Speaker 1: Get Apeter Hally here. Welcome to you Ain't Seen Nothing Yet,
Speaker 1: the Movie Podcast, where we chat to movie lovers about
Speaker 1: classic or beloved the movies they haven't quite got around
Speaker 1: to watching until now. And today's guest actor comedian Susie Yusuf.
Speaker 2: Do you know how to whistle? Interesting?
Speaker 1: You just put your lips together and love.
Speaker 3: There's not crying.
Speaker 1: There's not crying in baseball. Go to the trouble. You
Speaker 1: haven't any right, You ain't seen nothing here. I've known
Speaker 1: Susie Yusaf for quite a few years now, and she
Speaker 1: is a bloody delight and there's not much she cannot do.
Speaker 1: She appears as a co host on The Sunday Project.
Speaker 1: I've worked with her on the Weekday Project. She has
Speaker 1: starred in rose Haven, the Great ABC comedy starring our
Speaker 1: good friends Luke McGregor and Celia Paccuola. She has has
Speaker 1: stormed the stage, both in the plays with the NTC
Speaker 1: and also comedy stages around the country and the world.
Speaker 1: And she's a joy to be around, a joy to
Speaker 1: listen to. She's a smart, warm, clever and bloody hilarious
Speaker 1: and I was so stoked that she chose this film
Speaker 1: to talk to me about today.
Speaker 3: Hi, I'm Susie Yusif and some of my favorite films
Speaker 3: are The Princess Bride, Inconceivable, It's Wonderful Life. I'll give
Speaker 3: you them all Dead Pot Society. I love Indiana and
Speaker 3: James in the Last Crusade, But honestly, I've probably watched
Speaker 3: The Devil West Pritor about a thousand times on every
Speaker 3: plane I've ever been on, and everybody wants to be
Speaker 3: But up until last week, I had never seen Rebel
Speaker 3: without a Cause.
Speaker 1: Rebel Without a Course nineteen fifty five, set over twenty
Speaker 1: four hours. James Dean plays Jim Stark, no relation to
Speaker 1: the other Starks, and he's arrived and yet another new town.
Speaker 1: He's had trouble making friends, and he doesn't like being
Speaker 1: called chicken. And he may be a rebel, but all
Speaker 1: he really wants is love, and he falls in with
Speaker 1: Judy played by Natalie Wood and Plateau played by Salmon Neo,
Speaker 1: who are also looking for love, family and meeting. But
Speaker 1: when a car game goes deadly, it turns their night
Speaker 1: and their lives upside down. Welcome Susie Yousa, Hey, Peter Helly,
Speaker 1: how are you I'm very good. So let's talk about
Speaker 1: some of the other movies that you love. First of all,
Speaker 1: what was the first movie you saw? It was your
Speaker 1: first experience, do you remember?
Speaker 3: I think the first movie I ever saw at the
Speaker 3: cinemas was Rescuers Down Under. Oh, I think it was.
Speaker 3: But I also have a vague memory of seeing It's
Speaker 3: a Wonderful Life, even as a kid. My dad was
Speaker 3: a huge James Stewart fan, and we watched I've watched
Speaker 3: that movie at least one hundred times.
Speaker 4: You want the moon, just say the word and I'll
Speaker 4: throw a lash all around and pullug down.
Speaker 1: Do you watch it every Christmas?
Speaker 3: I watch it a couple of times a year. Yeah,
Speaker 3: it's so I know it Back to Front. I completely
Speaker 3: adore it, And then we all kind of became you know.
Speaker 3: I've come from a family of sisters, and we all
Speaker 3: take pride in being able to accurately quote movies, and
Speaker 3: so we would quote both that and mister Smith goes
Speaker 3: to Washington, which is a little bit obscure as far
Speaker 3: as the James Stewart film goes. But yeah, I love
Speaker 3: him so much, so I do have a vague memory
Speaker 3: of seeing it as a kid.
Speaker 1: As well. That's amazing. I watched it. He's a great film.
Speaker 3: Oh so good.
Speaker 1: Frank Capra did that, and it's a wonderful laugh in
Speaker 1: these Yes, yeah, so, and that's some of the other
Speaker 1: films you mentioned. Princess brag Gets mentioned quite a bit. Yes,
Speaker 1: in this podcast. I remember seeing it quite not late.
Speaker 1: It would have been in my twenties when I saw it,
Speaker 1: which it feels quite like considering a lot of.
Speaker 3: My how did you find it?
Speaker 1: Though, I kind of really I really enjoyed it. I
Speaker 1: don't have the absolute reverence like Row for example. Yeah,
Speaker 1: it's his favorite film. Yeah, he just loves it, And
Speaker 1: so I feel like maybe I would have enjoyed it
Speaker 1: if I saw it, you know, maybe yeah, eight years earlier.
Speaker 3: Yeah, definitely. I was about seven or eight when I
Speaker 3: saw it, and my cousins were obsessed with it. They
Speaker 3: had quoted it for months before I saw it. And
Speaker 3: then you know, when you see a film like another
Speaker 3: one was Napoleon Dynamite. I remember I knew all of
Speaker 3: the quotes from that film before I saw it, and
Speaker 3: then I was so freaked out by so I was like,
Speaker 3: is everyone mad?
Speaker 1: This is nuts?
Speaker 3: Like this is the weirdest film I've ever seen, and
Speaker 3: then it grows on you and then you kind of
Speaker 3: love it. But The Princess Bride was definitely quoted to
Speaker 3: me far earlier than when I saw it. But I
Speaker 3: was obsessed. And my sister and I shared a bedroom
Speaker 3: when we were kids, and we would quote it back
Speaker 3: forward to each other until we fell asleep. That was
Speaker 3: like how we fell asleep from were kids.
Speaker 1: We had many for thinking on the projects.
Speaker 3: Oh my gosh, what was he like?
Speaker 1: He was wonderful and I think before as well, actually,
Speaker 1: but it was it was quite funny because we had
Speaker 1: him on and he was on the fifth segment there's six, yeah,
Speaker 1: and doing the show for eight years, and we in
Speaker 1: the final segment, Lisa mchun is coming on to promote
Speaker 1: How to Stay Married, the show that I wrote, and
Speaker 1: starting with her and thank you, and so I was
Speaker 1: really keen to make sure, you know, we got a
Speaker 1: good chunk of time with Lisa, so we could do
Speaker 1: the best job promoting the show which was coming up
Speaker 1: that night. And you know, we're trying to wind many
Speaker 1: for thinking up, and there was a gap and I
Speaker 1: think it was while lead that said something that was
Speaker 1: kind of like you know, half gone, trying to wrap up,
Speaker 1: but also kind of you know, just you know in
Speaker 1: that it's a very it's a real skill.
