1 00:00:00,160 --> 00:00:02,920 Speaker 1: Rolling Thunder Vietnam is on at the Perth Concert Hall 2 00:00:03,080 --> 00:00:06,800 Speaker 1: next May nineteen and twenty. Tickets are on sale today 3 00:00:06,920 --> 00:00:10,799 Speaker 1: through Rolling Thunder Vietnam dot com. The producer is Rebecca 4 00:00:10,920 --> 00:00:15,160 Speaker 1: Blake and she is joining us now. Good morning, Rebecca, Good. 5 00:00:14,920 --> 00:00:16,360 Speaker 2: Morning, thanks for having me. 6 00:00:16,440 --> 00:00:19,759 Speaker 1: Oh thanks for joining. For those who are unfamiliar, just 7 00:00:19,800 --> 00:00:21,200 Speaker 1: tell us briefly about the show. 8 00:00:22,320 --> 00:00:26,799 Speaker 2: Okay, Look, Rolling Thunder Vietnam's homegrown production. It's some one 9 00:00:26,920 --> 00:00:30,520 Speaker 2: the first stage shows anywhere to depict the Vietnam more 10 00:00:30,840 --> 00:00:37,800 Speaker 2: from an Australian perspective. The show features conscription, combat, homecoming. 11 00:00:38,360 --> 00:00:40,720 Speaker 2: It's a love story as well, which I think makes 12 00:00:40,720 --> 00:00:43,680 Speaker 2: it beautiful. And look, we did a lot of research 13 00:00:44,000 --> 00:00:48,040 Speaker 2: with veterans to get the script right. There's three soldiers 14 00:00:48,080 --> 00:00:52,600 Speaker 2: depicting their journey, which audience has become totally immersed with. 15 00:00:52,800 --> 00:00:56,240 Speaker 2: And then you have this fabulous music weeds in and 16 00:00:56,240 --> 00:00:59,240 Speaker 2: out of the storytelling, which is the glue to the show. 17 00:00:59,400 --> 00:01:03,360 Speaker 2: You know, music, fabulous music by Joe Cocker, Jimmy Hendrick, 18 00:01:04,240 --> 00:01:08,800 Speaker 2: Edwin Starr, the animals, so it just works. And then 19 00:01:08,840 --> 00:01:13,720 Speaker 2: there's projection, so the audience just goes along, I think, 20 00:01:13,800 --> 00:01:17,520 Speaker 2: not expecting to be blown away and they come back 21 00:01:17,520 --> 00:01:20,880 Speaker 2: again and again and love it. So we're doing something right. 22 00:01:21,200 --> 00:01:23,400 Speaker 3: Yeah, that's right. And Rebecca, we know that the story 23 00:01:23,400 --> 00:01:25,800 Speaker 3: of the Australian slant on it. There wasn't always a 24 00:01:25,880 --> 00:01:28,600 Speaker 3: joyous homecoming for our troops. 25 00:01:30,000 --> 00:01:32,360 Speaker 2: No, look, it wasn't. I think it brought the horror 26 00:01:32,400 --> 00:01:35,200 Speaker 2: of war into everybody's living room. It was the first 27 00:01:35,240 --> 00:01:40,160 Speaker 2: televised and you know, politicians would say one thing, and 28 00:01:40,440 --> 00:01:44,880 Speaker 2: ordinary Aussies were watching mass killing and it was confronting. 29 00:01:44,959 --> 00:01:49,760 Speaker 2: But you know, out of this turbulent time came these 30 00:01:49,960 --> 00:01:54,000 Speaker 2: fabulous songs of pure beauty and we've managed to you know, 31 00:01:54,840 --> 00:01:57,800 Speaker 2: get the rights to do about twenty of them in 32 00:01:57,840 --> 00:02:02,320 Speaker 2: the show. And it's you know by the master musicians 33 00:02:02,320 --> 00:02:04,480 Speaker 2: of the Farm and Band. They've been with the show 34 00:02:04,520 --> 00:02:06,760 Speaker 2: from day one and they just love performing. 35 00:02:07,400 --> 00:02:09,880 Speaker 1: Most of us have grown up with war being televised. 36 00:02:09,919 --> 00:02:12,440 Speaker 1: I mean the Gulf War was televised in real time. 37 00:02:12,520 --> 00:02:17,120 Speaker 1: But it must have been such an amazing sort of 38 00:02:17,160 --> 00:02:20,760 Speaker 1: period for people to see this televised for the first time. 39 00:02:20,880 --> 00:02:23,040 Speaker 1: And I guess that's why it created such a period 40 00:02:23,240 --> 00:02:26,000 Speaker 1: of amazing protest and political unrest. 