1 00:00:00,400 --> 00:00:04,680 Speaker 1: Will and Woody podcast many We are trapped in an 2 00:00:04,800 --> 00:00:07,160 Speaker 1: escape room here, guys all, thanks to Indiana Jones and 3 00:00:07,200 --> 00:00:08,760 Speaker 1: the Dollar Destiny. You're trying to work our way out 4 00:00:08,760 --> 00:00:10,880 Speaker 1: of here. The only way out is through these puzzles. 5 00:00:10,880 --> 00:00:13,640 Speaker 1: You can stream us on YouTube Will William Woody on 6 00:00:13,680 --> 00:00:18,799 Speaker 1: the Socials Now Woods. Every day we get one chance 7 00:00:18,880 --> 00:00:21,280 Speaker 1: to guess our exit song. That's the only way out 8 00:00:21,280 --> 00:00:24,400 Speaker 1: of here, right, So obviously everything one of these puzzles 9 00:00:24,440 --> 00:00:26,920 Speaker 1: is its own challenge and it can run as long 10 00:00:26,960 --> 00:00:29,840 Speaker 1: as it needs to. All of them are pointing towards 11 00:00:30,440 --> 00:00:34,080 Speaker 1: this exit song. Yes, every day, once we solve enough puzzles, 12 00:00:34,120 --> 00:00:36,199 Speaker 1: we earn the right to have a guess at our 13 00:00:36,240 --> 00:00:36,840 Speaker 1: exit song. 14 00:00:36,960 --> 00:00:38,800 Speaker 2: And when we nail a puzzle, they give us a 15 00:00:38,840 --> 00:00:42,400 Speaker 2: new clue as to what exit song is. So, yesterday 16 00:00:42,440 --> 00:00:44,880 Speaker 2: you were given your first clue for your exit song. 17 00:00:45,040 --> 00:00:55,920 Speaker 1: It was this, And I'm actually sold that that's a 18 00:00:55,920 --> 00:00:59,160 Speaker 1: polar Bear. Now I think so too. I feel a 19 00:00:59,160 --> 00:00:59,680 Speaker 1: polar bear. 20 00:00:59,760 --> 00:01:02,880 Speaker 2: Yeah, definitely, poll or some sort of bit anyway you 21 00:01:02,920 --> 00:01:07,919 Speaker 2: have we haven't today the second clue for your exit song. Well, 22 00:01:08,600 --> 00:01:11,319 Speaker 2: this is your second clue for your exit song. 23 00:01:12,000 --> 00:01:15,120 Speaker 3: Yeah, I'm jumping in a number seventy nine on this 24 00:01:15,160 --> 00:01:17,480 Speaker 3: week's Charts Whip. 25 00:01:19,680 --> 00:01:22,040 Speaker 2: Oh so it was seventy nine. 26 00:01:22,240 --> 00:01:24,400 Speaker 3: I'm jumping in a number seventy nine on this week's 27 00:01:24,480 --> 00:01:26,399 Speaker 3: Charts Whip. 28 00:01:28,440 --> 00:01:29,080 Speaker 4: It came. 29 00:01:30,640 --> 00:01:32,000 Speaker 1: Name you have no artists? 30 00:01:32,080 --> 00:01:34,399 Speaker 2: She recognized that that voice. 31 00:01:34,360 --> 00:01:37,679 Speaker 1: Coming in a number seventy nine. It's not Rabs, certainly 32 00:01:37,760 --> 00:01:40,039 Speaker 1: not RAB, but even likes chart. 33 00:01:40,360 --> 00:01:42,560 Speaker 3: I'm jumping in a number seventy nine on this week's 34 00:01:42,600 --> 00:01:44,520 Speaker 3: Charts Wire. 35 00:01:45,120 --> 00:01:46,920 Speaker 1: Does I do recognize that voice? 36 00:01:46,959 --> 00:01:50,760 Speaker 4: Does that sound like nineties? Does that sound like old radio? 