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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Big Day. On this show, one of us two hours

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Speaker 2: time leaves here gets on a plane. Oh no, not tonight,

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Speaker 2: So we're not leaving tonight. Just well, we don't know.

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Speaker 3: We thought we thought it was. We both bought packed

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Speaker 3: freaking band.

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Speaker 4: We leave tomorrow tonight, celebrity, get.

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Speaker 5: Me out of it?

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Speaker 4: If you're just joining us. By the way this all

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Speaker 4: kicked up washing.

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Speaker 2: This would all be a lot easier if we could

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Speaker 2: have just been in on.

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Speaker 4: It, right.

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Speaker 3: I couldn't have just been like, which one of you

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Speaker 3: wants to go? We could have had a good conversation

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Speaker 3: about it. Yeah, But instead this is built up over

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Speaker 3: weeks as we've tried to figure out which one of

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Speaker 3: us is going to the jungle. If you have missed

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Speaker 3: any of it, the hosts of I'm a Celebrity, Get

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Speaker 3: Me out of Here, Julia Morris and doctor Chris Brown

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Speaker 3: came in here last Monday, I think it was, and

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Speaker 3: basically said.

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Speaker 2: This, we can do better than telling you who is

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Speaker 2: going to the jungle. We are going to bring celebrity

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Speaker 2: into the studio.

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Speaker 4: The celebrity is the celebrity.

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Speaker 6: It's one of you, two guys, one of you two

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Speaker 6: guys are going in.

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Speaker 4: No, it's not that's a joke. Who's the real person

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Speaker 4: one of you?

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Speaker 3: Two guys are going in?

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Speaker 4: Is this not a good.

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Speaker 2: Surpril Well, I'm.

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Speaker 3: And in preparation, we got ex contestant bo Ryan.

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Speaker 4: On the show.

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Speaker 7: How are you feeling?

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Speaker 4: How should we be feeling? Bowie?

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Speaker 7: You nervous torture?

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Speaker 8: It's worth it?

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Speaker 3: Sort of?

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Speaker 7: Okay.

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Speaker 9: So we've got a couple of different bugs in front

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Speaker 9: of you, gross bugs.

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Speaker 2: We're going to get you to ask each other a question.

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Speaker 9: And if you don't answer the question, then you've got

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Speaker 9: to eat the bugs.

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Speaker 4: I did not want to eat those bugs. I'm sorry.

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Speaker 2: Why did you change the locks on your house?

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Speaker 4: In the answer?

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Speaker 3: And today we're actually confronting some living beasts, snakes and spiders.

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Speaker 4: Right down in front of you. There is a tarantula.

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Speaker 2: I am very very close to losing it here.

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Speaker 3: Oh so that was yesterday.

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Speaker 2: It's been intense, Yeah, build up, hasn't it.

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Speaker 3: And it hasn't even started for one of us like this,

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Speaker 3: This has been this intense.

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Speaker 2: Week of tortures done a TV shot.

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Speaker 3: Right, and then one of us leaves on a plane

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Speaker 3: tomorrow night to the South African jungle and we don't

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Speaker 3: even know so today in so we've got poopants outside

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Speaker 3: poop pants.

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Speaker 4: So in forty five minutes we find out which.

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Speaker 3: One of us is going, yep, that's right, Yes, can

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Speaker 3: you please hell just give us.

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Speaker 2: Just give us the mechanism, like are we doing like

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Speaker 2: I was thinking, a draw straws nice, you know, or

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Speaker 2: just like get someone famous, you know. Vanessa AMROSSI comes

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Speaker 2: on and announces first celebrity in my.

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Speaker 3: Head, sure you know celebrity guys Abastian exactly better away.

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Speaker 2: And they go, well you're going in the jukes. Yeah, okay,

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Speaker 2: because I yeah, it's been a hard week all we're

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Speaker 2: all feeling it.

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Speaker 3: How are we doing it? Just pop up alone like

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Speaker 3: a gender review.

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Speaker 4: No, I don't think.

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Speaker 10: I don't think we really want to tell you that much.

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Speaker 10: I think what I can tell you, yeah, is that

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Speaker 10: we have bought you a pair of Speedos each, not one.

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Speaker 4: That's nice.

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Speaker 2: I was going to say, you've got one one pair

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Speaker 2: of Spetos between two. Figure it out. Person that ends

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Speaker 2: up with the Speedos gets to go right.

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Speaker 10: And that will.

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Speaker 6: And that will that will be important.

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Speaker 3: So all you're telling us is that we're going to

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Speaker 3: be in speedos in forty five minutes.

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Speaker 4: That's what we're gleaning from that.

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Speaker 2: Yeah, yeah, whose idea was this? Because it's sounding sick.

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Speaker 3: Oh no, you know are important, right, So we're stripping down? Yes,

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Speaker 3: what what does that don't have to do with the

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Speaker 3: designing goes to the jungle.

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Speaker 10: It's obviously got something to do with the mechanism of

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Speaker 10: how we.

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Speaker 3: Decided, right, Okay, so we're falling in some sort of

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Speaker 3: fluid disgusting.

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Speaker 2: Could be an oil up, full body oil up.

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Speaker 3: Now I'm ke a wrestle, Greco Roman wrestle.

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Speaker 4: I love your mince meat. I am coming for you.

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Speaker 2: I'd love to have a bit of swimming race.

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Speaker 4: Then I'm in trouble.

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Speaker 2: Could be a swimming race.

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Speaker 4: I think that's pretty boring.

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Speaker 3: Radio audio is an alligator in the water or something?

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Speaker 3: Yeah right, okay, well, anyway, we've got no idea. Obviously,

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Speaker 3: it's either Greco Roman wrestling oiled or you think of

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Speaker 3: swimming race against crocodiles with.

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Speaker 2: An alligator or one of the crocs in Africa that

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Speaker 2: I'll put it in a pool with a croc a

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Speaker 2: bit though, Radio.

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Speaker 3: Little alligators, people swim with little alligators with their mouths

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Speaker 3: taped up.

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Speaker 4: Seriously. All right, that's the thing I reckon.

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Speaker 3: They might throw us in a pool of alligators.

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Speaker 10: See these options exciting?

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Speaker 2: Not at all?

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Speaker 3: Oh god, that's in forty forty five minutes. Yeah, I

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Speaker 3: want to do you want to sing to aspidos now?

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Speaker 10: I mean, he look perfectly a sick man.

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Speaker 2: Sick man, step away from the microphone. We'd enough of you.

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Speaker 2: You'll be back. I imagine at about half an hour's

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Speaker 2: time when it all begins, one of us is going

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Speaker 2: to the jungle. We find out today which one's going

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Speaker 2: on get me out of this? They was guy Montgomery

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Speaker 2: is going to join us, really, really surely, and we

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Speaker 2: are going to find out which one of us is

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Speaker 2: going to the jungle tonight very shortly. Right now, though,

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Speaker 2: would I do want to talk about a revolutionary chat

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Speaker 2: around kids' grades at school. The advice is that they

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Speaker 2: should scrap grades or grading at schools. I don't know,

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Speaker 2: because it means it means that the kids will focus

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Speaker 2: more on the learning and less on the grade and

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Speaker 2: how well they do. So you're not actually absorbing the information.

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Speaker 2: You're not learning, you're just learning how to pass a test.

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Speaker 3: Okay, So there's still a past mark, so there's still

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Speaker 3: like some level of well no, because if I'm talking

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Speaker 3: to ten year old me and there's no grade, yeah, see,

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Speaker 3: I'm just writing doodle doodle doodle, Burger, burger burger and

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Speaker 3: then go and just love the experience of learning.

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Speaker 4: Teach here you go, what's that another? Ayes?

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Speaker 3: I just and not to disrespect the kids of our society,

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Speaker 3: but I just think like having a grade there, it's

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Speaker 3: like when they change sport to no scoring. Yeah that

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Speaker 3: is for me, it's just like no, because I think

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Speaker 3: kids need to learn how to lose as well.

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Speaker 2: Well, that's right. And I think the other side of

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Speaker 2: it is it is quite like I think it's a

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Speaker 2: very privileged Western world, first world country sort of dogma

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Speaker 2: because you know, it's I think it's unrealistic for lots

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Speaker 2: of the rest of the world totally that you know,

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Speaker 2: people aren't climbing over the top of each other for

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Speaker 2: a position on a ladder. It's quite a privileged position

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Speaker 2: to be and to be like, no, we've got enough

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Speaker 2: money and enough stability to not worry about grades.

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Speaker 1: Yeah.

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Speaker 2: Well, other people like no, no, no, I want to prove

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Speaker 2: myself so I can work my ass off and beat

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Speaker 2: you and get a better job.

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Speaker 4: So I can, you know, right, Yeah.

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Speaker 3: Develop resilience bouncing back from a bad grade or a

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Speaker 3: bad game of it is interesting though.

