1 00:00:00,480 --> 00:00:03,440 Speaker 1: I think the weather conditions are pretty perfect this weekend 2 00:00:03,720 --> 00:00:06,840 Speaker 1: for Sculpture at Bathers. It kicks off on Friday until 3 00:00:06,840 --> 00:00:09,880 Speaker 1: April twenty first in Fremantle. For all the information, you 4 00:00:09,920 --> 00:00:12,319 Speaker 1: can visit Sculpture at Bathers dot com. Dot are you 5 00:00:12,720 --> 00:00:15,200 Speaker 1: and the artistic director of Sandra Murray joining us now, 6 00:00:15,240 --> 00:00:16,440 Speaker 1: Good morning, Sandra. 7 00:00:16,239 --> 00:00:19,599 Speaker 2: You're welcome, Good thank you, guys, good morning. 8 00:00:19,840 --> 00:00:24,880 Speaker 1: Obviously more popular than ever before this year because of 9 00:00:25,239 --> 00:00:29,200 Speaker 1: losing Sculpture by the Sea. I mean people like their 10 00:00:29,320 --> 00:00:31,040 Speaker 1: fix of sculptures on the beach. 11 00:00:32,000 --> 00:00:35,959 Speaker 2: Oh, yes, certainly, yes, yes. And down at Frio it's 12 00:00:36,000 --> 00:00:40,080 Speaker 2: got a really cruisy, friendly atmosphere, so we're looking forward 13 00:00:40,120 --> 00:00:43,760 Speaker 2: to everyone coming down and enjoying the open air gallery 14 00:00:44,440 --> 00:00:49,520 Speaker 2: over fifty sculptures outdoors. And also in Shipwrecks Museum, which 15 00:00:49,560 --> 00:00:52,320 Speaker 2: is part of the WA Museum, we have a fantastic 16 00:00:52,760 --> 00:00:55,360 Speaker 2: indoor exhibition of small scale works. 17 00:00:56,000 --> 00:00:58,000 Speaker 3: Has the planning and all the bumping and all that 18 00:00:58,040 --> 00:01:00,480 Speaker 3: I've seen the social media this week, Santa has been going. 19 00:01:01,400 --> 00:01:04,880 Speaker 2: Oh it's always very hectic, but it's an exciting time. 20 00:01:05,200 --> 00:01:10,480 Speaker 2: It's very methodically planned and we are so overjoyed to 21 00:01:10,560 --> 00:01:15,000 Speaker 2: actually see the works arrive and get installed after many, 22 00:01:15,080 --> 00:01:18,640 Speaker 2: many months and sometimes years of being planned and in 23 00:01:18,680 --> 00:01:20,120 Speaker 2: the making by the sculptors. 24 00:01:20,400 --> 00:01:22,319 Speaker 1: I think it would be the most hectic bump in 25 00:01:23,760 --> 00:01:26,320 Speaker 1: of anything outside the Metallica cots that may be next 26 00:01:26,360 --> 00:01:31,560 Speaker 1: to whatever it's on. So, Sandra, is the exhibition free? 27 00:01:32,480 --> 00:01:36,039 Speaker 2: Oh? Absolutely, Yeah, that's the core of what we do, 28 00:01:36,360 --> 00:01:40,119 Speaker 2: free for everyone. Free tours. You can book online at 29 00:01:40,160 --> 00:01:44,479 Speaker 2: our website and grab a coffee, grab an ice cream, babe, 30 00:01:44,560 --> 00:01:49,080 Speaker 2: this beach house. Yeah. Also the Easter weekend we coincide 31 00:01:49,160 --> 00:01:53,640 Speaker 2: with the City of Frio's International Street Arts Festival, so 32 00:01:53,680 --> 00:01:55,320 Speaker 2: there's heaps to do down there. 33 00:01:55,520 --> 00:01:58,000 Speaker 3: Yeah for people. People do have to plan when Frio 34 00:01:58,080 --> 00:02:00,720 Speaker 3: is busy. Having moved down there recently, in Frio is busy, 35 00:02:00,720 --> 00:02:05,080 Speaker 3: you have to plan how you get jo from southeast. 