1 00:00:00,480 --> 00:00:02,960 Speaker 1: The Christian O'Connell's Show podcast. 2 00:00:03,560 --> 00:00:06,480 Speaker 2: Two weeks time, Australian Radio has decided that it's time 3 00:00:06,519 --> 00:00:09,440 Speaker 2: to call it. That's enough for this year, so all 4 00:00:09,480 --> 00:00:11,360 Speaker 2: of us that's it. Radio just sort kind of just 5 00:00:11,400 --> 00:00:13,840 Speaker 2: shuts down. We didn't turn the station off, but the 6 00:00:13,880 --> 00:00:15,840 Speaker 2: shows will stop in two weeks time. And if you think, 7 00:00:15,920 --> 00:00:18,439 Speaker 2: hang on many two weeks time? Is that the early 8 00:00:18,520 --> 00:00:21,040 Speaker 2: start of December? Yeah? What is it? The third? Yeah? 9 00:00:21,120 --> 00:00:24,400 Speaker 2: Third of December, that is it. So to celebrate this, 10 00:00:24,600 --> 00:00:26,840 Speaker 2: we are we're actually going to host a little kind 11 00:00:26,840 --> 00:00:28,400 Speaker 2: of the last hour of the show is going to 12 00:00:28,440 --> 00:00:30,479 Speaker 2: be lying from our local pub. Not so that we 13 00:00:30,520 --> 00:00:32,680 Speaker 2: can get on the frothies even earlier, we couldn't wait 14 00:00:32,720 --> 00:00:34,400 Speaker 2: till nine a m. But so we can have a 15 00:00:34,400 --> 00:00:36,199 Speaker 2: load of you down there. It so London, tavent here 16 00:00:36,240 --> 00:00:38,080 Speaker 2: and Richmond, just down the road from the radio station. 17 00:00:38,440 --> 00:00:40,080 Speaker 2: The reason why we're doing this is a couple of 18 00:00:40,080 --> 00:00:42,559 Speaker 2: months ago. I don't even know how we got into this, 19 00:00:42,640 --> 00:00:46,879 Speaker 2: but Huggy told us that there's a photo of him 20 00:00:46,920 --> 00:00:49,600 Speaker 2: behind a bar in Barley because every year he gets 21 00:00:49,680 --> 00:00:52,120 Speaker 2: up there and he sings, and he said he smashes 22 00:00:52,159 --> 00:00:55,160 Speaker 2: it out. Rick Springfield's Jesse's Girl, and he does say 23 00:00:55,320 --> 00:00:56,720 Speaker 2: this is the only song he does at Kerry. Ok, 24 00:01:00,400 --> 00:01:03,800 Speaker 2: well known. It's Huggy out there at this bar in Barney. 25 00:01:04,720 --> 00:01:07,760 Speaker 2: They have this photo behind the bar that's not for 26 00:01:07,959 --> 00:01:10,040 Speaker 2: ordinary people like you and I haven't have you got 27 00:01:10,080 --> 00:01:13,399 Speaker 2: phones behind the bar and let nowhere. He's a local legend, 28 00:01:13,400 --> 00:01:15,360 Speaker 2: so he is big enough. How I go out there 29 00:01:15,400 --> 00:01:18,000 Speaker 2: every year. I get up there, they know me and 30 00:01:18,040 --> 00:01:20,320 Speaker 2: they've got my photo behind the bar. And we went, oh, well, 31 00:01:20,319 --> 00:01:22,760 Speaker 2: well we should do the last hour of the show. 32 00:01:22,840 --> 00:01:25,440 Speaker 2: Let's get a house band so that we you know, 33 00:01:25,480 --> 00:01:27,720 Speaker 2: we're not out in Barley, so we can share in 34 00:01:27,840 --> 00:01:29,479 Speaker 2: him smashing out this amazing song. 35 00:01:29,520 --> 00:01:31,800 Speaker 3: We need to recreate that. The pilgrimage he does every 36 00:01:31,880 --> 00:01:34,200 Speaker 3: year to Bali and he plays there with a live band. 37 00:01:34,240 --> 00:01:35,960 Speaker 3: He probably doesn't even have to say, hey, I'm going 38 00:01:36,000 --> 00:01:37,880 Speaker 3: to do Jesse's Girl now. He just nods to them 39 00:01:37,880 --> 00:01:38,640 Speaker 3: and they go yep. 40 00:01:39,680 --> 00:01:42,920 Speaker 2: The crowd parts and it's a guy, an Aussie, drunken guy, 41 00:01:43,080 --> 00:01:46,280 Speaker 2: sun burnt in a Lion's shirt. It's our man, Huggy 42 