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Speaker 1: Yes, welcome to the podcast called The Weight.

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Speaker 2: Of the Womb.

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Speaker 1: Yeah, I'm not going to give too much a way

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Speaker 1: that just comes up during the show, but I think,

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Speaker 1: you know, now that I've had a bit of time

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Speaker 1: to let that resonate, I think literally and metaphorically works.

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Speaker 3: Oh yeah, right on two levels, does it?

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Speaker 1: I think in retrospect I was a lot deeper than

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Speaker 1: I ever could have imagined.

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Speaker 3: The weight of the womb.

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Speaker 2: The weight of the womb, Yeah.

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Speaker 3: Yeah, yeah, as in like it's a heavy thing to

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Speaker 3: think about.

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Speaker 2: Well, it's it is literally heavy, but you get that,

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Speaker 2: you get that well done. But also you have the

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Speaker 2: entry level.

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Speaker 3: Thinking you have the it's a heavier womb.

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Speaker 1: Well yeah, I imagine the pressure of a life inside you.

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Speaker 3: Ah right, Yeah.

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Speaker 2: I can't really speak to that because I don't have

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Speaker 2: a womb.

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Speaker 3: No, no, will you ever.

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Speaker 2: I'll bring this up at the dinner table tonight.

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Speaker 3: That's interesting, isn't it. I mean you and I were

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Speaker 3: talking about this recently as well. Is totally off air.

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Speaker 3: But the idea that there are so many men who

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Speaker 3: do stuff around birth and they they will never have

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Speaker 3: a womb, and they do not know what that is like,

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Speaker 3: they cannot know what that is like, and they will

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Speaker 3: never ever know what that is like. And yet there

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Speaker 3: are so many dudes who are obstetrics. I think that's fascinating,

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Speaker 3: super interesting, and they're like experts in that women obs

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Speaker 3: a lot of women. It's a very popular male specialty.

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Speaker 3: It feels like that you always here, Well, most of

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Speaker 3: my mates who have had babies, who are who had obstetritions.

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Speaker 3: He was a guy.

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Speaker 1: Yeah, when we when we were search him and I

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Speaker 1: were looking for our You're right, the majority were men,

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Speaker 1: but there were there were a lot. There was a

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Speaker 1: good representation of females.

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Speaker 3: I hope. So, yeah, it just seems bizarre.

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Speaker 2: Yeah, I'm just thinking of the decision.

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Speaker 4: Now.

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Speaker 2: I don't know why went mad.

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Speaker 3: Because you said he was good or you know, he's

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Speaker 3: got a good reputation so you I'm not saying they're

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Speaker 3: bad at it. It's just interesting. It's like imagine a

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Speaker 3: woman walking up to you and telling you how to

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Speaker 3: use your penis. You'd be like, appreciate it, but I

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Speaker 3: have before Oh there you go. Oh oh sick stuff.

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Speaker 2: Sick stuff, wasn't it.

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Speaker 5: Yeah.

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Speaker 3: Now we said that we're going to have a listener

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Speaker 3: on at the start of each of these podcasts.

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Speaker 2: We're definitely it was a good chat. Yeah, that was

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Speaker 2: hot chat to a point with my comment, my comment, really.

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Speaker 3: It was sick, but I think it was sick.

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Speaker 2: It was just it was just which was dumb?

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Speaker 3: It was it was juvenile.

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Speaker 2: It was juvenile.

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Speaker 1: It didn't even make sense. It wasn't even a sick

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Speaker 1: comment like why Like it was just stupid. It didn't

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Speaker 1: make sense.

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Speaker 3: I think it made sense, did it?

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Speaker 2: I said, I've had a how to use my phoenix?

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Speaker 3: What does that even mean? Well, you might have this

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Speaker 3: is your this is your youth, this is no in

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Speaker 3: a sexual content I might have had.

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Speaker 2: And I think my time suggested.

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Speaker 3: That you know exactly you know, and you're trying to

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Speaker 3: double back over it and tell me that you know,

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Speaker 3: I don't even know what I said there, you know

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Speaker 3: exactly what you said.

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Speaker 6: It was sick.

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Speaker 3: It was sick.

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Speaker 2: Yeah, it was sick.

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Speaker 3: It was it was hanging for a taste the sweet sick.

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Speaker 2: It wasn't that sick. I could have gone sicker.

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Speaker 3: Oh well, what's sicker than that?

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Speaker 1: Oh no, there's a there's a there's a there's a

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Speaker 1: library of that.

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Speaker 3: You said, a woman told me how to use my

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Speaker 3: penis give me a sicker comment.

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Speaker 2: Well, no, because that because you want me to say

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Speaker 2: something really sick, and.

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Speaker 3: No I don't. I just want to prove that that's

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Speaker 3: about as sick as you could have gone with that, George, What.

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Speaker 2: Do you think, George?

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Speaker 7: You can go sick. You can certainly go sick.

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Speaker 3: Yeah, but we don't know that the scale.

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Speaker 2: We've got Kate.

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Speaker 3: Turkey safety. That wasn't bad.

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Speaker 7: The first two minutes was good chat.

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Speaker 2: And it's about the chat you just.

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Speaker 3: Yeah, did you fart there?

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Speaker 6: No, let's go to Kate.

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Speaker 2: We've got to George.

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Speaker 3: By the way, George's thirty five, No, twenty eight, really,

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Speaker 3: I thought it was twenty three, thirteen years difference and

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Speaker 3: our guesses.

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Speaker 2: Yeah, wow, you sort of you've got that.

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Speaker 3: Going on you you're ageless.

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Speaker 7: Well, I feel like I'm always like, your name is

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Speaker 7: the junior producer.

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Speaker 3: Yeah, yeah, yeah, but that's junior producer and at least now.

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Speaker 7: Yeah, so bottom eye just big senior producer, big.

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Speaker 2: Boy, big boy broad big boy producer.

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Speaker 3: Sure would you.

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Speaker 1: Like that on your email title big boy producer, big

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Speaker 1: boy producer.

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Speaker 2: I think that's classic.

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Speaker 7: You can actually change you can just change your signature

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Speaker 7: on emails?

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Speaker 3: Big boy, What have I got on mine? I don't know.

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Speaker 3: I don't say. You don't deleted all your emails recently.

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Speaker 3: You're taking on too much pace, I do. I don't

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Speaker 3: have an introfic email. Don't have one, Oh, Kate, but

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Speaker 3: if I had one?

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Speaker 2: Okay, Kate?

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Speaker 3: Sorry, I just have anchor, just a symbol of an anchor.

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Speaker 2: Sorry, Kate, we're talking.

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Speaker 3: Because I am the anchor anchor of the number two

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Speaker 3: drive show in the country.

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Speaker 1: Wow, this is the sort of stuff that will says

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Speaker 1: off air, Kate. He just walks around saying what he

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Speaker 1: is anchor?

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Speaker 3: Yeah, fair enough, Kate. You have a question for us? Yeah,

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Speaker 3: you had a question for us?

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Speaker 8: Yeah, I do.

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Speaker 9: So would you rather, well, well, old.

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Speaker 8: School, would you rather have the power of telekinesis or telepathy?

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Speaker 3: Okay? So, just to confirm telepathy, one of them is

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Speaker 3: moving objects with your mind, and one of them is

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Speaker 3: talking to another person in their mind? Right, does manipulate

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Speaker 3: people with your mind?

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Speaker 8: Manipulate?

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Speaker 3: Okay? So that's like puppetry. It's like the curse imperious

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Speaker 3: curse in Harry Potter. And then the other one is

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Speaker 3: moving things with your mind.

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Speaker 2: Pretty much right, just like Magneto and X Men.

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Speaker 8: Yeah, so one is like.

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Speaker 3: Sure, okay, well that's good. One of them is Professor

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Speaker 3: X and one of them is Magneto.

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Speaker 2: Yeah, oh okay, okay, Kate.

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Speaker 1: Within this hypothetical, is there anything like that impacts my telekinesis?

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Speaker 1: Or like if someone wears a rather heavy metallic helmet

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Speaker 1: and I hate to.

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Speaker 3: Be going back to X men an idea, but x

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Speaker 3: Men was just an idea. Just just walk away from that.

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Speaker 2: But nothing.

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Speaker 3: You don't need to add on to it.

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Speaker 2: Nothing can impact my telekinesis level of helmet.

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Speaker 8: I'm talking about X Men.

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Speaker 3: Kay, he was a stupid follow up question. Just answer

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Speaker 3: the question.

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Speaker 2: Okay. So with telekinesis, though, can I move everything or

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Speaker 2: just metal anything anything? Just you terrifying?

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Speaker 3: It's not just metal?

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Speaker 1: Can I do I know people's thoughts? When I've got teller?

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Speaker 1: The other one tell a telepathy?

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Speaker 2: Telepathy?

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Speaker 3: Do I like?

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Speaker 2: Am I like Mel Gibson in What Women Want?

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Speaker 8: What Women Want?

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Speaker 10: With?

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Speaker 8: Yeah? It's it's yeah, it's being able to communicate without words.

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Speaker 1: Mind, But so so I could know what we was

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Speaker 1: thinking right now? You could and then I could control

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Speaker 1: his actions.

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Speaker 8: No, it's one or the other.

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Speaker 3: Well no, no, no, you can't. He can mentally control

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Speaker 3: my actions, he can't physically move me around. Yeah, hang on,

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Speaker 3: can we get on the same there's telekinesis and there's telepos.

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Speaker 1: So with telepathy, I send you a message and I

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Speaker 1: go will pull your pants down and then your mind

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Speaker 1: could just go.

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Speaker 2: No, thanks mate, but thanks for sending me the message.

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Speaker 3: Well it depends no, well, it depends on the strength

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Speaker 3: of the mind.

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Speaker 2: Have you never seen in my mind? How strong is

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Speaker 2: my week?

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Speaker 3: Week is pissed?

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Speaker 2: Okay, well I'm telecanesis then all right.

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Speaker 3: But your mind's still weak, is pissed, so you can't

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Speaker 3: lift a mastick.

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Speaker 2: K join him?

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Speaker 3: It's hard to know. I mean, if I'm telekinesis, I'm

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Speaker 3: moving Jupiter around telepathic straight to Jupiter. It's a massive things,

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Speaker 3: you know. I can live huge things in my mind,

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Speaker 3: I imagine.

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Speaker 1: But you'd kill us all yeah, oh bloody hell, straight

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Speaker 1: to the death of everyone.

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Speaker 2: Yourself You're gone, Well not.

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Speaker 3: Deliberately, no, I'd move myself with my mind and get

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Speaker 3: off the earth.

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Speaker 4: You know.

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Speaker 1: So you're telekinesis, Yeah, but then like you know, yeah,

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Speaker 1: probably o Kate, what are you?

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Speaker 8: I'll definitely tell I don't want to know what other

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Speaker 8: people are thinking.

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Speaker 3: Yeah, I think I think that that would just be

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Speaker 3: a bit and I also feel a bit weird. Getting

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Speaker 3: in people's heads wouldn't be creepy making them do Yeah,

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Speaker 3: but what he is a creep? We just we found

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Speaker 3: that out before he said. Yeah, did you hear that,

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Speaker 3: this weird thing we were talking before about.

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Speaker 2: You've heard the show enough to know I'm ada and

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Speaker 2: a creep.

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Speaker 3: A woman telling him how to use his penis. It

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Speaker 3: was totally wild.

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Speaker 2: Oh no, that's not true. That's not true, Kate.

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Speaker 1: Anyway, lovely to meet you, Kate and the big people

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Speaker 1: like you on is you know, the chance to actually

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Speaker 1: chat to you in person. Thanks for supporting the podcast, rapp.

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Speaker 11: This is the Will and Woody podcast.

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Speaker 3: Let's talk a little bit about Kyle Charmers at the

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Speaker 3: games that are going on in the UK at the moment. Wards,

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Speaker 3: we can't say what those games were actually called for

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Speaker 3: legal reasons, but they have something to do with let's

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Speaker 3: just leave. We all know what we're talking about. It's

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Speaker 3: quite hard to get around.

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Speaker 2: That similar name to a bank in a a very.

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Speaker 3: Good same name as a bank in Australia. Yes, anyway,

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Speaker 3: the NAB Games are killing it over in the UK

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Speaker 3: at the moment. And interestingly, this cold charma stuff has

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Speaker 3: really started to grab a whole head of steam, given

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Speaker 3: that he has spoken really candidly about the fact that

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Speaker 3: he is beaten by the journalism that is that he's attracting. Recently,

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Speaker 3: he won they won an event. So they won this

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Speaker 3: four by one hundred meter mixed reala the other night,

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Speaker 3: and he got literally a barrage of questions, just a

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Speaker 3: cavalcade of one person after the other asking him about

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Speaker 3: his relationship with Emma McCann. He then posts on Instagram

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Speaker 3: and basically says I was lucky to make the blocks today, like, actually,

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Speaker 3: it's the hardest twelve hours I've ever had in my life.

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Speaker 2: Yeah, he went to Instagram.

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Speaker 1: I did a whole bunch of Instagram stories, yes, saying

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Speaker 1: like I'm broken.

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Speaker 3: Race raced again, broke a game's record, and then got

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Speaker 3: more questions about it.

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Speaker 1: Yeah, if you haven't heard, by the way, and I

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Speaker 1: hate to be talking about the thing that he doesn't

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Speaker 1: want spoken about, but.

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Speaker 3: Oh we don't need to, you know what, we actually

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Speaker 3: don't need to. Good call, He's going through he's going

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Speaker 3: through a bunch of grief. It involves it involves other

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Speaker 3: people in the team, and he's there to win medals

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Speaker 3: and raise fast for Australia.

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Speaker 2: That's what we should focus like.

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Speaker 3: And he's getting questions about his personal life and relationships

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Speaker 3: with other people on the team, and he said and

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Speaker 3: that's after he said that he's at breaking point, which.

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Speaker 1: He made the point that in twenty sixteen, when he

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Speaker 1: was the young kids, you know, on the blocks, he

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Speaker 1: was this hero and the media was just like, Wow,

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Speaker 1: Kyle Chama, Da da da, and then six years later

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Speaker 1: they're making him out to be the villain.

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Speaker 2: When I say they, I mean the media.

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Speaker 1: I got a question for you, will and I think

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Speaker 1: I think it's a really interesting one given that we

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Speaker 1: are in the media as well. And that is and

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Speaker 1: I think this was asked of in Thorpe by one

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Speaker 1: of the McLaughlin's on the coverage of those games in

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Speaker 1: the UK.

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Speaker 3: Effectively, I think it was Hamish. I don't think. I

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Speaker 3: don't think Gil's don't.

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Speaker 1: Know the Hammerhead himself anyway, the question was and I mean,

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Speaker 1: because Kyle Charmer's main point is media need to stop

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Speaker 1: attacking people, so aggressively with you know, inflammatory headlines, because

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Speaker 1: they are directly impacting the mental health.

