1
00:00:06,080 --> 00:00:06,520
Speaker 1: I wanted to do.

2
00:00:07,320 --> 00:00:09,480
Speaker 2: Arguably, this is even if you're not into tech. I

3
00:00:09,480 --> 00:00:13,119
Speaker 2: think this is the most terrifying and interesting story of

4
00:00:13,160 --> 00:00:13,520
Speaker 2: the year.

5
00:00:13,640 --> 00:00:16,200
Speaker 1: Full stop. Okay, do you know what a neural link

6
00:00:16,480 --> 00:00:17,200
Speaker 1: brain is?

7
00:00:17,720 --> 00:00:20,799
Speaker 3: I actually do amazingly. I'm usually not across tech, but

8
00:00:20,840 --> 00:00:22,840
Speaker 3: this excites me. It's a chip in your brain.

9
00:00:23,000 --> 00:00:25,799
Speaker 2: This is something that Elon Musk has been trying, is

10
00:00:25,840 --> 00:00:27,360
Speaker 2: trying to get into the market at the moment.

11
00:00:27,480 --> 00:00:29,800
Speaker 3: The chip in the brain. So I had said, chip

12
00:00:29,800 --> 00:00:32,440
Speaker 3: in my brain. I just have to think call mum,

13
00:00:32,800 --> 00:00:35,760
Speaker 3: and then it'll my brain will call my mum.

14
00:00:36,000 --> 00:00:37,960
Speaker 1: Yeah, and then I'll just be talking to her. I think,

15
00:00:38,120 --> 00:00:43,159
Speaker 1: not quite. I wanted to I wanted to let you

16
00:00:43,360 --> 00:00:45,080
Speaker 1: shut What do I talk into my hand?

17
00:00:45,080 --> 00:00:48,400
Speaker 2: Well? No, So that the year combining a few ideas

18
00:00:48,400 --> 00:00:50,639
Speaker 2: that the phone hand thing is a thing that he's

19
00:00:50,720 --> 00:00:53,040
Speaker 2: working on, no doubt, which is just having the phone

20
00:00:53,080 --> 00:00:55,080
Speaker 2: receiver in your hand, but your brain can't call your mum.

21
00:00:55,080 --> 00:00:57,200
Speaker 1: Mate. I don't hate to be the one I think.

22
00:00:57,400 --> 00:00:59,960
Speaker 2: I think you do think you do think call mum.

23
00:01:00,400 --> 00:01:03,800
Speaker 2: Your brain doesn't control your Your brain doesn't make the

24
00:01:03,800 --> 00:01:05,679
Speaker 2: phone call. That's what the neural haven't got the receiver

25
00:01:05,720 --> 00:01:07,880
Speaker 2: in there. You haven't got a little little touch pad

26
00:01:07,880 --> 00:01:10,759
Speaker 2: in there. Elon Muster doesn't put a little man in there.

27
00:01:10,840 --> 00:01:16,440
Speaker 2: Go dude, dude, no, no no. So basically the idea is,

28
00:01:16,520 --> 00:01:20,199
Speaker 2: and it's kind of terrifying and I think impressive, But basically,

29
00:01:20,560 --> 00:01:25,360
Speaker 2: what the neural link does is it helps people control

30
00:01:25,560 --> 00:01:31,080
Speaker 2: external technology with their mind. So call mum, but you're

31
00:01:31,120 --> 00:01:33,440
Speaker 2: not calling from your brain. So you would say call

32
00:01:33,520 --> 00:01:36,600
Speaker 2: mum and your phone would call your mum. That's unbeloawing.

33
00:01:36,600 --> 00:01:38,880
Speaker 2: So it's like a think about it like a wireless connection.

34
00:01:38,920 --> 00:01:42,320
Speaker 2: Think about it like your brain becomes a remote Effectively,

35
00:01:42,440 --> 00:01:42,800
Speaker 2: what if.

