 00:31:09,680
Speaker 2: Someone said that VHS copy of Beauty and the Beast

709
00:31:09,800 --> 00:31:11,960
Speaker 2: is worth a grand I can pick one up in

710
00:31:12,200 --> 00:31:14,600
Speaker 2: Melbourne right now. Drive they leave the show fifty bucks.

711
00:31:15,520 --> 00:31:18,920
Speaker 2: That's again, and it says price is negotiable. Otherwise they

712
00:31:19,080 --> 00:31:19,640
Speaker 2: take a ten.

713
00:31:20,200 --> 00:31:23,200
Speaker 3: D give mine away. It's clogging up our cupboard, all right.

714
00:31:23,200 --> 00:31:27,360
Speaker 2: The Net's play Facebook Marketplace. The price is right. Basically,

715
00:31:27,480 --> 00:31:29,240
Speaker 2: you won't believe some of the stuff that people are selling.

716
00:31:29,280 --> 00:31:31,320
Speaker 2: It's not just that, it's the detail in the description,

717
00:31:31,880 --> 00:31:34,520
Speaker 2: the rubbish photos as well, like you know you want

718
00:31:34,640 --> 00:31:38,160
Speaker 2: money off me. I'm looking at a paddling pool right now,

719
00:31:38,280 --> 00:31:41,600
Speaker 2: the sort of thing one of the upper lumpas might

720
00:31:41,640 --> 00:31:44,320
Speaker 2: have played around with. Right, come look at the photo

721
00:31:44,440 --> 00:31:46,840
Speaker 2: chat you can't see the price. Look at the photo.

722
00:31:47,080 --> 00:31:51,280
Speaker 2: It looks like someone with violent diarrhea has emptied their backside.

723
00:31:50,800 --> 00:31:54,440
Speaker 4: Into it, and it's just like mud rainwater.

724
00:31:54,760 --> 00:31:57,400
Speaker 2: It's the saddest looking thing, right. It says here, we'll

725
00:31:57,520 --> 00:32:05,120
Speaker 2: clean up before pick up. Clean up photo. Hopper's crossing. Alright, guys,

726
00:32:05,200 --> 00:32:08,520
Speaker 2: what do you think this is going for? This really

727
00:32:08,680 --> 00:32:12,240
Speaker 2: sad looking swimming pool in kids? What do you reckon? Ject?

728
00:32:12,840 --> 00:32:13,600
Speaker 4: Fifteen bucks?

729
00:32:14,080 --> 00:32:15,280
Speaker 3: That's no chance.

730
00:32:15,400 --> 00:32:19,400
Speaker 2: Five thirty bucks? Oh no way, Well clean up before

731
00:32:19,520 --> 00:32:23,320
Speaker 2: pickup comes with signs some hoppers crossing, okay, And then

732
00:32:23,360 --> 00:32:30,960
Speaker 2: we come to this one, the main attraction. I've been

733
00:32:31,000 --> 00:32:33,720
Speaker 2: thinking about this a long time. They're light, can we

734
00:32:33,840 --> 00:32:36,840
Speaker 2: do this? But look this is up there? Okay, all right,

735
00:32:37,040 --> 00:32:40,040
Speaker 2: it's a pair of crutches. Some might these crutches. Yeah,

736
00:32:40,160 --> 00:32:42,200
Speaker 2: my wife needed them recently. After get over to the

737
00:32:42,240 --> 00:32:46,040
Speaker 2: operation or wait for the description, we'll know what crutches

738
00:32:46,080 --> 00:32:48,280
Speaker 2: are for. Why someone would need this? Do you need

739
00:32:48,360 --> 00:32:50,600
Speaker 2: to put this in there? They must have sat at

740
00:32:50,640 --> 00:32:52,560
Speaker 2: this before they thought, yeah, don't need to edit that.

741
00:32:52,840 --> 00:32:58,320
Speaker 2: Publish to the world. Ideal for people that can't walk properly. No,

742
00:33:00,040 --> 00:33:02,920
Speaker 2: because I've seen them around crutches and I've got it's

743
00:33:02,960 --> 00:33:05,960
Speaker 2: a pick in my nose or nudging the kids to

744
00:33:06,040 --> 00:33:08,840
Speaker 2: go and get me another beer. So it's ideal for

745
00:33:08,960 --> 00:33:12,360
Speaker 2: people that can't walk properly, you see. Not that they've

746
00:33:12,400 --> 00:33:15,480
Speaker 2: got another line here. They can't leave it there. Great

747
00:33:15,520 --> 00:33:18,000
Speaker 2: gift idea for someone who's recently lost a leg.

748
00:33:18,880 --> 00:33:20,400
Speaker 3: Are you serious they've written that?

749
00:33:20,800 --> 00:33:23,200
Speaker 2: I swear we will put this up online in a minute.

750
00:33:23,760 --> 00:33:28,040
Speaker 2: This is here in Melbourne. Let's just read this again. Crutches.

751
00:33:28,440 --> 00:33:30,200
Speaker 2: There's a pair of them on the dinner table as

752
00:33:30,240 --> 00:33:31,960
Speaker 2: well with it's like a lot of biscuits to the

753
00:33:32,040 --> 00:33:36,400
Speaker 2: side of the photo. Ideal for people that can't walk properly.

754
00:33:36,920 --> 00:33:41,960
Speaker 2: Great gift idea for someone who's recently lost a leg. Yeah, listen, granddad,

755
00:33:42,080 --> 00:33:43,880
Speaker 2: I know it. Yeah, it is very very sad that

756
00:33:43,920 --> 00:33:46,400
Speaker 2: the left leg had to go. However, it took me

757
00:33:46,480 --> 00:33:51,040
Speaker 2: ages think about what to buy crutches. I was just

758
00:33:51,160 --> 00:33:53,880
Speaker 2: really online. They're apparently ideal for people that can't walk properly.

759
00:33:53,920 --> 00:33:55,640
Speaker 4: Oh, thank you. Have been hopping around for the last

760
00:33:55,680 --> 00:33:56,160
Speaker 4: four months.

761
00:33:57,040 --> 00:33:59,440
Speaker 2: How many times have we spent wandering around the shops

762
00:33:59,440 --> 00:34:03,320
Speaker 2: trying to find ideal gift for someone who's recently lost eck,

763
00:34:04,640 --> 00:34:05,080
Speaker 2: which of my.

764
00:34:05,160 --> 00:34:06,800
Speaker 3: One legged friends, shall I buy that for?

765
00:34:06,920 --> 00:34:10,680
Speaker 2: All right? Years ago I got invited to Heather Mills'

766
00:34:10,800 --> 00:34:14,680
Speaker 2: birthday party. Weeks I don't know what to get head now,

767
00:34:15,000 --> 00:34:16,600
Speaker 2: I don't know what to get ahead. I can't go.

768
00:34:16,680 --> 00:34:18,680
Speaker 2: I've got no gift now, I should just get us

769
00:34:18,680 --> 00:34:23,960
Speaker 2: a crutch. Ever, great gift idea for someone who's recently

770
00:34:24,040 --> 00:34:25,359
Speaker 2: lost to day. All right, how much do you think

771
00:34:25,400 --> 00:34:29,160
Speaker 2: this is going for? Are the aluminium ones? Nice bit

772
00:34:29,200 --> 00:34:29,640
Speaker 2: of upholds?

773
00:34:30,960 --> 00:34:32,560
Speaker 4: I think forty bucks?

774
00:34:33,120 --> 00:34:34,920
Speaker 3: That's I reckon eighty.

775
00:34:35,120 --> 00:34:37,520
Speaker 2: King eighty bucks. Actually going for sixteen dollars.

776
00:34:38,160 --> 00:34:38,800
Speaker 4: That's a barge.

777
00:34:38,920 --> 00:34:41,480
Speaker 2: Yeah, break it down. It's about eight perk crutch as well,

778
00:34:41,520 --> 00:34:43,279
Speaker 2: and never forget. It's a great gift idea for someone

779
00:34:43,840 --> 00:34:46,480
Speaker 2: recently and keep him on hand for the next time

780
00:34:46,520 --> 00:34:48,920
Speaker 2: you need the gift. All right, one final one? Then

781
00:34:49,160 --> 00:34:50,640
Speaker 2: you know, you and I we're talking to the day.

782
00:34:50,680 --> 00:34:52,440
Speaker 2: How much we love the movies of Adam Sander and

783
00:34:52,800 --> 00:34:58,879
Speaker 2: Happy Gilmour, Happy Gilmore print jumper size excel as new,

784
00:34:59,200 --> 00:35:00,440
Speaker 2: never worn sad that.

785
00:35:00,480 --> 00:35:03,359
Speaker 3: Someone Craig Huggins written all over.

786
00:35:04,440 --> 00:35:06,280
Speaker 2: I know it their heads cut off, but I recognize

787
00:35:06,280 --> 00:35:08,839
Speaker 2: those I recognize that upper chest.

788
00:35:08,960 --> 00:35:13,920
Speaker 3: Yeah, ripped, you would never warn is in a jumper.

789
00:35:14,400 --> 00:35:17,720
Speaker 2: Want a gift? Who doesn't want an excel happy Gilmore

790
00:35:17,800 --> 00:35:21,000
Speaker 2: jumpers like non sleep. Yeah, it's like the show basically

791
00:35:21,320 --> 00:35:24,520
Speaker 2: pick Up only in Kingsbury. How much you reckon it's

792
00:35:24,520 --> 00:35:25,879
Speaker 2: going for Pats first?

793
00:35:25,920 --> 00:35:29,440
Speaker 3: I reckon one hundred and fifty. Whoa, that's what It's memorabilia.

794
00:35:29,480 --> 00:35:30,600
Speaker 3: It's movie memorabilia.

795
00:35:31,280 --> 00:35:33,160
Speaker 4: It's not the one he actually wore.

796
00:35:33,520 --> 00:35:36,680
Speaker 3: No, I know that, but is it signed? It's a

797
00:35:36,760 --> 00:35:37,319
Speaker 3: replica one?

798
00:35:37,440 --> 00:35:37,480
Speaker 7: No?

799
00:35:37,520 --> 00:35:39,680
Speaker 3: I still say one video. I'm standing thirty five bucks.

800
00:35:40,200 --> 00:35:44,160
Speaker 2: Jack wins this week. Hey listen, if you want to

801
00:35:44,200 --> 00:35:46,680
Speaker 2: be one of my eyes, a correspondent on this feature,

802
00:35:46,760 --> 00:35:48,520
Speaker 2: have a look over the next couple of days. If

803
00:35:48,560 --> 00:35:51,080
Speaker 2: you say anything where to unuse your more gift ideas?