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Speaker 2: Of the people they are attacking.

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Speaker 1: But I imagine that the media's response to that would be, well,

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Speaker 1: we're the media, and we can do whatever story we want,

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Speaker 1: and we're doing the stories that are getting the most clicks. Yes,

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Speaker 1: that's that would be their job. That's and then that

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Speaker 1: is their job, that's the that's their KPI. Do you

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Speaker 1: think the media has a responsibility to protect the mental

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Speaker 1: health of the people they speak about? Or on the

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Speaker 1: on the flip side, do you think getting attacked by

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Speaker 1: the media is just part and parcel of being in

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Speaker 1: the spotlight?

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Speaker 3: Jesus is a good question. I I don't I through

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Speaker 3: what lens like when you said, do you think the

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Speaker 3: media are responsible? Do you think they have a duty

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Speaker 3: of care to other people? The truth is they don't,

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Speaker 3: like they actually don't.

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Speaker 2: But should they?

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Speaker 3: Well, but I think but I almost think that question

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Speaker 3: is a silly question because you're dealing with like should

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Speaker 3: the media? Should you apply a duty of care to

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Speaker 3: the media in terms of other people's mental health? Even

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Speaker 3: if you could, good luck, like you're dealing with you know,

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Speaker 3: like what like Rupert Murdock versus the packers here, and

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Speaker 3: they're like multi billion dollar industries? Are they going to stop?

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Speaker 3: At what point does any industry that's worth billions of

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Speaker 3: dollars stop and go, oh, let's consider the mental health

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Speaker 3: of the people. This is impact. I mean, it just

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Speaker 3: doesn't happen. So I think I think, Whilst that's a

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Speaker 3: nice idea, don't I just don't think it's going to work.

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Speaker 3: And I think if I, like if I was Kyle Charmers, like,

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Speaker 3: I think about the times that I've been depressed and

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Speaker 3: I've come in here. I you, you need to develop

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Speaker 3: a better game plan. I don't don't think I think

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Speaker 3: it's good that he's crying out. Well, he's actually putting

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Speaker 3: his hand up and saying this is impacting me. I

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Speaker 3: think that's really good. Do I think it's going to

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Speaker 3: stop them?

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Speaker 5: No?

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Speaker 3: Do I think it?

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Speaker 12: Do?

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Speaker 3: I think that I think that he's done Step one,

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Speaker 3: which is what I always say with mental health, is

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Speaker 3: identify you've got an issue. That's great, But he can't

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Speaker 3: expect it to be He can't expect people to navigate

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Speaker 3: him in that space, yeah, or stop talking about hurt him.

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Speaker 3: That's that's Yeah. I think he needs to develop like

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Speaker 3: a better quiver or that quiver of arrows for one

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Speaker 3: of a better.

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Speaker 1: Because Thorpy's response and not to compare your response to Thorpie's, Yeah,

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Speaker 1: but Thorpia's response was he was he said, Kyle needs

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Speaker 1: to focus on the things he can control. Yeah, so

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Speaker 1: that is swimming, Yeah, swim hard, train hard. And Thorpy

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Speaker 1: when he mean because Thorpe's copped all sorts of stuff

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Speaker 1: for so long. Yeah, And Thorpe says, I just don't

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Speaker 1: read it. Yeah, I just I literally, I think that's

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Speaker 1: on the option.

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Speaker 3: I really do. As I said, it's a nice idea.

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Speaker 3: Can we change the media, but no, we can't. Like

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Speaker 3: they're all going to, as you said, they all want

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Speaker 3: the story. They're all going to fight with the clicks

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Speaker 3: and his relationship tourmo with a former teammate. It's probably

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Speaker 3: going to get more clicks than how fast he swam,

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Speaker 3: and that's unfortunate, but that's that's where he is. And

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Speaker 3: you know, I'm a huge advocate for helping out people

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Speaker 3: with mental health, but I wouldn't be turning to the

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Speaker 3: media and saying they're the ones that need to fix it,

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Speaker 3: even if they could they're not going to you can't

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Speaker 3: change it. But look, we're just two idiots in a

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Speaker 3: studio talking about this.

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Speaker 2: That's pretty good stuff.

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Speaker 3: Was pretty good stuff. Right at next Channel seven is

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Speaker 3: Georgie park is going to join us. And she's in

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Speaker 3: a perfect position because she is a sports journalist and

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Speaker 3: she has played international sport at the top level for

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Speaker 3: a very long time. She's got both sides of the story.

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Speaker 3: She's going to join us. Right next to willand widiot,

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Speaker 3: we're talking about Kyle Chalmers swimming over at these games

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Speaker 3: that are happening at the moment with the NAB Games

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Speaker 3: in Birmingham. He is absolutely slaying in the pool with

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Speaker 3: the headlines that are chasing him about his personal life,

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Speaker 3: and he cracked it. He fully cracked it, so that

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Speaker 3: he had the hardest twelve hours of his life twenty

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Speaker 3: and then sat down in front of a full gallery

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Speaker 3: of the press and they absolutely grilled him again. He's

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Speaker 3: over it. He said, he's at breaking point and he

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Speaker 3: said this could end my time in swimming swimming. I

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Speaker 3: hope you are all aware. Look, it's a really fascinating debate,

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Speaker 3: particularly what's been going on a note in the AFL

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Speaker 3: and certainly in rugby as well, there are lots of

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Speaker 3: players saying that the media need to go lighter on

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Speaker 3: them in terms of how bad damaging that is for

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Speaker 3: their mental health. So to talk a little bit more

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Speaker 3: about this, we've got Channel sevens Georgie Parker, who can

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Speaker 3: approach this from both sides. Obviously, she played hockey for Australia.

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Speaker 3: On the one hand, she is now a sports journalist.

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Speaker 3: She's converted to the dark side, so she probably knows

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Speaker 3: where the pressure points are. But Georgie joins us right now.

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Speaker 4: Welcome Georgie, Hello guy, how are you all very good?

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Speaker 3: We're really really well. I'm fascinated to get your take

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Speaker 3: on this, George, because I'm sure you played with hockey

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Speaker 3: with people who were obviously impacted by what the media

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Speaker 3: was saying about them, and now all of a sudden,

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Speaker 3: you're actually working for the media. So my first question

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Speaker 3: is are the media accountable for making athletes it's depressed

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Speaker 3: or anxious or struggling.

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Speaker 4: Yeah, I mean it's a really stressful, tough job at

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Speaker 4: the best of times, where you're literally getting critique every

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Speaker 4: time you step on the field, not only by yourself

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Speaker 4: or your coaches, your teammates, but by everybody watching, which

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Speaker 4: is then amplified by gambling companies when it comes to

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Speaker 4: footy and rugby and stuff as well, where you don't

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Speaker 4: get twenty touches and suddenly you're the worst bloke of

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Speaker 4: woman in the world.

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Speaker 8: So there's so many things.

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Speaker 4: That get completely amplified now with the use of social media.

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Speaker 4: But I mean the media is to blame. I work

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Speaker 4: in the media, but I've got a journalism degree. When

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Speaker 4: I was playing and studying, I was like, I absolutely

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Speaker 4: do not want to do this is a job. I

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Speaker 4: don't want to be someone that goes out and ruins

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Speaker 4: lives no matter how good the story is. And nowadays

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Speaker 4: the story the clickbait. It's what's going to sell stories.

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Speaker 4: And I'll tell you what's a good story at Swimmer

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Speaker 4: or as singer termed Swimmer that's now dating a world

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Speaker 4: champion's ex girlfriend. That's a story that they want to sell,

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Speaker 4: and so that's what they're writing and unfortunately we're clicking.

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Speaker 1: So do you think then, Georgie, because yeah, obviously there

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Speaker 1: was a barrage or barage, however you say that word

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Speaker 1: certainly as a barrage.

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Speaker 3: I think actually because you don't have saying barage, didn't you?

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Speaker 9: Yeah?

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Speaker 3: I did?

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Speaker 1: Anyway a barrage or a lot of questions were asked

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Speaker 1: about this relationship, which is more of his personal life

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Speaker 1: in that press conference after he won a gold medal.

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Speaker 1: Would there be pressure from those reporters employers like you

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Speaker 1: go in there and you ask this question and this

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Speaker 1: question only.

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Speaker 4: I absolutely think there is pressure on that because they

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Speaker 4: want to be the first person that gets that on

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Speaker 4: that on the website. Think about Nick Kurios, the first

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Speaker 4: questions he gets us, Think about that I can't remember

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Speaker 4: that Australian tennis player's name. The first question she gets

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Speaker 4: asked after just winning a Wimbledon match is her ex

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Speaker 4: relationship from three years prior with Nick Kurios. It's unnecessary

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Speaker 4: and it's very much delving into personal lives of athletes.

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Speaker 4: And I completely understand that they are interesting and there's

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Speaker 4: a lot that does go on social media, so you

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Speaker 4: are opening yourself up for these things, but the first

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Speaker 4: questions need to be about the performance that they're playing

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Speaker 4: on there. They're added bonuses that you get to maybe

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Speaker 4: after the end, which the athletes should have the opportunity

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Speaker 4: to decline. But often if you do decline that then

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Speaker 4: spucks more questions of why you're not answering it. So

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Speaker 4: you know what I mean, it's you're yeah, exactly, I

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Speaker 4: don't know what athletes are meant to do. And it

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Speaker 4: does play as told about these guys who out swimmers

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Speaker 4: are that carry the nation when it comes to games

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Speaker 4: events like this, So you know, I really feel for them.

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Speaker 4: A lot of pressure on individual sport as well, where

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Speaker 4: they've got a team around them, but they're essentially competing

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Speaker 4: against each other and their own team, so that makes

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Speaker 4: it hard as well.

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Speaker 3: What would you do if you if you call Charmers

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Speaker 3: Georgia like, I mean, yeah, sorry, I don't want to.

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Speaker 3: I know it's a big it's a big question, but

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Speaker 3: what's the best approach do you think for an athlete here?

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Speaker 3: Because Woods and I were just saying, well, I was saying,

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Speaker 3: I just don't think that calling out the media. It's

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Speaker 3: just I mean, yeah, it's a good conversation starter, but

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Speaker 3: you know, it's a multi billion dollar industry. They're not

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Speaker 3: going to be like Charmers is angry with us, Let's

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Speaker 3: let's pack it in boys. It's just not going to happen.

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Speaker 1: It's sort of the equivalent of telling the swim at

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Speaker 1: a swim slower right.

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Speaker 4: Well, yeah, exactly, yeah, and they're.

447
00:20:08,680 --> 00:20:10,560
Speaker 3: Still going to go for the jugular. That's their job.

448
00:20:10,720 --> 00:20:12,000
Speaker 3: So what you would you do?

449
00:20:13,000 --> 00:20:15,080
Speaker 4: I would go and chat to Cody and say, how

450
00:20:15,080 --> 00:20:17,960
Speaker 4: can we tackle this together? I don't know how to

451
00:20:18,119 --> 00:20:20,600
Speaker 4: get around it. I mean, you're trying to find the

452
00:20:20,640 --> 00:20:22,600
Speaker 4: best pr solution for both of you. Aren't here. I

453
00:20:22,640 --> 00:20:24,760
Speaker 4: mean the media they want to have a villain. And

454
00:20:24,800 --> 00:20:26,679
Speaker 4: he says it in his own quote, you know I

455
00:20:26,720 --> 00:20:28,600
Speaker 4: was a hero. Now I'm the villain because that's what

456
00:20:28,640 --> 00:20:31,240
Speaker 4: they want, and they're jumping on this feel good story

457
00:20:31,240 --> 00:20:34,040
Speaker 4: of a guy who's late in his career being able

458
00:20:34,080 --> 00:20:37,439
Speaker 4: to regenerate his career in swimming, so they want him

459
00:20:37,480 --> 00:20:39,320
Speaker 4: to be the hero, and unfortunately we've got a world

460
00:20:39,400 --> 00:20:41,760
Speaker 4: champion that we've made to be a villain. And then

461
00:20:41,800 --> 00:20:44,680
Speaker 4: it becomes now a here in Australia, we're trying to

462
00:20:44,680 --> 00:20:46,720
Speaker 4: then protect him, being like, oh, we shouldn't be talking

463
00:20:46,720 --> 00:20:50,359
Speaker 4: about this, while the England media then going to town

464
00:20:50,440 --> 00:20:52,440
Speaker 4: on him, and now it's going to become a media

465
00:20:52,680 --> 00:20:55,480
Speaker 4: versus media kind of thing on someone on their high horse,

466
00:20:55,520 --> 00:20:57,960
Speaker 4: and it becomes really, really messy. I don't know the

467
00:20:58,000 --> 00:20:59,560
Speaker 4: best way to do it, because you're right, you don't

468
00:20:59,560 --> 00:21:01,639
Speaker 4: want to add fuel to the fire. But if you

469
00:21:01,680 --> 00:21:04,440
Speaker 4: don't then get to speak to yourself, you feel really helpless.

470
00:21:04,640 --> 00:21:06,440
Speaker 4: Don't you think of Daisy Piers. I know it's a

471
00:21:06,520 --> 00:21:09,320
Speaker 4: national show in the AFL. When somebody starts talking about

472
00:21:09,359 --> 00:21:12,679
Speaker 4: a female commentator how useless they are, She's like, I

473
00:21:12,680 --> 00:21:15,080
Speaker 4: don't really want to address this, but you know me

474
00:21:15,160 --> 00:21:17,679
Speaker 4: as a female commentator myself, I want to address it

475
00:21:17,720 --> 00:21:20,440
Speaker 4: on behalf of her, because who does so. You want

476
00:21:20,440 --> 00:21:22,800
Speaker 4: to protect yourself, You want to protect your teammates, but

477
00:21:23,280 --> 00:21:25,760
Speaker 4: it adds fuel to this really ugly story that just

478
00:21:25,840 --> 00:21:27,960
Speaker 4: is going to get airtime because the clicks that just

479
00:21:28,000 --> 00:21:28,520
Speaker 4: keep coming.

480
00:21:28,880 --> 00:21:30,360
Speaker 3: Well, I mean, I hate to say it, but we're

481
00:21:30,400 --> 00:21:32,360
Speaker 3: talking about it right now exactly.

482
00:21:33,359 --> 00:21:35,280
Speaker 2: Wow, we're sort of part of the vortex.

483
00:21:36,280 --> 00:21:39,000
Speaker 1: Speaking of protecting your teammates, though, Georgie, I'm sure you

484
00:21:39,040 --> 00:21:41,320
Speaker 1: also like to protect your current partner, who is our

485
00:21:41,320 --> 00:21:47,320
Speaker 1: executive producer, Captain poopants. Georgie, you you sent to the

486
00:21:47,359 --> 00:21:49,560
Speaker 1: office some emmodium.

487
00:21:50,680 --> 00:21:52,800
Speaker 4: That would be a very funny practical this.

