1 00:00:00,080 --> 00:00:01,880 Speaker 1: Will and what we're trying at a brand new thing. 2 00:00:01,960 --> 00:00:04,920 Speaker 1: It would in isolation. You and I are sitting on 3 00:00:04,960 --> 00:00:07,040 Speaker 1: your porch as we always am. We're finding that, you know, 4 00:00:07,040 --> 00:00:07,920 Speaker 1: we've got a lot of time to. 5 00:00:07,880 --> 00:00:08,560 Speaker 2: Talk to people. 6 00:00:08,640 --> 00:00:10,639 Speaker 1: A lot of people have got time to talk to 7 00:00:10,720 --> 00:00:15,080 Speaker 1: us as well, which isn't normally the way of things. 8 00:00:15,400 --> 00:00:18,840 Speaker 3: Absolutely, I mean, we had the Prime minister that never happened. 9 00:00:18,920 --> 00:00:20,560 Speaker 2: Yeah, so he's. 10 00:00:20,079 --> 00:00:22,639 Speaker 3: In isolation that we can get a few minutes with them. 11 00:00:22,720 --> 00:00:22,959 Speaker 2: Yeah. 12 00:00:23,079 --> 00:00:24,640 Speaker 1: If there was ever going to be a barometer of 13 00:00:24,720 --> 00:00:26,960 Speaker 1: how much time people have got right now, it's the 14 00:00:27,000 --> 00:00:30,400 Speaker 1: fact that the Prime Minister called us. 15 00:00:30,560 --> 00:00:31,240 Speaker 3: Yeah, phenomenal. 16 00:00:31,280 --> 00:00:32,680 Speaker 2: Baraco. Obama's on the show tomorrow. 17 00:00:34,440 --> 00:00:39,120 Speaker 1: So what we're doing is we're capitalizing on the time 18 00:00:39,159 --> 00:00:40,640 Speaker 1: we've got and the time other people have got to 19 00:00:40,640 --> 00:00:42,520 Speaker 1: actually have some really good chats with them. And we're 20 00:00:42,520 --> 00:00:44,640 Speaker 1: doing it from the safety and the comfort of your 21 00:00:44,680 --> 00:00:50,040 Speaker 1: front porch. And we're calling these chats sidewalk talk. 22 00:00:50,720 --> 00:00:53,159 Speaker 4: We will side. 23 00:00:54,640 --> 00:00:57,480 Speaker 5: Side sidewalk off. 24 00:01:00,200 --> 00:01:02,240 Speaker 1: The guest we've got on the show this afternoon is 25 00:01:02,760 --> 00:01:05,160 Speaker 1: Birds of Tokyo. 26 00:01:07,800 --> 00:01:10,560 Speaker 4: Hello, Yeah, hello, guys. 27 00:01:11,040 --> 00:01:12,080 Speaker 2: Welcome and sidewalk talk. 28 00:01:12,600 --> 00:01:17,520 Speaker 1: We've got Ian Adam from Birds of Tokyo guys, COVID 29 00:01:17,600 --> 00:01:22,800 Speaker 1: nineteen hit you pretty bloody hard fifty five piece symphony 30 00:01:22,880 --> 00:01:29,479 Speaker 1: orchestra to cancel for a national tour. That that's got 31 00:01:29,520 --> 00:01:35,120 Speaker 1: to take the cake for real blows for performing and stuff. 32 00:01:35,160 --> 00:01:36,000 Speaker 1: How are you guys going? 33 00:01:38,240 --> 00:01:40,680 Speaker 4: Yeah, we're doing okay, like it's funny. 34 00:01:40,680 --> 00:01:43,440 Speaker 6: We were actually supposed to be playing the Perth Concert 35 00:01:43,440 --> 00:01:46,600 Speaker 6: Hall to kick off that whole lot of shows tonight. 36 00:01:46,720 --> 00:01:49,600 Speaker 6: So yeah, yeah, if things are different, we'll be playing 37 00:01:49,640 --> 00:01:53,240 Speaker 6: a show tonight. But you know, it's all good. We'll 38 00:01:53,240 --> 00:01:55,840 Speaker 6: get through it. We're gonna reschedule and the shows will 39 00:01:55,880 --> 00:01:57,120 Speaker 6: happen when we all get out of this. 40 00:01:57,200 --> 00:01:57,400 Speaker 1: You know. 41 00:01:57,880 --> 00:01:59,559 Speaker 2: Sorry, I don't mean if you can hear me laughing 42 00:01:59,560 --> 00:02:01,920 Speaker 2: in the bag. Sparky is just I don't know how 43 00:02:01,920 --> 00:02:03,600 Speaker 2: many toys you've got, Sparky. 44 00:02:03,920 --> 00:02:06,400 Speaker 3: Every few seconds, a new toy is popping into the 45 00:02:06,480 --> 00:02:07,120 Speaker 3: zoom screen. 46 00:02:07,280 --> 00:02:11,960 Speaker 2: What are you running the kids? 47 00:02:12,000 --> 00:02:14,800 Speaker 7: One of my dog's baskets full of toys. They've got 48 00:02:14,840 --> 00:02:16,960 Speaker 7: about honestly, they've got about two. 49 00:02:17,720 --> 00:02:23,080 Speaker 4: Yeah, yeah, your dogs toys? Yeah, sure, on the dog whatever. 50 00:02:24,280 --> 00:02:32,040 Speaker 1: Just so weird, all right, No, that's okay, that's all right. 