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Speaker 1: The computer starting the world's worst tech support. It's well

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Speaker 1: and what he I did Thursday.

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Speaker 2: This is my favorite segment Wards. Ordinarily I get you

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Speaker 2: and an old person to try and answer tech questions.

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Speaker 1: It's very funny, right, yep, sure, But look, three weeks ago,

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Speaker 1: something happened to this segment. It morphed. You know, if

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Speaker 1: anyone's into Pokemon.

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Speaker 2: It evolved nice worries from a war total to a

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Speaker 2: blast noise. It was a massive moment. It was a

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Speaker 2: massive it was there. It was a massive moment. We

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Speaker 2: asked Harry for a live interactive display of technical prowess.

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Speaker 2: I said to him, Harry, can you merge a call

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Speaker 2: on your phone?

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Speaker 3: So he had his wife in the kitchen.

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Speaker 4: I believe he was in the hand room and his

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Speaker 4: wife and he was like, yes, I can absolutely merge

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Speaker 4: a call.

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Speaker 3: I talked him through the steps as well.

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Speaker 1: Yep, in this happen, I'm looking my nose.

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Speaker 5: One door.

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Speaker 1: Okay, okay, okay, okay.

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Speaker 6: Has he done it?

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Speaker 7: Now?

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Speaker 1: Leads to dial and as soon as he dials and

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Speaker 1: we'll go on hold.

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Speaker 3: Have you hit it, Harry, he's on the dark side

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Speaker 3: of the moon.

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Speaker 1: No, he's not.

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Speaker 3: Oh my god, Harry, have you.

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Speaker 5: Yeah, I'm here.

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Speaker 6: I can hear you.

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Speaker 1: Okay, so you dial and now.

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Speaker 2: I'm darling and now okay's.

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Speaker 4: Gonna be like and hold the one the boys on

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Speaker 4: the other end.

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Speaker 3: I'm about to put Harry.

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Speaker 1: Harry, I can hear you.

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Speaker 2: No, No, it's been a ride.

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Speaker 1: We love this guy. He's back for another crack.

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Speaker 2: Come on, Harry on World West text aboard Harry, welcome

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Speaker 2: back to Willow Buddy.

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Speaker 5: Thank you, Hi.

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Speaker 1: How are you going, mate? It's great to have you

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Speaker 1: back in the.

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Speaker 8: Second week, not the third week. And I'm eighty three

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Speaker 8: eighty five.

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Speaker 1: I love it.

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Speaker 3: Harry goes whack. Hey, Harry, before we get into merging

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Speaker 3: the call.

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Speaker 4: Last week, when you were on Mate, you were talking

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Speaker 4: about the fact that you were having a weekend away

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Speaker 4: with your beautiful wife.

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Speaker 1: It's Ryan.

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Speaker 3: You were going to have to Sokyo.

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Speaker 1: A couple of days in town.

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Speaker 3: Yeah, we did, and how was it?

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Speaker 1: It was very nice, very good. Did you get to

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Speaker 1: Sokkio the restaurant?

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Speaker 8: Yeah we did get to Sochios.

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Speaker 1: Yes, lovely, lovely food.

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Speaker 2: Oh great to hear mate. Well, look, Harry, I can't

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Speaker 2: tell you enough. We are so grateful You're back here, like,

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Speaker 2: I mean, how are you feeling about this week?

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Speaker 1: How you how are you feeling about it?

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Speaker 8: A little apprehensive work last week?

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Speaker 2: Yeah, yep, because you were sure, you were sure you

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Speaker 2: nailed it last week when we spoke to you.

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Speaker 8: Well, yeah, you see at work when our son came

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Speaker 8: over and we did it and it all went seamlessly,

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Speaker 8: and you guys got on and it just all fell apart.

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Speaker 1: Ah, Okay, that's just the nature of the big stage.

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Speaker 4: Do you think maybe it was the pressure of the

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Speaker 4: fact that Will and I were going to shout your

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Speaker 4: sokkio bill with your.

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Speaker 6: Name very easily.

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Speaker 1: I love it, Harry, We love that you're back. Mate. Now,

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Speaker 1: look are you ready to go again? You're feeling up

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Speaker 1: to it.

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Speaker 2: I'm going to try okay now again, I assume. And

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Speaker 2: your wife is dutifully waiting.

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Speaker 1: In the other room.

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Speaker 2: Yes, she is, okay, And you guys have rehearsed this

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Speaker 2: a few times obviously.

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Speaker 1: Well, what's trying okay?

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Speaker 3: Okay, gad question, Harry.

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Speaker 4: She's also keen to every single week we do this,

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Speaker 4: set ourself up in the kitchen and be on the

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Speaker 4: receiving end of the call.

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Speaker 1: What's that miss fat No?

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Speaker 2: I don't worry, mate, it's all right, It's okay. We're

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Speaker 2: just talking about whether or not you're ready to go.

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Speaker 2: And I think I think one of those things that

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Speaker 2: you are. Now, Harry, what do you and I have

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Speaker 2: had a chat about this? And because you're here, you're

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Speaker 2: doing this every you've been given this three cracks now.

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Speaker 1: Sorry, second crack, second crack.

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Speaker 2: Okay, Harry, if you nail it today, okay, if you

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Speaker 2: nail it today, Wood, you and I are not going

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Speaker 2: to buy you a brand new phone, Okay, okay, okay.

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Speaker 1: I don't know if that kill any better. I mean,

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Speaker 1: if that, if you're into it, that would be one

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Speaker 1: that all right, all right, all right, I go No,

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Speaker 1: I've got to have a call.

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Speaker 6: Yep, quick word with Anne yep.

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Speaker 8: And then hit the merge button and wait.

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Speaker 1: Wait we go yeah, okay, that's Harry again.

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Speaker 2: And and you know, just to confirm you're gonna have

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Speaker 2: a quick chat with and anything you're going to say.

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Speaker 1: To her while you're there, good bye. We can hear

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Speaker 1: we haven't heard an before these years.

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Speaker 2: All right, well hopefully and we're going to hear and

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Speaker 2: live on the radio show.

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Speaker 1: Okay, I'm going to have the call now and.

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Speaker 3: Remember, remember Harry, before you do go on.

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Speaker 4: I hate to add more pressure, but if you do,

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Speaker 4: nail this will and I are buying you a new phone.

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Speaker 2: Okay, okay, good luck Harry, Harry with your mate.

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Speaker 1: Okay, thank you?

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Speaker 7: Where we go?

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Speaker 5: Okay?

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Speaker 3: I mean, this is this.

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Speaker 1: I'm worried if he's on speaking was getting back?

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Speaker 3: I think on speaker so we can find out in

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Speaker 3: his context.

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Speaker 9: That's all right.

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Speaker 3: I'm sure that's what he's doing right now.

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Speaker 1: Oh my god, Wow, this is it.

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Speaker 3: We've never got whole music before.

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Speaker 2: Oh my god, come on, Harry, he's there, he's there,

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Speaker 2: they're talking.

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Speaker 1: He's talking to his wife right now. Oh oh my god.

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Speaker 6: There we go. Hello, and we've done it.

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Speaker 1: Would you like to save yourself?

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Speaker 3: I'm very happy and are you proud of your husband?

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Speaker 6: And oh god, thank god, I'm gonna have a huge

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Speaker 6: drinks in the class that.

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Speaker 1: Hello. Is this been going on for and talk to

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Speaker 1: us way too long? How often Harry's been?

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Speaker 2: How often has Harry been because obviously we have Harry

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Speaker 2: on this show every week.

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Speaker 1: It's great to finally meet you. Great to finally meet you.

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Speaker 2: How what's the boot camp been like to get the

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Speaker 2: merge call off the off the ground.

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Speaker 10: Well, we were doing all the role well, he was

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Speaker 10: doing all the right things, but for some reason, I

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Speaker 10: don't know, it just didn't work.

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Speaker 6: But anyway it has has today, so thank.

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Speaker 1: God it's great.

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Speaker 4: And Harry has also been telling us that all the

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Speaker 4: spinal as pillows we've been sending him haven't been arriving.

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Speaker 3: Is that true? Or are there a lot of spinal

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Speaker 3: you said, now you.

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Speaker 1: Sent me too, You said, well I've got those two? Good? Okay,

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Speaker 1: did you.

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Speaker 3: Give one to and have you? Are you using a

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Speaker 3: spinal as pillow?

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Speaker 6: Yes?

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Speaker 1: They're wonderful or wonderful and and and sorry, I'm just

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Speaker 1: fascinated to meet you. Obviously we know Harry so well.

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Speaker 1: How long have you been with Harry for?

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Speaker 10: Oh god, we've been married for sixty one years and

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Speaker 10: we were going together about three years before that.

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Speaker 2: Whow do you think as a couple merging a call

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Speaker 2: has been your greatest achievement?

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Speaker 6: No?

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Speaker 1: No, what is that to ask?

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Speaker 2: You know, just just on behalf of everyone. Hey, Harry,

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Speaker 2: we love your work mate. That was bloody awesome. We're

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Speaker 2: going to get you, Willy and I are going to

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Speaker 2: get your phone and there's been some word here that

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Speaker 2: we might then we want to come up and hand

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Speaker 2: deliver it to your mate because we'd like to come

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Speaker 2: and have a drink at the BOWLO with you.

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Speaker 7: I lovely.

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Speaker 1: More than welcome show.

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Speaker 3: You regret saying that.

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Speaker 2: We have a surprise, But everybody in their cars right

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Speaker 2: now our next guest. Look, you and I aren't going

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Speaker 2: to be able to summon the enthusiasm that our Jordy

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Speaker 2: producer LJ has for our next guest.

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Speaker 3: So look what we're going to do.

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Speaker 2: Because she wiz she's been going on about this and

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Speaker 2: it needs to be on a microphone. We've been getting

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Speaker 2: ear fools about this guy for weeks.

