1 00:00:00,600 --> 00:00:03,360 Speaker 1: Already and this is the Daily Ars. 2 00:00:03,480 --> 00:00:06,920 Speaker 2: This is the Daily ohs oh, now it makes sense. 3 00:00:15,360 --> 00:00:18,160 Speaker 3: Good morning and welcome to the Daily Ods. It's Friday, 4 00:00:18,160 --> 00:00:19,320 Speaker 3: the twenty second of March. 5 00:00:19,440 --> 00:00:20,880 Speaker 2: I'm Zara, I'm Billy. 6 00:00:21,160 --> 00:00:23,960 Speaker 3: Banksy is in the news this week after he unveiled 7 00:00:23,960 --> 00:00:27,720 Speaker 3: his latest artwork in North London. You might have seen it. 8 00:00:27,720 --> 00:00:30,440 Speaker 3: It was green paint sprayed on a wall behind a 9 00:00:30,520 --> 00:00:32,920 Speaker 3: tree to give it the appearance of leaves, with a 10 00:00:32,960 --> 00:00:36,839 Speaker 3: person holding a sprayer next to it. Now, Banksy is 11 00:00:36,840 --> 00:00:40,000 Speaker 3: one of the world's most famous artists, but what is 12 00:00:40,040 --> 00:00:43,040 Speaker 3: perhaps most interesting about him is that we actually have 13 00:00:43,200 --> 00:00:46,920 Speaker 3: no idea who he is. He's managed to remain anonymous 14 00:00:46,960 --> 00:00:50,960 Speaker 3: throughout his career, which has spanned many decades. So how 15 00:00:51,000 --> 00:00:53,520 Speaker 3: does he do it well? Billy wanted to find out, 16 00:00:53,680 --> 00:00:56,200 Speaker 3: so she sat down with Professor Allison Young from the 17 00:00:56,280 --> 00:01:01,000 Speaker 3: University of Melbourne. Was researched graffitian straight arts extensively to 18 00:01:01,120 --> 00:01:05,039 Speaker 3: understand the world's obsession with Banksy. Before we get to that, Billy, 19 00:01:05,120 --> 00:01:06,759 Speaker 3: first up, what's making headlines. 20 00:01:07,760 --> 00:01:11,240 Speaker 2: The findings of a religious discrimination review have been tabled 21 00:01:11,280 --> 00:01:14,479 Speaker 2: in Parliament. The report from the Australian Law Reform Commission 22 00:01:14,640 --> 00:01:17,959 Speaker 2: recommended the government repeal part of the Sex Discrimination Act 23 00:01:18,200 --> 00:01:23,080 Speaker 2: that permits lawful discrimination against LGBTQ plus students or staff 24 00:01:23,080 --> 00:01:27,679 Speaker 2: on religious grounds in some circumstances. Attorney General Mark Dreyfuss 25 00:01:27,760 --> 00:01:30,360 Speaker 2: said the government respects the right of parents to send 26 00:01:30,360 --> 00:01:32,600 Speaker 2: their kids to a religious school and that it was 27 00:01:32,680 --> 00:01:36,119 Speaker 2: working on an enduring solution to protect the rights of students, 28 00:01:36,200 --> 00:01:37,559 Speaker 2: teachers and people of faith. 29 00:01:39,000 --> 00:01:42,800 Speaker 3: Australia's population increased by two point five percent in twenty 30 00:01:42,840 --> 00:01:46,000 Speaker 3: twenty three, according to new data from the Australian Bureau 31 00:01:46,080 --> 00:01:50,200 Speaker 3: of Statistics. This brought the total population in Australia to 32 00:01:50,240 --> 00:01:54,000 Speaker 3: twenty six point eight million people in September of last year. 33 00:01:54,400 --> 00:01:57,720 Speaker 3: Temporary workers and international students made up the majority of 34 00:01:57,760 --> 00:01:58,520 Speaker 3: migrant growth. 