51 00:02:32,200 --> 00:02:34,440 Speaker 1: I mean, like this is these are areas that people 52 00:02:34,440 --> 00:02:36,560 Speaker 1: are getting into. I mean, if it's playing with your 53 00:02:36,600 --> 00:02:38,440 Speaker 1: dogs toys, then that's that's what. 54 00:02:39,800 --> 00:02:41,840 Speaker 3: All of those toys have their eyes ripped out. What 55 00:02:41,919 --> 00:02:43,560 Speaker 3: is with your dog ripping eyes out? 56 00:02:43,680 --> 00:02:45,720 Speaker 5: I know one of my dogs pops and sheets all 57 00:02:45,720 --> 00:02:46,360 Speaker 5: the eyes. 58 00:02:46,160 --> 00:02:50,160 Speaker 2: Of is terrifying. Yeah, that's that's a little bit sadistic, 59 00:02:50,240 --> 00:02:50,720 Speaker 2: isn't it. 60 00:02:52,040 --> 00:02:55,359 Speaker 5: Yeah? 61 00:02:56,639 --> 00:02:58,840 Speaker 1: Sorry, And you were saying you were going to kick 62 00:02:58,880 --> 00:03:01,079 Speaker 1: it off at the I feel like and you and 63 00:03:01,160 --> 00:03:02,960 Speaker 1: I are going to have this conversation, and would Woody 64 00:03:02,960 --> 00:03:05,280 Speaker 1: and Adam are just going to keep derailing us, which 65 00:03:05,320 --> 00:03:09,760 Speaker 1: you know my screen. Maybe just get us on the 66 00:03:09,800 --> 00:03:11,480 Speaker 1: left channel and get them on the right channel and 67 00:03:11,520 --> 00:03:12,240 Speaker 1: you can just choose. 68 00:03:12,280 --> 00:03:12,800 Speaker 2: Do you do. 69 00:03:12,800 --> 00:03:14,960 Speaker 1: You want to hear about toys with their with their 70 00:03:14,960 --> 00:03:16,560 Speaker 1: eyes ripped or do you want to hear about birds 71 00:03:16,560 --> 00:03:20,640 Speaker 1: and tour So guys, so talk to talk to us, 72 00:03:20,680 --> 00:03:22,280 Speaker 1: then you're gonna kick it off. Perth Concert Hall that was, 73 00:03:22,280 --> 00:03:23,639 Speaker 1: but it's obviously home for you guys. 74 00:03:24,480 --> 00:03:28,760 Speaker 2: W A. Now you're rescheduling. What's the story? 75 00:03:28,760 --> 00:03:29,959 Speaker 1: Because I mean, I'm sure there are a lot of 76 00:03:29,960 --> 00:03:31,920 Speaker 1: people that were so keen to see you guys with 77 00:03:31,960 --> 00:03:33,280 Speaker 1: the full orchestra that we went epic. 78 00:03:36,000 --> 00:03:39,600 Speaker 6: Yeah, we are definitely rescheduling. We're gonna sort of actually 79 00:03:39,600 --> 00:03:42,840 Speaker 6: we we we sort of have dates in mind. I 80 00:03:42,840 --> 00:03:44,520 Speaker 6: don't even if we're allowed to sort of. 81 00:03:47,880 --> 00:03:49,080 Speaker 2: Give us maybe. 82 00:03:48,800 --> 00:03:50,280 Speaker 4: Maybe it came scoop. 83 00:03:50,400 --> 00:03:51,720 Speaker 2: Oh damn, Okay, who cares. 84 00:03:51,800 --> 00:03:56,640 Speaker 6: We're because as you can imagine, trying to move around, 85 00:03:57,080 --> 00:04:00,120 Speaker 6: you know, a forty five to fifty piece orchestra and 86 00:04:00,120 --> 00:04:01,240 Speaker 6: the scheduling that goes with that. 87 00:04:01,320 --> 00:04:04,440 Speaker 4: Plus we're using multiple orchestras around the around the country. 88 00:04:04,480 --> 00:04:06,000 Speaker 4: So because it's a hell of. 89 00:04:05,960 --> 00:04:08,000 Speaker 6: A lot involved in it, and we've already put months 90 00:04:08,000 --> 00:04:10,040 Speaker 6: and months of work into it, to have it to 91 00:04:10,080 --> 00:04:12,800 Speaker 6: sort of be put on pause like this, it's a 92 00:04:12,840 --> 00:04:15,920 Speaker 6: bit of a logistical shift, let's say. So we've had 93 00:04:15,960 --> 00:04:19,120 Speaker 6: to move the whole thing to first time next year. 94 00:04:19,839 --> 00:04:22,400 Speaker 6: So yeah, okay, it's gonna be a bit it's on pause, 95 00:04:22,440 --> 00:04:25,080 Speaker 6: but we'll do the whole thing. And actually, because we've 96 00:04:25,120 --> 00:04:26,960 Speaker 6: had to sort of put it on pause, we actually 97 00:04:26,960 --> 00:04:30,640 Speaker 6: got access to the Brisbane Symphony Orchestra. 98 00:04:30,320 --> 00:04:32,599 Speaker 4: As well, so there's more shows coming. 99 00:04:33,160 --> 00:04:35,200 Speaker 1: Yeah, that's awesome, and more work, more work for the 100 00:04:35,279 --> 00:04:37,400 Speaker 1: artists as well, which is probably something they're all relishing 101 00:04:37,400 --> 00:04:38,320 Speaker 1: at the moment to be honest. 102 00:04:38,560 --> 00:04:40,280 Speaker 4: Yeah, yeah, absolutely, yeah totally. 103 00:04:40,600 --> 00:04:42,640 Speaker 3: Can I ask did you did you get some guidance 104 00:04:42,720 --> 00:04:47,320 Speaker 3: from I don't know the government or who or something 105 00:04:47,360 --> 00:04:50,320 Speaker 3: as to the timing of when you were gonna launch 106 00:04:50,360 --> 00:04:50,719 Speaker 3: it again? 107 00:04:52,480 --> 00:04:56,240 Speaker 7: No, I think they they've they've put it there as 108 00:04:56,240 --> 00:04:59,960 Speaker 7: a safe window, but you just you just don't know. 109 00:05:00,240 --> 00:05:01,000 Speaker 5: Hey, I mean. 110 00:05:02,520 --> 00:05:06,840 Speaker 7: Sort of January February, January through February, so that's they 111 00:05:06,880 --> 00:05:09,400 Speaker 7: thought that it seems likely that it'd be safe then. 112 00:05:09,480 --> 00:05:12,040 Speaker 5: But there's no real guide. It's our managers and. 113 00:05:12,040 --> 00:05:13,640 Speaker 7: Label every and I mean they're the best in the 114 00:05:13,680 --> 00:05:15,880 Speaker 7: biz man and they're taking to anything you can be 115 00:05:15,920 --> 00:05:19,039 Speaker 7: tapped into it, you know, even there sort of like 116 00:05:19,160 --> 00:05:22,200 Speaker 7: where you know, everyone at the tops, even a government 117 00:05:22,279 --> 00:05:23,640 Speaker 7: level for the arts is still sort of you know, 118 00:05:23,720 --> 00:05:26,400 Speaker 7: just kind of on standby. 