36
00:01:42,720 --> 00:01:45,399
Speaker 1: I'm having a dream and I think in my dream

37
00:01:45,480 --> 00:01:47,400
Speaker 1: to call my mum? Do you know what I mean?

38
00:01:47,680 --> 00:01:51,120
Speaker 2: Yeah, like your phone might accidentally go off and you'd

39
00:01:51,120 --> 00:01:51,640
Speaker 2: call your mom.

40
00:01:51,800 --> 00:01:52,960
Speaker 1: Yeah, would you be terrifying?

41
00:01:53,480 --> 00:01:56,240
Speaker 2: Yeah, surely I didn't mean to think that. And then

42
00:01:56,280 --> 00:01:59,360
Speaker 2: all of a sudden yeah yeah, or yeah, think about

43
00:01:59,360 --> 00:02:01,480
Speaker 2: an next girlfriend, yeah, and you go, I was just

44
00:02:01,520 --> 00:02:02,040
Speaker 2: thinking about it.

45
00:02:02,080 --> 00:02:04,040
Speaker 1: I didn't want to call it. Look, I wouldn't want

46
00:02:04,080 --> 00:02:08,560
Speaker 1: this thing in my head. Oh yeah yeah.

47
00:02:08,639 --> 00:02:10,240
Speaker 2: Or you know, if you're getting a bit intimate with

48
00:02:10,280 --> 00:02:12,240
Speaker 2: your partner and you're thinking about what's one for dinner tonight?

49
00:02:12,240 --> 00:02:14,720
Speaker 1: And all of a sudden you're ordering Uberreadsang, yeah.

50
00:02:16,680 --> 00:02:21,919
Speaker 2: Straight away, we found the whole Sorry, there's just a

51
00:02:22,040 --> 00:02:25,440
Speaker 2: notes list of the shopping list for that. So in

52
00:02:25,520 --> 00:02:29,120
Speaker 2: terms of the hardware, it's less than two hours to

53
00:02:29,160 --> 00:02:33,840
Speaker 2: get this procedure done, and they insert electronic threads directly

54
00:02:33,880 --> 00:02:38,680
Speaker 2: into your brain tissue. Yeah, not for me. Well, for

55
00:02:38,720 --> 00:02:40,799
Speaker 2: all sorts of reasons. You don't want to be killing

56
00:02:40,800 --> 00:02:41,760
Speaker 2: your x Y your sleep.

57
00:02:41,840 --> 00:02:42,000
Speaker 1: You know.

58
00:02:42,880 --> 00:02:44,480
Speaker 2: Look, there's lots of reasons a lot of us wouldn't

59
00:02:44,480 --> 00:02:46,200
Speaker 2: get it, But for a lot of people. I mean,

60
00:02:46,240 --> 00:02:50,760
Speaker 2: what it's designed for, largely now at the moment, is for.

61
00:02:50,720 --> 00:02:52,960
Speaker 1: People who are paralyzed. Oh okay.

62
00:02:53,040 --> 00:02:56,560
Speaker 2: That's so if you actually physically cannot pick up your

63
00:02:56,560 --> 00:03:00,760
Speaker 2: phone or a gaming controller or whatever everready.

64
00:03:00,760 --> 00:03:03,960
Speaker 3: Time, you could probably write a book just thinking about

65
00:03:04,000 --> 00:03:04,560
Speaker 3: what you wanted.

66
00:03:04,600 --> 00:03:07,600
Speaker 1: That that is amazing. Even Hawking used to use winks,

67
00:03:07,639 --> 00:03:09,079
Speaker 1: didn't he? No, he didn't wink?

68
00:03:09,120 --> 00:03:15,839
Speaker 2: No, No, his eyes well yeah, his eyes sitting there,

69
00:03:16,160 --> 00:03:19,600
Speaker 2: old blinky bill like that. Stephen Hawks angry Stephen Hawking,

70
00:03:19,919 --> 00:03:21,960
Speaker 2: He's just constantly twitching.