00:01:46,360 --> 00:01:50,920 Speaker 2: doing this with a live band. So we booked the 43 00:01:51,000 --> 00:01:53,200 Speaker 2: London Tavern. We can have about sort of one hundred 44 00:01:53,240 --> 00:01:58,040 Speaker 2: of you down there. The only problem is yesterday all 45 00:01:58,080 --> 00:01:59,800 Speaker 2: the big talk from Huggy, which was a couple of 46 00:01:59,840 --> 00:02:01,800 Speaker 2: my ago before we said well, well okay, well let's 47 00:02:01,840 --> 00:02:04,360 Speaker 2: book a venue, getting a house ban He's done the 48 00:02:04,400 --> 00:02:09,120 Speaker 2: old a s sorry what is he? Two keys? Now 49 00:02:09,320 --> 00:02:12,000 Speaker 2: now that it's become real, like we've seen we have 50 00:02:12,120 --> 00:02:14,760 Speaker 2: a venue, there has been an enormous change. I don't 51 00:02:14,760 --> 00:02:16,680 Speaker 2: know if a mate has ever called you out on something. 52 00:02:17,000 --> 00:02:19,280 Speaker 2: I said, oh, you've been parachuting, have you let's go 53 00:02:19,320 --> 00:02:21,679 Speaker 2: and to jump together. Oh no, no, no, I haven't 54 00:02:21,720 --> 00:02:24,360 Speaker 2: got my right certificates anymore, my papers. 55 00:02:24,800 --> 00:02:25,840 Speaker 3: It's exactly that. 56 00:02:25,960 --> 00:02:28,520 Speaker 2: Is it when someone goes you love mountain biking. We're 57 00:02:28,520 --> 00:02:29,799 Speaker 2: walking me and the guys are going on an eight 58 00:02:29,840 --> 00:02:33,240 Speaker 2: hour trek. Come with us. That's a bad timing for me. 59 00:02:33,680 --> 00:02:36,680 Speaker 3: Huckey came in here, so it's like, sorry, I've never 60 00:02:36,680 --> 00:02:38,720 Speaker 3: seen him like this, by the way, sheepish. 61 00:02:38,320 --> 00:02:40,360 Speaker 2: Like no, he was like he actually took his glasses off, 62 00:02:40,400 --> 00:02:42,200 Speaker 2: you know, and someone's trying to make a point. He 63 00:02:42,240 --> 00:02:46,480 Speaker 2: took his glass. If I get guys, I don't think 64 00:02:46,520 --> 00:02:48,440 Speaker 2: it'd be very good. Guys. He was hoping that we 65 00:02:48,480 --> 00:02:50,440 Speaker 2: would go oh, I don't worry about it. We go no, no, no, 66 00:02:50,520 --> 00:02:52,280 Speaker 2: the venue is really up for this. We're going to 67 00:02:52,360 --> 00:02:54,480 Speaker 2: find a house band for you. Everything it is on 68 00:02:54,960 --> 00:02:56,360 Speaker 2: he said, it's in two keys. 69 00:02:56,400 --> 00:02:58,600 Speaker 3: He said, Oh, the song Jesse's Girl is actually in 70 00:02:58,600 --> 00:03:03,160 Speaker 3: two different registers, registers and neither of them this. 71 00:03:04,200 --> 00:03:07,320 Speaker 2: He's above the register and that kantiky bar. Where's all 72 00:03:07,320 --> 00:03:10,160 Speaker 2: the big tour, Huggy, If you mailed it, they will 73 00:03:10,240 --> 00:03:12,560 Speaker 2: come and he will sing. So what can we do 74 00:03:12,600 --> 00:03:14,680 Speaker 2: to have him out? Do we need like a vocal coach? 75 00:03:15,120 --> 00:03:17,040 Speaker 3: We need well, we definitely need the band. 76 00:03:17,080 --> 00:03:19,480 Speaker 2: Oh yeah, forgot about that bit. By the way, Yes, 77 00:03:19,560 --> 00:03:21,720 Speaker 2: we don't actually have a house band. We've just got 78 00:03:21,720 --> 00:03:24,240 Speaker 2: a pub. Don't suppose that we have no house band. 79 00:03:24,720 --> 00:03:26,760 Speaker 2: Huggy also, by the way, is suffering at w with 80 00:03:26,880 --> 00:03:30,480 Speaker 2: very severe kidney stones as well. We need a doctor 81 00:03:30,560 --> 00:03:32,480 Speaker 2: there as well. Yes, what a performance is going to 82 00:03:32,560 --> 00:03:35,360 Speaker 2: be A guy struggling with kidney stones has now dropped 83 00:03:35,400 --> 00:03:38,080 Speaker 2: his guts about this whole thing. We need a house band. 84 00:03:37,960 --> 00:03:40,040 Speaker 3: House band that can do Jesse's Girl so. 85 00:03:40,040 --> 00:03:42,800 Speaker 2: Ideally, I mean there must be loads of bands who 86 00:03:42,840 --> 00:03:46,400 Speaker 2: do like a Rick Springfield covers band, just. 87 00:03:46,480 --> 00:03:48,320 Speaker 3: Rick Springfield suns. They're probably running. 