804
00:35:51,080 --> 00:35:55,760
Speaker 2: Maybe if someone's resing an arm or ahead, please email

805
00:35:55,880 --> 00:35:58,160
Speaker 2: me You could be one of our correspondents on Facebook

806
00:35:58,239 --> 00:36:02,919
Speaker 2: Marketplace the price right? Are we ever going to find

807
00:36:02,920 --> 00:36:06,360
Speaker 2: any better than those crutches? I hope so the search continues.

808
00:36:06,800 --> 00:36:09,080
Speaker 2: Great gift idea for someone who's recently lost to egg

809
00:36:09,360 --> 00:36:12,239
Speaker 2: email me what you find. Christian at Gold one four

810
00:36:12,280 --> 00:36:14,400
Speaker 2: to three dot com dot au.

811
00:36:14,360 --> 00:36:17,239
Speaker 1: The Christian who conn will Breakfast Show Melbourne's gold one

812
00:36:17,320 --> 00:36:18,239
Speaker 1: oh four point three.

813
00:36:18,480 --> 00:36:21,240
Speaker 2: You might not be aware of this, but radio stations

814
00:36:21,280 --> 00:36:24,080
Speaker 2: and more Bortanley, the pin headed management suits that run

815
00:36:24,160 --> 00:36:27,680
Speaker 2: them think that you are mouth breathing idiots. They really

816
00:36:27,719 --> 00:36:30,239
Speaker 2: really do. And come on, We've worked around for enough

817
00:36:30,360 --> 00:36:33,600
Speaker 2: radio stations that the casual disregard that they think for

818
00:36:33,640 --> 00:36:39,040
Speaker 2: you lump and kind of Hey listener, hey, you can

819
00:36:39,120 --> 00:36:43,600
Speaker 2: win these golden golden tickets on this station as well

820
00:36:44,480 --> 00:36:50,920
Speaker 2: win a car like carbe I listen to you, Hey listener,

821
00:36:51,160 --> 00:36:55,200
Speaker 2: somebody else shiny you can have where it's on this

822
00:36:55,239 --> 00:36:58,480
Speaker 2: switt of station and isn't run that way. And so

823
00:36:58,840 --> 00:37:00,640
Speaker 2: what we're trying to do on this break show. I

824
00:37:00,719 --> 00:37:03,680
Speaker 2: think you're smart people. You're way smarter than me, which

825
00:37:03,719 --> 00:37:05,759
Speaker 2: is why every Tuesday now we don't just do one

826
00:37:05,960 --> 00:37:08,319
Speaker 2: phone in for half an hour. We run five at

827
00:37:08,320 --> 00:37:10,440
Speaker 2: the same time. And when I started doing this a

828
00:37:10,440 --> 00:37:12,680
Speaker 2: couple of weeks ago, there were people in this radio station.

829
00:37:13,760 --> 00:37:16,600
Speaker 2: What is he doing? There's no way people won't called in.

830
00:37:16,640 --> 00:37:19,280
Speaker 2: There's too many topics at the same time. Yeah. Maybe,

831
00:37:19,600 --> 00:37:21,319
Speaker 2: but over the last couple of weeks we're still getting

832
00:37:21,360 --> 00:37:24,399
Speaker 2: away with it because guess what you can handle more

833
00:37:24,480 --> 00:37:27,080
Speaker 2: than one thing coming in your brain at one moment.

834
00:37:27,200 --> 00:37:30,120
Speaker 2: So it's five phone in topics. Here they are. Writ

835
00:37:30,160 --> 00:37:33,040
Speaker 2: them down on a piece of paper. Okay, some of these,

836
00:37:33,239 --> 00:37:35,560
Speaker 2: some of these who will float by not I've got

837
00:37:35,600 --> 00:37:37,680
Speaker 2: nothing on that. I've got nothing on that. It doesn't matter.

838
00:37:37,760 --> 00:37:39,759
Speaker 2: But one of them, one of them might grab you

839
00:37:40,120 --> 00:37:42,040
Speaker 2: the most importantly. The reason why I love doing this

840
00:37:42,200 --> 00:37:44,839
Speaker 2: every single week is we're just proving to other radio

841
00:37:44,920 --> 00:37:47,480
Speaker 2: stations you are not idiots. Okay, so here you go.

842
00:37:47,600 --> 00:37:50,640
Speaker 2: Here's your five topics. Last week we have some great

843
00:37:50,640 --> 00:37:53,319
Speaker 2: stories about what you got your your foot or your

844
00:37:53,360 --> 00:37:56,160
Speaker 2: hands stuck in. Today it's the big old nogin. What

845
00:37:56,320 --> 00:37:59,200
Speaker 2: if you got your head stuck in? I want spare

846
00:37:59,239 --> 00:38:01,800
Speaker 2: no detail. What have you got your head stuck in?

847
00:38:01,920 --> 00:38:05,839
Speaker 2: Maybe when you were a kid spinning fluids on strangers?

848
00:38:06,800 --> 00:38:09,360
Speaker 2: Let me rye, let me do this one again. Spinning

849
00:38:09,440 --> 00:38:12,839
Speaker 2: fluids on strangers. I don't mean brill Clinton style, those

850
00:38:12,880 --> 00:38:15,080
Speaker 2: kind of fluids. Okate, All right, you can't come on air,

851
00:38:15,360 --> 00:38:16,800
Speaker 2: but if you have got one, email it to me

852
00:38:16,920 --> 00:38:18,400
Speaker 2: so I can enjoy it on the way home. But

853
00:38:18,480 --> 00:38:20,319
Speaker 2: now I'm thinking about I was once on a plane

854
00:38:20,440 --> 00:38:23,160
Speaker 2: crammed into a woman next to me, and I sneezed

855
00:38:23,960 --> 00:38:26,040
Speaker 2: and some of it went on the screen of her laptop.

856
00:38:26,640 --> 00:38:29,000
Speaker 2: You can't actually apologize enough for that. And I was

857
00:38:29,040 --> 00:38:31,920
Speaker 2: like rubbing it with the sleeve. But it's you know,

858
00:38:32,000 --> 00:38:33,520
Speaker 2: it's like when you're on a plane you crammed into

859
00:38:34,600 --> 00:38:37,719
Speaker 2: I can't sneeze subtly as well. It just it just

860
00:38:37,800 --> 00:38:40,640
Speaker 2: projected it over. But spinning fluids on strangers. It might

861
00:38:40,680 --> 00:38:43,000
Speaker 2: be drinks that you spilt on strangers. And looking for

862
00:38:43,080 --> 00:38:45,799
Speaker 2: those stories. Jack, What did you eat in the bath

863
00:38:45,840 --> 00:38:46,400
Speaker 2: on Sunday?

864
00:38:46,640 --> 00:38:49,840
Speaker 4: I had a Lamington. It was great, except the coconut

865
00:38:49,960 --> 00:38:52,680
Speaker 4: fell into the bath order and floated around. Other than that,

866
00:38:52,680 --> 00:38:53,759
Speaker 4: I give an eight out of ten.

867
00:38:54,120 --> 00:38:56,920
Speaker 2: So have you ever eating food in the bath? Shortest

868
00:38:57,000 --> 00:38:59,480
Speaker 2: distance ever moved? This is topic number four? Are you

869
00:38:59,520 --> 00:39:03,719
Speaker 2: still understanding everything? Shortest distance you've moved? Ideally, want to

870
00:39:03,760 --> 00:39:07,359
Speaker 2: hear someone who is just moved next door to the flat,

871
00:39:07,440 --> 00:39:11,839
Speaker 2: downstairs or upstairs, across the road. Shortest distance you've ever moved?

872
00:39:12,080 --> 00:39:14,719
Speaker 2: And this is my favorite one this morning. I think

873
00:39:14,800 --> 00:39:17,359
Speaker 2: most of us, if we're Onish, there's one name from

874
00:39:17,520 --> 00:39:20,400
Speaker 2: school that you will always remember, and I want to

875
00:39:20,480 --> 00:39:23,320
Speaker 2: know why. Maybe they stole a boy or girl from you.

876
00:39:23,480 --> 00:39:25,960
Speaker 2: Maybe they stole the part or got your part that

877
00:39:26,120 --> 00:39:28,359
Speaker 2: you thought you should have got at the school play.

878
00:39:28,800 --> 00:39:31,680
Speaker 2: Whose name do you still remember from school? Kind of

879
00:39:31,840 --> 00:39:34,879
Speaker 2: a school nemesis and that name will always always stay

880
00:39:34,960 --> 00:39:37,800
Speaker 2: with you. I want those stories too. That's your five today,

881
00:39:37,960 --> 00:39:39,560
Speaker 2: he said. We just realized she screwed up the piece

882
00:39:39,560 --> 00:39:42,000
Speaker 2: of faber, that you've written them off. Names you remember

883
00:39:42,080 --> 00:39:45,440
Speaker 2: from school, head stuck in things, stories, fluids on strangers,

884
00:39:45,680 --> 00:39:49,080
Speaker 2: food in the bath, and shortest distance moved Off you go.

885
00:39:49,120 --> 00:39:50,799
Speaker 2: If you've got anything on that, give me a call.

886
00:39:50,840 --> 00:39:53,040
Speaker 2: I can't wait to hear stories. Nine four one four

887
00:39:53,120 --> 00:39:53,839
Speaker 2: one four three.

888
00:39:54,000 --> 00:39:57,359
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

889
00:39:57,400 --> 00:39:57,839
Speaker 1: point three.

890
00:39:58,040 --> 00:39:59,960
Speaker 2: We're in the middle of five Top of Tuesday, were

891
00:40:00,000 --> 00:40:02,120
Speaker 2: we run five phone in topics at the same time.

892
00:40:02,440 --> 00:40:04,760
Speaker 2: Let's go into the lines. Now, Good morning, Catherine.

893
00:40:05,080 --> 00:40:06,520
Speaker 16: Good morning Christian. How are you today?

894
00:40:06,600 --> 00:40:09,160
Speaker 2: I'm pretty good. Excited to be doing this, Catherine, which

895
00:40:09,200 --> 00:40:10,640
Speaker 2: one are you calling the shower belt?

896
00:40:11,440 --> 00:40:12,120
Speaker 16: Shortest move?

897
00:40:12,520 --> 00:40:14,080
Speaker 2: All right, let's see how far did you move?

898
00:40:14,719 --> 00:40:17,200
Speaker 8: About twenty paces from flat two to flat four?

