1 00:00:03,480 --> 00:00:04,440 Speaker 1: Okay, So. 2 00:00:06,480 --> 00:00:09,280 Speaker 2: Here's the thing I mean mean, we canvassed at a 3 00:00:09,320 --> 00:00:13,520 Speaker 2: fevid in the show, but this chess master puts beads 4 00:00:13,600 --> 00:00:17,800 Speaker 2: up his barm and his coach is sending him vibrations 5 00:00:17,840 --> 00:00:19,360 Speaker 2: to tell him which moves to make and. 6 00:00:19,400 --> 00:00:21,720 Speaker 1: Which moves not to make. I feel like we've got 7 00:00:21,720 --> 00:00:22,639 Speaker 1: the time and space. 8 00:00:22,440 --> 00:00:26,520 Speaker 2: Now to really get into the reads on what system 9 00:00:26,560 --> 00:00:32,479 Speaker 2: you reckon they were running. You were pulling me up 10 00:00:32,520 --> 00:00:35,879 Speaker 2: aloft about the fact that I made the assumption that 11 00:00:35,880 --> 00:00:37,320 Speaker 2: the coach was in a van out the front. 12 00:00:37,600 --> 00:00:38,919 Speaker 1: Where do you reckon he was? 13 00:00:39,280 --> 00:00:41,640 Speaker 2: He's not standing there with a remote controls people would 14 00:00:41,640 --> 00:00:42,040 Speaker 2: see him. 15 00:00:42,159 --> 00:00:44,040 Speaker 3: No, But I'm telling you like you can. 16 00:00:44,680 --> 00:00:47,360 Speaker 4: You can take these things into restaurants and stuff, and 17 00:00:47,400 --> 00:00:49,680 Speaker 4: you can be sitting opposite your partner and you can 18 00:00:49,760 --> 00:00:56,360 Speaker 4: have the control in your pocket. And because I've seen them. 19 00:00:55,760 --> 00:00:59,120 Speaker 1: In what a pawn? Where else would you have seen this? 20 00:01:00,080 --> 00:01:03,480 Speaker 4: How do you use that dirty word around me? 21 00:01:04,440 --> 00:01:06,000 Speaker 5: No, not a porn. 22 00:01:06,280 --> 00:01:08,040 Speaker 4: You called it a porn as well, like my mum 23 00:01:08,120 --> 00:01:09,800 Speaker 4: used to call it, like if I have a catching 24 00:01:10,000 --> 00:01:14,680 Speaker 4: catch you watching a porn a pornographic pornographic film? 25 00:01:14,920 --> 00:01:19,000 Speaker 2: Uh No, the story is a bit pornographic Hello, damn it, 26 00:01:19,120 --> 00:01:20,920 Speaker 2: what the chess chess pawn? 27 00:01:21,080 --> 00:01:23,360 Speaker 1: Pawn? That was brilliant. 28 00:01:23,440 --> 00:01:27,400 Speaker 4: It's almost too good a b Well, I should have 29 00:01:28,040 --> 00:01:28,679 Speaker 4: that happened on air. 30 00:01:29,040 --> 00:01:32,039 Speaker 2: That would have been like like a classic moment. Anyway, 31 00:01:35,080 --> 00:01:37,240 Speaker 2: but you've said, sorry, you've seen in a pornographic film. 32 00:01:37,319 --> 00:01:39,000 Speaker 2: You saw that you have to be what within a 33 00:01:39,000 --> 00:01:40,040 Speaker 2: couple of meters. 