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Speaker 3: But you've been manic. You've visualized meeting him three times already.

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Speaker 9: Is that right?

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Speaker 11: Yep? Because I know when I see him, I'll be

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Speaker 11: quite I know this is the thing for a producer

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Speaker 11: you have to we meet. We meet incredible people in

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Speaker 11: this job, and every once in a while someone comes

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Speaker 11: through the doors where it's you really have to manage

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Speaker 11: how that feels when you're going to meet them.

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Speaker 1: Okay, So here's what we're going to do.

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Speaker 2: Because you could talk about this guy forever and you

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Speaker 2: have spoken about this guy forever, so forever.

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Speaker 1: I'm listening, You've got a minute. Who is Gary Barlow?

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Speaker 1: And why is he so? Why does he mean so

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Speaker 1: much too? Why does he mean so much to.

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Speaker 12: The world already?

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Speaker 13: Gary Barlow? So I used to be in a goog

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Speaker 13: call teat that. When I say it used to be

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Speaker 13: because he was in the nineties and it was the biggest.

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Speaker 13: It was the biggest boy band going. Think One Direction

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Speaker 13: in the naughties. This was this was Take that in

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Speaker 13: the nineties. Anyway, everyone's in love with like eight eight,

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Speaker 13: twelve years old.

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Speaker 3: So this is my first boy band.

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Speaker 1: Love right and lesbian.

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Speaker 3: Anyway, it's distracting. So you're in love with this boy band.

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Speaker 3: And then in nineteen ninety sixty broke up and everyone's

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Speaker 3: heart was broken.

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Speaker 11: And then ten years later, ten years later, in two

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Speaker 11: thousand and six, they announced they were coming back.

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Speaker 3: So imagine One Direction said all of them.

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Speaker 13: Were getting back together and coming back that and they.

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Speaker 11: Released Patients and it was like my first love back

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Speaker 11: in my life.

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Speaker 3: Four years later, Robbie goes, I like what they're doing

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Speaker 3: over there. Robbie comes back. They heal the rift that

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Speaker 3: once was.

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Speaker 1: They released an album together was broken.

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Speaker 13: That album is called Progress, and that whole album was

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Speaker 13: about rifting the heels of their childhood in that back Baryan, Robbie,

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Speaker 13: Gary and Robbie and then and then Gary, and then

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Speaker 13: Robbie leaves again, and then the Boys.

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Speaker 3: Continues a four piece.

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Speaker 13: Jason leaves, but Gary, Mark and Howard continues a three

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Speaker 13: piece and have done for the next fifteen years. But

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Speaker 13: Gary has made solo stuff is wonderful. He made an

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Speaker 13: album called Music Played by Humans a couple of years ago.

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Speaker 3: I played every time.

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Speaker 6: That's it.

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Speaker 2: Okay, Wow, sounds like you love him a lot. Well

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Speaker 2: he heard all of that, and he's in the studio

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Speaker 2: right now. Gary, vollow everyone.

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Speaker 12: That's the best intro.

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Speaker 1: You doing.

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Speaker 12: I love your accent. By the way, how does anyone

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Speaker 12: understand you.

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Speaker 3: Don't touch his face? Was touching his face?

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Speaker 12: Touching eight years old? Lovely to meet you.

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Speaker 14: Thank you for that intro.

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Speaker 12: Hey, listen, just so you know, I've been in Australia

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Speaker 12: now for six days. I haven't had an intro like that.

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Speaker 6: Wow.

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Speaker 3: Wow, If you could.

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Speaker 12: Write that down, yeah, I'll give it to everyone as

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Speaker 12: my right.

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Speaker 3: That intro.

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Speaker 1: Right, El are you with me? El you with me.

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Speaker 1: You got to see these guys on the Socialist check

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Speaker 1: it out?

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Speaker 15: Where's the where's the accent?

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Speaker 12: From black Bun?

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Speaker 1: You feel like you're there, don't you.

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Speaker 15: You've never lost it?

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Speaker 12: No, no, no, no, I refuse to lose it, isn't it.

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Speaker 1: I've I've never seen you look at a man like this.

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Speaker 1: There's so much going on.

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Speaker 6: I don't know what.

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Speaker 12: What is someone who speaks my life right right here,

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Speaker 12: right here?

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Speaker 3: You're touching him again?

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Speaker 6: Off it.

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Speaker 14: I mean, I've been to some shows, but this is

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Speaker 14: the weirdest ever. Eld Thank you so lovely, Thank you

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Speaker 14: what you mean?

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Speaker 1: Boggers?

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Speaker 12: I can't believe you enjoyed that pain?

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Speaker 2: Yeah?

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Speaker 3: Beautiful.

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Speaker 12: Yeah, so we've got one fan here. That's a relief.

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Speaker 1: If you missed the intro, you missed a very very

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Speaker 1: special moment with.

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Speaker 7: L J.

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Speaker 1: Went for a very long timing.

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Speaker 2: Our socials, Instagram and TikTok wiel And what do you

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Speaker 2: think el is actually just going?

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Speaker 1: She's still there, she is. I can still see she's

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Speaker 1: still beaming from the front row, just.

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Speaker 3: Steering her face up against the window and she.

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Speaker 2: Has her face up against the windover because Gary.

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Speaker 1: Barlow from Take That is in the city.

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Speaker 12: I lovely, thank you, It's lovely to be here.

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Speaker 1: So touring down in Australia.

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Speaker 14: How exciting, very exciting, Yeah, very excit. This is actually

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Speaker 14: a year of touring for us. We start in the

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Speaker 14: UK and March Europe, South Africa, Middle East, and we

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Speaker 14: come here. It's one of our last stops to Australia.

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Speaker 14: We're bringing our bathing trunks. It's going to be springing

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Speaker 14: to summer, British going hard.

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Speaker 6: Gary.

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Speaker 1: I just we just saw l J fangirl.

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Speaker 2: You and we were talking before about like she was

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Speaker 2: an eight year old girl while you guys were everything

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Speaker 2: in the nineties.

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Speaker 1: What's the like? That for me was just a zephyr

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Speaker 1: of the fandom that you will have experienced in your time.

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Speaker 1: What's the craziest fan let's call it fandom that you've experienced?

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Speaker 12: Yeah, in the nineties nineties?

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Speaker 14: Was the real Is there a specific incident that you

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Speaker 14: were like, whoa, yeah, we had we we used to

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Speaker 14: play in Italy a lot.

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Speaker 3: And then they're known that they've.

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Speaker 14: Got fiery blood.

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Speaker 12: Yeah yeah, yeah, yeah, militranan passionate, very passionate.

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Speaker 14: Ye and a couple of these girls paid the room

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Speaker 14: service people to let them put their outfits on and

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Speaker 14: bring us.

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Speaker 7: Yeah.

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Speaker 1: Yeah, how did you figure that out?

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Speaker 12: How did you started asking for autographs?

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Speaker 4: Yeah?

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Speaker 1: Do you know how much they've paid them?

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Speaker 12: I have no idea.

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Speaker 2: So they accosted the staff and now like you're taking

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Speaker 2: food to the to the boys who were.

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Speaker 12: Killed them.

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Speaker 3: Still haven't found the body. Wow, how did you take

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Speaker 3: all of that? Gary?

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Speaker 4: Because because I have seen footage of you in the

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Speaker 4: nineties when, as you said, well, fans are paying people

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Speaker 4: to get in disguise to meet you guys, how are

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Speaker 4: you handling all of that in the nineties?

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Speaker 3: And then how was your relationship changed with fame over

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Speaker 3: the years.

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Speaker 14: Oh, we loved it.

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Speaker 1: We encouraged it.

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Speaker 12: We absolutely had a ball.

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Speaker 1: It was brilliant.

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Speaker 14: It was it was it was hysteria and it was fantastic,

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Speaker 14: and our shows were designed to make them go crazy.

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Speaker 1: Yeah.

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Speaker 12: It's a little nicer nowadays.

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Speaker 14: Yeah, it really really, they're so honestly, I mean obviously

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Speaker 14: they've they've all grown up, all right, some of them.

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Speaker 12: And it's lovely, it really is. I've got no complaints whatsoever.

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Speaker 12: I'm amazed was still here.

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Speaker 1: I was going to say to it, what a privilege?

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Speaker 2: Yeah, right, and they still pack out stadiums with people

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Speaker 2: singing your songs back at you.

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Speaker 1: Very lucky, Yeah lucky.

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Speaker 14: And you know what, it almost means more nowadays than

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Speaker 14: it ever did. Yeah, it's so it's so enjoyable. So

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Speaker 14: for us to be able to travel around the world

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Speaker 14: doing this, it's brilliant, brilliant.

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Speaker 2: Do you obviously another big part of your career obviously,

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Speaker 2: so take that's been obviously a huge part of it

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Speaker 2: and all the fandom and everything that came with that.

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Speaker 2: But you are at its coorus a songwriter, and you've

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Speaker 2: obviously written songs for a lot of other people as well.

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Speaker 6: What for you?

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Speaker 2: I was interested to know this Is there a song

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Speaker 2: that you've written that you were like because there's a

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Speaker 2: famous story about Cat Stevens actually who originally wrote the

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Speaker 2: first cut is the Deepest, and he ended up selling

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Speaker 2: it for like it's a great song, and he ended

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Speaker 2: up selling it for like I don't know what I'm

359
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Speaker 2: going to screw, like twelve p or something like that.

360
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Speaker 2: Selling it he sold it to the record label, the

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Speaker 2: rights to the record label because he was broke at

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Speaker 2: the time, and then five other people covered it. He

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Speaker 2: never meant any money off her true.

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Speaker 8: Yeah.

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00:16:10,880 --> 00:16:11,080
Speaker 7: Yeah.

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Speaker 1: Have you got a song that you like let let go?

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Speaker 7: Yeah?

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Speaker 3: Yeah, yeah.

