1 00:00:00,080 --> 00:00:02,040 Speaker 1: Oh, what a show today, What a show. 2 00:00:02,320 --> 00:00:04,520 Speaker 2: We spoke to Eric Thompson, He's been a busy man. 3 00:00:04,559 --> 00:00:06,880 Speaker 2: On Sunday night, he did a beautiful speech for Rebecca 4 00:00:06,960 --> 00:00:09,639 Speaker 2: Gidney as she was inducted into the TV Hall of Fame. 5 00:00:09,880 --> 00:00:10,920 Speaker 2: He's going to be joining us. 6 00:00:11,320 --> 00:00:13,440 Speaker 1: Also, blind surfer Matt Formston. 7 00:00:13,720 --> 00:00:17,320 Speaker 3: He's challenging the big waves of Nazaree in a new documentary. 8 00:00:17,400 --> 00:00:20,120 Speaker 2: Yeah, he's only got three percent vision. It is quite extraordinary. 9 00:00:20,320 --> 00:00:22,520 Speaker 2: The tribal drum is beating for We've called it, what 10 00:00:22,640 --> 00:00:25,880 Speaker 2: kind of perv are you? But really we're talking about 11 00:00:25,960 --> 00:00:31,040 Speaker 2: specific niche perving. A whole of train pervs came out 12 00:00:31,040 --> 00:00:33,680 Speaker 2: of the woodwork when the new Metro was opened just 13 00:00:33,720 --> 00:00:36,080 Speaker 2: a few days ago. People had platcards, people had t shirts. 14 00:00:36,080 --> 00:00:37,599 Speaker 2: People want to be the first to go on it. 15 00:00:37,800 --> 00:00:40,000 Speaker 2: What kind of pervire you? Brendan. 16 00:00:40,560 --> 00:00:55,760 Speaker 1: That's all coming up in this podcast. 17 00:00:51,240 --> 00:00:51,559 Speaker 2: Right now. 18 00:00:51,640 --> 00:00:52,760 Speaker 4: That a miracle of recording. 19 00:00:53,000 --> 00:00:55,160 Speaker 1: We have so many requests for them to do it again. 20 00:00:55,280 --> 00:00:59,120 Speaker 5: Mistress Amanda's miscal Amanda doesn't work alone. 21 00:01:00,960 --> 00:01:03,640 Speaker 2: Friend making the tools of the train. 22 00:01:03,760 --> 00:01:06,520 Speaker 3: I've heard them describe him as a drunken idiot. 23 00:01:07,080 --> 00:01:11,920 Speaker 6: I've been doing a legendary poet Jonesy and Amanda the actress. 24 00:01:11,959 --> 00:01:13,960 Speaker 2: Congratulations, we're the aady right now. 25 00:01:14,880 --> 00:01:18,880 Speaker 1: Jersey and Amanda, you're doing a great job yourself. 26 00:01:21,240 --> 00:01:21,880 Speaker 7: Good radio. 27 00:01:22,160 --> 00:01:25,959 Speaker 8: Sorry but it's a tongue tongue twist set. 28 00:01:26,120 --> 00:01:28,760 Speaker 3: And Amanda, it's shoot Timy. 29 00:01:29,400 --> 00:01:32,000 Speaker 1: We're on the air today. 30 00:01:32,040 --> 00:01:33,240 Speaker 2: And well, and how are you going? 31 00:01:33,360 --> 00:01:33,959 Speaker 1: I'm okay. 32 00:01:34,400 --> 00:01:36,560 Speaker 2: I'm going to start the show with something you love, 33 00:01:38,080 --> 00:01:42,360 Speaker 2: baking and eggs pans. I read something the other day 34 00:01:42,360 --> 00:01:44,840 Speaker 2: that said pans aren't designed to make you laugh. The 35 00:01:44,920 --> 00:01:47,240 Speaker 2: designed to make you very angry, so they work for you. 36 00:01:47,920 --> 00:01:48,240 Speaker 1: It's not. 37 00:01:48,360 --> 00:01:50,600 Speaker 3: I appreciate them, but I'm not a sort of person 38 00:01:50,600 --> 00:01:53,080 Speaker 3: will laugh out loud at them. And they're the equivalent 39 00:01:53,120 --> 00:01:55,400 Speaker 3: to someone getting a pie in the face or a 40 00:01:55,400 --> 00:01:57,760 Speaker 3: man dressing up in women's clothing on the footy show. 41 00:01:58,040 --> 00:02:00,480 Speaker 1: I go, okay, we're. 42 00:02:01,520 --> 00:02:04,560 Speaker 2: The puns. Don't don't make you laugh there. It's a 43 00:02:04,600 --> 00:02:05,640 Speaker 2: clever play on my cap. 44 00:02:06,640 --> 00:02:07,600 Speaker 1: I'm appreciated. 45 00:02:07,920 --> 00:02:10,480 Speaker 2: These are the funniest jokes. I've been deemed the funniest 46 00:02:10,520 --> 00:02:13,160 Speaker 2: jokes at the Edinburgh Fringe Festival. And jokes is in 47 00:02:13,200 --> 00:02:16,400 Speaker 2: one line as not in those long winding shaggy dog stories. 48 00:02:17,080 --> 00:02:19,000 Speaker 2: So let's just read for a few of the runners 49 00:02:19,080 --> 00:02:20,720 Speaker 2: up here, the one that came in twelve. 50 00:02:20,840 --> 00:02:22,520 Speaker 3: We're at the chuckle hut. 51 00:02:23,320 --> 00:02:27,200 Speaker 2: Yeah you ready to hear in the crowd. Yeah, hey, 52 00:02:27,280 --> 00:02:30,480 Speaker 2: everyone having a good night. No good that's pun number one. 53 00:02:30,560 --> 00:02:32,000 Speaker 2: It's not really I made that up. It may as 54 00:02:32,000 --> 00:02:32,960 Speaker 2: well be because they were like that. 55 00:02:33,240 --> 00:02:35,120 Speaker 1: I like to give her a go, mate, give me 56 00:02:35,160 --> 00:02:35,760 Speaker 1: a go. Hey. 57 00:02:35,840 --> 00:02:38,400 Speaker 2: I've got a girlfriend who never stops whining. I wish 58 00:02:38,440 --> 00:02:42,919 Speaker 2: i'd never bought her that vineyard any chuckle. I like 59 00:02:43,000 --> 00:02:46,040 Speaker 2: this one. I like this one. I'm an extremely emotionally 60 00:02:46,160 --> 00:02:49,680 Speaker 2: needy non binary person. My pronouns are there there. 61 00:02:50,919 --> 00:02:52,280 Speaker 1: That's good they laughter. 62 00:02:53,600 --> 00:02:54,919 Speaker 2: Come on, Ryan, you're smirking. 63 00:02:54,960 --> 00:02:57,600 Speaker 1: I know you are, studio mate. 64 00:02:57,639 --> 00:02:59,960 Speaker 2: The conspiracy theory about the moon being made of cheer 65 00:03:00,400 --> 00:03:06,760 Speaker 2: was started by the Halluminati. I'm getting some lat I'm 66 00:03:06,800 --> 00:03:10,239 Speaker 2: getting some lot that we'll see. They're the best ones, 67 00:03:10,240 --> 00:03:11,959 Speaker 2: and they're the ones that came twelfth to eleventh, tenth. 68 00:03:12,000 --> 00:03:14,800 Speaker 2: Let's make our way a little bit up the list here. 69 00:03:14,919 --> 00:03:15,639 Speaker 1: Maybe you should quit. 70 00:03:15,800 --> 00:03:18,840 Speaker 2: You're ahead, coming at number five. I love the Olympics. 71 00:03:18,960 --> 00:03:21,040 Speaker 2: My friend and I invented a new type of relay 72 00:03:21,120 --> 00:03:23,120 Speaker 2: bat on. Well, he came up with the idea and 73 00:03:23,160 --> 00:03:26,359 Speaker 2: I ran with it. See we're getting to the point. 74 00:03:26,360 --> 00:03:29,200 Speaker 2: We're just going yeah. Number three eight horse at a 75 00:03:29,240 --> 00:03:31,800 Speaker 2: restaurant once wasn't great. The starter was all right, but 76 00:03:31,840 --> 00:03:37,920 Speaker 2: the main was dreadful. Number two. This is number two, 77 00:03:37,960 --> 00:03:40,440 Speaker 2: and this is one of the worst. I've been taking 78 00:03:40,480 --> 00:03:42,960 Speaker 2: SOLSA lessons for months. I just don't feel like I'm progressing. 79 00:03:43,000 --> 00:03:46,160 Speaker 2: It's one step forward, two steps back. I can't believe 80 00:03:46,160 --> 00:03:49,800 Speaker 2: you're after that. Here it is. Here's number one, nod Dad, 81 00:03:51,200 --> 00:03:54,480 Speaker 2: here we go. Are you ready? Are you ready? This 82 00:03:54,760 --> 00:03:57,440 Speaker 2: is the one that came Number one. Mark Simmons is 83 00:03:57,440 --> 00:04:00,200 Speaker 2: the man who went one with this the funniest at 84 00:04:00,200 --> 00:04:02,680 Speaker 2: the Edinburgh Fringe Festival. I was going to sat around 85 00:04:02,680 --> 00:04:05,520 Speaker 2: the globe on the world's smallest ship, but I bottled 86 00:04:05,520 --> 00:04:11,120 Speaker 2: it a come on, thank you everyone, you've been great. 87 00:04:11,200 --> 00:04:13,800 Speaker 3: Now, rack Off, thanks for going to the journel ask 88 00:04:13,840 --> 00:04:17,640 Speaker 3: myself we get a baby to breastfeed themselves, or get 89 00:04:17,640 --> 00:04:20,640 Speaker 3: some sort of Palestinian protester in the crowd, that would 90 00:04:20,680 --> 00:04:21,479 Speaker 3: be great. 91 00:04:23,200 --> 00:04:23,840 Speaker 1: Actual pactuate. 92 00:04:23,920 --> 00:04:26,880 Speaker 3: Today we've got Matt Formston joining us on the show. 93 00:04:26,920 --> 00:04:29,080 Speaker 3: Matt Formston is a blind surfer. 94 00:04:29,400 --> 00:04:31,440 Speaker 2: Do you mean when you say blind surf, he just does. 95 00:04:31,600 --> 00:04:34,680 Speaker 2: He goes out into surf obviously. Does he compete, Yeah, yeah. 96 00:04:34,800 --> 00:04:37,560 Speaker 3: He's He does it, you know, in the in with 97 00:04:37,680 --> 00:04:39,960 Speaker 3: other blind surface So I'd imagine we'll ask you all 98 00:04:40,000 --> 00:04:42,400 Speaker 3: these questions when he comes on, just the fact of 99 00:04:42,480 --> 00:04:44,760 Speaker 3: going out in the surf with fine he's got three 100 00:04:44,800 --> 00:04:45,640 Speaker 3: percent vision. 101 00:04:45,800 --> 00:04:49,280 Speaker 2: Remember we've interviewed someone once who was surfed in the 102 00:04:49,360 --> 00:04:50,120 Speaker 2: dark at night. 103 00:04:50,320 --> 00:04:51,360 Speaker 1: Ah, yeah, that's right. 104 00:04:51,480 --> 00:04:53,960 Speaker 2: Yeah, And that's scary enough because the ocean is scary 105 00:04:54,560 --> 00:04:57,680 Speaker 2: at night, But when the ocean's always dark and scary, 106 00:04:57,720 --> 00:04:58,719 Speaker 2: that'd be terrifying. 107 00:04:59,040 --> 00:05:01,440 Speaker 1: Eric Thompson's ga to be joining users surfer. 108 00:05:01,920 --> 00:05:04,360 Speaker 2: No, I know he's an active but he lives near 109 00:05:04,360 --> 00:05:06,839 Speaker 2: the water straight so he does. 110 00:05:07,600 --> 00:05:10,279 Speaker 1: And Instagram makes us return as well. 111 00:05:10,520 --> 00:05:12,200 Speaker 3: Today is the day we're going to give away money 112 00:05:12,560 --> 00:05:15,960 Speaker 3: trying to If it doesn't go on today. 113 00:05:16,040 --> 00:05:18,239 Speaker 2: You're going to get a tattoo all the loging nominees 114 00:05:18,279 --> 00:05:18,880 Speaker 2: initials on. 115 00:05:18,839 --> 00:05:22,160 Speaker 3: Your of everyone that's ever failed in Instagram like you, 116 00:05:22,160 --> 00:05:23,200 Speaker 3: I've got a big bum. 117 00:05:24,200 --> 00:05:26,320 Speaker 2: He's question one for the Magnificent seven. We've got great 118 00:05:26,320 --> 00:05:28,200 Speaker 2: prizes on the line. You're ready if it feel as 119 00:05:28,200 --> 00:05:30,520 Speaker 2: though you've lived through with the present situation before? What 120 00:05:30,560 --> 00:05:31,840 Speaker 2: are you said to be experiencing? 121 00:05:32,960 --> 00:05:35,760 Speaker 3: We have the Magnificent seven and there are seven questions. 122 00:05:35,800 --> 00:05:38,000 Speaker 3: Can you go all the way and answer all seven 123 00:05:38,080 --> 00:05:40,159 Speaker 3: questions correctly? If you do that, a man will say, a. 124 00:05:40,200 --> 00:05:42,960 Speaker 2: Great price today with the mag seven A double pass 125 00:05:43,080 --> 00:05:48,039 Speaker 2: to Gig sixty at Cydney Coliseum. Amazing performances there. But 126 00:05:48,040 --> 00:05:49,760 Speaker 2: how about one hundred and fifty bucks worth of chocolate 127 00:05:49,800 --> 00:05:53,480 Speaker 2: from Cocoa Black. Whoa Williams in wy Wy, whoa William 128 00:05:53,520 --> 00:05:54,039 Speaker 2: in woy woy? 129 00:05:54,080 --> 00:05:54,400 Speaker 9: Whoa? 130 00:05:54,480 --> 00:05:55,040 Speaker 2: How are you? 131 00:05:55,640 --> 00:05:56,039 Speaker 10: I'm good? 132 00:05:56,440 --> 00:05:59,039 Speaker 2: Are you very well? His question number one? If it 133 00:05:59,040 --> 00:06:01,480 Speaker 2: feel as though you've lived through your present situation before, 134 00:06:01,520 --> 00:06:03,160 Speaker 2: what are you said to be experiencing? 135 00:06:05,440 --> 00:06:09,680 Speaker 1: That's it, Brench, that's your brain resetting. Apparently. 136 00:06:10,000 --> 00:06:12,400 Speaker 2: Well i've heard that, and I don't know whether this 137 00:06:12,480 --> 00:06:16,680 Speaker 2: is true. I excuse me, but sometimes your thoughts can 138 00:06:16,720 --> 00:06:19,640 Speaker 2: go down the wrong little path and you're triggering what 139 00:06:19,720 --> 00:06:22,800 Speaker 2: feels like a memory, but it's not. Okay, it's triggered 140 00:06:22,800 --> 00:06:24,640 Speaker 2: the memory button, but it's not a memory. It's being 141 00:06:24,680 --> 00:06:25,760 Speaker 2: laid down for the first time. 142 00:06:25,880 --> 00:06:28,159 Speaker 3: William, you want to wait in on any ideas about 143 00:06:28,400 --> 00:06:28,920 Speaker 3: deja vu. 144 00:06:29,960 --> 00:06:30,839 Speaker 10: Oh, I don't know. 145 00:06:30,839 --> 00:06:32,080 Speaker 6: I think has their opinion. 146 00:06:33,920 --> 00:06:36,160 Speaker 1: William just sitting on the fence about deja vu? 147 00:06:36,680 --> 00:06:39,640 Speaker 3: Is calamari made from squid or octopus? 148 00:06:39,760 --> 00:06:40,200 Speaker 1: William? 149 00:06:41,760 --> 00:06:44,679 Speaker 2: Ye squid, I was wondering. Oh no, they both freaked 150 00:06:44,720 --> 00:06:46,719 Speaker 2: me out. Their cousins apparently. 151 00:06:46,960 --> 00:06:50,599 Speaker 3: Yes, that's what the octopus says, a sacho mate, because 152 00:06:50,600 --> 00:06:51,720 Speaker 3: no one really likes squid. 153 00:06:51,920 --> 00:06:53,880 Speaker 2: I don't like it. Well, octopus get eaten. 154 00:06:54,880 --> 00:06:57,520 Speaker 1: I mean octopus, octopus. I was talking about you. Then 155 00:06:57,520 --> 00:06:59,360 Speaker 1: when you get those little octopus whole. 156 00:06:59,600 --> 00:07:02,080 Speaker 2: That makes me feel sick, and squid makes me feel sick. 157 00:07:02,160 --> 00:07:05,080 Speaker 2: I think I've had a past life experience where I've 158 00:07:05,080 --> 00:07:08,720 Speaker 2: been attacked by them. I see them and I feel nauseous. 159 00:07:08,760 --> 00:07:10,120 Speaker 1: What about squidding pasta? 160 00:07:10,400 --> 00:07:11,320 Speaker 2: I just would never have it. 161 00:07:11,360 --> 00:07:11,840 Speaker 1: What's the point? 162 00:07:11,920 --> 00:07:14,200 Speaker 2: I would never have it? As I enter it empty 163 00:07:14,240 --> 00:07:15,480 Speaker 2: a cartridge, Penny, William, do. 164 00:07:15,440 --> 00:07:19,600 Speaker 1: You want to wait in on this as well? Okay, 165 00:07:19,640 --> 00:07:20,760 Speaker 1: there you go. There's some homeworks. 166 00:07:20,800 --> 00:07:22,640 Speaker 2: Some people love it, but I just think, yeah, get. 167 00:07:22,520 --> 00:07:23,920 Speaker 1: Out of the boy way ourself. 168 00:07:23,960 --> 00:07:26,680 Speaker 2: And everyone was raving about that. Incredible my octopus teacher. 169 00:07:26,880 --> 00:07:28,040 Speaker 2: Because octopus freaked me out. 170 00:07:28,040 --> 00:07:30,080 Speaker 1: I couldn't watch that your octopus teacher. 171 00:07:30,320 --> 00:07:33,520 Speaker 2: Remember that's that amazing documentary about a man that fortuned 172 00:07:33,520 --> 00:07:36,320 Speaker 2: an incredible friendship with an octopus. I never saw that, 173 00:07:36,360 --> 00:07:36,720 Speaker 2: didn't you? 174 00:07:37,120 --> 00:07:45,480 Speaker 3: His hands were all over Let's play back TV. 175 00:07:46,240 --> 00:07:48,280 Speaker 2: William. Can you sing the next line of this song? 176 00:07:48,320 --> 00:07:48,960 Speaker 2: Here we go. 177 00:07:57,720 --> 00:07:57,880 Speaker 11: Go? 178 00:08:00,360 --> 00:08:00,760 Speaker 6: I can't. 179 00:08:03,080 --> 00:08:04,160 Speaker 2: I've enjoyed our chat. 180 00:08:04,160 --> 00:08:06,800 Speaker 1: I liked your opinions. You might want to settle down 181 00:08:06,800 --> 00:08:07,040 Speaker 1: a bit. 182 00:08:07,560 --> 00:08:09,680 Speaker 2: Please come down. You started a few fights through that 183 00:08:09,760 --> 00:08:11,040 Speaker 2: kind of attitude, young man. 184 00:08:11,120 --> 00:08:13,880 Speaker 1: Well, William, there's a space for you and talk back radio. 