1 00:00:01,520 --> 00:00:04,760 Speaker 1: Welcome to the Christian No Common Show podcast. 2 00:00:05,160 --> 00:00:09,719 Speaker 2: Last week we asked for your song suggestions. Good songs 3 00:00:09,720 --> 00:00:12,000 Speaker 2: sort of got questions of the song title. We played 4 00:00:12,000 --> 00:00:15,160 Speaker 2: a whole hour of them between seven to eight. We've 5 00:00:15,200 --> 00:00:18,000 Speaker 2: got a brand new theme. After seven o'clock, we genuinely 6 00:00:18,079 --> 00:00:20,360 Speaker 2: have no music. There's no music for a whole hour. 7 00:00:20,600 --> 00:00:22,439 Speaker 2: We are naked in the way and our backside is 8 00:00:22,440 --> 00:00:25,439 Speaker 2: flapping in the wind. Please clothe us, please, it's so 9 00:00:25,560 --> 00:00:29,880 Speaker 2: cold right now. All around my danglies they're flapping in 10 00:00:29,920 --> 00:00:33,680 Speaker 2: the window. You know, head to fifteen next year and 11 00:00:33,720 --> 00:00:38,360 Speaker 2: they are dropping. Give us songs to clothe us, okay, please, 12 00:00:38,680 --> 00:00:42,280 Speaker 2: So the theme this week. Theme this week is songs 13 00:00:42,280 --> 00:00:44,080 Speaker 2: with key changes. Now I'm going to hand over now 14 00:00:44,440 --> 00:00:48,080 Speaker 2: to the resident on the show, professor of musicology, Jack Post. 15 00:00:48,200 --> 00:00:51,320 Speaker 2: He can play guitar. Jack, what are key changes in song? 16 00:00:51,400 --> 00:00:53,519 Speaker 3: The key changes are something we use in music to 17 00:00:53,680 --> 00:00:56,680 Speaker 3: elevate what is already a great song. So if we're 18 00:00:56,720 --> 00:00:59,280 Speaker 3: in a chorus and we're having great fun, the whole 19 00:00:59,360 --> 00:01:02,720 Speaker 3: band will go up a tone to lift the song. 20 00:01:02,800 --> 00:01:05,800 Speaker 3: So if it's like Mary had a little Lamb, we 21 00:01:05,880 --> 00:01:06,399 Speaker 3: go I. 22 00:01:06,400 --> 00:01:07,680 Speaker 2: Love that friend Shion song. 23 00:01:08,720 --> 00:01:11,160 Speaker 3: We go with the crowds loving it. Mary had a 24 00:01:11,200 --> 00:01:15,160 Speaker 3: little lamb up, Mary had a little lamb. Let's do 25 00:01:15,200 --> 00:01:18,679 Speaker 3: it again. Another key change, Mary had a little lamb. 26 00:01:19,800 --> 00:01:20,800 Speaker 2: Great explanation. 27 00:01:20,880 --> 00:01:22,160 Speaker 3: I feel like I'm back at schooling. 28 00:01:22,280 --> 00:01:24,920 Speaker 2: Yeah but what but now do you understand it? Change? 29 00:01:24,920 --> 00:01:25,880 Speaker 2: So have you got an example? 30 00:01:26,000 --> 00:01:28,440 Speaker 3: Yes, I've brought in an example where they've used two 31 00:01:28,560 --> 00:01:31,440 Speaker 3: key changes. A great ballad to Be with You by 32 00:01:31,560 --> 00:01:34,840 Speaker 3: mister Big Come on there, come. 33 00:01:34,640 --> 00:01:38,880 Speaker 4: Out out the one Let's. 34 00:01:38,720 --> 00:01:54,080 Speaker 5: Go up, there's actually two key change later on they 35 00:01:54,080 --> 00:01:55,000 Speaker 5: have not had enough fun. 36 00:01:55,080 --> 00:01:56,880 Speaker 3: They still can go higher and higher? 37 00:02:02,360 --> 00:02:03,360 Speaker 2: How can they do it? 38 00:02:05,040 --> 00:02:05,160 Speaker 6: All? 39 00:02:05,240 --> 00:02:05,360 Speaker 5: Right? 