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Speaker 1: Hello.

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Speaker 2: Have you got a song that you've given to somebody

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Speaker 2: else that you thought like, Oh geez, I wish I could.

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Speaker 1: I wish I had a held on too that one.

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Speaker 12: Do you know what I've got to be honest, I

374
00:16:28,120 --> 00:16:29,080
Speaker 12: put myself first.

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Speaker 6: Yeah.

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Speaker 12: All the best songs.

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Speaker 1: To anyone else?

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Speaker 3: Definitely not. Do you do know straight away you're like.

379
00:16:39,480 --> 00:16:39,960
Speaker 6: A banger?

380
00:16:40,400 --> 00:16:41,200
Speaker 1: This is a banger.

381
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Speaker 3: Here comes Garry everyone.

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Speaker 6: Do you know what?

383
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Speaker 14: It doesn't Maybe a few days later you go, oh

384
00:16:50,840 --> 00:16:53,200
Speaker 14: that thing a couple of days sticks with meybe, But

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Speaker 14: I don't think anyone really finishes the day and goes

386
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Speaker 14: there you go.

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Speaker 1: That's a crack up.

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Speaker 7: Yeah.

389
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Speaker 3: Do you want me to play?

390
00:17:00,920 --> 00:17:01,400
Speaker 1: I think so.

391
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Speaker 2: I think I just wouldn't mind seeing like a bit

392
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Speaker 2: of Yeah, Gary Barlow magic.

393
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Speaker 1: We've got one of the greatest summers in the world.

394
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Speaker 1: Keyboard I ever, we're willing out the rolls Royce.

395
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Speaker 5: Does.

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Speaker 4: This is a man who's performed in front of the

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Speaker 4: Queen and now he's on a shitty Panasonic.

398
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Speaker 1: Only the best sonic.

399
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Speaker 12: I didn't even know the meat. You know, it's working

400
00:17:27,760 --> 00:17:28,080
Speaker 12: as well?

401
00:17:29,359 --> 00:17:29,600
Speaker 9: Does it?

402
00:17:31,560 --> 00:17:32,200
Speaker 6: Wow? Wow?

403
00:17:33,119 --> 00:17:33,720
Speaker 7: So what do you so?

404
00:17:34,200 --> 00:17:38,560
Speaker 3: I mean, I know nothing about songwriting. Gary, what's happening

405
00:17:38,680 --> 00:17:43,080
Speaker 3: right now? You're just you're just I'm playing piano.

406
00:17:45,400 --> 00:17:46,159
Speaker 4: This is what I do.

407
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Speaker 3: Even what did you want to say that?

408
00:17:50,359 --> 00:17:50,920
Speaker 5: But what do you like?

409
00:17:51,040 --> 00:17:51,560
Speaker 6: What do you like?

410
00:17:51,680 --> 00:17:54,240
Speaker 3: You're just feeling out the keys right now and you're.

411
00:17:54,200 --> 00:17:54,520
Speaker 5: Just like.

412
00:17:56,280 --> 00:17:59,320
Speaker 14: I started playing piano was nine, So I mean I

413
00:17:59,440 --> 00:18:02,280
Speaker 14: did ski when I was eleven, So I've.

414
00:18:02,160 --> 00:18:04,160
Speaker 3: Been doing this a long time. What was your gig

415
00:18:04,240 --> 00:18:04,719
Speaker 3: at eleven?

416
00:18:05,320 --> 00:18:09,080
Speaker 14: It was in like a little social club about ten

417
00:18:09,160 --> 00:18:12,840
Speaker 14: minutes from where I lived, and they needed like a

418
00:18:12,880 --> 00:18:14,600
Speaker 14: bit of entertainment in the bar.

419
00:18:15,000 --> 00:18:17,399
Speaker 1: So I went on eleven year.

420
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Speaker 3: Olds and you were writing your own songs and eleven

421
00:18:20,640 --> 00:18:21,520
Speaker 3: you know, I was doing.

422
00:18:23,800 --> 00:18:24,440
Speaker 10: Oh yeah.

423
00:18:26,560 --> 00:18:31,160
Speaker 12: Wow John and anything they do requests.

424
00:18:30,920 --> 00:18:33,720
Speaker 1: You know, wow. I just plays.

425
00:18:34,200 --> 00:18:36,720
Speaker 3: Wanted and had the bag since then, since eleven when you.

426
00:18:37,400 --> 00:18:41,120
Speaker 14: Stopped playing music. Since then, I wanted to work out

427
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Speaker 14: a way of making sure I could do this for

428
00:18:44,080 --> 00:18:46,440
Speaker 14: every day of my life from them, and I have,

429
00:18:47,040 --> 00:18:48,720
Speaker 14: and you have to thank goodness.

430
00:18:48,960 --> 00:18:49,160
Speaker 1: Yeah.

431
00:18:49,720 --> 00:18:51,879
Speaker 12: I love music so much and.

432
00:18:51,920 --> 00:18:52,720
Speaker 14: I love to play it.

433
00:18:52,840 --> 00:18:55,639
Speaker 12: I sit and play at home with no purpose, just

434
00:18:55,720 --> 00:18:56,440
Speaker 12: to sit and play.

435
00:18:57,400 --> 00:18:59,920
Speaker 1: Gary, what's your what's your favorite? Take that song to play?

436
00:19:01,440 --> 00:19:03,280
Speaker 12: I'm sorry doing you're an intro to?

437
00:19:04,560 --> 00:19:06,960
Speaker 1: Yeah, I guess not.

438
00:19:07,160 --> 00:19:07,840
Speaker 3: It's time.

439
00:19:10,320 --> 00:19:11,120
Speaker 12: Need to give up.

440
00:19:13,080 --> 00:19:14,000
Speaker 1: Feeds time.

441
00:19:16,480 --> 00:19:20,840
Speaker 12: I got a picture of you beside me. Shall letstick

442
00:19:21,040 --> 00:19:23,159
Speaker 12: marks the lawn your coffee car.

443
00:19:25,359 --> 00:19:32,240
Speaker 15: Oh yeah, I got a fist of pure emotion. I

444
00:19:32,359 --> 00:19:36,920
Speaker 15: got a hair of shadow dreams. Better leave it, I

445
00:19:37,080 --> 00:19:37,919
Speaker 15: better leave it.

446
00:19:38,080 --> 00:19:39,360
Speaker 12: All behind down.

447
00:19:39,600 --> 00:19:40,880
Speaker 3: I want you guys to join.

448
00:19:41,920 --> 00:19:45,520
Speaker 12: Whatever I said, whatever I did, I didn't mean it.

449
00:19:46,200 --> 00:19:47,480
Speaker 6: I just watch you.

450
00:19:47,800 --> 00:19:48,520
Speaker 1: Back for good.

451
00:19:48,600 --> 00:19:50,840
Speaker 3: I want you back. I want you back.

452
00:19:51,240 --> 00:19:53,080
Speaker 6: I want you back for good.

453
00:19:53,600 --> 00:19:54,240
Speaker 3: One more time.

454
00:19:54,320 --> 00:19:57,520
Speaker 12: Whenever I'm wrong, just tell me the song now, I'll.

455
00:19:57,359 --> 00:20:01,720
Speaker 3: Sing it and give me right and understood. Want you back,

456
00:20:02,640 --> 00:20:03,280
Speaker 3: want you back?

457
00:20:03,400 --> 00:20:05,440
Speaker 12: See I want you back for good?

458
00:20:08,080 --> 00:20:13,480
Speaker 3: Oh wow, man, that's no good.

459
00:20:13,600 --> 00:20:19,680
Speaker 1: That felt so goods Do you want them? Because we're here,

460
00:20:19,760 --> 00:20:22,080
Speaker 1: We're ready. You're pretty good, guys, Yeah, not bad, not bad.

461
00:20:22,160 --> 00:20:23,040
Speaker 3: There was a synergy there.

462
00:20:23,119 --> 00:20:26,280
Speaker 12: Yeah, it sounded like a good old English pub sound.

463
00:20:28,880 --> 00:20:33,840
Speaker 1: Well, you know we're here, you know, whatere to find us?

464
00:20:33,920 --> 00:20:34,120
Speaker 4: Yeah?

465
00:20:34,160 --> 00:20:35,560
Speaker 1: Yeah, your people reach out to us.

466
00:20:35,680 --> 00:20:37,240
Speaker 2: Hey, if you want to go and see Gary Barlow

467
00:20:37,280 --> 00:20:40,000
Speaker 2: and take that, make sure you head along Tuesday. I've

468
00:20:40,000 --> 00:20:42,679
Speaker 2: got tickets available front of your touring dot com if

469
00:20:42,680 --> 00:20:45,240
Speaker 2: you want to go and see the guys touring all over. Mate,

470
00:20:45,240 --> 00:20:46,840
Speaker 2: it's been lovely to see you. Thank you, Thank you

471
00:20:46,880 --> 00:20:49,160
Speaker 2: so much for it's been so nice.

472
00:20:49,000 --> 00:20:49,359
Speaker 1: To meet you.

473
00:20:52,640 --> 00:20:57,359
Speaker 3: Somehow, will Yes, it is somehow when I was watching

474
00:20:57,440 --> 00:21:00,040
Speaker 3: the cricket last night, will you're in the cricket last year.

475
00:21:00,040 --> 00:21:03,080
Speaker 4: Watching the women's cricket, they're playing South Africa. Unfortunately they

476
00:21:03,200 --> 00:21:05,960
Speaker 4: got destroyed last night. The Aussie girls, like South Africa,

477
00:21:06,000 --> 00:21:08,560
Speaker 4: had an amazing performance. But while I was watching the cricket,

478
00:21:08,600 --> 00:21:12,240
Speaker 4: I was reminded somehow of I think the biggest problem

479
00:21:12,440 --> 00:21:15,480
Speaker 4: in my relationship with my beautiful fiance min Right. So

480
00:21:15,720 --> 00:21:17,639
Speaker 4: what you need to understand is that a commentator of

481
00:21:17,680 --> 00:21:19,359
Speaker 4: the cricket last night was Mitchell Stark.