185 00:08:15,960 --> 00:08:16,480 Speaker 2: Podcast. 186 00:08:16,600 --> 00:08:19,480 Speaker 1: We're into the magnificent seven. Well stuck on question three? 187 00:08:19,520 --> 00:08:22,760 Speaker 3: It's sing it back to me? 188 00:08:24,360 --> 00:08:25,880 Speaker 2: Okay, Ali, are you ready to go? 189 00:08:26,600 --> 00:08:28,240 Speaker 12: I'm already, Amanda. 190 00:08:29,480 --> 00:08:31,119 Speaker 2: Can you sing the next line of this song? 191 00:08:32,679 --> 00:08:43,480 Speaker 11: That's when I come around. 192 00:08:43,559 --> 00:08:47,840 Speaker 1: You're like Billy Joe Armstrong a female version. 193 00:08:48,240 --> 00:08:50,480 Speaker 3: What is the term for a word or phrase that 194 00:08:50,559 --> 00:08:54,000 Speaker 3: has spelled the same backward as it is forward? Is 195 00:08:54,040 --> 00:09:00,520 Speaker 3: it a palindrome? Be a homophone? See a panagram? It's 196 00:09:00,520 --> 00:09:01,440 Speaker 3: a palindrome, you know it? 197 00:09:01,480 --> 00:09:02,840 Speaker 2: You know talent palindrome? 198 00:09:02,920 --> 00:09:04,720 Speaker 1: Yeah? What's a home of homophone? 199 00:09:04,840 --> 00:09:04,880 Speaker 9: No? 200 00:09:05,760 --> 00:09:09,040 Speaker 2: Homophone? Words that have the same pronunciation of different meanings, 201 00:09:09,080 --> 00:09:13,120 Speaker 2: like new and new and a pangram is a sentence 202 00:09:13,320 --> 00:09:15,959 Speaker 2: where every letter of the alphabet is used, like a 203 00:09:16,040 --> 00:09:17,839 Speaker 2: quick brown fox jumped over the lazy dog. 204 00:09:18,040 --> 00:09:19,920 Speaker 3: The reception as Center, that's what they get the girls 205 00:09:19,960 --> 00:09:23,640 Speaker 3: to type on because it uses every word, every letter. 206 00:09:23,440 --> 00:09:24,800 Speaker 1: When they're typing away. 207 00:09:24,960 --> 00:09:26,880 Speaker 2: That's what they do that the reception Center. 208 00:09:28,360 --> 00:09:29,679 Speaker 1: I'm a reception as center girl. 209 00:09:29,720 --> 00:09:33,000 Speaker 2: I'm Judy. Seeper question five. Which part of a plant 210 00:09:33,120 --> 00:09:37,360 Speaker 2: is responsible for absorbing water and nutrients from the soil? Alley, 211 00:09:37,559 --> 00:09:38,800 Speaker 2: What part of the plant does that? 212 00:09:40,080 --> 00:09:45,319 Speaker 12: Oh for thirsty one, but I thought photos instances. 213 00:09:45,720 --> 00:09:48,960 Speaker 2: No, that's the process by which it converts sunlight into energy. 214 00:09:49,360 --> 00:09:52,360 Speaker 2: What part of the plant absorbs water and nutrients from 215 00:09:52,440 --> 00:09:55,000 Speaker 2: the soil? What takes it up from the soil? Melissa 216 00:09:55,040 --> 00:09:57,160 Speaker 2: of Penrith, Melissa, do you know the answer to this? 217 00:09:57,679 --> 00:09:58,520 Speaker 11: Good morning, guys? 218 00:09:58,679 --> 00:09:59,719 Speaker 2: Is it the root? It's the root? 219 00:10:02,160 --> 00:10:02,880 Speaker 1: Just so that Betty. 220 00:10:03,840 --> 00:10:07,800 Speaker 3: Which English Football League has officially completed the first round 221 00:10:08,200 --> 00:10:09,240 Speaker 3: of its new season. 222 00:10:10,679 --> 00:10:13,320 Speaker 2: No, I do, guys, don't watch it so you don't 223 00:10:13,360 --> 00:10:16,040 Speaker 2: know why either. Sorry, Melissa. Mark's in Ingleburn, Hello, Mark, 224 00:10:16,920 --> 00:10:20,360 Speaker 2: are good? Thanks? Which English Football League has officially completed 225 00:10:20,360 --> 00:10:22,000 Speaker 2: the first round of its new season. 226 00:10:23,200 --> 00:10:28,640 Speaker 13: I'm going to a give some So the f A Cup, Ryan, 227 00:10:28,720 --> 00:10:29,360 Speaker 13: is that the same thing? 228 00:10:29,840 --> 00:10:31,800 Speaker 1: Sold in Jem? I right, because he's a he's a 229 00:10:31,840 --> 00:10:37,680 Speaker 1: real I know this a tournament. Peter's in Quakers Hill. 230 00:10:37,800 --> 00:10:38,920 Speaker 2: Peter, do you know the answer? 231 00:10:40,000 --> 00:10:43,160 Speaker 10: Yeah, that's the English Premier League the el I thought. 232 00:10:43,200 --> 00:10:45,400 Speaker 2: I thought the English Premier League was the f A Cup. 233 00:10:45,760 --> 00:10:47,240 Speaker 6: That's the tournament of the league. 234 00:10:47,720 --> 00:10:47,960 Speaker 1: Yeah. 235 00:10:48,880 --> 00:10:53,640 Speaker 2: Sorry, question seven for you, Peter. Here we go tonight. 236 00:10:53,720 --> 00:10:56,559 Speaker 1: You're not going to be over an SPS calling the soccer. 237 00:10:57,520 --> 00:11:02,880 Speaker 2: Tournament and a league same thing. Tonight's supermoon is said 238 00:11:02,920 --> 00:11:07,440 Speaker 2: to be what color, Peter, blue bloom, blue moon. That's 239 00:11:07,480 --> 00:11:09,120 Speaker 2: why I say once in a blue moon, as it 240 00:11:09,160 --> 00:11:11,880 Speaker 2: refers to two full moons within a single month, or 241 00:11:11,920 --> 00:11:12,960 Speaker 2: four within a season. 242 00:11:13,040 --> 00:11:16,280 Speaker 1: I was barreling down the tournament, I was barreling. 243 00:11:15,880 --> 00:11:19,079 Speaker 3: Down the Carl Expressway today and it just came perfectly 244 00:11:19,160 --> 00:11:19,880 Speaker 3: through the buildings. 245 00:11:20,240 --> 00:11:21,400 Speaker 1: That looks fantastic. 246 00:11:21,840 --> 00:11:24,280 Speaker 3: Congratulations to you, Peter, you won the jam Packet's all 247 00:11:24,280 --> 00:11:27,480 Speaker 3: coming away a double pasta gig sixty at Sydney Coloseum 248 00:11:27,760 --> 00:11:32,359 Speaker 3: Music Legends kick off Sydney Colosseum's musical festival this September 249 00:11:32,600 --> 00:11:35,120 Speaker 3: one hundred and fifty dollars worth of chocolate from Coco Black. 250 00:11:35,360 --> 00:11:38,520 Speaker 3: Indulge in delight these special men in your life With 251 00:11:38,640 --> 00:11:39,280 Speaker 3: Coco Black, I. 252 00:11:39,240 --> 00:11:41,160 Speaker 2: Think they're phrasing of ecause father's days company. 253 00:11:41,200 --> 00:11:43,120 Speaker 1: He might have special men in his life. Everyone's to 254 00:11:43,160 --> 00:11:47,839 Speaker 1: delight them. Did I so much? Peter? It's okay, Jonesy 255 00:11:47,920 --> 00:11:50,560 Speaker 1: nomadic character. Choose for the coln and some standard pencils 256 00:11:50,600 --> 00:11:50,920 Speaker 1: as well. 257 00:11:51,160 --> 00:11:52,760 Speaker 2: Peter's been painted into a cord. 258 00:11:53,040 --> 00:11:56,439 Speaker 3: No judgment here, mate, don't worry about it. 259 00:11:57,200 --> 00:12:01,040 Speaker 1: Anything that's it. Pete wants to go, don't blame you. 260 00:12:02,440 --> 00:12:04,280 Speaker 2: And I did to go because lots of soccer fans 261 00:12:04,320 --> 00:12:07,760 Speaker 2: are writing outside our boo lack of information. 262 00:12:07,400 --> 00:12:11,920 Speaker 1: Getting off as soccer fans. They get a bit enthusiastic. 263 00:12:12,400 --> 00:12:19,559 Speaker 13: Jonesy and Amanda Sam podcast Bengal. 264 00:12:19,320 --> 00:12:21,439 Speaker 2: Ready to Go Girl, so ready to go? 265 00:12:23,360 --> 00:12:26,000 Speaker 3: I mean through the Jerminak a big book of musical facts. 266 00:12:26,760 --> 00:12:27,360 Speaker 1: On this day. 267 00:12:27,360 --> 00:12:30,920 Speaker 3: In two thousand, Spiller released his hit Groove Jet. 268 00:12:31,200 --> 00:12:33,079 Speaker 2: Spiller and Groove Jet. I don't think I've ever heard 269 00:12:33,080 --> 00:12:33,240 Speaker 2: of it. 270 00:12:33,320 --> 00:12:39,040 Speaker 1: You know Spiller? This is Spiller? Oh you know this? 271 00:12:39,360 --> 00:12:40,360 Speaker 2: Yeah? 272 00:12:40,520 --> 00:12:44,080 Speaker 1: It came out in two thousand. Did Spiller twenty four 273 00:12:44,160 --> 00:12:47,200 Speaker 1: years ago. The song is four years ago. 274 00:12:48,080 --> 00:12:50,600 Speaker 3: Yes, it would be the song end of the charts 275 00:12:50,600 --> 00:12:55,600 Speaker 3: at number one. Pretty big deal because Christiano Spiller is 276 00:12:55,640 --> 00:12:59,360 Speaker 3: a pretty big dude. He is the tallest DJ in 277 00:12:59,440 --> 00:13:00,319 Speaker 3: the world. 278 00:13:01,920 --> 00:13:03,560 Speaker 2: Really all is he? 279 00:13:04,440 --> 00:13:07,000 Speaker 1: Well, he is six foot nine inches. 280 00:13:07,200 --> 00:13:07,520 Speaker 2: Wow. 281 00:13:07,640 --> 00:13:08,840 Speaker 1: But there's a bit of contention. 282 00:13:10,040 --> 00:13:16,040 Speaker 3: Hot on his heels is Dutch producer Afrojack. He's well, 283 00:13:16,280 --> 00:13:20,520 Speaker 3: he's saying that he's seven foot. There's no official measurement, 284 00:13:20,880 --> 00:13:23,400 Speaker 3: so you can just say that is I'm seven foot, 285 00:13:23,480 --> 00:13:25,000 Speaker 3: I'm heading shoulders above the rest. 286 00:13:25,080 --> 00:13:25,480 Speaker 1: Whatever. 287 00:13:26,240 --> 00:13:28,960 Speaker 3: But this is not about Afrojack. This is about Spiller. 288 00:13:29,360 --> 00:13:30,199 Speaker 3: Let's whack this thing. 289 00:13:30,280 --> 00:13:32,199 Speaker 1: I don't think we've ever played it before. 290 00:13:32,320 --> 00:13:33,200 Speaker 2: I don't think so either. 291 00:13:33,320 --> 00:13:34,760 Speaker 1: Flash back to two thousand. 292 00:13:36,240 --> 00:13:37,640 Speaker 2: I just want to a friend of mine yesterday, and 293 00:13:37,679 --> 00:13:39,439 Speaker 2: we're talking about how when you have boys. She's got 294 00:13:39,440 --> 00:13:42,240 Speaker 2: two sons in the same age as mine. The world 295 00:13:42,280 --> 00:13:46,880 Speaker 2: is really your laundry basket is a tide ebb and 296 00:13:46,880 --> 00:13:49,400 Speaker 2: flow of clothes that come in and leave your home. 297 00:13:49,960 --> 00:13:55,720 Speaker 2: T shirts, towels, shorts, socks, They come in, they go out. 298 00:13:55,800 --> 00:13:58,240 Speaker 2: Ones you buy you never see again. Your son is 299 00:13:58,280 --> 00:14:01,760 Speaker 2: constantly wearing closed and never belong to him Jack. Remember 300 00:14:01,960 --> 00:14:04,440 Speaker 2: I went to see my dad recently and Jack packed 301 00:14:04,480 --> 00:14:08,680 Speaker 2: everything he had into this tiny, tiny backpack that said 302 00:14:08,760 --> 00:14:12,559 Speaker 2: Jack Oliver six' a. No, he's twenty one years old, 303 00:14:13,920 --> 00:14:17,080 Speaker 2: but he turned up with their He turned up at 304 00:14:17,080 --> 00:14:19,600 Speaker 2: the airport wearing what I think with pajama pants that 305 00:14:19,760 --> 00:14:22,600 Speaker 2: weren't his Jack. So I just don't know how it happens. 306 00:14:22,680 --> 00:14:24,680 Speaker 2: Things come in, things go out, And you know this 307 00:14:24,720 --> 00:14:27,040 Speaker 2: as a mum of boys like this is that you'll 308 00:14:27,040 --> 00:14:29,600 Speaker 2: find yourself folding a school jumper, for example, with the 309 00:14:29,680 --> 00:14:32,240 Speaker 2: name of someone you've never heard of sewn inside it, 310 00:14:32,240 --> 00:14:33,560 Speaker 2: and you just fold it. You threw it away. 311 00:14:34,440 --> 00:14:34,880 Speaker 1: That's it. 312 00:14:34,960 --> 00:14:36,640 Speaker 2: It's some as yours for the day, and you never 313 00:14:36,680 --> 00:14:38,760 Speaker 2: know how long you'll have it. Well, she was telling 314 00:14:38,840 --> 00:14:41,320 Speaker 2: me that her son was on a boat in Croatia 315 00:14:41,360 --> 00:14:43,960 Speaker 2: with ten of his mates. One of the friends emerged 316 00:14:44,000 --> 00:14:46,640 Speaker 2: one morning sort of scratching himself, come out for a coffee, 317 00:14:46,880 --> 00:14:50,880 Speaker 2: and her son said, those are my father's underpants it 318 00:14:51,080 --> 00:14:57,560 Speaker 2: was wearing. He was wearing the dad's underpants from another family. 319 00:14:58,840 --> 00:14:58,960 Speaker 9: Man. 320 00:14:59,080 --> 00:15:02,960 Speaker 2: I forget Sisterhood of the Traveling Pants, the exotic journey 321 00:15:02,960 --> 00:15:06,520 Speaker 2: of Dad's jocks. That's far more interesting as a film. 322 00:15:07,120 --> 00:15:10,280 Speaker 1: Oh well, who don't know. 323 00:15:10,440 --> 00:15:12,480 Speaker 2: She said her husband was quite tough, that his unders 324 00:15:12,680 --> 00:15:14,760 Speaker 2: could be worn by a twenty year old and go 325 00:15:14,840 --> 00:15:17,160 Speaker 2: all around the world. But you expect if that's going 326 00:15:17,240 --> 00:15:19,680 Speaker 2: to happen, at least it's inside your own family. But 327 00:15:19,720 --> 00:15:21,840 Speaker 2: even kids would hate to think they're wearing their father's jocks. 328 00:15:21,840 --> 00:15:24,760 Speaker 2: Would you wear your father's jocks? Right? Three boys in 329 00:15:24,800 --> 00:15:29,240 Speaker 2: your household, that must have happened sharing amongst the brothers. 330 00:15:29,240 --> 00:15:32,840 Speaker 2: One thing wearing your dad's undies. Another wearing your friend's 331 00:15:32,920 --> 00:15:37,400 Speaker 2: dad's undies. Wow, that's a few degrees away from a 332 00:15:37,440 --> 00:15:40,880 Speaker 2: few degrees of Kevin Bacon only has one hair. 333 00:15:40,960 --> 00:15:45,080 Speaker 1: Anyway, those leopard skin ones got at the beginning. 334 00:15:47,600 --> 00:15:54,640 Speaker 3: Your portrait Artist of the Year. 335 00:15:54,720 --> 00:15:56,840 Speaker 1: You got to get onto the show. It's so easy 336 00:15:56,880 --> 00:15:57,240 Speaker 1: to watch. 337 00:15:57,320 --> 00:15:59,120 Speaker 2: It's such a great show. And I know you're trying 338 00:15:59,120 --> 00:16:01,000 Speaker 2: to wind me up, but I've watched this show and 339 00:16:01,080 --> 00:16:04,320 Speaker 2: loved it for years. This is where they people do 340 00:16:04,400 --> 00:16:07,480 Speaker 2: a self portrait and they submit it and then there's 341 00:16:07,480 --> 00:16:10,000 Speaker 2: probably about ten or twelve of them who compete, and 342 00:16:10,000 --> 00:16:12,800 Speaker 2: they have four hours to paint a celebrity, and their 343 00:16:12,840 --> 00:16:15,920 Speaker 2: different techniques are quite extraordinary, aren't they? And it's stressful 344 00:16:15,920 --> 00:16:17,520 Speaker 2: because they're not going to get it done in time, 345 00:16:17,720 --> 00:16:20,000 Speaker 2: and other ones who finish it then just add more 346 00:16:20,040 --> 00:16:22,400 Speaker 2: and more to it and wreck it. It's amazing that 347 00:16:22,440 --> 00:16:23,920 Speaker 2: the talent is extraordinary. 348 00:16:24,120 --> 00:16:24,320 Speaker 12: You know. 349 00:16:24,440 --> 00:16:27,080 Speaker 3: I went to art school and I did fine arts, 350 00:16:27,160 --> 00:16:28,840 Speaker 3: and I did a lot of portrait painting. I did 351 00:16:28,880 --> 00:16:31,920 Speaker 3: life painting, all that sort of stuff. Still lives naked 352 00:16:31,960 --> 00:16:35,280 Speaker 3: people and I like it. Out of all the things 353 00:16:35,320 --> 00:16:38,480 Speaker 3: that I was good at was possibly the life painting. 