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Speaker 2: I do think it's interesting because like the chat that

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Speaker 2: I had on the Imperfect podcast with j Van Comberg

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Speaker 2: and Josh van Comberg was about this, because I think

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Speaker 2: that there is something very wrong in teaching kids that

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Speaker 2: the only method of satisfaction that you can get or

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Speaker 2: the only mode of happiness that you know, is achievement.

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Speaker 2: And I think, yeah, when you go to a very privileged,

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Speaker 2: high powered school, or you grow up in a family

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Speaker 2: where you're taught that achievement is the way to be happy,

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Speaker 2: it is really important that you teach kids other methods

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Speaker 2: as well.

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Speaker 4: Yeah, I do agree with that.

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Speaker 2: Maybe the conversation should more be keep the grades, but

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Speaker 2: there are other ways to so achieve and succeed and

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Speaker 2: feel good about yourself at school, because I do think

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Speaker 2: it goes far too far one way at the moment,

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Speaker 2: I really do, particularly for the last two years of school.

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Speaker 2: Yeah yeah, yeah, a Saturday afternoon, you might enjoy yourself

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Speaker 2: and if you're good, if you're good at I mean

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Speaker 2: I was good at school, right, So you're related. So

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Speaker 2: for me to say that this sucks, that's because I'm

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Speaker 2: down the other end of it, and I know that

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Speaker 2: if you, if you get caught in that system, it's

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Speaker 2: very hard to get yourself out of it. Yeah.

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Speaker 3: Yeah, yeah, Well let's go to some current students. We've

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Speaker 3: got T Shirt on the phone here, Hi, T Shirt? Hi?

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Speaker 9: Are you?

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Speaker 3: I'm eleven years old?

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Speaker 4: You're eleven years old?

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Speaker 3: Okay, and you've got two tests next week?

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Speaker 6: Yeah?

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Speaker 4: What are the tests on?

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Speaker 7: So one of them is on science and the others

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Speaker 7: on Now.

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Speaker 2: Should they scrap the grades? T Shirt? Yeahe ask this.

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Speaker 2: You've got more than three test this week?

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Speaker 4: Yes?

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Speaker 8: I have?

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Speaker 4: Okay, what are they on?

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Speaker 2: So?

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Speaker 3: I've got geography chest, I've got English chest, I've got

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Speaker 3: my science test, and I've got like my masth test.

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Speaker 2: So it's nice for you and me with perspective Woods

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Speaker 2: to say, oh, keep the grades, teach the kids how

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Speaker 2: to lose. But Ava, you're in the gun right now.

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Speaker 2: You've got three tests this week? Would you scrap the grades?

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Speaker 2: I would one scrap the grade?

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Speaker 3: Okay, but hang on, an Ava. If the grades are scrapped,

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Speaker 3: are you even going to try in the test.

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Speaker 1: Well, it'd be a lot less pressure.

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Speaker 4: That's a really good point.

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Speaker 3: And you know, and actually if there's less pressure, you

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Speaker 3: might actually do better because the.

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Speaker 2: Other line here is if you'd flip the model on

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Speaker 2: its head, if it's the charac verse stick thing, right, yeah,

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Speaker 2: we'll flip the model on its head. And you go, Okay,

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Speaker 2: you know what, you don't want to try, you don't care.

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Speaker 2: You want to write doodleburger on your paper, that's fine,

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Speaker 2: absolutely fine, nut yourself out, probably not going to go

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Speaker 2: to university, probably not going to probably not going to

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Speaker 2: get one of those jobs that you need brings. And

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Speaker 2: you might go, great, I don't want.

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Speaker 3: A good way to find what else can we do

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Speaker 3: for you?

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Speaker 2: And to be honest, rather than dragging you through the

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Speaker 2: classes where you're going to just waste your time and

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Speaker 2: hate anyway.

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Speaker 3: And I think the first time you do the doodleberger doodleberger, hilarious,

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Speaker 3: Second time still funny, third time, still pretty funny, four time,

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Speaker 3: fourth time, you're going, I've been over just writing doodle

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Speaker 3: doodle doodle on these tests. And you know what, even

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Speaker 3: if I'd probably start going, I actually to figure out

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Speaker 3: these equations, you stop.

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Speaker 2: Enjoying learning because all you're thinking about is the pressure.

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Speaker 3: I've totally flipped there over the thirteen year old, totally

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Speaker 3: forgging there.

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Speaker 4: She just said, less pressure.

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Speaker 2: We'll speaking of pressure, Woods. One of us is going

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Speaker 2: into the army sleep to get me out of here

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Speaker 2: jungle tonight. One of us is taking a plane to

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Speaker 2: Africa in two hours. Totally wild. We'll find out who

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Speaker 2: very surely is. We have got the brilliant guy Montgomery

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Speaker 2: in the studio. Welcome to the studio guy.

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Speaker 9: Thank you so much to both Will and Woody. And

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Speaker 9: let's not forget Tom, who doesn't really get a look

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Speaker 9: in conversationally presses, but he's got a different opening.

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Speaker 4: Consonant, the big tea, a big gap and a couple

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Speaker 4: of ws.

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Speaker 2: You're sounding quite almost South African.

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Speaker 9: Like no, no I sound I say, yeah, I sound

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Speaker 9: like myself. I love coming to Australia. I love you guys,

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Speaker 9: little voices you do it.

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Speaker 4: Yeah, so it sounds a little bit like us, only

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Speaker 4: also a little bit worse.

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Speaker 2: It's it's nice who's got the wrong end of the

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Speaker 2: stick there, like quite honestly, because cards on the table,

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Speaker 2: you guys sound like ship.

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Speaker 4: You're entitled in that opinion.

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Speaker 9: Obviously in Australia that would probably hold a lot, you know,

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Speaker 9: that would a lot of people would get behind you

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Speaker 9: and believe that. But you guys sound objectively, you sound awful.

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Speaker 9: If you're like, you know and there's country, it sounds normal.

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Speaker 9: But if you go abroad and you hear an Australian,

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Speaker 9: you're like, your body tenses up. Yeah, and I shut

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Speaker 9: it down, you know, because you guys let you onto us.

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Speaker 9: I think we have a bit of traveling reputation.

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Speaker 4: I think people are broad definitely. No, no one's baby, Yeah,

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Speaker 4: no we do.

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Speaker 2: I always say I'm a key traveling reputation. But if

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Speaker 2: we just talk pound for pound language, yeah, like, where

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Speaker 2: where do we lose you? It's the it's the it's

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Speaker 2: the broadness at the end of some in the vowels,

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Speaker 2: isn't it.

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Speaker 4: What you mean one of the differences? Yeah?

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Speaker 2: No, No, Like, what's the offensive part of the language.

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Speaker 4: What's the word? Do you know what?

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Speaker 2: Give me the word? What's the one that hits you

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Speaker 2: that you like, Jesus can't hear that.

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Speaker 9: I can't even place it on a word. It's more

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Speaker 9: just it's energitic. It's what the exit represents, which is

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Speaker 9: a group of slightly superior athletes who beat us across

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Speaker 9: a wide brand. I think that is where, like you know,

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Speaker 9: it's a childhood sports fan. That's where a lot of

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Speaker 9: the calca comes from. It's a more confident excit I.

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Speaker 2: Think is the it is more confident. That's that's a

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Speaker 2: great way to put it.

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Speaker 4: It's like you're on the back foot, aren't you.

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Speaker 3: Kew Is talk because they're always on the back foot.

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Speaker 9: Well, if we talk nice and slow though, it all

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Speaker 9: you've got control, you know. I like to talk slow,

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Speaker 9: especially in stand up. Actually it's a skill I learned

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Speaker 9: where if you go out and you start real slow,

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Speaker 9: it's a lot easier to accelerate to slow down. Yes,

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Speaker 9: and so, and it sort of creates control.

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Speaker 2: Yeah, you're you are currently in control?

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Speaker 4: Yes, right, yeah, and that's a little trick.

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Speaker 3: Well, you potentially went a little bit too slow on

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Speaker 3: Celebrity Treasure Island.

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Speaker 9: Yeah, well this is topical because one of you boys

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Speaker 9: is talking on your little Australian version.

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Speaker 4: I'm a celebrity out of here.

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Speaker 3: Yeah yeah, yeah, So you're part of this Celebrity Treasure Island.

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Speaker 3: But you you you only lasted a day.

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Speaker 9: Well, no, no, I lasted three days, but I was

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Speaker 9: the first to be eliminated.

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Speaker 4: And I don't I think it's yours. It's it's fan voting.

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Speaker 4: And yes, yeah, so this one, it's like it's all

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Speaker 4: inside of the community. So it's all the people, all

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Speaker 4: the castaways is what they're called.

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Speaker 10: Yeah.

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Speaker 9: Yeah, you're into different teams and you like put people

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Speaker 9: up for elimination challenges. It's more like Big Brother. Maybe

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Speaker 9: I think it's or Survivor. Yeah, or Survivor is a

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Speaker 9: better example. Yes, and yeah I was you know you

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Speaker 9: look at me. Yeah, yeah, I'm a you know, I'm

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Speaker 9: a I'm a snake in the grass. I'm a shack

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Speaker 9: in the tank.