482
00:21:20,040 --> 00:21:22,080
Speaker 3: He's a pretty famous Australian.

483
00:21:21,640 --> 00:21:26,120
Speaker 4: Cricket bowler and his part of Yorker absolutely his partner,

484
00:21:26,200 --> 00:21:30,440
Speaker 4: Alissa Heally was one of the players playing for Australia. Okay, right,

485
00:21:30,520 --> 00:21:33,840
Speaker 4: his partner plays for Australia, Yes, and Mitchell Stark is commentating.

486
00:21:33,880 --> 00:21:35,040
Speaker 1: He's commentating her and.

487
00:21:35,080 --> 00:21:40,560
Speaker 4: Then after the match, after after they've being really badly beaten.

488
00:21:40,640 --> 00:21:44,480
Speaker 4: Mitchell Stark then has to interview Alyssa Heally, his partner

489
00:21:45,080 --> 00:21:49,800
Speaker 4: on the ground. He went for a criticism, listened to

490
00:21:50,359 --> 00:21:50,879
Speaker 4: that went.

491
00:21:50,840 --> 00:21:53,560
Speaker 1: Down maybe a fraction floor to getting those edges.

492
00:21:53,920 --> 00:21:57,240
Speaker 7: I think, if we're being highly critical, you're suggesting, then yes,

493
00:21:57,359 --> 00:22:00,960
Speaker 7: potentially Kimmi Garth got to come be a fraction fuller.

494
00:22:01,040 --> 00:22:05,639
Speaker 7: But yes, if we're being ultra critical, maybe, But in

495
00:22:05,800 --> 00:22:07,760
Speaker 7: saying that, I think they did a great job to

496
00:22:08,040 --> 00:22:08,600
Speaker 7: hold as well.

497
00:22:09,359 --> 00:22:17,040
Speaker 4: Oh my god, we're being critical, Mitchell hyper critical. Yeah, right,

498
00:22:17,920 --> 00:22:20,360
Speaker 4: just made me think about mem and I his job there, Mitch,

499
00:22:20,960 --> 00:22:21,840
Speaker 4: he's doing his job.

500
00:22:22,600 --> 00:22:23,080
Speaker 3: I'm quitting.

501
00:22:23,080 --> 00:22:24,960
Speaker 4: I'm quitting my job before I say something like that

502
00:22:25,040 --> 00:22:28,640
Speaker 4: on live TV. But it made me think of my relationship.

503
00:22:30,960 --> 00:22:35,000
Speaker 4: Coward you say coward.

504
00:22:34,800 --> 00:22:37,359
Speaker 3: Because in my home life sometimes, oh you did a.

505
00:22:37,359 --> 00:22:41,040
Speaker 1: Big boy of a brave man, a little bit of courage.

506
00:22:40,760 --> 00:22:44,600
Speaker 2: Sometimes and on the occasion today you in the in

507
00:22:44,680 --> 00:22:47,680
Speaker 2: the homeland, bloody Earth, my friend, okay, bloody Earth.

508
00:22:48,680 --> 00:22:52,639
Speaker 3: I will occasionally, pretty rarely, I'll criticize men.

509
00:22:52,720 --> 00:22:55,440
Speaker 2: Oh god, someone give him the victory across at this guy,

510
00:22:55,960 --> 00:22:57,040
Speaker 2: look at him, look at that courage.

511
00:22:57,040 --> 00:22:58,720
Speaker 3: I'll practice in front of the mirror, and I'll be like,

512
00:22:58,760 --> 00:22:59,600
Speaker 3: I've got to say something.

513
00:23:01,000 --> 00:23:03,000
Speaker 1: What are we talking about it? I like hanging up

514
00:23:03,000 --> 00:23:03,800
Speaker 1: a bath medal.

515
00:23:04,119 --> 00:23:04,960
Speaker 3: It's that kind of stuff.

516
00:23:06,280 --> 00:23:09,680
Speaker 4: So I got up with her quite recently that she

517
00:23:10,119 --> 00:23:11,520
Speaker 4: we've got okay, we've got a dishwasher.

518
00:23:11,560 --> 00:23:13,840
Speaker 3: We're very lucky we have a dishwasher. Okay, but she

519
00:23:13,920 --> 00:23:17,359
Speaker 3: will still so privileged. She will still put her dirty.

520
00:23:17,119 --> 00:23:20,400
Speaker 4: Dishes in the sink, which is thirty centimeters away from

521
00:23:20,440 --> 00:23:21,360
Speaker 4: the dishwasher. Yep.

522
00:23:21,840 --> 00:23:24,200
Speaker 3: And my thought there is I'm going to have to

523
00:23:24,240 --> 00:23:24,720
Speaker 3: criticize it.

524
00:23:24,840 --> 00:23:26,920
Speaker 2: She busy there has she got a child on hand though,

525
00:23:27,240 --> 00:23:31,840
Speaker 2: that's her retork one and why.

526
00:23:31,680 --> 00:23:33,920
Speaker 1: Would you ender that? Well, okay, time call me.

527
00:23:34,680 --> 00:23:37,720
Speaker 4: Yeah, I should do that with any just workshop it

528
00:23:37,960 --> 00:23:40,760
Speaker 4: just workshop, with any life decision or I just think

529
00:23:40,840 --> 00:23:41,720
Speaker 4: before you're about.

530
00:23:41,480 --> 00:23:42,960
Speaker 1: To critique your partner who's one on one with a

531
00:23:43,000 --> 00:23:44,920
Speaker 1: baby for most of the day, don't.

532
00:23:45,080 --> 00:23:47,520
Speaker 4: Can I ask you a question though, do you think

533
00:23:47,560 --> 00:23:51,280
Speaker 4: there's any place within a romantic relationship? Yep, to criticize

534
00:23:51,320 --> 00:23:52,120
Speaker 4: your partner has.

535
00:23:52,040 --> 00:23:54,600
Speaker 1: To be I've spoken about this before on air, and.

536
00:23:56,280 --> 00:23:57,560
Speaker 2: Yeah, if we really want to get down to it,

537
00:23:57,600 --> 00:24:00,440
Speaker 2: as I said, the other day, one of my favorite thinkers, Elaineaton,

538
00:24:00,680 --> 00:24:03,880
Speaker 2: said that the reason that people always say, oh geez,

539
00:24:03,880 --> 00:24:05,439
Speaker 2: that we had great sex at the start of our

540
00:24:05,480 --> 00:24:08,200
Speaker 2: relationship and then it faded out. He says, the reason

541
00:24:08,280 --> 00:24:10,840
Speaker 2: for that is because you don't tell each other what

542
00:24:10,920 --> 00:24:13,200
Speaker 2: you're angry about as the relationship goes on, because you're

543
00:24:13,200 --> 00:24:16,080
Speaker 2: both so scared of losing the relationship and to ruffling

544
00:24:16,119 --> 00:24:20,240
Speaker 2: each other's feathers that you suppress your criticisms of each other.

545
00:24:20,720 --> 00:24:22,440
Speaker 2: And when you do that, you get angry with each

546
00:24:22,440 --> 00:24:24,760
Speaker 2: other subconsciously, and you don't want to have sex with

547
00:24:24,800 --> 00:24:25,520
Speaker 2: the person that you're angry.

548
00:24:25,640 --> 00:24:27,800
Speaker 4: Well, back on the dishes, then what am I suppose

549
00:24:28,160 --> 00:24:30,880
Speaker 4: I'm choosing between criticizing her for leaving her dishes.

550
00:24:30,680 --> 00:24:31,919
Speaker 3: In the sink or having sex that night.

551
00:24:31,960 --> 00:24:32,720
Speaker 1: And what are you doing there?

552
00:24:33,880 --> 00:24:37,440
Speaker 3: Probably not having sex? Look, what are you doing?

553
00:24:37,520 --> 00:24:38,800
Speaker 1: So you're choosing not to have sex?

554
00:24:39,080 --> 00:24:42,760
Speaker 4: Well, then I can't criticize because if I don't criticize,

555
00:24:43,000 --> 00:24:44,000
Speaker 4: then I won't get in trouble.

556
00:24:45,160 --> 00:24:47,919
Speaker 1: I'm not having misunderstanding me if you say the criticism.

557
00:24:48,040 --> 00:24:50,159
Speaker 3: Yeah, I'm not going to say the criticism, So that

558
00:24:50,240 --> 00:24:51,200
Speaker 3: means I'm not having sex.

559
00:24:51,359 --> 00:24:52,240
Speaker 1: No, No, you're not.

560
00:24:53,359 --> 00:24:54,800
Speaker 2: You've got to get it off your chest. You've got

561
00:24:54,920 --> 00:24:56,959
Speaker 2: to get it off your chest. You must criticize your

562
00:24:56,960 --> 00:25:00,200
Speaker 2: partner at the right time, in the right place. Maybe

563
00:25:00,200 --> 00:25:01,720
Speaker 2: not after there's been one on one with your child

564
00:25:01,720 --> 00:25:04,200
Speaker 2: all day, but I think it's important, Like they're like

565
00:25:04,240 --> 00:25:05,800
Speaker 2: any relationship, You've got to be able to give the

566
00:25:05,840 --> 00:25:07,919
Speaker 2: other person feedback, otherwise you end up just resenting them.

567
00:25:08,200 --> 00:25:10,160
Speaker 4: I hear what other people think. Thirteen one oh sixty

568
00:25:10,200 --> 00:25:14,760
Speaker 4: five is our number? Should you give criticism to your partner?

569
00:25:19,480 --> 00:25:23,120
Speaker 4: And as you just said, well maybe, like if you're

570
00:25:23,160 --> 00:25:25,280
Speaker 4: not doing it, maybe that's led into a lack of sex.