34 00:01:39,760 --> 00:01:41,560 Speaker 1: Of the the bead. 35 00:01:42,360 --> 00:01:46,360 Speaker 2: Yes, it's bluetooth, so so bluetooth could be Yeah, so 36 00:01:46,400 --> 00:01:46,959 Speaker 2: you're in the room. 37 00:01:47,440 --> 00:01:50,240 Speaker 4: It's fine, you wouldn't know. It's a tiny little control, 38 00:01:50,280 --> 00:01:52,440 Speaker 4: and particularly if all you need to do is just 39 00:01:52,440 --> 00:01:54,680 Speaker 4: like press your thumb on the control to get the 40 00:01:54,800 --> 00:01:58,720 Speaker 4: vibrations going. My question is, but then I imagine, I mean, 41 00:01:58,760 --> 00:02:00,600 Speaker 4: I haven't met hi many chest comps in my life. 42 00:02:01,000 --> 00:02:04,200 Speaker 1: But did you watch the Queen's Gambuit? Though I did 43 00:02:04,200 --> 00:02:06,280 Speaker 1: watch the Queen's Get so we get it. 44 00:02:06,560 --> 00:02:08,160 Speaker 5: Rock you suggesting she had the beads? 45 00:02:08,680 --> 00:02:10,960 Speaker 1: No, No, I'm saying you get what a chess comp is. 46 00:02:11,760 --> 00:02:12,600 Speaker 5: Was that the subplot? 47 00:02:12,800 --> 00:02:14,160 Speaker 1: No? 48 00:02:14,160 --> 00:02:22,400 Speaker 2: No, that season two editorial. 49 00:02:22,360 --> 00:02:23,280 Speaker 3: The Queen's Ain't No. 50 00:02:24,440 --> 00:02:30,320 Speaker 4: No, the Queen's gam beads the first show back, and 51 00:02:30,360 --> 00:02:34,839 Speaker 4: you guys are doing this pretty season two, Queen's gam 52 00:02:34,919 --> 00:02:39,000 Speaker 4: beads and he's good watch it, he's good gear watch it. 53 00:02:39,080 --> 00:02:43,120 Speaker 4: And it's a relationship between that redhead whoever that actress is, 54 00:02:44,280 --> 00:02:46,280 Speaker 4: and it's about the relationship between them. 55 00:02:46,200 --> 00:02:47,200 Speaker 1: Her and the American guy. 56 00:02:47,840 --> 00:02:50,640 Speaker 4: Yes, yeah, it's And he's the coach on the side, 57 00:02:50,840 --> 00:02:53,919 Speaker 4: I think mixing business. 58 00:02:54,000 --> 00:02:55,079 Speaker 1: He's got the beads up his bum. 59 00:02:55,320 --> 00:02:57,400 Speaker 4: He's playing, is he, But she's the She's the genius 60 00:02:57,480 --> 00:02:59,600 Speaker 4: chess playing exactly, So the better player needs to be 61 00:02:59,600 --> 00:03:02,600 Speaker 4: the one with the remote control, going, don't make that move. 62 00:03:03,120 --> 00:03:05,800 Speaker 3: What you thought it was, that's actually genius. 63 00:03:07,000 --> 00:03:08,680 Speaker 1: So you go to move a piece. 64 00:03:08,760 --> 00:03:11,960 Speaker 4: Just going back to the actual mechanics of how this worked, 65 00:03:12,639 --> 00:03:13,679 Speaker 4: I think you're onto. 66 00:03:13,440 --> 00:03:16,400 Speaker 5: It wards, So you go to move a piece Morse 67 00:03:16,480 --> 00:03:18,639 Speaker 5: code night to E five. 68 00:03:19,320 --> 00:03:19,799 Speaker 3: It was. 69 00:03:21,240 --> 00:03:23,040 Speaker 2: He goes to do it in the boss got sorry 70 00:03:23,080 --> 00:03:26,480 Speaker 2: the coach, and that makes you go, don't do that. 71 00:03:26,560 --> 00:03:28,760 Speaker 1: And then he keeps moving pieces around and then if he. 72 00:03:28,760 --> 00:03:32,440 Speaker 4: Goes and moves the other way, it's for yes, like yes. 73 00:03:32,080 --> 00:03:34,720 Speaker 1: Or you just don't have to buzz the beads. If 74 00:03:34,720 --> 00:03:37,720 Speaker 1: you don't feel a buzz in your then it's like it's. 75 00:03:37,640 --> 00:03:46,560 Speaker 3: A reward, just a whole good to reward. Good move, 76 00:03:46,760 --> 00:03:47,240 Speaker 3: good move. 77 00:03:47,280 --> 00:03:49,520 Speaker 2: But again I still think the most impressive thing, and 78 00:03:49,600 --> 00:03:51,440 Speaker 2: I mean we showed that during the show when I 79 00:03:51,520 --> 00:03:52,240 Speaker 2: attached to. 80 00:03:53,000 --> 00:03:55,160 Speaker 4: You can we do given this is the behind the 81 00:03:55,160 --> 00:03:57,000 Speaker 4: scenes cast, it was so fun. 82 00:03:57,080 --> 00:04:00,120 Speaker 5: I mean, mm, you saw this like what do wed? 83 00:04:00,480 --> 00:04:01,280 Speaker 3: It was far better. 84 00:04:01,360 --> 00:04:03,960 Speaker 5: It was far but it was not a great I 85 00:04:03,960 --> 00:04:04,320 Speaker 5: imagine it. 86 00:04:04,920 --> 00:04:06,560 Speaker 4: I can ask kV whether it's going to make the 87 00:04:06,600 --> 00:04:10,760 Speaker 4: tiktoks and the instagram is what is uh? What's a 88 00:04:10,800 --> 00:04:13,040 Speaker 4: nurse getting shocked going to make it to the socials. 89 00:04:14,400 --> 00:04:16,680 Speaker 1: It's on our stories, but it's not the full video 90 00:04:16,720 --> 00:04:17,080 Speaker 1: for today. 91 00:04:17,200 --> 00:04:19,480 Speaker 4: Yeah, fair enough. I think that's good. I think that's 92 00:04:19,480 --> 00:04:20,040 Speaker 4: good marketing. 93 00:04:20,400 --> 00:04:22,880 Speaker 2: We'll go out at some times, so everyone watched all 94 00:04:22,920 --> 00:04:25,360 Speaker 2: of our videos until that happens and then continue. 95 00:04:25,400 --> 00:04:27,160 Speaker 1: So after good. 96 00:04:26,960 --> 00:04:31,320 Speaker 5: Sell, good sell, do you have anyone twenty clubbers? 97 00:04:34,760 --> 00:04:36,960 Speaker 2: I don't have any organized, but like in our group, 98 00:04:37,040 --> 00:04:38,600 Speaker 2: we've got like one hundred and sixty. 99 00:04:38,640 --> 00:04:42,400 Speaker 5: Now is it? How do you search the group? What 100 00:04:42,440 --> 00:04:43,400 Speaker 5: are they searching for? 101 00:04:44,480 --> 00:04:46,880 Speaker 1: Will and Woodies one twenty club. 102 00:04:49,160 --> 00:04:52,679 Speaker 4: The name is on the tin right, but again sorry, 103 00:04:52,680 --> 00:04:55,120 Speaker 4: just back to his chest and new group after this. 104 00:04:55,200 --> 00:04:59,080 Speaker 4: By the way, Queen Gambad's too, just for try and 105 00:04:59,120 --> 00:05:01,320 Speaker 4: start a yeah. 106 00:05:03,400 --> 00:05:03,919 Speaker 1: A petition? 107 00:05:04,120 --> 00:05:08,960 Speaker 3: What they'll do that turn them off? Again? What? 108 00:05:09,400 --> 00:05:11,280 Speaker 4: Yeah, Queen gam Beads too be like, what do you 109 00:05:11,320 --> 00:05:12,600 Speaker 4: call it a class action? What do you call it 110 00:05:12,600 --> 00:05:13,400 Speaker 4: a go fund me? 111 00:05:13,839 --> 00:05:14,039 Speaker 5: Oh? 112 00:05:14,160 --> 00:05:14,760 Speaker 1: Go fund me? 113 00:05:15,640 --> 00:05:18,280 Speaker 2: Just like if you