36 00:02:05,080 --> 00:02:07,880 Speaker 3: It's all good, but you do have to be I 37 00:02:07,920 --> 00:02:09,760 Speaker 3: have to be wits about you plan the way to 38 00:02:09,760 --> 00:02:11,440 Speaker 3: get in and get out and all the rest of it. 39 00:02:11,240 --> 00:02:13,280 Speaker 3: But Sandra, the vibe is so good when it's going off, 40 00:02:13,320 --> 00:02:14,400 Speaker 3: isn't it. 41 00:02:14,400 --> 00:02:17,760 Speaker 2: It sure is down there. Yeah, Yeah, there's nothing like it. 42 00:02:17,840 --> 00:02:21,960 Speaker 2: And with that Indian notion and the sunset, the backdrop 43 00:02:22,160 --> 00:02:23,359 Speaker 2: is just sublime. 44 00:02:23,720 --> 00:02:27,960 Speaker 1: I think we have the best place for the whole sculpture, 45 00:02:28,200 --> 00:02:31,240 Speaker 1: you know, on the beach idea of anywhere, because of 46 00:02:31,280 --> 00:02:34,359 Speaker 1: those sunsets and everything. How does an artist get their 47 00:02:34,400 --> 00:02:35,920 Speaker 1: work selected at Sandra. 48 00:02:37,480 --> 00:02:41,600 Speaker 2: Well, there's a process. It's a selection process, and they apply, 49 00:02:41,919 --> 00:02:45,040 Speaker 2: there's a form, and they've got to think carefully, you know, 50 00:02:45,080 --> 00:02:50,080 Speaker 2: what they put in and images and biography a statement, 51 00:02:50,560 --> 00:02:54,280 Speaker 2: and then there's a panel of professionals including curators and 52 00:02:54,400 --> 00:02:59,000 Speaker 2: artists who assess them. And roughly over one hundred works 53 00:02:59,040 --> 00:03:03,440 Speaker 2: this time and about fifty five selected. So it's a 54 00:03:03,639 --> 00:03:06,800 Speaker 2: tough process and to get in is a real honor 55 00:03:06,840 --> 00:03:09,200 Speaker 2: for the artists and a real boost for their career 56 00:03:09,280 --> 00:03:10,160 Speaker 2: and their profile. 57 00:03:10,360 --> 00:03:12,160 Speaker 1: Do you have a favorite piece this year that we 58 00:03:12,200 --> 00:03:13,880 Speaker 1: should all be making sure we're looking out for. 59 00:03:16,240 --> 00:03:19,560 Speaker 2: I think there's quite a lot I love, but a 60 00:03:19,600 --> 00:03:23,160 Speaker 2: few eye popping ones. There's an amazing one outside Bathers 61 00:03:23,160 --> 00:03:28,000 Speaker 2: Beach House and it's the old Jetty Jill paint Neromine 62 00:03:28,320 --> 00:03:32,720 Speaker 2: works mainly with clochetes with bright colored yarns, threads and strings, 63 00:03:33,000 --> 00:03:36,840 Speaker 2: and it's like an underwater world with jellyfish and she 64 00:03:37,120 --> 00:03:40,600 Speaker 2: likens it to swim in with a snorkel. On dry 65 00:03:40,680 --> 00:03:44,200 Speaker 2: land because you can walk under the jetty and it's 66 00:03:44,320 --> 00:03:49,640 Speaker 2: just a fantastic immersive experience. Ryan Kant has a very 67 00:03:49,760 --> 00:03:53,800 Speaker 2: joyful work which references the cranes at the port in 68 00:03:53,920 --> 00:03:57,600 Speaker 2: Frio on the beach, but they're like little mini cranes 69 00:03:57,640 --> 00:04:01,640 Speaker 2: and they touch like giraffes or die dinosaurs. Yeah, yeah, yeah, 70 00:04:01,720 --> 00:04:05,680 Speaker 2: yeah yeah. There's an extraordinary work based on an old 71 00:04:05,800 --> 00:04:09,240 Speaker 2: car body by Richard Aitken, which is on the boardwalk 72 00:04:09,320 --> 00:04:13,560 Speaker 2: between Cadogo and Bab's Beach House, and that's already since 73 00:04:13,560 --> 00:04:16,479 Speaker 2: it's been installed, people are stopping and doing the photo 74 00:04:16,560 --> 00:04:18,000 Speaker 2: shoot with it. They love it. 75 00:04:18,640 --> 00:04:23,599 Speaker 1: You had me at Maccrome Jellyfish. That sounds amazing. 