488
00:21:55,800 --> 00:21:59,200
Speaker 3: He didn't order it himself, No, no, he denies that.

489
00:21:59,520 --> 00:22:01,760
Speaker 3: And if you're coopen situation that, what would you do

490
00:22:01,880 --> 00:22:03,680
Speaker 3: just not talk to the media about it? Would you

491
00:22:03,760 --> 00:22:05,520
Speaker 3: just shut the vibes?

492
00:22:06,040 --> 00:22:09,199
Speaker 4: You got to be careful make the calls, you know,

493
00:22:09,359 --> 00:22:10,840
Speaker 4: I plead the I don't know what you're talking about.

494
00:22:10,960 --> 00:22:14,679
Speaker 3: Yeah, well don very good. Hey, Georgie, thanks for joining us.

495
00:22:16,080 --> 00:22:21,800
Speaker 3: Outrageously insular joke, but we're enjoying it. You see Georgie

496
00:22:21,840 --> 00:22:24,080
Speaker 3: on a Channel seven. You can catch those games on

497
00:22:24,160 --> 00:22:28,680
Speaker 3: Channel seven as well. We wish the best of cold charmers. Yeah, yeah,

498
00:22:28,760 --> 00:22:31,280
Speaker 3: I really, it's a it's a shocking situation. I reckon

499
00:22:31,320 --> 00:22:32,920
Speaker 3: the best to do right now, just we walk away

500
00:22:32,960 --> 00:22:34,200
Speaker 3: and just shut up the shop for mine.

501
00:22:34,359 --> 00:22:37,959
Speaker 2: Win the goal final tomorrow, So win the goal and

502
00:22:38,000 --> 00:22:38,760
Speaker 2: shut us all up.

503
00:22:38,840 --> 00:22:41,359
Speaker 3: Thanks for joining us, Georgie, love your work mate.

504
00:22:42,760 --> 00:22:44,199
Speaker 2: The Will and Woody Podcast.

505
00:22:44,920 --> 00:22:47,359
Speaker 3: Right now, we're going to legend on the show, one

506
00:22:47,400 --> 00:22:48,680
Speaker 3: of our absolute favorites.

507
00:22:49,680 --> 00:22:51,840
Speaker 1: Excuse me, well, I get my hair right for this

508
00:22:51,880 --> 00:22:53,840
Speaker 1: one on next case.

509
00:22:53,880 --> 00:22:58,760
Speaker 8: There's had an impressive career across twenty years and accomplished presenter.

510
00:22:58,320 --> 00:23:04,240
Speaker 4: And as celebrated, had a huge success on the musical stage.

511
00:23:04,520 --> 00:23:06,680
Speaker 2: To be honest, they could be here to promote an

512
00:23:06,960 --> 00:23:07,800
Speaker 2: all the things.

513
00:23:08,080 --> 00:23:11,280
Speaker 3: But they're here to promote that, says Ray.

514
00:23:11,359 --> 00:23:13,119
Speaker 2: By the way, it's Rod Mills.

515
00:23:14,359 --> 00:23:15,680
Speaker 6: That was good. That's good guys.

516
00:23:15,800 --> 00:23:16,040
Speaker 3: Thanks.

517
00:23:16,320 --> 00:23:20,200
Speaker 13: I love that really short neighbors bit there, like, oh

518
00:23:20,359 --> 00:23:21,560
Speaker 13: too soon, guys, too soon?

519
00:23:21,640 --> 00:23:23,760
Speaker 3: Well, we kind of canvassed it last week. We're not

520
00:23:23,760 --> 00:23:26,560
Speaker 3: getting into it again today. That's okay. Are you okay

521
00:23:26,600 --> 00:23:28,560
Speaker 3: with that? Do you want to talk about it? We

522
00:23:28,600 --> 00:23:30,200
Speaker 3: can move on. I could ask you did you see

523
00:23:30,240 --> 00:23:31,000
Speaker 3: Kylie on set?

524
00:23:31,359 --> 00:23:34,919
Speaker 1: Okay, you did have one of the best debts ever though,

525
00:23:35,000 --> 00:23:36,600
Speaker 1: or neighbors? Sorry, can we just touch that for a

526
00:23:36,640 --> 00:23:37,320
Speaker 1: few seconds?

527
00:23:37,320 --> 00:23:40,560
Speaker 13: Me dying in a hole, Yeah, in the grave that

528
00:23:40,600 --> 00:23:44,200
Speaker 13: I dug for Susan. But I slipped over whilst getting

529
00:23:44,200 --> 00:23:46,680
Speaker 13: out to get Susan. I slipped over into it, broke

530
00:23:46,800 --> 00:23:50,760
Speaker 13: my neck was paralyzed, and the water that was filling

531
00:23:50,840 --> 00:23:52,960
Speaker 13: up the hole filled up over my head and I drowned.

532
00:23:53,040 --> 00:23:56,280
Speaker 3: Yeah, you droned in your own grave or you drowned

533
00:23:56,280 --> 00:23:59,119
Speaker 3: in Susan's grave. Yeah, it's pretty sad, tragic.

534
00:23:59,240 --> 00:24:01,520
Speaker 6: And but then I came as a ghost the year after.

535
00:24:02,640 --> 00:24:06,280
Speaker 13: Mate and peaks moments. Yeah, killed someone with a bow

536
00:24:06,320 --> 00:24:10,000
Speaker 13: and arrow. I nearly I tried to kill Tody. To

537
00:24:10,080 --> 00:24:12,800
Speaker 13: kill Tody, especially overhead with the rock put him in

538
00:24:12,800 --> 00:24:14,160
Speaker 13: a dingy and send him out to sea.

539
00:24:14,880 --> 00:24:15,280
Speaker 3: Wow.

540
00:24:15,440 --> 00:24:18,280
Speaker 2: Yeah, you were really stupid. That was stupid though, Like

541
00:24:18,320 --> 00:24:20,040
Speaker 2: if you want to kill him, why put him in

542
00:24:20,040 --> 00:24:20,720
Speaker 2: a dingy.

543
00:24:20,920 --> 00:24:21,720
Speaker 6: As a soap mate?

544
00:24:21,840 --> 00:24:23,560
Speaker 2: Yeah, fair enough.

545
00:24:23,680 --> 00:24:25,640
Speaker 3: We can't carry on about that as as I'll get

546
00:24:25,640 --> 00:24:29,200
Speaker 3: in trouble. Let's talk about Hairspray. Hairspray musical dot com

547
00:24:29,240 --> 00:24:30,960
Speaker 3: dot are you if you want to go get tickets

548
00:24:31,000 --> 00:24:33,399
Speaker 3: in Melbourne Adelaide. It'll be very shortly. But Melbourne from

549
00:24:33,400 --> 00:24:36,360
Speaker 3: now must be great. Bank doing back live shows.

550
00:24:36,000 --> 00:24:37,600
Speaker 6: Mate, I mean this is huge.

551
00:24:37,640 --> 00:24:39,679
Speaker 13: I mean I was lucky enough to do Chest the musical.

552
00:24:39,800 --> 00:24:41,600
Speaker 13: Last year we just did I think we did four

553
00:24:41,640 --> 00:24:44,399
Speaker 13: shows here in Melbourne, traveled around the country during a

554
00:24:44,520 --> 00:24:47,520
Speaker 13: sort of weird lockdown that was it. Wow, and then

555
00:24:47,560 --> 00:24:49,600
Speaker 13: Adelaide four and then we went around the country, just

556
00:24:49,600 --> 00:24:51,720
Speaker 13: did four little concerts. But this is actually a proper

557
00:24:51,920 --> 00:24:56,119
Speaker 13: musical in town and the East end of Melbourne Theater

558
00:24:56,200 --> 00:24:59,159
Speaker 13: district is it's pumping Hamilton on. At the moment the

559
00:24:59,280 --> 00:25:02,840
Speaker 13: music Harry Potter still going. Cinderellas just finished up and

560
00:25:02,880 --> 00:25:05,560
Speaker 13: we're about to open. So this is a feel good show.

561
00:25:05,680 --> 00:25:07,000
Speaker 13: It is for the whole family.

562
00:25:08,119 --> 00:25:08,280
Speaker 3: Yeah.

563
00:25:08,359 --> 00:25:10,240
Speaker 6: Set in the sixties of Baltimore.

564
00:25:11,280 --> 00:25:14,480
Speaker 3: Yeah, great, great cast, hell of a cast. Not the best.

565
00:25:14,480 --> 00:25:15,480
Speaker 6: Who do you love Tom mc kenny?

566
00:25:15,760 --> 00:25:16,120
Speaker 3: Of course?

567
00:25:16,280 --> 00:25:18,120
Speaker 6: Who are going to see Shane Jacobson in address?

568
00:25:18,200 --> 00:25:18,760
Speaker 3: Is that where you're going?

569
00:25:18,920 --> 00:25:21,320
Speaker 2: He's jobs in address? Oh yeah, he's talked to me.

570
00:25:21,520 --> 00:25:25,080
Speaker 13: He's Edna. So he's Tracy turnblade'smum.

571
00:25:25,320 --> 00:25:26,159
Speaker 3: Wow.

572
00:25:27,000 --> 00:25:29,639
Speaker 1: Who causes the most issues backstage? And by most issues,

573
00:25:29,640 --> 00:25:30,760
Speaker 1: I mean who demands the most?

574
00:25:31,359 --> 00:25:33,800
Speaker 6: Of course, mate, it's the Yeah, it's always birch Or.

575
00:25:33,960 --> 00:25:37,400
Speaker 6: She's the diva theater. Yeah, she's an absolute quint.

576
00:25:37,400 --> 00:25:39,720
Speaker 13: She's the queen, mate, She's a queen of TV and

577
00:25:39,920 --> 00:25:42,600
Speaker 13: exactly she's the darling of Australian theater.

578
00:25:42,840 --> 00:25:46,479
Speaker 3: Really are you in darling areas yet? Oh?

579
00:25:46,520 --> 00:25:47,280
Speaker 2: Look, I don't think so.

580
00:25:47,400 --> 00:25:48,639
Speaker 3: It's been your bag for a while.

581
00:25:49,480 --> 00:25:51,600
Speaker 6: I don't think I'm darling yet though, Well, how do

582
00:25:51,640 --> 00:25:52,400
Speaker 6: you get to a darling?

583
00:25:52,520 --> 00:25:52,800
Speaker 4: I don't.

584
00:25:52,920 --> 00:25:56,359
Speaker 6: I think you need thirty years? I think yeah, I

585
00:25:56,359 --> 00:25:57,240
Speaker 6: think done?

586
00:25:57,240 --> 00:25:58,160
Speaker 2: How many? How many years?

587
00:25:58,200 --> 00:25:59,160
Speaker 6: I loved about fifteen?

588
00:25:59,240 --> 00:26:01,240
Speaker 2: Okay, what are you are you?

589
00:26:01,400 --> 00:26:05,080
Speaker 3: Sweetie? Are you the honey of Australia.

590
00:26:08,160 --> 00:26:12,679
Speaker 13: He's one of them, He's one of the blocks.

591
00:26:12,720 --> 00:26:17,000
Speaker 3: Not not really quite yet. No, no, do you.

592
00:26:16,960 --> 00:26:18,560
Speaker 1: Want to be Darling or do you think when you

593
00:26:18,560 --> 00:26:20,760
Speaker 1: get to Darling you're like, oh no, it's made.

594
00:26:20,760 --> 00:26:21,800
Speaker 2: I'm near the end.

595
00:26:22,200 --> 00:26:25,480
Speaker 13: Oh no, no, you definitely want telling status you're sure, Oh yeah, yeah, yeah, yeah,

596
00:26:25,480 --> 00:26:28,760
Speaker 13: oh yeah yeah do you want? And then there's the Pinnacle,

597
00:26:28,840 --> 00:26:36,159
Speaker 13: which is Australia's own Australisan Kylie Australis on Olivia, Australiason Margot,

598
00:26:36,359 --> 00:26:37,400
Speaker 13: you know, Australi Zone.

599
00:26:37,520 --> 00:26:40,440
Speaker 2: So to get that, you need to be doing stuff overseas, though.

600
00:26:41,119 --> 00:26:43,280
Speaker 3: You do because because you say it's why do you

601
00:26:43,320 --> 00:26:45,920
Speaker 3: say Australia's own, Because it's like just confirming they are

602
00:26:45,920 --> 00:26:46,600
Speaker 3: from Australia.

603
00:26:47,280 --> 00:26:50,080
Speaker 1: They've done big things. I see Australias own Russell Crow,

604
00:26:50,160 --> 00:26:53,000
Speaker 1: et cetera. Now Nicole of course Australia.

605
00:26:53,119 --> 00:26:58,720
Speaker 6: So just Melbourne Zone, Melburn.

606
00:26:59,320 --> 00:27:04,000
Speaker 3: Yeah, they'll say that when Hairspray goes to Adelaide.

607
00:27:04,520 --> 00:27:07,400
Speaker 6: I'll get to glom Waverley's Glo Waverley.

608
00:27:08,960 --> 00:27:11,040
Speaker 3: Hairspray music gonna come to you. You've gone tickets. We've got

609
00:27:11,040 --> 00:27:13,280
Speaker 3: more rod mills up next to them. We've got rod

610
00:27:13,280 --> 00:27:15,960
Speaker 3: bills in the studio. Hope you're gonna go and see.

611
00:27:15,840 --> 00:27:18,840
Speaker 6: Crazy good crowdy, very crowded. It's been a while, guys,

612
00:27:18,880 --> 00:27:20,920
Speaker 6: I've been locked down. It's nasty, a crowd, noise.

613
00:27:20,800 --> 00:27:23,440
Speaker 3: Hairspray, musical dot com dot Au. Even go and see

614
00:27:23,480 --> 00:27:26,239
Speaker 3: Mills Hairsprays down in Melbourne. As you said, things are

615
00:27:26,240 --> 00:27:28,000
Speaker 3: popping off for musical theater at the moment, mate, and

616
00:27:28,000 --> 00:27:30,520
Speaker 3: it's now your bag. You've you've moved into sort of.

617
00:27:30,480 --> 00:27:33,520
Speaker 6: Like a you say, thespian territory. Is that what you

618
00:27:33,520 --> 00:27:33,880
Speaker 6: gonna say?

619
00:27:34,080 --> 00:27:35,480
Speaker 3: I was going to say, well, you know that I'm

620
00:27:35,480 --> 00:27:37,159
Speaker 3: just trying to find the right word for darling. I

621
00:27:37,160 --> 00:27:39,040
Speaker 3: mean we we toyed around with it before.

622
00:27:39,760 --> 00:27:44,840
Speaker 1: Sweetie sweet honey of a musical theater.

623
00:27:44,720 --> 00:27:47,440
Speaker 3: In Australia, Honey of the stage. But I was gonna

624
00:27:47,440 --> 00:27:50,240
Speaker 3: ask you, like, do you ever get sick of like?