40 00:02:05,400 --> 00:02:07,600 Speaker 2: I've got one here. Living on a Prayer is an 41 00:02:07,680 --> 00:02:10,760 Speaker 2: amazing song by bon Jovi. Right, but John bon Jovi 42 00:02:10,880 --> 00:02:12,160 Speaker 2: in this song this is you know, this is actually 43 00:02:12,160 --> 00:02:14,720 Speaker 2: in the Guinness Book of World Records. It's the highest note 44 00:02:15,000 --> 00:02:22,239 Speaker 2: ever recorded by a man. He does get high, he 45 00:02:22,320 --> 00:02:25,800 Speaker 2: does get really high, and it's very human what John 46 00:02:25,840 --> 00:02:26,480 Speaker 2: can do here. 47 00:02:27,560 --> 00:02:32,760 Speaker 6: It's already a great song. Don't take it higher, John Job, 48 00:02:34,520 --> 00:02:41,480 Speaker 6: Oh my god, this is. 49 00:02:41,400 --> 00:02:43,120 Speaker 2: A great one. We've got to play this. The other 50 00:02:43,160 --> 00:02:46,280 Speaker 2: one is Backstreet Boys. There's a bit where Nick Carter 51 00:02:47,560 --> 00:02:49,360 Speaker 2: I just tell it like it is. He drops the 52 00:02:49,360 --> 00:02:51,919 Speaker 2: hammer and it isn't like a normal mail hammer. It's 53 00:02:51,919 --> 00:02:55,400 Speaker 2: a sledgehammer. When he starts to say, don't wanna he 54 00:02:55,840 --> 00:03:03,919 Speaker 2: say you are get ready for the molo key changes? God, 55 00:03:04,080 --> 00:03:13,000 Speaker 2: nick to it? Oh my god? All right, those are 56 00:03:13,120 --> 00:03:16,080 Speaker 2: key changes. We're looking for a whole hour, seven to 57 00:03:16,200 --> 00:03:19,560 Speaker 2: eight of songs with key changes. What have you got 58 00:03:19,560 --> 00:03:22,560 Speaker 2: for us? We need those clothes dangling, still dangling. 59 00:03:23,440 --> 00:03:26,840 Speaker 1: This is the Christian O'Connell Show podcast. 60 00:03:27,000 --> 00:03:30,880 Speaker 2: What's a key change? Mister big come on there, come 61 00:03:30,960 --> 00:03:31,400 Speaker 2: on out. 62 00:03:32,040 --> 00:03:48,200 Speaker 4: Then you wand to show you. 63 00:03:41,880 --> 00:03:43,920 Speaker 2: Then you throw shade all over that, poops all over it. 64 00:03:44,000 --> 00:03:58,280 Speaker 2: John Bonhover. All right, let's find out what songs you 65 00:03:58,440 --> 00:04:00,960 Speaker 2: got then big songs were key change? Is here? Do 66 00:04:01,000 --> 00:04:04,400 Speaker 2: we go to? First of all? Good morning, Mick? Good morning, Christian? 67 00:04:04,440 --> 00:04:04,840 Speaker 3: How are you? 68 00:04:04,840 --> 00:04:06,400 Speaker 2: I I'm good Mick. Can I hope you wont have 69 00:04:06,440 --> 00:04:08,360 Speaker 2: you having a good week? What have you got? What 70 00:04:08,520 --> 00:04:10,280 Speaker 2: song I've got them? 71 00:04:10,920 --> 00:04:12,360 Speaker 1: We share turned back time? 72 00:04:12,720 --> 00:04:14,040 Speaker 2: Wow, Hey, big song? 73 00:04:14,440 --> 00:04:14,960 Speaker 6: I like it? 74 00:04:15,120 --> 00:04:26,080 Speaker 2: Mick. That's a big one. Mick, that's a great one. 75 00:04:26,160 --> 00:04:28,479 Speaker 2: Thank you very much. Mate, have a good day. Yeah, 76 00:04:28,560 --> 00:04:33,360 Speaker 2: you say Christian so much. Gabrielle, good morning, Hello, Hello, 77 00:04:33,920 --> 00:04:36,560 Speaker 2: all right, what songs are key changes? If you've got Gabrielle, 78 00:04:37,520 --> 00:04:38,640 Speaker 2: I've got two songs. 