899
00:40:17,640 --> 00:40:19,960
Speaker 2: This is great? All right? Okay, so now we can

900
00:40:20,040 --> 00:40:22,799
Speaker 2: narrow it down. You went from flat two to flat four.

901
00:40:23,120 --> 00:40:25,480
Speaker 2: If you're calling in about short distance move, let's now

902
00:40:25,520 --> 00:40:27,880
Speaker 2: try and narrow this down to only one house or

903
00:40:27,960 --> 00:40:30,719
Speaker 2: flat number Who went from flat one to flat two,

904
00:40:31,080 --> 00:40:33,600
Speaker 2: or number two to number four, or even sometimes when

905
00:40:33,640 --> 00:40:35,799
Speaker 2: you're in those big sort of apartments, you go from

906
00:40:36,200 --> 00:40:39,120
Speaker 2: three A to three B or to some one, go

907
00:40:39,239 --> 00:40:41,040
Speaker 2: four to C to four D and there's a really

908
00:40:41,080 --> 00:40:43,840
Speaker 2: big one. So you went, you went? What remind us again, Catherine?

909
00:40:44,440 --> 00:40:46,520
Speaker 8: I went from flat two to flat four, which in

910
00:40:46,600 --> 00:40:49,600
Speaker 8: a little sixties block of flats entire was only about

911
00:40:49,640 --> 00:40:52,360
Speaker 8: twenty paces, and it was so I could have a backyard,

912
00:40:52,360 --> 00:40:53,120
Speaker 8: so I could have a dog.

913
00:40:53,920 --> 00:40:56,280
Speaker 2: And so did you just just literally lug your stuff

914
00:40:56,320 --> 00:40:58,320
Speaker 2: in boxes? You don't need a van or anything, do you?

915
00:40:58,760 --> 00:41:01,600
Speaker 8: It was a pain, an absolute pain to move here,

916
00:41:01,760 --> 00:41:03,120
Speaker 8: even just a little distance.

917
00:41:03,360 --> 00:41:05,160
Speaker 2: I reckon that's a bigger pain because if you get

918
00:41:05,200 --> 00:41:07,080
Speaker 2: in the van and you lug everything out there, but

919
00:41:07,480 --> 00:41:09,360
Speaker 2: how do you move the bed and stuff like that?

920
00:41:10,360 --> 00:41:11,399
Speaker 8: Oh, with a lot of help.

921
00:41:12,840 --> 00:41:14,200
Speaker 7: Remember friends come over.

922
00:41:14,280 --> 00:41:16,120
Speaker 16: I promised them, Peter if they helped me move.

923
00:41:16,280 --> 00:41:19,520
Speaker 2: I remember when I was single women moving flat right,

924
00:41:19,520 --> 00:41:22,399
Speaker 2: and we weren't you know, we had I don't think

925
00:41:22,400 --> 00:41:24,160
Speaker 2: our brains had fully evolved, and we had to try

926
00:41:24,160 --> 00:41:25,960
Speaker 2: and work out how to get his double bed out

927
00:41:26,000 --> 00:41:28,080
Speaker 2: of this tiny little flat. The best thing we could

928
00:41:28,080 --> 00:41:30,319
Speaker 2: do was we went to a hardware store, brought a saw,

929
00:41:30,480 --> 00:41:34,120
Speaker 2: and we saw his bed in half and then something

930
00:41:34,560 --> 00:41:36,239
Speaker 2: and I bought some planks of wood to try and

931
00:41:36,280 --> 00:41:38,279
Speaker 2: to sort of fasten it back together again. It was

932
00:41:38,320 --> 00:41:40,840
Speaker 2: the bed was never ever the same. It kept breaking.

933
00:41:40,920 --> 00:41:43,480
Speaker 2: If every bought a friend, if any someone came to stage,

934
00:41:45,040 --> 00:41:48,279
Speaker 2: and you know, girls used to think he was really

935
00:41:48,320 --> 00:41:50,000
Speaker 2: impressive in bed. They didn't realize that we'd al really

936
00:41:50,000 --> 00:41:53,160
Speaker 2: sorn it half magic at so we could get it

937
00:41:53,200 --> 00:41:57,600
Speaker 2: out in the flat. Debbie, good morning. Hi Christian, Hey,

938
00:41:57,680 --> 00:42:00,600
Speaker 2: good morning. Welcome to five topic Tuesday. So you got

939
00:42:00,640 --> 00:42:01,880
Speaker 2: a head stuck story for us.

940
00:42:03,120 --> 00:42:05,400
Speaker 7: Yes, my daughter when she was about I don't know,

941
00:42:05,480 --> 00:42:08,080
Speaker 7: four or five, we're at dream World and she got

942
00:42:08,120 --> 00:42:10,560
Speaker 7: her head stuck between the railings at the little miniature

943
00:42:10,640 --> 00:42:11,239
Speaker 7: railway station.

944
00:42:16,440 --> 00:42:18,200
Speaker 2: So we're going to get a lot of head stuck

945
00:42:18,239 --> 00:42:20,880
Speaker 2: between railings a different location. So what happens are they

946
00:42:21,000 --> 00:42:22,040
Speaker 2: to try and increase.

947
00:42:21,719 --> 00:42:24,719
Speaker 7: The is out to get them out It actually was

948
00:42:24,800 --> 00:42:26,640
Speaker 7: quite easy to get out. But the funny thing was

949
00:42:26,719 --> 00:42:29,680
Speaker 7: that she panicked so much that she's screaming out, I'm

950
00:42:29,760 --> 00:42:31,640
Speaker 7: going to have to stay in dreamworld for the rest

951
00:42:31,680 --> 00:42:32,520
Speaker 7: of my life.

952
00:42:34,440 --> 00:42:37,400
Speaker 2: Attraction. Look at the girl. She's now fifty two, by the.

953
00:42:37,400 --> 00:42:41,440
Speaker 7: Way, well she actually is now thirty six. And we

954
00:42:41,640 --> 00:42:44,640
Speaker 7: still we still stir her about it. Whenever anything happened

955
00:42:44,640 --> 00:42:46,359
Speaker 7: to we say, oh, yeah, you're going to be stuck

956
00:42:46,400 --> 00:42:47,080
Speaker 7: there the rest.

957
00:42:46,880 --> 00:42:47,359
Speaker 2: Of your life.

958
00:42:47,400 --> 00:42:50,840
Speaker 7: So it was really funny if she calm down and

959
00:42:50,960 --> 00:42:53,480
Speaker 7: we you know, we easily got it out as soon

960
00:42:53,520 --> 00:42:55,440
Speaker 7: as she calmed down. But I think her ears were

961
00:42:55,440 --> 00:42:57,239
Speaker 7: stuck as soon as we've ordered her ears back and

962
00:42:57,360 --> 00:42:57,759
Speaker 7: came out.

963
00:42:58,320 --> 00:43:00,719
Speaker 2: Do you reckon? And do you reckon that? Fibergaates must

964
00:43:00,719 --> 00:43:02,239
Speaker 2: get this all the time. Kids have got their head

965
00:43:02,280 --> 00:43:03,759
Speaker 2: stuck in railings stuff like that. Do you think they

966
00:43:03,840 --> 00:43:05,960
Speaker 2: have like a giant just a giant vat in the

967
00:43:06,040 --> 00:43:09,120
Speaker 2: fire truck of vaseline just for head stuck and go

968
00:43:09,280 --> 00:43:09,600
Speaker 2: straight on.

969
00:43:09,680 --> 00:43:10,319
Speaker 4: The back of the ears.

970
00:43:10,440 --> 00:43:10,680
Speaker 2: Yeah.

971
00:43:11,719 --> 00:43:14,800
Speaker 6: Is like when you get a spatuler stuck in the

972
00:43:15,239 --> 00:43:17,880
Speaker 6: drawer the kitchen door, because this spatually goes up and

973
00:43:17,920 --> 00:43:20,000
Speaker 6: then it's hard to pull the ground is if you hatches,

974
00:43:20,080 --> 00:43:22,120
Speaker 6: if you push your head through something, your ears catch

975
00:43:22,200 --> 00:43:22,799
Speaker 6: on the way back.

976
00:43:23,040 --> 00:43:24,960
Speaker 2: What a great way to compare is to they're just

977
00:43:25,040 --> 00:43:27,760
Speaker 2: like spatulers stuck in the kitchen drawer. He's a fireman.

978
00:43:28,120 --> 00:43:30,440
Speaker 2: Uh Tanya, good morning. Hi?

979
00:43:30,800 --> 00:43:31,200
Speaker 11: How are you?

980
00:43:31,480 --> 00:43:33,520
Speaker 2: I'm pretty good? Okay, you got you're coming out in

981
00:43:33,560 --> 00:43:35,279
Speaker 2: defense of Jack. You've got a story about eating in

982
00:43:35,360 --> 00:43:36,120
Speaker 2: the bath if you go.

983
00:43:36,800 --> 00:43:39,719
Speaker 11: Yeah, I do it that often. That For Mother's Davies year,

984
00:43:39,840 --> 00:43:41,839
Speaker 11: my children bought the thing that goes over the top

985
00:43:41,920 --> 00:43:43,839
Speaker 11: of the bus so you can slide in your wine

986
00:43:43,880 --> 00:43:45,200
Speaker 11: glass so it doesn't chip over.

987
00:43:45,880 --> 00:43:46,000
Speaker 2: Right.

988
00:43:46,120 --> 00:43:49,000
Speaker 11: You got a whole system, yep, cheese and crackers, the

989
00:43:49,080 --> 00:43:51,920
Speaker 11: iPad with Netflix and the glass of wine all sorted.

990
00:43:52,280 --> 00:43:52,759
Speaker 2: That's great.

991
00:43:52,920 --> 00:43:54,719
Speaker 4: Finding cheese and crackers is popular here.

992
00:43:54,680 --> 00:43:56,239
Speaker 2: In the bath. Yeah, that's a great idea. But again,

993
00:43:56,239 --> 00:43:58,040
Speaker 2: you've got the flakage of the crackers in there. If

994
00:43:58,040 --> 00:44:00,200
Speaker 2: they spill in there. It feels like you got a

995
00:44:00,200 --> 00:44:02,319
Speaker 2: whole gold class system going on there in your bath.

996
00:44:03,040 --> 00:44:05,160
Speaker 11: It's pretty good. And you get quiet time from the

997
00:44:05,239 --> 00:44:06,520
Speaker 11: kids because they know not to come in.

998
00:44:07,000 --> 00:44:09,040
Speaker 2: All right, Thank you very much, chiny. Let's take one

999
00:44:09,120 --> 00:44:10,880
Speaker 2: more than a hit the ads, Michael, come on him.