Speaker 3: It's a delicate balance.
Speaker 2: It is.
Speaker 1: Yeah, I like doing a hard kind of cut, cutting
Speaker 1: somebody off and trying to kind of like make it
Speaker 1: part of the conversation. And he tried to kind of
Speaker 1: make it part of the conversation, and Manny Patinka just
Speaker 1: took the lead and this and like lamped back in
Speaker 1: his chair and put his fingers on his finger, like
Speaker 1: close his fingers, and this went, and he told this
Speaker 1: story about this Afghani refugee, and it's just like about
Speaker 1: that he was wanting to take this kid's message to
Speaker 1: the world. And it's like it's really it's hard enough
Speaker 1: to wrap up Manny Patinka when he's talking about the
Speaker 1: Princess Bright let alone, when he's talking about in the
Speaker 1: f game refugee. His message is going to take to
Speaker 1: the world. But whenever I think I'm many for thinking that,
Speaker 1: I don't think of him leaning back into it in
Speaker 1: the on the project chair and it's like putting his
Speaker 1: fingers and like he was he was settling in to
Speaker 1: tell a big story.
Speaker 3: And you're like that's it.
Speaker 1: Marriage starts to night thirty.
Speaker 5: My name.
Speaker 1: You killed my father?
Speaker 6: My name you killed my father? Prepared to stop saying that.
Speaker 3: My name is you killed?
Speaker 1: To die? Offered me money?
Speaker 6: Yes, power to promise me all that I have. Please
Speaker 6: offer me everything I asked for. Anything you want.
Speaker 1: I won my.
Speaker 7: Father back, and well the devil ways proud of you, said,
Speaker 7: I just watched.
Speaker 3: I think I've just seen it on planes. It's one
Speaker 3: of those. It's such a great movie.
Speaker 1: Very easy to watch.
Speaker 3: It's so easy to watch because it's basically like looking
Speaker 3: through a magazine. You know, the fashion is incredible, and
Speaker 3: Meryl is incredible. And that's when I fell in love
Speaker 3: with Emily Blunt as well.
Speaker 1: She's so great.
Speaker 3: I have seen it way too many times.
Speaker 1: I think.
Speaker 3: The other one I said to you was Indiana and
Speaker 3: Chains in the Last Crusade, Huge Harrison Ford Crush forever.
Speaker 1: Why why that one? Why Crusader not Raiders or Temple Doom.
Speaker 3: That's the one that we had taped. So that's we
Speaker 3: had that on a vhs'.
Speaker 1: Such like I have such fond memories of the shows,
Speaker 1: the movies that you had on tape.
Speaker 3: And I think it was on TV a lot. I
Speaker 3: think it was on TV more. Temple of Doom is
Speaker 3: on TV a lot now, but I think growing up
Speaker 3: Last Crusade was always on TV, kind of like Overboard,
Speaker 3: which was always on TV. I've seen that so many times. Yeah, goldihod,
Speaker 3: but I think it's just so good that and I
Speaker 3: love that the history of that as well. So I
Speaker 3: was studying history before I started doing comedy and the
Speaker 3: Authurian Cycle and all of the you know, the the
Speaker 3: Chalice that it's just you know, it's such a great story.
Speaker 1: It is great. Yeah, it is great. I think my favorite.
Speaker 1: In fact, I remember Temple Doom being my favorite. After
Speaker 1: I saw it, I remember it like being very very
Speaker 1: I knew like my top ten movies. Yeah, like they're like,
Speaker 1: you know, tennis players. I just knew who was what
Speaker 1: was one? What was two? What was three? And Temple
Speaker 1: are Doing for a long time was my favorite movie.
Speaker 1: But the I got, I might say Raiders kind of
Speaker 1: took over when you kind of when I saw how
Speaker 1: I think technically perfect that film is. That opening sequence
Speaker 1: is just is kind of stunning, and I think it's
Speaker 1: a pretty perfect film. But last week there's also Yeah,
Speaker 1: it is brilliant.
Speaker 3: It's excellent and.
Speaker 1: The leap from the lane head. Will he prove his worth?
Speaker 1: Does that mean? I don't know. We will find out.
Speaker 3: What's your number?
Speaker 1: One?
Speaker 3: Have you? Have you announced.
Speaker 1: That my favorite film of all time is Godfather Part two?
Speaker 5: Oh?
Speaker 3: Never seen the Godfather movies? I really should have done that.
Speaker 1: Well, Luke McGregor beat you to it. Luke has watched
Speaker 1: The Godfather and he enjoyed immensely and he's hopefully coming
Speaker 1: back to do part two. We don't need to do
Speaker 1: part three. You mentioned also Dead Part Society. Yes, that's
Speaker 1: a beautiful.
Speaker 3: Film, Absolutely beautiful film. The cast in that film are incredible.
Speaker 3: I don't think I couldn't imagine anyone else doing it.
Speaker 3: I hope no one ever touches it. Yeah, and obviously
Speaker 3: it's one of Robert Williams. It's the perfect balance of
Speaker 3: Robert Williams. He's got so much heart, he's so incredible,
Speaker 3: he's so funny in it, and he has all of
Speaker 3: those scenes where the where he's playing the teacher and
Speaker 3: all the students just sitting around and he's doing voices,
Speaker 3: and you just think, oh, they would have just let
Speaker 3: him run wild on that set and it would have
Speaker 3: been so worth it.
Speaker 1: There are so many films about the teacher who comes
Speaker 1: in and kind of like, you know, influences the kids
Speaker 1: in a really positive way. But I can't think of
Speaker 1: a film that does it better than Dead Pelts Society.
Speaker 3: Absolutely not.
Speaker 1: And it's so you talk about iconic moments, the ripping
Speaker 1: up of the books that's been you know, whether it's
Speaker 1: satire or jokes. You know, I'm trying to think that
Speaker 1: where somebody's trying to but it might have been the office,
Speaker 1: or think it some trying to rip they can't standing
Speaker 1: on the desk.
Speaker 3: I actually saw someone with a tattoo that said I
Speaker 3: sound my barbaric yop and but it had a picture
Speaker 3: of Robert Williams beneath it, and I was like, this
Speaker 3: is that's a pretty That's a great tattoo. But it's
Speaker 3: it's also a mixture of genres there. You've got like
Speaker 3: poetry of what whitmen and all of that. And I
Speaker 3: thought he was so great. I couldn't stop staring at
Speaker 3: this guy. It was on a plane and he turned
Speaker 3: around and on the other side he just had Batman
Speaker 3: and I was like, okay, well, it's a mixture of this.