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Speaker 4: And I was. I was.

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Speaker 9: I was just too threatening too early. Really, well, that's

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Speaker 9: what I say. I also just lost a challenge.

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Speaker 2: We've got more. We come on comedy right next time.

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Speaker 2: The hope you having a wonderful drive home. You want

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Speaker 2: to see guy, you can see him. That's the great news.

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Speaker 2: Live Nation dot com dot au is gonna be the

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Speaker 2: Melbourne National Comedy Festival Sydney Comedy Festival this April and

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Speaker 2: may go and see the great Man or just stay tuned.

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Speaker 2: Has got more with him. Right up next, you've got

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Speaker 2: the one that know the guy on Gomery in the studio.

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Speaker 2: Now look, I'm just gonna build guy up before I

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Speaker 2: bring him down. He's got a brand new comedy show.

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Speaker 2: My brain is blowing me crazy, the Melbourne In National

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Speaker 2: Comedy Festival, the Sydney Comedy Festival, Livenation dot com dot Au.

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Speaker 2: I want to talk to you about your podcast A lot,

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Speaker 2: the worst idea of all time.

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Speaker 4: You got, you got an exciting list in from.

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Speaker 2: I'm pumped about came about that. But before we get

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Speaker 2: to that, let's talk about how you got here. Because

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Speaker 2: you're a bit of You are a keyway on the mainland.

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Speaker 4: And big time.

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Speaker 2: Obviously signals scrambled a bit and I thought you put

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Speaker 2: your big boy boots on and jump on one of

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Speaker 2: these electric Lime scooters.

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Speaker 9: No, I won't stand for that. You're rewriting history as

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Speaker 9: you speak. What heaven is? There are two first of all,

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Speaker 9: in terms of civic planning Melbourne, which is where we

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Speaker 9: were conversing, beautiful city. But due to an oversight, some

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Speaker 9: internal council oversight, there are two kiss fms. One K

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Speaker 9: I S S one K I I S. This is

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Speaker 9: a very small but vital detail.

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Speaker 2: One.

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Speaker 9: It turns out a very small community radio station.

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Speaker 2: And you know that.

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Speaker 4: Because well, because what I wanted to do before I

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Speaker 4: came here.

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Speaker 1: Let's check out the competition. How about did you get

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Speaker 1: in the doors? It was an hour round trip before

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Speaker 1: I got here. No, no, no, no no no.

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Speaker 9: I only scooter locally. I supported local industry by getting

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Speaker 9: one uber to Brunswick for half an hour, knocking on

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Speaker 9: the wrong door, and getting a brand new uber back

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Speaker 9: to here.

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Speaker 3: Yeah, so you knocked on the door. Was there a

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Speaker 3: moment where you spoke to another human being and said

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Speaker 3: he the door?

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Speaker 4: And I said, this is not it.

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Speaker 9: I called the producer and I said, look are you

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Speaker 9: nique to something called the Green Parrot Cafe? And she

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Speaker 9: said I could hear the frustration disappointment voice.

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Speaker 4: You said, I don't think that's it.

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Speaker 2: And then the Green Parrot.

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Speaker 9: Yeah, but it's you know, it's good to be here,

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Speaker 9: and what a beautiful city you have for him?

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Speaker 2: And big.

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Speaker 4: Let's talk about your podcast.

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Speaker 2: You want mistake again?

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Speaker 4: No? No, have you got a chat with the other kids?

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Speaker 4: I didn't get it. No, the door was locked.

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Speaker 9: I honestly looked like I don't you know, I don't

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Speaker 9: want to big you guys up too much, but look

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Speaker 9: like they're going through a pretty hard time.

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Speaker 2: That's great. If anyone gets a chance to listen to

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Speaker 2: a Kiss in Melbourne, check it out's a great hot

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Speaker 2: dance you're currently.

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Speaker 4: Promoting the other radio station. Totally.

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Speaker 2: It's really good stuff. We get around it. They do

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Speaker 2: a great job. I think.

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Speaker 3: Okay, but stay here with us now for the moment,

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Speaker 3: because guys doing a great job.

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Speaker 2: To change people.

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Speaker 4: Hear a studio that I'm not.

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Speaker 2: Just heard about it Kiwi not being able to make

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Speaker 2: their way around the big city. If you've had enough

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Speaker 2: of it, I just love that so much. You came

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Speaker 2: in here, you're you're you're big, big noting New Zealanders

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Speaker 2: and you've come in you've absolutely watched it first time.

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Speaker 2: Did you feel like a tourist? That's the question.

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Speaker 4: Look, I am here as myself converse. Let's talk about

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Speaker 4: your podcast.

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Speaker 3: Let's converse about your podcast, because this is awesome. We

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Speaker 3: were talking about this before you came in. So the podcast,

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Speaker 3: it's the worst idea of all time podcast, that's what

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Speaker 3: it's called. With yourself and Tim Batt. So you watch

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Speaker 3: the same move over and over again, and then you

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Speaker 3: discuss the experience of watching that movie.

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Speaker 9: That is, That's what it boils down to. It is misance,

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Speaker 9: a movie review podcast where the movie doesn't change. And

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Speaker 9: so we're quite deep into the three years. So the

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Speaker 9: first year we did Grown Ups Too, so we'd watch

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Speaker 9: and of Your Grown Ups Too every week for a year,

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Speaker 9: and then the next year we did Six in the

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Speaker 9: City two and on and on it goes.

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Speaker 4: But we're actually only sequels, is that?

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Speaker 3: Well?

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Speaker 9: No, Then we did a listener known movie called We

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Speaker 9: Are Your Friends to Meymbe were Zach from Places.

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Speaker 4: All great films.

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Speaker 9: Yeah, But so we're currently actually doing the Fast and

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Speaker 9: the Furious franchise backwards, so doing Fast nine nine time

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Speaker 9: because we haven't seen any of them. So in Fast

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Speaker 9: nine nine times eight eight times, all the way back to.

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Speaker 4: The first movie to figure out how these people got here.

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Speaker 2: The origin story of podcast is called the worst idea

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Speaker 2: of all time? So which it could be? Is it

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Speaker 2: because I said a woody before? Surely that like just

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00:19:05,119 --> 00:19:08,560
Speaker 2: the rigmarole of that is exhausting, Like like everywhere you've

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Speaker 2: got to find two two and a half hours, We're like,

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Speaker 2: I've got to go and watch sex in the City

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Speaker 2: two for the time this year.

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Speaker 9: It's a young man's game because you know, we had

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Speaker 9: no sort of dependence or obligations really when we got together.

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Speaker 9: But now we've both got families. You know, you're really

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Speaker 9: coming time out of what is your life totally and

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Speaker 9: you know, and it's this scant reward. It's sort of

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Speaker 9: it becomes more and more groom the longer it goes.

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Speaker 9: But also that's sort of that's part of the fascination.

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Speaker 9: And I think in the draw, have you ever considered lying,

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Speaker 9: like just rocking up one week?

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Speaker 4: We've always seen it. We've got more integrity than talent.

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00:19:49,800 --> 00:19:52,199
Speaker 2: I'm really really keen to listen to that. Can I

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00:19:52,280 --> 00:19:55,760
Speaker 2: just ask, sorry, what? Because it's the watching experience of

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Speaker 2: the movie that you watch fifty or well, yeah, fifty

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Speaker 2: two times.

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Speaker 4: What is that?

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Speaker 2: What's what's the sort of unusual that changes in the experience.

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Speaker 9: It's so you basically, if you watch a movie, once

446
00:20:05,720 --> 00:20:09,040
Speaker 9: you watch what the cameras are focused, what you focus on,

447
00:20:09,080 --> 00:20:10,080
Speaker 9: what you're meant to watch.

448
00:20:10,160 --> 00:20:11,840
Speaker 4: You know, you watch the movie that the director wanted

449
00:20:11,840 --> 00:20:12,200
Speaker 4: you to see.

450
00:20:12,400 --> 00:20:14,200
Speaker 9: If you watch it over and over again, that sort

451
00:20:14,200 --> 00:20:16,560
Speaker 9: of stuff actually turns into soft focus and your eye

452
00:20:16,640 --> 00:20:19,400
Speaker 9: is naturally drawn to like the background extras.

453
00:20:19,440 --> 00:20:21,320
Speaker 4: You're craving variations.

454
00:20:23,000 --> 00:20:24,520
Speaker 2: The city to that.