1000
00:44:11,480 --> 00:44:12,359
Speaker 14: Hi, how are you guys?

1001
00:44:12,400 --> 00:44:13,919
Speaker 2: We're pretty good and what have you got for? Fight

1002
00:44:14,000 --> 00:44:14,640
Speaker 2: up at Tuesday.

1003
00:44:15,440 --> 00:44:17,520
Speaker 14: I can never forget the school teacher's name, and the

1004
00:44:17,640 --> 00:44:20,400
Speaker 14: name was Missus. We used to call it el misery.

1005
00:44:23,040 --> 00:44:25,080
Speaker 14: And if you don't do your homeworks, you used to

1006
00:44:25,200 --> 00:44:27,080
Speaker 14: just grab your ears squeeze the hell out of it.

1007
00:44:27,120 --> 00:44:30,319
Speaker 14: And so you didn't do your homework. Yes, about forty

1008
00:44:30,400 --> 00:44:32,520
Speaker 14: years ago, so they were allowed to do that then, Yeah,

1009
00:44:34,880 --> 00:44:35,680
Speaker 14: they got away with that.

1010
00:44:35,920 --> 00:44:38,480
Speaker 2: Michael, I'm the same as you, right, if you were naughty.

1011
00:44:38,640 --> 00:44:41,239
Speaker 2: We had this teacher called mister Wilson, right, and I'll

1012
00:44:41,239 --> 00:44:42,920
Speaker 2: always remember his name. He'd make you stand on a

1013
00:44:43,000 --> 00:44:45,239
Speaker 2: chair and do you remember those old wooden for the

1014
00:44:45,320 --> 00:44:47,880
Speaker 2: old chalkboards to kind of the board wipe and there

1015
00:44:47,960 --> 00:44:50,239
Speaker 2: was solid out of solid wood with like a little

1016
00:44:50,280 --> 00:44:52,160
Speaker 2: bit at the end. He would throw that at you

1017
00:44:52,239 --> 00:44:53,840
Speaker 2: and if you duck, you'd have to get back up

1018
00:44:53,880 --> 00:44:55,879
Speaker 2: there again and told he hit you on your body

1019
00:44:55,960 --> 00:44:59,000
Speaker 2: with this thing. And none of us went, I don't

1020
00:44:59,000 --> 00:45:00,560
Speaker 2: think he's about to do that. We're like, yeah, I

1021
00:45:00,560 --> 00:45:02,920
Speaker 2: hope mister Wilson's got a few issues, so yeah, give

1022
00:45:03,000 --> 00:45:04,360
Speaker 2: us to chuck this at us. I can't see the

1023
00:45:04,400 --> 00:45:04,839
Speaker 2: big deal.

1024
00:45:05,320 --> 00:45:06,680
Speaker 10: Oh I got away with a lot.

1025
00:45:06,760 --> 00:45:09,120
Speaker 2: Then it is very physical time. We'll look it to

1026
00:45:09,120 --> 00:45:11,719
Speaker 2: have survived all right. Then five top of Tuesday head

1027
00:45:11,719 --> 00:45:14,760
Speaker 2: stuck stories, fluid on strangers, food in the bath, short

1028
00:45:14,840 --> 00:45:16,800
Speaker 2: distance moved. We're trying to narrow it down to just

1029
00:45:16,880 --> 00:45:20,360
Speaker 2: one house of flat number and names you remember from school?

1030
00:45:20,400 --> 00:45:20,960
Speaker 2: And why the.

1031
00:45:21,000 --> 00:45:24,200
Speaker 1: Christian who conwell? Breakfast show Melbourne's Gold one oh four

1032
00:45:24,280 --> 00:45:24,880
Speaker 1: point three.

1033
00:45:24,920 --> 00:45:28,000
Speaker 2: Good in five topic Tuesday. This week, the five topics

1034
00:45:28,040 --> 00:45:31,960
Speaker 2: are heads stuck in things, stories, spinning, fluids on strangers,

1035
00:45:32,400 --> 00:45:35,279
Speaker 2: eating food in the bath, shortest distance that you've moved now.

1036
00:45:35,360 --> 00:45:36,879
Speaker 2: We just want to hear stories if you just moved

1037
00:45:37,160 --> 00:45:40,520
Speaker 2: one house or flat number or Flat A to Flat B.

1038
00:45:41,040 --> 00:45:43,440
Speaker 2: It needs to be really really ultra short now. And

1039
00:45:43,760 --> 00:45:47,040
Speaker 2: also names you remember from school, your school nemesis and

1040
00:45:47,320 --> 00:45:50,000
Speaker 2: why nine four one four one oh four three didn't

1041
00:45:50,040 --> 00:45:52,680
Speaker 2: good morning, Good morning Christian? How are you mate? I'm

1042
00:45:52,680 --> 00:45:54,400
Speaker 2: pretty good, didn't. How are you well? Buddy? Thanks for

1043
00:45:54,440 --> 00:45:56,200
Speaker 2: calling the show? What's your story for us? Mate?

1044
00:45:57,160 --> 00:46:00,680
Speaker 10: So it's a head stuck story. Yeah, it was from

1045
00:46:00,880 --> 00:46:04,160
Speaker 10: years ago, back in grade four. It was the end

1046
00:46:04,160 --> 00:46:07,360
Speaker 10: of the day room was clean, chairs were up and

1047
00:46:07,880 --> 00:46:11,680
Speaker 10: everyone was putting their heads in the chairs and we

1048
00:46:11,800 --> 00:46:13,880
Speaker 10: were all good. But there was a larger boy in

1049
00:46:13,960 --> 00:46:17,800
Speaker 10: the class yea, and he put his head in to

1050
00:46:18,000 --> 00:46:25,279
Speaker 10: join in and he couldn't get out. It was the

1051
00:46:25,400 --> 00:46:28,520
Speaker 10: end of the day. He had a bust to catch.

1052
00:46:32,440 --> 00:46:34,440
Speaker 10: So a lot of us stayed back and were stressed,

1053
00:46:34,480 --> 00:46:35,680
Speaker 10: and we're like, how the hole We're going to get

1054
00:46:35,719 --> 00:46:39,640
Speaker 10: this kid out? And one of us suggested, quickly run

1055
00:46:39,719 --> 00:46:42,359
Speaker 10: to the staff room, right, So one of us rand

1056
00:46:42,360 --> 00:46:44,480
Speaker 10: of the staff room. We after the teachers and like, guys,

1057
00:46:44,680 --> 00:46:52,839
Speaker 10: we need all the butter. You gots uh huh, carry on, Yeah,

1058
00:46:52,960 --> 00:46:54,839
Speaker 10: So he got we got all the butter, got back

1059
00:46:54,880 --> 00:46:57,520
Speaker 10: and we're like, hold steel mate. So we gave him

1060
00:46:57,520 --> 00:46:59,200
Speaker 10: a pick rub down on the neck and he slided

1061
00:46:59,239 --> 00:46:59,960
Speaker 10: the slider right out.

1062
00:47:00,239 --> 00:47:02,279
Speaker 2: Well, that is quick thinking. They're from you and the

1063
00:47:02,400 --> 00:47:05,080
Speaker 2: teachers there. That is great teamwork. That's an amazing as

1064
00:47:05,080 --> 00:47:06,560
Speaker 2: the most part of me tolling that was hoping that

1065
00:47:06,680 --> 00:47:08,239
Speaker 2: you said you can still have to catch that bus

1066
00:47:08,320 --> 00:47:10,239
Speaker 2: and he was just trying to get on the bus.

1067
00:47:10,320 --> 00:47:11,680
Speaker 2: You're not the with a dog with the cone of

1068
00:47:11,760 --> 00:47:15,839
Speaker 2: Shane on the head. It's going in sideways, clattering people

1069
00:47:15,880 --> 00:47:17,520
Speaker 2: in the fair in the face with the top of

1070
00:47:17,560 --> 00:47:19,320
Speaker 2: the chair, walking down the bus with a chair on

1071
00:47:19,400 --> 00:47:19,759
Speaker 2: his head.

1072
00:47:21,840 --> 00:47:24,399
Speaker 10: He made a late bush. He made a late bush

1073
00:47:24,440 --> 00:47:26,000
Speaker 10: for the bus, but it was just too late to

1074
00:47:26,040 --> 00:47:27,759
Speaker 10: started to take off as you was getting.

1075
00:47:27,520 --> 00:47:33,479
Speaker 2: At well, we what a great story. Didn't stay there, buddy,

1076
00:47:33,480 --> 00:47:34,880
Speaker 2: I sawt it out of some prizes. That was a

1077
00:47:34,920 --> 00:47:36,719
Speaker 2: brilliant story. You really made U stuff this morning. Thank

1078
00:47:36,760 --> 00:47:39,080
Speaker 2: you very much, mate, Have all right, cheers mate.

1079
00:47:39,120 --> 00:47:42,440
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

1080
00:47:42,520 --> 00:47:42,960
Speaker 1: point three.

1081
00:47:43,120 --> 00:47:45,239
Speaker 2: All right, this jump back is straight and she calls

1082
00:47:45,280 --> 00:47:47,640
Speaker 2: them five Topic Tuesday, where we run five phone in

1083
00:47:47,680 --> 00:47:52,080
Speaker 2: topics at the same time. Megan, good morning, Good morning, Christian.

1084
00:47:52,080 --> 00:47:53,520
Speaker 2: How are you. I'm pretty good, Meghan. I hope you

1085
00:47:53,560 --> 00:47:55,320
Speaker 2: well this morning. So you've got something about the short

1086
00:47:55,400 --> 00:47:57,560
Speaker 2: distance that you've moved. I have.

1087
00:47:57,880 --> 00:47:59,960
Speaker 16: I moved from apartment eight ooh three to eight oh foive.

1088
00:48:00,480 --> 00:48:02,680
Speaker 16: But the doors are basically opposite each other, so I

1089
00:48:02,719 --> 00:48:04,799
Speaker 16: could pretty much just slide my mattress on through.

1090
00:48:06,560 --> 00:48:06,719
Speaker 1: Ah.

1091
00:48:06,920 --> 00:48:09,640
Speaker 2: That's great. So you can just basically push stuff across

1092
00:48:09,719 --> 00:48:11,120
Speaker 2: the corridor to your new home.

1093
00:48:11,840 --> 00:48:13,120
Speaker 16: Absolutely that's what we did.