76 00:04:24,120 --> 00:04:25,960 Speaker 3: For any awards or anything being handed out, or is 77 00:04:25,960 --> 00:04:28,119 Speaker 3: it just reward enough for the artists have been chosen 78 00:04:28,160 --> 00:04:28,920 Speaker 3: to be displayed. 79 00:04:30,120 --> 00:04:34,240 Speaker 2: We're a very democratic exhibition. We don't give prizes as such, 80 00:04:34,320 --> 00:04:37,760 Speaker 2: but at the end we have an important one. It's 81 00:04:37,839 --> 00:04:40,560 Speaker 2: the Artist Peer Awards, so all the artists in the 82 00:04:40,680 --> 00:04:45,000 Speaker 2: exhibition get to choose the artists it's great, most worthy, 83 00:04:45,360 --> 00:04:49,040 Speaker 2: and we also as an organization offer a mentorship award 84 00:04:49,120 --> 00:04:52,839 Speaker 2: which includes mentoring time with myself and one of the 85 00:04:52,960 --> 00:04:54,200 Speaker 2: senior sculptors. 86 00:04:54,320 --> 00:04:57,359 Speaker 1: All right, do we need to know anything about opening 87 00:04:57,400 --> 00:04:58,360 Speaker 1: times and so on? 88 00:04:58,480 --> 00:05:02,000 Speaker 2: Is it? Oh? Well, being down at the beach, it's 89 00:05:02,040 --> 00:05:05,560 Speaker 2: really twenty for our outact. What is good to know 90 00:05:05,720 --> 00:05:09,400 Speaker 2: is we have night lighting, so that's from six thirty 91 00:05:09,480 --> 00:05:12,600 Speaker 2: till ten thirty every night. Yeah, so come on down 92 00:05:12,640 --> 00:05:16,039 Speaker 2: in the evening as well. It's a very lovely atmosphere then. 93 00:05:16,720 --> 00:05:21,320 Speaker 2: But the actual Shipwrecks Museum is open nine point thirty 94 00:05:21,360 --> 00:05:24,880 Speaker 2: till five daily and free admission there as well. Well. 95 00:05:24,880 --> 00:05:27,120 Speaker 1: That sounds like two trips because I want to see 96 00:05:27,160 --> 00:05:29,479 Speaker 1: it in the day and also I want to see 97 00:05:29,480 --> 00:05:31,400 Speaker 1: it what it's like at night as. 98 00:05:31,240 --> 00:05:33,200 Speaker 3: Well, and you duck around the corner, get some fish 99 00:05:33,240 --> 00:05:34,120 Speaker 3: and chips or whatever you want to. 100 00:05:34,080 --> 00:05:37,720 Speaker 2: Be Yeah, sure, sure it's c. Sorellos. And we also 101 00:05:37,800 --> 00:05:42,400 Speaker 2: have a satellite show this time at Old Customs House 102 00:05:42,440 --> 00:05:46,000 Speaker 2: in Phillamore Street, which is two of our artists. So 103 00:05:46,040 --> 00:05:47,840 Speaker 2: that's where Art Source has its home. 104 00:05:48,080 --> 00:05:49,960 Speaker 1: All right, Well, parking at your place is going to 105 00:05:49,960 --> 00:05:52,479 Speaker 1: be at a premium Clay Sandra, thank you so much 106 00:05:52,520 --> 00:05:56,440 Speaker 1: for joining us. Sculpture at Baby is on Friday until 107 00:05:56,440 --> 00:05:59,719 Speaker 1: April the twenty first. For all the information Just head 108 00:05:59,720 --> 00:06:01,760 Speaker 1: Onto sculpture at bathis dot com dot au