1 00:00:00,280 --> 00:00:03,240 Speaker 1: I've got the popcorn, a drink, I've snuck in some Maltesers, 2 00:00:03,320 --> 00:00:04,920 Speaker 1: and Ben's got the movie. 3 00:00:05,160 --> 00:00:07,880 Speaker 2: Yeah I do, indeed, and what a movie it is. 4 00:00:07,960 --> 00:00:12,160 Speaker 2: So we're talking about the Robbie Williams biopick Better Man. 5 00:00:12,000 --> 00:00:14,600 Speaker 1: Which we're giving tickets away and in season double pass 6 00:00:14,720 --> 00:00:16,400 Speaker 1: sometime before nine this morning. 7 00:00:16,440 --> 00:00:19,320 Speaker 2: Oh well, listen up every weekday. You want to get 8 00:00:19,320 --> 00:00:21,520 Speaker 2: your hands on these tickets. And so I got to 9 00:00:21,520 --> 00:00:23,560 Speaker 2: be honest with you. I went into this not being 10 00:00:23,600 --> 00:00:26,840 Speaker 2: the biggest fan of Robbie Williams. The only song of 11 00:00:26,880 --> 00:00:29,319 Speaker 2: his that I really liked was probably rock DJ because 12 00:00:29,320 --> 00:00:31,480 Speaker 2: it's just such a banger. The rest of his stuff 13 00:00:31,520 --> 00:00:34,120 Speaker 2: is ballads, okay, and to take that stuff you can 14 00:00:34,159 --> 00:00:36,080 Speaker 2: just miss me with the take that stuff. Not interested 15 00:00:36,200 --> 00:00:38,560 Speaker 2: at all. And so I went into this movie going, wow, 16 00:00:38,640 --> 00:00:40,440 Speaker 2: is it really going to be for me? And especially 17 00:00:40,479 --> 00:00:43,560 Speaker 2: because a lot of these musical biopics in recent years, 18 00:00:43,880 --> 00:00:45,400 Speaker 2: you know, they're a bit of a dime a dozen. 19 00:00:45,600 --> 00:00:49,080 Speaker 2: Bohemian Rhapsody was good, Rocketman was pretty good. Back to 20 00:00:49,159 --> 00:00:53,400 Speaker 2: Black About Amy Winehouse not so great. The Bob Marley 21 00:00:53,400 --> 00:00:57,040 Speaker 2: one was pretty average, and so you know, I kind 22 00:00:57,080 --> 00:00:58,320 Speaker 2: of a bit over the format. 23 00:00:58,480 --> 00:01:02,480 Speaker 1: Some of them are glossed all very glossed, very glossed over. 24 00:01:02,560 --> 00:01:04,880 Speaker 1: You don't really get the interesting. 25 00:01:04,520 --> 00:01:06,720 Speaker 2: Now, you don't expect it. You don't get the gritty 26 00:01:07,000 --> 00:01:10,080 Speaker 2: reality of some of these stories, because that's the reality 27 00:01:10,319 --> 00:01:13,080 Speaker 2: when you know you're negotiating with an estate or you're 28 00:01:13,120 --> 00:01:15,880 Speaker 2: negotiating with a record label and you're trying to get 29 00:01:15,920 --> 00:01:19,679 Speaker 2: the right when you're trying to get the rights to 30 00:01:19,760 --> 00:01:22,479 Speaker 2: use the music because music licensing costs, you know, can 31 00:01:22,480 --> 00:01:24,720 Speaker 2: cost millions of dollars, so you know you're not going 32 00:01:24,800 --> 00:01:26,319 Speaker 2: to put in all the warts and all of the 33 00:01:26,400 --> 00:01:29,520 Speaker 2: story if you need to license the music, and so 34 00:01:29,680 --> 00:01:33,080 Speaker 2: usually the trade off is you get a pretty sanitized biography. 35 00:01:33,760 --> 00:01:36,319 Speaker 2: And that was certainly the case with Freddie Mercury and 36 00:01:36,319 --> 00:01:39,480 Speaker 2: Elton John, who is still alive obviously in this case 37 00:01:39,520 --> 00:01:42,960 Speaker 2: with Robbie Williams, he's very involved in the project and 38 00:01:43,040 --> 00:01:47,160 Speaker 2: he's always been sort of bloke who is self deprecating. 39 00:01:47,240 --> 00:01:51,440 Speaker 2: He's take the mickey out of himself. He's very open 40 00:01:51,480 --> 00:01:54,840 Speaker 2: about that, and so and you see that in the film, 41 00:01:54,920 --> 00:01:58,040 Speaker 2: Like there is definitely some aspects of this movie where 42 00:01:58,040 --> 00:01:59,760 Speaker 2: you go, geez, you know what, they haven't really pulled it. 43 00:01:59,800 --> 00:02:01,720 Speaker 2: He here, they are not trying to make him look 44 00:02:01,800 --> 00:02:05,200 Speaker 2: like a hero, but the one thing they do make 45 00:02:05,240 --> 00:02:09,400 Speaker 2: him look like is a monkey. And so this is 46 00:02:09,440 --> 00:02:12,640 Speaker 2: what separates Better Man from all of the other musical 47 00:02:12,760 --> 00:02:18,760 Speaker 2: jukebox films. Robbie Williams is a computed generated chimpanzee. Like 48 00:02:18,800 --> 00:02:21,359 Speaker 2: I'm talking Planet of the Apes level. 