get a million signatures and then 114 00:05:18,279 --> 00:05:21,119 Speaker 2: you send that to Mary and Louise, who I believe 115 00:05:21,200 --> 00:05:21,719 Speaker 2: is the lead. 116 00:05:21,600 --> 00:05:24,840 Speaker 1: Actress, I am, I'm you've made up a name. It's 117 00:05:24,880 --> 00:05:27,760 Speaker 1: definitely not that Maryanne Louise. Yeah, what's her real name? 118 00:05:28,120 --> 00:05:28,360 Speaker 3: Anna? 119 00:05:28,440 --> 00:05:35,080 Speaker 1: Taylor Joy? It's on your Taylor and yeah, Taylor Joy. 120 00:05:35,200 --> 00:05:37,040 Speaker 1: So you get three million. 121 00:05:36,800 --> 00:05:39,680 Speaker 5: From actually is in it? Thomas Broden So in Queen 122 00:05:39,760 --> 00:05:41,600 Speaker 5: gam Beads, he'd be the one with. 123 00:05:41,920 --> 00:05:44,480 Speaker 2: The beads up his bottom. Benny Watsons who he plays. 124 00:05:44,720 --> 00:05:46,440 Speaker 2: It's a great series. But yeah, if we get three 125 00:05:46,440 --> 00:05:48,040 Speaker 2: million signatures and then you send that to who's the 126 00:05:48,040 --> 00:05:50,120 Speaker 2: production company that that did it? 127 00:05:51,120 --> 00:05:52,880 Speaker 1: You send that to Netflix? 128 00:05:53,000 --> 00:05:56,120 Speaker 2: Netflix sends Netflix and you go, there are three million 129 00:05:56,160 --> 00:05:58,520 Speaker 2: people that want to see Queen Gambads? 130 00:06:00,920 --> 00:06:01,240 Speaker 3: All right? 131 00:06:01,600 --> 00:06:02,040 Speaker 1: Where on that? 132 00:06:03,520 --> 00:06:05,160 Speaker 2: But again, I think the most impressive part about the 133 00:06:05,160 --> 00:06:08,120 Speaker 2: story as we learned, because I had to react to 134 00:06:08,120 --> 00:06:11,040 Speaker 2: the fact that my bum was being zapped. This bloke 135 00:06:11,480 --> 00:06:13,800 Speaker 2: Hans Nieman, who's the guy from the Sorry, He's got 136 00:06:13,880 --> 00:06:17,280 Speaker 2: absolute iron ass. Yeah, and that was his training, right. 137 00:06:17,400 --> 00:06:19,000 Speaker 2: You just imagine him in a room with his coach 138 00:06:19,080 --> 00:06:20,560 Speaker 2: and it's like, I'm going to zap. 139 00:06:20,440 --> 00:06:21,560 Speaker 1: You for hours. 140 00:06:21,960 --> 00:06:24,120 Speaker 5: Yeah, tough. Would you build up. 141 00:06:24,080 --> 00:06:24,400 Speaker 3: Like a. 142 00:06:25,920 --> 00:06:30,120 Speaker 1: Telly like way too? 143 00:06:30,200 --> 00:06:34,560 Speaker 4: So you build up a resistance, wouldn't you. 144 00:06:34,839 --> 00:06:35,039 Speaker 3: Yeah? 145 00:06:35,040 --> 00:06:37,040 Speaker 4: You build it like anything though, like anything, you know, 146 00:06:37,120 --> 00:06:39,440 Speaker 4: like resistance training, if you Yeah, So you need to 147 00:06:39,520 --> 00:06:41,120 Speaker 4: ramp it up. So by the end, by the end 148 00:06:41,120 --> 00:06:43,159 Speaker 4: of Queen Gambi, she's walking in there with a twenty 149 00:06:43,200 --> 00:06:45,240 Speaker 4: four vault battery. 