88 00:03:49,120 --> 00:03:51,320 Speaker 2: Maybe if you chuck in another tune or someone or honey, 89 00:03:51,400 --> 00:03:54,200 Speaker 2: they'll do some Billy Joel songs as well. I guarantee 90 00:03:54,200 --> 00:03:56,160 Speaker 2: there'd be people listening right now who are in a 91 00:03:56,240 --> 00:03:57,520 Speaker 2: Rick Springfield tribute bad. 92 00:03:57,720 --> 00:04:00,760 Speaker 3: Surely this is not just Rick springs Field tribute band. 93 00:04:00,800 --> 00:04:03,120 Speaker 2: You often drive by those pubs where they go Partner 94 00:04:03,160 --> 00:04:06,560 Speaker 2: Palmer five dollars and this weekend tonight where it's t 95 00:04:06,760 --> 00:04:09,520 Speaker 2: O N I E. Rick Springfield Tribute band. 96 00:04:09,560 --> 00:04:11,160 Speaker 3: Well, the phones aren't ringing off the hook yet. 97 00:04:11,440 --> 00:04:14,040 Speaker 2: Anybody they stepping over their amps, aren't they? They're warming 98 00:04:14,120 --> 00:04:15,600 Speaker 2: up right now for another gig tonight. 99 00:04:15,680 --> 00:04:18,000 Speaker 3: We need any band who can play Jesse's Girl. 100 00:04:18,120 --> 00:04:20,560 Speaker 2: We need a Rick Springfield tribute band as well. They 101 00:04:20,600 --> 00:04:22,679 Speaker 2: can do Jesse's Girl and any of his work. 102 00:04:23,000 --> 00:04:25,520 Speaker 3: We need a doctor and stand by or paramedic in 103 00:04:25,520 --> 00:04:27,799 Speaker 3: case the kidney stones past as well. 104 00:04:28,240 --> 00:04:29,880 Speaker 2: He's only going to do like he's only going to 105 00:04:29,960 --> 00:04:31,520 Speaker 2: do the song. What we doing for the other hour 106 00:04:31,600 --> 00:04:34,720 Speaker 2: down there? We haven't really thought this through. We need 107 00:04:34,800 --> 00:04:37,039 Speaker 2: other people that can do karaoke songs as well that 108 00:04:37,080 --> 00:04:38,680 Speaker 2: we can put with the house band. Will we put 109 00:04:38,680 --> 00:04:39,520 Speaker 2: this house band. 110 00:04:39,400 --> 00:04:41,200 Speaker 3: Just Rick Springfield songs or other songs. 111 00:04:41,200 --> 00:04:43,640 Speaker 2: No, just a Jesse's Girls. Why you have three different listeners? 112 00:04:43,880 --> 00:04:46,440 Speaker 2: All right, can you help us out there? So house band? 113 00:04:47,600 --> 00:04:50,880 Speaker 2: Is it a singing coach vocal coach yep? And then 114 00:04:51,000 --> 00:04:54,240 Speaker 2: also we also need other people who can do one 115 00:04:54,320 --> 00:04:56,120 Speaker 2: song really well at karaoke as well. 116 00:04:57,400 --> 00:05:00,360 Speaker 1: You're listening to the Christian o'cyles show podcast. 117 00:05:00,480 --> 00:05:02,760 Speaker 2: If you build it, they will come. They will sing 118 00:05:03,560 --> 00:05:06,080 Speaker 2: two weeks time, last show of the year, the last 119 00:05:06,240 --> 00:05:09,919 Speaker 2: hour live from a pub. What could possibly go wrong 120 00:05:10,520 --> 00:05:16,560 Speaker 2: with possibly you singing the songs? The reason why we're 121 00:05:16,600 --> 00:05:18,719 Speaker 2: doing this is last other show. Then we're being a 122 00:05:18,720 --> 00:05:20,880 Speaker 2: heading down the road to our local pub, the London Tavern. 