71
00:03:22,280 --> 00:03:24,240
Speaker 1: Is he winking? Does he want to sleep with me?

72
00:03:28,120 --> 00:03:28,839
Speaker 1: So he would look.

73
00:03:29,360 --> 00:03:34,000
Speaker 2: Yeah, I had a screen that was color coded and

74
00:03:34,040 --> 00:03:36,800
Speaker 2: depending on the color that he looked at, that would

75
00:03:36,840 --> 00:03:39,120
Speaker 2: that would create the words that he wanted to create.

76
00:03:39,120 --> 00:03:41,200
Speaker 3: But imagine if he had this chip in his brain

77
00:03:41,240 --> 00:03:42,920
Speaker 3: tissue delay.

78
00:03:42,960 --> 00:03:45,080
Speaker 1: It's just been like it's yeah, exactly.

79
00:03:45,160 --> 00:03:49,160
Speaker 2: So there's this guy called Nolan Arba who's twenty nine

80
00:03:49,240 --> 00:03:49,680
Speaker 2: year old.

81
00:03:49,840 --> 00:03:50,800
Speaker 1: He got paralyzed.

82
00:03:50,800 --> 00:03:53,000
Speaker 2: I think they were like a diving accident or something

83
00:03:53,040 --> 00:03:55,520
Speaker 2: like that. That literally cannot move a muscle and he

84
00:03:55,560 --> 00:03:58,520
Speaker 2: had this implant into his brain. Is it working works

85
00:03:58,520 --> 00:04:00,920
Speaker 2: incredibly well? He could say, he can use his brain

86
00:04:01,000 --> 00:04:03,760
Speaker 2: to make a phone call. Yes, that is unbeloved. He

87
00:04:03,800 --> 00:04:06,280
Speaker 2: said he's had about four months using it now and

88
00:04:06,440 --> 00:04:08,840
Speaker 2: he can play video games, listen to audiobooks, he can

89
00:04:08,840 --> 00:04:11,280
Speaker 2: search the web. Totally changed his life. He thinks it's

90
00:04:11,320 --> 00:04:13,640
Speaker 2: the best thing ever. The best part about this story, though,

91
00:04:13,680 --> 00:04:15,760
Speaker 2: and this is where you come in now that we've finished.

92
00:04:15,760 --> 00:04:17,279
Speaker 2: I knew you'd have some great answers for that. But

93
00:04:17,839 --> 00:04:20,320
Speaker 2: the best part about this thing for me is this guy.

94
00:04:20,800 --> 00:04:22,760
Speaker 2: He goes under, he has the surgery, he has the

95
00:04:23,200 --> 00:04:25,440
Speaker 2: threads put into his brain tissue. He wakes up, his

96
00:04:25,520 --> 00:04:28,320
Speaker 2: mum's next to him, and he wakes up and he

97
00:04:28,400 --> 00:04:30,880
Speaker 2: sees her and the first thing he says is who

98
00:04:30,960 --> 00:04:33,720
Speaker 2: are you to his mum? And then he says, I

99
00:04:33,760 --> 00:04:37,600
Speaker 2: don't know who you are. She breaks down, starts crying,

100
00:04:38,000 --> 00:04:40,640
Speaker 2: gets it has cooked him, gets the doctor. They come

101
00:04:40,680 --> 00:04:42,919
Speaker 2: back and he's got this big shit edting green on

102
00:04:42,920 --> 00:04:44,400
Speaker 2: his face and it turns out it was a prank,

103
00:04:45,120 --> 00:04:47,800
Speaker 2: not funny, and that's not a funny breath. And he

104
00:04:47,880 --> 00:04:51,360
Speaker 2: said that he just he just wanted to ease the

105
00:04:51,440 --> 00:04:53,640
Speaker 2: dinge and just make her laugh a little bit, which laugh,

106
00:04:54,160 --> 00:04:56,200
Speaker 2: which can often be I think the hardest thing to

107
00:04:56,200 --> 00:04:57,880
Speaker 2: do in the world is trying to make your mum laugh.