35 00:02:00,240 --> 00:02:03,120 Speaker 2: The Prime Minister of Ireland has resigned after seven years 36 00:02:03,160 --> 00:02:06,639 Speaker 2: as leader. Leo Veradka became the country's youngest ever leader 37 00:02:06,720 --> 00:02:08,839 Speaker 2: when he was elected as a thirty eight year old 38 00:02:08,840 --> 00:02:11,560 Speaker 2: in twenty seventeen. He was also Island's first gay prime 39 00:02:11,560 --> 00:02:15,160 Speaker 2: minister and the country's first South Asian leader. Veradka announced 40 00:02:15,160 --> 00:02:18,320 Speaker 2: he was stepping down after a failed referendum which proposed 41 00:02:18,400 --> 00:02:21,919 Speaker 2: updating language in the Irish Constitution about families and the 42 00:02:22,040 --> 00:02:25,400 Speaker 2: role of women. In his resignation speech, Veradka said, I 43 00:02:25,480 --> 00:02:27,840 Speaker 2: don't feel I'm the best person for the job anymore. 44 00:02:29,240 --> 00:02:32,720 Speaker 3: And the good news, researchers from the University of Amsterdam 45 00:02:32,840 --> 00:02:35,800 Speaker 3: say they've made a breakthrough step towards finding a cure 46 00:02:35,840 --> 00:02:39,720 Speaker 3: for HIV. The scientists have developed a way to rid 47 00:02:39,800 --> 00:02:43,560 Speaker 3: infected cells of the virus entirely using a type of 48 00:02:43,639 --> 00:02:48,560 Speaker 3: Nobel Prize winning gene editing technology. So far, these scientists 49 00:02:48,560 --> 00:02:51,040 Speaker 3: have only tested the tech on cells in a lab, 50 00:02:51,200 --> 00:02:57,680 Speaker 3: with animal trials next up. Okay, so, Billy, first start. 51 00:02:58,000 --> 00:03:00,720 Speaker 3: I mentioned it briefly at the beigin. But do you 52 00:03:00,720 --> 00:03:03,520 Speaker 3: want to just bring everyone along as to why Banksy 53 00:03:03,760 --> 00:03:04,720 Speaker 3: is in the news this week? 54 00:03:04,800 --> 00:03:08,079 Speaker 2: Yeah, So, as you said, he did unveil a new artwork. 55 00:03:08,320 --> 00:03:10,720 Speaker 2: It was this mural that popped up on a residential 56 00:03:10,800 --> 00:03:13,800 Speaker 2: building in North London. Will pop a link to what 57 00:03:13,840 --> 00:03:16,480 Speaker 2: it looks like in the show notes. At first they 58 00:03:16,480 --> 00:03:18,799 Speaker 2: didn't actually know who had done it. There were rumors 59 00:03:18,840 --> 00:03:21,160 Speaker 2: that it could have been him. BBC ran an article 60 00:03:21,320 --> 00:03:23,560 Speaker 2: that they thought it was a Banksy art but it 61 00:03:23,600 --> 00:03:26,600 Speaker 2: wasn't until a few days after that Banksy posted to 62 00:03:26,680 --> 00:03:30,079 Speaker 2: his social media claiming it, and since then there has 63 00:03:30,120 --> 00:03:33,040 Speaker 2: been a whole lot of commentary around what it means. 64 00:03:33,320 --> 00:03:36,360 Speaker 2: A lot of people said it's commentary about destroying greenery. 65 00:03:36,800 --> 00:03:39,840 Speaker 2: The local council said it highlights the role that trees 66 00:03:39,880 --> 00:03:42,600 Speaker 2: play in communities. There was also some thoughts that it 67 00:03:42,600 --> 00:03:45,840 Speaker 2: could be about the urgency of the climate emergency. So 68 00:03:45,960 --> 00:03:48,760 Speaker 2: all pretty consistent themes that he is commenting on the 69 00:03:48,880 --> 00:03:50,640 Speaker 2: environment in some way. 70 00:03:51,120 --> 00:03:53,440 Speaker 3: And so why did you want to speak about it further? 