123 00:05:22,080 --> 00:05:25,360 Speaker 2: We're looking to hire a house band so the Huggy 124 00:05:26,080 --> 00:05:29,400 Speaker 2: can show Australia Melbourne how great he is it doing 125 00:05:29,520 --> 00:05:34,120 Speaker 2: karaoke of Rick Springfield's Jesse's Girl. That's why we're building this. 126 00:05:34,560 --> 00:05:36,880 Speaker 2: Huggy is now getting the Collie wobbles. There's a polite 127 00:05:36,880 --> 00:05:39,240 Speaker 2: way of putting it. I actually think he was hoping 128 00:05:39,240 --> 00:05:41,120 Speaker 2: that we would just drop it yesterday. 129 00:05:40,760 --> 00:05:43,000 Speaker 3: When it was just a story. He was the king 130 00:05:43,040 --> 00:05:48,960 Speaker 3: of Coudah every year there they worship me. I get 131 00:05:49,040 --> 00:05:49,640 Speaker 3: up there, I do. 132 00:05:49,640 --> 00:05:52,760 Speaker 2: One, they cheer me around, they love me there them, 133 00:05:52,760 --> 00:05:56,280 Speaker 2: won't we say house ban? Let's do it? Oh? Two 134 00:05:56,360 --> 00:06:00,359 Speaker 2: different registers kidney Stones, difficult song this time. I actually 135 00:06:00,400 --> 00:06:02,719 Speaker 2: don't think he's got kidney signs. I think he's just 136 00:06:02,839 --> 00:06:05,400 Speaker 2: used that look excuse to try and throw us off 137 00:06:05,400 --> 00:06:08,680 Speaker 2: the send Huggy. We booked the venue. We're looking for 138 00:06:08,720 --> 00:06:10,800 Speaker 2: a house band so that we can hear you do this. 139 00:06:12,480 --> 00:06:12,880 Speaker 4: To see. 140 00:06:14,440 --> 00:06:17,960 Speaker 2: There is no get out then anymore. We're smoking him out. 141 00:06:19,040 --> 00:06:22,520 Speaker 2: So we need a vocal coach, a Rick Springfield tribute band, 142 00:06:23,680 --> 00:06:26,720 Speaker 2: And do you do one song really well like Huggy 143 00:06:26,800 --> 00:06:30,320 Speaker 2: photo behind the bar? One karaoke song really well? Nine 144 00:06:30,360 --> 00:06:35,159 Speaker 2: four one four one o four three? Come on, Sarah, Hi, Sarah, 145 00:06:35,160 --> 00:06:36,240 Speaker 2: how can you help us? Mate? 146 00:06:36,800 --> 00:06:42,480 Speaker 4: Okay, So my husband plays bass, I think, and he's 147 00:06:42,480 --> 00:06:45,040 Speaker 4: a part of a band. There's finding a few hours 148 00:06:45,120 --> 00:06:51,240 Speaker 4: ows two prize functions, and I'm pretty sure they do 149 00:06:51,320 --> 00:06:53,560 Speaker 4: a lot of as music. And I'm pretty sure Jesse's 150 00:06:53,560 --> 00:06:55,880 Speaker 4: girl is one of them, because I do that. 151 00:06:55,920 --> 00:06:59,440 Speaker 2: Hello, such the old peak post about this. You think 152 00:06:59,480 --> 00:07:01,040 Speaker 2: he plays the bass. 153 00:07:01,120 --> 00:07:02,200 Speaker 3: I think he plays an. 154 00:07:03,920 --> 00:07:05,840 Speaker 2: Do you know this man at all? Your husband? 155 00:07:05,880 --> 00:07:09,000 Speaker 4: You know about him. He just does his own thing. 156 00:07:09,560 --> 00:07:10,640 Speaker 4: I just say, I don't know. 157 00:07:11,480 --> 00:07:13,480 Speaker 2: Have you have you seen him playing live in the eighties? 158 00:07:13,520 --> 00:07:16,400 Speaker 4: I have, Yeah, So I saw him play once cran 159 00:07:16,480 --> 00:07:21,160 Speaker 4: Burnt Arisantas just before June Lockdown, so I have seen 160 00:07:21,200 --> 00:07:24,320 Speaker 4: him play. But he's They've changed the name of the 161 00:07:24,320 --> 00:07:27,040 Speaker 4: band so many times. I actually have no idea what 162 00:07:27,120 --> 00:07:27,559 Speaker 4: it's called. 