119 00:05:26,440 --> 00:05:28,359 Speaker 4: Really yeah, yeah. 120 00:05:28,279 --> 00:05:29,200 Speaker 2: Wow, yeah. 121 00:05:29,839 --> 00:05:31,679 Speaker 3: Can I ask you guys as well, are you given 122 00:05:31,720 --> 00:05:34,159 Speaker 3: you know, we are all in isolation, actually are you 123 00:05:34,200 --> 00:05:35,640 Speaker 3: in You're in different states as well. 124 00:05:35,560 --> 00:05:36,640 Speaker 1: Aren't you. 125 00:05:36,640 --> 00:05:39,400 Speaker 3: You're not at the same location, so so are you 126 00:05:39,440 --> 00:05:43,240 Speaker 3: still collaborating to an extent or creating and trying to 127 00:05:43,400 --> 00:05:45,080 Speaker 3: over like video calls and stuff. 128 00:05:46,360 --> 00:05:50,599 Speaker 6: We have been Yeah, we've put together some like acoustic 129 00:05:50,920 --> 00:05:53,120 Speaker 6: type performances, and we've we've done our own sort of 130 00:05:53,160 --> 00:05:55,919 Speaker 6: social distancing figs and performances that we put out on 131 00:05:55,960 --> 00:05:58,120 Speaker 6: our on our socials and Facebook and stuff. 132 00:05:58,279 --> 00:06:01,320 Speaker 4: So it's just we're working it out, like a lot. 133 00:06:01,160 --> 00:06:03,240 Speaker 6: Of artists are trying to figure out how to do 134 00:06:03,360 --> 00:06:06,080 Speaker 6: performances from their home or their home studios or whatever. 135 00:06:06,160 --> 00:06:08,080 Speaker 4: So we've done a bunch of those. It's been good. 136 00:06:08,120 --> 00:06:09,640 Speaker 4: We've learned a lot. It's been cool. 137 00:06:09,680 --> 00:06:10,360 Speaker 2: Oh that's good. 138 00:06:10,400 --> 00:06:12,599 Speaker 3: Yeah, it brings a new element when Sparky just starts 139 00:06:12,600 --> 00:06:15,480 Speaker 3: doing puppet shows with these dogs toys, it's a whole 140 00:06:15,520 --> 00:06:16,599 Speaker 3: new line of entertainment. 141 00:06:17,640 --> 00:06:22,560 Speaker 7: It really does grizzling at me now because I'm not 142 00:06:22,640 --> 00:06:23,520 Speaker 7: throwing them for us. 143 00:06:25,000 --> 00:06:26,840 Speaker 2: Hey, guys, can I ask we're going to eat you 144 00:06:26,880 --> 00:06:27,040 Speaker 2: to do? 145 00:06:28,800 --> 00:06:31,760 Speaker 1: Uh, We're going to play the Two of Us, which 146 00:06:31,839 --> 00:06:35,240 Speaker 1: is off the brand new record Human Design, sixth studio album. 147 00:06:35,480 --> 00:06:36,719 Speaker 1: People can get that if I want to get their 148 00:06:36,720 --> 00:06:38,880 Speaker 1: hands on. Obviously, we spun the hell out of good Lord. 149 00:06:38,880 --> 00:06:40,440 Speaker 1: You guys actually came into a live version of that 150 00:06:40,440 --> 00:06:42,800 Speaker 1: for us, which is amazing. And I think you look 151 00:06:42,800 --> 00:06:45,719 Speaker 1: a year ago to the day you were performing that 152 00:06:45,800 --> 00:06:48,559 Speaker 1: at Anzac Day, the MCG one hundred thousand people. 153 00:06:48,560 --> 00:06:50,760 Speaker 2: It feels like a lifetime ago now. 154 00:06:51,880 --> 00:06:56,440 Speaker 1: But just speaking about some of the singles within the record, 155 00:06:56,640 --> 00:06:59,960 Speaker 1: the Great Mistakes, Unbreakable obviously, I know Good Lord was 156 00:07:00,120 --> 00:07:06,200 Speaker 1: came from an incredibly tumultuous incident with you Ian, can 157 00:07:06,240 --> 00:07:11,800 Speaker 1: you I had word that some a lot of the 158 00:07:11,840 --> 00:07:15,920 Speaker 1: material or the stimulus for the other songs were to 159 00:07:15,960 --> 00:07:19,040 Speaker 1: do with other pretty pretty personal things that other band 160 00:07:19,040 --> 00:07:20,560 Speaker 1: members have sort of been through over the last couple 161 00:07:20,560 --> 00:07:20,800 Speaker 1: of years. 162 00:07:20,840 --> 00:07:22,040 Speaker 2: You guys able to talk through some of. 163 00:07:22,000 --> 00:07:25,680 Speaker 4: Them, Yeah, I'm happy to. 164 00:07:26,320 --> 00:07:33,280 Speaker 1: Okay, Well, come on, come on, you can let your 165 00:07:33,320 --> 00:07:35,520 Speaker 1: puppet talk if you need to, like just to just 166 00:07:35,560 --> 00:07:43,840 Speaker 1: to ease the tension. Life sticks, what happened, What happens? 167 00:07:44,160 --> 00:07:45,760 Speaker 1: You talk us through it, talk us through it. 168 00:07:45,760 --> 00:07:46,040 Speaker 2: Out of them. 169 00:07:46,960 --> 00:07:49,480 Speaker 5: Oh, I know, it's some similar. 