1094
00:48:13,640 --> 00:48:16,280
Speaker 2: That is really one easy way to move to slide

1095
00:48:16,320 --> 00:48:18,759
Speaker 2: across the hallway. And then you go, why did you

1096
00:48:18,840 --> 00:48:21,000
Speaker 2: move to a place across the corridor? Was it a

1097
00:48:21,040 --> 00:48:21,720
Speaker 2: little bit bigger?

1098
00:48:22,760 --> 00:48:25,040
Speaker 16: No, the apartment was smaller, but the balcony was bigger.

1099
00:48:25,280 --> 00:48:28,160
Speaker 2: Ah, right, got it all right, Megan, thank you very much.

1100
00:48:28,160 --> 00:48:31,080
Speaker 2: She call, there's got a Ronnie. Hi, how are you

1101
00:48:31,440 --> 00:48:33,000
Speaker 2: pretty good? Welcome to the show. What have you got

1102
00:48:33,040 --> 00:48:33,600
Speaker 2: for us? Ronnie?

1103
00:48:34,239 --> 00:48:36,800
Speaker 16: My name that you remember from schools?

1104
00:48:37,080 --> 00:48:38,600
Speaker 2: Yep? If you go, what's the name? And why?

1105
00:48:39,280 --> 00:48:42,279
Speaker 16: The girl's name was Sparkle Finess I was in year

1106
00:48:42,320 --> 00:48:47,600
Speaker 16: eleven in the eighties. Yeah, mom, Her mum was an

1107
00:48:47,680 --> 00:48:52,920
Speaker 16: aspiring actress and decided to change all four girls' names

1108
00:48:53,040 --> 00:48:56,759
Speaker 16: and Sparkle her real name was actually James.

1109
00:48:58,200 --> 00:49:00,359
Speaker 4: Say. This wasn't a birth name. This was later in life.

1110
00:49:00,880 --> 00:49:03,279
Speaker 16: Yeah, she had them changed by deed Pole because she

1111
00:49:03,440 --> 00:49:05,840
Speaker 16: was just like, I want my girls to be actresses

1112
00:49:05,920 --> 00:49:08,480
Speaker 16: like myself, and so they've got to have a stage name.

1113
00:49:08,640 --> 00:49:10,120
Speaker 16: So Sparkle finesse it is.

1114
00:49:10,280 --> 00:49:14,800
Speaker 2: And my brain is actually hurting here. Even if you

1115
00:49:14,840 --> 00:49:17,080
Speaker 2: look at the logic I want them to work in

1116
00:49:17,200 --> 00:49:19,520
Speaker 2: the acting world, you're not going to end up on

1117
00:49:19,640 --> 00:49:23,160
Speaker 2: the credits for twelve year a slave, as Sparkle Finesse

1118
00:49:24,320 --> 00:49:26,279
Speaker 2: is going to limit the roles that you're open to.

1119
00:49:28,600 --> 00:49:30,680
Speaker 2: Thank you for coming in and reading for rain Man

1120
00:49:31,000 --> 00:49:33,160
Speaker 2: and Sparkle Finess get out.

1121
00:49:33,680 --> 00:49:35,360
Speaker 4: Do you remember her sister's name is Running?

1122
00:49:36,000 --> 00:49:39,080
Speaker 16: No, I don't, but because Sparkle was just like and

1123
00:49:39,200 --> 00:49:41,880
Speaker 16: she wasn't one of those larger than life kind of

1124
00:49:41,960 --> 00:49:44,000
Speaker 16: people either, with that you would think with that kind

1125
00:49:44,040 --> 00:49:47,120
Speaker 16: of name, but she was just this little mountain.

1126
00:49:47,120 --> 00:49:51,120
Speaker 2: Pressure, a Sparkle. I don't even want to know someone

1127
00:49:51,160 --> 00:49:52,000
Speaker 2: who's a Sparkle.

1128
00:49:52,480 --> 00:49:53,760
Speaker 16: Yeah, Sparkle Finesse.

1129
00:49:54,120 --> 00:49:56,480
Speaker 2: Yeah. Wow. We all right, Ronnie, thanks for sharing that

1130
00:49:56,560 --> 00:50:00,239
Speaker 2: with us. Have a good day. And who you got here? Gabby? Yes,

1131
00:50:00,520 --> 00:50:04,240
Speaker 2: Gabby shorter, move short to move them across the hallway?

1132
00:50:04,280 --> 00:50:05,480
Speaker 2: What can you do? How can you top that?

1133
00:50:06,200 --> 00:50:07,799
Speaker 9: We moved to the house next door.

1134
00:50:08,640 --> 00:50:09,160
Speaker 2: This is great.

1135
00:50:09,320 --> 00:50:10,319
Speaker 16: Mum liked it better.

1136
00:50:10,480 --> 00:50:12,640
Speaker 8: Basically, she thought it was a nicer house that we

1137
00:50:12,719 --> 00:50:13,400
Speaker 8: bought that one.

1138
00:50:13,280 --> 00:50:17,759
Speaker 2: And moved across. Was it a house, yeah, yeah, Mum's

1139
00:50:17,760 --> 00:50:18,160
Speaker 2: always no.

1140
00:50:18,200 --> 00:50:20,799
Speaker 9: Best dad to build up. So we cut a hole

1141
00:50:20,880 --> 00:50:23,120
Speaker 9: of the sense and we just sort of shuffled everything through.

1142
00:50:23,320 --> 00:50:25,040
Speaker 2: Hang on a minute. I was ready to move on.

1143
00:50:25,200 --> 00:50:28,600
Speaker 2: Then I was ready to move on. Your dad's a builder,

1144
00:50:28,880 --> 00:50:31,080
Speaker 2: he's a genius as well. He's an ideas guy. He

1145
00:50:31,200 --> 00:50:32,440
Speaker 2: cut a hole in the fence.

1146
00:50:33,320 --> 00:50:35,360
Speaker 11: Yeah, and we just took everything across and then he

1147
00:50:35,640 --> 00:50:36,560
Speaker 11: patched it back up again.

1148
00:50:37,640 --> 00:50:39,359
Speaker 2: These have been the best calls that we've ever had

1149
00:50:39,440 --> 00:50:42,600
Speaker 2: on the show, honestly, the last forty minutes. I'm always

1150
00:50:42,600 --> 00:50:46,640
Speaker 2: gonna remember this call about your dad. What's your dad's name, Julian, Julie.

1151
00:50:46,719 --> 00:50:49,359
Speaker 2: What a genius. That's it. That's great, Thank you very much.

1152
00:50:49,440 --> 00:50:52,320
Speaker 2: Let's get one laugh, all right. Have a good day, mate, Amanda.

1153
00:50:53,280 --> 00:50:56,400
Speaker 9: Hello, I've got spilled liquids on strangers.

1154
00:50:57,120 --> 00:50:57,840
Speaker 2: Yeah, what happened.

1155
00:50:58,880 --> 00:51:01,840
Speaker 9: I was working as a young waitress in las Keta

1156
00:51:02,360 --> 00:51:05,479
Speaker 9: and I had two two Leader jugs of soft drink

1157
00:51:05,520 --> 00:51:08,120
Speaker 9: that I was carrying across the restaurant. Got to the

1158
00:51:08,200 --> 00:51:11,160
Speaker 9: table with a family with their children that were very

1159
00:51:11,239 --> 00:51:14,080
Speaker 9: nicely dressed up, so they're obviously having a lovely dinner around.

1160
00:51:14,880 --> 00:51:17,760
Speaker 9: It was like a slow moo of the two jugs

1161
00:51:17,960 --> 00:51:21,959
Speaker 9: falling on the table and a tsunami of soft drink

1162
00:51:22,520 --> 00:51:27,080
Speaker 9: going across the table and children scream.

1163
00:51:29,880 --> 00:51:31,680
Speaker 2: Four Leaders is quite a lovely liquid as well.

1164
00:51:32,600 --> 00:51:33,759
Speaker 10: It was so much.

1165
00:51:34,320 --> 00:51:36,520
Speaker 2: I love the fact that Amanda, their lovely choice of

1166
00:51:36,560 --> 00:51:39,239
Speaker 2: words as well. They're the tsunami of soft liquids is

1167
00:51:39,280 --> 00:51:42,080
Speaker 2: a great so as well. And you're right, it's the

1168
00:51:42,239 --> 00:51:45,160
Speaker 2: smartness of the clothes. It's like the drinks and nature

1169
00:51:45,239 --> 00:51:47,600
Speaker 2: disconspired to ruin the smartness of the clothes.

1170
00:51:49,160 --> 00:51:51,919
Speaker 9: They were clearly out for their lovely family dinner, and yeah,

1171
00:51:51,960 --> 00:51:53,960
Speaker 9: I just drenched.

1172
00:51:53,680 --> 00:51:54,720
Speaker 2: Them, Amanda.

1173
00:51:54,760 --> 00:51:57,080
Speaker 4: What did you or the manager offer them, like some

1174
00:51:57,200 --> 00:51:58,920
Speaker 4: free garlic, bread or pizza.

1175
00:52:00,520 --> 00:52:04,759
Speaker 9: I actually, after apologizing a lot, I pretty much ran

1176
00:52:04,840 --> 00:52:06,480
Speaker 9: away and solve that.

1177
00:52:06,800 --> 00:52:09,759
Speaker 2: Hide Hide You're not getting a tep either.

1178
00:52:11,440 --> 00:52:14,759
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

1179
00:52:14,840 --> 00:52:15,319
Speaker 1: point three.

1180
00:52:15,600 --> 00:52:17,680
Speaker 2: After that, we've got a brand new at work time

1181
00:52:17,719 --> 00:52:22,200
Speaker 2: Waster one I am very excited about. It involves Stephen

1182
00:52:22,400 --> 00:52:24,520
Speaker 2: Sigal won the Worlds. I think we can all agree

1183
00:52:24,600 --> 00:52:27,720
Speaker 2: on this, one of the world's greatest and most important actors.

1184
00:52:28,239 --> 00:52:33,239
Speaker 2: If you've seen Mark for Death, Out for Justice under Siege, uh,

1185
00:52:33,560 --> 00:52:37,120
Speaker 2: you know, Half Past Dead, which you know has peaked

1186
00:52:37,160 --> 00:52:42,160
Speaker 2: Steven Oh. Then there's another one called Truth Justice, which

1187
00:52:42,200 --> 00:52:44,560
Speaker 2: was out a couple of years ago. That didn't bother cinemas.