163 00:07:28,360 --> 00:07:31,000 Speaker 3: This doesn't know, doesn't know the name of the band. 164 00:07:32,480 --> 00:07:35,160 Speaker 2: Why they're changing their names so much, guys, it isn't 165 00:07:35,200 --> 00:07:39,440 Speaker 2: happening as eighties eighties, eighties. We need a new name 166 00:07:41,080 --> 00:07:43,200 Speaker 2: in the books are going to flood in. The name 167 00:07:43,280 --> 00:07:44,200 Speaker 2: is a problem, guys. 168 00:07:44,240 --> 00:07:46,040 Speaker 3: Last piece of the puzzle? Will you unlocked that? 169 00:07:46,240 --> 00:07:48,560 Speaker 2: And the bass doesn't know if he's paying place or 170 00:07:48,560 --> 00:07:51,880 Speaker 2: whatever he's got going on. Sarah, thank you very much 171 00:07:51,920 --> 00:07:52,680 Speaker 2: to give us a call. 172 00:07:53,520 --> 00:07:54,720 Speaker 4: No problem. 173 00:07:54,760 --> 00:07:57,800 Speaker 2: Not sure how it's helped, but thank you, Sarah. Scott. 174 00:07:57,800 --> 00:08:01,200 Speaker 2: Good morning, Scottie, good morning. I'm good Scott. So you 175 00:08:01,280 --> 00:08:02,160 Speaker 2: might be to help us out. 176 00:08:03,000 --> 00:08:03,960 Speaker 5: I definitely try. 177 00:08:04,200 --> 00:08:05,880 Speaker 2: Yeah, what do you do, Scott? You in a Rick 178 00:08:05,880 --> 00:08:06,960 Speaker 2: Springfield tribute band? 179 00:08:07,360 --> 00:08:08,480 Speaker 6: Well, not exactly. 180 00:08:08,600 --> 00:08:11,880 Speaker 5: We were in a cover band called who Said What? 181 00:08:11,880 --> 00:08:13,760 Speaker 5: We're playing? All the sort of local venues in the 182 00:08:13,760 --> 00:08:17,520 Speaker 5: northern sub of the Melbourne and corporate events and ourselves. Yeah, yeah, 183 00:08:17,560 --> 00:08:19,280 Speaker 5: we've done a bit of vocal coaching in the past 184 00:08:19,360 --> 00:08:19,760 Speaker 5: as well. 185 00:08:20,880 --> 00:08:21,680 Speaker 2: We did, we did. 186 00:08:21,840 --> 00:08:22,800 Speaker 5: We definitely play. 187 00:08:25,920 --> 00:08:32,600 Speaker 2: You're rubbish sing better end of vocal coaching, He dabbles. So, Scott, 188 00:08:32,640 --> 00:08:33,840 Speaker 2: are you gigging this weekend? 189 00:08:34,760 --> 00:08:34,920 Speaker 4: Uh? 190 00:08:35,040 --> 00:08:36,880 Speaker 5: No, we've got We're just getting ready with all the 191 00:08:36,880 --> 00:08:39,000 Speaker 5: pubs and everything opening back up the following weekend, we're 192 00:08:39,040 --> 00:08:39,560 Speaker 5: back into it. 193 00:08:39,640 --> 00:08:41,600 Speaker 2: So where are you playing? 194 00:08:42,440 --> 00:08:45,040 Speaker 6: We're playing at some private gigs over in Wingstown next weekend. 195 00:08:45,440 --> 00:08:47,480 Speaker 6: But yeah, we've got gig blind up between now and 196 00:08:47,520 --> 00:08:50,040 Speaker 6: news Eve. All the pubs are starting to ring back again. 197 00:08:50,040 --> 00:08:51,760 Speaker 6: Now that we've got we can get back up and 198 00:08:51,920 --> 00:08:52,480 Speaker 6: get dancing. 199 00:08:52,640 --> 00:08:55,400 Speaker 2: I love the name. Who said what see local band 200 00:08:55,800 --> 00:08:58,480 Speaker 2: name is? So can we hire you guys as the 201 00:08:58,800 --> 00:09:00,600 Speaker 2: sort of house ban for weeks time? 202 00:09:01,080 --> 00:09:01,959 Speaker 5: We'd love to hear. 203 00:09:02,040 --> 00:09:02,959 Speaker 7: We'd love to give it a go. 204 00:09:03,400 --> 00:09:05,280 Speaker 5: Mc gold one A four is our staple. 205 00:09:05,360 --> 00:09:08,920 Speaker 2: Pilost excellent. You're just the band, Scott. 206 00:09:08,960 --> 00:09:12,120 Speaker 3: How do you feel about relinquishing the singing? You're the 207 00:09:12,200 --> 00:09:15,040 Speaker 3: lead singer of the band. Giving the microphone over to Huggy. 