571
00:25:26,119 --> 00:25:27,560
Speaker 4: Maybe I don't think we were going to get there.

572
00:25:27,640 --> 00:25:30,480
Speaker 4: But potentially one thing I'm guilty of in the house

573
00:25:30,520 --> 00:25:31,920
Speaker 4: is I forget to always push my chair in.

574
00:25:32,080 --> 00:25:33,119
Speaker 3: I leave chairs.

575
00:25:33,520 --> 00:25:36,400
Speaker 1: Jesus Christ, where the hell I am. She's a stylist,

576
00:25:36,480 --> 00:25:37,760
Speaker 1: you and the trunk balls boarding house.

577
00:25:38,040 --> 00:25:40,280
Speaker 3: What is going on in interior style? So that really

578
00:25:40,359 --> 00:25:41,439
Speaker 3: that that affects her.

579
00:25:41,560 --> 00:25:42,960
Speaker 4: It's like a small thing, but if it happens all

580
00:25:42,960 --> 00:25:44,880
Speaker 4: the time, there are chairs everywhere, and then I don't

581
00:25:44,880 --> 00:25:47,119
Speaker 4: put my place mats away. Yeah, I don't put my

582
00:25:47,160 --> 00:25:51,320
Speaker 4: place mats Wise correction school. But when she brings it up,

583
00:25:51,359 --> 00:25:54,560
Speaker 4: I can feel myself getting defensive, and that's not it's

584
00:25:54,640 --> 00:25:55,919
Speaker 4: never going to be a good company.

585
00:25:55,640 --> 00:25:56,520
Speaker 1: To man's standing around there.

586
00:25:56,520 --> 00:25:56,600
Speaker 7: Bro.

587
00:25:56,680 --> 00:25:59,760
Speaker 1: Sometimes the chair doesn't go in, let's go that is,

588
00:26:00,040 --> 00:26:00,680
Speaker 1: I just can't.

589
00:26:02,720 --> 00:26:02,920
Speaker 9: Guys.

590
00:26:03,560 --> 00:26:06,879
Speaker 3: It goes both ways. It does bring up every now

591
00:26:06,880 --> 00:26:07,080
Speaker 3: and then.

592
00:26:10,119 --> 00:26:12,800
Speaker 1: Aim, Hey, guys.

593
00:26:13,160 --> 00:26:15,280
Speaker 2: First question, didn't do you put your place mataway or

594
00:26:15,280 --> 00:26:15,920
Speaker 2: push your chair in?

595
00:26:17,280 --> 00:26:17,440
Speaker 7: Look?

596
00:26:17,480 --> 00:26:18,920
Speaker 9: I don't push my chair in and I don't put

597
00:26:18,920 --> 00:26:20,520
Speaker 9: my place made away either. Yeah.

598
00:26:21,640 --> 00:26:23,000
Speaker 4: Well, you know we need to need better denim, We

599
00:26:23,080 --> 00:26:25,880
Speaker 4: need to be better, we need to put pushing out chairs.

600
00:26:25,960 --> 00:26:27,800
Speaker 4: But mate, you've been married for seven years. The question

601
00:26:27,840 --> 00:26:29,840
Speaker 4: that I'm asking everyone thirteen one oh six five is

602
00:26:30,400 --> 00:26:33,000
Speaker 4: should you ever give criticism to your partner?

603
00:26:34,000 --> 00:26:34,200
Speaker 1: Look?

604
00:26:34,560 --> 00:26:38,360
Speaker 9: I do think criticism or open conversation is definitely important

605
00:26:38,359 --> 00:26:41,280
Speaker 9: in a marriage. You know, like for example, you know,

606
00:26:41,400 --> 00:26:43,639
Speaker 9: if it could be something small like for example, like

607
00:26:43,720 --> 00:26:46,119
Speaker 9: you said earlier, you know, your wife leaving the plates

608
00:26:46,240 --> 00:26:48,399
Speaker 9: or you know, cups and the sink instead of putting

609
00:26:48,440 --> 00:26:51,520
Speaker 9: in a dishwasher. You know, maybe it's sometimes just helping

610
00:26:51,600 --> 00:26:54,440
Speaker 9: her out by doing it, and she notices that. But

611
00:26:55,080 --> 00:26:56,840
Speaker 9: sometimes you know, you have to also look at it

612
00:26:56,880 --> 00:26:58,960
Speaker 9: the other ways. You know, if you're holding on something

613
00:26:59,040 --> 00:27:01,200
Speaker 9: small now, you know later on down the track in

614
00:27:01,240 --> 00:27:03,119
Speaker 9: your marriage, you might hold in something bigger and bigger,

615
00:27:03,119 --> 00:27:05,639
Speaker 9: and before you know it, that's a big blowout and

616
00:27:06,280 --> 00:27:08,760
Speaker 9: you know you're definitely not you're not getting raid that night,

617
00:27:08,760 --> 00:27:10,040
Speaker 9: and you're probably not getting read for the rest of

618
00:27:10,080 --> 00:27:10,360
Speaker 9: the week.

619
00:27:10,520 --> 00:27:12,440
Speaker 3: Yeah, not that that's the most important thing.

620
00:27:14,960 --> 00:27:17,359
Speaker 1: Might have hit the underlying issue here. Yeah, I like

621
00:27:17,480 --> 00:27:20,240
Speaker 1: it from Denham. We were discussing insightful.

622
00:27:19,760 --> 00:27:22,119
Speaker 3: Actually, no doubt I do agree with that.

623
00:27:22,359 --> 00:27:24,680
Speaker 4: I think because you were just joking before around the

624
00:27:24,720 --> 00:27:27,080
Speaker 4: fact that place matts and chairs isn't a big deal,

625
00:27:27,359 --> 00:27:29,600
Speaker 4: and me and men will acknowledge that, like some.

626
00:27:29,720 --> 00:27:32,800
Speaker 3: Of the things that overall anyone can acknowledge that, yeah,

627
00:27:33,040 --> 00:27:33,679
Speaker 3: this is a tiny thing.

628
00:27:33,680 --> 00:27:35,760
Speaker 4: I shouldn't say anything, but you realize that if that

629
00:27:35,920 --> 00:27:39,680
Speaker 4: builds and that bubbles, then maybe it can become something bigger.

630
00:27:39,800 --> 00:27:41,720
Speaker 1: Is there an argument for like the other side of it,

631
00:27:41,840 --> 00:27:42,679
Speaker 1: I think is the.

632
00:27:46,000 --> 00:27:48,280
Speaker 2: Is there a place that you can get to by

633
00:27:48,520 --> 00:27:52,960
Speaker 2: both letting go of things whereby there's a letting go

634
00:27:54,000 --> 00:27:57,080
Speaker 2: more consistently of small things. Do you know what I mean?

635
00:27:57,160 --> 00:27:59,440
Speaker 2: So I was like, hey, look, because you notice what

636
00:27:59,600 --> 00:28:02,040
Speaker 2: I know. I don't know about you, but I notice

637
00:28:02,080 --> 00:28:04,680
Speaker 2: if Sam lets me get away with something. Yeah, and

638
00:28:04,800 --> 00:28:07,600
Speaker 2: I don't notice it consciously, but subconsciously I think there's

639
00:28:07,600 --> 00:28:07,920
Speaker 2: a moment.

640
00:28:08,160 --> 00:28:09,480
Speaker 1: Oh she was nice about that.

641
00:28:10,080 --> 00:28:12,000
Speaker 2: So the next time around there's a thing that she does,

642
00:28:12,040 --> 00:28:14,680
Speaker 2: I'm like, well, subconsciously she let me do that.

643
00:28:16,000 --> 00:28:17,880
Speaker 1: Maybe I'm not going to get so annoyed about that now.

644
00:28:18,040 --> 00:28:20,000
Speaker 1: I don't know. Maybe I don't know.

645
00:28:20,720 --> 00:28:21,240
Speaker 3: We've got a.

646
00:28:22,480 --> 00:28:24,760
Speaker 1: Anonymous number that's called the radio station.

647
00:28:24,960 --> 00:28:29,000
Speaker 3: Wow, I know that number, Mim. So okay, So Mim,

648
00:28:32,920 --> 00:28:35,000
Speaker 3: you've got saying to say, Mim, obviously we.

649
00:28:35,119 --> 00:28:37,560
Speaker 10: Can't torch me on my radio and not expect me

650
00:28:37,640 --> 00:28:39,360
Speaker 10: to call up when I'm an uber on the way

651
00:28:39,400 --> 00:28:39,960
Speaker 10: to the airport.

652
00:28:41,280 --> 00:28:43,680
Speaker 4: Yeah yeah, yeah, very exciting weekend away that we're going

653
00:28:43,760 --> 00:28:46,240
Speaker 4: to have. So what are your thoughts on this, Mim?

654
00:28:46,280 --> 00:28:47,560
Speaker 4: What are your thoughts on Well?

655
00:28:47,600 --> 00:28:48,760
Speaker 10: I don't know if do you want me to just

656
00:28:48,840 --> 00:28:50,600
Speaker 10: go through I've got notes in my phone of a

657
00:28:50,680 --> 00:28:53,000
Speaker 10: list of things that you do wrong that I haven't

658
00:28:53,000 --> 00:28:54,719
Speaker 10: said anything to you about. Oh, a couple of them

659
00:28:54,720 --> 00:28:57,200
Speaker 10: you've already admitted to think that's necessary.

660
00:28:57,200 --> 00:28:58,840
Speaker 1: Let's get in them. Let's get in them. I recoon,

661
00:28:58,880 --> 00:28:59,880
Speaker 1: there's obviously a couple of here.

662
00:29:01,040 --> 00:29:03,480
Speaker 10: Okay, well I reckon the toilet seat left Up's a

663
00:29:03,520 --> 00:29:04,120
Speaker 10: big one for me.