455
00:20:24,800 --> 00:20:27,800
Speaker 9: Yeah, so there's a there's a and six and the

456
00:20:27,840 --> 00:20:29,240
Speaker 9: city two is a scene where all of the four

457
00:20:29,280 --> 00:20:33,639
Speaker 9: girls carry Samantha, Miranda and Charlotte. They're or at a

458
00:20:33,640 --> 00:20:36,879
Speaker 9: cafe and they're planning a trip abroad. And in the

459
00:20:36,920 --> 00:20:40,360
Speaker 9: background of frame, like every other shot and the Samantha's frame,

460
00:20:40,400 --> 00:20:42,439
Speaker 9: in the background of her frame, there's a guy and

461
00:20:42,480 --> 00:20:44,680
Speaker 9: you see him like this is a story that's told

462
00:20:44,720 --> 00:20:46,080
Speaker 9: in side of ten things in the movie. You see

463
00:20:46,080 --> 00:20:49,680
Speaker 9: a guy into the cafe, sit down, ask for a coffee,

464
00:20:49,840 --> 00:20:53,000
Speaker 9: get a coffee, nick it, get another coffee. The next

465
00:20:53,000 --> 00:20:55,000
Speaker 9: time is in frame neck that and then just stand up,

466
00:20:55,040 --> 00:20:57,440
Speaker 9: pick up a newspaper, and walk out a frame at pace.

467
00:20:58,160 --> 00:21:01,439
Speaker 9: And so then all we're talking about, like every episode,

468
00:21:01,480 --> 00:21:02,760
Speaker 9: basically the whole thing is like what is this?

469
00:21:02,920 --> 00:21:04,560
Speaker 4: You know, what is it? We had a segments called

470
00:21:04,600 --> 00:21:09,040
Speaker 4: what's he doing Withzy Off? To who needs this? Smatch caffeine?

471
00:21:09,320 --> 00:21:12,600
Speaker 9: And so you sort of you gravitate towards basically anything

472
00:21:12,640 --> 00:21:15,240
Speaker 9: that might represent a change from the media you're consuming.

473
00:21:15,359 --> 00:21:16,840
Speaker 3: Did you come up with an answer, what was the

474
00:21:16,840 --> 00:21:18,280
Speaker 3: best answer came up with what do you think that?

475
00:21:18,320 --> 00:21:22,560
Speaker 9: Guys? I honestly can't remember. I think it was so

476
00:21:22,640 --> 00:21:24,159
Speaker 9: long you'd have to listen.

477
00:21:26,600 --> 00:21:29,840
Speaker 2: Podcast is called the worst idea of all time. Guy

478
00:21:29,920 --> 00:21:33,640
Speaker 2: mont Camery with his best mate Tim Batt looks awesome, mate,

479
00:21:33,680 --> 00:21:35,040
Speaker 2: Live Nation dot com. Do you if you want to

480
00:21:35,040 --> 00:21:37,280
Speaker 2: go and see Guy? I know Melbourne Comedy Festival selling

481
00:21:37,520 --> 00:21:40,240
Speaker 2: very very fast all show and Sydney Comedy Festival as well.

482
00:21:40,280 --> 00:21:40,600
Speaker 7: Mate.

483
00:21:41,280 --> 00:21:44,200
Speaker 4: Thanks for having me pleasure. Can I say good luck

484
00:21:44,240 --> 00:21:45,000
Speaker 4: to achieve review?

485
00:21:45,080 --> 00:21:50,760
Speaker 9: Goes onto the Jungle a reality TV show cool.

486
00:21:53,280 --> 00:21:53,600
Speaker 2: More?

487
00:21:54,080 --> 00:21:56,240
Speaker 7: After this, it's.

488
00:21:56,119 --> 00:21:59,119
Speaker 2: Will and Woody. It is Will and Woody very I

489
00:21:59,200 --> 00:22:01,119
Speaker 2: wish I knew more. And normally I've got lots of words,

490
00:22:01,160 --> 00:22:03,960
Speaker 2: but not today because I'm Woods and I have just

491
00:22:04,000 --> 00:22:09,000
Speaker 2: been led in speedos and blindfolds to the bottom of

492
00:22:09,000 --> 00:22:11,320
Speaker 2: this building to find out which one of us is going,

493
00:22:11,320 --> 00:22:12,960
Speaker 2: and I'm a sleeping to get me out of here now.

494
00:22:13,440 --> 00:22:14,880
Speaker 2: The only thing I can tell you, and I don't

495
00:22:14,880 --> 00:22:17,240
Speaker 2: know if you can describe this any better, Woods, but

496
00:22:17,280 --> 00:22:21,920
Speaker 2: effectively we have been told to sit on something, yes,

497
00:22:22,000 --> 00:22:24,800
Speaker 2: and keep our hands close.

498
00:22:25,280 --> 00:22:27,520
Speaker 4: I didn't get told keep your hands going, we're naked.

499
00:22:27,640 --> 00:22:28,399
Speaker 4: What's that direction?

500
00:22:29,640 --> 00:22:33,160
Speaker 2: Well? No, sorry, I'm not naked. Sorry I am pretty

501
00:22:33,200 --> 00:22:36,080
Speaker 2: much did you not get that direction as well? Drop

502
00:22:36,160 --> 00:22:38,679
Speaker 2: your drawers? I was worried about it being a singer,

503
00:22:38,840 --> 00:22:41,159
Speaker 2: Captain poop pants. This whole thing I think has finished

504
00:22:41,160 --> 00:22:42,640
Speaker 2: your art so we could see it's in the nerd.

505
00:22:42,720 --> 00:22:48,000
Speaker 2: But anyway, I really am a strong advocate drawing straws

506
00:22:48,080 --> 00:22:50,200
Speaker 2: or a name out of a hat. But anyway, here

507
00:22:50,240 --> 00:22:50,520
Speaker 2: we are.

508
00:22:50,680 --> 00:22:53,000
Speaker 3: Yeah, I don't see why this was necessary, but as

509
00:22:53,000 --> 00:22:55,359
Speaker 3: you said, we've been led through the through the building

510
00:22:55,359 --> 00:22:59,679
Speaker 3: in our speedos. I'm freezing. I couldn't be colder if

511
00:22:59,720 --> 00:23:01,159
Speaker 3: you were. Oh it's enough to me. I'd ask you

512
00:23:01,200 --> 00:23:02,560
Speaker 3: to fill my nipples because.

513
00:23:02,280 --> 00:23:04,120
Speaker 4: They are rock hard right now.

514
00:23:04,400 --> 00:23:07,199
Speaker 3: But we're sitting on some sort of Mine's quite a

515
00:23:07,240 --> 00:23:09,000
Speaker 3: slippery it's like a slippery plank.

516
00:23:09,520 --> 00:23:11,040
Speaker 2: Yeah, it's a slippery plank.

517
00:23:11,160 --> 00:23:13,160
Speaker 3: I can only assume that we're hovering over water.

518
00:23:13,760 --> 00:23:16,520
Speaker 2: Well with the speedos is it did give.

519
00:23:16,720 --> 00:23:21,720
Speaker 3: You're hovering over something gross and I reckon one of

520
00:23:21,800 --> 00:23:24,240
Speaker 3: us is going to get dropped in whatever we're sitting

521
00:23:24,280 --> 00:23:24,639
Speaker 3: on top of.

522
00:23:24,680 --> 00:23:27,440
Speaker 2: Well, can we stop speculating? Like I feel like okay, well,

523
00:23:28,760 --> 00:23:31,080
Speaker 2: we can speculate a bit more if you like. I

524
00:23:31,160 --> 00:23:33,879
Speaker 2: just want this over with. What do you what do

525
00:23:33,920 --> 00:23:35,640
Speaker 2: you think? What do you think we're dangling over?

526
00:23:37,600 --> 00:23:40,520
Speaker 4: I reckon it's an animal? I think an animal? Animal?

527
00:23:41,359 --> 00:23:44,520
Speaker 2: What I think you think they've got an orca in here?

528
00:23:45,160 --> 00:23:47,040
Speaker 2: It's going to blackfish one of us.

529
00:23:46,800 --> 00:23:48,960
Speaker 3: Not an orca. I think alligators.

530
00:23:49,080 --> 00:23:52,280
Speaker 2: I think an one on one in the tank. Then

531
00:23:52,320 --> 00:23:58,320
Speaker 2: you can the jungle. That is outrageous suggestions. I will

532
00:23:58,600 --> 00:24:01,920
Speaker 2: see animal, a little alligator, like a small not putting

533
00:24:02,000 --> 00:24:03,720
Speaker 2: us in a tank with an alligator. It'll be something

534
00:24:03,800 --> 00:24:05,080
Speaker 2: rantided like an eel.

535
00:24:05,640 --> 00:24:07,520
Speaker 3: Oh yeah, yeah, eel's a good shout.

536
00:24:07,560 --> 00:24:08,880
Speaker 2: So I think it's not going to hurt us.

537
00:24:09,080 --> 00:24:11,880
Speaker 3: Okay, So where's poop pants right here?

538
00:24:11,920 --> 00:24:12,160
Speaker 2: Hello?

539
00:24:12,520 --> 00:24:12,680
Speaker 3: Hi?