170 00:07:49,560 --> 00:07:52,640 Speaker 7: You know, I ended a marriage fairly quickly as well, 171 00:07:52,720 --> 00:07:54,480 Speaker 7: well you know I did, but you know the marriage, and. 172 00:07:56,040 --> 00:07:57,680 Speaker 5: There's also just just after that. 173 00:07:57,760 --> 00:08:02,080 Speaker 7: Really wows as all this is being written and coming out, 174 00:08:03,280 --> 00:08:05,760 Speaker 7: you know, I was a completely different set of circumstances, 175 00:08:05,800 --> 00:08:09,040 Speaker 7: of course, but it was, yeah, sort of funny going 176 00:08:09,080 --> 00:08:11,360 Speaker 7: through and playing some of the stuff and getting through it, 177 00:08:11,440 --> 00:08:15,679 Speaker 7: you know, sort of a year or so behind Kenny sort. 178 00:08:15,480 --> 00:08:18,040 Speaker 5: Of experience, and you kind of write it and thick. 179 00:08:17,880 --> 00:08:21,280 Speaker 7: Of it as you're working on this stuff still, but 180 00:08:21,360 --> 00:08:24,160 Speaker 7: you know by by delayed by a year or so, 181 00:08:24,360 --> 00:08:27,760 Speaker 7: it's like it's awkward, it's easy. 182 00:08:27,760 --> 00:08:30,280 Speaker 1: So you're saying, you're kind of like playing the you know, 183 00:08:30,480 --> 00:08:32,360 Speaker 1: good Lord, like when all that's going on. And I 184 00:08:32,400 --> 00:08:34,760 Speaker 1: know that was like a big unfolding process for the band. 185 00:08:34,760 --> 00:08:37,080 Speaker 1: We spoke about that last time and how that worked 186 00:08:37,080 --> 00:08:38,640 Speaker 1: for you guys, and then all and you're kind of 187 00:08:38,640 --> 00:08:41,680 Speaker 1: performing these songs, Adam, and then at the same time 188 00:08:41,760 --> 00:08:42,760 Speaker 1: thinking about what's going. 189 00:08:42,600 --> 00:08:44,720 Speaker 2: On in your own personal life. 190 00:08:44,800 --> 00:08:52,840 Speaker 1: That is an absolute hurricane of emotion. She whiz man, 191 00:08:52,880 --> 00:08:55,400 Speaker 1: I'm really sorry to hear. I mean, is there a 192 00:08:55,400 --> 00:08:58,319 Speaker 1: little bit of a boy band style feel now, you know, 193 00:08:58,320 --> 00:09:00,000 Speaker 1: a bit of a bachelor party going on with Birds 194 00:09:00,040 --> 00:09:00,520 Speaker 1: of Tokyo. 195 00:09:00,640 --> 00:09:02,560 Speaker 2: We moved into that sort of an area. 196 00:09:02,679 --> 00:09:05,880 Speaker 5: Yet I think everyone's sort of had that time and 197 00:09:05,960 --> 00:09:09,880 Speaker 5: there and moved on. 198 00:09:10,280 --> 00:09:12,640 Speaker 1: No one's throwing frat parties or anything like that to 199 00:09:13,080 --> 00:09:14,720 Speaker 1: lift the spirits amongst the Fellers. 200 00:09:16,360 --> 00:09:19,120 Speaker 7: I'll tell you what, though, I think we might sort 201 00:09:19,160 --> 00:09:20,680 Speaker 7: of you know, have a little beer or something this 202 00:09:20,720 --> 00:09:23,280 Speaker 7: afternoon for a release day. But we can't sort of 203 00:09:23,280 --> 00:09:24,719 Speaker 7: do it, probably, And that's about as close as sort 204 00:09:24,720 --> 00:09:27,040 Speaker 7: of get to the moment because it's you. 205 00:09:26,960 --> 00:09:31,680 Speaker 1: Know, yeah, can I just delve into that creative process? 206 00:09:31,679 --> 00:09:32,800 Speaker 1: So I really don't want to do it on this. 207 00:09:32,840 --> 00:09:34,840 Speaker 1: I know it's obviously something hectic for both of you 208 00:09:34,880 --> 00:09:37,000 Speaker 1: guys to go through. I've never been married, so I 209 00:09:37,040 --> 00:09:39,120 Speaker 1: can't imagine what it's been like to break up a marriage. 210 00:09:39,160 --> 00:09:44,720 Speaker 1: But do you guys feel like it helped your creative 211 00:09:44,760 --> 00:09:49,640 Speaker 1: process that you were all experiencing that level of sorrow? 212 00:09:51,679 --> 00:09:54,959 Speaker 7: I think it gives you a sense oh sorry, you know, 213 00:09:56,400 --> 00:10:00,320 Speaker 7: I think it gives everyone a sense of you know 214 00:10:00,400 --> 00:10:01,800 Speaker 7: what this is all about? 215 00:10:01,880 --> 00:10:02,160 Speaker 4: Really? 216 00:10:02,200 --> 00:10:06,120 Speaker 7: I mean to have something really quite true and real 217 00:10:06,840 --> 00:10:09,000 Speaker 7: and meaningful to sort of talk about it sort of 218 00:10:09,640 --> 00:10:12,480 Speaker 7: you kind of use that as your north star, really, yeah, 219 00:10:12,520 --> 00:10:15,120 Speaker 7: sort of rather than you know, you're not really now 220 00:10:15,240 --> 00:10:16,079 Speaker 7: short of things to go? 221 00:10:16,160 --> 00:10:17,040 Speaker 4: What do we want to write about? 222 00:10:17,040 --> 00:10:18,040 Speaker 2: What you're not reaching? 