71 00:03:53,680 --> 00:03:56,760 Speaker 2: So basically, Banksy is someone who I've heard a lot about, 72 00:03:56,920 --> 00:04:00,280 Speaker 2: You've heard a lot about, and like a lot of people, 73 00:04:00,320 --> 00:04:02,920 Speaker 2: I'm sure I didn't know that much, not just about 74 00:04:02,960 --> 00:04:06,600 Speaker 2: his identity obviously, but also his art and why he 75 00:04:06,720 --> 00:04:10,640 Speaker 2: really is so popular. But what I find so interesting 76 00:04:10,800 --> 00:04:13,560 Speaker 2: is the fact that in today's day and age, he 77 00:04:13,640 --> 00:04:17,680 Speaker 2: has managed to be completely anonymous. Like he's from the 78 00:04:17,800 --> 00:04:23,840 Speaker 2: UK right. The UK media is notoriously extremely intrusive. They 79 00:04:23,880 --> 00:04:26,480 Speaker 2: have literally figured out how to hack into the phones 80 00:04:26,520 --> 00:04:29,600 Speaker 2: of the royal family and the most influential people in 81 00:04:29,640 --> 00:04:31,760 Speaker 2: the world, but they have never been able to figure 82 00:04:31,760 --> 00:04:33,239 Speaker 2: out the identity of Banksy. 83 00:04:33,320 --> 00:04:36,680 Speaker 3: It's pretty incredible wild. 84 00:04:36,040 --> 00:04:38,680 Speaker 2: To me, and so I wanted to understand more about 85 00:04:39,000 --> 00:04:42,400 Speaker 2: a how has he managed to remain so anonymous but 86 00:04:42,480 --> 00:04:45,200 Speaker 2: also be what is it about his art like you 87 00:04:45,240 --> 00:04:48,560 Speaker 2: said before, that has captured the world like it has 88 00:04:48,920 --> 00:04:50,280 Speaker 2: and so that is why I thought it would be 89 00:04:50,320 --> 00:04:52,680 Speaker 2: interesting to speak to an expert, So I jumped on 90 00:04:52,720 --> 00:04:55,400 Speaker 2: a call with Professor Allison Young, who, like you said, 91 00:04:55,440 --> 00:04:57,960 Speaker 2: is from the University of Melbourne and she has ridden 92 00:04:58,040 --> 00:05:01,000 Speaker 2: a lot about Banksy and she explained to me all 93 00:05:01,040 --> 00:05:04,440 Speaker 2: about it. Professor Alison Young, thank you so much for 94 00:05:04,520 --> 00:05:05,599 Speaker 2: joining the Daily Oz. 95 00:05:05,640 --> 00:05:06,919 Speaker 1: You're welcome, thanks for having me. 96 00:05:07,320 --> 00:05:11,080 Speaker 2: Can we start by explaining who Banksy is and why 97 00:05:11,120 --> 00:05:14,640 Speaker 2: people care so much when he unveils a new artwork. 98 00:05:14,839 --> 00:05:19,200 Speaker 1: It's a really interesting question. He started out as someone 99 00:05:19,200 --> 00:05:23,480 Speaker 1: who was tagging a graffiti writer. They were very appealing 100 00:05:23,520 --> 00:05:26,920 Speaker 1: to the public and he became the best known stencil 101 00:05:27,040 --> 00:05:30,960 Speaker 1: artist in the world. And then in the late eighties 102 00:05:31,040 --> 00:05:35,240 Speaker 1: his work became incredibly successful within the established art world 103 00:05:35,640 --> 00:05:40,240 Speaker 1: and selling for six figures and more around the world. 