354 00:16:38,160 --> 00:16:40,720 Speaker 2: Life drawing, and what they do here it's hard to do. 355 00:16:40,840 --> 00:16:45,800 Speaker 2: The person who goes through is from every episode, then 356 00:16:45,840 --> 00:16:49,600 Speaker 2: competes in a big final and then you the winner 357 00:16:49,600 --> 00:16:52,680 Speaker 2: of all that paints a mega famous person for a 358 00:16:52,680 --> 00:16:56,040 Speaker 2: portrait that hangs in the National Portrait Gallery. It's quite extraordinary. 359 00:16:56,080 --> 00:16:57,320 Speaker 2: Who are they painting in the finale? 360 00:16:57,360 --> 00:17:02,480 Speaker 3: There are the dude from Conne. He played the copper 361 00:17:02,600 --> 00:17:04,560 Speaker 3: with the with the Corvette Stingray. 362 00:17:06,280 --> 00:17:09,479 Speaker 1: You know in Conne. 363 00:17:09,640 --> 00:17:11,800 Speaker 2: They have to been more famous than just someone from Connie. 364 00:17:12,040 --> 00:17:14,320 Speaker 2: Can you google it from your right, because I've seen 365 00:17:14,320 --> 00:17:14,840 Speaker 2: ones where. 366 00:17:14,720 --> 00:17:16,880 Speaker 3: They paint Colin something or other. 367 00:17:17,000 --> 00:17:22,960 Speaker 2: Nol Rogers, Tom Jones, Hillary Man. This has been going 368 00:17:22,960 --> 00:17:23,760 Speaker 2: for years and years. 369 00:17:23,800 --> 00:17:25,480 Speaker 1: It wasn't on the ABC. It was one of those 370 00:17:25,520 --> 00:17:26,920 Speaker 1: channels that I know existed, like. 371 00:17:27,080 --> 00:17:28,000 Speaker 2: The Lifestyle channel. 372 00:17:28,240 --> 00:17:31,920 Speaker 3: But it's called Life or Staff for fluff solid, yes, 373 00:17:32,040 --> 00:17:35,439 Speaker 3: and but it's got ads on it for stuff on 374 00:17:35,640 --> 00:17:36,240 Speaker 3: the channel. 375 00:17:36,320 --> 00:17:38,440 Speaker 2: Yes, right, do you know who it would be? 376 00:17:39,280 --> 00:17:43,600 Speaker 3: Okay, it's not Nicholas Cage anyway, Steve No, it's not 377 00:17:43,640 --> 00:17:45,440 Speaker 3: Stevemi he was the serial killer. 378 00:17:46,600 --> 00:17:51,040 Speaker 1: Now it's Colin Colin. He's an Irish. 379 00:17:51,720 --> 00:17:55,280 Speaker 3: It doesn't matter. He's an Irish actor. They're painting him. 380 00:17:55,400 --> 00:17:57,600 Speaker 3: But it's got ads for stuff on there. But it's 381 00:17:57,640 --> 00:17:59,399 Speaker 3: not stuff that you can use stuff. 382 00:17:59,640 --> 00:17:59,800 Speaker 1: You know. 383 00:17:59,840 --> 00:18:03,320 Speaker 3: It's are like Harvey Norman or McDonald's or Coca Cola. 384 00:18:03,400 --> 00:18:05,680 Speaker 3: And it's not regional TV, you know, and when you 385 00:18:05,720 --> 00:18:09,240 Speaker 3: watch you get WIN TV or NBN by accident locally 386 00:18:09,240 --> 00:18:11,080 Speaker 3: ore In and operated for the last twenty five years 387 00:18:11,200 --> 00:18:13,840 Speaker 3: just near the roundabout at the traffic lights because there's 388 00:18:13,880 --> 00:18:16,240 Speaker 3: only one set, you know, those ads. So it's not 389 00:18:16,320 --> 00:18:20,760 Speaker 3: that it's got all cool stuff like those build week 390 00:18:20,800 --> 00:18:25,480 Speaker 3: by week, building building storments things, batmobile another yes, I 391 00:18:25,520 --> 00:18:26,280 Speaker 3: now remember. 392 00:18:26,040 --> 00:18:28,400 Speaker 6: The Batman bile week by week build a unique replica 393 00:18:28,440 --> 00:18:31,320 Speaker 6: with digass Barnes follow stuff by stuff instructions that bring 394 00:18:31,320 --> 00:18:33,000 Speaker 6: the Batman legends of life. 395 00:18:33,560 --> 00:18:35,520 Speaker 1: I started on that, but I left it all at 396 00:18:35,560 --> 00:18:38,400 Speaker 1: the old building. I got two volumes in. 397 00:18:38,560 --> 00:18:39,360 Speaker 2: Yeah, that's the thing. 398 00:18:39,400 --> 00:18:40,960 Speaker 1: It's going to cost five thousand dollars. 399 00:18:41,560 --> 00:18:44,400 Speaker 2: So instead you spent eighteen million dollars and we've got 400 00:18:44,400 --> 00:18:45,239 Speaker 2: two sessions in. 401 00:18:45,720 --> 00:18:47,000 Speaker 1: Forget that the Batmobile. 402 00:18:47,119 --> 00:18:49,600 Speaker 3: So last year, this is the latest thing you can build, 403 00:18:49,920 --> 00:18:51,639 Speaker 3: the legendary Damn Buster Bomber. 404 00:18:51,760 --> 00:18:54,639 Speaker 8: Build the Lancaster B Mark three in magnificent one to 405 00:18:54,680 --> 00:18:57,879 Speaker 8: thirty two scale with die cast metal parts, stunning details, 406 00:18:57,920 --> 00:19:01,639 Speaker 8: working lights, accurate sounds, and controlled motion with a unique 407 00:19:01,640 --> 00:19:05,119 Speaker 8: display stand week by week, recreate this historic aircraft and 408 00:19:05,200 --> 00:19:06,440 Speaker 8: discover the story of the. 409 00:19:06,400 --> 00:19:10,159 Speaker 2: Lancaster one to thirty scale. So how big is it? 410 00:19:10,280 --> 00:19:10,880 Speaker 1: Does this big? 411 00:19:11,240 --> 00:19:13,439 Speaker 2: The size of what would you say? That is a bar? 412 00:19:13,720 --> 00:19:17,480 Speaker 3: It's no, it's a nine hundred mil wingspan? 413 00:19:18,040 --> 00:19:20,480 Speaker 2: So well, are you going to do it? 414 00:19:20,520 --> 00:19:21,639 Speaker 1: Can? I? Am I allowed to? 415 00:19:21,800 --> 00:19:23,760 Speaker 2: Of course you can't, So I look forward to that 416 00:19:23,840 --> 00:19:27,399 Speaker 2: being abruptly dropped in two weeks time. Apparently the actor's 417 00:19:27,480 --> 00:19:32,880 Speaker 2: name is col Mimi, call me, hey, it's good. 418 00:19:36,000 --> 00:19:38,680 Speaker 1: It's only going to cost two thousand and thirty seven. 419 00:19:38,560 --> 00:19:40,880 Speaker 2: Dollars to make the Lancaster bomber. That's probably the same 420 00:19:40,920 --> 00:19:47,120 Speaker 2: cost as it was to make the actual one. It's 421 00:19:47,160 --> 00:19:52,600 Speaker 2: a free month instance, and Amanda's. 422 00:19:53,680 --> 00:19:54,399 Speaker 1: Get on board. 423 00:19:54,520 --> 00:19:57,000 Speaker 3: Ten questions sixty seconds on the clock. You can pass 424 00:19:57,040 --> 00:19:58,520 Speaker 3: if you don't know an answer. We'll come back to 425 00:19:58,560 --> 00:20:01,160 Speaker 3: that question of time permits you get all the questions right. 426 00:20:01,520 --> 00:20:02,440 Speaker 3: One thousand dollars. 427 00:20:02,520 --> 00:20:04,440 Speaker 2: Oh, we'd love to give you one thousand dollars, but 428 00:20:04,640 --> 00:20:06,600 Speaker 2: we'd love even more to give you two thousand dollars. 429 00:20:06,640 --> 00:20:10,040 Speaker 2: We have a bonus question, one question to double your money, 430 00:20:10,040 --> 00:20:10,880 Speaker 2: but it's double or nothing. 431 00:20:10,920 --> 00:20:11,040 Speaker 14: Now. 432 00:20:11,200 --> 00:20:13,119 Speaker 3: I'm happy to be missed tight pants on this one. 433 00:20:13,160 --> 00:20:14,440 Speaker 3: I want to see how far we can go with 434 00:20:14,520 --> 00:20:15,280 Speaker 3: that giving it away. 435 00:20:15,359 --> 00:20:16,359 Speaker 2: No, let's see what we can do. 436 00:20:16,400 --> 00:20:18,520 Speaker 3: We've got to meeting a bit of a reverse psychology. 437 00:20:18,640 --> 00:20:20,080 Speaker 3: Emma of ingadear. 438 00:20:19,800 --> 00:20:23,359 Speaker 2: Hi, Emma, Hi, we're desperate to throw money at someone. 439 00:20:23,560 --> 00:20:24,480 Speaker 2: Can we make it you? 440 00:20:25,200 --> 00:20:26,560 Speaker 12: I'm desperate to get some money. 441 00:20:26,560 --> 00:20:28,120 Speaker 2: All right, Well, let's see what we can do. Ten 442 00:20:28,200 --> 00:20:31,240 Speaker 2: questions sixty seconds. If you don't know, say pass, because 443 00:20:31,240 --> 00:20:33,359 Speaker 2: if you're wrong, it's over. But we have chance to 444 00:20:33,359 --> 00:20:35,760 Speaker 2: come back. If you say pass, you're ready to start understand? 445 00:20:36,040 --> 00:20:36,200 Speaker 1: Yes? 446 00:20:36,400 --> 00:20:38,960 Speaker 2: OK, because here we go. Here comes question number one. 447 00:20:39,240 --> 00:20:43,040 Speaker 2: What's the opposite of dark right? Question two? How many 448 00:20:43,080 --> 00:20:47,760 Speaker 2: wheels does a tricycle have? Three? Question three? What animal 449 00:20:47,800 --> 00:20:49,400 Speaker 2: is known as the king of the jungle. 450 00:20:50,600 --> 00:20:51,359 Speaker 1: The lion? 451 00:20:51,600 --> 00:20:57,320 Speaker 2: Question four? Who hosts the Chase Australia? Question five? True 452 00:20:57,400 --> 00:20:59,959 Speaker 2: or false? Sidney Harbor is also known as Port Jackson. 453 00:21:06,640 --> 00:21:09,760 Speaker 12: I was thinking, I don't know where my brain went. 454 00:21:09,920 --> 00:21:13,960 Speaker 2: I know it throws you get on the wireless and 455 00:21:14,000 --> 00:21:17,600 Speaker 2: it throws you. You've heard jokes talk, Well, I'm sorry 456 00:21:17,640 --> 00:21:19,200 Speaker 2: one hundred bucks to be getting on and we're looking 457 00:21:19,200 --> 00:21:20,080 Speaker 2: at Jackson. 458 00:21:20,080 --> 00:21:25,199 Speaker 3: Now look at it wasn't your day listing Lifting the 459 00:21:25,240 --> 00:21:26,680 Speaker 3: Fairies and cutting its weight. 460 00:21:30,200 --> 00:21:33,280 Speaker 2: Podcast? To my shame, when I hear the word infrastructure, 461 00:21:33,400 --> 00:21:36,679 Speaker 2: my brain shuts down. And so a woman, well, I 462 00:21:36,720 --> 00:21:38,880 Speaker 2: don't know, because a lot of other women know what's 463 00:21:38,920 --> 00:21:43,879 Speaker 2: going on the new metro train system. I must say, 464 00:21:44,119 --> 00:21:46,960 Speaker 2: whenever I've seen it on the news, my brain hasn't 465 00:21:47,119 --> 00:21:49,800 Speaker 2: really kept pace with what's going on. But when I 466 00:21:49,840 --> 00:21:52,439 Speaker 2: saw it on the news last night, I was just 467 00:21:52,920 --> 00:21:55,919 Speaker 2: gobsmacked at how incredible it is. This is our first 468 00:21:56,000 --> 00:21:59,879 Speaker 2: train under the water under the harbor. So this is 469 00:21:59,880 --> 00:22:03,640 Speaker 2: a whole new way for the city city to connect itself, 470 00:22:04,119 --> 00:22:06,800 Speaker 2: a tunnel under the harbor for trains, and everyone else 471 00:22:06,840 --> 00:22:08,720 Speaker 2: must have figured that out. I'm late to the party. 472 00:22:09,240 --> 00:22:14,920 Speaker 2: Also that this is the architecture around it is amazing. 473 00:22:14,960 --> 00:22:19,159 Speaker 2: The train stations look incredible, what a cool thing, and 474 00:22:19,240 --> 00:22:21,440 Speaker 2: I hadn't realized how amazing it would be. I know 475 00:22:21,480 --> 00:22:23,439 Speaker 2: it's a form of transport, but second to that, the 476 00:22:23,560 --> 00:22:26,919 Speaker 2: esthetic of it is gorgeous. So I was watching the 477 00:22:26,920 --> 00:22:29,480 Speaker 2: news last night and all these people who were train 478 00:22:29,640 --> 00:22:32,639 Speaker 2: pervs were there. People had come down from Newcastle. They 479 00:22:32,680 --> 00:22:34,880 Speaker 2: wanted to be the first on the train. Someone said 480 00:22:34,880 --> 00:22:36,520 Speaker 2: they'd called in six They wanted to be the first 481 00:22:36,560 --> 00:22:38,959 Speaker 2: to ride the Metro. Of all the nine hundred who 482 00:22:39,040 --> 00:22:42,600 Speaker 2: braved the dark hours yesterday to be the first to 483 00:22:42,840 --> 00:22:45,560 Speaker 2: take the Metro when it left Sydenham at four point 484 00:22:45,560 --> 00:22:49,520 Speaker 2: fifty four am, most of them were self described train nerds, 485 00:22:49,520 --> 00:22:51,080 Speaker 2: and here was some of them on the news last night. 486 00:22:52,320 --> 00:22:53,159 Speaker 2: I took the entire. 487 00:22:53,080 --> 00:22:54,720 Speaker 1: Day after just to go up and down over and 488 00:22:54,800 --> 00:22:55,240 Speaker 1: over again. 489 00:22:56,800 --> 00:22:57,719 Speaker 2: You may as well do it. 490 00:22:57,800 --> 00:23:00,640 Speaker 14: I like trains and I love them trace so. 491 00:23:00,600 --> 00:23:03,000 Speaker 4: Far I felt like I was back in Tailors concert 492 00:23:03,040 --> 00:23:04,040 Speaker 4: and I felt very at home. 493 00:23:04,200 --> 00:23:06,200 Speaker 5: It's just something that we really want to be a 494 00:23:06,240 --> 00:23:06,639 Speaker 5: part of. 495 00:23:06,880 --> 00:23:08,960 Speaker 1: It's like really hard to like kind of put into words, 496 00:23:08,960 --> 00:23:10,160 Speaker 1: how like like kind. 497 00:23:09,960 --> 00:23:10,720 Speaker 6: Of cool this is. 498 00:23:12,200 --> 00:23:17,480 Speaker 2: There's a name for train fans. It's called fario Pharrio chronologists, 499 00:23:17,680 --> 00:23:21,119 Speaker 2: ah Verio chronologists, chronologists knowledgists. 500 00:23:21,880 --> 00:23:25,159 Speaker 1: Really, are you a PERV of anything? 501 00:23:25,240 --> 00:23:27,720 Speaker 2: I don't think I am. I know you're you're you're 502 00:23:27,720 --> 00:23:29,840 Speaker 2: the self described and it's a terrible phrase. 503 00:23:30,080 --> 00:23:32,280 Speaker 1: Lunar park a huge lunar park perv. 504 00:23:32,200 --> 00:23:33,920 Speaker 2: Which sounds like mercy on a current affair. 505 00:23:34,600 --> 00:23:37,480 Speaker 1: The lunar parks all around the country, you know. I 506 00:23:37,440 --> 00:23:39,320 Speaker 1: even know of the Adelaide Lunar Park which. 507 00:23:39,200 --> 00:23:40,480 Speaker 2: They move called Lunar Park. 508 00:23:40,720 --> 00:23:43,639 Speaker 1: No, it's gone because it's here now. They moved into Sydney. 509 00:23:43,640 --> 00:23:44,600 Speaker 1: The Adelaide Lunar. 510 00:23:44,440 --> 00:23:45,480 Speaker 2: Park was one in Melbourne. 511 00:23:45,560 --> 00:23:48,159 Speaker 1: Is that called park? Have you been to that? That 512 00:23:48,320 --> 00:23:49,040 Speaker 1: is fantastic? 513 00:23:49,040 --> 00:23:53,119 Speaker 3: I love the Melbourne Yeah, it's more historical possibly than ours, 514 00:23:53,720 --> 00:23:56,680 Speaker 3: but the Ours was great up until the ghost train fire. 515 00:23:56,760 --> 00:23:57,960 Speaker 1: Then there was the whole trouble. 516 00:23:58,359 --> 00:24:01,399 Speaker 3: But it's managed to stand and I love just walking 517 00:24:01,440 --> 00:24:01,920 Speaker 3: around it. 518 00:24:01,920 --> 00:24:04,240 Speaker 1: It just makes me happy. It's such a great place. 519 00:24:04,800 --> 00:24:07,120 Speaker 3: But the other thing I've become, I've become an accidental 520 00:24:07,160 --> 00:24:11,480 Speaker 3: perve as well. Of what this was only pointed out 521 00:24:11,480 --> 00:24:14,119 Speaker 3: to me. A guy came to fix my aeriel and 522 00:24:14,160 --> 00:24:16,600 Speaker 3: he said, oh, you're into You're into telephones, are you? 523 00:24:17,320 --> 00:24:19,600 Speaker 3: I said, no, Well what gave you that impression? So 524 00:24:19,680 --> 00:24:22,720 Speaker 3: I've got a red phone box that remember these original 525 00:24:23,160 --> 00:24:26,040 Speaker 3: red Tasmin that's what it's called, the Tasman, the public phone, 526 00:24:26,080 --> 00:24:28,000 Speaker 3: the public phone box. I've got one of those. But 527 00:24:28,040 --> 00:24:30,440 Speaker 3: I've also got a ring on the red phone. Remember 528 00:24:30,480 --> 00:24:32,720 Speaker 3: those in the shops said ring on the red phone 529 00:24:32,760 --> 00:24:35,200 Speaker 3: here and the actual red phone. 530 00:24:35,480 --> 00:24:38,159 Speaker 1: And then I've got like two long tom phones. 531 00:24:38,240 --> 00:24:41,720 Speaker 3: These are the phones that you put into the phone boxes. 532 00:24:42,160 --> 00:24:44,199 Speaker 1: So I've actually got three of those. And then I've 533 00:24:44,240 --> 00:24:46,680 Speaker 1: got two bakeline black phone. 