540
00:24:13,040 --> 00:24:15,600
Speaker 4: So when are you going to tell us what we're doing? Yeah?

541
00:24:16,080 --> 00:24:17,879
Speaker 6: I think the plan was to not tell you what

542
00:24:17,880 --> 00:24:18,320
Speaker 6: we're doing.

543
00:24:18,400 --> 00:24:20,080
Speaker 4: Awesome, Yeah, awesome.

544
00:24:19,760 --> 00:24:24,840
Speaker 10: And and I think it'll be made pretty obvious which

545
00:24:24,920 --> 00:24:27,760
Speaker 10: one of you is going into the jungle once we

546
00:24:28,440 --> 00:24:29,240
Speaker 10: do a certain thing.

547
00:24:29,880 --> 00:24:31,600
Speaker 6: Okay, does that make sense at all?

548
00:24:31,720 --> 00:24:32,600
Speaker 4: Yeah? Not at all?

549
00:24:32,680 --> 00:24:34,600
Speaker 3: But when are we doing that certain Yeah?

550
00:24:34,680 --> 00:24:36,639
Speaker 6: We should we do it up next. I'm keen to

551
00:24:36,640 --> 00:24:36,879
Speaker 6: do it.

552
00:24:37,000 --> 00:24:38,280
Speaker 2: I'm very key to do it.

553
00:24:38,640 --> 00:24:40,040
Speaker 3: Do we have to got another song coming to do

554
00:24:40,080 --> 00:24:40,360
Speaker 3: it now?

555
00:24:40,520 --> 00:24:43,520
Speaker 2: Or we can just do the old Hey it's will Well,

556
00:24:43,600 --> 00:24:44,280
Speaker 2: Hey it's Woody.

557
00:24:44,440 --> 00:24:46,119
Speaker 4: Yeah, that's a good idea we've got.

558
00:24:46,160 --> 00:24:47,880
Speaker 10: We've gone to a lot of effort and it would

559
00:24:47,880 --> 00:24:49,239
Speaker 10: be a bit of a waste of our time if

560
00:24:49,280 --> 00:24:50,560
Speaker 10: we is us.

561
00:24:50,359 --> 00:24:53,720
Speaker 3: In Speedo's a bum steer? Is there no reason why

562
00:24:53,800 --> 00:24:55,520
Speaker 3: you made us strip down to Speedos?

563
00:24:55,680 --> 00:24:59,880
Speaker 6: I refuse to answer that we sling a kill away.

564
00:25:01,680 --> 00:25:05,000
Speaker 2: Because that's that's what Woody thinks we're doing.

565
00:25:05,640 --> 00:25:08,360
Speaker 4: I said idiots, I said alligator.

566
00:25:08,560 --> 00:25:12,399
Speaker 3: I can't hear any splashing. There's no animals. I can't

567
00:25:12,400 --> 00:25:16,399
Speaker 3: hear any splashing. Could be a fish, I said, eel anyone.

568
00:25:16,359 --> 00:25:19,879
Speaker 3: It doesn't break surface. It's an animal that doesn't break surface.

569
00:25:19,880 --> 00:25:24,280
Speaker 2: We find find out out next who is going on.

570
00:25:24,400 --> 00:25:25,639
Speaker 2: I'm is living to get me out of here, and

571
00:25:25,680 --> 00:25:28,120
Speaker 2: we also find out what the hell we're doing?

572
00:25:28,160 --> 00:25:30,760
Speaker 4: What was that something splashed? As an animal? There's an animal.

573
00:25:31,160 --> 00:25:31,840
Speaker 4: There's an animal.

574
00:25:32,440 --> 00:25:34,400
Speaker 2: I hate to say this, but you could undoubtedly watch

575
00:25:34,400 --> 00:25:36,680
Speaker 2: this on our socials. We will see you on the

576
00:25:36,720 --> 00:25:38,679
Speaker 2: other side of the song, where one of us is

577
00:25:38,840 --> 00:25:41,240
Speaker 2: is one of us falling. Is that the idea one

578
00:25:41,280 --> 00:25:42,880
Speaker 2: of us is going to be asleep one of us

579
00:25:42,920 --> 00:25:45,560
Speaker 2: is one of us is going to fall, Yeah, and

580
00:25:45,600 --> 00:25:47,200
Speaker 2: then one of us is going. Is the person that

581
00:25:47,280 --> 00:25:48,440
Speaker 2: falls going in the jungle?

582
00:25:49,600 --> 00:25:51,560
Speaker 4: Maybe just give it.

583
00:25:51,680 --> 00:25:53,560
Speaker 2: Can't be cryptic about that sort of shit. That's what

584
00:25:53,600 --> 00:25:56,680
Speaker 2: we need to know. Yes, right there we go, right

585
00:25:56,760 --> 00:25:58,560
Speaker 2: the person that falls, it's the person that goes on.

586
00:25:58,600 --> 00:25:59,920
Speaker 2: I'm leaving to get me out of you to do

587
00:25:59,920 --> 00:26:03,320
Speaker 2: it right? Up next on Willing Woody Live from a

588
00:26:03,359 --> 00:26:08,840
Speaker 2: slimy plank, blindfolded in the New The reason I'm sounding

589
00:26:08,920 --> 00:26:11,240
Speaker 2: very weird is because I'm currently blindfolded, sitting on a

590
00:26:11,240 --> 00:26:14,320
Speaker 2: slimy plank, suspended over something as his woody.

591
00:26:15,040 --> 00:26:17,600
Speaker 4: It's an animal talk, it's got to be an animal.

592
00:26:17,640 --> 00:26:18,480
Speaker 4: I'm sorry, I'm freaking.

593
00:26:18,480 --> 00:26:20,680
Speaker 2: We're not together, We're on separate plates. We're about to

594
00:26:20,680 --> 00:26:21,520
Speaker 2: find out who's going on.

595
00:26:21,560 --> 00:26:22,000
Speaker 4: I'm sleepy.

596
00:26:22,040 --> 00:26:23,119
Speaker 2: To get me out if here one of us is

597
00:26:23,160 --> 00:26:25,280
Speaker 2: going in the jungle, We're about to find out. No,

598
00:26:25,359 --> 00:26:28,040
Speaker 2: we couldn't draw straws. No, we couldn't pull the name

599
00:26:28,080 --> 00:26:30,480
Speaker 2: out of the hat. Our producers have just decided to

600
00:26:30,520 --> 00:26:34,320
Speaker 2: strip us of both our dignity and our clothes. What

601
00:26:34,520 --> 00:26:38,560
Speaker 2: did in the studio outside? That's gonna have to come

602
00:26:38,640 --> 00:26:38,800
Speaker 2: up with.

603
00:26:38,960 --> 00:26:39,160
Speaker 4: Hr.

604
00:26:39,640 --> 00:26:41,840
Speaker 2: I mean, like, let's let's let's put to one side

605
00:26:41,880 --> 00:26:44,679
Speaker 2: that we're currently traumatized. You stripped us, and you marches

606
00:26:44,720 --> 00:26:46,480
Speaker 2: through the office. I felt like in front of every

607
00:26:46,600 --> 00:26:48,840
Speaker 2: I felt like Circy in Game of Thrones.

608
00:26:49,200 --> 00:26:49,960
Speaker 4: I don't think it's that.

609
00:26:52,280 --> 00:26:54,200
Speaker 2: I'm not having wild sex.

610
00:26:53,960 --> 00:26:54,520
Speaker 4: With her brother.

611
00:26:54,960 --> 00:26:58,439
Speaker 2: I'm talking about, Well, that's what she did. I'm talking

612
00:26:58,440 --> 00:27:01,560
Speaker 2: about it stripped and much through the streets. That's what

613
00:27:01,600 --> 00:27:02,119
Speaker 2: I felt like.

614
00:27:02,240 --> 00:27:04,320
Speaker 4: True, it was very similar to that now, But now

615
00:27:04,359 --> 00:27:04,960
Speaker 4: that we're down.

616
00:27:04,920 --> 00:27:07,880
Speaker 3: Here, there's something worse here because there's something under us

617
00:27:07,920 --> 00:27:10,639
Speaker 3: in the water. I don't think it's just water. I

618
00:27:10,640 --> 00:27:12,560
Speaker 3: think one of us is about to be dumped into

619
00:27:12,560 --> 00:27:14,640
Speaker 3: some sort of liquid.

620
00:27:14,280 --> 00:27:16,080
Speaker 4: Form with I think a living beast.

621
00:27:17,040 --> 00:27:17,280
Speaker 3: Yep.

622
00:27:17,359 --> 00:27:20,840
Speaker 2: And that's that's super specific of you. Thank you, well done,

623
00:27:21,119 --> 00:27:24,480
Speaker 2: thank you. I think I think jungle related is a

624
00:27:24,480 --> 00:27:24,960
Speaker 2: good call.

625
00:27:25,119 --> 00:27:26,120
Speaker 4: That's why I said alligator.