104 00:05:40,880 --> 00:05:45,000 Speaker 1: So he is a he's a bit of a puzzle 105 00:05:45,080 --> 00:05:48,719 Speaker 1: because he started out as the thing that many cities hate, 106 00:05:48,760 --> 00:05:51,960 Speaker 1: which is a tagger, and then he became one of 107 00:05:52,000 --> 00:05:54,600 Speaker 1: the most significant contemporary artists. 108 00:05:54,520 --> 00:05:57,880 Speaker 2: And how often these days does he unveil new artwork. 109 00:05:58,160 --> 00:06:02,080 Speaker 1: It's pretty rare. People get very excited when a new 110 00:06:02,160 --> 00:06:05,599 Speaker 1: banks He appears on the street, and we've seen in 111 00:06:05,680 --> 00:06:09,760 Speaker 1: recent days crowds of people in London lining up to 112 00:06:09,960 --> 00:06:13,800 Speaker 1: photograph this new artwork. My son is actually there at 113 00:06:13,839 --> 00:06:16,320 Speaker 1: the moment, and yesterday I sent him on an expedition 114 00:06:16,360 --> 00:06:20,920 Speaker 1: to go and take photographs for me. So he messaged 115 00:06:20,920 --> 00:06:23,560 Speaker 1: the photos home last night and there are crowds of 116 00:06:23,600 --> 00:06:26,320 Speaker 1: people trying to take the picture through the fence that's 117 00:06:26,360 --> 00:06:29,360 Speaker 1: now been put up around the artwork, and people queuing 118 00:06:29,760 --> 00:06:31,480 Speaker 1: to get a chance to take a picture of the 119 00:06:31,560 --> 00:06:34,960 Speaker 1: artwork without the fence in the foreground. So it's something 120 00:06:35,000 --> 00:06:37,600 Speaker 1: that hasn't happened probably for a year, since there's been 121 00:06:37,600 --> 00:06:41,000 Speaker 1: a verified bank See in London or in the UK. 122 00:06:41,400 --> 00:06:44,119 Speaker 2: And one of the most fascinating things about bank Scene 123 00:06:44,200 --> 00:06:47,080 Speaker 2: is the fact that he is anonymous. And what I'm 124 00:06:47,120 --> 00:06:49,800 Speaker 2: intrigued about is the fact that his artwork is in 125 00:06:49,880 --> 00:06:53,200 Speaker 2: these very public places. So how is he able to 126 00:06:53,240 --> 00:06:57,440 Speaker 2: put the art up without the general public ever catching him? 127 00:06:57,480 --> 00:06:59,000 Speaker 2: It just suddenly appears overnight. 128 00:06:59,240 --> 00:07:03,080 Speaker 1: Yeah, it's it's quite a puzzle. He now can afford 129 00:07:03,120 --> 00:07:05,320 Speaker 1: to have a team of people who help, So people 130 00:07:05,320 --> 00:07:09,640 Speaker 1: who act as lookouts, who identify a location where it's 131 00:07:09,760 --> 00:07:12,440 Speaker 1: going to be possible to work uninterrupted for a few 132 00:07:12,480 --> 00:07:18,200 Speaker 1: hours overnight, and who are there to assist if there's 133 00:07:18,240 --> 00:07:22,920 Speaker 1: a problem. So they've honed their skills in that respect. 134 00:07:23,720 --> 00:07:27,440 Speaker 2: Let's talk about his identity. We know very little about 135 00:07:27,520 --> 00:07:31,200 Speaker 2: who he actually is. What do you know about his identity. 