625
00:27:52,840 --> 00:27:54,159
Speaker 3: But like, you know, do you get sick of the

626
00:27:54,200 --> 00:27:55,159
Speaker 3: songs in a musical?

627
00:27:55,760 --> 00:27:58,160
Speaker 13: Not yet where We're still a month in and I

628
00:27:58,200 --> 00:28:00,159
Speaker 13: love the two songs that I get to see. I

629
00:28:00,240 --> 00:28:02,560
Speaker 13: get to sing the nicest Kids in Town, which is

630
00:28:02,560 --> 00:28:06,119
Speaker 13: the big openings Corny Colin Show, big, high energy number.

631
00:28:06,400 --> 00:28:08,560
Speaker 13: All the kids are dancing like crazy. I was told

632
00:28:08,680 --> 00:28:10,919
Speaker 13: just to stand there, which is good, it's good advice.

633
00:28:11,000 --> 00:28:12,159
Speaker 13: I was like, you want me to dance this.

634
00:28:12,200 --> 00:28:15,080
Speaker 6: But they're like no, no, no, just standing still is strong.

635
00:28:17,320 --> 00:28:18,879
Speaker 3: To you before about dancing, because don't know, when you

636
00:28:18,880 --> 00:28:20,960
Speaker 3: were doing Grease, you you had like a big dance scene.

637
00:28:20,960 --> 00:28:23,760
Speaker 3: Oh yeah, it was just to win the win the dance, yeah,

638
00:28:23,960 --> 00:28:26,440
Speaker 3: dance contest, and that dancing is just not your bag.

639
00:28:26,720 --> 00:28:27,040
Speaker 1: It's not.

640
00:28:27,600 --> 00:28:29,840
Speaker 13: So did you see did you watch anyone watch Dancing

641
00:28:29,840 --> 00:28:33,320
Speaker 13: with the Stars snips?

642
00:28:33,400 --> 00:28:35,520
Speaker 2: Yeah it's not impressive now it's not.

643
00:28:36,600 --> 00:28:40,080
Speaker 13: But in my head I go and go musicals and

644
00:28:40,160 --> 00:28:45,080
Speaker 13: had a move. Look, I think it was a little

645
00:28:45,080 --> 00:28:47,320
Speaker 13: bit rigged this year. They needed something to be I

646
00:28:47,320 --> 00:28:49,200
Speaker 13: feel like they needed someone to be the whipping boy,

647
00:28:49,280 --> 00:28:53,640
Speaker 13: and that was me. But look, Todd, Tom mckinnill probably tell.

648
00:28:53,480 --> 00:28:56,160
Speaker 3: You otherwise who won Dancing with the Stars. I stopped.

649
00:28:56,240 --> 00:28:57,240
Speaker 6: I stopped watching.

650
00:28:59,800 --> 00:29:00,000
Speaker 7: Friends.

651
00:29:00,200 --> 00:29:01,920
Speaker 2: Yeah as soon as we're I'm not watching.

652
00:29:02,480 --> 00:29:05,760
Speaker 3: But because MCKENNI because mckenniezey in hairspray as well. Can

653
00:29:05,920 --> 00:29:08,880
Speaker 3: Kenny sing? Oh yeah, you can see. So it is

654
00:29:08,920 --> 00:29:12,840
Speaker 3: mckennie a genuine, genuine triple threat, isn't he. He's like,

655
00:29:13,040 --> 00:29:15,520
Speaker 3: we're We're so what I'm asking you though, Look, what

656
00:29:15,560 --> 00:29:17,080
Speaker 3: do you have to hear if we put Mills and

657
00:29:17,120 --> 00:29:20,840
Speaker 3: McKenny head to head in terms of performance, what have

658
00:29:20,920 --> 00:29:22,880
Speaker 3: you got him on? Because because you know he's currently

659
00:29:22,920 --> 00:29:25,720
Speaker 3: got you on the dancing acting, Do you reckon you've

660
00:29:25,720 --> 00:29:30,360
Speaker 3: got him after shooting people with a crossbow and neighbors

661
00:29:31,560 --> 00:29:34,880
Speaker 3: is a very hard singing.

662
00:29:35,560 --> 00:29:39,520
Speaker 13: Yeah, I reckon I've got You've.

663
00:29:39,360 --> 00:29:42,480
Speaker 1: Got an incredibly successful single ab well I've forgotten the name.

664
00:29:43,360 --> 00:29:48,120
Speaker 3: Sorry, wow, miss miss miss profanity.

665
00:29:47,720 --> 00:29:53,040
Speaker 6: Miss miss Vanity. There was there was a whole album

666
00:29:53,280 --> 00:29:56,320
Speaker 6: original original hits. Actually we've got one.

667
00:29:56,880 --> 00:30:03,120
Speaker 3: Actually we will have see im all get the streams

668
00:30:03,160 --> 00:30:05,520
Speaker 3: up and played that live one time.

669
00:30:05,560 --> 00:30:08,120
Speaker 6: One guitar that was I was trying to get the

670
00:30:08,160 --> 00:30:08,840
Speaker 6: royalties up.

671
00:30:10,800 --> 00:30:12,440
Speaker 2: With you didn't mean where We asked you how much

672
00:30:12,480 --> 00:30:13,000
Speaker 2: you received?

673
00:30:13,080 --> 00:30:15,720
Speaker 13: Oh yeah, guy, because I think I had just had

674
00:30:15,760 --> 00:30:19,240
Speaker 13: a million streams and I had had none because my

675
00:30:19,640 --> 00:30:21,200
Speaker 13: songs weren't streaming at the time.

676
00:30:21,920 --> 00:30:24,400
Speaker 6: But now they've been. There must have been a couple

677
00:30:24,440 --> 00:30:25,920
Speaker 6: of years now that I've been streaming.

678
00:30:25,920 --> 00:30:28,120
Speaker 3: Can you see I'm about to find it more than numbers?

679
00:30:28,520 --> 00:30:30,080
Speaker 3: What do you reckon? What the cash?

680
00:30:30,080 --> 00:30:32,000
Speaker 2: Are we talking? Mills? If you don't, maummy asking.

681
00:30:31,760 --> 00:30:35,480
Speaker 6: Like four dollar checks, I'm getting like yeah, like if

682
00:30:35,480 --> 00:30:39,760
Speaker 6: it's anything more it okay, this is we needed to

683
00:30:39,760 --> 00:30:43,360
Speaker 6: play for more than thirty seconds.

684
00:30:41,160 --> 00:30:49,400
Speaker 3: So miss Bennedy has got one hundred and twelve thousand.

685
00:30:49,480 --> 00:30:50,120
Speaker 6: That's pretty good.

686
00:30:50,200 --> 00:30:50,920
Speaker 3: That's pretty good.

687
00:30:51,080 --> 00:30:52,000
Speaker 2: Really, that's pretty good.

688
00:30:52,240 --> 00:30:56,719
Speaker 3: And then and then your next one is is a

689
00:30:56,760 --> 00:31:03,160
Speaker 3: song from Greece, but also every single day great song.

690
00:31:03,240 --> 00:31:05,960
Speaker 2: I wrote this with Phil Buckle from Seven Sons.

691
00:31:05,960 --> 00:31:07,240
Speaker 3: I was going to say, you're gonna have to tell

692
00:31:07,320 --> 00:31:07,760
Speaker 3: us who that?

693
00:31:10,160 --> 00:31:10,400
Speaker 12: Remember?

694
00:31:10,640 --> 00:31:10,840
Speaker 3: I was?

695
00:31:10,840 --> 00:31:11,800
Speaker 6: He banded Southern Sons.

696
00:31:12,280 --> 00:31:16,560
Speaker 3: Jack Jones streams every single day the two thousand and

697
00:31:16,560 --> 00:31:19,000
Speaker 3: four album Up All Night? What What?

698
00:31:19,080 --> 00:31:19,240
Speaker 4: Who?

699
00:31:19,520 --> 00:31:20,600
Speaker 3: Who comes up with that?

700
00:31:21,280 --> 00:31:22,960
Speaker 6: I was up on it. I was a hot after

701
00:31:23,040 --> 00:31:24,120
Speaker 6: Idole Man. I was up a lot.

702
00:31:24,520 --> 00:31:25,560
Speaker 2: Was the It.

703
00:31:27,080 --> 00:31:29,640
Speaker 1: Was the marketing team. Let's let's lean in today, let's

704
00:31:29,720 --> 00:31:30,840
Speaker 1: lean in. Let me Rob Mills.

705
00:31:30,840 --> 00:31:33,280
Speaker 3: Bit of a party a party boy. Second, bit of

706
00:31:33,280 --> 00:31:34,200
Speaker 3: a party boy on the cover.

707
00:31:34,400 --> 00:31:36,640
Speaker 6: Yeah, I look like Kadie Lang on the cover.

708
00:31:39,120 --> 00:31:46,880
Speaker 3: I it was that I can't Caddy Lang. Oh my god,

709
00:31:47,240 --> 00:31:51,320
Speaker 3: to put it up on on Instagram.

710
00:31:53,240 --> 00:31:56,200
Speaker 6: So that was me twenty one, trying to be sexy.

711
00:31:56,560 --> 00:31:57,840
Speaker 2: I don't know how to do. I don't know how

712
00:31:57,840 --> 00:31:58,400
Speaker 2: to do sexy.

713
00:31:58,560 --> 00:31:59,920
Speaker 3: I do I'm not.

714
00:32:00,080 --> 00:32:00,960
Speaker 6: I'm gonna sexy guy.

715
00:32:01,080 --> 00:32:04,280
Speaker 3: So funny, Millsy look like you.

716
00:32:04,480 --> 00:32:08,680
Speaker 13: It looks like I've got like beautiful lips though yeah, yeah, lushes,

717
00:32:08,800 --> 00:32:09,640
Speaker 13: thin lips.

718
00:32:10,680 --> 00:32:12,640
Speaker 3: God, oh mate, I love you. It's so good to

719
00:32:12,680 --> 00:32:16,400
Speaker 3: see you. Good luck. Hairspray the musical tickets available Hairspray

720
00:32:16,480 --> 00:32:18,680
Speaker 3: Musical dot com. Don au if you want to see

721
00:32:19,040 --> 00:32:25,360
Speaker 3: Millsey the absolute sweetie of Australians. Hell of the cast

722
00:32:25,600 --> 00:32:28,240
Speaker 3: we touched on before Ronder, Birch Moore, Shane Jackson, Tom McKinney,

723
00:32:28,680 --> 00:32:30,040
Speaker 3: Carmel Rodriguez.

724
00:32:30,320 --> 00:32:31,720
Speaker 6: She's well phenomenal.

725
00:32:31,800 --> 00:32:35,720
Speaker 13: So you want your Tracy Turnblad to be super genuine, authentic,

726
00:32:35,880 --> 00:32:37,880
Speaker 13: just in love with just being in the moment.

727
00:32:38,360 --> 00:32:38,560
Speaker 3: Mate.

728
00:32:38,600 --> 00:32:40,640
Speaker 6: She is so good enthusiasm.

729
00:32:40,840 --> 00:32:42,800
Speaker 3: She's the star of the future. I'm looking forward to it, mate.

730
00:32:42,800 --> 00:32:46,800
Speaker 3: Don't see Millsy hairspread Musical dot com dot auls. It

731
00:32:48,760 --> 00:32:53,000
Speaker 3: is time for nuts, It's time for believe.

732
00:32:56,960 --> 00:32:59,880
Speaker 2: He's got some sweet store.

733
00:33:01,000 --> 00:33:02,760
Speaker 3: Some of them are real and some.

734
00:33:04,400 --> 00:33:16,280
Speaker 2: All right, everyone gets the bit. The thing today, is Shakira.

735
00:33:18,040 --> 00:33:18,600
Speaker 6: Love that bit?

736
00:33:18,920 --> 00:33:19,560
Speaker 2: I love that bit.

737
00:33:20,120 --> 00:33:23,280
Speaker 1: We're doing Shakira because I mean some tough news here.

738
00:33:23,400 --> 00:33:27,800
Speaker 1: She's potentially facing jail accused of tax evasion.

739
00:33:28,400 --> 00:33:32,720
Speaker 3: So twenty one million dollars worth of tax evasion.

740
00:33:32,840 --> 00:33:36,360
Speaker 2: That is a lot of cage. Yeah, okay, tough.

741
00:33:36,120 --> 00:33:36,840
Speaker 3: Time for Shakira.

742
00:33:37,440 --> 00:33:40,480
Speaker 1: Yeah, obviously there's the breakup of a marriage. Yeah, that's tough,

743
00:33:40,560 --> 00:33:43,480
Speaker 1: all right. So will these are stories about Shakira, You

744
00:33:43,560 --> 00:33:45,320
Speaker 1: let me know if they are really if I'm making

745
00:33:45,320 --> 00:33:49,520
Speaker 1: them up. Okay, first one here, Steven Spielberg offered her

746
00:33:49,560 --> 00:33:53,680
Speaker 1: the role of Elena Mondero in Mask of Zorro, which

747
00:33:53,720 --> 00:33:56,320
Speaker 1: she declined and the role went to Catherine's at the

748
00:33:56,400 --> 00:33:59,880
Speaker 1: John's Wow, is that true?

749
00:34:00,920 --> 00:34:01,520
Speaker 2: Or have I made that?

750
00:34:01,600 --> 00:34:01,719
Speaker 4: Oh?

751
00:34:01,800 --> 00:34:02,280
Speaker 3: My god?

752
00:34:02,520 --> 00:34:04,360
Speaker 2: Elena Montado, who is the director.

753
00:34:04,920 --> 00:34:08,239
Speaker 1: Steven Spielberg was the executive producer in the film. He

754
00:34:08,280 --> 00:34:11,799
Speaker 1: didn't direct the film, but he offered Shakira the part

755
00:34:11,880 --> 00:34:16,720
Speaker 1: of Elena Monteto, who was, of course the love interest

756
00:34:16,800 --> 00:34:18,280
Speaker 1: of Zoro himself.

757
00:34:18,320 --> 00:34:22,720
Speaker 3: Anthonio evanderis that's right, daughter of Anthony Hopkins in the movie.

758
00:34:23,320 --> 00:34:26,520
Speaker 3: Thought it was weird that you know, British British father,

759
00:34:26,800 --> 00:34:27,160
Speaker 3: that's right.

760
00:34:27,200 --> 00:34:30,040
Speaker 1: No, no, no, no, no, not Anthon Holkins. Isn't his dad? He

761
00:34:30,080 --> 00:34:32,400
Speaker 1: finds him, he finds and doniol bandattiz.

762
00:34:32,040 --> 00:34:35,400
Speaker 3: No, no no, he's Casinzida Jones's dad, Anthony Hopkins.