150 00:06:46,200 --> 00:06:50,480 Speaker 3: She's trying to plug it into the mains anymore. I've 151 00:06:50,520 --> 00:06:55,960 Speaker 3: got a power board. You can't build charger. I should 152 00:06:56,000 --> 00:06:56,840 Speaker 3: have charged bank in. 153 00:06:59,320 --> 00:07:00,960 Speaker 1: Old can't feel it anymore? 154 00:07:01,520 --> 00:07:10,480 Speaker 3: Oh chairs vibrating excuse yes, go again? I can't go again. 155 00:07:11,640 --> 00:07:17,960 Speaker 3: Absolutely nothing touch in the side. I'm glad. 156 00:07:20,440 --> 00:07:26,520 Speaker 5: What I was saying just behind the scenes. What's behind you? 157 00:07:27,480 --> 00:07:30,560 Speaker 4: I got the Zappa and it wasn't working in the song, 158 00:07:32,200 --> 00:07:37,880 Speaker 4: and then you drop yours to drop your drawls in 159 00:07:37,920 --> 00:07:40,760 Speaker 4: the stats. 160 00:07:39,640 --> 00:07:42,040 Speaker 5: Out to the producers. Can you hear me? 161 00:07:42,480 --> 00:07:44,680 Speaker 4: Did you did you manage to did you glance toush 162 00:07:44,720 --> 00:07:45,080 Speaker 4: from there? 163 00:07:46,240 --> 00:07:48,320 Speaker 5: I saw, yeah, of course, yeah, yeah. 164 00:07:48,560 --> 00:07:50,680 Speaker 2: Be nice for the producers who avert their eyes. We're 165 00:07:50,680 --> 00:07:51,920 Speaker 2: in an emergency situation. 166 00:07:52,200 --> 00:07:54,440 Speaker 5: It was like he had his arms out being like, 167 00:07:54,560 --> 00:07:55,200 Speaker 5: what are you doing? 168 00:07:55,240 --> 00:07:55,680 Speaker 4: What are you doing? 169 00:07:55,800 --> 00:07:56,640 Speaker 1: What was I supposed to do? 170 00:07:57,360 --> 00:07:59,680 Speaker 2: There was there was a attachment of the cords and 171 00:07:59,680 --> 00:08:00,960 Speaker 2: I could see my own arm, So. 172 00:08:00,920 --> 00:08:05,880 Speaker 4: Hang on, but I l J. I'm glad you saw 173 00:08:05,960 --> 00:08:07,240 Speaker 4: the art. I saw glad I saw it? 174 00:08:07,320 --> 00:08:08,280 Speaker 5: Did you? 175 00:08:09,440 --> 00:08:12,720 Speaker 3: I am glad. I'm glad someone's glad. I've had my. 176 00:08:12,640 --> 00:08:14,840 Speaker 2: Ass before though g flips played the drums on my 177 00:08:14,920 --> 00:08:15,640 Speaker 2: bum Yeah. 178 00:08:15,640 --> 00:08:17,760 Speaker 4: But this was this was like this was in there 179 00:08:18,160 --> 00:08:19,760 Speaker 4: spread That's what I'm saying, not spreading. 180 00:08:20,160 --> 00:08:21,360 Speaker 3: It was sidespread. 181 00:08:21,840 --> 00:08:23,400 Speaker 1: If I spread, you had to spread me. Were you 182 00:08:23,440 --> 00:08:25,120 Speaker 1: spreading me? That's on you. 183 00:08:25,120 --> 00:08:26,480 Speaker 5: You would know if I was spreading it. 184 00:08:27,200 --> 00:08:27,760 Speaker 1: I don't think it was. 185 00:08:27,840 --> 00:08:28,160 Speaker 5: I didn't. 186 00:08:29,040 --> 00:08:33,360 Speaker 4: But the pads were like before, because I'll remind everyone, 187 00:08:33,400 --> 00:08:34,600 Speaker 4: you did pitch this idea? 188 00:08:35,160 --> 00:08:37,040 Speaker 1: Well, yeah, because I'm a scientist at heart. 