136 00:07:31,400 --> 00:07:34,920 Speaker 1: Obviously many people have met him and who know exactly 137 00:07:34,960 --> 00:07:38,600 Speaker 1: who he is, But there's a kind of commitment to 138 00:07:39,480 --> 00:07:41,960 Speaker 1: keeping the secret, if you like. The people who want 139 00:07:42,000 --> 00:07:44,440 Speaker 1: to know who he is, who he actually is, and 140 00:07:44,480 --> 00:07:47,120 Speaker 1: what his address is, they tend to be the tabloid 141 00:07:47,160 --> 00:07:51,200 Speaker 1: media and probably the police, and so lots of people 142 00:07:51,280 --> 00:07:54,920 Speaker 1: don't want to be like that, and so they they're 143 00:07:54,920 --> 00:07:57,920 Speaker 1: committeed to the idea of the pleasure that not knowing 144 00:07:57,920 --> 00:07:59,080 Speaker 1: who he is gives. 145 00:07:59,120 --> 00:08:02,640 Speaker 2: Everyone really fascinated by this idea, that it's this open 146 00:08:03,240 --> 00:08:06,320 Speaker 2: secret within the arts culture and that they're all committed 147 00:08:06,360 --> 00:08:09,720 Speaker 2: to keeping his identity a secret. Can you talk more 148 00:08:09,760 --> 00:08:12,080 Speaker 2: a little bit about that and how it is this 149 00:08:12,160 --> 00:08:14,960 Speaker 2: open secret and why they're so committed to keeping it 150 00:08:14,960 --> 00:08:15,320 Speaker 2: that way. 151 00:08:15,520 --> 00:08:17,680 Speaker 1: Thanks. He's probably a little bit like a CEO of 152 00:08:17,720 --> 00:08:21,600 Speaker 1: an organization, no, but just an anonymous one. There are 153 00:08:21,600 --> 00:08:26,120 Speaker 1: many people that work for him and with him, so galleries, museums, 154 00:08:27,200 --> 00:08:31,760 Speaker 1: he has an authentication service, he has an agent, he 155 00:08:32,000 --> 00:08:35,560 Speaker 1: has someone that interacts with the media on his behalf. 156 00:08:36,160 --> 00:08:38,200 Speaker 1: And this is like an example of a kind of 157 00:08:38,840 --> 00:08:44,600 Speaker 1: unwritten law within street art community that if someone wants 158 00:08:44,640 --> 00:08:47,319 Speaker 1: to stay anonymous, you should respect it. Otherwise you're kind 159 00:08:47,320 --> 00:08:49,440 Speaker 1: of on the side of the authorities rather than on 160 00:08:49,480 --> 00:08:50,520 Speaker 1: the side of the artist. 161 00:08:51,040 --> 00:08:53,400 Speaker 2: Are you amazed, in this day and age, with the 162 00:08:53,400 --> 00:08:57,160 Speaker 2: Internet and everything, that his identity has for the most 163 00:08:57,160 --> 00:08:59,000 Speaker 2: part remained a big secret. 164 00:08:59,480 --> 00:09:03,000 Speaker 1: I think it's it's pretty oppressive. Yes, there have been 165 00:09:03,040 --> 00:09:08,920 Speaker 1: attempts to unmask him. The Daily Mail newspaper in Britain 166 00:09:09,080 --> 00:09:12,440 Speaker 1: and various other people have claimed to be Banksy or 167 00:09:12,520 --> 00:09:15,280 Speaker 1: to know who it is. It's quite an achievement. Twenty 168 00:09:15,400 --> 00:09:19,000 Speaker 1: years of anonymity. It's hard to imagine, really, but he's 169 00:09:19,040 --> 00:09:19,640 Speaker 1: achieved it. 170 00:09:19,760 --> 00:09:21,920 Speaker 2: Do you know why he is so committed to keeping 171 00:09:21,960 --> 00:09:22,600 Speaker 2: it a secret. 