37 00:01:50,800 --> 00:01:56,440 Speaker 4: So it was it like a nineties song? I feel 38 00:01:56,480 --> 00:01:58,920 Speaker 4: like I almost know the song the top one hundred? 39 00:01:59,040 --> 00:02:00,520 Speaker 4: Can I hear my exit clue again? 40 00:02:01,240 --> 00:02:03,760 Speaker 3: I'm coming in at number seventy nine on this week's Judge. 41 00:02:05,160 --> 00:02:08,880 Speaker 2: When let's think bear. 42 00:02:09,000 --> 00:02:15,040 Speaker 4: If you're thinking bear for the first run. 43 00:02:13,800 --> 00:02:14,840 Speaker 2: It's training a bear. 44 00:02:15,000 --> 00:02:17,080 Speaker 4: And then a song that came in at number seventy nine. 45 00:02:17,200 --> 00:02:19,080 Speaker 1: I'm sorry to pressure year here boys with its button 46 00:02:19,120 --> 00:02:22,040 Speaker 1: push your tom We need a guess. Ah, fair enough, 47 00:02:22,160 --> 00:02:25,160 Speaker 1: I have no idea what that is. It's a bear. 48 00:02:26,080 --> 00:02:29,200 Speaker 1: It's a bear in there, which could be play. 49 00:02:28,880 --> 00:02:33,840 Speaker 2: School number seventy nine, because seventy nine could be anything. 50 00:02:33,600 --> 00:02:37,200 Speaker 1: Rhianna calm on to replay play School, that's you. That's 51 00:02:37,240 --> 00:02:43,120 Speaker 1: my guess. I like it, Rihanna on the replay Thunder replay, Yeah, 52 00:02:43,440 --> 00:02:45,280 Speaker 1: I thought it was come on the replay, but it's 53 00:02:45,320 --> 00:02:49,000 Speaker 1: just pot the replay. Well they yes, I was nowhere 54 00:02:49,000 --> 00:02:51,480 Speaker 1: with it. I don't know what seventy nine. I have 55 00:02:51,520 --> 00:02:52,400 Speaker 1: no idea what it is. 56 00:02:53,280 --> 00:02:56,000 Speaker 2: Well, let's focus on my song. So, Michael, yesterday was this. 57 00:03:00,720 --> 00:03:07,440 Speaker 1: So it's nickel back. 58 00:03:05,639 --> 00:03:09,480 Speaker 3: Do you this is your second clue for your exit song? 59 00:03:10,680 --> 00:03:12,440 Speaker 4: Said V number four with a smile. There's no V 60 00:03:12,480 --> 00:03:14,040 Speaker 4: at the front of the title of the yelk. It's 61 00:03:14,080 --> 00:03:17,360 Speaker 4: a reference to a Chinese meal in Toronto. So I 62 00:03:17,360 --> 00:03:20,639 Speaker 4: think that there is, but I could be wrong. You 63 00:03:20,760 --> 00:03:22,240 Speaker 4: can be and are wrong. 64 00:03:26,639 --> 00:03:29,120 Speaker 2: What I couldn't even understand what now I am? 65 00:03:29,600 --> 00:03:31,800 Speaker 1: Okay? So he says there's no V at the start 66 00:03:31,840 --> 00:03:33,800 Speaker 1: of the album they. 67 00:03:34,440 --> 00:03:36,680 Speaker 4: Or the said V number four with a smile. There's 68 00:03:36,680 --> 00:03:38,040 Speaker 4: no V at the front of the title of the yelk. 69 00:03:38,320 --> 00:03:40,920 Speaker 1: It's a numb meal in Toronto. 70 00:03:41,640 --> 00:03:44,600 Speaker 4: So I think that there is, but I could be wrong. 