223 00:10:18,880 --> 00:10:23,040 Speaker 7: Yeah, it quickly becomes you know, yeah, this this very 224 00:10:23,280 --> 00:10:26,679 Speaker 7: hyper focused sort of guide of which everything sort of 225 00:10:26,679 --> 00:10:28,760 Speaker 7: wraps yourself around for better or worse. 226 00:10:28,800 --> 00:10:29,800 Speaker 5: Yeah, it's sweet. 227 00:10:29,840 --> 00:10:31,560 Speaker 2: Really well, isn't that interesting? 228 00:10:31,760 --> 00:10:33,959 Speaker 1: I just think that's so interesting, Okay, And I know 229 00:10:34,120 --> 00:10:36,720 Speaker 1: Adele has spoken about this, like, you know, after she 230 00:10:36,800 --> 00:10:39,439 Speaker 1: released that massive record and she had you know, I 231 00:10:39,559 --> 00:10:41,280 Speaker 1: hired as like ten years or something out of music 232 00:10:41,280 --> 00:10:42,520 Speaker 1: and they were like, hey, when you're going to make 233 00:10:42,520 --> 00:10:44,480 Speaker 1: another record, and she's like, I'm sorry, I'm too happy 234 00:10:44,559 --> 00:10:48,120 Speaker 1: right now, Like my marriage is coming too well, I'm 235 00:10:48,160 --> 00:10:51,000 Speaker 1: having a good time. I haven't got anything you know, 236 00:10:51,080 --> 00:10:54,040 Speaker 1: tipping me back into writing music again. It's it's it's 237 00:10:53,840 --> 00:10:56,960 Speaker 1: as you said, Adam, it's it's so often a bittersweet 238 00:10:57,080 --> 00:10:59,720 Speaker 1: to think that it's you know, it's the source of 239 00:11:00,280 --> 00:11:04,400 Speaker 1: your livelihood and your income, and you know, it's almost 240 00:11:04,480 --> 00:11:09,120 Speaker 1: like I think performers often relish the fact that they can. 241 00:11:09,400 --> 00:11:12,840 Speaker 1: You know, that's what performing is, sort of pouring out passion, 242 00:11:13,000 --> 00:11:16,280 Speaker 1: musicians pouring out passion. I went and saw Bonnie Vera 243 00:11:16,280 --> 00:11:18,240 Speaker 1: at the Sidney Opera House a little while ago, and 244 00:11:18,320 --> 00:11:20,560 Speaker 1: I think he played Skinny Love last song, and I 245 00:11:20,600 --> 00:11:22,960 Speaker 1: swear to god, it felt like I saw I was 246 00:11:23,000 --> 00:11:25,440 Speaker 1: me seeing him do it for the first time. You know, 247 00:11:25,480 --> 00:11:29,120 Speaker 1: it's like, how are you still so upset about that thing? 248 00:11:29,200 --> 00:11:31,559 Speaker 1: Like you must have written that twenty years ago, now 249 00:11:31,600 --> 00:11:34,440 Speaker 1: fifteen years ago, and it's him going through that song 250 00:11:34,600 --> 00:11:37,240 Speaker 1: is just like, oh no, you're still feeling that right 251 00:11:37,280 --> 00:11:39,839 Speaker 1: at the bottom Again, do you guys still get that 252 00:11:39,880 --> 00:11:43,480 Speaker 1: feeling performing songs which are related to the incidents that 253 00:11:43,480 --> 00:11:43,920 Speaker 1: you've been. 254 00:11:43,840 --> 00:11:46,079 Speaker 4: Through every time? 255 00:11:46,440 --> 00:11:49,160 Speaker 6: And I think that's the sort of I guess the 256 00:11:49,200 --> 00:11:51,120 Speaker 6: blessing and the curse of songwriting. 257 00:11:51,200 --> 00:11:56,520 Speaker 4: You know, it will be forever a bittersweet. Like you mentioned. 258 00:11:56,280 --> 00:11:59,160 Speaker 6: Before, it's such a I mean, this record has made 259 00:11:59,160 --> 00:12:01,040 Speaker 6: me think about it more than any about what our 260 00:12:01,080 --> 00:12:04,160 Speaker 6: sort of roles and our jobs are. It's such a 261 00:12:04,240 --> 00:12:08,440 Speaker 6: you know, unique and strange job to write these songs 262 00:12:08,480 --> 00:12:11,440 Speaker 6: and willingly open the door and invite listeners into some 263 00:12:11,480 --> 00:12:14,679 Speaker 6: of the most vulnerable moments we and sides of us 264 00:12:14,720 --> 00:12:19,320 Speaker 6: that we just don't really show anywhere else unless you 265 00:12:19,360 --> 00:12:22,200 Speaker 6: know us or it's anything like that. 266 00:12:22,320 --> 00:12:23,839 Speaker 4: So it's just such a it's such a. 267 00:12:23,840 --> 00:12:27,640 Speaker 6: Strange world at that space, and you know, at the 268 00:12:27,679 --> 00:12:31,319 Speaker 6: same time, again, it's a bitter sweet in the truest 269 00:12:31,320 --> 00:12:34,520 Speaker 6: sense of the nature. It's hard to swallow sometimes and 270 00:12:34,559 --> 00:12:37,439 Speaker 6: then at the same time, I'm grateful we have it 271 00:12:37,480 --> 00:12:40,800 Speaker 6: because it allows you to heal and move on and 272 00:12:40,840 --> 00:12:42,360 Speaker 6: work through shit, you know. 273 00:12:43,080 --> 00:12:44,000 Speaker 1: Yeah. 274 00:12:44,120 --> 00:12:46,880 Speaker 3: Yeah, I also think as well, mate that you know, 275 00:12:47,120 --> 00:12:49,240 