208 00:09:16,120 --> 00:09:17,840 Speaker 5: Look we're sort of famous for sort of getting out 209 00:09:17,840 --> 00:09:19,800 Speaker 5: in the crowd and getting pumpers up and getting him seen. 210 00:09:19,880 --> 00:09:22,840 Speaker 5: But how he's putting up a few excuses here, so 211 00:09:22,840 --> 00:09:23,640 Speaker 5: it's kind of hurt a bit. 212 00:09:23,720 --> 00:09:25,839 Speaker 2: I think, yeah, you could do you might. You might 213 00:09:25,840 --> 00:09:27,760 Speaker 2: need to get ready as well, just because your kidneys 214 00:09:27,960 --> 00:09:32,240 Speaker 2: start flaring up. So can we can we hire who said? 215 00:09:32,280 --> 00:09:33,160 Speaker 2: What is the house band? 216 00:09:33,640 --> 00:09:35,440 Speaker 1: Yep, we're on Yeah, yeah. 217 00:09:35,320 --> 00:09:38,320 Speaker 2: Bolk Scotty brilliant, Thank you very much. Let's go to 218 00:09:38,640 --> 00:09:40,839 Speaker 2: Marty here. This is our first person calling in now 219 00:09:41,080 --> 00:09:43,360 Speaker 2: who's saying that they also want to be on this 220 00:09:43,360 --> 00:09:48,800 Speaker 2: This bill is this shotgun from one Last Game, Marty head. 221 00:09:48,559 --> 00:09:52,120 Speaker 7: Of Run and only he is So look, I fellow 222 00:09:52,160 --> 00:09:53,360 Speaker 7: that segment called out to. 223 00:09:53,320 --> 00:09:57,720 Speaker 2: Me, you can do meatloaf. I've seen you on video 224 00:09:57,760 --> 00:09:59,000 Speaker 2: do a meatloaf for karaoke. 225 00:09:59,679 --> 00:10:03,040 Speaker 7: Yes, So basically I've been doing a duet of meat 226 00:10:03,080 --> 00:10:05,400 Speaker 7: low for the friend of mine Chris for about ten years, 227 00:10:05,559 --> 00:10:08,800 Speaker 7: and I guess they've been Huggy's opening would be the 228 00:10:08,880 --> 00:10:10,480 Speaker 7: highlight of our karaoke career. 229 00:10:13,080 --> 00:10:15,160 Speaker 2: So just guy, this didn't see you and your best 230 00:10:15,200 --> 00:10:17,000 Speaker 2: mate Chris wipers. You have a few beers and then 231 00:10:17,000 --> 00:10:20,520 Speaker 2: you just start to sing together into each other's eyes 232 00:10:20,559 --> 00:10:23,120 Speaker 2: over fies. I love it. 233 00:10:23,160 --> 00:10:24,960 Speaker 7: I want to say it takes a few beers, but 234 00:10:25,000 --> 00:10:25,520 Speaker 7: it doesn't. 235 00:10:26,200 --> 00:10:26,440 Speaker 2: Wow. 236 00:10:26,640 --> 00:10:28,679 Speaker 7: Yeah, well we live for this, We live for it. 237 00:10:28,760 --> 00:10:31,360 Speaker 3: Who you're performing for? Is it just in your homes? 238 00:10:31,880 --> 00:10:32,080 Speaker 8: No? 239 00:10:32,080 --> 00:10:35,440 Speaker 7: No, no, any venue that's willing to have it, any 240 00:10:35,520 --> 00:10:36,440 Speaker 7: karaoke venue. 241 00:10:36,679 --> 00:10:39,080 Speaker 2: I love this, brilliant you booked. 242 00:10:41,600 --> 00:10:41,960 Speaker 7: About that? 243 00:10:42,480 --> 00:10:44,840 Speaker 2: Have you heard hug you sing it? We've got no idea. 244 00:10:45,200 --> 00:10:47,040 Speaker 2: We will find out in two res time. 245 00:10:47,760 --> 00:10:49,560 Speaker 7: If anything, I'll make Huggy sound better. 246 00:10:49,679 --> 00:10:50,760 Speaker 1: Don't check about. 247 00:10:50,480 --> 00:10:54,760 Speaker 2: That, all right, Marty, anybody Chris you want books if 248 00:10:54,760 --> 00:10:56,200 Speaker 2: you need to start making a note of who's doing 249 00:10:56,200 --> 00:10:59,520 Speaker 2: what song? So anything for love me though, Thanks God? 250 00:11:00,000 --> 00:11:01,880 Speaker 2: All right, So we need some other acts as well. 251 00:11:01,960 --> 00:11:05,000 Speaker 2: What song do you do really well at karaoke? This 252 00:11:05,040 --> 00:11:07,160 Speaker 2: has shaping up to be either the worst hour of 253 00:11:07,240 --> 00:11:08,800 Speaker 2: radio of the year or the best. 254 00:11:09,400 --> 00:11:12,200 Speaker 1: The Christian O'Connell Show podcast. 