763
00:34:35,480 --> 00:34:39,120
Speaker 1: Oh sorry, yeah, yeah, yeah. Anyway, did she carry it

764
00:34:39,160 --> 00:34:40,520
Speaker 1: off with the part of Elena Mondeo?

765
00:34:40,800 --> 00:34:43,880
Speaker 3: Oh god, it's tough. I think she did. It's outrageous,

766
00:34:43,880 --> 00:34:47,759
Speaker 3: but I think she did, damn it. Yes, Yes, that's weird.

767
00:34:48,200 --> 00:34:48,719
Speaker 3: That's weird.

768
00:34:48,760 --> 00:34:49,200
Speaker 6: That's big.

769
00:34:49,560 --> 00:34:52,000
Speaker 3: That's a big big I expected that.

770
00:34:52,000 --> 00:34:52,439
Speaker 2: That's a big.

771
00:34:52,520 --> 00:34:55,040
Speaker 3: What about a shocking movie with Shakira in an I reckon?

772
00:34:55,200 --> 00:34:57,520
Speaker 2: I disagree. She's a great performer, is she? Yeah?

773
00:34:57,600 --> 00:34:58,320
Speaker 3: Can she act?

774
00:34:58,719 --> 00:34:58,959
Speaker 2: Yeah?

775
00:34:59,120 --> 00:35:01,359
Speaker 1: Name a movie only ads I've seen her in as

776
00:35:01,480 --> 00:35:05,600
Speaker 1: She's very convincing. Okay, geez, I earmarked.

777
00:35:05,600 --> 00:35:06,000
Speaker 2: That is a win.

778
00:35:06,080 --> 00:35:07,080
Speaker 3: That this is that's big.

779
00:35:07,280 --> 00:35:08,000
Speaker 2: That's big.

780
00:35:08,200 --> 00:35:11,319
Speaker 3: Good question. My mask of our own knowledge is very good.

781
00:35:11,400 --> 00:35:11,600
Speaker 4: I know.

782
00:35:11,719 --> 00:35:13,200
Speaker 2: That's why I went for it. That's why.

783
00:35:13,200 --> 00:35:17,319
Speaker 1: Because Montero is actually the name Elena Montetto. Okay, well,

784
00:35:17,400 --> 00:35:19,200
Speaker 1: next one, here you are one, Neil. If you get

785
00:35:19,200 --> 00:35:24,520
Speaker 1: this one, it's all He's count Montero. Okay, Well, get

786
00:35:24,560 --> 00:35:30,759
Speaker 1: it done. Love Shakira's Lebanese grandmother. Shakira's Lebanese grandmother was

787
00:35:30,760 --> 00:35:33,279
Speaker 1: a well known performer who was known for her ability

788
00:35:33,360 --> 00:35:37,080
Speaker 1: to have sixteen flaming hula hoops going at the same time.

789
00:35:37,120 --> 00:35:39,600
Speaker 3: Oh my god, that's a great that's a great way,

790
00:35:39,640 --> 00:35:43,239
Speaker 3: because obviously her hips, Shakira's got great hips. Did you

791
00:35:43,360 --> 00:35:44,000
Speaker 3: lean into.

792
00:35:43,880 --> 00:35:46,759
Speaker 2: That sixteen flaming hula hoops same time?

793
00:35:46,880 --> 00:35:49,440
Speaker 3: She got a Lebanese grandmother, though, that's.

794
00:35:49,360 --> 00:35:53,040
Speaker 2: A that's a wild I don't know the grandmother's name.

795
00:35:53,080 --> 00:35:54,960
Speaker 2: By the way, I could probably find it.

796
00:35:55,000 --> 00:35:55,680
Speaker 3: Didn't ask for it.

797
00:35:55,719 --> 00:35:59,640
Speaker 2: Didn't ask for again, sixteen flaming sixteen.

798
00:36:00,400 --> 00:36:04,239
Speaker 3: Your mum also has a record for how the the

799
00:36:04,239 --> 00:36:05,239
Speaker 3: world record did you know.

800
00:36:05,320 --> 00:36:09,600
Speaker 2: The duration longest duration continued haul of hooping? Those hips

801
00:36:09,640 --> 00:36:15,600
Speaker 2: also don't lie. That's weird things, your m I think.

802
00:36:15,400 --> 00:36:16,319
Speaker 3: That's true as well.

803
00:36:18,080 --> 00:36:30,319
Speaker 2: That is fake. I made it up, all right. Okay,

804
00:36:30,360 --> 00:36:32,480
Speaker 2: we've got to stand off, bloody hell sudden there.

805
00:36:34,120 --> 00:36:37,959
Speaker 1: Okay, okay, okay, okay, okay, okay.

806
00:36:38,360 --> 00:36:39,920
Speaker 3: You've got a guest on after the quiz.

807
00:36:40,280 --> 00:36:42,680
Speaker 2: I get that, I get that. Okay.

808
00:36:42,880 --> 00:36:48,200
Speaker 1: There is a parasitic wasp wasp will that is named

809
00:36:48,239 --> 00:36:48,759
Speaker 1: after her.

810
00:36:49,320 --> 00:36:53,920
Speaker 2: They call it alids why because of the way the

811
00:36:54,080 --> 00:36:57,440
Speaker 2: hot its hosts abdomen bends and twists.

812
00:36:58,120 --> 00:37:02,239
Speaker 1: So like, Wow, So the had a pillar of the

813
00:37:02,280 --> 00:37:04,440
Speaker 1: parasitic wasp, the Alidos.

814
00:37:05,120 --> 00:37:06,640
Speaker 3: They just said, the abdomen of the wasp, not the

815
00:37:06,640 --> 00:37:07,560
Speaker 3: caterpillar of the wasp.

816
00:37:07,800 --> 00:37:10,680
Speaker 2: No, no, it's it's hosts abd excuse.

817
00:37:10,320 --> 00:37:12,520
Speaker 3: Me, Yeah, he said the abdomen. Yeah, I'll carry on

818
00:37:12,560 --> 00:37:13,080
Speaker 3: if I can't.

819
00:37:13,200 --> 00:37:15,000
Speaker 2: They said, the abdomen of the wasp.

820
00:37:15,160 --> 00:37:19,200
Speaker 3: Yeah, she moves around like Shakira, shakes and twists. Parasitic wasp.

821
00:37:19,520 --> 00:37:22,480
Speaker 2: Parasitic wasp named Alidos shakiray.

822
00:37:22,400 --> 00:37:25,680
Speaker 3: Parasitic wasp also the reason that Charles Darwin stopped believing

823
00:37:25,680 --> 00:37:28,640
Speaker 3: in God was a hardcore Christian until Paris found out

824
00:37:28,640 --> 00:37:31,320
Speaker 3: about parasitic wasps. Wow, you didn't believe that there was

825
00:37:31,320 --> 00:37:33,759
Speaker 3: a benevolent God who could create a creature which would

826
00:37:33,840 --> 00:37:36,040
Speaker 3: lay eggs inside its prey and then watch them eat

827
00:37:36,040 --> 00:37:38,680
Speaker 3: them from the inside out. WHOA, that's way too evil

828
00:37:38,719 --> 00:37:41,000
Speaker 3: for me. No, God fascinating given that he was a

829
00:37:41,000 --> 00:37:45,320
Speaker 3: hardcore Christian, and given all of that, I think it's true.

830
00:37:45,400 --> 00:37:45,840
Speaker 2: You've got me.

831
00:37:50,640 --> 00:37:54,000
Speaker 3: Continue is his winning streak And if you time, fine

832
00:37:54,280 --> 00:37:57,120
Speaker 3: sneaks in a little bit of Charles Darwin trivia at

833
00:37:57,120 --> 00:37:59,400
Speaker 3: the Dead. Everybody hated it, but me, I did it

834
00:37:59,600 --> 00:38:01,960
Speaker 3: just for I knew I had to win. Abdomen was

835
00:38:01,960 --> 00:38:03,759
Speaker 3: a word that was beyond your capacity.

836
00:38:04,320 --> 00:38:05,360
Speaker 12: Coming up next.

837
00:38:06,200 --> 00:38:09,920
Speaker 11: More Will and Woody the Will and Woody Podcast.

838
00:38:10,040 --> 00:38:13,120
Speaker 1: I'd love some opinions here. The numbers thirteen one oh

839
00:38:13,200 --> 00:38:17,280
Speaker 1: sixty five. If you know about an affair that's going

840
00:38:17,320 --> 00:38:19,880
Speaker 1: on at your workplace, or if you know about an

841
00:38:19,920 --> 00:38:24,080
Speaker 1: affair that's going on in your office, do you say something?

842
00:38:25,440 --> 00:38:26,520
Speaker 2: Do you get involved?

843
00:38:26,719 --> 00:38:27,000
Speaker 5: Wow?

844
00:38:27,120 --> 00:38:28,680
Speaker 2: If you got a thought there, give us a call

845
00:38:29,080 --> 00:38:29,640
Speaker 2: and the reason.

846
00:38:30,040 --> 00:38:31,879
Speaker 3: What do you mean do you get involved?

847
00:38:32,680 --> 00:38:35,239
Speaker 2: I mean, do you say something to the doesn't need to.

848
00:38:35,200 --> 00:38:38,560
Speaker 3: Be an affair or just a hook up. You're talking affairs,

849
00:38:38,600 --> 00:38:40,960
Speaker 3: so they're obviously with someone else, is that what you're saying?

850
00:38:41,680 --> 00:38:44,279
Speaker 3: So you know for a fact that there they've got

851
00:38:44,320 --> 00:38:46,480
Speaker 3: a husband or a wife or whatever it is, and

852
00:38:46,480 --> 00:38:49,080
Speaker 3: they're hooking up with somebody else in the office.

853
00:38:48,680 --> 00:38:50,600
Speaker 1: Well not necessarily even someone else in the office, but

854
00:38:50,640 --> 00:38:53,160
Speaker 1: you know they're being unfaithful, all right? Yeah, do you

855
00:38:53,280 --> 00:38:55,480
Speaker 1: say something to them or do you say something to

856
00:38:55,520 --> 00:38:56,560
Speaker 1: their partner that you know?

857
00:38:56,880 --> 00:38:58,560
Speaker 2: Just do you get involved?

858
00:38:59,120 --> 00:39:01,719
Speaker 1: And the reason I'm asking about it is because there's

859
00:39:01,880 --> 00:39:06,239
Speaker 1: obviously continued speculation and I'm not saying I know this

860
00:39:06,320 --> 00:39:11,239
Speaker 1: as fact, but continued speculation over Olivia Wilde having an

861
00:39:11,280 --> 00:39:15,680
Speaker 1: affair with Harry Styles on the set of the movie

862
00:39:16,160 --> 00:39:19,160
Speaker 1: Don't Worry Darling, which is due to come out twenty

863
00:39:19,160 --> 00:39:20,239
Speaker 1: third September this year.

864
00:39:20,360 --> 00:39:21,480
Speaker 2: Here's a cheeky trailer.

865
00:39:22,280 --> 00:39:25,799
Speaker 1: We men, We ask the discretion above all else, our

866
00:39:25,960 --> 00:39:27,240
Speaker 1: life together.

867
00:39:28,560 --> 00:39:29,160
Speaker 2: Concluse this.

868
00:39:34,320 --> 00:39:38,440
Speaker 1: I don't know what that's about, but sources are saying,

869
00:39:38,480 --> 00:39:42,760
Speaker 1: will that Florence Pugh, Jesus.

870
00:39:44,680 --> 00:39:47,279
Speaker 3: All right, I'm not finding it funny. I don't think

871
00:39:47,320 --> 00:39:50,080
Speaker 3: anyone else finds it funny. Oh that was at least.

872
00:39:49,880 --> 00:39:52,000
Speaker 1: Seven minutes in the audio media, and I'm pretty happy

873
00:39:52,000 --> 00:39:54,520
Speaker 1: with it anyway. Florence Pugh, who is a co star

874
00:39:55,040 --> 00:39:58,160
Speaker 1: of Harry Styles in the film, apparently sources are saying

875
00:39:58,239 --> 00:40:02,040
Speaker 1: she wasn't happy about the that was happening between Olivia Wilde,

876
00:40:02,040 --> 00:40:05,920
Speaker 1: who is the director, and Harry Styles, and further evidence

877
00:40:05,960 --> 00:40:07,320
Speaker 1: coming out today. I mean, I'm not sure if this

878
00:40:07,400 --> 00:40:10,160
Speaker 1: is evidence or not, but she's not liking any of

879
00:40:10,160 --> 00:40:12,319
Speaker 1: Olivia Wilde's Instagram posts.

880
00:40:12,920 --> 00:40:14,440
Speaker 2: I'm sorry, this is one story.

881
00:40:14,239 --> 00:40:18,040
Speaker 1: Is but Olivia Wilde is she's posting about the movie

882
00:40:18,080 --> 00:40:18,960
Speaker 1: that's coming out sad.

883
00:40:18,960 --> 00:40:22,000
Speaker 3: But about that is someone has gone through Yeah, I

884
00:40:22,080 --> 00:40:24,960
Speaker 3: know the amount, and think about how many followers Olivia

885
00:40:25,000 --> 00:40:28,280
Speaker 3: Wilde's got, how many likes she's get Someone would trawl

886
00:40:28,400 --> 00:40:32,040
Speaker 3: through her likes to find out if Florence Pugh has

887
00:40:32,200 --> 00:40:36,000
Speaker 3: liked their photo. Yeah, that's a tough kick. Imagine rocking

888
00:40:36,080 --> 00:40:39,200
Speaker 3: up to the office. Okay, Tom, how I am mate? First

889
00:40:39,320 --> 00:40:42,439
Speaker 3: date at the job? Right? It's twenty eight thousand likes

890
00:40:42,440 --> 00:40:43,720
Speaker 3: on Olivia Wilde's photo.

891
00:40:43,960 --> 00:40:45,240
Speaker 2: Syptem from the set.

892
00:40:45,000 --> 00:40:48,040
Speaker 3: Of a new movie is Florence Pugh? One of them

893
00:40:48,400 --> 00:40:50,680
Speaker 3: go I want to answer by five o'clock.

894
00:40:52,280 --> 00:40:55,560
Speaker 1: But the question is so so so Florence Pugh. Then

895
00:40:55,680 --> 00:40:58,319
Speaker 1: is in the situation in a situation where do I

896
00:40:58,320 --> 00:41:00,279
Speaker 1: get involved? Do I say something I'm not happy about

897
00:41:00,280 --> 00:41:02,000
Speaker 1: the affair that's going on? Do I say something I

898
00:41:02,000 --> 00:41:02,319
Speaker 1: don't know?

899
00:41:02,640 --> 00:41:05,480
Speaker 3: Sorry, you're saying it's a fair because Olivia Wilde is

900
00:41:05,520 --> 00:41:09,160
Speaker 3: with Ted Lasso, Jason saideikis while this is going on,

901
00:41:09,800 --> 00:41:11,640
Speaker 3: while they're shooting the movie.