664
00:29:04,440 --> 00:29:07,000
Speaker 4: And then obviously I've got because I dropped. I dropped

665
00:29:07,040 --> 00:29:10,480
Speaker 4: Remy's football in the duney today and I realized and.

666
00:29:10,520 --> 00:29:12,320
Speaker 10: Then he tried to let her continue to play with

667
00:29:12,400 --> 00:29:14,920
Speaker 10: it after he'd had taken a wie on it.

668
00:29:15,000 --> 00:29:17,360
Speaker 3: That's poor behavior, poor behavior. But unless it learned for

669
00:29:17,440 --> 00:29:19,640
Speaker 3: me to close the lid anyway, do we have any more?

670
00:29:20,320 --> 00:29:22,240
Speaker 10: Yeah, well that doesn't push the chair in and the

671
00:29:22,280 --> 00:29:28,000
Speaker 10: place and on the tables, Hue. And you leave a

672
00:29:28,480 --> 00:29:31,120
Speaker 10: single cup on the kitchen think every morning and have

673
00:29:31,240 --> 00:29:33,680
Speaker 10: the audacity to wrap me out about not putting my

674
00:29:33,760 --> 00:29:34,280
Speaker 10: dishes away.

675
00:29:34,320 --> 00:29:36,360
Speaker 3: That's my day's cup. That's my that's my cup for

676
00:29:36,440 --> 00:29:39,080
Speaker 3: the days. I leave it there on standby on the bench.

677
00:29:40,600 --> 00:29:43,520
Speaker 10: You wait till the bins overflowing to empty it. And

678
00:29:43,760 --> 00:29:46,440
Speaker 10: then the one that really gets me is you don't

679
00:29:46,640 --> 00:29:48,920
Speaker 10: like you're and off the floor when you miss. And

680
00:29:49,000 --> 00:29:50,920
Speaker 10: then you say it could be anyone and the only

681
00:29:51,000 --> 00:29:51,920
Speaker 10: two people who believe it.

682
00:29:53,120 --> 00:29:59,160
Speaker 9: I'm going to hurt the soft drink.

683
00:30:00,640 --> 00:30:01,520
Speaker 3: He's a beer.

684
00:30:04,600 --> 00:30:12,160
Speaker 2: Duarsy, no, Darcy, No, alrighty, it's on, guys, it's on

685
00:30:12,320 --> 00:30:12,840
Speaker 2: next week.

686
00:30:13,760 --> 00:30:15,800
Speaker 3: Are we not saying today for a particular reason?

687
00:30:16,200 --> 00:30:16,400
Speaker 1: Yeah?

688
00:30:16,480 --> 00:30:17,239
Speaker 3: For a safety thing.

689
00:30:17,360 --> 00:30:19,160
Speaker 2: Yeah all right, Well we've got a twenty thousand dollars

690
00:30:19,240 --> 00:30:22,120
Speaker 2: check down at our Can you hear it live?

691
00:30:22,720 --> 00:30:23,760
Speaker 1: Brought to you by Kirks.

692
00:30:23,760 --> 00:30:25,240
Speaker 2: What better way to enjoy a great does the meal

693
00:30:25,280 --> 00:30:26,960
Speaker 2: them with a kirk to bring family and friends together.

694
00:30:27,200 --> 00:30:29,080
Speaker 2: If you can tell the difference between soft drink and beer,

695
00:30:29,280 --> 00:30:31,040
Speaker 2: that was a soft drink. If you can tell the

696
00:30:31,080 --> 00:30:32,720
Speaker 2: difference between soft drink and beer.

697
00:30:32,880 --> 00:30:34,160
Speaker 1: I'm getting I'm definitely getting better.

698
00:30:34,280 --> 00:30:35,760
Speaker 2: If you can tell the difference between soft drink and

699
00:30:35,840 --> 00:30:39,080
Speaker 2: beer just through the sound of the can cracking, and

700
00:30:39,200 --> 00:30:42,800
Speaker 2: you're the last man standing at our big cantest next

701
00:30:42,880 --> 00:30:45,360
Speaker 2: week you go home with twenty thousand dollars thanks to Kerks.

702
00:30:46,160 --> 00:30:49,280
Speaker 1: Yeah, that's a beer. Damn that could be off. So

703
00:30:50,160 --> 00:30:50,640
Speaker 1: here's the thing.

704
00:30:50,720 --> 00:30:54,080
Speaker 2: I can't hear it, but there are certain people that

705
00:30:54,480 --> 00:30:58,680
Speaker 2: can definitely hear it. Woods Now, I think on the

706
00:30:58,800 --> 00:31:01,840
Speaker 2: day we need to celebrate these people. Next week, I

707
00:31:01,920 --> 00:31:04,360
Speaker 2: think we need to I think we need to celebrate

708
00:31:04,400 --> 00:31:05,520
Speaker 2: our top contenders.

709
00:31:06,160 --> 00:31:08,880
Speaker 4: Oh yeah, okay, Well obviously if we're talking top cantenders,

710
00:31:09,200 --> 00:31:12,080
Speaker 4: you can't go past Zoe, who was the first person

711
00:31:12,240 --> 00:31:13,800
Speaker 4: ever to get five in a row.

712
00:31:14,800 --> 00:31:15,480
Speaker 3: Can one.

713
00:31:16,560 --> 00:31:17,920
Speaker 10: Oh, I think that's a beer.

714
00:31:18,120 --> 00:31:21,200
Speaker 9: Not bad Zoe, that's a beer as well.

715
00:31:21,360 --> 00:31:21,880
Speaker 7: I think.

716
00:31:25,480 --> 00:31:30,240
Speaker 1: I think that's bear again. Wow is this all?

717
00:31:34,160 --> 00:31:34,360
Speaker 6: Oh?

718
00:31:34,760 --> 00:31:36,040
Speaker 5: I think that was a soft drink.

719
00:31:36,720 --> 00:31:38,560
Speaker 1: So she's gon.

720
00:31:40,680 --> 00:31:43,200
Speaker 3: Here is can fine?

721
00:31:47,320 --> 00:31:47,480
Speaker 14: Oh?

722
00:31:48,440 --> 00:31:49,240
Speaker 5: I think it's a beer.

723
00:31:55,120 --> 00:31:58,720
Speaker 4: Second best player ever, Zoey. Only Joe Jonas has beaten

724
00:31:58,840 --> 00:31:59,560
Speaker 4: her with six.

725
00:31:59,680 --> 00:32:02,200
Speaker 2: And Joe Jonas is a top cantender. He's obviously got

726
00:32:02,200 --> 00:32:04,920
Speaker 2: the invite. I haven't heard back where whether or not

727
00:32:05,000 --> 00:32:05,600
Speaker 2: he's on there.

728
00:32:05,480 --> 00:32:06,960
Speaker 1: On the night. I mean, it's up to Joe. It's

729
00:32:07,000 --> 00:32:09,920
Speaker 1: up to Joe, but you know it's with his people

730
00:32:10,240 --> 00:32:12,080
Speaker 1: and he's keen seats there for you, Joe.

731
00:32:12,160 --> 00:32:15,520
Speaker 2: We've heard that, so we actually we should put a

732
00:32:15,560 --> 00:32:22,000
Speaker 2: couple of seats up Jonas because Joe Jonas he got

733
00:32:22,080 --> 00:32:25,040
Speaker 2: six cans. He's the current carry out a champ. Zoe,

734
00:32:25,040 --> 00:32:25,840
Speaker 2: he's the people's champ.

735
00:32:25,960 --> 00:32:26,800
Speaker 1: She's got five.

736
00:32:27,080 --> 00:32:30,400
Speaker 2: Yes, we want to celebrate our top cantenders, guys. So

737
00:32:30,600 --> 00:32:32,720
Speaker 2: there's some other stuff that we've got in the works here.

738
00:32:32,760 --> 00:32:34,680
Speaker 2: So if you are a top cantender, woulds you get

739
00:32:34,680 --> 00:32:35,880
Speaker 2: a triple A access pass?

740
00:32:36,080 --> 00:32:42,920
Speaker 3: Absolutely give everywhere in the venue venue you can get

741
00:32:42,960 --> 00:32:44,240
Speaker 3: the VIP entrance.

742
00:32:44,600 --> 00:32:46,520
Speaker 2: You get a VIP entrance, which just means that you

743
00:32:46,600 --> 00:32:48,000
Speaker 2: walk through a door, which I know. You get a

744
00:32:48,080 --> 00:32:49,400
Speaker 2: VI business ready carpet.

745
00:32:49,560 --> 00:32:50,360
Speaker 3: Push it on your chair.

746
00:32:51,120 --> 00:32:53,200
Speaker 2: I reckon, Well you'll get a chair. You'll get a chair,

747
00:32:53,280 --> 00:32:55,840
Speaker 2: I reckon. Everyone else is going to be cattle class. Yeah,

748
00:32:55,880 --> 00:32:56,760
Speaker 2: they'll be down in the pit.

749
00:32:57,000 --> 00:32:58,800
Speaker 4: Okay, you get a chair, Get a chair, you can

750
00:32:58,840 --> 00:33:00,920
Speaker 4: sit down. Can you might be able to ask the

751
00:33:01,000 --> 00:33:02,680
Speaker 4: DJ for a song song request.

752
00:33:02,800 --> 00:33:03,040
Speaker 6: Bang.

753
00:33:03,320 --> 00:33:06,600
Speaker 4: You'll also be on stage with us. Yeah, you will

754
00:33:06,640 --> 00:33:08,400
Speaker 4: be sitting next to us up on the stage where

755
00:33:08,400 --> 00:33:11,480
Speaker 4: people can see and fault potentially follow what you're doing.

756
00:33:12,160 --> 00:33:14,640
Speaker 1: It was there something else? LJ. For the cantenders, what

757
00:33:14,720 --> 00:33:15,360
Speaker 1: else do they get?