Speaker 3: I'm not to say there's nothing wrong with that, man.
Speaker 3: I love the Batman films, but it just it was
Speaker 3: there was a mixed going on there.
Speaker 1: And Ethan Hawk. That was the first time I'd seen
Speaker 1: Ethan Hawk. I'm not sure if it was actually his
Speaker 1: first film or not, but that was one of those things.
Speaker 1: It was such a great performance. But I remember still
Speaker 1: thinking afterwards, I had no idea if that's just who
Speaker 1: that guy is, if he can act or not. I
Speaker 1: think he's proved himself to be a wonderful like that.
Speaker 1: I had the same thought with Chris O'Donnell Inside of
Speaker 1: a Woman, Yes, and kind of thinking, and they're kind
Speaker 1: of almost similar kind of characters, and they look a
Speaker 1: little bit similar. They kind of thinking, it's a great performance.
Speaker 1: I have no idea if you can act or not.
Speaker 3: No, I thought exactly the same way Ethan Hawk in
Speaker 3: that film. You were just like he was it his
Speaker 3: life and they were all these actors were following him
Speaker 3: around because he just was the standout. He was so
Speaker 3: vulnerable and so raw and green and excellent.
Speaker 1: Yeah. Yeah, why haven't you seen Rebel without a Cause?
Speaker 3: I think that the mystery of James Dean was just
Speaker 3: too delicious, So I just wanted to keep him very
Speaker 3: far away from his actual films. Yeah, such a hoty
Speaker 3: scene him in all the posters. Just never seen a
Speaker 3: film that he.
Speaker 1: Was in I had. Yeah, there's that famous Giant poster
Speaker 1: and I had that on my wall for so long
Speaker 1: and I thought, eventually I should actually go and watch it.
Speaker 1: And so I've seen he made three films, East of Eden,
Speaker 1: Red without a Cause, and Giant in that order, and yeah,
Speaker 1: they're all he's a remarkable talent.
Speaker 3: You've seen them all, I've seen them are okay?
Speaker 1: Yeah, yeah, So it's just the only James Zen film
Speaker 1: you've seen, the only one. He's the only one. Yeah,
Speaker 1: And what your thoughts?
Speaker 3: My first thought was, you can't tell how someone laughs
Speaker 3: through a poster. That is, he's an interesting laugh, doesn't he.
Speaker 8: Yeah, So that was the first thing that struck me,
Speaker 8: is that he's got this kind of like childlike giggle
Speaker 8: that he does that doesn't always suit the scene or
Speaker 8: his expressions or whatever.
Speaker 3: It's a little bit spooky. But I think that it's
Speaker 3: really hard for me now to watch his films and
Speaker 3: disassociate his life story. Yes, but yeah, he's extraordinary. You know,
Speaker 3: very passionate actor. The fifties is such an interesting time
Speaker 3: for film. Yeah, a lot of camera angles that twist around,
Speaker 3: and yeah, I really enjoyed it. But I had a
Speaker 3: kind of sick fascination with watching him going, You're so
Speaker 3: much bigger than this.
Speaker 1: Yeah. I find him really great in these quieter moments, Yes,
Speaker 1: and then when he kind of often bursts out into
Speaker 1: you know, you're tearing me apart, which has become like
Speaker 1: a quite iconic moment from this film. But I find
Speaker 1: that one of his weaker moments when he's being loud.
Speaker 3: And that specific quote I didn't realize. And this is
Speaker 3: the thing when you don't you haven't seen all the
Speaker 3: iconic films that's referenced in so many films, in so
Speaker 3: many TV shows. I've obviously seen that clip. It's a gift,
Speaker 3: like you know, I've seen it a thousand times, but
Speaker 3: just didn't know, didn't quite know the context of it.
Speaker 3: The Room is a whole different film to me now,
Speaker 3: which obviously have you seen The Room?
Speaker 1: Yes?
Speaker 3: So that just gets funnier and funnier for me. And
Speaker 3: the more that I watched, the more I see that
Speaker 3: he references so much in it, which is very yeah, frefuty.
Speaker 1: Yeah. So there's a lot going on in this film,
Speaker 1: even off off screen. It was directed by a guy
Speaker 1: called Nicholas Ray. Yeah, okay, who's a bit of a
Speaker 1: sleeez back. I've heard some stories. You've heard some stories. Yes,
Speaker 1: So he's forty three years old. Natalie Wood is sixteen.
Speaker 1: She auditions for the film, doesn't get it, but then
Speaker 1: comes back and re auditions and dresses herself up a
Speaker 1: little bit, does her hair. Her hair. It's a little
Speaker 1: bit older than a sixteen year old where even the
Speaker 1: nine fifty I suspect she gets a role because now
Speaker 1: she looks a little bit older.
Speaker 3: Gosh, I'm going to take that a note out of
Speaker 3: her book for all my future. It's about the hair.
Speaker 1: He's in the hair. He has a Nicholas Ray has
Speaker 1: an affair with Natalie Wood on set. He also has
Speaker 1: an affair with sal Mineo who played Plato.
Speaker 3: Oh I didn't know this, And.
Speaker 1: Dennis Hopper, who's in the film, yeah, also has is
Speaker 1: one of the thugs. He also has an affair with
Speaker 1: Natalie Wood.
Speaker 3: Okay, so it's a pretty hot set.
Speaker 1: It's a hot set. As a result of that affair,
Speaker 1: Nicholas Ray cuts most of Dennis Hopper's lines. Oh my god,
Speaker 1: and James Dean stays out of it. From what we
Speaker 1: understand and what we know, he's twenty four. He has
Speaker 1: a touch of the Luke Perry. Yes about all the
Speaker 1: other kids, Yeah, sixteen seventeen, James Dean was twenty four,
Speaker 1: he was seventy eight. I love so hard my headphones came.
Speaker 3: Don't you think it's strange to watch this film knowing
Speaker 3: Dennis Hopper and just seeing his face on this young
Speaker 3: man's body just kind of floating around the film. It's
Speaker 3: so odd for me because I didn't I didn't know
Speaker 3: that he was supposed to have a bigger role, but
Speaker 3: it was such an odd casting.
Speaker 9: Retrospectively, yes, yeah, and he's I always find it weird
Speaker 9: when you are not weird fascinating when you see actors
Speaker 9: who I think Dennis the older Dennis Hoppers, Yeah, you know,
Speaker 9: and I still remember an easy Rider, but he's even
Speaker 9: years younger.
Speaker 1: In this film. But you kind of go, oh, that's
Speaker 1: why their movie stars exactly, because look a look at
Speaker 1: those eyes.