534 00:24:46,720 --> 00:24:48,080 Speaker 2: So you said to him, what do you mean? 535 00:24:48,240 --> 00:24:50,480 Speaker 3: Yeah, and then that's what do you mean? I didn't 536 00:24:50,480 --> 00:24:54,000 Speaker 3: even I didn't even know. And yeah, I've got a 537 00:24:54,000 --> 00:24:55,719 Speaker 3: whole phone box. Yeah that's what I was. That's I 538 00:24:55,720 --> 00:25:00,399 Speaker 3: was talking about my red Tasmin phone box. So wow, 539 00:25:00,560 --> 00:25:02,440 Speaker 3: I inadvertently just suddenly. 540 00:25:02,040 --> 00:25:04,399 Speaker 2: Thought, yeah, you've brought them all on. 541 00:25:04,840 --> 00:25:07,080 Speaker 3: I bought them over time. But I didn't realize I've 542 00:25:07,080 --> 00:25:08,000 Speaker 3: become a phone perve. 543 00:25:11,359 --> 00:25:12,800 Speaker 2: Blow a whistle every time you call me. 544 00:25:12,840 --> 00:25:16,040 Speaker 1: Well the scam. He became a jug perp. 545 00:25:16,160 --> 00:25:18,399 Speaker 2: Yeah, I know. I've got one of his. He's got 546 00:25:18,440 --> 00:25:20,840 Speaker 2: all those old electric jugs. The electric jo use it 547 00:25:20,880 --> 00:25:22,720 Speaker 2: as a vase. I don't plug any you go. 548 00:25:22,840 --> 00:25:26,280 Speaker 1: On his farm. He's got to have now. He puts 549 00:25:26,320 --> 00:25:26,920 Speaker 1: them up on the wall. 550 00:25:26,920 --> 00:25:29,480 Speaker 3: He's got two hundred of them, and he's an electrician. 551 00:25:29,520 --> 00:25:31,479 Speaker 1: I get that, But man, I said, that's a lot 552 00:25:31,480 --> 00:25:31,919 Speaker 1: of jugs. 553 00:25:31,920 --> 00:25:33,879 Speaker 2: But what about those beautiful ones in a shaped like 554 00:25:35,200 --> 00:25:35,960 Speaker 2: cooker barros and. 555 00:25:36,119 --> 00:25:38,320 Speaker 1: They made of porcelain and a baker like top. 556 00:25:38,440 --> 00:25:40,560 Speaker 2: I love all that. He's got a spare I'd love it. 557 00:25:41,000 --> 00:25:41,879 Speaker 1: You're want two jugs? 558 00:25:44,359 --> 00:25:45,480 Speaker 2: You you're a jug perv. 559 00:25:45,840 --> 00:25:46,679 Speaker 1: I love jokes. 560 00:25:50,720 --> 00:25:52,919 Speaker 2: How about the tribal jump beats for this? Should Brendan 561 00:25:52,960 --> 00:25:56,840 Speaker 2: be arrested? What kind of perv are you? 562 00:25:57,119 --> 00:25:57,239 Speaker 5: Now? 563 00:25:57,280 --> 00:25:58,800 Speaker 1: I can't look at jugs anymore. 564 00:25:59,119 --> 00:25:59,920 Speaker 14: I like trains. 565 00:26:00,320 --> 00:26:02,600 Speaker 2: So yesterday on the news last night I saw all 566 00:26:02,640 --> 00:26:06,320 Speaker 2: the train pervs. Jonesy's outed himself as that kind of perf. 567 00:26:06,440 --> 00:26:08,879 Speaker 1: Well, I like Luna Park and I like phones. Apparently. 568 00:26:08,920 --> 00:26:11,040 Speaker 3: I didn't even realize I liked phones, But now that 569 00:26:11,119 --> 00:26:13,520 Speaker 3: I have a collection on them, perhaps that's what I'm into. 570 00:26:13,680 --> 00:26:21,000 Speaker 2: What kind of pervy? It's the questions if you're a 571 00:26:21,000 --> 00:26:24,440 Speaker 2: man of the match. Beyond Skyway Experience for two at Scenic. 572 00:26:24,119 --> 00:26:29,399 Speaker 3: World, we're celebrating the Metro. We haven't moved on either. 573 00:26:29,720 --> 00:26:31,600 Speaker 3: That's so Sydney, isn't it. What do you mean, well, 574 00:26:31,600 --> 00:26:33,399 Speaker 3: it opened yesterday and today whatever. 575 00:26:34,920 --> 00:26:37,439 Speaker 2: Watching the news last night, I didn't realize what this 576 00:26:37,600 --> 00:26:39,240 Speaker 2: metro meant to people. I don't just mean as a 577 00:26:39,240 --> 00:26:39,960 Speaker 2: form of transport. 578 00:26:40,040 --> 00:26:41,160 Speaker 1: Are you not a public transport? 579 00:26:41,200 --> 00:26:41,360 Speaker 14: No? 580 00:26:41,520 --> 00:26:45,639 Speaker 2: I mean these people we were thrilled to have, like 581 00:26:46,359 --> 00:26:50,000 Speaker 2: the city's new star. It's something's amazing that's come to 582 00:26:50,040 --> 00:26:53,600 Speaker 2: our city. The architecture of the train stations is gorgeous. 583 00:26:53,920 --> 00:26:55,840 Speaker 2: People love to be the first to be on it. 584 00:26:55,920 --> 00:26:59,040 Speaker 2: So separate to it being a form of transport, people 585 00:26:59,119 --> 00:27:01,600 Speaker 2: loved just the celebrity nature of the new. 586 00:27:01,520 --> 00:27:05,119 Speaker 3: Metro, the tribal dramas beating what kind of perv. 587 00:27:04,920 --> 00:27:06,400 Speaker 1: Are you like trains? 588 00:27:06,920 --> 00:27:09,159 Speaker 2: Yeah? Lots of people made you just yesterday to be 589 00:27:09,200 --> 00:27:09,840 Speaker 2: the first. 590 00:27:09,960 --> 00:27:12,320 Speaker 3: Yeah, it's always fun. I love Luna Park. I wonder 591 00:27:12,359 --> 00:27:15,119 Speaker 3: around Luna Park. I love wandering. 592 00:27:14,720 --> 00:27:17,800 Speaker 1: Around Sydney, the Melbourne one. I just love Luna Park. 593 00:27:18,160 --> 00:27:20,720 Speaker 2: That goes off. You just keep wondering, ankle, are you 594 00:27:20,720 --> 00:27:21,480 Speaker 2: why kind of man? 595 00:27:21,560 --> 00:27:22,000 Speaker 1: Just wandering? 596 00:27:22,240 --> 00:27:23,760 Speaker 2: It sounds weird when you put yourn up set on 597 00:27:23,840 --> 00:27:25,360 Speaker 2: the Lunar Park per I'm. 598 00:27:25,200 --> 00:27:28,840 Speaker 3: A big I don't recall me ever saying that anyway, 599 00:27:28,840 --> 00:27:30,200 Speaker 3: Taniels is jointanil. 600 00:27:30,200 --> 00:27:32,560 Speaker 2: What kind of perv are you? Well? 601 00:27:32,960 --> 00:27:34,280 Speaker 12: Perv is a strong word. 602 00:27:34,359 --> 00:27:35,920 Speaker 11: But I am a rock nerd. 603 00:27:36,280 --> 00:27:39,520 Speaker 12: I'm not the rock as in music. So a few 604 00:27:39,640 --> 00:27:41,560 Speaker 12: years back I was at the park with my kids 605 00:27:41,760 --> 00:27:43,919 Speaker 12: and one of my kids found a rock and it 606 00:27:44,000 --> 00:27:46,240 Speaker 12: was painted with all these decorations and on the back 607 00:27:46,280 --> 00:27:48,800 Speaker 12: it had New South Wales rocks. And it's a Facebook 608 00:27:48,800 --> 00:27:51,480 Speaker 12: group where you paint rocks and then drop them in, 609 00:27:51,720 --> 00:27:55,680 Speaker 12: you know, in the local area and people can find them. 610 00:27:56,320 --> 00:27:59,320 Speaker 12: But the problem with this is everywhere I went out 611 00:27:59,320 --> 00:28:02,320 Speaker 12: from then on, I would be looking for the perfect 612 00:28:02,320 --> 00:28:04,560 Speaker 12: shaped rock to take home for my kids to paint. 613 00:28:05,040 --> 00:28:08,760 Speaker 12: Now I'm talking at the kid's soccer rather than watch soccer. 614 00:28:08,920 --> 00:28:11,879 Speaker 12: I'm looking for rocks at a work lunch, rather than 615 00:28:11,960 --> 00:28:14,600 Speaker 12: enjoying lunch with my work colleagues, I'm looking for rocks 616 00:28:15,560 --> 00:28:18,760 Speaker 12: doing park run. I stop and ruined my great time 617 00:28:19,000 --> 00:28:20,200 Speaker 12: to pick up a great rock. 618 00:28:20,359 --> 00:28:22,240 Speaker 2: Yeah, you know, it's interesting. When I was in Africa 619 00:28:22,240 --> 00:28:24,240 Speaker 2: with Chris Brown a few weeks ago, We're in some 620 00:28:24,320 --> 00:28:29,840 Speaker 2: amazing topography and beautiful rocks, and I'm climbing this mountain 621 00:28:30,320 --> 00:28:33,840 Speaker 2: I say mountain, probably a tiny ant heel, and I thought, look, 622 00:28:33,880 --> 00:28:37,119 Speaker 2: how incredible these rocks are. So I collected about four 623 00:28:37,200 --> 00:28:38,800 Speaker 2: or five. Oh, no, that one looks good, Oh that 624 00:28:38,840 --> 00:28:41,480 Speaker 2: one looks great. Of course took them back to the room. 625 00:28:41,760 --> 00:28:43,400 Speaker 2: I thought, no, I just left them all there. 626 00:28:43,520 --> 00:28:44,840 Speaker 1: You picked up a lot of things and took it 627 00:28:44,920 --> 00:28:47,400 Speaker 1: back to your room. Apparently a brownie. 628 00:28:47,600 --> 00:28:50,800 Speaker 2: That is not true. What kind of perver. 629 00:28:52,360 --> 00:28:54,200 Speaker 1: To Neil. There's nothing wrong with that. I like the 630 00:28:54,240 --> 00:28:54,960 Speaker 1: idea of it. 631 00:28:55,880 --> 00:28:59,720 Speaker 2: But they all look amazing in situ and the country. 632 00:29:01,320 --> 00:29:02,560 Speaker 2: Then afterwards you have nap. 633 00:29:02,600 --> 00:29:04,480 Speaker 1: Now it's what about people that put a message in 634 00:29:04,480 --> 00:29:05,960 Speaker 1: a bottle and you just run into the water. 635 00:29:06,040 --> 00:29:07,040 Speaker 2: Yeah, that's different that. 636 00:29:07,520 --> 00:29:09,600 Speaker 1: One of us been out there for a hundred years. 637 00:29:09,960 --> 00:29:10,520 Speaker 2: That's great. 638 00:29:10,560 --> 00:29:21,120 Speaker 13: That stuff Jonesy and Amanda podcast. 639 00:29:21,320 --> 00:29:26,280 Speaker 3: It's like Donkey the Metro opened yesterday to much of 640 00:29:26,400 --> 00:29:28,600 Speaker 3: plum and Hurrah and festivity. 641 00:29:28,800 --> 00:29:30,800 Speaker 2: You have lots of people who it's going to be 642 00:29:30,800 --> 00:29:32,920 Speaker 2: a great form of transport, but lots of people who 643 00:29:32,960 --> 00:29:34,800 Speaker 2: would train pervs who were there. I saw them on 644 00:29:34,840 --> 00:29:35,680 Speaker 2: the news last night. 645 00:29:37,200 --> 00:29:38,840 Speaker 9: I took the entire day off just to go up 646 00:29:38,840 --> 00:29:40,080 Speaker 9: and down over and over again. 647 00:29:41,760 --> 00:29:42,600 Speaker 2: May as well do it. 648 00:29:42,680 --> 00:29:45,440 Speaker 14: I like trains and I love the Metro so. 649 00:29:45,480 --> 00:29:47,880 Speaker 4: Far, I felt like I was back in tails concert 650 00:29:47,880 --> 00:29:48,960 Speaker 4: and I felt very at home. 651 00:29:49,040 --> 00:29:51,080 Speaker 5: It's just something that we really want to be a 652 00:29:51,120 --> 00:29:51,480 Speaker 5: part of. 653 00:29:51,760 --> 00:29:53,800 Speaker 9: It's like really hard to like kind of put into words, 654 00:29:53,840 --> 00:29:54,960 Speaker 9: how like like kind. 655 00:29:54,840 --> 00:29:58,400 Speaker 1: Of cool this is. And we're all a bit of 656 00:29:58,440 --> 00:29:58,840 Speaker 1: a perv. 657 00:29:59,080 --> 00:30:01,360 Speaker 2: Well, you said you're in the park PERV. You said 658 00:30:01,400 --> 00:30:02,560 Speaker 2: you're a telephone per. 659 00:30:02,600 --> 00:30:06,440 Speaker 3: I became a telephone perve and I didn't even know it. 660 00:30:06,440 --> 00:30:07,120 Speaker 2: This is terrible. 661 00:30:07,160 --> 00:30:09,760 Speaker 3: It was installing an aeril in my garage and he said, oh, 662 00:30:09,760 --> 00:30:12,040 Speaker 3: you're into phone, so I said, not particularly, and then 663 00:30:12,080 --> 00:30:14,160 Speaker 3: he pointed out my whole phone box. 664 00:30:14,480 --> 00:30:15,800 Speaker 1: I've got a red telephone. 665 00:30:16,080 --> 00:30:19,280 Speaker 3: I've got some old school telephones that you went into 666 00:30:19,320 --> 00:30:21,080 Speaker 3: the phone box, and I've got. 667 00:30:20,880 --> 00:30:24,720 Speaker 1: Some baker like phones as well. When I spoke about it. 668 00:30:24,920 --> 00:30:28,120 Speaker 3: A guy that restores phones got in contact with me, 669 00:30:28,800 --> 00:30:30,920 Speaker 3: and now I've got a phone box guy. 670 00:30:31,480 --> 00:30:33,560 Speaker 2: Do you know the like are the ones that I 671 00:30:33,640 --> 00:30:38,120 Speaker 2: always wanted as a teenager that was shaped like a 672 00:30:38,200 --> 00:30:40,240 Speaker 2: water bottle maybe, and you pick it up and it's 673 00:30:40,280 --> 00:30:41,640 Speaker 2: got the doll in the bottom. 674 00:30:41,720 --> 00:30:42,400 Speaker 1: I got one of those. 675 00:30:42,440 --> 00:30:43,360 Speaker 2: Have you got one of those? 676 00:30:43,680 --> 00:30:45,120 Speaker 1: I got a stiletto shoe phone? 677 00:30:45,400 --> 00:30:45,560 Speaker 15: Oh? 678 00:30:45,640 --> 00:30:48,120 Speaker 2: I see, yeah, that's the I used to have one, 679 00:30:48,200 --> 00:30:50,360 Speaker 2: and it wasn't a collector's item. I actually used it. 680 00:30:50,720 --> 00:30:53,320 Speaker 2: That was a dog and that when the phone rang, 681 00:30:53,360 --> 00:30:55,560 Speaker 2: it would bark and his eyes would roll back and forth, 682 00:30:55,600 --> 00:30:57,200 Speaker 2: and you answered the bone in its mouth. 683 00:30:57,360 --> 00:30:59,320 Speaker 1: I used to have a Hamburger phone. 684 00:30:59,400 --> 00:30:59,600 Speaker 3: Yeah. 685 00:31:00,040 --> 00:31:01,680 Speaker 1: Where that's gone? Yeah? 686 00:31:01,720 --> 00:31:06,440 Speaker 2: Anyway, was the tribal drama is beating for what kind 687 00:31:06,480 --> 00:31:08,479 Speaker 2: of pervy christ trains? 688 00:31:09,000 --> 00:31:10,840 Speaker 1: Christine is trying to Christine? 689 00:31:10,920 --> 00:31:11,960 Speaker 2: What kind of perver are you? 690 00:31:13,440 --> 00:31:17,920 Speaker 16: I'm a cheese platter, per Amanda. 691 00:31:15,880 --> 00:31:15,960 Speaker 7: I. 692 00:31:18,440 --> 00:31:20,640 Speaker 2: Might be as well. Describe your obsession. 693 00:31:22,120 --> 00:31:25,960 Speaker 16: Well, I have got round ones, maybe the same ones, 694 00:31:26,000 --> 00:31:29,080 Speaker 16: but different colors. I have got rectangles. I've got ones 695 00:31:29,120 --> 00:31:31,560 Speaker 16: with painted on them, and then you get the matching 696 00:31:31,640 --> 00:31:32,520 Speaker 16: cheese knives. 697 00:31:33,080 --> 00:31:35,040 Speaker 5: But then you buy the cheese knive set that sort 698 00:31:35,080 --> 00:31:36,840 Speaker 5: of swivels out from under the. 699 00:31:36,880 --> 00:31:40,480 Speaker 16: Cheese and you realize that was not actually big enough 700 00:31:41,040 --> 00:31:43,640 Speaker 16: for your cheese and your biscuits, but you just hid 701 00:31:43,720 --> 00:31:45,680 Speaker 16: it away from the in the coubin. 702 00:31:47,840 --> 00:31:48,320 Speaker 1: Fall down. 703 00:31:48,720 --> 00:31:50,600 Speaker 2: Yeah, and most of my Instagram feeder is just the 704 00:31:50,600 --> 00:31:55,600 Speaker 2: people putting cheeseboards together. Yeah, I love it. I love it, Christine, 705 00:31:55,640 --> 00:31:57,240 Speaker 2: I don't feel so alone. Thank you. 706 00:31:57,320 --> 00:31:58,239 Speaker 1: Michael's joined us. 707 00:31:58,280 --> 00:31:59,760 Speaker 2: I'm Michael. What's your perve. 708 00:32:00,720 --> 00:32:01,360 Speaker 10: Morning, guys? 709 00:32:01,360 --> 00:32:01,520 Speaker 2: Now? 710 00:32:01,600 --> 00:32:03,480 Speaker 10: Minds of the storm? My wife that comes on the 711 00:32:03,480 --> 00:32:05,680 Speaker 10: worst palls in the world, that's on the same. But 712 00:32:06,160 --> 00:32:09,560 Speaker 10: my strange one seems to do those IVC thousands of 713 00:32:09,600 --> 00:32:12,160 Speaker 10: lead of water tank or just water tanks in general, 714 00:32:12,440 --> 00:32:13,040 Speaker 10: water tanks? 715 00:32:13,040 --> 00:32:14,880 Speaker 2: Do you collect them or you're like looking at them. 716 00:32:15,840 --> 00:32:20,280 Speaker 10: I've got at least frigging ten of those OBC tanks. 717 00:32:20,280 --> 00:32:24,440 Speaker 10: They got twenty two thousand liter tanks, right, just read 718 00:32:24,720 --> 00:32:25,520 Speaker 10: just to collect tanks. 