49 00:02:21,360 --> 00:02:23,120 Speaker 1: Just couldn't find the right man for the past. 50 00:02:23,160 --> 00:02:26,239 Speaker 2: Yeah, well there's a got a different act of voicing 51 00:02:26,320 --> 00:02:28,600 Speaker 2: the young Robbie Williams, but then he does his own 52 00:02:28,720 --> 00:02:32,720 Speaker 2: voice of this chimp in later life. And you know, 53 00:02:32,760 --> 00:02:37,600 Speaker 2: a Robbie Williams biofilm where he is a chimpanzee could 54 00:02:37,639 --> 00:02:39,800 Speaker 2: be the worst thing that you've ever seen. 55 00:02:39,919 --> 00:02:41,160 Speaker 1: I think a lot of people would think. 56 00:02:41,240 --> 00:02:44,959 Speaker 2: I think a lot of Yeah, it's the variation of 57 00:02:45,320 --> 00:02:47,920 Speaker 2: outcomes here is absolutely huge. It's the biggest risk in 58 00:02:47,960 --> 00:02:51,040 Speaker 2: cinema in twenty twenty four, without a doubt in my mind. 59 00:02:51,480 --> 00:02:54,480 Speaker 2: But it comes from the greatest Showman director, Michael Gracie, 60 00:02:54,480 --> 00:02:57,080 Speaker 2: an Australian director, and it was his idea because he 61 00:02:57,080 --> 00:02:59,600 Speaker 2: heard rob Robbi Williams once say you know what, sometimes 62 00:02:59,600 --> 00:03:02,120 Speaker 2: I feel like a performing monkey, and he's like, you know, 63 00:03:02,160 --> 00:03:06,200 Speaker 2: what let's tap into that, and amazingly it works. It 64 00:03:06,320 --> 00:03:09,320 Speaker 2: is so effective. Right from when Robbie Williams is a 65 00:03:09,360 --> 00:03:12,320 Speaker 2: little monkey as a kid growing growing up in Stoke 66 00:03:12,400 --> 00:03:15,960 Speaker 2: on Trent in England, he's a bit of a he's 67 00:03:16,000 --> 00:03:17,960 Speaker 2: a bit of the odd one out with the other kids. 68 00:03:18,000 --> 00:03:20,760 Speaker 2: He dreams of being an entertainer like his old man 69 00:03:20,800 --> 00:03:22,560 Speaker 2: has the same kind of dreams, a sort of as 70 00:03:22,560 --> 00:03:26,640 Speaker 2: an amateur comedian and krooner in the local leagues club. 71 00:03:27,520 --> 00:03:30,480 Speaker 2: And so Robbie Williams has those kind of dreams, doesn't 72 00:03:30,480 --> 00:03:34,240 Speaker 2: fit in. Eventually gets auditioned for one of the five 73 00:03:34,400 --> 00:03:38,920 Speaker 2: positions in Take That, gets the gig and his dad 74 00:03:38,920 --> 00:03:41,640 Speaker 2: had abandoned him, comes back into his life. So there's 75 00:03:41,680 --> 00:03:44,000 Speaker 2: lots of you know, daddy's son issues there going on 76 00:03:44,040 --> 00:03:47,320 Speaker 2: as well. Finds immense fame with Take That at a 77 00:03:47,440 --> 00:03:50,800 Speaker 2: very young age in his teens, goes off the rails 78 00:03:50,880 --> 00:03:54,440 Speaker 2: with Booze, gets kicked out of Take That, you know, 79 00:03:54,480 --> 00:03:57,000 Speaker 2: sort of Gary Barlow's kind of the superstar of Take That, 80 00:03:57,080 --> 00:03:59,080 Speaker 2: and Robbie Williams is, you know, the one who's just 81 00:03:59,160 --> 00:04:02,560 Speaker 2: kind of the fat monkey as well. Robby Williams is 82 00:04:02,560 --> 00:04:05,840 Speaker 2: the only monkey and Weirdly, no human in the film 83 00:04:06,040 --> 00:04:09,279 Speaker 2: ever acknowledges that he is a monkey, that he's a talking. 84 00:04:09,000 --> 00:04:12,440 Speaker 1: Monkey, so you soon start to forget he's a monkey. 