255 00:11:12,000 --> 00:11:14,959 Speaker 2: Right now we're trying to build the greatest or worse 256 00:11:15,160 --> 00:11:17,640 Speaker 2: hour of radio to end the year. In two each time, 257 00:11:18,240 --> 00:11:20,200 Speaker 2: we're going to be live from the last hour of 258 00:11:20,200 --> 00:11:24,040 Speaker 2: the year from our local pub, the London Tavern. I 259 00:11:24,080 --> 00:11:25,640 Speaker 2: don't know if you've had done this before when one 260 00:11:25,679 --> 00:11:27,640 Speaker 2: of your friends give us it a big talk about 261 00:11:27,679 --> 00:11:30,720 Speaker 2: something that they're really good at. That's our man Huggy 262 00:11:30,800 --> 00:11:34,080 Speaker 2: here saying how great he was a karaoke at Jesse's 263 00:11:34,120 --> 00:11:37,560 Speaker 2: Girl by Rick Springfield. So good. There's a photo of 264 00:11:37,640 --> 00:11:39,960 Speaker 2: him doing it behind a bar in Balley where he 265 00:11:39,960 --> 00:11:43,199 Speaker 2: always jumps up there with a house band. We were 266 00:11:43,240 --> 00:11:46,080 Speaker 2: so genuinely impressed with this we thought, well, we'll have 267 00:11:46,120 --> 00:11:47,600 Speaker 2: to do this for the last show of the year. 268 00:11:48,000 --> 00:11:49,800 Speaker 2: So now we've got the venue, We've just hired the 269 00:11:49,880 --> 00:11:53,040 Speaker 2: house band. Huggy's getting a bit wobbley, but we are 270 00:11:53,160 --> 00:11:55,600 Speaker 2: now going one hundred miles an hour to make this happen. 271 00:11:55,880 --> 00:11:57,920 Speaker 2: We now need to hire other people to come and 272 00:11:57,960 --> 00:12:02,000 Speaker 2: do their go Took song so far, support and argue. 273 00:12:02,080 --> 00:12:05,679 Speaker 2: Then we've got Marty and his mate Chris, who's going 274 00:12:05,720 --> 00:12:15,200 Speaker 2: to do a duet to this. Can't wait. What's the 275 00:12:15,280 --> 00:12:18,120 Speaker 2: song that you knock out the park at karaoke? Nine 276 00:12:18,200 --> 00:12:21,400 Speaker 2: four one four one oh four three. That's going to Michael. Now, 277 00:12:21,679 --> 00:12:24,320 Speaker 2: Michael coome on in money here you go and make 278 00:12:24,400 --> 00:12:26,560 Speaker 2: Christian I'm good Michael, So what is the song that 279 00:12:26,600 --> 00:12:28,680 Speaker 2: you could be singing for us and Melbourne. 280 00:12:29,600 --> 00:12:32,240 Speaker 5: Well, I can do it, not exactly a traditional hit, 281 00:12:32,440 --> 00:12:35,640 Speaker 5: but I can do Kim at the Frogs Rainbow Connections, 282 00:12:36,160 --> 00:12:38,200 Speaker 5: standing exactly like Kim at the frog. 283 00:12:38,120 --> 00:12:43,000 Speaker 2: I love the beautiful. It's such a sweet song and 284 00:12:43,080 --> 00:12:49,400 Speaker 2: you're right, never ever heard until now. Could you give us, 285 00:12:49,640 --> 00:12:50,920 Speaker 2: you know, hey to put you on the spot, But 286 00:12:50,960 --> 00:12:52,319 Speaker 2: could we hear a little bit abou how it could 287 00:12:52,360 --> 00:12:53,520 Speaker 2: sound in two each time? Michael? 288 00:12:54,520 --> 00:12:56,840 Speaker 5: Yes, I'll sort of a make sure I'm real to go. 289 00:12:58,640 --> 00:13:03,920 Speaker 5: Why are so many bongs about flambow. 290 00:13:05,600 --> 00:13:09,880 Speaker 2: Your wow? Wait, this is going to be the greatest 291 00:13:09,880 --> 00:13:12,040 Speaker 2: show on earth. We're going to go from two guys 292 00:13:12,080 --> 00:13:17,520 Speaker 2: singing this to Michael to imagine if you're just walking 293 00:13:17,559 --> 00:13:23,920 Speaker 2: past that pub right half eight Friday morning, looking from 294 00:13:24,000 --> 00:13:24,560 Speaker 2: last night. 