719 00:32:25,880 --> 00:32:29,360 Speaker 1: Excuse our ignorance. What's an OBC tank? 720 00:32:29,600 --> 00:32:32,440 Speaker 10: You know those a thousand leter tanks with the cage 721 00:32:32,440 --> 00:32:32,880 Speaker 10: around them. 722 00:32:32,960 --> 00:32:35,720 Speaker 1: Oh, yes, yep. And do you use them or they 723 00:32:35,760 --> 00:32:37,240 Speaker 1: empty them on the back of a ute? 724 00:32:37,280 --> 00:32:41,840 Speaker 10: Well yeah, yeah, no, strange enough end the media. So yeah, 725 00:32:41,920 --> 00:32:42,480 Speaker 10: they're all. 726 00:32:42,320 --> 00:32:44,360 Speaker 1: Full, but they're not even what do you do with them? 727 00:32:45,880 --> 00:32:49,040 Speaker 10: Then he's got property down the coast. I've got that 728 00:32:49,200 --> 00:32:52,040 Speaker 10: much water. I could probably fill the harbor of arbor 729 00:32:52,080 --> 00:32:54,600 Speaker 10: with it, you know, but we're gonna saying you're weird man. 730 00:32:54,720 --> 00:32:56,360 Speaker 10: Why do you keep them from these tanks? I can't 731 00:32:56,360 --> 00:32:57,840 Speaker 10: know that. When I see them, I just kind of 732 00:32:57,880 --> 00:32:58,200 Speaker 10: have them. 733 00:32:58,800 --> 00:33:03,480 Speaker 1: Yeah, what's up the phone? That's what happens. And I 734 00:33:03,520 --> 00:33:04,600 Speaker 1: didn't know I was happening. 735 00:33:04,920 --> 00:33:06,680 Speaker 2: Yeah, next minute. 736 00:33:06,360 --> 00:33:08,400 Speaker 1: Next minute, guy goes, you're into phones. 737 00:33:08,520 --> 00:33:10,360 Speaker 2: Next minute someone says you're a PERV and you have 738 00:33:10,400 --> 00:33:11,160 Speaker 2: to own up to her. 739 00:33:11,520 --> 00:33:14,640 Speaker 3: Thank you for all your calls. Damnation, let's get on down. 740 00:33:14,680 --> 00:33:16,120 Speaker 3: So we jone's get a matter of arms. 741 00:33:15,960 --> 00:33:16,920 Speaker 1: For the pub test. 742 00:33:17,120 --> 00:33:20,240 Speaker 3: And today the logis do they pass the pub test? 743 00:33:20,840 --> 00:33:20,959 Speaker 14: Are? 744 00:33:21,000 --> 00:33:23,920 Speaker 1: The logis only for people in TV? And this seemed 745 00:33:23,920 --> 00:33:24,880 Speaker 1: to be a thing that came out. 746 00:33:24,920 --> 00:33:27,560 Speaker 3: I was reading online and someone said, does anyone not 747 00:33:27,640 --> 00:33:31,000 Speaker 3: working in TV actually even care about the loggis? 748 00:33:31,120 --> 00:33:32,880 Speaker 1: And I've always been a fan of the leggies when 749 00:33:32,880 --> 00:33:33,400 Speaker 1: I was young. 750 00:33:33,760 --> 00:33:36,880 Speaker 3: Muhammad Ali John Lane thing, do you remember that or 751 00:33:36,920 --> 00:33:38,680 Speaker 3: do you remember that time that actress from twenty one 752 00:33:38,760 --> 00:33:39,320 Speaker 3: Jump Street. 753 00:33:39,440 --> 00:33:41,160 Speaker 1: They flew her in and she called them the lul 754 00:33:41,280 --> 00:33:43,200 Speaker 1: geez or what about Molly Meldrum. 755 00:33:43,280 --> 00:33:45,960 Speaker 3: I was there when that happened, when he trashed Samuel 756 00:33:46,040 --> 00:33:48,520 Speaker 3: Johnson's speech. I can't like it, but I've always been 757 00:33:48,520 --> 00:33:49,840 Speaker 3: on the perophery of the business. 758 00:33:50,240 --> 00:33:52,960 Speaker 2: So lots of people watched it on Sunday night, a 759 00:33:53,080 --> 00:33:56,560 Speaker 2: total national audience reach of over three million. So even 760 00:33:56,560 --> 00:33:58,680 Speaker 2: though that's part of the discussion, I guess is that 761 00:33:58,720 --> 00:34:01,400 Speaker 2: people aren't watching Free to Wear. Larry Emner in his 762 00:34:01,520 --> 00:34:04,120 Speaker 2: speech made a joke saying, well, his kids are in 763 00:34:04,120 --> 00:34:06,600 Speaker 2: there late twenties. He said they haven't watched Free to 764 00:34:06,600 --> 00:34:09,319 Speaker 2: Wear television for the last fifteen years. So my kids 765 00:34:09,360 --> 00:34:11,840 Speaker 2: don't either. They know what I do on TV, I guess, 766 00:34:11,840 --> 00:34:14,839 Speaker 2: but they're not watching television. But there's still a big 767 00:34:14,840 --> 00:34:17,040 Speaker 2: television audience, and I think lots of people want to 768 00:34:17,080 --> 00:34:19,759 Speaker 2: see the red carpet, want to see celebrities, want to 769 00:34:19,760 --> 00:34:22,799 Speaker 2: see the comedy, want to see Sam Payne. Others are 770 00:34:22,800 --> 00:34:25,359 Speaker 2: saying it's too indulgent. For example, the Gold LOGI wasn't 771 00:34:25,360 --> 00:34:28,319 Speaker 2: announced till about eleven thirty. It's a big, long night. 772 00:34:28,400 --> 00:34:31,480 Speaker 2: This Awards ceremony is longer than the Emmys, longer than 773 00:34:31,480 --> 00:34:34,879 Speaker 2: the Oscars, that it's too self indulgent. Our great friend 774 00:34:34,920 --> 00:34:37,319 Speaker 2: Rebecca Gibney was so amazing to see her inducted into 775 00:34:37,320 --> 00:34:38,720 Speaker 2: the Hall of Fame. That was twenty minutes. 776 00:34:38,800 --> 00:34:39,840 Speaker 1: That was a twenty minute segment. 777 00:34:40,000 --> 00:34:42,719 Speaker 2: Lots of stuff where people are saying it's too much. 778 00:34:42,800 --> 00:34:45,120 Speaker 2: We love it, but it's too much, and others people saying, 779 00:34:45,239 --> 00:34:47,120 Speaker 2: I'm not in the industry, I don't care, but. 780 00:34:47,080 --> 00:34:48,080 Speaker 1: There's a lot of awards. 781 00:34:48,120 --> 00:34:51,040 Speaker 3: Now, you've got real estate Best real Estate awards, fair enough, 782 00:34:51,040 --> 00:34:53,600 Speaker 3: I've got hairdress for awards. Yeah, but is that televised 783 00:34:53,640 --> 00:34:56,680 Speaker 3: like the radio awards, which we have, but they don't broadcast. 784 00:34:56,920 --> 00:34:59,319 Speaker 2: It's not a visual medium. They don't broadcast it, but 785 00:34:59,360 --> 00:35:02,480 Speaker 2: you would roar cast. You watch the Emmys and the Grammys. 786 00:35:02,680 --> 00:35:05,360 Speaker 2: The Grammys because there are musicians and they perform television. 787 00:35:05,440 --> 00:35:07,400 Speaker 2: You see television people and they perform with. 788 00:35:07,440 --> 00:35:10,440 Speaker 3: The brown light metal. They broadcast that. If you watched that. 789 00:35:10,800 --> 00:35:12,840 Speaker 1: No, it's I dryingly born. 790 00:35:12,960 --> 00:35:15,960 Speaker 2: I know, I know. This is even a longer ceremony 791 00:35:15,960 --> 00:35:18,319 Speaker 2: than Eurovision. And that's saying something which is like having 792 00:35:18,320 --> 00:35:19,480 Speaker 2: a fingernails. 793 00:35:19,160 --> 00:35:21,560 Speaker 1: And now I've got Dutch people, milk and cows on stage. 794 00:35:21,600 --> 00:35:24,520 Speaker 2: That was a great moment of the logis. So what 795 00:35:24,600 --> 00:35:30,879 Speaker 2: do you think the logis? Do they pass the pub test? Well? 796 00:35:30,880 --> 00:35:33,839 Speaker 2: My next guest is a former Paralympian competing in both 797 00:35:33,880 --> 00:35:38,640 Speaker 2: cycling and sweat and surfing despite having only three percent vision. 798 00:35:38,719 --> 00:35:41,080 Speaker 2: Matt Formston has never backed down from a challenge, but 799 00:35:41,120 --> 00:35:43,960 Speaker 2: this latest one terrifies the hell out of me. Tackling 800 00:35:44,000 --> 00:35:48,839 Speaker 2: fifty foot monster waves of Naza Nazaree in Portugal. This 801 00:35:48,880 --> 00:35:51,320 Speaker 2: would be the most dangerous thing I can possibly imagine. 802 00:35:51,320 --> 00:35:52,799 Speaker 2: And all of this has been captured in a new 803 00:35:52,800 --> 00:35:58,600 Speaker 2: documentary called The Blind Sea. Matt, Hello, Hello, good morning. Wow, 804 00:35:58,760 --> 00:36:01,160 Speaker 2: are you crazy? Easiest question number one? 805 00:36:02,640 --> 00:36:05,600 Speaker 9: No question, that's my perspective for you. 806 00:36:06,400 --> 00:36:10,160 Speaker 2: Yes, question number two three percent vision? What does that mean? 807 00:36:10,200 --> 00:36:12,520 Speaker 2: What can you see? And what can't you see? 808 00:36:12,520 --> 00:36:15,719 Speaker 9: I guess so I've got no central vision, so it's 809 00:36:15,840 --> 00:36:17,759 Speaker 9: just I suppose it's just empty. 810 00:36:17,480 --> 00:36:18,359 Speaker 1: Business, nothing there. 811 00:36:18,400 --> 00:36:20,520 Speaker 9: And then I've got on the peripheral to the outside. 812 00:36:20,520 --> 00:36:22,560 Speaker 9: So if you're driving in your car this morning and 813 00:36:22,600 --> 00:36:24,360 Speaker 9: there's a you can see nothing in the middle, and 814 00:36:24,400 --> 00:36:26,440 Speaker 9: I'm just on the edges. If someone took sandpaper and 815 00:36:26,440 --> 00:36:30,239 Speaker 9: blurred like seven percent of the clarity out. That's all 816 00:36:30,239 --> 00:36:31,600 Speaker 9: I can see this on. There's a little bit of 817 00:36:31,680 --> 00:36:32,959 Speaker 9: shapes and lines and a bit of color. 818 00:36:33,280 --> 00:36:36,640 Speaker 2: Wow. And so tackling the ocean forget, we'll get to 819 00:36:36,960 --> 00:36:39,879 Speaker 2: Nazaree in a moment, the world's biggest ways. But even 820 00:36:40,000 --> 00:36:43,440 Speaker 2: just being in the ocean, it's all feel for you. 821 00:36:44,760 --> 00:36:45,200 Speaker 1: Yeah it is. 822 00:36:45,239 --> 00:36:47,759 Speaker 9: Yeah, you know, I grew up in the Arabean, the 823 00:36:47,800 --> 00:36:48,680 Speaker 9: northern Beast of Sydney. 824 00:36:48,760 --> 00:36:51,600 Speaker 10: Everyone's surf so I just wanted to feel and hear the. 825 00:36:51,520 --> 00:36:53,960 Speaker 9: Sounds of the ocean. So obviously the whitewash makes noise, 826 00:36:54,000 --> 00:36:55,520 Speaker 9: and the waves make noise, and the hit rocks, and 827 00:36:56,120 --> 00:36:58,080 Speaker 9: then the waves as they're traveling through the ocean, they 828 00:36:58,680 --> 00:37:00,360 Speaker 9: and there's all to feel involved because that you know 829 00:37:00,400 --> 00:37:01,479 Speaker 9: that the water is. 830 00:37:01,440 --> 00:37:03,600 Speaker 10: Just energy, the waves of energy moving through the water. 831 00:37:03,640 --> 00:37:05,520 Speaker 9: It's not the same water that breaks out the back 832 00:37:05,560 --> 00:37:06,160 Speaker 9: of hits the shore. 833 00:37:06,200 --> 00:37:07,120 Speaker 1: So you can just learn to. 834 00:37:07,080 --> 00:37:09,160 Speaker 9: Feel the way the energy is going and use that 835 00:37:09,200 --> 00:37:10,320 Speaker 9: to navigate the ocean. 836 00:37:10,480 --> 00:37:12,000 Speaker 1: How did you lose your side? 837 00:37:13,560 --> 00:37:17,400 Speaker 9: Sure, just a congenital a genetic disorder called macular distrophe. 838 00:37:18,400 --> 00:37:20,719 Speaker 2: So how old were you when when you like the 839 00:37:20,960 --> 00:37:22,839 Speaker 2: way your vision is. Now, how long has it been 840 00:37:22,880 --> 00:37:23,120 Speaker 2: like that? 841 00:37:24,280 --> 00:37:27,359 Speaker 9: Well, I've had about five percent vision until the last 842 00:37:27,360 --> 00:37:29,200 Speaker 9: couple of years, but I lost ninety five percent of 843 00:37:29,239 --> 00:37:31,680 Speaker 9: it when I was five. So I at the age five, 844 00:37:31,680 --> 00:37:34,640 Speaker 9: I went from four visions to apoldize a backroundnoys them 845 00:37:34,680 --> 00:37:38,000 Speaker 9: at the airport about the fly out. Okay, but yeah, 846 00:37:38,080 --> 00:37:39,480 Speaker 9: so it was about five and I lost my vision 847 00:37:39,560 --> 00:37:41,560 Speaker 9: and then so I have never nine poll site. I've 848 00:37:41,600 --> 00:37:43,520 Speaker 9: got one memory of seeing. 849 00:37:43,239 --> 00:37:46,640 Speaker 2: Stars, and it was on Christmas Eve and. 850 00:37:47,080 --> 00:37:49,040 Speaker 9: We are actually the dad's went outside and said I 851 00:37:49,080 --> 00:37:51,440 Speaker 9: was a center in the sky and we looked up 852 00:37:51,440 --> 00:37:52,960 Speaker 9: and just at the same time as a shooting star. 853 00:37:53,000 --> 00:37:55,440 Speaker 9: It might have been centered, but I just remember that 854 00:37:55,480 --> 00:37:57,920 Speaker 9: clear vision of all the docks and things, like real clarity. 855 00:37:57,920 --> 00:38:00,439 Speaker 9: And then from there on it's just like my soup. 856 00:38:00,520 --> 00:38:02,560 Speaker 9: And yeah, not no clarity of anything. 857 00:38:02,719 --> 00:38:04,920 Speaker 3: I surf a little bit and I was catching a 858 00:38:04,960 --> 00:38:07,040 Speaker 3: wave and I closed my eyes just to think about 859 00:38:07,040 --> 00:38:10,560 Speaker 3: what you would go through, and I see it's you know, 860 00:38:10,920 --> 00:38:11,399 Speaker 3: and I reckon. 861 00:38:11,440 --> 00:38:12,880 Speaker 1: I closed it for a nanosecond. 862 00:38:13,080 --> 00:38:13,920 Speaker 2: It was scary. 863 00:38:14,120 --> 00:38:16,239 Speaker 1: It was it was just so and it wasn't even 864 00:38:16,239 --> 00:38:16,920 Speaker 1: not a big wave. 865 00:38:18,680 --> 00:38:21,600 Speaker 9: But in the in the film the bi see the documentary, 866 00:38:21,640 --> 00:38:26,000 Speaker 9: there's a number of surfers alone, basically John Parkinson, you know, 867 00:38:26,719 --> 00:38:27,720 Speaker 9: become friends of mine. 868 00:38:28,120 --> 00:38:29,160 Speaker 1: They all twice thing. 869 00:38:29,200 --> 00:38:32,080 Speaker 9: I've got goggles to simulate my vision, and I can 870 00:38:32,120 --> 00:38:34,479 Speaker 9: guarantee they are the worst blind surfers in the world. 871 00:38:37,040 --> 00:38:39,920 Speaker 9: But most sides people we get fixated on site and 872 00:38:39,920 --> 00:38:40,759 Speaker 9: they get stuff for that. 873 00:38:40,840 --> 00:38:42,799 Speaker 3: But you look at Nazaree that that used to be 874 00:38:43,600 --> 00:38:46,480 Speaker 3: called unservable and now everyone seems to be having a 875 00:38:46,520 --> 00:38:49,360 Speaker 3: crack at it. But you would be the first blind 876 00:38:49,360 --> 00:38:51,000 Speaker 3: surfer to have a crack at it, surely. 877 00:38:52,480 --> 00:38:52,640 Speaker 6: Yeah. 878 00:38:52,680 --> 00:38:57,680 Speaker 9: Look another the Brazilion guy who had a crack, but 879 00:38:57,719 --> 00:38:59,480 Speaker 9: not at the size, like not the size what we 880 00:38:59,480 --> 00:39:02,680 Speaker 9: were doing, and like in the Xcel range. It was 881 00:39:02,840 --> 00:39:04,880 Speaker 9: definitely the only, I think the only ParaSurf that's how 882 00:39:04,920 --> 00:39:07,000 Speaker 9: to crack at that size with any disability. 883 00:39:07,280 --> 00:39:09,600 Speaker 2: And do you can you sense how big that wave 884 00:39:09,719 --> 00:39:11,800 Speaker 2: is when you're in the bottom of it? Can you tell? 885 00:39:12,840 --> 00:39:14,440 Speaker 9: Yeah, once it's to the bottom. But when I'm at 886 00:39:14,440 --> 00:39:17,560 Speaker 9: the top of the on is that big fifty foot range' 887 00:39:17,600 --> 00:39:19,520 Speaker 9: getting you can't paddle in? You tut your encode in 888 00:39:21,239 --> 00:39:23,400 Speaker 9: I am yes, I can't see the bottom of the 889 00:39:23,400 --> 00:39:24,520 Speaker 9: way when I let go of the rape. So the 890 00:39:24,560 --> 00:39:27,000 Speaker 9: guys blow a whistle. This is all stuff we're documented 891 00:39:27,040 --> 00:39:28,680 Speaker 9: in the film, so they blow the whistle. I go 892 00:39:28,800 --> 00:39:30,080 Speaker 9: to trust that that's the right time to go, just 893 00:39:30,080 --> 00:39:31,839 Speaker 9: pull the rope and let go, and then I find 894 00:39:31,840 --> 00:39:33,320 Speaker 9: out how big, how big the wave is when I 895 00:39:33,320 --> 00:39:34,560 Speaker 9: get to the bottom of it. And at that point 896 00:39:34,560 --> 00:39:35,680 Speaker 9: it's a bit late to say I don't want to 897 00:39:35,719 --> 00:39:35,880 Speaker 9: do this. 898 00:39:36,200 --> 00:39:38,680 Speaker 2: Oh wow. And you said also you can sense by 899 00:39:38,760 --> 00:39:41,360 Speaker 2: sound or you near the rocks. I mean that was 900 00:39:41,600 --> 00:39:44,000 Speaker 2: you can only sense it when you're really close to danger. 