172 00:09:23,000 --> 00:09:26,640 Speaker 1: I think two things. One is that he is a 173 00:09:26,720 --> 00:09:30,560 Speaker 1: very clever business person as well as a very talented 174 00:09:30,679 --> 00:09:34,199 Speaker 1: artist and I'm sure it's so part of the mystique 175 00:09:34,280 --> 00:09:37,520 Speaker 1: adds value to the artworks when they are being sold, 176 00:09:37,760 --> 00:09:41,240 Speaker 1: So I think it's a good business move. But I 177 00:09:41,280 --> 00:09:45,320 Speaker 1: think also he doesn't really want it to be about him, 178 00:09:45,640 --> 00:09:49,440 Speaker 1: so the anonymity helps him have a life separate from 179 00:09:49,520 --> 00:09:54,440 Speaker 1: the artwork. And if he was unmasked, then that would 180 00:09:54,480 --> 00:09:56,800 Speaker 1: all that would all be ruined in a way, and 181 00:09:56,840 --> 00:10:00,600 Speaker 1: then it becomes about this person who been doing this 182 00:10:00,679 --> 00:10:03,160 Speaker 1: work for twenty years, rather than us all enjoying the 183 00:10:03,280 --> 00:10:04,760 Speaker 1: artwork for its own sake. 184 00:10:05,080 --> 00:10:08,360 Speaker 2: Let's talk about his art. Why do you think Banks's 185 00:10:08,480 --> 00:10:10,120 Speaker 2: art is so popular. 186 00:10:10,679 --> 00:10:13,959 Speaker 1: It's very clever, like it helps Like if you look 187 00:10:14,000 --> 00:10:17,600 Speaker 1: at one of his artworks, there's an experience of going, oh, 188 00:10:17,679 --> 00:10:21,400 Speaker 1: that's interesting, that's clever, that's funny. So with the current one, 189 00:10:21,480 --> 00:10:26,640 Speaker 1: which is green paint sprayed by fire extinguisher on a 190 00:10:26,760 --> 00:10:30,000 Speaker 1: wall with a stencil of a woman holding the fire 191 00:10:30,040 --> 00:10:33,120 Speaker 1: extinguisher next to it, and it's designed to be viewed 192 00:10:33,559 --> 00:10:38,880 Speaker 1: from a particular angle where you see a leafless you 193 00:10:38,920 --> 00:10:41,680 Speaker 1: see through a leafless tree to see the green on 194 00:10:41,720 --> 00:10:44,480 Speaker 1: the wall behind. So it becomes a kind of comment 195 00:10:44,600 --> 00:10:49,400 Speaker 1: on nature and culture, and you can spend a little 196 00:10:49,400 --> 00:10:51,640 Speaker 1: bit of time trying to work out does it have 197 00:10:51,679 --> 00:10:54,640 Speaker 1: a message and what is it? So I think it's 198 00:10:55,840 --> 00:10:57,960 Speaker 1: a sort of level of its a depth to the 199 00:10:58,040 --> 00:11:02,760 Speaker 1: artworks that just cute, funny pictures don't have. And he's 200 00:11:02,920 --> 00:11:07,640 Speaker 1: always had a bit of that political layering to his 201 00:11:07,760 --> 00:11:12,040 Speaker 1: work where you can read comment on various issues into 202 00:11:12,080 --> 00:11:13,080 Speaker 1: it if you want. 203 00:11:13,360 --> 00:11:16,520 Speaker 2: Can you talk more about that political messaging that is 204 00:11:16,559 --> 00:11:18,360 Speaker 2: a common name in his artwork. 205 00:11:18,520 --> 00:11:21,400 Speaker 1: He set up a hotel in the West Bank, so 206 00:11:21,920 --> 00:11:26,760 Speaker 1: you know, the walled off hotel, like not a play 207 00:11:26,800 --> 00:11:29,319 Speaker 1: on the word Waldorf, which is a luxury hotel in 208 00:11:30,040 --> 00:11:33,840 Speaker 1: New York, but he opened a hotel filled with his 209 00:11:34,040 --> 00:11:38,440 Speaker 1: artwork in an area that was walled off from other places, 210 00:11:38,480 --> 00:11:41,880 Speaker 1: so he's making a