108
00:04:57,960 --> 00:05:00,440
Speaker 2: Can be very hard, can be very easy for you,

109
00:05:00,600 --> 00:05:01,119
Speaker 2: very hard.

110
00:05:01,279 --> 00:05:03,160
Speaker 1: Now has it been done? I've got a question from

111
00:05:03,400 --> 00:05:05,000
Speaker 1: life for thirty five years, hasn't been Do.

112
00:05:04,960 --> 00:05:07,840
Speaker 2: You think do you think if we called your mom

113
00:05:08,080 --> 00:05:10,239
Speaker 2: up next and I gave you a minute?

114
00:05:10,720 --> 00:05:12,600
Speaker 1: Yeah? Do you think you should make her laugh? No?

115
00:05:12,920 --> 00:05:15,479
Speaker 1: I've been trying for thirty five years. I said, are

116
00:05:15,480 --> 00:05:17,479
Speaker 1: you willing? One minute? Is not? You will? Are you

117
00:05:17,480 --> 00:05:18,120
Speaker 1: willing to give it?

118
00:05:20,360 --> 00:05:22,400
Speaker 2: I know, but that's kind of what I want to

119
00:05:22,520 --> 00:05:24,159
Speaker 2: If you're going to enjoy that, if you're going to

120
00:05:24,279 --> 00:05:26,480
Speaker 2: enjoy me bomb trying to make my mom.

121
00:05:26,600 --> 00:05:30,080
Speaker 1: One minute to try and make your mom laugh one half.

122
00:05:29,839 --> 00:05:32,280
Speaker 2: Is very yeah, your dad absolutely, and you know I'll

123
00:05:32,360 --> 00:05:35,640
Speaker 2: change I'll change that sentence. One half of your parents

124
00:05:35,839 --> 00:05:37,120
Speaker 2: is often easy to make laugh.

125
00:05:37,320 --> 00:05:38,919
Speaker 1: Yeah, my dad would laugh at anything I do.

126
00:05:39,320 --> 00:05:42,320
Speaker 2: Ver. Yeah, your mom's a pretty hard person to make laugh.

127
00:05:42,560 --> 00:05:45,160
Speaker 3: Absolutely. I've been trying for thirty five years now. What

128
00:05:45,320 --> 00:05:50,039
Speaker 3: I am best since six years old? Nothing, She's the

129
00:05:50,040 --> 00:05:51,600
Speaker 3: ice green. I mean, if you can make her love,

130
00:05:51,640 --> 00:05:52,560
Speaker 3: you can make anyone laugh.

131
00:05:52,560 --> 00:05:52,720
Speaker 1: Man.

132
00:05:53,000 --> 00:05:55,480
Speaker 2: What we've decided is I want to try and hear

133
00:05:55,520 --> 00:05:57,360
Speaker 2: this on the airways. I'm going to give you one minute.

134
00:05:57,600 --> 00:06:00,000
Speaker 3: But like I said, I'm not going to get her

135
00:06:00,120 --> 00:06:01,839
Speaker 3: to laugh. I've been trying for.

136
00:06:01,920 --> 00:06:04,160
Speaker 1: What are you? What are you thinking? What are you

137
00:06:04,200 --> 00:06:04,840
Speaker 1: gonna lead with?

138
00:06:04,880 --> 00:06:06,160
Speaker 2: Like what are you gonna go to bring up a

139
00:06:06,320 --> 00:06:08,080
Speaker 2: knock knock joke? Or like what are you thinking?

140
00:06:08,279 --> 00:06:09,600
Speaker 3: I know she wents to show it for for a

141
00:06:09,680 --> 00:06:11,839
Speaker 3: knock knock drake, That's what I was going for in

142
00:06:11,880 --> 00:06:15,560
Speaker 3: primary schod Well, I just think I'm gonna starting about.