Speaker 3: He's stunning. He looks like a painting. He's just absolutely beautiful.
Speaker 3: But he doesn't say very much in this at all.
Speaker 1: No, because he cut the lines. Ye, so what do
Speaker 1: you think. Let's start kind of at the start, he
Speaker 1: got Plato who they are all in the police station,
Speaker 1: and I think James Dean is pulling off some reasonable
Speaker 1: drunk acting.
Speaker 3: Yes, you know, I don't know that it's acting. He
Speaker 3: was might have picked. It's very good. It's very good.
Speaker 3: Even before that, even before we get into the police station,
Speaker 3: you've got him kind of on the ground playing with
Speaker 3: this toy. The credits are going over him, and it
Speaker 3: reminds you that nineteen fifties films really ease you in.
Speaker 3: It's kind of ten minutes of lovely titles and not
Speaker 3: really knowing what's happening. I guess people were walking into
Speaker 3: the cinemas at that point and.
Speaker 1: Full credits, you know, like that at the beginning, at
Speaker 1: the beginning, and it's there's an interesting story behind that.
Speaker 1: They shot a scene with a man being mugged by
Speaker 1: a gang, okay, and he was taking these Christmas gifts
Speaker 1: to his family, and that toy kind of fell out
Speaker 1: and roll into the gutter, and James Dean at some
Speaker 1: point comes along and drunk and lies down next to it.
Speaker 1: So there was a scene that was supposed to go
Speaker 1: with it at the very beginning. Yeah, and James Dean
Speaker 1: kind of I'm not sure. I think you kind of
Speaker 1: improvised that idea of lying on the road and playing
Speaker 1: with the toy, and they kept it in. When I
Speaker 1: saw that shot, I thought, this is not what I
Speaker 1: was expecting from a filming nine fifty five. This kind
Speaker 1: of feels a bit arty.
Speaker 3: Yeah, very much.
Speaker 1: And then you go into this so he gets taken
Speaker 1: into the police station and there's the chief and gets smart.
Speaker 3: That was, yes, very distracting, just waiting for that music.
Speaker 1: Where's a shoe phone? Yeah, I think it does some
Speaker 1: pretty good drunk acting. We met Plano in the police
Speaker 1: station who has just killed six dogs, six puppies. I
Speaker 1: thought that's a bold move.
Speaker 3: It's so it's such an awful story, and he's got
Speaker 3: this little smile on his face every now and again.
Speaker 3: And the music that that orchestral fifties cinematic music, I'm
Speaker 3: always like someone's going to die, like it just it
Speaker 3: just scares me. So it's we've been trained to think
Speaker 3: that if there's this beautiful orchestral music, that maybe some
Speaker 3: sudden like symbol clash will happen and someone will die.
Speaker 3: So I was on edge this whole film starting there, and.
Speaker 1: It was that'score played through most of the film.
Speaker 3: Yeah, yeah, totally.
Speaker 1: Yeah. But it's such a bold move and I wonder
Speaker 1: if anyone would You wouldn't don't think you'd see it.
Speaker 1: Now they have one of your your main characters who
Speaker 1: you're supposed to empathize with it. Yeah, just killing six
Speaker 1: puppies so awful.
Speaker 3: So he that's his crime. That's why he's down there,
Speaker 3: and they're basically just saying to him, why did you
Speaker 3: do it? Kid? And he's like very quiet, self spoken,
Speaker 3: very eerie character.
Speaker 1: Yeah he got he got the that we need to
Speaker 1: talk about Kevin coming.
Speaker 5: Yeah.
Speaker 3: Absolutely.
Speaker 1: And Natalie Woods down there because.
Speaker 3: She miss curfew.
Speaker 1: Yes, yeah, yeah, I found that Natalie would when you
Speaker 1: think of the Natalie would father oh man.
Speaker 3: The whole parental dynamics in this are very distressing. So
Speaker 3: she is you expect that maybe there's something going on
Speaker 3: at home with her, yes, and then when you see
Speaker 3: her with her dad, it's kind of her desire to
Speaker 3: be closer to her father, and he's trying to push
Speaker 3: her away because she's getting older and it's very It's
Speaker 3: just so did it freak you out?
Speaker 1: I thought it was very weird. I thought there there
Speaker 1: other ways you could demonstrate her not getting that love
Speaker 1: at home.
Speaker 3: Yeah, kiss her father on the It's just like, I
Speaker 3: don't want to be judgmental of this film because it
Speaker 3: is a different time, but also it's so weird.
Speaker 1: It is really and there's weirdness, and there's brilliant parts
Speaker 1: in this movie. And I do, I really love it.
Speaker 1: But but I think that if you're watching a film now,
Speaker 1: you would go, these are the things that are wrong
Speaker 1: with it and rate it, you know, lose a star
Speaker 1: or two. But because it's nine fifty five, if you
Speaker 1: forgive some things, I think it's a really it's a
Speaker 1: really great film. And but that is I mean, I
Speaker 1: would have if I was the family counselor, I probably
Speaker 1: would have said, Okay, okay, guys, how about you don't
Speaker 1: kiss you down the mouth?
Speaker 3: Yeah, let's go with hugs.
Speaker 1: Let's go hugs. You know, this is all pre COVID
Speaker 1: nineteen two.
Speaker 3: Get those hugs.
Speaker 1: You don't know what's ahead of you. And and maybe,
Speaker 1: but you know, if she happens to slip up and
Speaker 1: kiss you on the mouth, dad, maybe don't over reax
Speaker 1: so you know, like have a word.
Speaker 3: Yeah it just maybe let's not do that anymore instead
Speaker 3: of a very vicious slap across the face. But again,
Speaker 3: it's the fifties, we're not judging. So that's her crime.
Speaker 3: She's miss Curfew and she's this gorgeous little like she's
Speaker 3: absolutely stunning out of He would, I couldn't, and I
Speaker 3: was a bit distracted by the fact that I know
Speaker 3: the films that she's been in, but I hadn't seen
Speaker 3: this one yet. But James Steen has this like the
Speaker 3: way his whole like he is drunk in this scene,
Speaker 3: but it's like the camera follows him around.
Speaker 1: Yeah.
Speaker 3: Yeah, he commands the space like no one else. And
Speaker 3: I was really taken by him until he giggled, and
Speaker 3: then I was freaked out.