Speaker 3: the courage you guys have to talk about it as 276 00:12:49,240 --> 00:12:51,440 Speaker 3: well helps a whole bunch of other people who are 277 00:12:51,880 --> 00:12:54,400 Speaker 3: who can relate to what you're going through. Yeah, and 278 00:12:54,440 --> 00:12:57,800 Speaker 3: I reckon that's It's always a special moment I find 279 00:12:57,800 --> 00:13:00,240 Speaker 3: when you really connect with a song where you know 280 00:13:00,280 --> 00:13:02,079 Speaker 3: that you hear the lyrics and you go geez, that 281 00:13:02,320 --> 00:13:05,240 Speaker 3: is exactly how I feel, you know. 282 00:13:05,600 --> 00:13:08,440 Speaker 6: Yeah, And that is one of the sweet parts of it, 283 00:13:08,480 --> 00:13:11,360 Speaker 6: the fact that you know you can create those things 284 00:13:11,360 --> 00:13:14,400 Speaker 6: and then once you let it go, it actually can 285 00:13:14,440 --> 00:13:17,520 Speaker 6: help someone else or it becomes their thing too, for 286 00:13:17,559 --> 00:13:19,080 Speaker 6: them to try and make sense of things or for 287 00:13:19,120 --> 00:13:22,280 Speaker 6: them to heal. That's a wonderful thing, man, that's quite special. 288 00:13:23,120 --> 00:13:26,199 Speaker 1: Absolutely, yeah, yeah, I can only imagine that actually actually, 289 00:13:26,240 --> 00:13:28,679 Speaker 1: funnily enough, a bit of a time shift here, but Woods, 290 00:13:28,720 --> 00:13:32,559 Speaker 1: I'm pretty sure your breakup song different to these guys, 291 00:13:32,720 --> 00:13:34,920 Speaker 1: was you played a lot of King of Wishful Thinking. 292 00:13:35,520 --> 00:13:38,280 Speaker 2: Yeah that's right, yeah, you know, yeah, you know that song. 293 00:13:39,360 --> 00:13:40,800 Speaker 4: So fantastic song. 294 00:13:42,440 --> 00:13:43,440 Speaker 2: Yeah. 295 00:13:43,559 --> 00:13:53,280 Speaker 3: Again, I don't deal weird, Yeah, yeah, so it's weird 296 00:13:53,320 --> 00:13:56,040 Speaker 3: bringing this up. You know, I don't want to compare 297 00:13:56,080 --> 00:13:58,200 Speaker 3: this to go in through like a marriage breakdown, but 298 00:13:58,240 --> 00:13:59,520 Speaker 3: I was going out with someone for four and a 299 00:13:59,559 --> 00:14:03,600 Speaker 3: half years, is uh, and we broke up. It's over 300 00:14:03,640 --> 00:14:06,440 Speaker 3: a year now, but yeah, I was going through that 301 00:14:06,480 --> 00:14:08,800 Speaker 3: stage where it's just like going to bed. 302 00:14:08,800 --> 00:14:09,760 Speaker 2: I always found really hard. 303 00:14:09,760 --> 00:14:11,360 Speaker 3: I don't know why, but just going to bed every 304 00:14:11,440 --> 00:14:12,320 Speaker 3: night was just for me. 305 00:14:12,400 --> 00:14:14,440 Speaker 2: I dreaded that it's. 306 00:14:14,280 --> 00:14:15,920 Speaker 5: Always night times hard. 307 00:14:15,960 --> 00:14:17,560 Speaker 2: Hey it sucks. 308 00:14:17,880 --> 00:14:20,080 Speaker 3: You know, you've had You've had four years of having 309 00:14:20,200 --> 00:14:22,160 Speaker 3: company in bed and having a place that you look 310 00:14:22,240 --> 00:14:24,560 Speaker 3: forward to, and then it was so weird to go 311 00:14:24,600 --> 00:14:28,680 Speaker 3: through that shift where bed became thinking about her and 312 00:14:28,800 --> 00:14:32,120 Speaker 3: just the most lonely dark place. So you just never 313 00:14:32,160 --> 00:14:35,400 Speaker 3: wanted to go to bed. But I remember it was yeah, 314 00:14:35,520 --> 00:14:37,360 Speaker 3: it was one Yeah, it was actually one morning that 315 00:14:37,440 --> 00:14:39,600 Speaker 3: song just rolled on on the on the radio I've 316 00:14:39,600 --> 00:14:42,200 Speaker 3: got in in my bedroom and it was that just 317 00:14:42,320 --> 00:14:43,760 Speaker 3: I don't know what it was about it, but just 318 00:14:43,800 --> 00:14:47,040 Speaker 3: like boom, you know, I can today is going to 319 00:14:47,040 --> 00:14:49,920 Speaker 3: be in all right day. 320 00:14:49,600 --> 00:14:50,680 Speaker 4: Songs all the time as well? 321 00:14:51,600 --> 00:14:53,840 Speaker 2: Is all time, isn't it? 322 00:14:55,680 --> 00:14:57,800 Speaker 5: When you? When you when you when you think about 323 00:14:57,800 --> 00:14:59,800 Speaker 5: things like that. I found that massively. 324 00:14:59,880 --> 00:15:02,480 Speaker 7: Like when I had gone through Holland stuff, I moved 325 00:15:02,480 --> 00:15:04,800 Speaker 7: out of the city, moved up to the beaches, living 326 00:15:04,800 --> 00:15:06,440 Speaker 7: this house by myself. 327 00:15:06,280 --> 00:15:08,000 Speaker 5: And it was really really lonely. 