85 00:04:12,720 --> 00:04:16,640 Speaker 2: Absolutely, that's the most bizarre thing about it. The CG 86 00:04:16,680 --> 00:04:20,039 Speaker 2: effects are so realistic you just go okay, you just 87 00:04:20,080 --> 00:04:23,800 Speaker 2: accept it. And there are some wonderful musical numbers in 88 00:04:23,920 --> 00:04:28,039 Speaker 2: here as well. Take the take that slash rock DJ 89 00:04:28,360 --> 00:04:31,600 Speaker 2: montage is phenomenal, one of the best musical numbers I've 90 00:04:31,600 --> 00:04:34,400 Speaker 2: ever seen on screen. They shot it over four days 91 00:04:34,440 --> 00:04:38,760 Speaker 2: on Regent Street in London, hundreds of extras like it 92 00:04:38,800 --> 00:04:43,159 Speaker 2: is absolutely bonkers. The level of production of this film, and. 93 00:04:43,200 --> 00:04:45,200 Speaker 1: Much of it was made in Melbourne. 94 00:04:45,279 --> 00:04:48,320 Speaker 2: Yeah, yeah, so it's technically class as an Australian film, 95 00:04:48,720 --> 00:04:51,280 Speaker 2: Australian directly, and it's an interesting story. Like what I 96 00:04:51,320 --> 00:04:54,120 Speaker 2: will say is the pacing of the film probably gets 97 00:04:54,160 --> 00:04:56,279 Speaker 2: a bit bogged down in the second half, when you 98 00:04:56,320 --> 00:04:58,840 Speaker 2: know he's really kind of in his booze addiction phase. 99 00:04:59,000 --> 00:05:02,640 Speaker 2: He does get a bit competitive. You know, he wakes 100 00:05:02,720 --> 00:05:05,240 Speaker 2: up every day, he hits the bottle, not much happens, 101 00:05:05,360 --> 00:05:07,040 Speaker 2: you know, so that kind of goes on for maybe 102 00:05:07,040 --> 00:05:07,920 Speaker 2: a little bit too long. 103 00:05:08,440 --> 00:05:10,440 Speaker 1: Monkey Money too too much monkey and. 104 00:05:10,480 --> 00:05:16,159 Speaker 2: Around and but you still have, you know, this incredible 105 00:05:16,200 --> 00:05:19,320 Speaker 2: story of redemption. A guy who's kind of fallen on 106 00:05:19,400 --> 00:05:23,000 Speaker 2: hard times and it's only you know, his kind of ego, 107 00:05:23,120 --> 00:05:25,600 Speaker 2: his desire to you know, win the love of his 108 00:05:25,640 --> 00:05:27,960 Speaker 2: father and also deal with his own inner demons, his 109 00:05:28,000 --> 00:05:30,120 Speaker 2: own insecurities that he's not good enough because of his 110 00:05:30,200 --> 00:05:33,880 Speaker 2: dad leaving him. That is driving Robbie Williams to succeed. 111 00:05:33,960 --> 00:05:35,960 Speaker 2: And you know, as a solo artist, the level of 112 00:05:35,960 --> 00:05:39,520 Speaker 2: success that he had, you know, just absolutely absolutely crazy. 113 00:05:39,720 --> 00:05:43,440 Speaker 2: And you see all of that as this chimpanzee is 114 00:05:43,800 --> 00:05:45,800 Speaker 2: you know, is in front of a huge crowd at 115 00:05:45,880 --> 00:05:48,679 Speaker 2: Leeds of you know, sixty thousand people. There's there's even 116 00:05:48,720 --> 00:05:51,880 Speaker 2: an actor in there playing Liam Gallagher and there's a 117 00:05:51,880 --> 00:05:56,080 Speaker 2: little interaction between between Robbie Williams at Oasis which is 118 00:05:56,120 --> 00:05:59,239 Speaker 2: hilarious and in real life Robbie Williams challenged Liam Gallagher 119 00:05:59,279 --> 00:06:01,960 Speaker 2: to a fight at the brit Music I remember that, 120 00:06:02,360 --> 00:06:04,880 Speaker 2: which is so there's some fun little history moments there 121 00:06:05,120 --> 00:06:07,760 Speaker 2: for people who've not just only followed Robbie Williams but 122 00:06:07,800 --> 00:06:11,240 Speaker 2: followed British music over the past twenty years. And the 123 00:06:11,320 --> 00:06:13,919 Speaker 2: singing with Robbie on board is just phenomenal. 124 00:06:14,160 --> 00:06:17,040 Speaker 1: So how many bananas out of five do we give it? 125 00:06:17,320 --> 00:06:19,440 Speaker 2: I'm going to give this three and a half very 126 00:06:19,560 --> 00:06:24,160 Speaker 2: enjoyable bananas. This is probably, i reckon, the most enjoyable 127 00:06:24,160 --> 00:06:25,720 Speaker 2: movie that's out on Boxing Day this year. 128 00:06:25,839 --> 00:06:29,279 Speaker 1: Fantastic So to fully eaten one half eaten banana from 129 00:06:29,279 --> 00:06:33,159 Speaker 1: ben o'she On Better Man Robbie Williams. Thanks Ben. We'll 130 00:06:33,160 --> 00:06:36,200 Speaker 1: catch you again in twenty twenty five with another year 131 00:06:36,279 --> 00:06:37,240 Speaker 1: of movies. 132 00:06:37,320 --> 00:06:39,320 Speaker 2: Yeah. Absolutely have a great Christmas in the years