Speaker 1: He does have a moment, and this is where I
Speaker 1: might suggest I'm not sure if he was actually drunk,
Speaker 1: because he does have a moment where often that happens
Speaker 1: when people are drunk acting, Especially they're drunk drunk acting
Speaker 1: for a while the scene's long, or it's multiple scenes,
Speaker 1: you always watch out for a bit where they sound
Speaker 1: like they sober up at the point where they're supposed to. Like,
Speaker 1: you know, he has a moment with the chief where
Speaker 1: he kind of actually kind of comes around and he
Speaker 1: kind of says, you know, some things about I forget
Speaker 1: what it was, but you know when he takes me
Speaker 1: into his office and he just sounds all of a sudden,
Speaker 1: he sounds sober for like two lines, and then he
Speaker 1: went back to being drunk.
Speaker 3: Yeah, and then he kind of stumbles off his chair.
Speaker 1: Yeah, and then he offers his jacket to the public killer.
Speaker 1: He's often come up in this podcast signs of and
Speaker 1: I think it's really important for characters that have setting
Speaker 1: up a sense of nobility about them. And I think,
Speaker 1: you know, you could write James, you know, the character
Speaker 1: Jim Off as an idiot if you wanted to. But
Speaker 1: him offering the jacket to the young boy is, you know,
Speaker 1: is his sense of nobility. Yeah.
Speaker 3: He's a very kind character and you can tell he's
Speaker 3: very troubled. You don't know exactly why. The title kind
Speaker 3: of clues you into the fact that there's probably no
Speaker 3: reason except that he just hasn't really found his identity.
Speaker 3: And I did. I did keep thinking, I mean, I'm
Speaker 3: going to sound like I'm studying this school. But which
Speaker 3: you did?
Speaker 1: I did?
Speaker 5: He did?
Speaker 1: Yes.
Speaker 3: I kept thinking, what is it that he is rebelling against?
Speaker 3: And I think it's just he doesn't have a sense
Speaker 3: of self. Yeah, he doesn't know who he is. He
Speaker 3: hasn't had roots anywhere in his childhood. You just see
Speaker 3: that his parents, as soon as anything goes wrong, they
Speaker 3: pick up and leave. So he's just rebelling against this
Speaker 3: system that won't let him be himself. Which if I
Speaker 3: was writing an essay, that would be the sweetest line.
Speaker 3: And it isn't so frustrating because he's such a you
Speaker 3: can tell he's a kind character.
Speaker 1: Yeah, yeah, Yeah. And the whole chicken thing, I mean,
Speaker 1: that's very nine to fifty five, isn't it. I Mean,
Speaker 1: if one of my kids came home and the worst
Speaker 1: thing that was happening is that somebody called him chicken
Speaker 1: and you've had to move towns, like, come on, grow.
Speaker 3: Up some And also, do you do a drag race
Speaker 3: just because someone.
Speaker 1: Calls the drag race, we're skipping ahead of bit, that's okay,
Speaker 1: the drag race happens. Buzz dies. Yeah, And then for
Speaker 1: a while he felt like nobody cared, like he felt
Speaker 1: like they just went home and he gave he gives
Speaker 1: her a wink. He has a glass of milk.
Speaker 3: This is the whole the whole time that the smile
Speaker 3: and the smiling, the laughing and the music confused me
Speaker 3: throughout the film. I could because it's a huge death.
Speaker 3: There is this dramatic looking over the cliff. No one cries.
Speaker 3: They all just start to back away from the cliff,
Speaker 3: and then some flirting starts.
Speaker 1: Out straight away. So the Week from the Car was
Speaker 1: so that was so strange.
Speaker 3: And is that a directorial thing? Like this is what
Speaker 3: I keep wondering. It's like, come on, we've got it.
Speaker 3: We've had a really dramatic moment. Let's just seize the
Speaker 3: matter of that moment and we'll start the love story
Speaker 3: right now.
Speaker 1: Yeah, I know it was there had to be a
Speaker 1: period of grief, a period of shock, but there really
Speaker 1: there really wasn't like it all starts because I thought
Speaker 1: I did study it, like in year seven when I
Speaker 1: say study it, we watch it and then we wrote
Speaker 1: an essay about it. So I kind of had forgotten
Speaker 1: what was happening, and so it was like watching it
Speaker 1: again really that I was expecting when they kind of
Speaker 1: went home and the wink happened, and then the drinking
Speaker 1: the milk. I thought, oh, maybe they just don't get shit,
Speaker 1: and maybe that doesn't happen any impact on the rest
Speaker 1: of the film, But it does, it does, but it
Speaker 1: is that weird couple of minutes afterwards.
Speaker 3: It's probably the weirdest part of the film. And that's
Speaker 3: saying something, but we've gone too far. We've gone too far.
Speaker 3: We were opening up.
Speaker 1: We were So let's talk about also Plata. Yeah, the
Speaker 1: young the puppy killer, because he's more than, he's more
Speaker 1: than just about so much more, he's so much more.
Speaker 1: So what what what were your thoughts on on on
Speaker 1: his character?
Speaker 3: So he is obviously a neglected child. You see that
Speaker 3: he's got this, he's got a like a baby says,
Speaker 3: she's a housemaid. She's kind of his care essentially. And
Speaker 3: then you never see his parents, and at some point
Speaker 3: you see him come home and he opens up what
Speaker 3: he thinks is a letter from his dad and ends
Speaker 3: up being like child support or something like that, a check.
Speaker 3: So you just get this vibe from seeing him that
Speaker 3: he is. Yeah, there's a touch of the when you
Speaker 3: talking about Kevin vibe to end. Yes, we know that
Speaker 3: he's killed these puppies, but he's a really young kid,
Speaker 3: and he's just got this longing face the whole time,
Speaker 3: like he just whenever anyone kind of walks past, he
Speaker 3: just wants to connect with someone. It actually made me
Speaker 3: feel really sad. It made me think of all those
Speaker 3: kids that you grew up with who would spend a
Speaker 3: lot of time in the library by themselves, or would
Speaker 3: kind of hang around corners like it. Just this brought
Speaker 3: up so many emotions for me as a teenager just
Speaker 3: looking back at the specifically the three main characters. But
Speaker 3: Plato is I didn't know. I couldn't really read his
Speaker 3: vibe if there was like a sexuality thing going on here,
Speaker 3: if he was trying to come out and maybe he hadn't.