328 00:15:08,040 --> 00:15:10,080 Speaker 7: And then like every time the summer go down the afternoon, 329 00:15:10,120 --> 00:15:11,440 Speaker 7: you're like, here comes that sort of. 330 00:15:11,400 --> 00:15:14,200 Speaker 5: Feeling every day. And then you go to bed, and 331 00:15:14,640 --> 00:15:15,040 Speaker 5: you wake. 332 00:15:14,960 --> 00:15:16,480 Speaker 7: Up in the morning and I go for surf whatever, 333 00:15:16,640 --> 00:15:18,080 Speaker 7: and as soon as the sun comes up, you're like, 334 00:15:18,680 --> 00:15:19,920 Speaker 7: everything's actually pretty good. 335 00:15:20,560 --> 00:15:22,640 Speaker 5: It's amazing sun has the ability. 336 00:15:22,320 --> 00:15:26,160 Speaker 8: To do that totally, yeah, totally, or any or anything 337 00:15:26,200 --> 00:15:28,600 Speaker 8: when you're when when things are as ship as they 338 00:15:28,680 --> 00:15:32,400 Speaker 8: possibly can be, you know, like every single time, it 339 00:15:32,440 --> 00:15:36,440 Speaker 8: always amazes me that like just a tiny little breath. 340 00:15:36,080 --> 00:15:39,600 Speaker 1: Of goodness can just blow everything up into a good 341 00:15:39,640 --> 00:15:40,200 Speaker 1: spot again. 342 00:15:40,960 --> 00:15:43,520 Speaker 2: And even if it is the sun or a tune or. 343 00:15:47,760 --> 00:15:51,480 Speaker 1: His power ballad, a puppet with it with its eyes 344 00:15:51,480 --> 00:15:52,360 Speaker 1: pulled out, I mean. 345 00:15:52,280 --> 00:15:55,000 Speaker 2: It doesn't really matter what it is, just fine. 346 00:15:58,280 --> 00:16:02,800 Speaker 1: Ot stuff, puppet in our faces. Hey guys, we're going 347 00:16:02,880 --> 00:16:04,240 Speaker 1: to play a tune from you guys. We're gonna play 348 00:16:04,240 --> 00:16:07,040 Speaker 1: two of Us, which is off Human Design. It's out now. 349 00:16:07,320 --> 00:16:09,280 Speaker 1: That's the brand new record from Birds of Tokyo con 350 00:16:09,280 --> 00:16:12,240 Speaker 1: stream it you can download it is their sixth studio album. 351 00:16:12,240 --> 00:16:14,640 Speaker 1: There are genuine juggernaut in the Aussy music industry now. 352 00:16:14,640 --> 00:16:16,800 Speaker 1: And guys, as what you said before, I mean tim 353 00:16:16,840 --> 00:16:18,240 Speaker 1: of the cap to you guys, just in terms of 354 00:16:19,120 --> 00:16:21,760 Speaker 1: putting yourselves out there and creating a sound, which I'm 355 00:16:21,800 --> 00:16:24,200 Speaker 1: sure you you know we keep saying bittersweet, but you 356 00:16:24,560 --> 00:16:28,320 Speaker 1: can already see and feel the benefits of exposing yourself 357 00:16:28,320 --> 00:16:30,080 Speaker 1: on that level. And I've got no idea what sort 358 00:16:30,080 --> 00:16:31,720 Speaker 1: of a rollercoaster that's been for you, but I'll tell 359 00:16:31,720 --> 00:16:35,000 Speaker 1: you it's really greatly appreciated by everyone. I mean, people 360 00:16:35,040 --> 00:16:36,720 Speaker 1: connect with it, and they are connecting with it. So 361 00:16:36,760 --> 00:16:38,760 Speaker 1: well done with the record and putting yourselves out there, 362 00:16:38,800 --> 00:16:41,960 Speaker 1: and thank you the process and the Rays of Sunshine 363 00:16:42,000 --> 00:16:43,600 Speaker 1: and the power ballads and all that. 364 00:16:43,840 --> 00:16:45,080 Speaker 2: Thank you so much for joining us. 365 00:16:48,280 --> 00:16:51,560 Speaker 4: Pleas pleasure, absolute pleasure. 366 00:16:52,120 --> 00:16:54,120 Speaker 2: Yeah, it's been great talking and good luck. 367 00:16:54,160 --> 00:16:57,720 Speaker 1: I know. Actually before we go, sorry, Adam, I I 368 00:16:57,800 --> 00:16:58,800 Speaker 1: keep putting the spotlight on you. 369 00:16:58,720 --> 00:17:00,120 Speaker 2: You thought you'd come in here and play with you 370 00:17:00,160 --> 00:17:07,040 Speaker 2: cute puppets? You on? You put the puppet down? Mate? 371 00:17:09,680 --> 00:17:10,920 Speaker 2: You had do you mind? 372 00:17:10,960 --> 00:17:12,760 Speaker 1: Just talking is really quickly through what happened to you 373 00:17:12,800 --> 00:17:14,960 Speaker 1: in the US recently because that sounds gnarly. 374 00:17:16,840 --> 00:17:19,800 Speaker 2: But what's that hospital? 375 00:17:21,800 --> 00:17:22,320 Speaker 4: Hospital? 376 00:17:24,280 --> 00:17:27,840 Speaker 1: I've got notes here saying that you had a pretty 377 00:17:27,880 --> 00:17:33,479 Speaker 1: hectic incident on tour recently that left you, quote at 378 00:17:33,480 --> 00:17:35,919 Speaker 1: the mercy of the American public health system. Is that 379 00:17:36,000 --> 00:17:40,280 Speaker 1: something that's worth talking about or have I. 380 00:17:38,960 --> 00:17:39,879 Speaker 5: I don't think that's me. 381 00:17:41,160 --> 00:17:44,520 Speaker 1: That produce has got a Wikipedia the sort of research 382 00:17:46,160 --> 00:17:48,919 Speaker 1: it actually could be, which is hilarious. All right, well, Adam, 383 00:17:48,960 --> 00:17:51,120 Speaker 1: you know, to make up a story and just make 384 00:17:51,160 --> 00:17:51,840 Speaker 1: it sounds. 