1188
00:52:44,600 --> 00:52:46,200
Speaker 2: It went straight to the market. You know, you don't

1189
00:52:46,200 --> 00:52:48,640
Speaker 2: want to be bypassed the cinemas. Really, Steven Sigure specialized

1190
00:52:48,640 --> 00:52:50,400
Speaker 2: in those movies. No, they're they're all real. And the

1191
00:52:50,480 --> 00:52:54,120
Speaker 2: TV show that he did, law Man, where he spent

1192
00:52:54,280 --> 00:52:58,520
Speaker 2: time with an American police department and he would hang

1193
00:52:58,560 --> 00:53:00,200
Speaker 2: out in the car with them and then t some

1194
00:53:00,360 --> 00:53:05,000
Speaker 2: some of his ikeido and you know, amazing marksmanship, you know,

1195
00:53:05,440 --> 00:53:07,759
Speaker 2: and obviously he's a he's a huge guy now, I

1196
00:53:07,800 --> 00:53:09,839
Speaker 2: mean he's a size of a he's a planet. He's

1197
00:53:09,840 --> 00:53:13,040
Speaker 2: got his own weather system. And so they'd beat they'd

1198
00:53:13,080 --> 00:53:15,239
Speaker 2: pull over the old cop guar, start chasing after a

1199
00:53:15,280 --> 00:53:17,960
Speaker 2: pup and then it takes Agut an hour to get

1200
00:53:18,000 --> 00:53:22,960
Speaker 2: out the bats and then it would just cut to right.

1201
00:53:23,120 --> 00:53:26,359
Speaker 2: Someone handcuff sat down. Sigal has obviously got another card

1202
00:53:26,360 --> 00:53:28,080
Speaker 2: to give him a lift to them. You know, you

1203
00:53:28,239 --> 00:53:31,600
Speaker 2: never saw him run after anyone. It was like federal

1204
00:53:31,719 --> 00:53:33,239
Speaker 2: carried dead. Didn't know what they didn't put him on

1205
00:53:33,239 --> 00:53:35,759
Speaker 2: a truck and sort of wieled him there. An amazing

1206
00:53:35,920 --> 00:53:40,560
Speaker 2: TV show Steven Segal loh Man. Anyway, that's today he's

1207
00:53:40,600 --> 00:53:43,040
Speaker 2: a time waster and we still need some help. We're

1208
00:53:43,080 --> 00:53:45,040
Speaker 2: looking to Last week on the show we were talking

1209
00:53:45,040 --> 00:53:47,960
Speaker 2: about school photos. We're looking to try and hire somebody

1210
00:53:47,960 --> 00:53:50,600
Speaker 2: who does this for a living. Actually take those school photos.

1211
00:53:51,040 --> 00:53:53,600
Speaker 2: Got that strange sort of sky blue backdrop the stool

1212
00:53:53,680 --> 00:53:55,800
Speaker 2: using in twenty eighteen? Can you come in here and

1213
00:53:55,880 --> 00:53:58,560
Speaker 2: take some school photos of me and the team? He

1214
00:53:58,600 --> 00:54:00,680
Speaker 2: can help us. Nine four one four one four to three.

1215
00:54:00,840 --> 00:54:04,200
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1216
00:54:04,280 --> 00:54:04,759
Speaker 1: point three.

1217
00:54:11,400 --> 00:54:14,200
Speaker 2: All right, This breakfast show runs until ten am and

1218
00:54:14,320 --> 00:54:17,000
Speaker 2: every single day we do something called the artwork time waster.

1219
00:54:17,200 --> 00:54:19,000
Speaker 2: Where is something you can still work in contact with

1220
00:54:19,040 --> 00:54:20,480
Speaker 2: the show. You don't have to call in if actually

1221
00:54:20,480 --> 00:54:22,520
Speaker 2: it's whole built around you just texting in. You can

1222
00:54:22,560 --> 00:54:26,600
Speaker 2: tweet me if you aren't at OC today. It centers

1223
00:54:26,600 --> 00:54:31,920
Speaker 2: around one man, a giant man, Steven Seagal, now officially

1224
00:54:32,080 --> 00:54:36,600
Speaker 2: working for Pewtin actually announced yesterday an official role for

1225
00:54:36,719 --> 00:54:40,720
Speaker 2: peutin What world do we live in? Now? Steven Seagal

1226
00:54:40,880 --> 00:54:42,920
Speaker 2: is the person I've done my worst ever interview with

1227
00:54:43,000 --> 00:54:45,160
Speaker 2: but also therefore my best ever interview with us till

1228
00:54:45,160 --> 00:54:48,440
Speaker 2: it's still in ten minutes time. However, some of the

1229
00:54:48,520 --> 00:54:50,040
Speaker 2: movies he's done, it's not just that. If you look

1230
00:54:50,040 --> 00:54:52,120
Speaker 2: at the photo of him right now that's just been released,

1231
00:54:53,120 --> 00:54:57,560
Speaker 2: it's it looks like session Barreon Cohen is in someone

1232
00:54:57,680 --> 00:55:02,480
Speaker 2: playing Steven Seagal, playing sham Baron Cohen. It doesn't look human.

1233
00:55:02,880 --> 00:55:05,759
Speaker 2: Tommy Bananez, who does all our brilliant filming on the show,

1234
00:55:05,920 --> 00:55:08,320
Speaker 2: just said, how does someone skull get bigger?

1235
00:55:11,520 --> 00:55:13,640
Speaker 6: You know how if you keep getting older your ears

1236
00:55:13,719 --> 00:55:15,960
Speaker 6: never stopped rining. And then no, he's going for his

1237
00:55:16,040 --> 00:55:16,600
Speaker 6: whole hid.

1238
00:55:17,400 --> 00:55:20,279
Speaker 2: All about him. Some of the movies he's done over

1239
00:55:20,280 --> 00:55:22,040
Speaker 2: the years. I've seen all of these, but end of

1240
00:55:22,120 --> 00:55:24,600
Speaker 2: a see if a good spot of theme, end of

1241
00:55:24,680 --> 00:55:30,200
Speaker 2: a gun, gut shot, force of execution, true justice, maximum conviction.

1242
00:55:31,080 --> 00:55:35,160
Speaker 2: This one in twenty ten, just machette, a dangerous man

1243
00:55:35,360 --> 00:55:39,120
Speaker 2: driven to kill, kill switch pistol, whipped a tack force,

1244
00:55:39,960 --> 00:55:43,200
Speaker 2: a tack force. He plays Commander Marshall Lawson. Of course

1245
00:55:43,239 --> 00:55:49,919
Speaker 2: he does, you're kidding me? This one here today you die.

1246
00:55:50,680 --> 00:55:55,080
Speaker 2: And then my favorite one, half past dead, half past dead,

1247
00:55:55,120 --> 00:55:56,920
Speaker 2: that I didn't think, hang on, we can't make a

1248
00:55:57,000 --> 00:55:58,880
Speaker 2: movie and put it out there. That's going to live

1249
00:55:58,920 --> 00:56:02,880
Speaker 2: on beyond us called Half Past Dead. So today you

1250
00:56:02,920 --> 00:56:04,880
Speaker 2: think what we're gonna do with this? It's beyond parody.

1251
00:56:04,920 --> 00:56:07,040
Speaker 2: I don't know, but we're looking for your fake Steven

1252
00:56:07,080 --> 00:56:12,480
Speaker 2: Sigar movie titles. I've got Steven Segar stirring in or

1253
00:56:12,520 --> 00:56:15,920
Speaker 2: you can eat Buffet of Death. This is Stephen eating

1254
00:56:16,000 --> 00:56:20,320
Speaker 2: himself slowly to death. Deader than Dead nine. It's the

1255
00:56:20,719 --> 00:56:22,879
Speaker 2: ninth of the series of movies Deader than Dead. It's

1256
00:56:22,920 --> 00:56:26,640
Speaker 2: the follow up to Half Past Dead. And President wrote

1257
00:56:26,680 --> 00:56:30,680
Speaker 2: a Roundhouse. So we look at your fake Steven Sigall

1258
00:56:30,920 --> 00:56:32,560
Speaker 2: movie titles, Jack, what have you got?

1259
00:56:32,640 --> 00:56:35,200
Speaker 6: Funally, I've got a food beast one as well, Death

1260
00:56:35,280 --> 00:56:40,200
Speaker 6: on the menu, Navy Seal your fate.

1261
00:56:40,760 --> 00:56:44,080
Speaker 2: That's very good. And if I let you live, shame

1262
00:56:44,200 --> 00:56:49,239
Speaker 2: on me. Just remind us of some of his fine world.

1263
00:56:49,280 --> 00:56:52,200
Speaker 2: Under Siege is actually genuinely a good action movie. K

1264
00:56:52,440 --> 00:56:57,120
Speaker 2: Steven Sagle, Tomminy Jones, Gary Busey, Erica Alania. And in this,

1265
00:56:57,480 --> 00:57:00,840
Speaker 2: like most of his movies, he's a former is always

1266
00:57:00,880 --> 00:57:03,359
Speaker 2: a former special ops guy who just wanted to turn

1267
00:57:03,400 --> 00:57:07,160
Speaker 2: his back on that lifestyle. And those bloody terrorists come

1268
00:57:07,239 --> 00:57:09,080
Speaker 2: crashing into his life and he has to use his

1269
00:57:09,200 --> 00:57:13,160
Speaker 2: deadly skills once more. This time he's a ex Navy

1270
00:57:13,280 --> 00:57:18,120
Speaker 2: seal now working as a get this chef on a warship.

1271
00:57:18,280 --> 00:57:22,720
Speaker 2: A load those pesky DN terrorists start doing no good

1272
00:57:22,880 --> 00:57:23,560
Speaker 2: high jinks.

1273
00:57:24,280 --> 00:57:24,720
Speaker 7: Who are you?

1274
00:57:25,560 --> 00:57:28,320
Speaker 4: Are you you like some special forces guy or something.

1275
00:57:29,200 --> 00:57:34,240
Speaker 2: I'm just a cook, a cook slowly love cock.

1276
00:57:35,000 --> 00:57:36,320
Speaker 3: Oh my god, we're gonna die.

1277
00:57:37,000 --> 00:57:38,040
Speaker 4: Why is he whispering?

1278
00:57:38,120 --> 00:57:40,400
Speaker 2: Because he's creeping up on a bad guy to snap

1279
00:57:40,520 --> 00:57:40,840
Speaker 2: his neck.

1280
00:57:41,520 --> 00:57:43,600
Speaker 4: He's talking at normal speaking volume.