Speaker 1: Well I can I can answer a little bit of
Speaker 1: that because in my research of the filmy Nicholas Ray,
Speaker 1: a sleazy director, got together with James Deen and sol
Speaker 1: Mineo and who played Plato, and they discussed the idea
Speaker 1: that he is he was gay okay, and that he
Speaker 1: kind of basually had a crush on Gym yep. But
Speaker 1: they would never It's ninety fifty five, so they kind
Speaker 1: of had everything had to be kind of subtle. Yes,
Speaker 1: so he actually went on open and to score I
Speaker 1: think the Best Supporting Actor nominate nomination, which you know,
Speaker 1: this the bit of research I said would actually make
Speaker 1: in the first LGBTQI. Yeah, character to be nominated. But
Speaker 1: when he opens the first clue is when he is
Speaker 1: at school and he opens the locker, there's are's a
Speaker 1: picture like of a mate idol locker. Okay, yeah, so
Speaker 1: and there's all these I mean, you know, it's the
Speaker 1: longing he has, the way he looks, and I think
Speaker 1: James Dean said to him, you need to look at
Speaker 1: me the way I look at Natalie would.
Speaker 3: Yeah, which he definitely does, maybe even more so. Yeah,
Speaker 3: And there's there's a couple of references. I think he
Speaker 3: says at one point, do you want to come home
Speaker 3: with me? And he just goes, this is not just
Speaker 3: so can we hang out? Like he's he just so
Speaker 3: badly wants to connect.
Speaker 1: Yeah. Yeah. I mentioned earlier that I think James Dean
Speaker 1: is at his best when he's doing the quieter yes acting,
Speaker 1: and there's a combination of this. We might play a
Speaker 1: scene now this is James staying on the stairs when
Speaker 1: he's kind of caught between his two parents metaphorically and
Speaker 1: in the actual action, and confess to the crime to
Speaker 1: his parents, and he's wanting to go to the police station.
Speaker 1: Then this happens.
Speaker 4: Well, it doesn't matter anyway, because we're moving.
Speaker 1: I'm not tearing me loose again. Well, this is news
Speaker 1: to me.
Speaker 3: Just why are we moving?
Speaker 6: Do I have to spell on?
Speaker 1: I'm not going to use me as.
Speaker 3: An excuse again.
Speaker 1: I don't.
Speaker 6: Every time you can't face yourself, you'll blame it on me.
Speaker 3: That is not true.
Speaker 6: You say it's because of me.
Speaker 5: You say it's because of the neighborhood.
Speaker 7: No, you use every other funny excuse.
Speaker 5: Mom.
Speaker 7: I just once I want to do something right and
Speaker 7: I don't want.
Speaker 6: You to run away from me again.
Speaker 1: This is all going too fast.
Speaker 6: You're gotter give me something.
Speaker 5: You better give me something fast.
Speaker 2: Jimmy, you're very young at least decision not gond wreck
Speaker 2: your whole life in ten years.
Speaker 8: You'll never know this even.
Speaker 6: Had to answer.
Speaker 2: Tell her ten years.
Speaker 1: Sad.
Speaker 2: Let me hear you answer her. Okay, Dad, stand up
Speaker 2: for me.
Speaker 1: Stand if you want.
Speaker 6: To get your own father.
Speaker 1: Varies the music.
Speaker 3: Uh, that's a good saying.
Speaker 1: Such a great scene and he's absolutely at his best
Speaker 1: when in those quiet moments, that bit where he goes, Dad,
Speaker 1: I need something, Yeah, you need to show me something.
Speaker 3: I forgot how like weak the father character is. He's
Speaker 3: so it's so frustrating to watch that. Yeah, he's amazing actually.
Speaker 1: In an apron Yeah, you know when he's watching.
Speaker 3: It, he's completely emaculated.
Speaker 1: Absolutely. Yeah, and yeah, it's such a great scene. And
Speaker 1: the mum is it's funny because they're not trying to
Speaker 1: get us to empathize with the mum really at all.
Speaker 1: It's just only at the end do you just kind
Speaker 1: of show any kind of you know, it's that whole
Speaker 1: it's that almost sitcomedy kind of thing of going okay,
Speaker 1: arms around and let's all go off and then we're
Speaker 1: all happy families. Yeah again, But I also wanted to
Speaker 1: ask you about the what do you think of the
Speaker 1: chemistry with Natalie Wood and James Dean.
Speaker 3: It It doesn't really strike me as as chemistry at all.
Speaker 3: I found it. I don't feel like they looked at
Speaker 3: each other a great deal. There wasn't heaps of eye contact.
Speaker 3: I felt more emotion between Plato and Jim. I definitely
Speaker 3: felt like there was more of a connection there. But
Speaker 3: then between the duty and Jim character, like she turned
Speaker 3: she turned quite quickly towards him. You know, her boyfriend
Speaker 3: was killed essentially not by him, but because of something
Speaker 3: that they agreed to do, and she pretty much watches
Speaker 3: his car blow up over a cliff and then turns
Speaker 3: around and is like, well, you're the closest person here.
Speaker 3: That's the vibe that I got from it.
Speaker 1: Yeah, there was no there was no real effort to
Speaker 1: build that relationship because she had been you know, even
Speaker 1: to be honest when they met and she was kind
Speaker 1: of still hanging out with the Tough gang and with
Speaker 1: the buzz. Do you think the feeling that she was
Speaker 1: kind of looking over at him, kind of going, oh
Speaker 1: that maybe I should be over there with that guy.
Speaker 3: Not at all. She was kind of mean to him
Speaker 3: the whole time. And she references that she says at
Speaker 3: some point, you know, sorry, I don't listen to me
Speaker 3: when I'm with the other kids, and you're like, you're
Speaker 3: still a piece of shit. Is not really the other kids?
Speaker 1: And I have to say I thought the kissing scenes
Speaker 1: between them were like there were like there was no
Speaker 1: job movement last Sunder. It's like kids, kind of like
Speaker 1: eight year olds, you're kissing for the first time behind
Speaker 1: their grands back.
Speaker 3: It was triggering. It was triggering to watch those kissing
Speaker 3: scenes and to think back to those awkward kisses that
Speaker 3: you have where you don't know if you're going to
Speaker 3: lean in or not properly, and then you connect, but
Speaker 3: you don't know when you're going to disconnect. It was
Speaker 3: just at one point, there's this really big close up
Speaker 3: of them and I think they're in the house towards
Speaker 3: the end of the film, and she's like trying to
Speaker 3: make contacts with his lips, and I think it goes
Speaker 3: for about two minutes before they actually kiss, and I
Speaker 3: found myself just creeping to the edge of my chair.
Speaker 3: Is it gonna happen or not? Guys, what's going on here?
Speaker 3: Very awkward?
Speaker 1: So so going into this film, what were the things
Speaker 1: so you basically knew James Dean that that was the
Speaker 1: shadow that loomed over this production or did you know
Speaker 1: any scenes or did you know much about what the
Speaker 1: film was about or I.