901 00:39:44,040 --> 00:39:44,719 Speaker 2: I'm imagining. 902 00:39:46,160 --> 00:39:48,560 Speaker 9: Well, by the time you like, when you're close to danger, 903 00:39:49,080 --> 00:39:51,719 Speaker 9: it's too late. In the environment where I'm surfing, I 904 00:39:51,719 --> 00:39:53,120 Speaker 9: know where the ross are, like if I'm surfing a 905 00:39:53,120 --> 00:39:55,399 Speaker 9: point by a similarly breaking in a certain direction away 906 00:39:55,400 --> 00:39:56,640 Speaker 9: from the rocks, so I know I just have to 907 00:39:56,640 --> 00:40:01,640 Speaker 9: paddle away. But what I use the sound to any surfers, 908 00:40:01,680 --> 00:40:03,359 Speaker 9: I used the sound like when you serve the point break. 909 00:40:03,400 --> 00:40:05,200 Speaker 9: Normally the waves will hit the point before they hit 910 00:40:05,200 --> 00:40:07,320 Speaker 9: where you're taking off, so I can use the sound 911 00:40:07,320 --> 00:40:10,560 Speaker 9: of that wave, especially against the headland, to know where 912 00:40:10,600 --> 00:40:12,319 Speaker 9: to take off because it's sort of timing and the 913 00:40:12,320 --> 00:40:14,440 Speaker 9: sound of will right, and you. 914 00:40:14,520 --> 00:40:16,319 Speaker 1: Like, is it like Daredevil in a way? 915 00:40:16,360 --> 00:40:18,960 Speaker 3: All your other sensors are incredibly heightened, so you can 916 00:40:19,120 --> 00:40:22,040 Speaker 3: you can sort of almost visualize it through your your hearing. 917 00:40:22,680 --> 00:40:26,600 Speaker 9: Yeah, everyone says that, but that's not what it is. 918 00:40:26,600 --> 00:40:28,400 Speaker 9: I just use that better. Everyone's got the same sensors. 919 00:40:28,600 --> 00:40:30,440 Speaker 9: This is what I believe. We will have the same sensors, 920 00:40:30,440 --> 00:40:32,560 Speaker 9: we all just use them in different ways. So I've 921 00:40:32,640 --> 00:40:35,920 Speaker 9: learned to use my sensors to a higher level. I 922 00:40:36,400 --> 00:40:37,640 Speaker 9: suppose what the devil does too. 923 00:40:37,640 --> 00:40:40,080 Speaker 10: But yeah, yeah, yeah, but yeah, I. 924 00:40:40,120 --> 00:40:43,600 Speaker 9: Use sound, feel or do lots of things like cooking 925 00:40:43,600 --> 00:40:45,640 Speaker 9: a barbecue and fiel because you can feel the residents 926 00:40:45,640 --> 00:40:49,280 Speaker 9: in the meat of the steak or sausages. And there's 927 00:40:49,320 --> 00:40:50,640 Speaker 9: lots of other things in the world to give your 928 00:40:50,640 --> 00:40:53,440 Speaker 9: information rather than just the seeing of the world. 929 00:40:53,600 --> 00:40:56,560 Speaker 1: Yeah. And he dresses up in a like orsuit as well. 930 00:40:56,840 --> 00:40:58,160 Speaker 2: Yeah, and I don't suppose you do it. 931 00:41:00,280 --> 00:41:03,120 Speaker 9: Well, you know, I was a world champion cyclos and 932 00:41:03,120 --> 00:41:04,760 Speaker 9: I'll wear well. 933 00:41:06,520 --> 00:41:08,319 Speaker 3: So what we're taking from this, Matt, you do dress 934 00:41:08,400 --> 00:41:10,200 Speaker 3: up in a lycracy. I think that's great. You are 935 00:41:10,239 --> 00:41:13,400 Speaker 3: a superhero in my eyes. Mate, It's a great story. 936 00:41:13,400 --> 00:41:17,880 Speaker 3: Watch The Blind Seed's inspirational, breathtaking documentary about Australian world. 937 00:41:17,760 --> 00:41:20,799 Speaker 1: Champion blind server Matt Formston. It's in cinemas now. Thank 938 00:41:20,800 --> 00:41:21,560 Speaker 1: you for joining us. 939 00:41:22,600 --> 00:41:23,520 Speaker 9: Thanks so much for having me. 940 00:41:23,560 --> 00:41:29,120 Speaker 6: Guys, God, I wanted to get on right now. 941 00:41:29,680 --> 00:41:34,720 Speaker 5: I'm taking Now go to your windows. 942 00:41:33,320 --> 00:41:43,320 Speaker 13: Stick your head on a yell. 943 00:41:38,880 --> 00:41:41,080 Speaker 1: Down to the Jonesy demand rams of the pub test. 944 00:41:41,120 --> 00:41:44,799 Speaker 1: Today the TV wig Logo Awards. So they passed the 945 00:41:44,840 --> 00:41:45,440 Speaker 1: pub test. 946 00:41:45,760 --> 00:41:48,800 Speaker 2: They went on. They were very late, finishing about eleven thirty. 947 00:41:49,520 --> 00:41:51,799 Speaker 2: There were some segments that seemed some people have said 948 00:41:51,880 --> 00:41:54,359 Speaker 2: were really long. Some said I don't watch Free to Wear, 949 00:41:54,360 --> 00:41:56,200 Speaker 2: so it means nothing to me. But are these the 950 00:41:56,280 --> 00:42:00,120 Speaker 2: Keyboard Warriors? How do you guys actually feel about the low. 951 00:42:00,320 --> 00:42:02,720 Speaker 1: I was watching it and I said, I like the ladies. 952 00:42:02,760 --> 00:42:05,560 Speaker 3: And my wife Helen said, you know everyone in the lates, 953 00:42:05,640 --> 00:42:08,520 Speaker 3: like all the people from the host, like we know Sampang, 954 00:42:08,800 --> 00:42:10,359 Speaker 3: we know Larry Andrew is a good made of mine, 955 00:42:10,560 --> 00:42:13,520 Speaker 3: is the audience. But like I actually physically know them, 956 00:42:13,640 --> 00:42:15,680 Speaker 3: so maybe I'm too close to it. 957 00:42:15,719 --> 00:42:16,600 Speaker 1: But I always liked. 958 00:42:16,520 --> 00:42:18,840 Speaker 3: It all those years ago Burt and Don Lane and 959 00:42:18,960 --> 00:42:22,080 Speaker 3: remember Bert with Muhammad Ali, remember that. 960 00:42:22,800 --> 00:42:25,279 Speaker 1: You know I liked the boy. Remember I remember. 961 00:42:24,960 --> 00:42:27,600 Speaker 3: At the time something awkwards going on, or that guy 962 00:42:27,640 --> 00:42:30,200 Speaker 3: that got up and he was really drunk on stage 963 00:42:30,239 --> 00:42:31,000 Speaker 3: in the seventies. 964 00:42:31,360 --> 00:42:33,080 Speaker 1: He was like an English act out he got and 965 00:42:33,120 --> 00:42:33,960 Speaker 1: he's just smashed. 966 00:42:34,080 --> 00:42:37,440 Speaker 2: Yeah, I remember loving But we all know the people. 967 00:42:37,480 --> 00:42:39,719 Speaker 2: We watched the shows that they're in. Yeah, So how 968 00:42:39,760 --> 00:42:41,960 Speaker 2: do you feel do the Logis passed the pub test? 969 00:42:42,239 --> 00:42:45,240 Speaker 12: I absolutely loved The Logis and watched it from start 970 00:42:45,320 --> 00:42:49,120 Speaker 12: to finish. I couldn't stop crying with Rebecca Gidney, Sidney 971 00:42:49,360 --> 00:42:50,439 Speaker 12: Son spoke. 972 00:42:50,600 --> 00:42:52,719 Speaker 16: And plus Larry Ender at the end. 973 00:42:52,840 --> 00:42:53,560 Speaker 2: Oh my god. 974 00:42:53,960 --> 00:42:56,160 Speaker 12: I was so tired the next day, but I didn't care. 975 00:42:56,360 --> 00:42:56,960 Speaker 16: I loved it. 976 00:42:57,160 --> 00:42:59,320 Speaker 10: You know, I've never really watched it. I tried to 977 00:42:59,360 --> 00:43:01,840 Speaker 10: watch it this year and it just dragged. 978 00:43:01,560 --> 00:43:03,200 Speaker 6: On and on and on. 979 00:43:04,440 --> 00:43:06,360 Speaker 3: No, you know, maybe they should shorten it by an 980 00:43:06,400 --> 00:43:08,360 Speaker 3: hour and a half and it might be palatable. 981 00:43:08,360 --> 00:43:11,080 Speaker 12: But yes, I think they do. 982 00:43:11,320 --> 00:43:11,960 Speaker 2: I love them. 983 00:43:12,000 --> 00:43:15,200 Speaker 16: I love the red carpet. Gives me ideas on beautiful dresses, 984 00:43:15,760 --> 00:43:18,120 Speaker 16: and I hung out till the last minute. 985 00:43:18,120 --> 00:43:20,600 Speaker 12: Not my eyes are half closed, but it was eleven thirty, 986 00:43:20,640 --> 00:43:21,879 Speaker 12: but I wanted to see who won the. 987 00:43:21,800 --> 00:43:22,759 Speaker 9: Goals liking. 988 00:43:24,160 --> 00:43:27,040 Speaker 10: It's absolutely cringe worthy. You're the sort to watch sles 989 00:43:27,080 --> 00:43:28,480 Speaker 10: walking up at all, you know what? 990 00:43:28,719 --> 00:43:31,600 Speaker 16: Yes, I think they do. They may drag on for 991 00:43:31,719 --> 00:43:35,760 Speaker 16: one or two hours too long, but I really enjoy 992 00:43:35,840 --> 00:43:38,760 Speaker 16: watching that. And if anybody did a cry, was Rebetta 993 00:43:38,800 --> 00:43:41,239 Speaker 16: give me the other night. They've just not got a heart. 994 00:43:41,600 --> 00:43:43,120 Speaker 1: No, you can't be bothered. 995 00:43:43,200 --> 00:43:43,480 Speaker 2: Really. 996 00:43:43,680 --> 00:43:45,359 Speaker 16: I like the fashion, but that's about it. 997 00:43:45,560 --> 00:43:46,200 Speaker 2: Really can't be. 998 00:43:46,239 --> 00:43:49,719 Speaker 16: Are definitely because I love the fear of the celebs 999 00:43:50,000 --> 00:43:52,680 Speaker 16: waiting for the pang slang and. 1000 00:43:52,560 --> 00:43:53,600 Speaker 1: The pang slang. 1001 00:43:53,880 --> 00:43:56,320 Speaker 2: I'm glad people love that. Pleased to hear that. 1002 00:43:56,160 --> 00:43:58,440 Speaker 1: Well, I it sure is that we'll have an invite 1003 00:43:58,480 --> 00:44:01,160 Speaker 1: next year. I'll be eating your chicken while you're up 1004 00:44:01,160 --> 00:44:04,879 Speaker 1: getting the gold Brenda. That's what's going to happen. I've 1005 00:44:04,880 --> 00:44:06,800 Speaker 1: got a space on your bum for a tattoo. 1006 00:44:08,640 --> 00:44:09,799 Speaker 2: Space there for several things. 1007 00:44:09,800 --> 00:44:10,719 Speaker 1: I've already sold it. 1008 00:44:12,280 --> 00:44:13,800 Speaker 2: S shit podcast. 1009 00:44:14,040 --> 00:44:15,520 Speaker 1: What about our London cab? 1010 00:44:16,400 --> 00:44:19,080 Speaker 2: We filmed a little video with it yesterday. It's interesting 1011 00:44:19,080 --> 00:44:21,120 Speaker 2: because on the one side is our dollies. It's the 1012 00:44:21,120 --> 00:44:24,040 Speaker 2: one where your plastic dolly is nude and pixelated. So 1013 00:44:24,080 --> 00:44:26,239 Speaker 2: on one hand to get in on one side, you 1014 00:44:26,239 --> 00:44:29,160 Speaker 2: have to pull a leave near your bottom side. 1015 00:44:29,280 --> 00:44:29,960 Speaker 1: Right in there, you. 1016 00:44:29,920 --> 00:44:32,120 Speaker 2: Have to pull the lever that's right on your plastic 1017 00:44:32,280 --> 00:44:33,120 Speaker 2: lack of mouth. 1018 00:44:32,960 --> 00:44:34,879 Speaker 1: To the side of the plastic man. 1019 00:44:35,040 --> 00:44:36,879 Speaker 2: We've asked you if you need to get a ride 1020 00:44:36,960 --> 00:44:39,120 Speaker 2: with us, we can get you to and from wherever 1021 00:44:39,200 --> 00:44:41,799 Speaker 2: you need to be. Yesterday Page had been to the 1022 00:44:41,840 --> 00:44:45,160 Speaker 2: logis with a friend. She was hungover and needed help 1023 00:44:45,200 --> 00:44:45,839 Speaker 2: to get to work. 1024 00:44:46,160 --> 00:44:47,960 Speaker 1: Today. Who are we helping? 1025 00:44:48,000 --> 00:44:51,640 Speaker 2: A man helping Giovanni from Auburn in his hand getting 1026 00:44:51,680 --> 00:44:53,720 Speaker 2: his kids to school. There's only one current the family. 1027 00:44:53,800 --> 00:44:56,400 Speaker 2: Mum's already at work, so let's cross out to Giovannie, 1028 00:44:56,400 --> 00:44:59,520 Speaker 2: who's in the cab with the kids. Hi's Giovanni, good morning, 1029 00:45:01,120 --> 00:45:05,279 Speaker 2: coming inside the London cab with Donny Samas and Gabriel. 1030 00:45:07,440 --> 00:45:09,680 Speaker 1: Wow, they released healing him into the car. 1031 00:45:12,280 --> 00:45:15,280 Speaker 2: So so far, so good for you. Guys. Are people 1032 00:45:15,520 --> 00:45:18,920 Speaker 2: because when you're inside I noticed yesterday just you can't 1033 00:45:18,960 --> 00:45:21,319 Speaker 2: tell that all those details are on the car. Are 1034 00:45:21,320 --> 00:45:23,040 Speaker 2: people outside looking at you strangely? 1035 00:45:23,440 --> 00:45:27,440 Speaker 10: We actually have noticed that as well. Yeah, it is 1036 00:45:27,480 --> 00:45:28,240 Speaker 10: quite unusual. 1037 00:45:28,320 --> 00:45:31,040 Speaker 9: It is quite unusual for the children, and they've been 1038 00:45:31,040 --> 00:45:32,799 Speaker 9: trying to limit their lunch there, they've been trying to 1039 00:45:32,800 --> 00:45:35,520 Speaker 9: limit their their kings waving up the window as well. 1040 00:45:35,680 --> 00:45:39,280 Speaker 1: So I'm is Michael driving the cab today? 1041 00:45:40,239 --> 00:45:41,839 Speaker 2: I can confirm he is on the job. 1042 00:45:42,000 --> 00:45:43,520 Speaker 1: Yeah, you guys, he's a good fellow. 1043 00:45:43,560 --> 00:45:45,520 Speaker 2: So normally how do you get everyone to school? 1044 00:45:46,560 --> 00:45:47,960 Speaker 16: Well, we just use mom the car. 1045 00:45:48,719 --> 00:45:50,600 Speaker 2: Yeah, and she has to do all this and drive 1046 00:45:50,600 --> 00:45:52,760 Speaker 2: around and everyone's late and all of that. So today 1047 00:45:52,960 --> 00:45:54,040 Speaker 2: taking some stress away. 1048 00:45:54,680 --> 00:45:56,799 Speaker 10: Well that's exactly right. This is a bit of a 1049 00:45:56,840 --> 00:45:57,480 Speaker 10: treat for the kids. 1050 00:45:58,200 --> 00:46:01,239 Speaker 3: Get a treat for the kids right in the So, well, 1051 00:46:01,280 --> 00:46:03,640 Speaker 3: the guy, they'll go to school and then Michael will 1052 00:46:03,680 --> 00:46:05,360 Speaker 3: pick you up on presuming after school. 1053 00:46:05,440 --> 00:46:09,520 Speaker 12: Yeah, yes, yes, yes, yes, yes, yes, you're taking back 1054 00:46:09,560 --> 00:46:12,400 Speaker 12: home and it'll be fas too much fun for the 1055 00:46:12,440 --> 00:46:13,799 Speaker 12: children for one morning. 1056 00:46:14,280 --> 00:46:16,560 Speaker 1: Much funny. Thank you, Thank you for thinking of us. 1057 00:46:16,600 --> 00:46:17,200 Speaker 2: I'm glad I. 1058 00:46:17,239 --> 00:46:20,640 Speaker 3: Help you out question Dominique and of course Michael at 1059 00:46:20,640 --> 00:46:21,000 Speaker 3: the front. 1060 00:46:21,920 --> 00:46:22,680 Speaker 10: I'm wonderful. 1061 00:46:23,120 --> 00:46:23,480 Speaker 2: Thank you. 1062 00:46:24,320 --> 00:46:25,640 Speaker 1: There's something we can do for you. 1063 00:46:25,880 --> 00:46:27,480 Speaker 2: Get in touch with our socials if you need to 1064 00:46:27,520 --> 00:46:29,560 Speaker 2: write it now Jones and Amanda London. 1065 00:46:29,280 --> 00:46:31,920 Speaker 1: Cam Yeah, thanks to go Transit Media gem. 1066 00:46:31,880 --> 00:46:35,839 Speaker 7: N Jonesy and Amanda in the morning one oh one 1067 00:46:35,920 --> 00:46:38,160 Speaker 7: point seven WSFM Top of. 1068 00:46:38,080 --> 00:46:39,719 Speaker 3: The Morning to you it's twenty one past eight. 