758
00:33:15,760 --> 00:33:18,840
Speaker 4: Everyone gets four coupons for sausages and soft drink. I'm

759
00:33:18,880 --> 00:33:20,120
Speaker 4: willing to say that you'll get five.

760
00:33:20,320 --> 00:33:23,640
Speaker 1: Don't forget the sash by you get sorry sash.

761
00:33:24,000 --> 00:33:26,440
Speaker 3: Could I forget the sash onion on your sausage as well?

762
00:33:26,520 --> 00:33:27,360
Speaker 1: Yeah, that's right, you get.

763
00:33:27,240 --> 00:33:29,160
Speaker 2: Free onion on your sausage. Five I mean, if we

764
00:33:29,200 --> 00:33:31,560
Speaker 2: haven't sold it, you want to be a cantender, look

765
00:33:31,560 --> 00:33:33,640
Speaker 2: to be honest, just pulling the curtain down if you

766
00:33:33,760 --> 00:33:35,080
Speaker 2: like to do with you guys. It's really just a

767
00:33:35,120 --> 00:33:36,640
Speaker 2: way of us to keep tracking the people who might

768
00:33:36,680 --> 00:33:37,440
Speaker 2: actually win this thing.

769
00:33:38,400 --> 00:33:40,440
Speaker 1: Sure, you know, if we're being brutally honest.

770
00:33:40,400 --> 00:33:42,360
Speaker 3: Why don't we bother talking about the VP access.

771
00:33:44,960 --> 00:33:46,840
Speaker 1: I think it just it adds a bit of azaz

772
00:33:46,880 --> 00:33:47,000
Speaker 1: to it.

773
00:33:47,040 --> 00:33:47,160
Speaker 6: You know.

774
00:33:47,160 --> 00:33:47,760
Speaker 1: It's like if there's a.

775
00:33:47,800 --> 00:33:51,040
Speaker 2: Favorite that rocks up for a race or a sporting event,

776
00:33:51,120 --> 00:33:55,120
Speaker 2: there's there's pizzazz around this person, there's panash. You know,

777
00:33:55,200 --> 00:33:58,160
Speaker 2: when a front runner for the Oscars rocks up, that's

778
00:33:58,200 --> 00:33:58,960
Speaker 2: where the perhaps what.

779
00:33:59,000 --> 00:33:59,480
Speaker 1: They want to be.

780
00:34:00,240 --> 00:34:02,520
Speaker 2: That's what these cantenders are when they get when they

781
00:34:02,600 --> 00:34:05,760
Speaker 2: come down to our cantest next week, everyone will know

782
00:34:05,840 --> 00:34:06,640
Speaker 2: who these people are.

783
00:34:06,720 --> 00:34:08,680
Speaker 1: And as I said before, Joe Jonas is won, he'll

784
00:34:08,760 --> 00:34:12,279
Speaker 1: beat it. He could be there. Oh yeah, carry over Champ,

785
00:34:12,400 --> 00:34:13,440
Speaker 1: she's a top cantender.

786
00:34:13,600 --> 00:34:16,400
Speaker 2: And right now, guys, we are about to announce our

787
00:34:16,560 --> 00:34:20,120
Speaker 2: third can tender for our can you hear it live

788
00:34:20,239 --> 00:34:20,640
Speaker 2: next week?

789
00:34:20,719 --> 00:34:23,920
Speaker 4: Yeah, we heard rumors of a man who could definitely

790
00:34:24,040 --> 00:34:28,799
Speaker 4: hear it he was hounding us on the socials, et cetera.

791
00:34:29,080 --> 00:34:31,359
Speaker 4: He spoke if he produces off air. He couldn't get

792
00:34:31,400 --> 00:34:33,760
Speaker 4: on the live radio show, so we brought him onto

793
00:34:34,280 --> 00:34:36,919
Speaker 4: the Behind the Scenes podcast which you can get red

794
00:34:36,960 --> 00:34:39,000
Speaker 4: Gate the podcast from just look up Will and Woody.

795
00:34:40,360 --> 00:34:42,920
Speaker 3: The guy's name is Tyson and here he was on

796
00:34:43,040 --> 00:34:43,400
Speaker 3: the potty.

797
00:34:45,280 --> 00:34:46,440
Speaker 5: I'm gonna go with beer on that one.

798
00:34:46,760 --> 00:34:47,680
Speaker 1: That was a ber.

799
00:34:50,000 --> 00:34:51,680
Speaker 4: He just played the third one there because it gets

800
00:34:51,680 --> 00:34:53,600
Speaker 4: a bit boring just playing cans over at the end

801
00:34:53,640 --> 00:34:56,239
Speaker 4: of the day. But Tyson joins us on the phone

802
00:34:56,320 --> 00:34:59,799
Speaker 4: right now, Tys, you are our top can t.

803
00:35:02,480 --> 00:35:03,480
Speaker 9: Number three babies.

804
00:35:03,680 --> 00:35:05,200
Speaker 5: Let's urge, urge.

805
00:35:05,280 --> 00:35:08,120
Speaker 2: What are your most as a cantender on the night.

806
00:35:08,160 --> 00:35:09,520
Speaker 2: What are you most excited about there?

807
00:35:09,880 --> 00:35:11,680
Speaker 5: Mate? I'm key. I'm key for everything. A bit of

808
00:35:11,719 --> 00:35:16,120
Speaker 5: taste testing, a bit of adjustable seating, Yeah, some kirks.

809
00:35:16,160 --> 00:35:16,279
Speaker 7: You know.

810
00:35:16,520 --> 00:35:18,640
Speaker 5: There's music collection, everything.

811
00:35:18,360 --> 00:35:21,920
Speaker 1: Mate, everything, And I think you might put you on

812
00:35:22,000 --> 00:35:22,400
Speaker 1: a hotel.

813
00:35:23,960 --> 00:35:26,640
Speaker 5: Definitely. I'll be going to the casino after twenty k mate,

814
00:35:26,680 --> 00:35:28,320
Speaker 5: straight to Vegas. Got a plane started.

815
00:35:29,880 --> 00:35:37,680
Speaker 2: I love you well, we will see you there, big fella.

816
00:35:37,760 --> 00:35:39,480
Speaker 1: You are a top contender, tyst do you think you

817
00:35:39,520 --> 00:35:40,960
Speaker 1: can win this thing. Let's talk about it.

818
00:35:41,560 --> 00:35:43,160
Speaker 5: You know, you know it's funny because I just heard

819
00:35:43,200 --> 00:35:46,120
Speaker 5: the replay of Zoe and I noticed a bit of ambiguity,

820
00:35:46,360 --> 00:35:48,799
Speaker 5: ambiguity for our answers, a bit of I think before

821
00:35:48,840 --> 00:35:52,120
Speaker 5: every answer. So, mate, I was certain you guys heard

822
00:35:52,160 --> 00:35:53,480
Speaker 5: me off the bart. There was no there was no

823
00:35:53,640 --> 00:35:55,279
Speaker 5: there's no thinking. It was just I knew it.

824
00:35:55,560 --> 00:35:58,040
Speaker 1: A bit of trash talk there at a twenty four

825
00:35:58,080 --> 00:36:02,439
Speaker 1: year old single mom and talk to me, Gabe. I'll

826
00:36:02,440 --> 00:36:04,880
Speaker 1: tell you what, big father, we will see you on

827
00:36:04,920 --> 00:36:06,120
Speaker 1: the night. You're a top contender.

828
00:36:06,200 --> 00:36:07,960
Speaker 2: Anyone else listening right now, we're going to open the

829
00:36:08,000 --> 00:36:09,600
Speaker 2: phone lines third end, one o six five. If you

830
00:36:09,640 --> 00:36:13,240
Speaker 2: think you can hear it, give us a call thirteen

831
00:36:13,280 --> 00:36:14,160
Speaker 2: one oh six five.

832
00:36:14,480 --> 00:36:18,480
Speaker 1: We're gonna We're gonna pay. Can you hear it? Right next?

833
00:36:19,000 --> 00:36:22,120
Speaker 2: Beer and soft drink cans in the studio? Twenty thousand

834
00:36:22,160 --> 00:36:24,520
Speaker 2: dollars on the line. Can we find another top cantender

835
00:36:24,640 --> 00:36:25,200
Speaker 2: for can you hear it?

836
00:36:25,239 --> 00:36:25,759
Speaker 1: Live next week?

837
00:36:26,480 --> 00:36:29,560
Speaker 4: If you don't get the three cans, you can try again,

838
00:36:30,480 --> 00:36:33,560
Speaker 4: so you really pound away with your guesses there. When

839
00:36:33,560 --> 00:36:35,000
Speaker 4: you're registering online. I think a lot of people are

840
00:36:35,040 --> 00:36:36,080
Speaker 4: getting scared they get it wrong.

841
00:36:36,160 --> 00:36:38,000
Speaker 1: You can get a fresh set of cans online.

842
00:36:38,400 --> 00:36:40,160
Speaker 3: I think it's the same cans as well, So just

843
00:36:40,239 --> 00:36:41,920
Speaker 3: go with the ones that you weren't guessing and.

844
00:36:41,960 --> 00:36:43,320
Speaker 1: Your grossess of illumination.

845
00:36:43,719 --> 00:36:46,319
Speaker 3: Anyway, let's go to the fast passes. Now we've got

846
00:36:46,480 --> 00:36:48,760
Speaker 3: JJ here get JJ.

847
00:36:49,800 --> 00:36:50,719
Speaker 1: Good afternoon boys.

848
00:36:50,800 --> 00:36:51,719
Speaker 3: How's it going good?

849
00:36:51,760 --> 00:36:51,920
Speaker 9: Mate?

850
00:36:51,960 --> 00:36:52,960
Speaker 3: JJ? What are you listening for?

851
00:36:53,120 --> 00:36:53,359
Speaker 6: Mate?