626
00:27:26,160 --> 00:27:30,080
Speaker 2: I think Alana would be interesting. That's too dangerous because

627
00:27:30,119 --> 00:27:32,600
Speaker 2: puranas you need a lot of them to strip you though,

628
00:27:32,640 --> 00:27:34,240
Speaker 2: like you just come out of there with a few cuts.

629
00:27:34,359 --> 00:27:35,760
Speaker 4: No puranas a cannibal.

630
00:27:35,800 --> 00:27:38,920
Speaker 2: It's a purana, not a purana. What is it a pirana?

631
00:27:39,400 --> 00:27:42,760
Speaker 2: It's a purana? Ah oh wow, now that's cruel. So

632
00:27:42,800 --> 00:27:45,400
Speaker 2: somebody splashed me there and made me think that there's

633
00:27:45,440 --> 00:27:46,080
Speaker 2: something in the tank.

634
00:27:47,680 --> 00:27:49,920
Speaker 3: What are you sure someone splashed you or was that?

635
00:27:50,000 --> 00:27:51,119
Speaker 4: Ah?

636
00:27:51,440 --> 00:27:54,720
Speaker 3: It's not funny, it's just not funny.

637
00:27:55,160 --> 00:27:58,480
Speaker 4: I want this over all, right, let's do it. Wait.

638
00:27:58,520 --> 00:28:01,160
Speaker 3: Wait, the person who fall if they're the one going

639
00:28:01,200 --> 00:28:01,760
Speaker 3: to the jungle.

640
00:28:01,840 --> 00:28:03,320
Speaker 6: Yeah, I've got a button in front of me.

641
00:28:03,720 --> 00:28:05,080
Speaker 4: Oh my god.

642
00:28:05,200 --> 00:28:08,360
Speaker 2: Okay, yes, what and when you do buttons, someone descends

643
00:28:08,440 --> 00:28:10,160
Speaker 2: or when you hit the button, our speeders come off

644
00:28:10,160 --> 00:28:10,439
Speaker 2: to you.

645
00:28:10,520 --> 00:28:15,400
Speaker 8: Sick man, one button, one of you will descend into

646
00:28:15,400 --> 00:28:18,560
Speaker 8: whatever's beneath you, and that person, the person who goes

647
00:28:18,600 --> 00:28:20,840
Speaker 8: into the whatever it is, you will be going to

648
00:28:20,880 --> 00:28:21,320
Speaker 8: the jungle.

649
00:28:21,520 --> 00:28:24,520
Speaker 2: Give really split beans there, personally goes into the something. Geez,

650
00:28:24,520 --> 00:28:25,280
Speaker 2: maybe it's not water.

651
00:28:26,080 --> 00:28:27,919
Speaker 6: What if it's like it could be Pooh runners.

652
00:28:28,080 --> 00:28:33,520
Speaker 2: It could be Pooh runners, could just be ah, come on,

653
00:28:33,760 --> 00:28:36,680
Speaker 2: I think I didn't feel I didn't feel those splashes

654
00:28:36,720 --> 00:28:38,720
Speaker 2: at the start, which makes me think somebody's paying funny.

655
00:28:38,720 --> 00:28:39,560
Speaker 4: But I agree with you.

656
00:28:39,800 --> 00:28:42,280
Speaker 2: Unless the Pooh runner responds to voice.

657
00:28:42,920 --> 00:28:44,720
Speaker 6: All right, you're blindfolded, but I am giving you the

658
00:28:44,760 --> 00:28:46,400
Speaker 6: wrap up fair enough.

659
00:28:46,560 --> 00:28:48,360
Speaker 2: We can't see you. One of the great boons of

660
00:28:48,400 --> 00:28:51,840
Speaker 2: having a blind and you can't wrappers. All right, hurry

661
00:28:51,920 --> 00:28:52,320
Speaker 2: up mate.

662
00:28:52,320 --> 00:28:56,120
Speaker 8: All right, so we'll do a countdown five a countdown

663
00:28:56,120 --> 00:28:56,960
Speaker 8: from filling me.

664
00:28:58,000 --> 00:29:02,640
Speaker 10: On one, that person and whoever descends will go into

665
00:29:02,640 --> 00:29:03,040
Speaker 10: the jungle.

666
00:29:03,560 --> 00:29:04,160
Speaker 2: Are you ready?

667
00:29:04,240 --> 00:29:04,800
Speaker 4: We're doing it?

668
00:29:04,920 --> 00:29:05,160
Speaker 2: No?

669
00:29:05,320 --> 00:29:06,400
Speaker 6: Good luck, Well, let's do it.

670
00:29:06,480 --> 00:29:09,120
Speaker 4: I love you alive, have fun in the jungle.

671
00:29:09,400 --> 00:29:11,880
Speaker 2: Four three.

672
00:29:13,200 --> 00:29:26,880
Speaker 5: Two one, there's nothing to do.

673
00:29:29,760 --> 00:29:36,000
Speaker 4: Oh my god, I'm going to the jungle. Wow, the jungle. Wow. Okay,

674
00:29:36,040 --> 00:29:36,440
Speaker 4: what are.

675
00:29:36,360 --> 00:29:38,840
Speaker 2: You going to You're going into the jungle. I'm just

676
00:29:38,880 --> 00:29:43,080
Speaker 2: getting off this device. These scummy producers can't dunk me

677
00:29:43,160 --> 00:29:43,480
Speaker 2: as well.

678
00:29:43,760 --> 00:29:49,440
Speaker 3: That's very real. Sh that's definitely me. When do I

679
00:29:49,480 --> 00:29:51,400
Speaker 3: go very soon?

680
00:29:51,440 --> 00:29:55,440
Speaker 4: This week? Oh wow, okay, I don't know how to feel.

681
00:29:56,320 --> 00:29:57,040
Speaker 4: That's terrifying.

682
00:29:59,640 --> 00:30:01,640
Speaker 6: Yeah, what how's Mimi going to react?

683
00:30:02,320 --> 00:30:05,440
Speaker 4: I actually don't know. It was a really weird weekend.

684
00:30:06,720 --> 00:30:11,280
Speaker 3: Oh okay, it's truth all right. Wow, okay, that's happening.

685
00:30:12,880 --> 00:30:14,880
Speaker 3: Have a good one, have a good holiday, will you bust?

686
00:30:17,440 --> 00:30:19,640
Speaker 4: This is quite cold? Can I get out. Just freezy.

687
00:30:20,080 --> 00:30:22,760
Speaker 4: But yeah, all right, so I'm going and this week,

688
00:30:23,400 --> 00:30:25,200
Speaker 4: yeah I think so. Are you disappointed?

689
00:30:26,120 --> 00:30:27,080
Speaker 2: No, I'm chuffed, but.

690
00:30:27,320 --> 00:30:29,760
Speaker 4: Like, yeah, yeah, I feel get the raw end of the.

691
00:30:31,160 --> 00:30:41,520
Speaker 2: Bring in Love. Oh you're so cold? That's it from

692
00:30:41,520 --> 00:30:45,720
Speaker 2: down here. What he's going to the jungle? Everyrun. I

693
00:30:45,800 --> 00:30:47,520
Speaker 2: don't know what else to say. We'll go to the traffic,

694
00:30:47,560 --> 00:30:50,400
Speaker 2: we'll come back. What he's going on, honously to get

695
00:30:50,400 --> 00:30:55,200
Speaker 2: me out of here. It's going to Africa. I'm a celebrity,

696
00:30:55,360 --> 00:30:56,240
Speaker 2: get me out of here.

697
00:31:00,000 --> 00:31:02,840
Speaker 3: A lot of a lot of emotions going on.

698
00:31:04,960 --> 00:31:05,600
Speaker 4: Cold.

699
00:31:06,400 --> 00:31:08,760
Speaker 3: I was freezing cold. I just been I mean I again.

700
00:31:08,760 --> 00:31:10,240
Speaker 3: I don't know why this had to be the case,

701
00:31:10,280 --> 00:31:12,560
Speaker 3: but the producer decided to put us in dunk tanks

702
00:31:12,960 --> 00:31:15,360
Speaker 3: over icy water to announce which one of us was going.

703
00:31:16,040 --> 00:31:18,240
Speaker 3: And the one going to the jungle, by the way,

704
00:31:18,400 --> 00:31:20,080
Speaker 3: is the one dumped in icy water. If you missed

705
00:31:20,080 --> 00:31:22,600
Speaker 3: it here it is five have fun in the jungle,

706
00:31:22,880 --> 00:31:25,080
Speaker 3: four three.

707
00:31:26,680 --> 00:31:35,560
Speaker 5: Two one.

708
00:31:36,600 --> 00:31:37,920
Speaker 4: Oh my god, I'm going to the jungle.

709
00:31:38,400 --> 00:31:40,640
Speaker 3: So yeah, look, I'm frosty. I'm a little bit cold,

710
00:31:40,680 --> 00:31:43,640
Speaker 3: there's no doubt about it. But the way I'm physically

711
00:31:43,640 --> 00:31:47,680
Speaker 3: feeling far is far lower than how I'm mentally feeling

712
00:31:47,760 --> 00:31:48,000
Speaker 3: right now.