79 00:04:39,800 --> 00:04:42,760 Speaker 1: The first one is Love on Top five Beyonce Lo's 80 00:04:42,800 --> 00:04:45,720 Speaker 1: the Key Days, and the second one is Man in 81 00:04:45,800 --> 00:04:47,240 Speaker 1: the Mirror by Michael Jackson. 82 00:04:47,520 --> 00:04:49,160 Speaker 2: All Right, which one? Who want to play first? We've 83 00:04:49,160 --> 00:04:50,680 Speaker 2: got them both? The line, which one are you want 84 00:04:50,680 --> 00:04:51,200 Speaker 2: to go first? 85 00:04:52,760 --> 00:04:56,120 Speaker 4: I reckon the Michael Jackson song Man the Mirror A 86 00:04:56,200 --> 00:04:58,440 Speaker 4: good song, good artist, good message. 87 00:04:58,920 --> 00:05:01,080 Speaker 2: I like it, good Mann. It's be the change, be 88 00:05:01,160 --> 00:05:13,920 Speaker 2: the change change. Here we go, Yeah, we got it. 89 00:05:15,360 --> 00:05:17,280 Speaker 2: What happens? We didn't give them too much power? We 90 00:05:17,400 --> 00:05:21,000 Speaker 2: did go, all right, Gabrielle. The other one Beyonce A 91 00:05:21,200 --> 00:05:26,520 Speaker 2: Love on Top I think there are seven in this. Yeah, 92 00:05:29,240 --> 00:05:31,279 Speaker 2: if we don't go, let's wait for if we go. 93 00:05:38,080 --> 00:05:40,800 Speaker 3: Amazing actually needs Beyonce over us? 94 00:05:40,920 --> 00:05:43,880 Speaker 2: Is it too many? Are too many? Too many? Too showy? 95 00:05:43,960 --> 00:05:44,159 Speaker 3: Yeah? 96 00:05:44,279 --> 00:05:47,960 Speaker 2: One too max mamimum maximum too much? 97 00:05:48,240 --> 00:05:49,080 Speaker 3: You're going overboard? 98 00:05:49,160 --> 00:05:51,840 Speaker 2: All right, Gabrielle, Thank you very much, No, thank you 99 00:05:51,960 --> 00:05:53,960 Speaker 2: very much. Enjoying to day. Thank you? And you all right? 100 00:05:54,440 --> 00:05:57,320 Speaker 1: Cal a brainer. You're listening to the Christian Know Kyle's 101 00:05:57,320 --> 00:05:58,159 Speaker 1: show podcast. 102 00:05:58,560 --> 00:06:00,640 Speaker 2: What song? So you know? I've got be key change 103 00:06:00,720 --> 00:06:02,680 Speaker 2: is in. That's the theme today. Songs are key changes. 104 00:06:03,600 --> 00:06:08,320 Speaker 2: Christian I can't call him but Genesis Invisible touch amazing 105 00:06:08,440 --> 00:06:11,839 Speaker 2: key change for Phil Collins. This comes from Gary. Let's 106 00:06:11,880 --> 00:06:20,360 Speaker 2: have a listen to this such a one song film. 107 00:06:26,320 --> 00:06:29,040 Speaker 2: Christian Lee, singer of Way Snake, goes much higher on 108 00:06:29,200 --> 00:06:31,640 Speaker 2: John bon Jovi on here we go again. Don't make 109 00:06:31,680 --> 00:06:34,200 Speaker 2: claims like that, you can't back up. Do not do that, 110 00:06:35,040 --> 00:06:37,240 Speaker 2: Jason go on in Jason. 111 00:06:37,800 --> 00:06:39,080 Speaker 1: Hey, good morning guys, here we go. 112 00:06:39,279 --> 00:06:41,880 Speaker 2: Yeah we're good, Jason, what song for you? Big key change? 113 00:06:43,240 --> 00:06:46,360 Speaker 2: Billy Ocean, Get out of my dreams and into my car. Yeah, 114 00:06:46,480 --> 00:06:51,640 Speaker 2: he saw teases you with it. Here he's warming up 115 00:06:51,640 --> 00:06:56,800 Speaker 2: with us. Wow, this is a brilliant What we've got 116 00:06:56,920 --> 00:07:01,760 Speaker 2: to play this, Jason, that's definitely coming on after seven 117 00:07:01,760 --> 00:07:04,200 Speaker 2: o'clock one. Don't Jason have a good day? Awesome? 