Speaker 3: Thought it would be footloose, right, I really did. I
Speaker 3: was like the clues in the title, I think it's
Speaker 3: going to be Footloose, you know, but except in Footlooth,
Speaker 3: they kind of had more to rebel against. And I
Speaker 3: knew just from clips that I had seen of James
Speaker 3: Deen that he did have a bit of the Jimmy
Speaker 3: Stewarts about him. That he was, you know, he had,
Speaker 3: like you said, in this quiet moments, he's really compelling,
Speaker 3: he's exciting to watch, and he's so handsome. But then
Speaker 3: in those melodramatic moments, you just feel like, I didn't
Speaker 3: know whether it's the director needing to say, hey, maybe
Speaker 3: don't do that, or whether they just let him do anything.
Speaker 3: And I'm really curious as well if they knew how
Speaker 3: big he was going to be at the time.
Speaker 1: Well this is instinct because he came off. This was
Speaker 1: supposed to be shot in black and white, and then
Speaker 1: they came well, they came on. He came off East
Speaker 1: of Eden and it was a huge hit, and the
Speaker 1: head of the studio just thought, oh, we have a
Speaker 1: genuine superstar on our hands here. They invested more money.
Speaker 1: They'd already shot some scenes in but they shot the fighting,
Speaker 1: the fight scene in black and white, and they had
Speaker 1: like three times the amount of extras in the in
Speaker 1: the gang and like the crowd around, and they invested
Speaker 1: all the money into the reshoots and the color. So
Speaker 1: they kind of then made They saved the money. They
Speaker 1: lost half the extras and then they had you know,
Speaker 1: eight extras around around the fight.
Speaker 3: But they saved teams of money because they canceled all
Speaker 3: of Dennis Hopper's line. I can't get over.
Speaker 1: So then he so he made and then he made this,
Speaker 1: and then he made and he died before this film
Speaker 1: was released, and he made Giant. He must have gone
Speaker 1: straight onto the set of Giant. Speaking of which he
Speaker 1: did an interview which is available on the Rebel with
Speaker 1: Our Cause DVD for those who are still by DVDs
Speaker 1: and you watch it online, will play for you. Now,
Speaker 1: this is an interview with James Dean to promote Without Cause.
Speaker 1: But he's in his is just walk from the set
Speaker 1: of Giant. He's in his cowboy gear and obviously we
Speaker 1: know what happens to James James Dean not long after
Speaker 1: this interview happen. It's a little speaking.
Speaker 2: We probably have a great many young people watching our
Speaker 2: short night and for their benefit, I'd like your opinion
Speaker 2: about fast driving on the highway.
Speaker 5: Do you think it's a good idea, A good point.
Speaker 5: I used to fly around quite a bit, you know,
Speaker 5: I took a lot of unnecessary chances on the highways
Speaker 5: and I started racing. And now I drive on the highways.
Speaker 5: I'm extra cautious because no one knows what they're doing.
Speaker 3: Half the time.
Speaker 5: You don't know what this guy is going to do
Speaker 5: with that one. On a track, there are a lot
Speaker 5: of men who spend a lot of time developing rules
Speaker 5: and ways of safety, and I find myself being very
Speaker 5: cautious on the highway. I don't have the urge to
Speaker 5: speed on the highway. People say racing is dangerous, but
Speaker 5: I'll take my chances on the track any day. Then
Speaker 5: on a highway, gig, I think a better take off.
Speaker 5: One more question.
Speaker 6: Do you have any special advice for the young people
Speaker 6: who drive?
Speaker 5: Take it easy to drive in life? You might say
Speaker 5: it might be mine.
Speaker 1: Oh my gosh, yeah, it would have been weeks if not, yeah,
Speaker 1: weeks after that.
Speaker 3: Oh that's eerie.
Speaker 1: Yeah, that's yeah, it is. It's funny. When you watch
Speaker 1: any any of the three films, you may you can't help,
Speaker 1: but like you said earlier, you can't watch without actually
Speaker 1: kind of having that or that knowing what happened.
Speaker 3: Yeah, the culture of James scene is bigger than James.
Speaker 3: That's so scary just to hear that, and also just
Speaker 3: to think of his like that, so much talent, such
Speaker 3: a young guy, a beautiful voice, and yeah, I mean
Speaker 3: I'm obviously smitten, but he is his gorgeous and you
Speaker 3: can just see if you know, it happens with so many,
Speaker 3: so many people that die young, you know, like Jeff Buckley.
Speaker 3: It was the same things that you listen to that
Speaker 3: voice and then you it really is. It's so affecting
Speaker 3: and you can't help it being affecting if you do
Speaker 3: try and take away like I tried to watch. I
Speaker 3: watched the second half of it twice because I just thought,
Speaker 3: I just want to not be distracted by seeing it
Speaker 3: for the first time. And he I think they must
Speaker 3: have just let him run loose and do whatever he
Speaker 3: wanted on that set, Like he really looks untethered.
Speaker 1: It's interesting because all the research that suggests that he was.
Speaker 1: Some people said he pretty much directed it, like he
Speaker 1: had months of working with Sleees Bag Nicholas Ray leading
Speaker 1: into it, and then often on set, you know, he
Speaker 1: would have ideas and be allowed to do things and yeah,
Speaker 1: so I know one of the actors. I'm not sure
Speaker 1: I might have been. Denis Hoppers said he felt like
Speaker 1: actually James Dean was directing.
Speaker 3: Yeah, it just had He looked like he commanded the
Speaker 3: whole set. It really had that vibe about it. It's
Speaker 3: so sad because all three of them, Summoner and Natalie
Speaker 3: Wood all died young.
Speaker 1: From what I've read some I died with stabs, yeah,
Speaker 1: and Natalie Wood was it a drug over?
Speaker 3: Do I think it might have been?
Speaker 1: Yeah, yeah, so she died. They all yeah, three of
Speaker 1: them died quite young. And yeah, so fun fact before
Speaker 1: we move on to some of the other movies that
Speaker 1: you love that you mentioned earlier. The character Philip J.
Speaker 1: Fright in Futurama is his wardrobe is based on, as
Speaker 1: I said, Nicholas James Dean, James Dean. So there's a
Speaker 1: fun fact as we move on from the fact that
Speaker 1: James Dean died in the car knash and all of
Speaker 1: his co stars. This movie was obviously cursed, definitely rebel
Speaker 1: without a curse. Great film, Susie. Thank you so much
Speaker 1: for joining us. You ain't seen nothing yet.
Speaker 3: Thank you for having me.
Speaker 1: Just before we go. Is there anything you've seen with
Speaker 1: a movie or a TV show that you want to
Speaker 1: kind of let everybody know about.