1281
00:57:43,680 --> 00:57:46,240
Speaker 2: Yeah, but I mean, look, I'm not an actor. You're

1282
00:57:46,240 --> 00:57:48,560
Speaker 2: not an actor. That he's showing us his range. He's

1283
00:57:48,640 --> 00:57:51,440
Speaker 2: drawing us in and how good he is. Shakespeare actors

1284
00:57:51,920 --> 00:57:53,680
Speaker 2: years to get that good. He can just do it

1285
00:57:53,760 --> 00:57:56,280
Speaker 2: there playing an ex navy seal. Who's now, you know,

1286
00:57:56,440 --> 00:57:57,160
Speaker 2: chopping up vetch.

1287
00:57:57,320 --> 00:58:01,400
Speaker 4: I've been watching best clips of Steven's girl fighting from movies.

1288
00:58:02,160 --> 00:58:04,320
Speaker 4: It's always a case of the henchman attack once at

1289
00:58:04,360 --> 00:58:04,960
Speaker 4: one at a time.

1290
00:58:05,080 --> 00:58:07,800
Speaker 2: Yeah, he's surrounded at all angles, but only one at

1291
00:58:07,840 --> 00:58:10,920
Speaker 2: a time. Now they're trying to just distract him with

1292
00:58:10,960 --> 00:58:14,000
Speaker 2: toasties and coming up like that, and it's just all right,

1293
00:58:14,080 --> 00:58:17,200
Speaker 2: so fake stevens Agar movie titles text him in now

1294
00:58:17,560 --> 00:58:20,000
Speaker 2: four seven five three, one oh four.

1295
00:58:19,960 --> 00:58:23,360
Speaker 1: Three, The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

1296
00:58:23,480 --> 00:58:24,400
Speaker 1: four point three.

1297
00:58:28,520 --> 00:58:30,600
Speaker 2: Good morning, ask the question. I'm Connor Redford Show Gold

1298
00:58:30,680 --> 00:58:33,280
Speaker 2: one oh four point three. I don't know what job

1299
00:58:33,360 --> 00:58:35,600
Speaker 2: you do, but sometimes you might have something where someone

1300
00:58:35,760 --> 00:58:38,720
Speaker 2: comes in to observe your job and how you do it.

1301
00:58:39,040 --> 00:58:41,560
Speaker 2: We've got the moment. There's a fantastic team. They've flown

1302
00:58:41,560 --> 00:58:44,920
Speaker 2: all the way over from Europe, Holland, Rotterdam out there

1303
00:58:45,000 --> 00:58:47,880
Speaker 2: right now. They've been observing us and making notes. I

1304
00:58:47,880 --> 00:58:49,520
Speaker 2: don't know if the notes are what not to do?

1305
00:58:50,280 --> 00:58:54,200
Speaker 2: Do not spend twenty minutes of a radio show talking

1306
00:58:54,240 --> 00:58:56,280
Speaker 2: about the life and times of Steven.

1307
00:58:56,000 --> 00:58:58,320
Speaker 4: Segull, and it feels like you can talk for a

1308
00:58:58,360 --> 00:59:01,280
Speaker 4: lot longer. This should be if there you ever competed

1309
00:59:01,280 --> 00:59:03,440
Speaker 4: at trivia in this special categories where you get to

1310
00:59:03,520 --> 00:59:05,360
Speaker 4: choose your own category. It's gonna be Steven's Guard.

1311
00:59:05,520 --> 00:59:07,959
Speaker 2: So earlier, when even someone's showing me, look, this movie

1312
00:59:08,040 --> 00:59:09,920
Speaker 2: cover is exactly same. Went no, it was the same movie.

1313
00:59:09,960 --> 00:59:15,840
Speaker 2: They had two different titles. Also, these people, they've come

1314
00:59:15,880 --> 00:59:17,840
Speaker 2: a long way to observe how radio has done in

1315
00:59:17,920 --> 00:59:20,760
Speaker 2: this country and they've just seen you. There's a monitor

1316
00:59:20,800 --> 00:59:23,280
Speaker 2: in here so I can see Pats and during her news,

1317
00:59:23,320 --> 00:59:24,600
Speaker 2: what did you do? You stood up and put your

1318
00:59:24,640 --> 00:59:27,560
Speaker 2: finger like you pretend to pick Pats's nose. How rude

1319
00:59:27,920 --> 00:59:31,919
Speaker 2: our friends from Rotterdam? And all right, then you're ready

1320
00:59:31,920 --> 00:59:35,120
Speaker 2: to mark these Jack Gold, Silver, Bronze. These are fake

1321
00:59:35,320 --> 00:59:37,800
Speaker 2: Steven Sigar movie titles. All right?

1322
00:59:37,880 --> 00:59:39,280
Speaker 4: Do we get to hear the story about when you

1323
00:59:39,520 --> 00:59:40,560
Speaker 4: interviewed Steven sig.

1324
00:59:42,120 --> 00:59:48,440
Speaker 2: Kay, I have dyed my hair. That comes from Train

1325
00:59:48,520 --> 00:59:51,480
Speaker 2: of Pain. Steven Seagal stars as a lonely train driver

1326
00:59:51,600 --> 00:59:53,880
Speaker 2: who used to be special Ots till one day his

1327
00:59:54,040 --> 00:59:56,480
Speaker 2: train is hijacked by Terris. Don't gave They will make

1328
00:59:56,560 --> 01:00:00,560
Speaker 2: that movie Death by goate that's Peter.

1329
01:00:01,200 --> 01:00:05,680
Speaker 4: The synopsis gets a gold plus Yeah, Death by Goatee Silvil.

1330
01:00:05,400 --> 01:00:08,760
Speaker 2: Plus death Wish I had four chickens and a coke

1331
01:00:09,280 --> 01:00:13,160
Speaker 2: Noel very good Sivil plus Steven Sigar versus the Cookie Monster,

1332
01:00:15,520 --> 01:00:18,760
Speaker 2: Silver Steve and Sigar in Out of Reach My Feet

1333
01:00:22,720 --> 01:00:27,880
Speaker 2: Chasing Gold, A good day to die Hard, A better

1334
01:00:27,960 --> 01:00:30,200
Speaker 2: day to eat Lard that comes from Nick and runs

1335
01:00:30,240 --> 01:00:35,080
Speaker 2: with guys. Come on, Stephen Sigaral in the ever expanding

1336
01:00:35,200 --> 01:00:36,200
Speaker 2: Skull of Dead.

1337
01:00:39,360 --> 01:00:40,120
Speaker 4: Gold plus.

1338
01:00:41,720 --> 01:00:47,520
Speaker 2: This comes from listener Joel maximum weight gain. Come on, guys, Silver,

1339
01:00:47,720 --> 01:00:50,200
Speaker 2: Steve and Sigaral in not so hard target. Now that

1340
01:00:52,880 --> 01:00:55,200
Speaker 2: we didn't ask for this theme, no no, but they've

1341
01:00:55,240 --> 01:00:58,840
Speaker 2: taken it this way now Sivil plus Steven, Sigaral and

1342
01:00:59,160 --> 01:01:03,240
Speaker 2: the so War of Death. It's more like a shuffle,

1343
01:01:03,840 --> 01:01:05,840
Speaker 2: all right? So which one are we going for? Is

1344
01:01:05,880 --> 01:01:07,880
Speaker 2: the winner this morning? Who's getting the Richard Marks ticket?

1345
01:01:08,000 --> 01:01:09,760
Speaker 4: I think the exploding Skull of Death?

1346
01:01:10,080 --> 01:01:13,520
Speaker 2: Right? Okay, well done? Whoever said? And then then we've

1347
01:01:13,520 --> 01:01:15,000
Speaker 2: got your number of year tickets to go and see

1348
01:01:15,160 --> 01:01:16,760
Speaker 2: Richard Marx is over at the end of the year

1349
01:01:16,800 --> 01:01:19,360
Speaker 2: December seven at the Palais Theater. You can buy tickets

1350
01:01:19,400 --> 01:01:21,200
Speaker 2: now at ticketmaster dot com dot au.

1351
01:01:21,440 --> 01:01:25,240
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four point.

1352
01:01:25,120 --> 01:01:28,640
Speaker 2: Three, The breakfast show that wants to have school photos

1353
01:01:28,720 --> 01:01:31,720
Speaker 2: taken exactly the same as the school photos that we

1354
01:01:31,880 --> 01:01:34,480
Speaker 2: all had when we were kids. And hopefully we've got

1355
01:01:34,560 --> 01:01:36,560
Speaker 2: someone on the line now. Just heard me half an

1356
01:01:36,600 --> 01:01:38,480
Speaker 2: hour ago say I'm looking for someone Anita.

1357
01:01:38,800 --> 01:01:41,400
Speaker 8: Hello, good morning, Christian. How are you going, I'm.

1358
01:01:41,280 --> 01:01:44,320
Speaker 2: Pretty good, So, Anita, we really want someone who does

1359
01:01:44,360 --> 01:01:46,640
Speaker 2: this for a living, takes school photos to come in

1360
01:01:46,760 --> 01:01:49,280
Speaker 2: here to our radio station and take photos of me

1361
01:01:49,320 --> 01:01:52,160
Speaker 2: and the team in that exact style. Could you do

1362
01:01:52,280 --> 01:01:52,720
Speaker 2: this for us?

1363
01:01:53,560 --> 01:01:55,760
Speaker 8: Yes, we could. I heard that you were after after

1364
01:01:55,880 --> 01:01:57,720
Speaker 8: something in their vein. It's something that we would definitely

1365
01:01:57,760 --> 01:02:00,440
Speaker 8: love to bear. Part of school photography is now, so

1366
01:02:00,560 --> 01:02:02,680
Speaker 8: it's just another day at the office for us.

1367
01:02:02,760 --> 01:02:04,560
Speaker 2: All right, A couple of quick questions. First of all,

1368
01:02:04,560 --> 01:02:06,200
Speaker 2: what's the name of your business? Give yourself a plug?

1369
01:02:07,280 --> 01:02:09,800
Speaker 8: National Photography where I'm based in RICHMONDAM. We've been doing

1370
01:02:10,280 --> 01:02:12,280
Speaker 8: school photography for cluster thirty years.

1371
01:02:12,480 --> 01:02:14,000
Speaker 2: Do you hear that the phone's ringing off the hook already?

1372
01:02:14,000 --> 01:02:16,240
Speaker 2: You've only been on their twenty seconds. That's the power

1373
01:02:16,240 --> 01:02:21,400
Speaker 2: of radio advertising, folks. The phone's ringing off the hook

1374
01:02:21,480 --> 01:02:24,200
Speaker 2: right now. And how many years you've been doing this? Angela?