1069 00:46:40,040 --> 00:46:41,960 Speaker 2: Eric Thompson is a busy man. You may have seen 1070 00:46:42,000 --> 00:46:44,279 Speaker 2: him on Sunday Night. Who was part of that incredible 1071 00:46:44,320 --> 00:46:47,399 Speaker 2: tribute as Rebecca Gibney was inducted into the Hall of Fame. 1072 00:46:47,719 --> 00:46:49,360 Speaker 17: For the first time I met Rebecca was in the 1073 00:46:49,400 --> 00:46:53,319 Speaker 17: long hot summer of nineteen ninety seven. One day sunbathing 1074 00:46:53,360 --> 00:46:57,000 Speaker 17: at Bondi Beach with all the other unemployed actors. I've 1075 00:46:57,000 --> 00:46:59,560 Speaker 17: got a call from my agent for an audition for 1076 00:46:59,600 --> 00:47:02,400 Speaker 17: a tele movie called thirteen Gantry Road, to play opposite 1077 00:47:02,560 --> 00:47:06,840 Speaker 17: the Queen of Australian TV, herself, Rebecca Gibney. 1078 00:47:07,160 --> 00:47:09,120 Speaker 6: This was my big moment. 1079 00:47:10,520 --> 00:47:14,120 Speaker 17: I hired a slick black suit from DJ's. I ran 1080 00:47:14,200 --> 00:47:16,680 Speaker 17: my lines as I walked around the block five times 1081 00:47:16,719 --> 00:47:19,560 Speaker 17: in thirty five degrees heat. I entered the audition room 1082 00:47:19,640 --> 00:47:23,880 Speaker 17: dripping with sweat, shaking with nerves. All the lines I 1083 00:47:23,920 --> 00:47:27,719 Speaker 17: knew so well three minutes ago I no longer knew. 1084 00:47:29,239 --> 00:47:31,439 Speaker 17: It was a complete nut of shambles. I went into 1085 00:47:31,480 --> 00:47:33,640 Speaker 17: my car and wept like a baby. 1086 00:47:34,880 --> 00:47:37,879 Speaker 2: And then, of course reconnected with Rebecca many years later 1087 00:47:37,960 --> 00:47:41,000 Speaker 2: to play Dave alongside her and packed to the rafters. 1088 00:47:41,320 --> 00:47:43,680 Speaker 2: Eric is in a newsstand series called Critical Incident and 1089 00:47:43,719 --> 00:47:46,040 Speaker 2: joined us. Now, Hello, Eric, how are you. 1090 00:47:48,040 --> 00:47:51,840 Speaker 6: I'm very well. I've I've just woken up. I've scarred 1091 00:47:51,880 --> 00:47:52,360 Speaker 6: the coffee. 1092 00:47:52,480 --> 00:47:52,719 Speaker 1: Yep. 1093 00:47:52,840 --> 00:47:55,200 Speaker 6: So I am. It's been a very busy couple of 1094 00:47:55,239 --> 00:47:58,040 Speaker 6: days because the next day I flew on the red 1095 00:47:58,040 --> 00:48:03,080 Speaker 6: Eye to Adelaide, and I just started rehearsal yesterday. So 1096 00:48:03,719 --> 00:48:08,080 Speaker 6: I am, I'm, I'm, yeah, I'm. I wouldn't say I 1097 00:48:08,120 --> 00:48:11,520 Speaker 6: wouldn't say one hundred percent. I'd say about maybe ninety 1098 00:48:11,719 --> 00:48:13,080 Speaker 6: ninety three at the stage. 1099 00:48:13,239 --> 00:48:15,759 Speaker 3: I watched that thirteen gantry rade when it came out, 1100 00:48:15,800 --> 00:48:17,960 Speaker 3: and who was the dude that actually got the role 1101 00:48:18,000 --> 00:48:18,359 Speaker 3: in the end? 1102 00:48:18,400 --> 00:48:20,880 Speaker 1: It was someone big, but I've completely forgotten. 1103 00:48:21,320 --> 00:48:25,520 Speaker 6: Well, it wasn't someone big, and I don't even know 1104 00:48:25,560 --> 00:48:27,799 Speaker 6: what his name is anymore, but I think he isn't 1105 00:48:27,880 --> 00:48:28,760 Speaker 6: he's in real estate. 1106 00:48:29,520 --> 00:48:30,040 Speaker 1: I think. 1107 00:48:31,520 --> 00:48:34,439 Speaker 6: I think I think it pushed. It could have could 1108 00:48:34,440 --> 00:48:37,960 Speaker 6: have it could have been me in real estate. Well, no, 1109 00:48:38,560 --> 00:48:40,080 Speaker 6: I can't remember his name, but it was. 1110 00:48:40,120 --> 00:48:40,319 Speaker 1: It was. 1111 00:48:40,400 --> 00:48:42,560 Speaker 6: It was a good show, and I'm really excited about 1112 00:48:42,560 --> 00:48:45,000 Speaker 6: it because it was actually and Michael Caton. 1113 00:48:44,760 --> 00:48:47,520 Speaker 3: Was he he was the builder of the builder guy 1114 00:48:47,880 --> 00:48:50,120 Speaker 3: because it was about he wanted house. 1115 00:48:50,360 --> 00:48:51,359 Speaker 2: Well it wasn't about that area. 1116 00:48:51,440 --> 00:48:52,200 Speaker 6: Yeah, yeah, it was. 1117 00:48:52,320 --> 00:48:54,680 Speaker 12: It was really yeah, it was. 1118 00:48:54,880 --> 00:48:56,600 Speaker 6: It was really well done. 1119 00:48:56,719 --> 00:48:58,600 Speaker 1: I can watch that anyway. 1120 00:48:58,600 --> 00:49:01,200 Speaker 6: Anyway. Anyway, I got to work with her eventually. 1121 00:49:02,239 --> 00:49:05,719 Speaker 2: And the character you're playing in Critical Incident is very 1122 00:49:05,719 --> 00:49:08,200 Speaker 2: different Todave, isn't it. From Pack to the Rafters talk 1123 00:49:08,239 --> 00:49:09,279 Speaker 2: us through this new guy. 1124 00:49:11,280 --> 00:49:13,879 Speaker 6: Yeah, well, you know, I kind of play the superintendent 1125 00:49:13,960 --> 00:49:19,440 Speaker 6: of this black Tan police station. And you know, when 1126 00:49:19,480 --> 00:49:21,840 Speaker 6: I first read it, I was like, superintendent, he'll be 1127 00:49:21,840 --> 00:49:24,960 Speaker 6: the grumpy, gruff kind of you know, a guy that 1128 00:49:25,040 --> 00:49:28,160 Speaker 6: tells everybody off. But he's sort of the opposite. He's 1129 00:49:28,320 --> 00:49:33,480 Speaker 6: very nurturing, and he's got a young, diverse, you know, 1130 00:49:34,840 --> 00:49:39,560 Speaker 6: staff of really keen new police and he's trying to 1131 00:49:39,600 --> 00:49:42,799 Speaker 6: manage a very difficult community and so he's got to 1132 00:49:43,160 --> 00:49:45,279 Speaker 6: he's got to run. He's got the rule books because 1133 00:49:45,280 --> 00:49:48,360 Speaker 6: he's got the people above him, and he has to 1134 00:49:48,440 --> 00:49:50,680 Speaker 6: run by the rules. But he's also trying to nurture 1135 00:49:50,960 --> 00:49:55,239 Speaker 6: and understand the difficulties of policing in such a you know, 1136 00:49:55,360 --> 00:50:01,120 Speaker 6: hotbed of sort of crime and social kind of. Yes, 1137 00:50:01,400 --> 00:50:04,600 Speaker 6: so so it was, you know, he's I really enjoyed it. 1138 00:50:04,680 --> 00:50:07,759 Speaker 6: I really enjoyed playing it, and I'm super thrilled with 1139 00:50:08,160 --> 00:50:10,600 Speaker 6: the result. It's they've made a great show. It's it's 1140 00:50:10,640 --> 00:50:13,759 Speaker 6: gripping from end finish and for sure from beginning to end. 1141 00:50:14,000 --> 00:50:17,520 Speaker 2: Yeah, the closing credits are amazing. 1142 00:50:18,040 --> 00:50:19,480 Speaker 6: The last one minute is awesome. 1143 00:50:22,000 --> 00:50:23,160 Speaker 1: That's where you picked. 1144 00:50:25,960 --> 00:50:28,799 Speaker 6: Man that I pick. No, but it was, it was. 1145 00:50:29,840 --> 00:50:32,480 Speaker 6: It's been. It's a great show and I would urge 1146 00:50:32,520 --> 00:50:33,960 Speaker 6: anyone to have a look because it's a it's a 1147 00:50:33,960 --> 00:50:35,320 Speaker 6: great piece of lossy Telly. 1148 00:50:36,280 --> 00:50:38,680 Speaker 3: Well, look at you, Eric, You've gone from strength to strength. 1149 00:50:38,719 --> 00:50:40,280 Speaker 3: You're not selling real estate. 1150 00:50:40,400 --> 00:50:41,240 Speaker 2: Not there's any. 1151 00:50:42,560 --> 00:50:44,200 Speaker 1: Real estate, No, not yet. 1152 00:50:44,239 --> 00:50:45,279 Speaker 3: Yeah, I would trust you. 1153 00:50:47,080 --> 00:50:49,600 Speaker 1: Town. It's worth checking out. 1154 00:50:49,719 --> 00:50:52,920 Speaker 3: What's critical incident now only on stand forget about thirteen 1155 00:50:52,920 --> 00:50:55,720 Speaker 3: Gamesry wrote, all though I am curious. 1156 00:50:55,360 --> 00:50:56,879 Speaker 1: I do want to watch it because it was a good, 1157 00:50:57,040 --> 00:50:57,840 Speaker 1: good tellymovie. 1158 00:50:59,400 --> 00:51:01,520 Speaker 6: Yeah. I don't know where you find it. 1159 00:51:01,680 --> 00:51:04,040 Speaker 2: No, and we don't need to talk about Jack right now. 1160 00:51:04,080 --> 00:51:05,520 Speaker 1: I'll check my old VHSS. 1161 00:51:05,520 --> 00:51:09,040 Speaker 6: It might be in there, yeah, in that and then 1162 00:51:09,360 --> 00:51:11,160 Speaker 6: in with your old seventy eighths as well. 1163 00:51:11,440 --> 00:51:13,600 Speaker 2: Well, Eric, it's so great to see you being so busy. 1164 00:51:13,640 --> 00:51:15,520 Speaker 2: You're one of our favorites and so much to talk 1165 00:51:15,520 --> 00:51:15,719 Speaker 2: to you. 1166 00:51:17,040 --> 00:51:19,439 Speaker 6: Well, thank you very much and have a great day. 1167 00:51:20,160 --> 00:51:20,880 Speaker 2: Go back to sleep. 1168 00:51:21,360 --> 00:51:24,160 Speaker 13: Jonesy and Amanda podcast. 1169 00:51:27,040 --> 00:51:36,040 Speaker 2: Yeah back, Maybe did well, Brendon. I am glad you 1170 00:51:36,160 --> 00:51:39,759 Speaker 2: put your hand up to participate in the Celebrity Theater 1171 00:51:39,760 --> 00:51:42,560 Speaker 2: Supports event that's happening Sunday at the Nimre Theater four o'clock. 1172 00:51:42,600 --> 00:51:44,680 Speaker 2: If you'd like to go along. It's a great fundraiser 1173 00:51:44,719 --> 00:51:49,200 Speaker 2: for canteen teenagers and kids living with cancer. Remember last 1174 00:51:49,280 --> 00:51:50,440 Speaker 2: year I was a participant. 1175 00:51:50,920 --> 00:51:52,160 Speaker 1: Let's do you remember what. 1176 00:51:52,080 --> 00:51:54,840 Speaker 2: Happened last year and you said, I guess I'm going 1177 00:51:54,880 --> 00:51:56,120 Speaker 2: to have to come and support you. I said, you 1178 00:51:56,120 --> 00:51:58,319 Speaker 2: don't have to, And it's at the end More Theater. 1179 00:51:58,400 --> 00:52:00,680 Speaker 2: My son lives near there, and you decided that you 1180 00:52:00,719 --> 00:52:04,040 Speaker 2: and my son Jack would come and support me. That 1181 00:52:04,120 --> 00:52:06,440 Speaker 2: support took an unusual form, didn't it. Do you remember 1182 00:52:07,440 --> 00:52:11,120 Speaker 2: you got him drunk as a skunk. You were drunk 1183 00:52:11,160 --> 00:52:13,920 Speaker 2: as are skunk, Ryan. You were there in the audience 1184 00:52:14,640 --> 00:52:17,040 Speaker 2: and even you were horrified at how drunk these two 1185 00:52:17,080 --> 00:52:19,480 Speaker 2: were There were cans all over the floor. I was 1186 00:52:19,520 --> 00:52:22,960 Speaker 2: sitting there with Alessia, and James was going, oh, look 1187 00:52:23,000 --> 00:52:26,080 Speaker 2: at drying were you his girlfriend? Oh like that? 1188 00:52:26,200 --> 00:52:26,400 Speaker 9: At me? 1189 00:52:26,960 --> 00:52:31,480 Speaker 2: Terrible? He never met a no terrible. And Jayala Guy's daughter, 1190 00:52:32,000 --> 00:52:34,839 Speaker 2: Jalen Guy was in my team. She said, how dare 1191 00:52:34,880 --> 00:52:37,240 Speaker 2: people come to a theater and be so disrespectful without 1192 00:52:37,320 --> 00:52:41,440 Speaker 2: knowing that it was you? And then she's now a 1193 00:52:41,480 --> 00:52:44,759 Speaker 2: giant star in her own right, so she learned to 1194 00:52:45,200 --> 00:52:46,520 Speaker 2: fend off the weirdos. 1195 00:52:46,600 --> 00:52:47,560 Speaker 1: I wasn't a hang on. 1196 00:52:47,600 --> 00:52:49,600 Speaker 3: I wasn't a weird This is how you supposed your 1197 00:52:49,719 --> 00:52:52,400 Speaker 3: son's fault because he kept buying vbs. 1198 00:52:52,640 --> 00:52:54,040 Speaker 1: He was twenty too, well. 1199 00:52:53,840 --> 00:52:57,800 Speaker 2: He was twenty. How old were you last year? Fifty seven? 1200 00:53:00,480 --> 00:53:05,120 Speaker 2: Oh that all of mine? I was fifty now minus one. 1201 00:53:05,160 --> 00:53:07,279 Speaker 1: I'm fifty six now I was fifty five. 1202 00:53:07,520 --> 00:53:09,719 Speaker 2: So this year when you, I can't do it this year. 1203 00:53:10,040 --> 00:53:13,160 Speaker 2: So when you are performing this year, you look out 1204 00:53:13,200 --> 00:53:15,760 Speaker 2: to the crowd and you see all the supportive people 1205 00:53:16,120 --> 00:53:17,160 Speaker 2: and not ting around. 1206 00:53:17,239 --> 00:53:19,640 Speaker 1: This is I never said did? 1207 00:53:19,719 --> 00:53:22,000 Speaker 2: You said? It was up itself? And then you saw 1208 00:53:22,040 --> 00:53:25,600 Speaker 2: all these cans of beer on the floor. You made 1209 00:53:25,719 --> 00:53:26,480 Speaker 2: my degree of me. 1210 00:53:26,680 --> 00:53:30,480 Speaker 3: I did okay, I think we're embellishing a bit here, counsel. 1211 00:53:30,840 --> 00:53:34,200 Speaker 3: I will say that theater sports is not it's not 1212 00:53:34,280 --> 00:53:36,759 Speaker 3: in my comfort zone. You remember that time I went 1213 00:53:36,800 --> 00:53:39,000 Speaker 3: for an audition for Whose line is it? 1214 00:53:39,040 --> 00:53:41,640 Speaker 1: Anyway? I thought it was for the host for the show, 1215 00:53:42,239 --> 00:53:43,239 Speaker 1: so I went along there. 1216 00:53:43,400 --> 00:53:44,880 Speaker 2: Instead you were the close And next. 1217 00:53:44,680 --> 00:53:47,000 Speaker 3: Time I'm pretending to be a woodwork teacher that's just 1218 00:53:47,080 --> 00:53:49,360 Speaker 3: chopped my fingers off trying to crack onto a girl. 1219 00:53:50,239 --> 00:53:56,400 Speaker 3: That's exactly, that's literally, that's exactly what the scenario was. 1220 00:53:57,200 --> 00:53:59,680 Speaker 2: Ryan. You're participating this year because this is stuff that 1221 00:53:59,719 --> 00:54:00,440 Speaker 2: you are? 1222 00:54:00,480 --> 00:54:02,000 Speaker 1: You going to be on my side? Good? No, I'm 1223 00:54:02,000 --> 00:54:04,839 Speaker 1: not not on your team. I'm on another team. Who's 1224 00:54:04,840 --> 00:54:06,680 Speaker 1: patting it down? Who's your celebrity? 1225 00:54:06,760 --> 00:54:09,320 Speaker 2: Meointed myself? 1226 00:54:09,320 --> 00:54:11,480 Speaker 3: So what his star has risen that much now he's 1227 00:54:11,480 --> 00:54:12,839 Speaker 3: in charge of the celebrity team. 1228 00:54:12,880 --> 00:54:15,960 Speaker 2: Well, your star has dropped from your disgusting disciplay at 1229 00:54:16,000 --> 00:54:17,359 Speaker 2: the Animal Theater last year. 1230 00:54:17,480 --> 00:54:19,279 Speaker 1: So who's the other celebrities there? 1231 00:54:19,280 --> 00:54:22,200 Speaker 2: Well, there's going to be Ben Fordham, It's going to 1232 00:54:22,200 --> 00:54:26,799 Speaker 2: be Oshaginsburg, There's going to be Adam Spencer's always there. 1233 00:54:26,840 --> 00:54:29,600 Speaker 2: He takes it. They that's a whimsy free zone. They 1234 00:54:29,640 --> 00:54:32,319 Speaker 2: take it very seriously. And then there's you. But rather 1235 00:54:32,320 --> 00:54:34,000 Speaker 2: than being drunk in the audience, you might be drunk 1236 00:54:34,080 --> 00:54:35,839 Speaker 2: up on stage. So if you'd like to go. 1237 00:54:35,840 --> 00:54:39,480 Speaker 1: Along, you've solved this, am I Just if you'd like 1238 00:54:39,560 --> 00:54:41,560 Speaker 1: to go along? Ryan, have you got any details? Yes, 1239 00:54:41,640 --> 00:54:44,040 Speaker 1: it's four o'clock yep, Sunday. 1240 00:54:43,760 --> 00:54:46,120 Speaker 2: And theater and more. Theater a great cause but also 1241 00:54:46,160 --> 00:54:49,280 Speaker 2: a really entertaining afternoon, no matter where you're sitting. 1242 00:54:49,800 --> 00:54:51,040 Speaker 3: The last time I was at the end where I 1243 00:54:51,080 --> 00:54:53,040 Speaker 3: was drunk, and the time before that I was nude 1244 00:54:53,080 --> 00:54:53,919 Speaker 3: on stage. 1245 00:54:54,320 --> 00:54:55,719 Speaker 1: What can possibly go wrong? 