143
00:06:15,400 --> 00:06:17,440
Speaker 2: Find fart's funny, like you find farts very funny? No,

144
00:06:17,560 --> 00:06:20,040
Speaker 2: she does not, Okay, she doesn't find farts funny at all.

145
00:06:21,680 --> 00:06:24,440
Speaker 3: My dad loves them, and I think that's where I, yeah,

146
00:06:24,560 --> 00:06:26,919
Speaker 3: grew that hobby of mine to laugh at farts, but

147
00:06:27,120 --> 00:06:27,840
Speaker 3: no mums.

148
00:06:27,920 --> 00:06:33,120
Speaker 1: What would make mum laugh me? Maybe not me failing.

149
00:06:35,200 --> 00:06:38,719
Speaker 3: Me in odd dad doing something stupid, okay, would maybe

150
00:06:38,800 --> 00:06:39,919
Speaker 3: make her laugh, but it would be like.

151
00:06:40,480 --> 00:06:42,640
Speaker 2: It's quite angry about that though at the time that

152
00:06:42,680 --> 00:06:44,760
Speaker 2: he bought that convertible for it.

153
00:06:44,800 --> 00:06:46,599
Speaker 1: For mom find funny, a lot.

154
00:06:46,440 --> 00:06:48,599
Speaker 2: Of money and then it broke down immediately. That was

155
00:06:48,760 --> 00:06:49,640
Speaker 2: she didn't find that funny.

156
00:06:49,680 --> 00:06:52,120
Speaker 3: She does like those ironic laughs to that, but that's

157
00:06:52,160 --> 00:06:53,040
Speaker 3: not a real laugh.

158
00:06:53,279 --> 00:06:54,640
Speaker 1: Last time, I think we spoke to her about that.

159
00:06:54,720 --> 00:06:57,440
Speaker 2: I just remember vividly her saying, oh, good one, Steven,

160
00:06:57,720 --> 00:07:00,520
Speaker 2: great idea, and then she hung up not much laughter. So,

161
00:07:00,600 --> 00:07:01,920
Speaker 2: to be honest with you, I'm still trying to figure

162
00:07:01,920 --> 00:07:03,320
Speaker 2: that out. All right, Well, you've got one minute, okay,

163
00:07:03,360 --> 00:07:04,240
Speaker 2: We're going to call her now.

164
00:07:04,480 --> 00:07:05,560
Speaker 3: I think I was going to bring up a few

165
00:07:05,560 --> 00:07:07,200
Speaker 3: things from the radio show, and I think she finds

166
00:07:07,240 --> 00:07:07,680
Speaker 3: that funny.

167
00:07:07,800 --> 00:07:11,000
Speaker 2: Oh I don't do that, don't The clock starts as

168
00:07:11,000 --> 00:07:13,760
Speaker 2: soon as she answers, fine, the clock is not going

169
00:07:13,840 --> 00:07:15,280
Speaker 2: to matter mate, she's not gonna laugh.

170
00:07:17,720 --> 00:07:20,480
Speaker 3: Hellym hay going, it's woody.

171
00:07:20,560 --> 00:07:20,840
Speaker 4: Hello.

172
00:07:22,000 --> 00:07:25,040
Speaker 1: Are you busy here? I'm just doing a heyday thing

173
00:07:25,360 --> 00:07:26,400
Speaker 1: professional development?

174
00:07:27,200 --> 00:07:29,880
Speaker 2: Ah, yes, yes, yes, no ways, can you call me

175
00:07:29,920 --> 00:07:31,920
Speaker 2: in ten Well no, well, can I just say you

176
00:07:31,960 --> 00:07:33,880
Speaker 2: for forty five seconds?

177
00:07:34,360 --> 00:07:34,560
Speaker 5: Yeah?