713
00:31:48,000 --> 00:31:49,040
Speaker 4: There's just so much going on.

714
00:31:49,200 --> 00:31:50,920
Speaker 3: I feel like I've known it was a fifty percent

715
00:31:51,000 --> 00:31:54,040
Speaker 3: chance for a week long time. But then when you're

716
00:31:54,080 --> 00:31:59,680
Speaker 3: actually like, it's it's you that's going yeap positively.

717
00:31:59,480 --> 00:32:01,960
Speaker 2: Yeah, yeah, yeah, let's do them, Let's do this.

718
00:32:02,640 --> 00:32:04,960
Speaker 4: You know, I'm a positive positive for.

719
00:32:04,920 --> 00:32:05,600
Speaker 2: The end as well.

720
00:32:06,040 --> 00:32:10,120
Speaker 3: All right, I'll do my best, but positively. I've never

721
00:32:10,120 --> 00:32:13,360
Speaker 3: been to South Africa. Bang, pretty sure, I'm not paying

722
00:32:13,400 --> 00:32:15,960
Speaker 3: for the flight. The tight hous in me is pupped.

723
00:32:17,440 --> 00:32:20,240
Speaker 3: I get in there, and obviously there's celebrities, so I'm

724
00:32:20,240 --> 00:32:22,640
Speaker 3: going to be locked in a jungle with all these celebrities.

725
00:32:22,880 --> 00:32:25,480
Speaker 3: And I imagine at the end of an experience like.

726
00:32:25,440 --> 00:32:26,680
Speaker 4: This you'll be tired with him.

727
00:32:27,000 --> 00:32:29,320
Speaker 3: We all become best mates, ye get matching tattoos.

728
00:32:29,320 --> 00:32:31,480
Speaker 2: All of a sudden, it's a Sunday afternoon, You're calling

729
00:32:31,560 --> 00:32:33,000
Speaker 2: Russell Crowe seeing if he wants a beer.

730
00:32:33,480 --> 00:32:34,800
Speaker 4: I'm sure he's going to be in the.

731
00:32:34,800 --> 00:32:37,680
Speaker 3: General, but I've got a feeling, I've got a little

732
00:32:37,680 --> 00:32:38,960
Speaker 3: feeling that Russell.

733
00:32:38,640 --> 00:32:40,520
Speaker 2: Crowe rustle Crow is not going to be in the general.

734
00:32:40,640 --> 00:32:44,120
Speaker 3: Well never say never, will He's not never say never,

735
00:32:44,240 --> 00:32:47,080
Speaker 3: he's not so well, who knows so anyway, So that's

736
00:32:47,080 --> 00:32:47,720
Speaker 3: like a positive.

737
00:32:47,760 --> 00:32:50,000
Speaker 2: I hope what other celebrity you love to call on

738
00:32:50,040 --> 00:32:59,960
Speaker 2: a Sunday if them get the crosses from channels channel

739
00:33:00,920 --> 00:33:01,320
Speaker 2: to do.

740
00:33:03,480 --> 00:33:03,840
Speaker 4: Scope.

741
00:33:04,080 --> 00:33:06,240
Speaker 2: This is where I mean there's positivity and.

742
00:33:06,200 --> 00:33:08,200
Speaker 4: There's yeah, and there's nobody.

743
00:33:08,720 --> 00:33:10,520
Speaker 3: There's no point even thinking about who's going to be

744
00:33:10,520 --> 00:33:11,640
Speaker 3: in there because I've got no idea.

745
00:33:12,120 --> 00:33:15,720
Speaker 2: So well, I think we have this good speculation around

746
00:33:15,760 --> 00:33:18,760
Speaker 2: some people and bishop, yes, one of the below the

747
00:33:18,760 --> 00:33:20,440
Speaker 2: deck below deck is not.

748
00:33:20,400 --> 00:33:22,200
Speaker 4: Below the deck below deck.

749
00:33:22,240 --> 00:33:25,720
Speaker 3: I think someone from maps, but I don't know specifically below.

750
00:33:25,480 --> 00:33:27,800
Speaker 2: The deck though, aren't they like technically speaking anyway, I

751
00:33:27,800 --> 00:33:28,960
Speaker 2: don't worry, don't don't read into that.

752
00:33:29,040 --> 00:33:29,520
Speaker 4: Jesus Good.

753
00:33:29,520 --> 00:33:30,960
Speaker 2: I'm not going I'd be in trouble.

754
00:33:33,360 --> 00:33:33,680
Speaker 4: Negative.

755
00:33:34,200 --> 00:33:37,600
Speaker 3: So I feel like, and there's been conversations already with

756
00:33:37,640 --> 00:33:41,080
Speaker 3: the radio team about calling Mim and talking to her

757
00:33:41,120 --> 00:33:42,800
Speaker 3: because this is obviously big news for her that.

758
00:33:42,800 --> 00:33:43,760
Speaker 4: I'm going to be leaving her.

759
00:33:44,120 --> 00:33:47,200
Speaker 2: And well, she's heard it. I imagine she yes, so

760
00:33:47,320 --> 00:33:49,600
Speaker 2: she's heard that bit, she's heard Well, you'll know she's

761
00:33:49,600 --> 00:33:50,800
Speaker 2: probably the thing right now.

762
00:33:51,200 --> 00:33:52,720
Speaker 4: Hey, Mim, I hope you're right.

763
00:33:53,480 --> 00:33:56,320
Speaker 3: We've exchanged a few text messages so far, just now

764
00:33:56,320 --> 00:33:59,440
Speaker 3: that it's a real thing. But being away from them

765
00:33:59,560 --> 00:34:02,040
Speaker 3: is going to be and when I say them, been

766
00:34:02,080 --> 00:34:03,760
Speaker 3: away from them and rem is going to be really

767
00:34:03,760 --> 00:34:12,800
Speaker 3: really of course, So of course that's yeah, yeah.

768
00:34:10,520 --> 00:34:13,719
Speaker 2: Weirdly, that's probably the reason I was relieved, to be honest.

769
00:34:13,520 --> 00:34:16,799
Speaker 4: Yeah, I can imagine exactly. That's the number one thing

770
00:34:16,840 --> 00:34:18,160
Speaker 4: for the both of us.

771
00:34:18,840 --> 00:34:22,239
Speaker 3: I haven't been away from Remy for more than three

772
00:34:22,320 --> 00:34:25,719
Speaker 3: days since she was born. Uh, and that entire time,

773
00:34:25,960 --> 00:34:28,560
Speaker 3: I've always had phone and FaceTime and all that, so

774
00:34:28,600 --> 00:34:32,120
Speaker 3: there's been like a point of contact. So you just

775
00:34:32,120 --> 00:34:36,239
Speaker 3: sort of start you just start having thoughts that like,

776
00:34:36,520 --> 00:34:38,120
Speaker 3: is she going to remember me when I get back?

777
00:34:38,160 --> 00:34:40,680
Speaker 3: Oh yeah, And that's a that's a really that sucks.

778
00:34:40,760 --> 00:34:45,759
Speaker 3: That's a that's a really awful thought to have. So I,

779
00:34:45,800 --> 00:34:47,239
Speaker 3: out of respect to mem I don't want to call

780
00:34:47,280 --> 00:34:51,520
Speaker 3: her now, just because I want that we should have

781
00:34:51,520 --> 00:34:53,799
Speaker 3: that conversation just in person tonight, just to make sure

782
00:34:53,840 --> 00:34:57,080
Speaker 3: she's feeling all right, because yeah, I'm.

783
00:34:57,239 --> 00:34:58,560
Speaker 2: Yeah, it's a private conversation.

784
00:34:58,719 --> 00:35:01,360
Speaker 3: Yeah yeah, yeah, and she I know she'll be supportive

785
00:35:01,400 --> 00:35:02,680
Speaker 3: of it, but I just want to make sure she's

786
00:35:02,719 --> 00:35:06,399
Speaker 3: okay and okay, Yeah, then we can.

787
00:35:06,480 --> 00:35:10,399
Speaker 2: That's called another positive until we finished on a positive. Yeah,

788
00:35:12,280 --> 00:35:14,480
Speaker 2: you will be able to reel out the footage of

789
00:35:14,560 --> 00:35:18,160
Speaker 2: view on TV nude at like Remy's eighteenth and stuff

790
00:35:18,160 --> 00:35:19,560
Speaker 2: like that. And that embarrassed the hell out of her.

791
00:35:19,680 --> 00:35:21,280
Speaker 4: Very good gear strong positive.

792
00:35:21,440 --> 00:35:23,360
Speaker 2: That's really really good, strong positive.

793
00:35:23,480 --> 00:35:24,879
Speaker 4: Also just for like her entire life.