comment there on segregation of the 211 00:11:41,920 --> 00:11:46,880 Speaker 1: Palestinian people in the West Bank. He also created an 212 00:11:46,960 --> 00:11:50,600 Speaker 1: artwork in London which was about the prevalence of CCTV 213 00:11:51,679 --> 00:11:56,200 Speaker 1: in London, so that was called One Nation under CCTV. 214 00:11:57,280 --> 00:12:02,240 Speaker 1: And he's made work that comments on the buffing or 215 00:12:02,280 --> 00:12:06,160 Speaker 1: removal of artwork from the streets. He's made work that 216 00:12:06,240 --> 00:12:10,640 Speaker 1: comments on climate change. Critics might say that it's all 217 00:12:10,679 --> 00:12:14,640 Speaker 1: a bit superficial, like he makes one comment on one 218 00:12:14,679 --> 00:12:17,880 Speaker 1: issue and moves on. But I'd like to think that 219 00:12:18,040 --> 00:12:20,760 Speaker 1: he's just interested in a lot of different things and 220 00:12:20,880 --> 00:12:24,600 Speaker 1: truls a responsibility to use his platform in a way 221 00:12:24,640 --> 00:12:26,080 Speaker 1: that stokes debate. 222 00:12:26,520 --> 00:12:28,160 Speaker 2: And what do you think is next for him? Do 223 00:12:28,200 --> 00:12:30,760 Speaker 2: you think he'll ever reveal who he is? 224 00:12:31,080 --> 00:12:33,840 Speaker 1: It would be funny to imagine one of those television 225 00:12:33,840 --> 00:12:36,200 Speaker 1: shows that do like, who do you think you are? 226 00:12:37,960 --> 00:12:39,920 Speaker 1: If Banks he was on one of those shows, that 227 00:12:40,000 --> 00:12:42,360 Speaker 1: could be very funny, as long as it stays in 228 00:12:42,400 --> 00:12:46,040 Speaker 1: his interest to remain anonymous while he's making art. I 229 00:12:46,120 --> 00:12:47,840 Speaker 1: quite like the idea that it could be a secret 230 00:12:47,880 --> 00:12:50,200 Speaker 1: that could be kept indefinitely. 231 00:12:50,520 --> 00:12:53,000 Speaker 2: Professor Young, thank you so much for joining The Daily Ours. 232 00:12:53,320 --> 00:12:54,199 Speaker 1: You're very welcome. 233 00:12:55,000 --> 00:12:57,480 Speaker 3: Thanks so much for joining us on today's episode of 234 00:12:57,559 --> 00:13:00,520 Speaker 3: The Daily Ours. We hope you enjoyed it. Lavit if 235 00:13:00,520 --> 00:13:03,839 Speaker 3: you could follow us on Spotify or Apple shows the 236 00:13:03,880 --> 00:13:06,280 Speaker 3: platforms that you're enjoying what we're doing, and it means 237 00:13:06,280 --> 00:13:09,520 Speaker 3: you'll have a new episode waiting for you every weekday morning. 238 00:13:09,960 --> 00:13:12,400 Speaker 3: Have a fabulous weekend, and we'll see you again on Monday. 239 00:13:14,520 --> 00:13:16,840 Speaker 2: My name is Lily Maddon and I'm a proud Arunda 240 00:13:17,040 --> 00:13:19,600 Speaker 2: Bungelung Calcoton woman from Gadighl country. 241 00:13:20,440 --> 00:13:23,600 Speaker 1: The Daily oz acknowledges that this podcast is recorded on 242 00:13:23,640 --> 00:13:26,120 Speaker 1: the lands of the Gadighl people and pays respect to 243 00:13:26,200 --> 00:13:28,840 Speaker 1: all Aboriginal and Torres s right island and nations. 244 00:13:29,160 --> 00:13:32,080 Speaker 2: We pay our respects to the first peoples of these countries, 245 00:13:32,240 --> 00:13:33,400 Speaker 2: both past and present.