902
00:41:11,480 --> 00:41:14,160
Speaker 1: Yes, right, yes, yes, yes, And speculation that there was

903
00:41:14,200 --> 00:41:16,359
Speaker 1: a bit of hanky panky before.

904
00:41:16,440 --> 00:41:18,840
Speaker 3: It's been running for a while. That's speculation, right, that

905
00:41:18,920 --> 00:41:20,480
Speaker 3: they hooked up. The bed wasn't cold.

906
00:41:20,600 --> 00:41:22,960
Speaker 1: Yes, the reason it's the reason it's coming up in

907
00:41:23,000 --> 00:41:25,680
Speaker 1: the news today is because it appears Florence Pugh was

908
00:41:25,800 --> 00:41:28,560
Speaker 1: very unhappy with it. So it begs the question, Will,

909
00:41:28,560 --> 00:41:30,120
Speaker 1: and this is the question I would ever under call

910
00:41:30,200 --> 00:41:31,839
Speaker 1: up for thirteen one oh six y five and I'm

911
00:41:31,880 --> 00:41:35,120
Speaker 1: bloody keen to hear your opinion here Will and I'll

912
00:41:35,120 --> 00:41:36,000
Speaker 1: get it after the song.

913
00:41:36,040 --> 00:41:37,040
Speaker 2: But here's the question.

914
00:41:38,160 --> 00:41:42,560
Speaker 1: If you know about kids, it's I it's if it's true. Again,

915
00:41:42,600 --> 00:41:45,880
Speaker 1: I don't know whether there was any cheating going on

916
00:41:45,880 --> 00:41:46,319
Speaker 1: on the set.

917
00:41:46,360 --> 00:41:49,120
Speaker 2: I genuinely don't know that, but yes, kids are involved.

918
00:41:49,360 --> 00:41:53,600
Speaker 2: It's if it's true. It's it's yuckyes yuck stuff. But

919
00:41:53,640 --> 00:41:56,319
Speaker 2: here's the question. If you know about an affair in the.

920
00:41:56,239 --> 00:41:57,720
Speaker 3: Office, give it to me, doctor Phil.

921
00:41:57,880 --> 00:41:59,120
Speaker 2: Thank you, yeah, thank you.

922
00:41:59,640 --> 00:42:01,840
Speaker 1: If you know about an affair in the office, I mean, Phil,

923
00:42:01,880 --> 00:42:03,920
Speaker 1: bloody hell, call up. We love your thoughts on it

924
00:42:04,000 --> 00:42:05,920
Speaker 1: because she whiz. I mean he would have had people

925
00:42:05,920 --> 00:42:06,759
Speaker 1: on the show, wouldn't he.

926
00:42:06,800 --> 00:42:08,400
Speaker 2: No doubt feel for you, philp no doubt.

927
00:42:08,440 --> 00:42:10,279
Speaker 1: But if you know about an affair that's going on

928
00:42:10,320 --> 00:42:12,360
Speaker 1: in the office. Yeah, do you get involved? Do you

929
00:42:12,400 --> 00:42:15,040
Speaker 1: say something all right? Or do you just chuck your

930
00:42:15,040 --> 00:42:15,759
Speaker 1: head in the sand.

931
00:42:15,840 --> 00:42:19,520
Speaker 2: That's the old Woodrow approach and pretend you SI or nothing? Okay, anyway,

932
00:42:19,560 --> 00:42:21,800
Speaker 2: take your thoughts right up. Next, we'll get Will's opinion. Stroth.

933
00:42:22,400 --> 00:42:23,319
Speaker 3: No, I don't know if we will.

934
00:42:23,360 --> 00:42:25,479
Speaker 2: What do you mean we will?

935
00:42:25,800 --> 00:42:28,680
Speaker 3: If there's an affair going on, do you say something? Woods?

936
00:42:28,719 --> 00:42:31,840
Speaker 3: Do you? Are you the whistle blower on the affair?

937
00:42:31,960 --> 00:42:34,160
Speaker 2: Do you blow that whistle? Thirteen one six y five,

938
00:42:34,200 --> 00:42:34,840
Speaker 2: that's the number.

939
00:42:34,920 --> 00:42:38,560
Speaker 1: And we're talking about it because there's some there's rumors,

940
00:42:38,600 --> 00:42:41,280
Speaker 1: the speculation that Olivia Wilde had an affair with Harry

941
00:42:41,360 --> 00:42:44,760
Speaker 1: Styles when they were filming the movie Don't Worrying Darling,

942
00:42:45,160 --> 00:42:48,640
Speaker 1: which is out twenty third of September. Costar Florence Pew.

943
00:42:50,719 --> 00:42:54,040
Speaker 1: She's not liking any of Olivia Wilde's posts, so people

944
00:42:54,080 --> 00:42:57,000
Speaker 1: are speculating that maybe she was unhappy with the affair

945
00:42:57,040 --> 00:42:57,719
Speaker 1: that was going on.

946
00:42:57,680 --> 00:42:59,560
Speaker 3: Because she didn't like because she hasn't liked her stuff

947
00:42:59,560 --> 00:43:03,600
Speaker 3: on Instaum. It's a bogus story. It's though. We're about

948
00:43:03,600 --> 00:43:04,040
Speaker 3: to find out.

949
00:43:04,040 --> 00:43:08,319
Speaker 1: Thirty one and six five will Vanessa? Vanessa, would you

950
00:43:08,360 --> 00:43:09,000
Speaker 1: say something?

951
00:43:10,120 --> 00:43:11,839
Speaker 12: No, that's at all.

952
00:43:12,200 --> 00:43:15,520
Speaker 2: Hi, guys, have you have you been involved in this?

953
00:43:15,680 --> 00:43:16,880
Speaker 2: I have you witnessed?

954
00:43:17,600 --> 00:43:20,520
Speaker 14: Yeah, that witness at work and it was pretty bad.

955
00:43:20,680 --> 00:43:21,880
Speaker 8: Both of them got sacked.

956
00:43:22,360 --> 00:43:24,879
Speaker 5: Whoa, yeah, it was quite bad.

957
00:43:25,040 --> 00:43:26,720
Speaker 2: What did you actually see, though, Vanessa?

958
00:43:27,520 --> 00:43:29,799
Speaker 14: Oh, we think that things were going on, like in

959
00:43:29,920 --> 00:43:31,720
Speaker 14: parties and like company.

960
00:43:32,440 --> 00:43:33,920
Speaker 3: Quite a few things, quite a few.

961
00:43:34,080 --> 00:43:34,880
Speaker 4: Oh yeah, like I.

962
00:43:34,880 --> 00:43:37,359
Speaker 14: Could see that something was going on. And also the

963
00:43:37,360 --> 00:43:40,040
Speaker 14: bad part was that one was the manager of the other.

964
00:43:40,680 --> 00:43:43,680
Speaker 3: Oh yeah, news.

965
00:43:44,320 --> 00:43:46,240
Speaker 14: She was getting very pissed off.

966
00:43:46,440 --> 00:43:49,600
Speaker 9: Yeah you know, ye, not very ethical.

967
00:43:49,880 --> 00:43:52,600
Speaker 3: Oh no, no, absolutely not. Thanks to call Vanessa. I'll

968
00:43:52,600 --> 00:43:54,479
Speaker 3: take you back to the Christmas party where you found

969
00:43:54,480 --> 00:43:56,680
Speaker 3: out that she was engaged afterwards. That was tough.

970
00:43:57,280 --> 00:43:59,279
Speaker 2: Let's got a Dean here on thirty one.

971
00:43:59,280 --> 00:44:04,440
Speaker 3: I was six five, dean engaged in pregnant. Yeah, Dean, so.

972
00:44:04,520 --> 00:44:08,120
Speaker 1: I've got a bit of a selective here. Anything, we'll say, Dean,

973
00:44:08,160 --> 00:44:10,759
Speaker 1: I'm good. I'm really good. Now mate, here's the question.

974
00:44:10,840 --> 00:44:12,520
Speaker 1: You find out about an affair in the office, do

975
00:44:12,560 --> 00:44:15,200
Speaker 1: you say something you have experienced this?

976
00:44:17,120 --> 00:44:21,120
Speaker 9: Yeah, I have. So. I worked for a family business

977
00:44:21,239 --> 00:44:26,680
Speaker 9: and my uncle kept having this feeling that his Yes,

978
00:44:26,760 --> 00:44:29,400
Speaker 9: so my uncle had this feeling that his wife was

979
00:44:29,440 --> 00:44:32,440
Speaker 9: having an affair. And one day I've walked into the

980
00:44:32,520 --> 00:44:35,279
Speaker 9: shop and busted them and took a photo of the

981
00:44:35,320 --> 00:44:38,760
Speaker 9: bloke and showed my uncle. The next time I've seeing

982
00:44:39,280 --> 00:44:41,640
Speaker 9: and sending the photo, so he had a bit of evidence.

983
00:44:41,719 --> 00:44:44,240
Speaker 5: And then once the once.

984
00:44:44,040 --> 00:44:45,879
Speaker 9: He brought it up to her, I was the one

985
00:44:45,880 --> 00:44:48,440
Speaker 9: that got outed and got slacked the door.

986
00:44:50,120 --> 00:44:52,120
Speaker 3: He's so so wow, because I just didn't want to

987
00:44:52,120 --> 00:44:52,640
Speaker 3: getting out.

988
00:44:52,680 --> 00:44:52,919
Speaker 2: Dean.

989
00:44:53,920 --> 00:44:56,600
Speaker 3: Yeah, hey, what sort of photo was it? Din Like, what?

990
00:44:59,680 --> 00:45:01,040
Speaker 14: Yeah, yeah, no, it was nothing.

991
00:45:01,080 --> 00:45:01,560
Speaker 8: It was nothing.

992
00:45:01,560 --> 00:45:04,400
Speaker 9: Crazy who was sitting behind the desk with holding hands

993
00:45:04,440 --> 00:45:06,040
Speaker 9: and yeah, they're just holding hands.

994
00:45:06,040 --> 00:45:07,520
Speaker 3: Well, maybe the evidence.

995
00:45:08,640 --> 00:45:11,439
Speaker 2: You had to catch him doing something a bit more compromising.

996
00:45:12,960 --> 00:45:15,799
Speaker 3: Tapping him on the shoulder, asking him for a bit

997
00:45:15,840 --> 00:45:18,719
Speaker 3: of advice with the computer. There's the gold, Dean. But

998
00:45:18,719 --> 00:45:19,960
Speaker 3: that that's the risk though, isn't it?

999
00:45:19,960 --> 00:45:21,880
Speaker 2: Cautionary Tail, don't get involved.

1000
00:45:21,920 --> 00:45:24,360
Speaker 1: I's got to Samantha here, Samantha, should you say something

1001
00:45:24,440 --> 00:45:26,719
Speaker 1: if you know about an affair in the office.

1002
00:45:27,320 --> 00:45:30,319
Speaker 14: I kind of chose not to. So I worked for

1003
00:45:30,400 --> 00:45:34,440
Speaker 14: a very posh property company about fifteen years ago in

1004
00:45:34,520 --> 00:45:38,000
Speaker 14: the UK. Yeah, and one of the owners. So they

1005
00:45:38,000 --> 00:45:42,280
Speaker 14: were like partners twins, you know, very posh pin striped suits.

1006
00:45:42,360 --> 00:45:42,759
Speaker 11: Rah rah.

1007
00:45:43,160 --> 00:45:43,359
Speaker 4: Yeah.

1008
00:45:44,560 --> 00:45:47,400
Speaker 14: I caught him in a very uncomprising situation with his

1009
00:45:47,520 --> 00:45:50,440
Speaker 14: pa on the photocopire on the front potact.

1010
00:45:54,719 --> 00:45:56,880
Speaker 2: Were they photo copying?

1011
00:45:58,120 --> 00:46:03,280
Speaker 11: They were busy, should we say, but they weren't photocopying.

1012
00:46:08,760 --> 00:46:12,360
Speaker 11: But he worked for my favorite because on a Friday afternoon,

1013
00:46:12,440 --> 00:46:14,520
Speaker 11: I always got three drinks after that.

1014
00:46:16,800 --> 00:46:18,160
Speaker 8: Many years, so he knew that.

1015
00:46:18,200 --> 00:46:20,440
Speaker 3: He walked in there drink, so he knew that he

1016
00:46:20,600 --> 00:46:20,960
Speaker 3: walked in.

1017
00:46:21,400 --> 00:46:28,440
Speaker 11: Obviously they could just went Hi by every Friday.

1018
00:46:28,719 --> 00:46:31,279
Speaker 1: Did you really stretch that on Friday? Were you just like,

1019
00:46:31,520 --> 00:46:32,880
Speaker 1: you know, I'll take a slab.

1020
00:46:32,680 --> 00:46:35,719
Speaker 14: Or they just it was just offered to me. So

1021
00:46:36,280 --> 00:46:39,360
Speaker 14: and we also back then we ran a people auction

1022
00:46:40,200 --> 00:46:44,439
Speaker 14: where people beat on you for charity. And I had

1023
00:46:44,640 --> 00:46:47,840
Speaker 14: like hundreds of dollars bead on me by this partner

1024
00:46:47,920 --> 00:46:49,400
Speaker 14: because he's trying to me.

1025
00:46:50,840 --> 00:46:53,400
Speaker 1: I have wanted you on the photocopy if he's pit know,

1026
00:46:53,520 --> 00:46:54,360
Speaker 1: I don't think so.

1027
00:46:55,520 --> 00:46:57,160
Speaker 8: I think type.

1028
00:46:57,560 --> 00:47:01,600
Speaker 3: Fair enough the photocopy. I tell you all the places

1029
00:47:01,640 --> 00:47:04,640
Speaker 3: to have an affair. That's pretty saucy that's the sauciest

1030
00:47:04,640 --> 00:47:06,640
Speaker 3: place you're going to have an inter office affair, Isn't.

1031
00:47:06,480 --> 00:47:09,000
Speaker 2: It the only way to add more salce?

1032
00:47:11,760 --> 00:47:13,000
Speaker 3: Sauciest place to have an affair?

1033
00:47:13,080 --> 00:47:15,759
Speaker 1: Go, I agree, photocopy, but you've got a photocopy it,

1034
00:47:16,040 --> 00:47:16,640
Speaker 1: you know what I mean?

1035
00:47:17,640 --> 00:47:20,200
Speaker 2: Send it off, Send an email it to yourself. Hang

1036
00:47:20,239 --> 00:47:22,640
Speaker 2: on a sec, just email my own bummed to myself.

1037
00:47:23,000 --> 00:47:25,960
Speaker 2: That is wild oive be a bit of a memory.

1038
00:47:26,719 --> 00:47:27,280
Speaker 2: Why don't.

1039
00:47:28,920 --> 00:47:29,160
Speaker 7: You know?

1040
00:47:29,600 --> 00:47:32,240
Speaker 3: Podcasting now is Will and Wood.