178
00:07:34,640 --> 00:07:35,160
Speaker 1: Quick? Quick?

179
00:07:35,920 --> 00:07:38,160
Speaker 6: So if I just stop and hang on, I'll I

180
00:07:38,200 --> 00:07:38,720
Speaker 6: can pause it.

181
00:07:39,040 --> 00:07:42,520
Speaker 2: Yeah, okay, yeah, got it?

182
00:07:42,800 --> 00:07:45,320
Speaker 1: Yeah, amazing, Okay, real quick.

183
00:07:45,600 --> 00:07:48,480
Speaker 3: So I don't know if you Yesterday on the radio show,

184
00:07:49,400 --> 00:07:51,000
Speaker 3: there was quite a funny moment where we were talking

185
00:07:51,000 --> 00:07:52,400
Speaker 3: about Taylor Swift having a hickey.

186
00:07:52,800 --> 00:07:53,880
Speaker 2: Oh I just missed that.

187
00:07:56,200 --> 00:07:57,000
Speaker 1: It surprised me.

188
00:07:57,240 --> 00:08:01,760
Speaker 3: Anyway, it ends up that was a bit of a

189
00:08:01,840 --> 00:08:02,240
Speaker 3: laugh there.

190
00:08:02,280 --> 00:08:08,160
Speaker 1: You were laughing at my expense. That's okay, laughs a

191
00:08:08,240 --> 00:08:11,120
Speaker 1: laugh You asking me what a hic is or something. No,

192
00:08:11,240 --> 00:08:12,920
Speaker 1: I just wanted to know what. Actually, that's all I've

193
00:08:12,960 --> 00:08:14,640
Speaker 1: got time for a mum. But it was great to

194
00:08:14,680 --> 00:08:18,120
Speaker 1: hear you laughing. Oh that's it. That's it. You can

195
00:08:18,200 --> 00:08:19,880
Speaker 1: go back to you do your do your PD if

196
00:08:19,920 --> 00:08:24,440
Speaker 1: you're like a bit of a giggle as well. Okay,

197
00:08:24,880 --> 00:08:29,000
Speaker 1: all right, all right, we'll see your mom. Okay, bye bye.

198
00:08:30,520 --> 00:08:36,440
Speaker 1: Very very strangely, what was going on I did think

199
00:08:36,440 --> 00:08:37,679
Speaker 1: there was a chance that she was going to laugh

200
00:08:37,720 --> 00:08:39,960
Speaker 1: at my expense, which was she she made her own.

201
00:08:40,920 --> 00:08:42,040
Speaker 1: She laughed at her own years.

202
00:08:42,080 --> 00:08:44,200
Speaker 3: I just missed your radio show, which is funny because

203
00:08:44,240 --> 00:08:45,560
Speaker 3: she never listens hates the show.

204
00:08:46,280 --> 00:08:49,400
Speaker 1: And then she laughed. She laughed at that. I think

205
00:08:49,440 --> 00:08:50,000
Speaker 1: that counts.

206
00:08:50,120 --> 00:08:52,480
Speaker 2: I think I know, well, you didn't make your laugh

207
00:08:52,600 --> 00:08:54,680
Speaker 2: she mad, She made herself.

208
00:08:54,720 --> 00:08:55,679
Speaker 1: She made herself laugh.

209
00:08:55,760 --> 00:08:58,120
Speaker 2: I brought up the fact you did you loved, you

210
00:08:58,240 --> 00:09:01,040
Speaker 2: lobbed something to which she knew she'd at exactly, which

211
00:09:01,080 --> 00:09:03,400
Speaker 2: is that she never watches or listens to us exactly.

212
00:09:04,200 --> 00:09:11,320
Speaker 1: It's almost like a borderline villain villain.

213
00:09:11,360 --> 00:09:14,160
Speaker 2: She's laughing about the fact that she doesn't listen to

214
00:09:14,200 --> 00:09:15,640
Speaker 2: a chart show.