295 00:13:27,000 --> 00:13:33,280 Speaker 3: Love Live Music is back, baby. 296 00:13:34,000 --> 00:13:38,640 Speaker 2: Michael, the books. We'll see you in two weeks time. Amazing, Yes, 297 00:13:38,679 --> 00:13:41,800 Speaker 2: it is amazing, amazing. We can't wait, Michael. That is brilliant. 298 00:13:42,000 --> 00:13:44,920 Speaker 2: Didn't think we get that cool this morning. Julie, good morning. 299 00:13:45,280 --> 00:13:47,760 Speaker 8: Good morning. This is Julie, the karaoke queen. 300 00:13:48,480 --> 00:13:51,160 Speaker 2: Exactly who we need to speak to? Julie? What's your song? 301 00:13:51,800 --> 00:13:52,880 Speaker 8: Sweet child of Mine? 302 00:13:53,280 --> 00:14:00,480 Speaker 2: Great big song? So could you be man, keep going, 303 00:14:00,559 --> 00:14:01,280 Speaker 2: keep going, Judy? 304 00:14:02,600 --> 00:14:06,040 Speaker 8: What whoa worlds weird Charama? 305 00:14:07,679 --> 00:14:11,160 Speaker 2: Oh I like it, very very good, Judy, your booked? 306 00:14:12,040 --> 00:14:15,240 Speaker 8: Oh awesome. I'm like the karaoke queen. We kept all 307 00:14:15,280 --> 00:14:19,480 Speaker 8: our friends so excited over Facebook and even YouTube. Me 308 00:14:19,520 --> 00:14:22,040 Speaker 8: and my partner would dress up and we would live 309 00:14:22,120 --> 00:14:25,440 Speaker 8: stream a karaoke night the weekends. 310 00:14:25,800 --> 00:14:27,080 Speaker 9: Yeah no, no, no no. 311 00:14:26,840 --> 00:14:29,600 Speaker 8: No over COVID. So whenever we felt anyone was starting 312 00:14:29,600 --> 00:14:31,320 Speaker 8: to feel down, you know, you get the downers all 313 00:14:31,360 --> 00:14:34,960 Speaker 8: over Facebook. Sure we would get together and me. 314 00:14:37,480 --> 00:14:42,560 Speaker 2: You are booked o bldy. Awesome, awesome, awesome, Yes we 315 00:14:42,640 --> 00:14:44,600 Speaker 2: found our AXL Rose, you hired Judy? 316 00:14:44,640 --> 00:14:47,320 Speaker 8: All right, Oh fantastic, looking forward to it, Going to 317 00:14:47,360 --> 00:14:48,360 Speaker 8: have an awesome time. 318 00:14:48,400 --> 00:14:50,440 Speaker 2: All right, thank you very much, Judy. I squeeze one 319 00:14:50,480 --> 00:14:53,440 Speaker 2: more in. Aaron, good morning, get I guys. 320 00:14:53,440 --> 00:14:54,480 Speaker 6: He's gone, Oh yeah. 321 00:14:54,320 --> 00:14:56,960 Speaker 2: We're good, Aaron. What can you do at karaoke? Really? Well, 322 00:14:56,960 --> 00:14:59,520 Speaker 2: we've got Kermit, we've got Axel. What can you do 323 00:14:59,640 --> 00:15:00,520 Speaker 2: for us? 324 00:15:00,560 --> 00:15:02,240 Speaker 7: Bring on the beg staying alive. 325 00:15:03,200 --> 00:15:06,040 Speaker 2: That's a big one to go for, probably the hardest 326 00:15:06,080 --> 00:15:08,800 Speaker 2: one of the falsettos. Oh I'm hitting them, I'm hit 327 00:15:09,520 --> 00:15:12,560 Speaker 2: you can do. You reckon, you can pull this off. Aaron, 328 00:15:13,480 --> 00:15:15,720 Speaker 2: what that you reckon? You can pull this off? In 329 00:15:15,760 --> 00:15:18,200 Speaker 2: a pub line, I reckon How I did it? 330 00:15:18,280 --> 00:15:21,400 Speaker 7: My mates forty a few years ago, standing ovation churned 331 00:15:21,440 --> 00:15:25,320 Speaker 7: off the stage the. 332 00:15:25,240 --> 00:15:40,080 Speaker 9: Big Let's hear some now, Aaron, Still last, Still last, Lie. 333 00:15:46,480 --> 00:15:49,400 Speaker 2: You are boots. Aaron. You told the talk, you WoT 334 00:15:49,400 --> 00:15:50,840 Speaker 2: the water. That is brilliant. 335 00:15:51,280 --> 00:15:51,840 Speaker 5: Let's do it. 336 00:15:52,080 --> 00:15:53,560 Speaker 2: Let's do it. You're booked. 337 00:15:54,440 --> 00:15:56,600 Speaker 1: Christian Connell's Show podcast