1041
00:47:32,400 --> 00:47:35,560
Speaker 1: Join us on air and number thirteen one oh sixty five.

1042
00:47:36,239 --> 00:47:38,960
Speaker 1: Whenever you had to say that's not mine.

1043
00:47:38,719 --> 00:47:42,480
Speaker 3: That's not mine, I'm telling you, baby, that's not mine.

1044
00:47:42,880 --> 00:47:45,080
Speaker 2: What sort of stories am I? After? Good question?

1045
00:47:45,880 --> 00:47:53,560
Speaker 1: Executive producer Captain Poopants last week was sent urgently some emodium.

1046
00:47:54,880 --> 00:47:56,960
Speaker 1: If you don't know what amodium is, it's it's something

1047
00:47:57,160 --> 00:48:00,520
Speaker 1: used to effectively clog yourself up when you've look I

1048
00:48:00,520 --> 00:48:01,640
Speaker 1: don't want to be sick here, but when you've got

1049
00:48:01,640 --> 00:48:02,000
Speaker 1: the runs.

1050
00:48:02,239 --> 00:48:06,160
Speaker 2: And anyway, the emodium arrived mid meeting and old.

1051
00:48:05,920 --> 00:48:10,480
Speaker 1: Poop Pants had to claim, that's not much mind, I'm

1052
00:48:10,520 --> 00:48:12,680
Speaker 1: telling you that's not much.

1053
00:48:12,800 --> 00:48:14,000
Speaker 2: That's clearly yours mate.

1054
00:48:14,800 --> 00:48:17,759
Speaker 1: Anyway, and the reason we are talking about these situations

1055
00:48:17,920 --> 00:48:31,840
Speaker 1: is because this woman. Yeah, yeah, it's struggling to shake

1056
00:48:31,920 --> 00:48:36,120
Speaker 1: off this latest bit of controversy.

1057
00:48:36,760 --> 00:48:38,160
Speaker 2: There's a sitting on that one.

1058
00:48:38,239 --> 00:48:39,839
Speaker 3: I heard you say that in the preciow meeting.

1059
00:48:39,880 --> 00:48:40,080
Speaker 4: Yeah.

1060
00:48:40,080 --> 00:48:41,920
Speaker 2: Our digital producer Cat actually gave it to me.

1061
00:48:42,000 --> 00:48:44,239
Speaker 3: She gave me the throat and you're gone twice and

1062
00:48:44,320 --> 00:48:46,520
Speaker 3: I appreciate it. But I heard it in the digital meeting.

1063
00:48:47,040 --> 00:48:48,759
Speaker 2: I was hoping you didn't. You usually don't listen in

1064
00:48:48,800 --> 00:48:49,440
Speaker 2: the audio meeting.

1065
00:48:49,440 --> 00:48:50,680
Speaker 3: What do you mean, man, I'm the only one that

1066
00:48:50,760 --> 00:48:55,799
Speaker 3: reason they offerate those audio meetings, cracking shake it off

1067
00:48:55,880 --> 00:48:56,960
Speaker 3: gangs with kV.

1068
00:48:58,280 --> 00:49:04,279
Speaker 1: In the anyway, this this company called Yard, which is

1069
00:49:04,320 --> 00:49:09,000
Speaker 1: a sustainability marketing agency, has found that she has the

1070
00:49:09,040 --> 00:49:12,600
Speaker 1: biggest private jet carbon footprint in the world.

1071
00:49:14,320 --> 00:49:21,440
Speaker 3: If there was ever a first world millionaires problem. For

1072
00:49:21,520 --> 00:49:25,680
Speaker 3: a mere mortal, someone borrows your car, they get a

1073
00:49:25,680 --> 00:49:30,960
Speaker 3: speeding fine. For Taylor Swift, someone borrows a private jet

1074
00:49:31,600 --> 00:49:33,680
Speaker 3: and she gets a oh my god, I've got too

1075
00:49:33,800 --> 00:49:37,840
Speaker 3: much carbon footprint. It's a ridiculous set of circumstances. I

1076
00:49:37,840 --> 00:49:39,960
Speaker 3: don't think it's different with outrageous it's a different world.

1077
00:49:39,960 --> 00:49:41,440
Speaker 2: But what they're saying the news.

1078
00:49:41,239 --> 00:49:43,320
Speaker 3: For too many people using my private jet.

1079
00:49:43,239 --> 00:49:45,200
Speaker 1: Yard to say her private jet has been flowing one

1080
00:49:45,239 --> 00:49:48,640
Speaker 1: hundred and seventy times between January one and July twenty nine,

1081
00:49:48,760 --> 00:49:51,759
Speaker 1: which would mean she has one one and eighty five

1082
00:49:52,040 --> 00:49:55,759
Speaker 1: times the average person's annual emissions.

1083
00:49:56,040 --> 00:49:56,760
Speaker 3: Wow, totally.

1084
00:49:56,760 --> 00:49:58,680
Speaker 2: Well, anyway, the reason she's saying that's not mine.

1085
00:49:59,360 --> 00:50:02,000
Speaker 1: Yeah, she's saying are borrowing her playing jet, they're borrowing

1086
00:50:02,000 --> 00:50:02,480
Speaker 1: my planets.

1087
00:50:02,560 --> 00:50:04,960
Speaker 3: It's not feasible though, I mean, I know you're not

1088
00:50:05,000 --> 00:50:07,759
Speaker 3: a private jet an aviation expert, not.

1089
00:50:07,760 --> 00:50:09,600
Speaker 2: A PJ guy. Will never been on one.

1090
00:50:10,120 --> 00:50:12,160
Speaker 3: I've never been on one either, But one hundred and

1091
00:50:12,160 --> 00:50:14,080
Speaker 3: seventy times that's been doable for.

1092
00:50:14,080 --> 00:50:17,000
Speaker 2: Her, right, was like, that's if she's touring. Has she

1093
00:50:17,040 --> 00:50:17,560
Speaker 2: been touring?

1094
00:50:17,600 --> 00:50:21,399
Speaker 3: Will still Let's let's agree to not ask each other

1095
00:50:21,480 --> 00:50:23,680
Speaker 3: questions that we know the other person doesn't know the

1096
00:50:23,760 --> 00:50:26,959
Speaker 3: arms are. It will be a short, very short shot

1097
00:50:27,000 --> 00:50:29,120
Speaker 3: because she's too Yeah, yeah, stop saying it like that.

1098
00:50:29,160 --> 00:50:31,200
Speaker 3: As well, she's touring, she's not tearing.

1099
00:50:31,320 --> 00:50:31,960
Speaker 2: She's touring.

1100
00:50:32,120 --> 00:50:34,480
Speaker 1: Yeah, yeah, I agree one hundred and seventy times, But

1101
00:50:34,520 --> 00:50:34,839
Speaker 1: I mean.

1102
00:50:35,000 --> 00:50:37,640
Speaker 3: Question chicken feed, doesn't it question who's borrowing the jet,

1103
00:50:37,680 --> 00:50:39,640
Speaker 3: Like do you just rock up to Swizzlestick's house and

1104
00:50:39,680 --> 00:50:42,759
Speaker 3: you're like, yo, I've taken the jag and the jet.

1105
00:50:43,280 --> 00:50:45,120
Speaker 3: Do you know what I mean? Like, did you borrow

1106
00:50:45,200 --> 00:50:47,880
Speaker 3: Taylor's chalet at the snow? Does she throw in the

1107
00:50:47,960 --> 00:50:48,720
Speaker 3: jet as an extra?

1108
00:50:48,960 --> 00:50:50,319
Speaker 2: I don't know, mate, how.

1109
00:50:50,200 --> 00:50:52,920
Speaker 3: Many people she claimed to have used the jet?

1110
00:50:53,440 --> 00:50:57,160
Speaker 1: She hasn't said, but effectively she's saying like lots, she's saying.

1111
00:50:57,120 --> 00:51:00,279
Speaker 2: Gets borrowed all the time. She's a great friend, she's

1112
00:51:00,320 --> 00:51:00,839
Speaker 2: a great friend.

1113
00:51:01,840 --> 00:51:04,160
Speaker 3: She's claiming descended into garbage.

1114
00:51:04,920 --> 00:51:07,040
Speaker 1: So these rich people, though they have their PJS, they've

1115
00:51:07,040 --> 00:51:11,279
Speaker 1: got their private they've got their private jets. Do you

1116
00:51:11,360 --> 00:51:14,080
Speaker 1: reckon with the current state of the planet with where

1117
00:51:14,160 --> 00:51:16,560
Speaker 1: a serious question with where like you know, the carbon

1118
00:51:16,600 --> 00:51:18,720
Speaker 1: footprint is at and global warming?

1119
00:51:19,360 --> 00:51:20,160
Speaker 2: Should celebrity?

1120
00:51:20,200 --> 00:51:23,720
Speaker 1: Should rich people still be flying private excuse me private jets?

1121
00:51:23,920 --> 00:51:26,160
Speaker 2: Or like come on join us on the on coach

1122
00:51:27,160 --> 00:51:27,840
Speaker 2: on coach?

1123
00:51:28,040 --> 00:51:31,719
Speaker 3: Oh you mean economy on a normal plan. Yeah, it

1124
00:51:31,760 --> 00:51:33,640
Speaker 3: was obviously going to help. Anything's going to help, isn't

1125
00:51:34,480 --> 00:51:36,359
Speaker 3: I do think you get to a point with these

1126
00:51:36,400 --> 00:51:38,560
Speaker 3: guys where you just want to like they should just

1127
00:51:38,600 --> 00:51:42,399
Speaker 3: get a medal, which is like, congratulations, you won capitalism. Yeah, yeah,

1128
00:51:42,440 --> 00:51:45,799
Speaker 3: well well done. You clocked it. And then it should

1129
00:51:45,840 --> 00:51:47,960
Speaker 3: just be like a cap where it's like you can't

1130
00:51:48,160 --> 00:51:50,160
Speaker 3: fly your jet one hundred and seven times. It's going

1131
00:51:50,200 --> 00:51:51,399
Speaker 3: to be too expensive for you.

1132
00:51:51,440 --> 00:51:52,560
Speaker 2: Put a limit on them.

1133
00:51:52,880 --> 00:51:53,960
Speaker 3: It's hurting everybody else.

1134
00:51:54,000 --> 00:51:54,680
Speaker 2: Yeah, yeah it is.

1135
00:51:54,760 --> 00:51:57,720
Speaker 1: Let's go to Ellie here thirty one sixty five Elie

1136
00:51:58,080 --> 00:52:00,880
Speaker 1: Taylor Swift. She's claiming that's not my with the private

1137
00:52:01,160 --> 00:52:02,560
Speaker 1: jet cub and footprint.

1138
00:52:02,640 --> 00:52:04,319
Speaker 2: She's wracked up. Have you had to do that?

1139
00:52:05,800 --> 00:52:06,000
Speaker 10: Yeah?

1140
00:52:06,000 --> 00:52:06,680
Speaker 3: I have a little bit.

1141
00:52:06,760 --> 00:52:08,640
Speaker 11: Hey going, guys, good good.

1142
00:52:10,600 --> 00:52:13,640
Speaker 12: It's been actually quite recent. I haven't had my car

1143
00:52:13,840 --> 00:52:17,719
Speaker 12: very long, and we I bought a well a twenty

1144
00:52:17,800 --> 00:52:21,480
Speaker 12: year old but new car for me, and I bought

1145
00:52:21,520 --> 00:52:23,200
Speaker 12: it down the coast. So we decided to see my

1146
00:52:23,719 --> 00:52:25,920
Speaker 12: in laws at the same time, and we drove out

1147
00:52:25,920 --> 00:52:27,360
Speaker 12: for lunch and they were like, oh yeah, let me

1148
00:52:27,360 --> 00:52:29,320
Speaker 12: have a look around, and just showed on the inside

1149
00:52:29,360 --> 00:52:31,960
Speaker 12: while it was clean. And I opened up the back

1150
00:52:32,000 --> 00:52:34,520
Speaker 12: door and my mother looks in and she's like, what's

1151
00:52:34,600 --> 00:52:37,600
Speaker 12: that Is that your horse? And I look around and

1152
00:52:37,640 --> 00:52:39,719
Speaker 12: there's a black lacy g string on the floor of

1153
00:52:39,760 --> 00:52:42,480
Speaker 12: the car.

1154
00:52:42,520 --> 00:52:47,440
Speaker 3: Baby was it not yours, yours, or you just bought it,

1155
00:52:47,440 --> 00:52:51,040
Speaker 3: they left their g banger in the car, or mighty, the.

1156
00:52:51,080 --> 00:52:53,240
Speaker 12: Car was immaculate, So I'm like, how could.

1157
00:52:53,080 --> 00:52:53,680
Speaker 8: You miss that?

1158
00:52:53,960 --> 00:52:57,400
Speaker 3: Yeah, you found a rogue G string in your dinner

1159
00:52:57,400 --> 00:52:58,879
Speaker 3: cover which you claimed wasn't yours.

1160
00:52:58,920 --> 00:53:01,239
Speaker 2: Once, really interesting story. Glad you brought it up.

1161
00:53:01,280 --> 00:53:01,440
Speaker 13: Will.

1162
00:53:01,480 --> 00:53:03,399
Speaker 2: I was flicking out my dinner.

1163
00:53:03,120 --> 00:53:05,399
Speaker 3: And in front of your girlfriend at the time, and.

1164
00:53:05,360 --> 00:53:09,600
Speaker 1: A vibrant, green lacey G string flew out. Obviously caused

1165
00:53:09,600 --> 00:53:12,440
Speaker 1: issues between the two of us. But then it was

1166
00:53:12,480 --> 00:53:14,600
Speaker 1: it was just a miscommunication or I was it got

1167
00:53:14,640 --> 00:53:16,120
Speaker 1: mixed up in the wash and it was actually my

1168
00:53:16,160 --> 00:53:17,000
Speaker 1: housemates G string.

1169
00:53:17,080 --> 00:53:20,600
Speaker 3: That's not mine. I'm telling you, baby, that's not more.

1170
00:53:20,680 --> 00:53:22,200
Speaker 3: And that was an uncomplicated situation.

1171
00:53:22,239 --> 00:53:27,200
Speaker 1: Anyway, let's got a Kim here thirty one sixty five Kim. Currently,

1172
00:53:27,719 --> 00:53:30,440
Speaker 1: something happened to you where you claimed that's not mine?

1173
00:53:31,280 --> 00:53:34,400
Speaker 5: Yeah, so not quite something that happened to me, but

1174
00:53:34,520 --> 00:53:36,920
Speaker 5: something that happened to my ex partner when I was

1175
00:53:36,960 --> 00:53:37,439
Speaker 5: with him.

1176
00:53:37,640 --> 00:53:38,200
Speaker 2: Yeah.