Speaker 3: Okay, I have two things to say here. The first
Speaker 3: is I loved Parasite, but I have not seen the
Speaker 3: last ten minutes because I watched it on two flights
Speaker 3: and the entertainment system cut out and I have somehow
Speaker 3: managed not to find out what the last minutes. But
Speaker 3: what a cliffhanger. I don't know what's going to happen.
Speaker 1: So what bit did you get up to?
Speaker 3: I got up to the older couple downstairs. I think
Speaker 3: the old man is dying and the old woman is escaping,
Speaker 3: but she's got a severe concussion. So yeah, and that
Speaker 3: there's a party going on. They haven't been caught yet,
Speaker 3: but I assume they're just about to. Right, So you've
Speaker 3: got maybe it's twenty minutes.
Speaker 1: I think it's closer to thirty.
Speaker 3: Okay.
Speaker 1: Wow, Yeah, there's a bit that happened.
Speaker 3: I can't wait to see that.
Speaker 1: I've seen it twice. Yeah, I loved it. Okay, I
Speaker 1: loved it, so okay, So Parasite.
Speaker 3: Yes, And the most recent film that I've seen that
Speaker 3: I completely loved it is Jojo Rabbit.
Speaker 1: It was great, wasn't it. Yeah, my kids to go
Speaker 1: see it, gosh and.
Speaker 3: Some dark stuff.
Speaker 1: Yes, I'll be your kids.
Speaker 5: Yeah.
Speaker 1: My youngest is eleven, and you know I've spoken about
Speaker 1: the Nazis and the Rabbits chat the chat, and but
Speaker 1: they all love. They all really loved it. Like sometimes
Speaker 1: you know, I drag my kids film. Sometimes it's dragging.
Speaker 1: Sometimes they're really keen to see it. But they looked
Speaker 1: over it and they were all kind of like smiling
Speaker 1: through out and as much you know, obviously not the
Speaker 1: darker bits, but the a lot of fun.
Speaker 3: It's so funny.
Speaker 1: Yeah.
Speaker 3: Oh that just reminds me who plays the the officer,
Speaker 3: Sam Roll? How much do you love Sam Rockwell?
Speaker 1: Sam Rockwell? I just saw him in I was over
Speaker 1: there load Fringe and I saw him in Clint Eastwood's
Speaker 1: film Richard Jewel and he I saw that with Tom
Speaker 1: Gileison and Will Anderson and we were just all saying,
Speaker 1: how great Sam Rockwell is. And I was like Kathy
Speaker 1: bateses in that film and we love and it's great
Speaker 1: because the leading that film in rich George is I
Speaker 1: really I really enjoyed. It's about the Atlanta bombing. At
Speaker 1: the Olympics is and I forget the actor's name, but
Speaker 1: it was in Itonia. He can't play the dipshit who
Speaker 1: wanted to be a CIA, you know. And but he actually, weirdly,
Speaker 1: he plays a similar character. He's actually it's everything he's
Speaker 1: seen is kind of true. He is a security guard.
Speaker 1: He does want to be more like a working with
Speaker 1: the police. But it's a really lovely performance. But it's
Speaker 1: so good that they have these really great actors around
Speaker 1: him and Sam Rockwell, have you seen Fossy Verdon? No,
Speaker 1: that's amazing, Okay, I love him. That's about Bob Fossey
Speaker 1: and Gwen Verdon and they made like cabre on Stay
Speaker 1: to the First Time and a few other famous musicals.
Speaker 1: And it is. It's an eight part six or eight
Speaker 1: part series HBO Michelle Williams, and it's a masterclass for everything,
Speaker 1: for performance, for directing, for writing, for cinematography. It is.
Speaker 1: You'll love it. Thank you for the recommendation, my pleasure, Susie.
Speaker 1: Thank you so much. Now let's all go in the
Speaker 1: lockdown and.
Speaker 3: See you at the end of the podcast.
Speaker 1: What a delight, Susie yusuf is that was such a
Speaker 1: fun film to watch again. Like I said, I had
Speaker 1: studied that in year ten. And when I say studied that,
Speaker 1: we watched it. It was rolled at the front of
Speaker 1: the class in VHS and we watched it and wrote
Speaker 1: some things about it. It was great to reminisce about
Speaker 1: a nostalgic classic, Jimmy Dean at his best and how
Speaker 1: creepy is that interview before he sadly passed, So thanks
Speaker 1: Susie for doing that. I really appreciate all the comics
Speaker 1: and all the guests who come on Most podcasts, you
Speaker 1: just rock up and talk shit. This actually podcast does
Speaker 1: ask our guests to put some time into to watch
Speaker 1: the movie and to come with some thoughts. So Susie
Speaker 1: did that in space. Thanks sus for doing that. You
Speaker 1: can catch Susie on the Sunday Project and of course
Speaker 1: Rose Haven and when the world opens back up again,
Speaker 1: she'll be storming the stages once again next week on
Speaker 1: the show. Before we get to next week on next episode.
Speaker 1: Thank you to my podcast manager, Derek Meiers Castaway Studios
Speaker 1: dot com dot au. If you're looking to get a
Speaker 1: podcast off the ground or just continue your podcast, Derek
Speaker 1: is the man to talk to who will take care
Speaker 1: of you. He's done a fantastic job on you. Ain't
Speaker 1: seen nothing yet. Also Circus Tree Sounds, Jimmy and Tommy
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Speaker 1: audio needs for your short film, your feature film, your
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Speaker 1: So thanks everyone. Keep the letters coming in. I'm loving
Speaker 1: the emails at Yasney podcast dot com dot au from
Speaker 1: all around the world. I do appreciate it. Next week
Speaker 1: is an app slute cracker. I get to sit down
Speaker 1: face to face at his apartment with my great mate
Speaker 1: Tommy Little who Ozsie Listeners will know from many things,
Speaker 1: but the project he is on and he is quite
Speaker 1: the character. Is a great mate. And I was shocked
Speaker 1: when Tommy told me he had never seen die Hard.
Speaker 1: I basically chased him down after I heard that and
Speaker 1: made him do this podcast. We do it over a
Speaker 1: couple of drinks. This is where being sponsored by Dan
Speaker 1: Murphy is really paid off. So that is next week
Speaker 1: Tommy Little chatting about die Hard. If you haven't seen it,
Speaker 1: check it out. I'm sure many many of you have
Speaker 1: that will be coming up next on You ain't seen
Speaker 1: nothing yet.
Speaker 4: And so we leave all Pete see man sal and
Speaker 4: to our friends of the radio audience, we've been a pleasant,
Speaker 4: good time m hm.