794
00:35:24,880 --> 00:35:27,040
Speaker 3: I'll be like Daddy was kind of a big deal

795
00:35:27,360 --> 00:35:30,440
Speaker 3: twenty years ago. Yeah, here I am on a reality

796
00:35:30,520 --> 00:35:34,759
Speaker 3: TV like dad. You are so not cool. You are

797
00:35:34,960 --> 00:35:35,720
Speaker 3: such a loser.

798
00:35:35,800 --> 00:35:37,839
Speaker 2: Well, I think someone that doesn't know yet is your

799
00:35:38,560 --> 00:35:40,200
Speaker 2: is your mum and dad as well? Who you know?

800
00:35:40,320 --> 00:35:41,400
Speaker 2: We know don't listen to us.

801
00:35:41,440 --> 00:35:42,640
Speaker 4: They've told us that definitely.

802
00:35:42,880 --> 00:35:44,560
Speaker 2: Maybe we should call them up next and let them make.

803
00:35:44,440 --> 00:35:46,880
Speaker 4: A great idea. I will very happily call my parents'

804
00:35:46,880 --> 00:35:47,520
Speaker 4: life on radio.

805
00:35:48,920 --> 00:35:52,280
Speaker 2: I'll probably be happy. All right, it's more Will.

806
00:35:52,120 --> 00:35:56,839
Speaker 3: And Woody Goodness after this, it's the Will and Woody podcast.

807
00:35:57,080 --> 00:35:59,600
Speaker 2: You're just joining us Woods. You and I were blindfolded,

808
00:36:00,440 --> 00:36:04,400
Speaker 2: stripped virtually nude by our production team. Big question marks,

809
00:36:04,560 --> 00:36:07,920
Speaker 2: Big question marks. Management's already contacted HR. Don't worry, but the.

810
00:36:07,880 --> 00:36:09,480
Speaker 4: Point was it was so weird.

811
00:36:09,560 --> 00:36:09,759
Speaker 3: Yeah.

812
00:36:09,760 --> 00:36:13,880
Speaker 2: After we were depraved, embarrassed, and dragged through the office

813
00:36:14,320 --> 00:36:18,760
Speaker 2: pretty much nude and blindfolded, were then dangled over tanks

814
00:36:19,600 --> 00:36:23,279
Speaker 2: of water. The person that descended or plunged into the

815
00:36:23,320 --> 00:36:25,880
Speaker 2: depths is the person who will be plunging into the

816
00:36:25,960 --> 00:36:27,719
Speaker 2: African jungle next week.

817
00:36:28,120 --> 00:36:29,760
Speaker 4: Five have fun in the jungle.

818
00:36:30,040 --> 00:36:32,239
Speaker 2: Four three.

819
00:36:33,800 --> 00:36:38,360
Speaker 5: Two one.

820
00:36:43,760 --> 00:36:45,040
Speaker 4: Oh my god, I'm going to the jungle.

821
00:36:45,160 --> 00:36:46,920
Speaker 2: Alright, Wood, So you're going on I'm seven to get

822
00:36:46,960 --> 00:36:47,440
Speaker 2: me out of here?

823
00:36:47,600 --> 00:36:50,160
Speaker 4: Yes, yes, I am low. It up a lot of

824
00:36:50,200 --> 00:36:51,120
Speaker 4: emotions going on.

825
00:36:51,920 --> 00:36:54,840
Speaker 3: I obviously need to get home to speak to my family,

826
00:36:55,200 --> 00:36:56,200
Speaker 3: my loved ones.

827
00:36:55,920 --> 00:36:58,360
Speaker 2: Your close family, the family that you care about, but

828
00:36:58,440 --> 00:37:02,759
Speaker 2: the obligated family aka your parents. You're having to call

829
00:37:02,880 --> 00:37:04,759
Speaker 2: live on air, which is what you're going to do

830
00:37:04,880 --> 00:37:05,279
Speaker 2: right now.

831
00:37:10,960 --> 00:37:15,800
Speaker 9: Hello, Hey dad, twody, I will tell you very very good.

832
00:37:16,680 --> 00:37:17,840
Speaker 4: Are you in the car with mum?

833
00:37:18,040 --> 00:37:18,640
Speaker 7: Ye?

834
00:37:18,960 --> 00:37:22,160
Speaker 4: Hi, Mum? I would try really good.

835
00:37:23,360 --> 00:37:26,520
Speaker 3: I'm assuming you weren't just listening to Will and I

836
00:37:26,560 --> 00:37:27,120
Speaker 3: on the radio.

837
00:37:29,080 --> 00:37:29,160
Speaker 2: Ye.

838
00:37:30,320 --> 00:37:35,920
Speaker 3: Great, perfect, But it was just announced. I know that

839
00:37:35,960 --> 00:37:37,520
Speaker 3: I told you a week ago that I was a

840
00:37:37,560 --> 00:37:41,279
Speaker 3: fifty percent chance to be going to South Africa. But

841
00:37:41,320 --> 00:37:43,879
Speaker 3: it's just announced that. Yes, I am the one going.

842
00:37:44,640 --> 00:37:54,480
Speaker 7: Oh, hello, will going? Oh, I think Will Suttu.

843
00:37:56,120 --> 00:37:58,560
Speaker 2: Setting Stone Now, guys, he.

844
00:37:58,600 --> 00:38:05,200
Speaker 7: Would be such a monthy for the jungle will spiderspect?

845
00:38:06,920 --> 00:38:09,160
Speaker 3: But do you think, I mean, well, do you think

846
00:38:09,200 --> 00:38:10,040
Speaker 3: I'll do well?

847
00:38:10,360 --> 00:38:10,839
Speaker 5: I don't know.

848
00:38:10,960 --> 00:38:13,400
Speaker 7: I think you're going to miss your little girl and

849
00:38:13,560 --> 00:38:17,719
Speaker 7: your partner. I think that'll be maybe the hardest part

850
00:38:17,800 --> 00:38:17,960
Speaker 7: for you.

851
00:38:18,120 --> 00:38:20,719
Speaker 3: What you yep, straight to the hardest bit. Thank you, mum,

852
00:38:20,760 --> 00:38:23,200
Speaker 3: appreciate it. Will will you guys miss me?

853
00:38:24,200 --> 00:38:29,680
Speaker 7: Oh? Yeah, you're in there for because we go weeks

854
00:38:29,719 --> 00:38:30,440
Speaker 7: without saying you.

855
00:38:30,640 --> 00:38:31,680
Speaker 4: Yeah, that is very true.

856
00:38:32,160 --> 00:38:33,480
Speaker 2: Yeah, you guys probably won't even know he is in

857
00:38:33,560 --> 00:38:36,680
Speaker 2: there if you didn't, if you didn't ring, if you

858
00:38:36,680 --> 00:38:38,520
Speaker 2: didn't ring, you could have just gone on with your lives.

859
00:38:39,239 --> 00:38:42,000
Speaker 7: Exactly exactly what I was thinking.

860
00:38:42,040 --> 00:38:44,400
Speaker 2: You're not watching Channel ten? Are you normally on a weeknight?

861
00:38:44,400 --> 00:38:45,080
Speaker 7: Are you not?

862
00:38:48,480 --> 00:38:51,200
Speaker 2: Now? So you wouldn't have known. You actually wouldn't have

863
00:38:51,200 --> 00:38:53,919
Speaker 2: known he could he could have gone and come back.

864
00:38:54,360 --> 00:38:57,600
Speaker 7: You wouldn't have You would have had no idea at all.

865
00:38:59,280 --> 00:39:04,560
Speaker 2: All right, but you will be watching though, I imagine guys.

866
00:39:03,280 --> 00:39:06,200
Speaker 3: There's a little bit of I mean and an about

867
00:39:06,200 --> 00:39:14,799
Speaker 3: whether there's a go nude in the shower. Please, I'm

868
00:39:14,800 --> 00:39:17,320
Speaker 3: sure you could just look away during those scenes where it's.

869
00:39:18,239 --> 00:39:21,719
Speaker 4: Not showing it show it. I think the.

870
00:39:24,160 --> 00:39:26,760
Speaker 2: Very small blur.

871
00:39:27,400 --> 00:39:36,040
Speaker 7: A massive blackout like the football last night, the whole screen.

872
00:39:38,239 --> 00:39:42,680
Speaker 3: What Okay, all right, that's my promise to you, mean,

873
00:39:42,880 --> 00:39:45,479
Speaker 3: of course, but do you have any messages of good.

874
00:39:45,440 --> 00:39:46,040
Speaker 4: Luck or anything?

875
00:39:46,320 --> 00:39:51,560
Speaker 7: Yeah, just be yourself and take care of the animals.

876
00:39:52,160 --> 00:39:59,279
Speaker 3: Okay, perfect, perfect, Thanks doctor doo.

877
00:39:59,280 --> 00:40:01,759
Speaker 2: Little have you seen in the show. He's not he's

878
00:40:01,800 --> 00:40:01,880
Speaker 2: not