71 00:03:46,080 --> 00:03:49,760 Speaker 1: Oh God, And there's also this love your Way thing 72 00:03:49,840 --> 00:03:51,280 Speaker 1: going on in the background as well. 73 00:03:51,560 --> 00:03:53,480 Speaker 4: I like that and that was I like that subtle? 74 00:03:53,560 --> 00:03:57,080 Speaker 1: So love your Way? Yeah, oh baby, I love you? 75 00:03:57,160 --> 00:04:01,080 Speaker 1: Who's that? By? Every day? 76 00:04:02,680 --> 00:04:05,760 Speaker 4: Tell you who's exact? 77 00:04:06,840 --> 00:04:10,080 Speaker 1: We need a guess? I love your Way? Bye, baby, 78 00:04:10,160 --> 00:04:17,320 Speaker 1: I love you. We definitely not okay. This is this 79 00:04:17,360 --> 00:04:18,839 Speaker 1: is a chance to get out. It could be like, 80 00:04:18,960 --> 00:04:20,520 Speaker 1: can someone tells because there are people calling, can we 81 00:04:20,560 --> 00:04:22,560 Speaker 1: go to one of these calls with who you need 82 00:04:22,600 --> 00:04:27,400 Speaker 1: to guess? Oh? That's not full baby, I love you? Okay, 83 00:04:27,440 --> 00:04:30,560 Speaker 1: I think that's what was your first clue? Nickelback horizon? 84 00:04:30,600 --> 00:04:33,360 Speaker 1: Oh yeah, okay, over the next horizon and then the 85 00:04:33,680 --> 00:04:37,560 Speaker 1: who what's that? We need a guess? We need a guess. 86 00:04:37,560 --> 00:04:39,600 Speaker 1: But this is a big guess, Like if we get this, 87 00:04:39,839 --> 00:04:43,200 Speaker 1: but then then we're one step closer to leave it seconds. 88 00:04:43,200 --> 00:04:46,240 Speaker 2: Well, baby, I Love your Way by Tom Jones. I 89 00:04:46,240 --> 00:04:47,960 Speaker 2: know it's wrong. I know it's wrong. 90 00:04:48,800 --> 00:04:52,200 Speaker 1: Let's not look at the screen and protests, protest. We 91 00:04:52,240 --> 00:04:52,720 Speaker 1: know it's wrong. 92 00:04:52,800 --> 00:04:54,159 Speaker 2: If you by the way, So this is this is 93 00:04:54,200 --> 00:04:56,120 Speaker 2: crucial because soon as we get these songs, we get 94 00:04:56,120 --> 00:04:58,760 Speaker 2: out of here. So if anyone wants to help us, 95 00:04:58,760 --> 00:05:00,359 Speaker 2: only you can call now because weve got move on 96 00:05:00,400 --> 00:05:02,520 Speaker 2: with the show. But message us. 97 00:05:03,000 --> 00:05:03,960 Speaker 1: Yeah. Yeah. 98 00:05:04,160 --> 00:05:05,920 Speaker 2: Live stream goes until seven as well. 99 00:05:06,000 --> 00:05:08,400 Speaker 1: Yeah. Hit us up in the live stream. Go to YouTube, Willemwoody, 100 00:05:08,640 --> 00:05:10,320 Speaker 1: go to our socials Will and Moody. You can message 101 00:05:10,400 --> 00:05:12,480 Speaker 1: us right up. Next, I'll tell you why it was 102 00:05:12,520 --> 00:05:14,640 Speaker 1: so important for us to get those close woods, because 103 00:05:14,680 --> 00:05:17,279 Speaker 1: we've got to sleep in here again tonight. Last night 104 00:05:17,839 --> 00:05:19,400 Speaker 1: it was awful. Kiss. 105 00:05:20,200 --> 00:05:23,520 Speaker 2: Hear more of the boys on the full podcast just 106 00:05:23,560 --> 00:05:24,279 Speaker 2: scroll up.