1246 00:54:55,760 --> 00:54:57,759 Speaker 2: Well, let's see if the shoe was on the other 1247 00:54:57,800 --> 00:54:58,520 Speaker 2: foot this time. 1248 00:54:58,640 --> 00:55:01,200 Speaker 3: That was a sanctioned show by not the drunk, but 1249 00:55:01,280 --> 00:55:02,480 Speaker 3: the nude on stage. 1250 00:55:03,920 --> 00:55:09,240 Speaker 2: Amanda Notion podcast. I came across a really interesting story 1251 00:55:09,320 --> 00:55:12,279 Speaker 2: the other day that happened in America. I don't think 1252 00:55:12,320 --> 00:55:15,880 Speaker 2: it can happen here, but let's talk about it anyway, 1253 00:55:16,080 --> 00:55:19,479 Speaker 2: because it's best to know that this stuff is out there. 1254 00:55:19,560 --> 00:55:22,640 Speaker 2: We have different consumer laws. So this is a story 1255 00:55:22,680 --> 00:55:25,799 Speaker 2: really about the darker side of Disney. This man is 1256 00:55:25,840 --> 00:55:30,360 Speaker 2: suing Disney for fifty thousand dollars because his wife died 1257 00:55:30,840 --> 00:55:34,600 Speaker 2: after having an allergic reaction at a restaurant in Disney Springs, Florida. 1258 00:55:35,680 --> 00:55:39,439 Speaker 2: So what happened is they were at a pub. His wife, 1259 00:55:39,480 --> 00:55:43,280 Speaker 2: who had a variety of nut and dairy allergies serious ones, 1260 00:55:43,680 --> 00:55:46,719 Speaker 2: told the staff multiple times that she had these allergies, 1261 00:55:47,920 --> 00:55:51,600 Speaker 2: and they reassured her they would make her food allergy free. 1262 00:55:52,160 --> 00:55:54,399 Speaker 2: Well that didn't happen. Forty five minutes after she'd eaten 1263 00:55:54,440 --> 00:55:58,319 Speaker 2: a meal there, she collapsed, struggling for breath. She self 1264 00:55:58,360 --> 00:56:01,319 Speaker 2: administered her EpiPen, but was rushed hospital and tragically died. 1265 00:56:01,520 --> 00:56:01,960 Speaker 1: WHOA. 1266 00:56:02,080 --> 00:56:05,279 Speaker 2: So he's suing the restaurant. He's suing Disney saying that 1267 00:56:05,360 --> 00:56:08,319 Speaker 2: we told you that she couldn't eat this food, and 1268 00:56:08,360 --> 00:56:11,239 Speaker 2: you said, don't worry, it's fine, and it wasn't. Now 1269 00:56:11,280 --> 00:56:15,800 Speaker 2: you know why this case cannot go ahead was because 1270 00:56:17,200 --> 00:56:22,760 Speaker 2: this man, the husband, signed up for a two week 1271 00:56:23,960 --> 00:56:28,439 Speaker 2: trial of the Disney Channel a number of years beforehand. 1272 00:56:29,200 --> 00:56:30,080 Speaker 1: This seems weird. 1273 00:56:30,239 --> 00:56:33,720 Speaker 2: Well, The streaming giant Disney is arguing that the terms 1274 00:56:33,760 --> 00:56:37,759 Speaker 2: he agreed to when creating his Disney account a number 1275 00:56:37,800 --> 00:56:40,560 Speaker 2: of years before means that he has to settle any 1276 00:56:40,560 --> 00:56:44,560 Speaker 2: illegal disputes with them via arbitration and he's not allowed 1277 00:56:44,600 --> 00:56:47,360 Speaker 2: to sue. So they say that he agreed to these terms. 1278 00:56:47,360 --> 00:56:50,720 Speaker 2: He activated a one month free trial on the Walt 1279 00:56:50,719 --> 00:56:55,200 Speaker 2: Disney World app five years before, and that negates his 1280 00:56:55,280 --> 00:56:59,240 Speaker 2: ability to sue them. Whoa incredible, isn't it. The lawyers 1281 00:56:59,280 --> 00:57:02,000 Speaker 2: have said, well, this is rageous, but those are the 1282 00:57:02,080 --> 00:57:04,680 Speaker 2: terms and conditions. So I was wondering whether this could 1283 00:57:04,680 --> 00:57:07,640 Speaker 2: happen in Australia. But we have different consumer laws, so 1284 00:57:08,520 --> 00:57:11,080 Speaker 2: we would be able to say, well, that was almost 1285 00:57:11,120 --> 00:57:14,080 Speaker 2: impossible for a consumer to be aware of that disclaimer, 1286 00:57:14,560 --> 00:57:17,280 Speaker 2: so they're not the same. Thing wouldn't happen here, but 1287 00:57:17,440 --> 00:57:20,960 Speaker 2: in the States, beware. He signed up to watch Herbie 1288 00:57:21,000 --> 00:57:25,800 Speaker 2: Goes Bananas or something in twenty nineteen, a month's trial. 1289 00:57:26,000 --> 00:57:28,320 Speaker 3: Why wouldn't you out of all the movies Disney has, 1290 00:57:28,600 --> 00:57:31,240 Speaker 3: why would you choose up something from nineteen sixty three? 1291 00:57:31,360 --> 00:57:34,040 Speaker 2: Why wouldn't you? He signed up for that short period 1292 00:57:34,080 --> 00:57:37,040 Speaker 2: of a trial, one month free trial, and that has 1293 00:57:37,200 --> 00:57:40,120 Speaker 2: locked him in to not being able to sue Disney. 1294 00:57:40,680 --> 00:57:42,720 Speaker 1: Only fifty thousand dollars for a dead wife? 1295 00:57:43,360 --> 00:57:49,160 Speaker 2: Oh you know that's is that a Disney movie? 1296 00:57:50,720 --> 00:57:54,400 Speaker 13: Always read the Pies, always read the details. 1297 00:57:54,480 --> 00:57:57,360 Speaker 1: Please, it's sixteen to what you got. 1298 00:57:57,280 --> 00:58:00,280 Speaker 2: From that story, only fifty thousand dollars for day. 1299 00:58:00,280 --> 00:58:02,400 Speaker 3: I got to imagine my wife if that happened to her, 1300 00:58:03,320 --> 00:58:04,080 Speaker 3: she'd be somewhere. 1301 00:58:04,320 --> 00:58:06,520 Speaker 1: I hope you get more money. I'd be worth billions 1302 00:58:06,520 --> 00:58:07,200 Speaker 1: of dollars on. 1303 00:58:07,240 --> 00:58:10,120 Speaker 3: Fifty thousand fifty that what could you buy for fifty thousand? 1304 00:58:10,160 --> 00:58:10,720 Speaker 1: Buy nothing? 1305 00:58:10,960 --> 00:58:12,920 Speaker 2: Whereas she you'd'd be happy if your wife died, if 1306 00:58:12,920 --> 00:58:13,320 Speaker 2: you good. 1307 00:58:13,160 --> 00:58:18,000 Speaker 1: Bye stuff, you want to be compensated those. 1308 00:58:17,840 --> 00:58:19,360 Speaker 2: At that time, Harley and I were filming a beyond 1309 00:58:19,360 --> 00:58:21,560 Speaker 2: two thousand story on the edge of a cliff Land's 1310 00:58:21,640 --> 00:58:24,040 Speaker 2: End or something in England, and I said, what's down there? 1311 00:58:24,080 --> 00:58:25,560 Speaker 2: And he put his hand on the smaller my back 1312 00:58:25,600 --> 00:58:27,200 Speaker 2: and he said, and you ferrari. 1313 00:58:28,320 --> 00:58:30,040 Speaker 1: Back away, Jem Sam. 1314 00:58:30,200 --> 00:58:40,920 Speaker 2: They said, it's time to think about what you'd like 1315 00:58:41,000 --> 00:58:43,240 Speaker 2: to do with twenty thousand dollars cash. Because you're our 1316 00:58:43,280 --> 00:58:45,720 Speaker 2: favorite goolie of the year. That is what you will win. 1317 00:58:47,280 --> 00:58:50,440 Speaker 15: What if we got today and somebody says to you 1318 00:58:50,520 --> 00:58:55,080 Speaker 15: to calm down, calm down after you had a disagreement 1319 00:58:55,160 --> 00:58:59,400 Speaker 15: or an argument with somebody. That really gets my girlies, 1320 00:59:00,080 --> 00:59:05,040 Speaker 15: because you're already in that state of mind, and it 1321 00:59:05,120 --> 00:59:10,640 Speaker 15: doesn't help. It makes you more angry because they're trying 1322 00:59:10,680 --> 00:59:13,919 Speaker 15: to calm you down, but in other words, they're doing 1323 00:59:13,960 --> 00:59:14,880 Speaker 15: the opposite. 1324 00:59:15,080 --> 00:59:17,280 Speaker 2: Yeah, it's a long description of what we all know. 1325 00:59:17,680 --> 00:59:19,760 Speaker 1: No one in the world do you ever abbreviate as well? 1326 00:59:19,880 --> 00:59:21,680 Speaker 2: No one in the world has ever calmed down because 1327 00:59:21,720 --> 00:59:24,120 Speaker 2: someone told them to calm down? Let that be known. 1328 00:59:24,800 --> 00:59:27,320 Speaker 2: Has anyone ever told you to calm down? You go, yes, 1329 00:59:27,320 --> 00:59:27,960 Speaker 2: you're right, I'm sorry. 1330 00:59:27,960 --> 00:59:30,120 Speaker 3: I ever ye, yeah, I like it when someone's really 1331 00:59:30,160 --> 00:59:33,240 Speaker 3: going crazy to say, go more nuts, go on? 1332 00:59:33,760 --> 00:59:35,920 Speaker 2: Will you show your wife? And how's that go for you? 1333 00:59:36,320 --> 00:59:37,120 Speaker 2: What else have we got? 1334 00:59:38,320 --> 00:59:39,520 Speaker 1: Anyone gets my goolies? 1335 00:59:39,600 --> 00:59:41,800 Speaker 10: Is my GPS always trying to take me. 1336 00:59:41,720 --> 00:59:43,560 Speaker 5: On the most expensive route. 1337 00:59:43,800 --> 00:59:47,520 Speaker 11: Butever I go somewhere, she always tries to get me 1338 00:59:47,560 --> 00:59:50,240 Speaker 11: to go on the tollways. 1339 00:59:50,720 --> 00:59:52,120 Speaker 1: And sometimes they're not quicker. 1340 00:59:52,440 --> 00:59:55,240 Speaker 16: Sometimes they're actually slower, and then you're going traffic. 1341 00:59:56,040 --> 00:59:59,920 Speaker 1: So I think Google and the GPS companies are connected 1342 01:00:00,120 --> 01:00:03,200 Speaker 1: the tollways, and that really gets one good in cahoots. 1343 01:00:03,640 --> 01:00:06,440 Speaker 2: Remember that time I'd been doing a school hike with 1344 01:00:06,520 --> 01:00:10,800 Speaker 2: my son. You know, hiking isn't my thing. Overnight camping 1345 01:00:11,640 --> 01:00:15,400 Speaker 2: in the Hunter Valley coming back, not the Hunter Valley, 1346 01:00:15,480 --> 01:00:18,600 Speaker 2: Kangaro Valley, doesn't matter. Come well, okay, thank you coming back. 1347 01:00:18,920 --> 01:00:21,800 Speaker 2: I don't know how, but my car had turned off 1348 01:00:21,920 --> 01:00:24,280 Speaker 2: all the things and said to use any free ways. 1349 01:00:24,960 --> 01:00:28,000 Speaker 2: So I watched people drive off on main roads, and 1350 01:00:28,040 --> 01:00:30,160 Speaker 2: I was going, I may as well have put in there. 1351 01:00:30,280 --> 01:00:32,680 Speaker 2: I want to see every backwater between here and there. 1352 01:00:32,760 --> 01:00:34,640 Speaker 3: You switch said, I don't want to travel on tar 1353 01:00:34,760 --> 01:00:35,680 Speaker 3: roads bridges. 1354 01:00:35,800 --> 01:00:38,120 Speaker 2: No, I want to run over rocks and animals. 1355 01:00:38,160 --> 01:00:40,600 Speaker 3: That's why he came into work with barbed wire and 1356 01:00:40,680 --> 01:00:41,600 Speaker 3: chickens are coming out. 1357 01:00:41,640 --> 01:00:44,040 Speaker 2: Pretty much. That's what happened. I don't know how it turned. 1358 01:00:43,800 --> 01:00:46,680 Speaker 3: It off with the bad with the good of Egypt dat. 1359 01:00:46,720 --> 01:00:50,040 Speaker 3: You can always contact us by the iHeartRadio app. 1360 01:00:52,000 --> 01:00:54,920 Speaker 2: Our favorite color email of Facebook, Friend windsor Beyond Skyway 1361 01:00:54,960 --> 01:00:58,080 Speaker 2: experience for two at Scenic World, including drinks. This is 1362 01:00:58,120 --> 01:01:00,760 Speaker 2: a rooftop cable car experience like nothing else on earth. 1363 01:01:00,760 --> 01:01:01,840 Speaker 2: Thanks to seeing it, will you. 1364 01:01:02,120 --> 01:01:05,080 Speaker 3: Also get that Jones demanded tea talent key ring as well. 1365 01:01:05,280 --> 01:01:05,480 Speaker 5: Well. 1366 01:01:05,560 --> 01:01:08,760 Speaker 2: Yesterday the new Metro lined open for some people. It's 1367 01:01:08,840 --> 01:01:09,800 Speaker 2: better than Christmas. 1368 01:01:09,840 --> 01:01:10,680 Speaker 1: It's fantastic. 1369 01:01:10,720 --> 01:01:14,960 Speaker 2: Lots of people were out in the full cook. I 1370 01:01:15,000 --> 01:01:15,720 Speaker 2: took the entire. 1371 01:01:15,640 --> 01:01:17,280 Speaker 1: Day after just to go up and down over and 1372 01:01:17,360 --> 01:01:17,800 Speaker 1: over again. 1373 01:01:19,360 --> 01:01:20,280 Speaker 2: You may as well do it. 1374 01:01:20,360 --> 01:01:22,800 Speaker 14: I like trains and I love the Metro. 1375 01:01:22,960 --> 01:01:25,080 Speaker 4: So far I felt like I was back in tailors 1376 01:01:25,240 --> 01:01:26,680 Speaker 4: concert and I felt very at home. 1377 01:01:26,760 --> 01:01:28,720 Speaker 5: It's just something that we really want to be a 1378 01:01:28,800 --> 01:01:29,200 Speaker 5: part of. 1379 01:01:29,440 --> 01:01:31,520 Speaker 1: It's like really hard to like kind of put into words. 1380 01:01:31,520 --> 01:01:33,280 Speaker 2: How I kind of cool this is? 1381 01:01:34,440 --> 01:01:37,080 Speaker 1: I'm running a book. When's it first? Going to? First 1382 01:01:37,120 --> 01:01:39,920 Speaker 1: track work? First graffiti, first urine? 1383 01:01:40,440 --> 01:01:43,240 Speaker 2: Too late? I've done it all done at all? 1384 01:01:43,440 --> 01:01:45,120 Speaker 1: Well, you're controlling track work now? 1385 01:01:45,200 --> 01:01:47,880 Speaker 2: The tribal drum was beating for what kind of perth? 1386 01:01:48,520 --> 01:01:51,840 Speaker 2: I like trains? Is Michael from Old Too? And Gabby 1387 01:01:51,880 --> 01:01:52,960 Speaker 2: who loves the water tank? 1388 01:01:53,360 --> 01:01:56,720 Speaker 10: I've got a leash fregging ten of those overs? So 1389 01:01:56,760 --> 01:02:01,520 Speaker 10: I got twenty two thousands right? It doesn't collect tank. 1390 01:02:01,640 --> 01:02:03,160 Speaker 1: What's an OBC tank? 1391 01:02:03,840 --> 01:02:06,800 Speaker 10: Those thousand letter tanks with them? 1392 01:02:06,960 --> 01:02:07,560 Speaker 1: Oh? Yes? 1393 01:02:07,840 --> 01:02:09,840 Speaker 2: And do you use them or they see them on 1394 01:02:09,880 --> 01:02:10,720 Speaker 2: the back of a ute? 1395 01:02:10,720 --> 01:02:12,600 Speaker 11: Well enough for so? 1396 01:02:12,880 --> 01:02:15,920 Speaker 10: Yeah, they're all full, so not that much water. I 1397 01:02:15,920 --> 01:02:18,080 Speaker 10: could probably fill the harbor with it, you know, but 1398 01:02:18,200 --> 01:02:22,560 Speaker 10: we're you're weird. Do you keep me when I just 1399 01:02:22,560 --> 01:02:23,240 Speaker 10: got to have them. 1400 01:02:23,640 --> 01:02:26,840 Speaker 1: How they collectible well to be storing water. 1401 01:02:26,640 --> 01:02:29,800 Speaker 2: Water tank PERV. You'll see it on the current affair 1402 01:02:30,240 --> 01:02:33,680 Speaker 2: brid aut that's enough weavers. Next with your chance to 1403 01:02:33,680 --> 01:02:35,600 Speaker 2: win the next trip for two to the Cook Islands 1404 01:02:35,840 --> 01:02:38,080 Speaker 2: WSFMS when you're way at a winter we're going to 1405 01:02:38,120 --> 01:02:39,240 Speaker 2: be announcing that on Frontay. 1406 01:02:39,400 --> 01:02:41,320 Speaker 3: Too much on the show today and a lot of 1407 01:02:41,360 --> 01:02:44,080 Speaker 3: that stuff fell onto the floor the cutting room floor. 1408 01:02:44,200 --> 01:02:45,880 Speaker 2: Yeah, we're going to do those things anyway, and you 1409 01:02:45,920 --> 01:02:47,920 Speaker 2: can listen to them on a cutting room floor. Podcasts 1410 01:02:47,920 --> 01:02:49,440 Speaker 2: on the iHeartRadio. 1411 01:02:48,800 --> 01:02:50,960 Speaker 1: App catches from six to night for jam Nation two 1412 01:02:51,000 --> 01:02:52,240 Speaker 1: B t W B t. 1413 01:02:52,560 --> 01:02:56,120 Speaker 2: W so Young Brendan, good day to you, well, thank 1414 01:02:56,240 --> 01:03:02,040 Speaker 2: god that's over, good good wipe the two baby from 1415 01:03:02,080 --> 01:03:02,440 Speaker 2: You're Right. 1416 01:03:02,480 --> 01:03:05,520 Speaker 7: You can catch Jonesy and Amanda's podcast on the iHeartRadio 1417 01:03:05,560 --> 01:03:19,960 Speaker 7: app or wherever you get your podcasts change. Catch up 1418 01:03:19,960 --> 01:03:22,560 Speaker 7: on what you've missed on the free iHeartRadio app