852
00:36:55,520 --> 00:36:57,160
Speaker 9: Like the thickness of the can?

853
00:36:57,560 --> 00:36:58,040
Speaker 3: Thickness?

854
00:36:58,360 --> 00:37:02,879
Speaker 1: Sickness? Do I detect a bit of a fuck accent there?

855
00:37:03,000 --> 00:37:03,200
Speaker 7: Jay?

856
00:37:03,840 --> 00:37:07,600
Speaker 1: Oh yeah? But a Kiwi accent accent?

857
00:37:07,880 --> 00:37:08,120
Speaker 11: Yeah?

858
00:37:08,239 --> 00:37:08,359
Speaker 13: Right?

859
00:37:08,440 --> 00:37:08,840
Speaker 5: Here we go.

860
00:37:09,080 --> 00:37:11,600
Speaker 1: Here we go, can one, Here we go, JJ, Here

861
00:37:11,640 --> 00:37:19,520
Speaker 1: we go. That's a beer. Here we goes. What is

862
00:37:19,640 --> 00:37:22,640
Speaker 1: psyched like that? I can tell that.

863
00:37:23,880 --> 00:37:31,359
Speaker 9: Yeah, yeah, that's a soft drink.

864
00:37:32,600 --> 00:37:34,200
Speaker 1: Jo.

865
00:37:34,840 --> 00:37:36,239
Speaker 3: Here we have a cantender here?

866
00:37:36,320 --> 00:37:39,200
Speaker 1: I mean, well we could have a cantender. There's something

867
00:37:39,200 --> 00:37:40,480
Speaker 1: about him? J where from?

868
00:37:40,520 --> 00:37:42,040
Speaker 2: Tell us a bit about yourself because I'm in third

869
00:37:42,120 --> 00:37:44,160
Speaker 2: can here. You're coming along to the contest next week

870
00:37:44,160 --> 00:37:46,440
Speaker 2: and you're playing for twenty grand Yeah.

871
00:37:46,480 --> 00:37:49,120
Speaker 10: Yeah, well I live in Tregano, which is out West Melbourne,

872
00:37:49,200 --> 00:37:51,120
Speaker 10: so I should be able to come next week.

873
00:37:51,239 --> 00:37:54,440
Speaker 1: So what does your suburb have to do with your availability.

874
00:37:56,360 --> 00:37:59,120
Speaker 9: I don't know. I thought you guys weren't saying that.

875
00:37:59,160 --> 00:38:00,319
Speaker 9: You there my head.

876
00:38:01,600 --> 00:38:04,840
Speaker 1: He let's get me a Let's get me a third can.

877
00:38:07,400 --> 00:38:10,720
Speaker 4: A little note chat with JJ on the night special

878
00:38:10,800 --> 00:38:15,640
Speaker 4: comments from JJJJ.

879
00:38:13,840 --> 00:38:24,920
Speaker 1: Believe in you? JJ, that's a soft drink. JJ done it?

880
00:38:27,480 --> 00:38:29,279
Speaker 3: You want to keep going? JJ? Do you want to

881
00:38:29,320 --> 00:38:29,680
Speaker 3: keep going?

882
00:38:29,880 --> 00:38:30,520
Speaker 1: You don't even know.

883
00:38:30,760 --> 00:38:31,200
Speaker 2: You don't even know.

884
00:38:31,680 --> 00:38:33,719
Speaker 3: I like JJ. I think we'll be going for an

885
00:38:33,760 --> 00:38:34,160
Speaker 3: hour with J.

886
00:38:34,360 --> 00:38:36,520
Speaker 2: And if we give this one to JJ, are we

887
00:38:36,640 --> 00:38:38,560
Speaker 2: calling him? Are we calling him a cantender? If he

888
00:38:38,600 --> 00:38:39,040
Speaker 2: gets four?

889
00:38:39,320 --> 00:38:42,160
Speaker 4: I'm willing to say JJ is a cantender if he

890
00:38:42,200 --> 00:38:44,480
Speaker 4: gets this one, I'd always call him a cantender right now,

891
00:38:45,360 --> 00:38:45,920
Speaker 4: think about it.

892
00:38:46,600 --> 00:38:47,560
Speaker 3: He goes with instinct.

893
00:38:47,840 --> 00:38:51,040
Speaker 1: Okay, okay, I'll tell you what if JJ gets five?

894
00:38:51,160 --> 00:38:52,160
Speaker 1: Or make him a cantender.

895
00:38:53,600 --> 00:38:54,360
Speaker 3: How are you feeling about that?

896
00:38:54,480 --> 00:38:54,680
Speaker 4: JJ?

897
00:38:55,360 --> 00:38:56,160
Speaker 9: Yeah sounds good.

898
00:38:56,239 --> 00:38:58,440
Speaker 1: I'm confident and I'm.

899
00:38:58,400 --> 00:38:59,880
Speaker 2: Not sure if you heard before, JJ, But if you

900
00:38:59,880 --> 00:39:02,520
Speaker 2: are a cantender on the night, v I p entry

901
00:39:03,000 --> 00:39:05,200
Speaker 2: triple a access a seat, you.

902
00:39:05,280 --> 00:39:06,839
Speaker 1: Get to ask the DJ for a song, you get

903
00:39:06,840 --> 00:39:08,560
Speaker 1: a seat, and you get on the onion on your sausage.

904
00:39:09,719 --> 00:39:10,120
Speaker 10: Awesome.

905
00:39:10,440 --> 00:39:11,920
Speaker 3: Do you like a bit of onion on your sausage?

906
00:39:12,000 --> 00:39:16,000
Speaker 7: JJ? I do all here?

907
00:39:16,040 --> 00:39:16,759
Speaker 1: We got can for.

908
00:39:22,360 --> 00:39:24,640
Speaker 9: That's a beer he's got.

909
00:39:25,840 --> 00:39:31,719
Speaker 1: He doesn't, he doesn't think is there as? Is there as?

910
00:39:32,680 --> 00:39:35,680
Speaker 1: That's the one. The only one who's talking about as

911
00:39:35,800 --> 00:39:36,000
Speaker 1: he is?

912
00:39:36,760 --> 00:39:39,280
Speaker 3: He is a bad pitch and the fees what else sounds?

913
00:39:39,680 --> 00:39:40,279
Speaker 1: What else sounds?

914
00:39:40,640 --> 00:39:43,480
Speaker 9: J Probably my accent?

915
00:39:44,040 --> 00:39:47,560
Speaker 1: Yeah, definitely, are.

916
00:39:50,160 --> 00:39:54,080
Speaker 2: All right to be a cantender on the night? One

917
00:39:54,160 --> 00:39:56,920
Speaker 2: extra drink token, a seat on the stage.

918
00:40:01,239 --> 00:40:02,520
Speaker 3: Can you turn your indicator off?

919
00:40:02,560 --> 00:40:02,719
Speaker 6: Mate?

920
00:40:03,680 --> 00:40:06,600
Speaker 3: Ruins the suspense? I maybe do the turn?

921
00:40:07,040 --> 00:40:07,200
Speaker 5: Have you?

922
00:40:07,280 --> 00:40:08,080
Speaker 3: Have you done the turn?

923
00:40:09,239 --> 00:40:09,439
Speaker 9: Yes?

924
00:40:09,520 --> 00:40:11,879
Speaker 1: Here we go here.

925
00:40:11,800 --> 00:40:12,399
Speaker 5: We can.

926
00:40:15,520 --> 00:40:18,879
Speaker 3: Now hang on hav wait shaking, wait wait, shot, Wait

927
00:40:19,239 --> 00:40:22,279
Speaker 3: that's on me. Shot, that's on me. We're gonna go again.

928
00:40:22,400 --> 00:40:25,120
Speaker 1: No, I think he's got it. That's not your fault.

929
00:40:25,160 --> 00:40:27,160
Speaker 1: Then he's your boy and you've cooked him.

930
00:40:27,200 --> 00:40:28,680
Speaker 3: I'll do something for him.

931
00:40:29,160 --> 00:40:29,960
Speaker 1: I will put.

932
00:40:29,840 --> 00:40:31,759
Speaker 3: Myself on the one more.

933
00:40:32,040 --> 00:40:37,239
Speaker 1: Okay, okay, sure, I apologize you another can.

934
00:40:37,320 --> 00:40:39,360
Speaker 3: There are two emotions. There were two emotions. It is

935
00:40:39,400 --> 00:40:42,719
Speaker 3: an illegal can. All right, all right, we're banning the can.

936
00:40:43,440 --> 00:40:52,120
Speaker 1: You had a mirror litteran can? Two actions. I think

937
00:40:52,160 --> 00:40:54,520
Speaker 1: it's all right, come on, here we go. Can five,

938
00:40:54,640 --> 00:40:55,080
Speaker 1: Can five.

939
00:40:58,719 --> 00:41:02,680
Speaker 9: It's a soft drink, it's a.

940
00:41:02,719 --> 00:41:07,920
Speaker 3: Bit yeah on jud's a good opening. I'm curious though,

941
00:41:08,000 --> 00:41:11,160
Speaker 3: the one that I called a foul can? What did

942
00:41:11,200 --> 00:41:11,840
Speaker 3: you think that was?

943
00:41:12,360 --> 00:41:13,640
Speaker 9: I was going to say it, beer.

944
00:41:17,920 --> 00:41:19,120
Speaker 1: J. I'll tell you what.

945
00:41:19,360 --> 00:41:21,480
Speaker 2: Given that Woodies cooked you on that one, you thought

946
00:41:21,520 --> 00:41:23,960
Speaker 2: it was a big cantender, juj.

947
00:41:23,920 --> 00:41:25,719
Speaker 1: You are a cantender. Congratulation.

948
00:41:26,200 --> 00:41:28,200
Speaker 3: I was getting finger fatake there every boy.

949
00:41:28,239 --> 00:41:28,560
Speaker 6: The end