41 00:02:27,520 --> 00:02:30,880 Speaker 2: Look, it did, and Lucia means so much to the vets. 42 00:02:31,000 --> 00:02:33,800 Speaker 2: We've got veterans that have followed this show from day one, 43 00:02:34,280 --> 00:02:36,360 Speaker 2: and after the show they come and meet the cast 44 00:02:36,480 --> 00:02:40,160 Speaker 2: and they share their experiences and look, I think it's 45 00:02:40,160 --> 00:02:42,800 Speaker 2: heartening and I think our production can serve as a 46 00:02:42,840 --> 00:02:46,120 Speaker 2: catalyst and a tonic for them. 47 00:02:46,240 --> 00:02:49,200 Speaker 1: Well, let's talk about the music. It's very much demographic. 48 00:02:49,240 --> 00:02:52,320 Speaker 1: It's very ninety six a fair What are some of 49 00:02:52,360 --> 00:02:54,040 Speaker 1: your favorites that are in the show? 50 00:02:55,360 --> 00:02:59,440 Speaker 2: Oh gosh, look, I you know, it's incredibly challenging to 51 00:02:59,480 --> 00:03:02,080 Speaker 2: pick any of the music for the show because it's 52 00:03:02,200 --> 00:03:05,440 Speaker 2: such a good playlist. But I personally love all along 53 00:03:05,480 --> 00:03:08,880 Speaker 2: in the Watchtowel, which is performed with great energy by 54 00:03:08,880 --> 00:03:12,520 Speaker 2: the cast and musicians. Brett Garcei, which is one of 55 00:03:12,560 --> 00:03:17,080 Speaker 2: Australia's finest guitarists, of a masterful rendition of Black Magic Woman, 56 00:03:18,960 --> 00:03:20,799 Speaker 2: and then in the Love Story, We've got to help 57 00:03:20,880 --> 00:03:23,280 Speaker 2: Me make it through the night and you know, killing 58 00:03:23,320 --> 00:03:27,160 Speaker 2: me softly, and then the finales Bridge over Troubled Water. 59 00:03:28,680 --> 00:03:31,280 Speaker 2: I mean, all the songs are universal and they speak 60 00:03:31,360 --> 00:03:32,560 Speaker 2: to the fur generations. 61 00:03:32,680 --> 00:03:34,240 Speaker 3: Well you say that, Rebecca, because you walk into a 62 00:03:34,240 --> 00:03:36,400 Speaker 3: cafe these days and hear the Beatles or Credence or 63 00:03:36,400 --> 00:03:40,880 Speaker 3: Hendrix playing, and you probably get a multitude of various demographics, 64 00:03:40,880 --> 00:03:42,520 Speaker 3: different age groups going to see a show like this. 65 00:03:43,720 --> 00:03:45,800 Speaker 2: Look we do, and I think, you know, the audience 66 00:03:45,880 --> 00:03:48,840 Speaker 2: is surprised because I think they come along not expecting 67 00:03:48,920 --> 00:03:52,400 Speaker 2: to be blown away. And we've done about eighty shows 68 00:03:52,600 --> 00:03:56,600 Speaker 2: since this first you know, in twenty fourteen is when 69 00:03:56,680 --> 00:04:01,000 Speaker 2: we created this show, and every show at a standing ovation. 70 00:04:01,600 --> 00:04:03,720 Speaker 2: There's not one show where we don't get it, and 71 00:04:04,480 --> 00:04:08,440 Speaker 2: you know, everyone's dancing in the aisles and they just 72 00:04:08,520 --> 00:04:12,000 Speaker 2: love it. So we're doing something right. And we haven't 73 00:04:12,000 --> 00:04:16,080 Speaker 2: been to pers since twenty sixteen, and it'll be seven 74 00:04:16,160 --> 00:04:17,880 Speaker 2: years by the time we come back, and we're just 75 00:04:17,920 --> 00:04:20,159 Speaker 2: really excited to be coming to Perth. 76 00:04:21,200 --> 00:04:23,440 Speaker 1: When I think of this story, I think A fortunate Son. 77 00:04:23,800 --> 00:04:26,400 Speaker 1: That's the one I'm. 78 00:04:26,279 --> 00:04:28,160 Speaker 3: Looking forward to sung with anger, wasn't it. 79 00:04:28,880 --> 00:04:33,440 Speaker 2: Well that's the second show, Yeah, the second second song 80 00:04:33,520 --> 00:04:37,720 Speaker 2: in the show, and it's pretty amazing. Yeah. 81 00:04:37,800 --> 00:04:41,320 Speaker 1: Yeah, Well, Rebecca, thanks for joining us this morning. 82 00:04:42,640 --> 00:04:45,120 Speaker 2: Thank you. We can't wait, and we look forward to 83 00:04:45,120 --> 00:04:45,920 Speaker 2: seeing you all soon. 84 00:04:47,200 --> 00:04:47,679 Speaker 3: For the best