1375
01:02:25,560 --> 01:02:28,600
Speaker 8: It's Anita. So I've been with National for five years,

1376
01:02:29,440 --> 01:02:31,360
Speaker 8: started as a retoucher and I'm now doing all of

1377
01:02:31,400 --> 01:02:33,000
Speaker 8: their sales and booking coordinating.

1378
01:02:33,120 --> 01:02:34,200
Speaker 2: Hang on, what's a retoucher?

1379
01:02:35,520 --> 01:02:39,280
Speaker 8: So we do basic color correcting and corrections on all

1380
01:02:39,320 --> 01:02:40,280
Speaker 8: the pokersts that come through.

1381
01:02:41,320 --> 01:02:43,480
Speaker 2: I might need to have a private group thank you.

1382
01:02:43,600 --> 01:02:45,480
Speaker 2: I might need to have just a private chat with

1383
01:02:45,560 --> 01:02:47,960
Speaker 2: you after my photos have been taken. You might need

1384
01:02:48,000 --> 01:02:51,160
Speaker 2: an entire team, some kind of Pixar you know, team

1385
01:02:51,200 --> 01:02:54,040
Speaker 2: about ten people to go to go and a lot

1386
01:02:54,160 --> 01:02:55,919
Speaker 2: of retouching is going to need it for me. Okay,

1387
01:02:56,040 --> 01:02:58,800
Speaker 2: Jack's about fifteen years younger than me, so spend no

1388
01:02:58,960 --> 01:03:00,480
Speaker 2: time on him, and the time we would have spent

1389
01:03:00,520 --> 01:03:02,320
Speaker 2: on Jack, I get my time and here's.

1390
01:03:02,080 --> 01:03:04,479
Speaker 8: Okay, all right, we'll try to balance out your ages.

1391
01:03:04,520 --> 01:03:04,880
Speaker 2: How about that?

1392
01:03:05,160 --> 01:03:07,360
Speaker 4: And by the time we'll look to everybody, like Brad

1393
01:03:07,440 --> 01:03:09,600
Speaker 4: Pitt has the Breakfast Show, about the time you've done with.

1394
01:03:09,640 --> 01:03:11,360
Speaker 2: It and tell me this, are you going to bring

1395
01:03:11,440 --> 01:03:14,320
Speaker 2: in that that sort of sky blue kind of backdrop

1396
01:03:14,360 --> 01:03:15,760
Speaker 2: that is still out there?

1397
01:03:15,840 --> 01:03:18,120
Speaker 8: Going to make this as traditional as we can. So

1398
01:03:18,160 --> 01:03:20,200
Speaker 8: we're bringing out a school background for you guys. We've

1399
01:03:20,280 --> 01:03:24,960
Speaker 8: found our old boards that we used to use ye

1400
01:03:25,800 --> 01:03:27,640
Speaker 8: because we haven't used in for a long time, but

1401
01:03:27,880 --> 01:03:31,280
Speaker 8: our director keeps everything. So these are the original letters

1402
01:03:31,320 --> 01:03:34,000
Speaker 8: that we would have used for the last almost thirty

1403
01:03:34,080 --> 01:03:34,720
Speaker 8: years kind of things.

1404
01:03:34,880 --> 01:03:36,880
Speaker 4: In terms of backdrops, work colors will we have to

1405
01:03:37,000 --> 01:03:37,520
Speaker 4: choose from.

1406
01:03:38,360 --> 01:03:40,200
Speaker 8: We'll bring out the blue one because it's the most

1407
01:03:40,240 --> 01:03:42,640
Speaker 8: prosional kind of school look, and we'll do a nice

1408
01:03:42,680 --> 01:03:44,880
Speaker 8: outside group photo for you guys as long as Nolburne

1409
01:03:44,920 --> 01:03:45,520
Speaker 8: smiles on us.

1410
01:03:45,720 --> 01:03:49,960
Speaker 2: Okay, And is that certain angle that you sit at

1411
01:03:50,000 --> 01:03:52,080
Speaker 2: for a school photo that you've never sat for a

1412
01:03:52,120 --> 01:03:56,160
Speaker 2: photo ever? Again, since it's not quite forty five degrees,

1413
01:03:56,920 --> 01:03:58,760
Speaker 2: how do you guys know what the right angle is

1414
01:03:58,880 --> 01:04:00,560
Speaker 2: to be sort of bladed off from the camera.

1415
01:04:01,400 --> 01:04:05,040
Speaker 8: We even straight on these days. We used to sit

1416
01:04:05,120 --> 01:04:06,800
Speaker 8: people down and it took way too long, and we

1417
01:04:06,920 --> 01:04:09,440
Speaker 8: photographed in a day. We can photograph up to two

1418
01:04:09,480 --> 01:04:11,280
Speaker 8: thousand students, so we need to be able to move.

1419
01:04:12,000 --> 01:04:15,320
Speaker 2: It's like a sausage factory. Now, this is amazing, two

1420
01:04:15,480 --> 01:04:18,720
Speaker 2: thousand kids a day. Yeah, yeah, do you know what

1421
01:04:18,840 --> 01:04:20,720
Speaker 2: we need to not this DJ luck on the side

1422
01:04:20,720 --> 01:04:22,840
Speaker 2: and start to get into business doing school photos.

1423
01:04:23,880 --> 01:04:26,200
Speaker 8: Oh, it is chaos for the first three months of

1424
01:04:26,240 --> 01:04:28,200
Speaker 8: the year. So I feel like you've got the better

1425
01:04:28,280 --> 01:04:29,200
Speaker 8: end of that deal some days.

1426
01:04:29,480 --> 01:04:34,280
Speaker 2: All right, listen, Anita, thank you very much. And National Photography, Yeah.

1427
01:04:34,200 --> 01:04:36,920
Speaker 8: National Photography. We're very excited to be working with you guys. Tomorrow.

1428
01:04:37,000 --> 01:04:39,160
Speaker 2: Awesome, thanks for calling in. We'll see you tomorrow morning.

1429
01:04:39,160 --> 01:04:40,000
Speaker 2: I need to have a good day.

1430
01:04:40,680 --> 01:04:41,400
Speaker 8: Great, thank you too.

1431
01:04:41,600 --> 01:04:45,080
Speaker 1: Cheers The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

1432
01:04:45,200 --> 01:04:45,919
Speaker 1: four point three.

1433
01:04:46,200 --> 01:04:49,120
Speaker 2: So yesterday with Huggy the ten k neurrobeat work Day

1434
01:04:49,240 --> 01:04:54,040
Speaker 2: did indeed go Now, Huggy's winner was not a winner

1435
01:04:54,080 --> 01:04:56,480
Speaker 2: we've had. That's so unfair. Well, listen to the last

1436
01:04:56,520 --> 01:04:58,360
Speaker 2: two times we've given it away on the Breakfast Show.

1437
01:04:58,400 --> 01:05:02,520
Speaker 2: Listen to the non reaction. You are a winner. Oh

1438
01:05:02,600 --> 01:05:05,080
Speaker 2: my gosh, Oh my gosh, you say, oh my gosh,

1439
01:05:05,160 --> 01:05:07,960
Speaker 2: someone gives you ten thousand bucks. Then there was just

1440
01:05:08,080 --> 01:05:10,440
Speaker 2: one Michelle, You've just won ten thousand dollars.

1441
01:05:11,000 --> 01:05:13,680
Speaker 16: Oh my goodness, Oh my.

1442
01:05:15,200 --> 01:05:19,440
Speaker 2: Yeah. And then Huggy yesterday gets this with Emma just

1443
01:05:19,480 --> 01:05:21,960
Speaker 2: stream because you played footloot and what does that mean?

1444
01:05:22,360 --> 01:05:23,560
Speaker 7: Oh my god, is shoes?

1445
01:05:26,160 --> 01:05:26,520
Speaker 9: I really?

1446
01:05:27,160 --> 01:05:33,080
Speaker 2: Yes? Yes, thank you so much, Emma, you have won

1447
01:05:33,560 --> 01:05:41,840
Speaker 2: ten thousand dollars. Am I literally hearing tears. That's how

1448
01:05:41,880 --> 01:05:42,440
Speaker 2: it used to be.

1449
01:05:42,840 --> 01:05:45,000
Speaker 4: And Huggy can't believe he's liking not You can hear

1450
01:05:45,040 --> 01:05:45,520
Speaker 4: it in your boy.

1451
01:05:45,560 --> 01:05:47,920
Speaker 2: He's going those muppets on breakfast and never got this.

1452
01:05:48,560 --> 01:05:51,040
Speaker 2: Why did they bring that hommy over? I should be

1453
01:05:51,080 --> 01:05:54,360
Speaker 2: doing Huggy in the morning three hugs between six and ten.

1454
01:05:56,280 --> 01:06:00,160
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four points.

1455
01:06:00,520 --> 01:06:03,600
Speaker 2: So tomorrow morning, when we are back, we will be

1456
01:06:04,200 --> 01:06:06,800
Speaker 2: getting our school photos done. This is now actually happening.

1457
01:06:06,840 --> 01:06:09,040
Speaker 2: We all have our the whole team. We're going to

1458
01:06:09,080 --> 01:06:12,000
Speaker 2: have our breakfast photos taken. In that start of your

1459
01:06:12,080 --> 01:06:15,360
Speaker 2: school photos title of today's show. There's been a lot

1460
01:06:15,360 --> 01:06:16,960
Speaker 2: of stuff that could have gone for a title of

1461
01:06:17,000 --> 01:06:18,840
Speaker 2: today's show, but I think we go back to Facebook,

1462
01:06:18,920 --> 01:06:22,240
Speaker 2: Marketplace and the crutches earlier, and it is ideal gift

1463
01:06:22,280 --> 01:06:25,760
Speaker 2: for someone who's recently lost a leg. So if you're

1464
01:06:25,760 --> 01:06:28,600
Speaker 2: scrolling through the podcast titles, you're going to see what

1465
01:06:29,240 --> 01:06:32,640
Speaker 2: were they on? Then why is this Today's show showing

1466
01:06:32,720 --> 01:06:36,560
Speaker 2: number forty? Ideal gift for someone who's recently lost a leg.

1467
01:06:36,720 --> 01:06:39,440
Speaker 4: That's clickbait if I've ever heard it. Everybody's clicking on

1468
01:06:39,520 --> 01:06:39,919
Speaker 4: that link.

1469
01:06:40,400 --> 01:06:42,400
Speaker 2: All right, thanks for listening. We're back tomorrow morning when

1470
01:06:42,440 --> 01:06:43,000
Speaker 2: you wake up.

1471
01:06:43,080 --> 01:06:46,439
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1472
01:06:46,480 --> 01:06:46,960
Speaker 1: point three