1177
00:53:38,239 --> 00:53:41,480
Speaker 5: So he has a bit of a kink and at

1178
00:53:41,640 --> 00:53:47,319
Speaker 5: a sex shop shopping around, browsing, and he saw one

1179
00:53:47,360 --> 00:53:52,680
Speaker 5: of those really cute nurse out foods. Not for me.

1180
00:53:53,520 --> 00:53:55,160
Speaker 3: Not for me either, Kim.

1181
00:53:55,840 --> 00:54:00,239
Speaker 5: When he checked out, the shop assistant was like, this

1182
00:54:00,400 --> 00:54:04,520
Speaker 5: is the SI double Excel And then she just paused

1183
00:54:04,560 --> 00:54:07,120
Speaker 5: for a moment and I'm just over here trying not

1184
00:54:07,200 --> 00:54:11,000
Speaker 5: to laugh, and he paused and said, oh, it's for

1185
00:54:11,080 --> 00:54:13,200
Speaker 5: a girl, like it's for a friend who's not here.

1186
00:54:14,680 --> 00:54:18,480
Speaker 3: He bought a happy for somebody else in front of you.

1187
00:54:20,600 --> 00:54:21,600
Speaker 8: It was for himself.

1188
00:54:29,440 --> 00:54:31,920
Speaker 3: Will Smith's apology right up next. What do you hope

1189
00:54:31,920 --> 00:54:34,440
Speaker 3: you having a wonderful drive home? You are listening to

1190
00:54:34,560 --> 00:54:37,960
Speaker 3: Kiss on a Monday after know nothing wrong with that,

1191
00:54:38,239 --> 00:54:42,960
Speaker 3: Absolutely nothing wrong with that. It's Will and Woody. Let's

1192
00:54:43,000 --> 00:54:48,839
Speaker 3: talk about this incident which was in March this year,

1193
00:54:48,880 --> 00:54:54,920
Speaker 3: believe it or not. Oh wow, wow, Will Smith making

1194
00:54:55,000 --> 00:54:56,600
Speaker 3: Chris rock in the face out of the Oscars. I

1195
00:54:56,600 --> 00:54:58,440
Speaker 3: didn't know he could banned for ten.

1196
00:54:58,320 --> 00:55:00,920
Speaker 2: Years after winning ten years the.

1197
00:55:00,960 --> 00:55:02,680
Speaker 3: Best night of his life? Or do you certainly know

1198
00:55:02,840 --> 00:55:05,640
Speaker 3: one of the nights that you would say in anyone's

1199
00:55:05,640 --> 00:55:07,759
Speaker 3: CV would be something that they would consider, you know,

1200
00:55:07,800 --> 00:55:10,120
Speaker 3: one of the greatest moments of their life. And he

1201
00:55:10,160 --> 00:55:12,560
Speaker 3: got banned from the event for ten years, and a

1202
00:55:12,600 --> 00:55:14,600
Speaker 3: part of me kind of felt sorry. For Will Smith

1203
00:55:16,680 --> 00:55:19,960
Speaker 3: in the wake of that, just because of I feel

1204
00:55:19,960 --> 00:55:23,600
Speaker 3: like he wasn't in control of everything that he was

1205
00:55:23,680 --> 00:55:26,279
Speaker 3: doing that night. It did feel like it was just

1206
00:55:26,880 --> 00:55:29,600
Speaker 3: a totally irrational response to something which didn't deserve that.

1207
00:55:29,880 --> 00:55:31,799
Speaker 2: There's something going on under this, but there's something going

1208
00:55:31,800 --> 00:55:33,320
Speaker 2: around like that, right. Yeah.

1209
00:55:33,360 --> 00:55:36,640
Speaker 3: So today he comes out and does this apology, and

1210
00:55:36,719 --> 00:55:38,399
Speaker 3: just when I'm starting to feel a little bit sorry

1211
00:55:38,480 --> 00:55:43,840
Speaker 3: for Will Smith, yeah, he goes and says things.

1212
00:55:43,640 --> 00:55:48,319
Speaker 10: Like this, I want to apologize to Chris's mother. I

1213
00:55:48,320 --> 00:55:52,560
Speaker 10: saw an interviewed that Chris's mother did, and you know,

1214
00:55:52,680 --> 00:55:54,640
Speaker 10: I was one of the things about that moment. I

1215
00:55:54,719 --> 00:55:58,279
Speaker 10: just didn't realize, and you know, I wasn't thinking, but

1216
00:55:58,480 --> 00:56:02,160
Speaker 10: how many people got hurt in that moment?

1217
00:56:03,360 --> 00:56:07,600
Speaker 2: I didn't realize he had a mum? What like what

1218
00:56:07,880 --> 00:56:09,920
Speaker 2: he said? It's one of those things I didn't realize.

1219
00:56:10,280 --> 00:56:11,399
Speaker 2: What didn't you really how many?

1220
00:56:11,480 --> 00:56:12,920
Speaker 3: Yeah? How many people got hurt?

1221
00:56:13,960 --> 00:56:14,200
Speaker 12: Yeah?

1222
00:56:14,360 --> 00:56:14,480
Speaker 3: Right?

1223
00:56:14,800 --> 00:56:19,080
Speaker 2: I thought specifically Chris Rock out of mum. I don't know,

1224
00:56:20,400 --> 00:56:21,120
Speaker 2: I knew.

1225
00:56:22,640 --> 00:56:25,320
Speaker 3: Different. But it's it's kind of a part of a

1226
00:56:25,440 --> 00:56:31,040
Speaker 3: sway the responses where he's so clearly it just feels formulated.

1227
00:56:31,440 --> 00:56:33,520
Speaker 2: Do you do you feel like the time between the

1228
00:56:33,600 --> 00:56:37,560
Speaker 2: incident to the apology is taking a part or playing

1229
00:56:37,560 --> 00:56:39,439
Speaker 2: a part here that you know, it's taken so many,

1230
00:56:39,880 --> 00:56:42,200
Speaker 2: so many months, it feels like it's more formulated.

1231
00:56:42,360 --> 00:56:43,719
Speaker 1: Or do you give him the credit that it's good

1232
00:56:43,719 --> 00:56:46,680
Speaker 1: that he went away and you know, reflected and then

1233
00:56:46,760 --> 00:56:47,520
Speaker 1: gave the apology.

1234
00:56:47,600 --> 00:56:49,479
Speaker 3: I think that's the card, that's what he's going for.

1235
00:56:49,800 --> 00:56:51,600
Speaker 3: I just can't help but feel that Will Smith full

1236
00:56:51,640 --> 00:56:54,000
Speaker 3: of ship. I just, I just I've just got this,

1237
00:56:54,239 --> 00:56:56,680
Speaker 3: Like I was saying to you before, he's doing this

1238
00:56:56,760 --> 00:57:01,160
Speaker 3: apology in this lounge room, which just like amazing, Like

1239
00:57:01,200 --> 00:57:02,680
Speaker 3: it's like everything is just mint.

1240
00:57:02,960 --> 00:57:03,680
Speaker 2: What's a couch was.

1241
00:57:05,280 --> 00:57:08,000
Speaker 3: Like the armchair, you know, Italian design for sure. But

1242
00:57:08,040 --> 00:57:10,839
Speaker 3: then behind him is this like framed T shirt which

1243
00:57:10,840 --> 00:57:14,120
Speaker 3: it looks like he's taken from some famous protest, which

1244
00:57:14,160 --> 00:57:17,680
Speaker 3: there's like love is the Cure written on it, and

1245
00:57:17,720 --> 00:57:20,800
Speaker 3: he's sitting there apologizing for smacking a guy in the face.

1246
00:57:21,840 --> 00:57:25,040
Speaker 3: It's just this. I just, I just I can't. I

1247
00:57:25,080 --> 00:57:28,720
Speaker 3: feel like people don't dislike him without reason, Like it's

1248
00:57:28,760 --> 00:57:31,280
Speaker 3: just really hard to figure out what's genuine with him.

1249
00:57:31,400 --> 00:57:32,560
Speaker 2: It feels like a pr team.

1250
00:57:33,480 --> 00:57:34,480
Speaker 3: It feels like a stunt.

1251
00:57:34,560 --> 00:57:36,280
Speaker 2: Put this framed T shirt behind that.

1252
00:57:37,320 --> 00:57:40,080
Speaker 3: Yeah, no, no, like one hundred percent, that's exactly what

1253
00:57:40,120 --> 00:57:43,040
Speaker 3: it feels like shirt that he was wearing. I don't know.

1254
00:57:43,600 --> 00:57:46,560
Speaker 3: I'm colorblind, you know, I don't take this the wrong.

1255
00:57:46,440 --> 00:57:49,920
Speaker 1: Guy, but he's probably wearing like an uninflammatory color green,

1256
00:57:50,360 --> 00:57:51,000
Speaker 1: a blue.

1257
00:57:52,040 --> 00:57:54,120
Speaker 3: You know, ask l J, l J, did you watch it?

1258
00:57:54,720 --> 00:57:57,080
Speaker 3: What T shirt was he wearing? I did watch it,

1259
00:57:57,120 --> 00:57:57,720
Speaker 3: but I didn't know.

1260
00:57:57,960 --> 00:57:59,760
Speaker 2: But let me no one knows.

1261
00:57:59,840 --> 00:58:06,920
Speaker 3: It's it was a shocking question. But look to emphasize,

1262
00:58:06,920 --> 00:58:10,080
Speaker 3: to emphasize further, you know the T shirt color. Now

1263
00:58:10,160 --> 00:58:15,760
Speaker 3: do your mate like a whitey gray? Piss offwards. I

1264
00:58:15,840 --> 00:58:20,080
Speaker 3: just shut up, But just to emphasize how I feel

1265
00:58:20,080 --> 00:58:22,080
Speaker 3: about him. I think he did the thing in the

1266
00:58:22,120 --> 00:58:26,000
Speaker 3: apology which I least like about apologies, which is he

1267
00:58:26,280 --> 00:58:30,920
Speaker 3: qualified the apology with things that are wrong with him

1268
00:58:31,280 --> 00:58:33,920
Speaker 3: and just kind of like put himself made himself the

1269
00:58:34,000 --> 00:58:37,080
Speaker 3: victim again. Yeah, it was just no clean cut eye

1270
00:58:37,120 --> 00:58:40,160
Speaker 3: stuffed up. I smacked you in the face, he said.

1271
00:58:40,200 --> 00:58:40,320
Speaker 4: This.

1272
00:58:41,280 --> 00:58:47,000
Speaker 10: Disappointing people is my central trauma. I hated when I

1273
00:58:47,120 --> 00:58:51,600
Speaker 10: let people down, So it hurts me psychologically and emotionally

1274
00:58:51,800 --> 00:58:57,000
Speaker 10: to know I didn't live up to people's image and

1275
00:58:57,160 --> 00:58:58,040
Speaker 10: impression of me.

1276
00:58:58,880 --> 00:59:01,800
Speaker 3: Thought about you, He thought about you. This is the

1277
00:59:01,840 --> 00:59:05,560
Speaker 3: moment where you go, I stuffed up. I'm sorry. I

1278
00:59:05,560 --> 00:59:08,560
Speaker 3: don't want to want to know how it impacted you.

1279
00:59:08,560 --> 00:59:12,640
Speaker 3: You've had you stuffed it. Yeah, it's nothing worse anyway.

1280
00:59:12,760 --> 00:59:17,240
Speaker 3: Chris Rock very quickly responded, spoke at a gig at

1281
00:59:17,280 --> 00:59:19,760
Speaker 3: Atlanta's Fox Theater on Friday night and just said, I'm

1282
00:59:19,800 --> 00:59:21,800
Speaker 3: just sick of everyone trying to be a victim. Yeah,

1283
00:59:22,280 --> 00:59:25,600
Speaker 3: he stuffed up, but he's instantly making himself the victim again,

1284
00:59:25,880 --> 00:59:27,720
Speaker 3: and it is really really annoying when people do that.

1285
00:59:27,760 --> 00:59:29,880
Speaker 3: So very quickly, I would like to play a quick

1286
00:59:29,880 --> 00:59:31,920
Speaker 3: game of victim tennis with you if I could, because

1287
00:59:32,160 --> 00:59:33,840
Speaker 3: I just want to emphasize how annoying it is when

1288
00:59:33,840 --> 00:59:36,320
Speaker 3: people do this. Yeah, okay, so let's play some victim tennis.

1289
00:59:36,360 --> 00:59:41,560
Speaker 2: Okay, quick one.

1290
00:59:41,600 --> 00:59:43,800
Speaker 3: One of the rules you just got to make yourself

1291
00:59:43,840 --> 00:59:48,720
Speaker 3: a bigger victim in the scenario. Okay, okay, So I'll

1292
00:59:48,760 --> 00:59:51,280
Speaker 3: go first. I work up, feeling a bit sick today,

1293
00:59:51,760 --> 00:59:53,760
Speaker 3: Oh yeah, okay, have it COVID, just a bit of

1294
00:59:53,760 --> 00:59:54,680
Speaker 3: a physic Oh.

1295
00:59:54,680 --> 00:59:56,880
Speaker 1: I woke up, I went and poured ormal wheat bigs

1296
00:59:56,880 --> 00:59:58,080
Speaker 1: into a bowl and didn't.

1297
00:59:57,840 --> 00:59:58,720
Speaker 2: Have any milk left.

1298
01:00:00,280 --> 01:00:01,560
Speaker 3: I'll narrowly give it to you.

1299
01:00:01,640 --> 01:00:03,640
Speaker 2: I got the tennis shot fair enough.

1300
01:00:05,440 --> 01:00:07,800
Speaker 3: Right, well, it was really half men day. I couldn't

1301
01:00:07,840 --> 01:00:09,919
Speaker 3: really hold my baby all that March while I wasn't

1302
01:00:09,960 --> 01:00:11,480
Speaker 3: sure whether I was going to give her what I

1303
01:00:11,560 --> 01:00:13,000
Speaker 3: was sick with. So I'm not sure whether I can

1304
01:00:13,040 --> 01:00:14,080
Speaker 3: like cuddle her at the moment.

1305
01:00:14,560 --> 01:00:17,320
Speaker 1: Oh well, I literally can't cuddle my baby because she's

1306
01:00:17,320 --> 01:00:18,080
Speaker 1: in a wormb.

1307
01:00:17,880 --> 01:00:20,360
Speaker 3: Oh, that's a good point. That's lucky though, because my

1308
01:00:20,440 --> 01:00:22,040
Speaker 3: baby's out of the womb and she screams a lot

1309
01:00:22,080 --> 01:00:23,000
Speaker 3: and I don't get much sleep.

1310
01:00:23,480 --> 01:00:28,120
Speaker 2: Yeah, but my partner's in pain because the weight of

1311
01:00:28,120 --> 01:00:30,840
Speaker 1: The worm, the weight of the worm, the wow, the

1312
01:00:30,840 --> 01:00:38,120
Speaker 1: weight of the worm have been on the line