118 00:07:04,240 --> 00:07:05,440 Speaker 1: Thank you have a great day. 119 00:07:05,640 --> 00:07:09,160 Speaker 2: Bailey, Good morning, Bailey, Good morning guys. How are you yeah, 120 00:07:09,279 --> 00:07:11,880 Speaker 2: good baby? How are you not too about yourself? 121 00:07:12,000 --> 00:07:12,160 Speaker 1: Yeah? 122 00:07:12,240 --> 00:07:14,280 Speaker 2: Yeah, yeah, good yeah, yeah, good week so far? Actually 123 00:07:14,320 --> 00:07:16,400 Speaker 2: yeah I can't complain. And now Bailey, let's get down 124 00:07:16,400 --> 00:07:19,600 Speaker 2: to business. What song with a key change? The song 125 00:07:19,640 --> 00:07:22,560 Speaker 2: I had was I Have Nothing by Whitney Houston. Just 126 00:07:22,640 --> 00:07:24,960 Speaker 2: a powerful ballad, just to drive it home, just to 127 00:07:25,040 --> 00:07:43,080 Speaker 2: drive it powerful. Wow, Oh my god, what a void powerful. 128 00:07:43,240 --> 00:07:46,640 Speaker 2: That is amazing. Bailey, that's a great one. Thank you 129 00:07:46,800 --> 00:07:49,280 Speaker 2: very much. No, those guys have a good day, thank you. 130 00:07:50,320 --> 00:07:52,080 Speaker 2: Hang on, did we have this song? Last week? When 131 00:07:52,120 --> 00:07:55,720 Speaker 2: we looking for songs with questions? In dare we? How 132 00:07:55,800 --> 00:07:57,280 Speaker 2: long do you think we go every week? Wherever the 133 00:07:57,360 --> 00:07:59,840 Speaker 2: theme is, we cram in this song to someone like 134 00:08:00,000 --> 00:08:05,200 Speaker 2: s up the fact Andrew? Yes, Hello, team, Hello Andrew Andrew? 135 00:08:05,240 --> 00:08:06,280 Speaker 2: What song have you got for us? 136 00:08:07,240 --> 00:08:08,040 Speaker 3: Michael Bolton? 137 00:08:08,160 --> 00:08:09,120 Speaker 4: How can we be lovers? 138 00:08:09,200 --> 00:08:09,240 Speaker 1: So? 139 00:08:09,360 --> 00:08:11,200 Speaker 2: I haven't heard this in Angels. Let's have a listen. 140 00:08:11,480 --> 00:08:12,160 Speaker 4: We can work it. 141 00:08:12,360 --> 00:08:15,960 Speaker 2: Oh my god, it has to be. It demands to 142 00:08:16,040 --> 00:08:21,000 Speaker 2: go in. He doesn't need a big run up like 143 00:08:21,080 --> 00:08:23,360 Speaker 2: Billy Ocean's, like Ben Brown starts out run up in 144 00:08:23,400 --> 00:08:30,000 Speaker 2: the Car Book. He just gets He just gets into it. Barracks, Dick. 145 00:08:30,080 --> 00:08:31,480 Speaker 2: You me doesn't need a warm up. 146 00:08:32,120 --> 00:08:34,920 Speaker 6: The interesting thing is that songs written by a woman 147 00:08:35,000 --> 00:08:37,760 Speaker 6: called Diane Warren who did the Shirts song you played earlier, 148 00:08:38,440 --> 00:08:40,400 Speaker 6: and she gets lots of keep changes in her. 149 00:08:40,960 --> 00:08:44,800 Speaker 2: Ah right, So she also did this one. Yeah, shout 150 00:08:44,840 --> 00:08:49,599 Speaker 2: out Diane Warrent, Thank you very much Andrew for the 151 00:08:49,640 --> 00:08:52,760 Speaker 2: pop up pop fact. No hurry, you have a good 152 00:08:52,840 --> 00:08:53,520 Speaker 2: day anyway. 153 00:08:53,960 --> 00:08:56,119 Speaker 1: The Christian O'Connell Show podcast