385 00:17:52,560 --> 00:17:56,000 Speaker 4: There was there was. He's ended up in hospital more 386 00:17:56,040 --> 00:17:56,720 Speaker 4: than I care. 387 00:17:56,800 --> 00:18:03,040 Speaker 6: To remember, died, so he's got I think that one 388 00:18:03,119 --> 00:18:03,679 Speaker 6: was stakes. 389 00:18:03,800 --> 00:18:07,600 Speaker 4: We were over there making a record. Yeah, we had 390 00:18:07,640 --> 00:18:08,280 Speaker 4: a house. 391 00:18:10,040 --> 00:18:12,800 Speaker 1: I nearly died, right, this is the hospital story I 392 00:18:12,920 --> 00:18:13,639 Speaker 1: might have been angling. 393 00:18:13,960 --> 00:18:15,479 Speaker 2: Perfect, we're on the same page. 394 00:18:16,400 --> 00:18:19,960 Speaker 7: Oh it depends. Ye, there's a been a few. 395 00:18:24,119 --> 00:18:27,600 Speaker 5: Scars. Yeah, here they're all over. What do you keep 396 00:18:27,640 --> 00:18:28,560 Speaker 5: doing in America? 397 00:18:28,760 --> 00:18:28,840 Speaker 4: Was? 398 00:18:29,960 --> 00:18:32,320 Speaker 7: Unless you're getting mixed me someone else? That was That 399 00:18:32,359 --> 00:18:34,880 Speaker 7: was a little while ago. But I thought I had 400 00:18:34,880 --> 00:18:37,560 Speaker 7: like an appendix or something, or some bursting or whatever, 401 00:18:37,600 --> 00:18:39,680 Speaker 7: and the guys are going to take me to the hospital. 402 00:18:39,720 --> 00:18:41,560 Speaker 7: I fell down the stairs and cracked my head open, 403 00:18:42,119 --> 00:18:45,840 Speaker 7: so they took middle emergency and they wouldn't see me 404 00:18:45,920 --> 00:18:47,880 Speaker 7: because of my appendix, but they would see me because 405 00:18:47,920 --> 00:18:51,000 Speaker 7: I'd split all my head open. So yeah, I spent 406 00:18:51,280 --> 00:18:53,639 Speaker 7: a favorite of time. And that's like fifteen thousand dollars 407 00:18:53,680 --> 00:18:59,600 Speaker 7: later on American Health emergency rooms sort of. 408 00:19:01,119 --> 00:19:05,679 Speaker 3: More I think of, Oh I actually had I had 409 00:19:05,680 --> 00:19:09,760 Speaker 3: a pretty similar on Sparky. I had a suspected burst appendix. 410 00:19:10,080 --> 00:19:12,480 Speaker 3: So I was like, I think I was fifteen or fourteen, 411 00:19:12,600 --> 00:19:15,359 Speaker 3: And yeah, Dad rushed me to the emergency because I 412 00:19:15,400 --> 00:19:17,160 Speaker 3: was in so much pain that he assumed. 413 00:19:17,000 --> 00:19:19,359 Speaker 2: Did either either burst or it was about to burst. 414 00:19:20,040 --> 00:19:22,440 Speaker 3: And so we explained it to the emergency and got 415 00:19:22,520 --> 00:19:25,719 Speaker 3: rushed straight through the emergency room and doctor came, you know, 416 00:19:25,800 --> 00:19:28,439 Speaker 3: barging in, and anyway, I did a few feels around 417 00:19:28,440 --> 00:19:32,000 Speaker 3: and turns out I just had compressed gas and. 418 00:19:33,680 --> 00:19:34,920 Speaker 2: All I had to do was fast. 419 00:19:40,600 --> 00:19:41,240 Speaker 4: That's amazing. 420 00:19:41,320 --> 00:19:43,080 Speaker 6: I just have this like picture of you there on 421 00:19:43,119 --> 00:19:45,960 Speaker 6: the hospital bed and some nurse like just giving you 422 00:19:46,080 --> 00:19:48,960 Speaker 6: like release far positions, like you know, like justuck. 423 00:19:48,680 --> 00:19:53,480 Speaker 2: It from the truth. 424 00:19:53,520 --> 00:19:56,199 Speaker 1: They put him in the birthing suite, just really make 425 00:19:56,280 --> 00:19:57,640 Speaker 1: sure they get the legs up high. 426 00:19:58,520 --> 00:20:00,720 Speaker 3: My dad absolutely dines out on that. He calls it 427 00:20:00,760 --> 00:20:02,600 Speaker 3: the three hundred and thirty two dollars fart. 428 00:20:03,880 --> 00:20:08,679 Speaker 6: Oh wow, worth it so worthy. 429 00:20:09,280 --> 00:20:11,560 Speaker 1: Jeez, we've covered to the ground with you, guys. I 430 00:20:11,600 --> 00:20:13,160 Speaker 1: love that we're ending on the fact that a fart 431 00:20:13,160 --> 00:20:17,480 Speaker 1: corosts for fifty bucks. Good to Tokyo, Adam, I and guys, 432 00:20:17,480 --> 00:20:19,440 Speaker 1: thank you so much for joining us as a part 433 00:20:19,440 --> 00:20:21,399 Speaker 1: of Sidewalk Talk. It's been a pleasure to have you on. 434 00:20:21,560 --> 00:20:23,359 Speaker 1: Catchup as always and good luck with the record. 435 00:20:23,400 --> 00:20:23,720 Speaker 2: Guys. 436 00:20:24,520 --> 00:20:25,960 Speaker 4: Thanks for the time, dude, appreciate it. 437 00:20:26,000 --> 00:20:29,000 Speaker 2: No worries. Thanks Fallas, Thank you so much, guys. 438 00:20:29,200 --> 00:20:32,960 Speaker 1: Thanks guys, I have a great afternoon, Enjoy Friday. 439 00:20:32,960 --> 00:20:34,280 Speaker 2: Thanks guys. Cheers, Mate,