189 00:08:37,080 --> 00:08:39,520 Speaker 5: You know that. I don't know that. 190 00:08:40,080 --> 00:08:42,320 Speaker 4: But you were like to be zapped on the ass, 191 00:08:42,360 --> 00:08:45,040 Speaker 4: and I was like, great, great idea, sounds great. 192 00:08:45,080 --> 00:08:45,320 Speaker 3: Woods. 193 00:08:45,440 --> 00:08:49,160 Speaker 2: My first idea was I message Poofens probably and said, mate, 194 00:08:49,200 --> 00:08:51,200 Speaker 2: too far if I go and buy some vibrating beads 195 00:08:51,200 --> 00:08:53,560 Speaker 2: because I really wanted to make it specific, and he 196 00:08:53,679 --> 00:08:55,480 Speaker 2: was like she didn't even respond, and I was like, 197 00:08:55,840 --> 00:08:56,199 Speaker 2: don't know. 198 00:08:57,520 --> 00:08:58,439 Speaker 3: Did you actually? Yeah? 199 00:08:58,440 --> 00:08:58,920 Speaker 1: I just wanted to. 200 00:08:58,920 --> 00:09:01,480 Speaker 3: Be actually put beads up yours on the show. 201 00:09:01,559 --> 00:09:03,240 Speaker 2: I was like what I said to it was like, 202 00:09:03,400 --> 00:09:05,200 Speaker 2: does the test not work if I don't actually have 203 00:09:05,240 --> 00:09:07,920 Speaker 2: beads up there? And then second question, is that too 204 00:09:07,920 --> 00:09:11,360 Speaker 2: far if I bring in bringing some beads and yeah, 205 00:09:11,360 --> 00:09:14,120 Speaker 2: he was obviously like, n let's just go with the pads, mate. 206 00:09:14,400 --> 00:09:19,200 Speaker 1: I think the point will made. 207 00:09:19,559 --> 00:09:23,000 Speaker 3: Stick with the pads mate. Anyway, LJ. The reason I've 208 00:09:23,000 --> 00:09:23,439 Speaker 3: got you on. 209 00:09:24,440 --> 00:09:29,160 Speaker 4: The pads were outrageously close to the to the main 210 00:09:29,600 --> 00:09:30,280 Speaker 4: the main drag. 211 00:09:31,040 --> 00:09:32,160 Speaker 3: Oh yeah, they were deep. 212 00:09:32,720 --> 00:09:34,880 Speaker 4: They actually were like I couldn't see the corner of 213 00:09:34,880 --> 00:09:36,439 Speaker 4: one of the pads because it was curled up there. 214 00:09:36,640 --> 00:09:42,520 Speaker 2: Ye, so principal one of any scientific experiment specificity. I 215 00:09:42,600 --> 00:09:46,520 Speaker 2: had to be specific to what Hans Niemann was going through, 216 00:09:46,559 --> 00:09:47,520 Speaker 2: and he had it up there. 217 00:09:48,480 --> 00:09:50,160 Speaker 4: I had to get It was a shock given that 218 00:09:50,200 --> 00:09:52,240 Speaker 4: he had one electrode on one cheek and one electrode 219 00:09:52,280 --> 00:09:52,880 Speaker 4: on the other cheek. 220 00:09:53,240 --> 00:09:55,720 Speaker 5: Was the shot going across your your toush. 221 00:09:55,920 --> 00:09:56,160 Speaker 3: It was. 222 00:09:56,200 --> 00:09:58,960 Speaker 1: It was just everywhere in the region. Everything was vibrating, 223 00:09:59,080 --> 00:09:59,560 Speaker 1: all right. 224 00:10:00,080 --> 00:10:05,480 Speaker 4: Will say you 225 00:10:06,160 --> 00:10:09,040 Speaker 2: A little bit of money cut in my life, a 226 00:10:09,080 --> 00:10:12,120 Speaker 2: little bit of ery coal by my side, a little 227 00:10:12,160 --> 00:10:12,880 Speaker 2: bit of reason,