215
00:09:16,040 --> 00:09:18,959
Speaker 1: He's up there, it is my mum, all right. Had

216
00:09:19,000 --> 00:09:19,440
Speaker 1: to win.

217
00:09:20,960 --> 00:09:23,160
Speaker 2: A big sory about Taylorschief having a hickey. We had this,

218
00:09:23,400 --> 00:09:24,840
Speaker 2: we had we had a chat on air about the

219
00:09:24,840 --> 00:09:26,600
Speaker 2: fact that I was like, I can't believe that anyone

220
00:09:26,600 --> 00:09:28,559
Speaker 2: actually goes through with a hickey like sually, just stop

221
00:09:28,640 --> 00:09:30,800
Speaker 2: the person sucking your neck. You came in here with

222
00:09:30,840 --> 00:09:35,480
Speaker 2: this great romantic idea, oh, in the throes of passion,

223
00:09:35,520 --> 00:09:38,520
Speaker 2: will wear it proudly. I said to you, Okay, cool,

224
00:09:38,520 --> 00:09:41,840
Speaker 2: we'll put put somebody else's mouth where your money is,

225
00:09:42,240 --> 00:09:43,360
Speaker 2: your money being your neck.

226
00:09:43,640 --> 00:09:43,720
Speaker 6: Now.

227
00:09:43,720 --> 00:09:45,440
Speaker 2: I might have taken that too far, but I said,

228
00:09:45,480 --> 00:09:47,480
Speaker 2: you confused. You need to get a hickey in the

229
00:09:47,480 --> 00:09:48,920
Speaker 2: studio right now, and I think you wear it for

230
00:09:48,920 --> 00:09:50,640
Speaker 2: a day now. I was happy to do it. I

231
00:09:50,720 --> 00:09:52,600
Speaker 2: was happy to do it. But I told you that

232
00:09:52,679 --> 00:09:54,360
Speaker 2: you could nominate someone, and I think you made the

233
00:09:54,400 --> 00:09:54,840
Speaker 2: right choice.

234
00:09:54,840 --> 00:09:55,160
Speaker 1: You chose.

235
00:09:55,360 --> 00:10:00,520
Speaker 2: You chose out particularly brutish, very shy ep. Captain two pants,

236
00:10:01,280 --> 00:10:07,320
Speaker 2: get in there, man, this is weird.

237
00:10:09,000 --> 00:10:13,440
Speaker 1: You've got a bit of a biting action. Go.

238
00:10:18,240 --> 00:10:20,320
Speaker 2: He was gentle and MGM, and then it came my mind,

239
00:10:23,840 --> 00:10:25,439
Speaker 2: spiritor for the people who tuned in that.

240
00:10:27,320 --> 00:10:32,000
Speaker 7: The aftermath of that very confusing stuff. Gentle anyway, it

241
00:10:32,080 --> 00:10:34,959
Speaker 7: was a hickey. He was just and it's turned out

242
00:10:34,960 --> 00:10:37,920
Speaker 7: as a genuine wealth. How are you feeling after that yesterday,

243
00:10:37,920 --> 00:10:40,080
Speaker 7: poop pants? Because they looked tough for you.

244
00:10:40,400 --> 00:10:44,480
Speaker 1: I feel violated. I don't feel violated. You were a violator.

245
00:10:45,480 --> 00:10:48,280
Speaker 1: You feel violated. I was bullied into it by the

246
00:10:48,360 --> 00:10:49,440
Speaker 1: rat that's its opposition.

247
00:10:51,200 --> 00:10:51,240
Speaker 4: No.

248
00:10:51,320 --> 00:10:52,719
Speaker 3: I thought it was quite a nice moment between the

249
00:10:52,720 --> 00:10:54,319
Speaker 3: two of us actually poo pants, and I'm happy to

250
00:10:54,360 --> 00:10:54,880
Speaker 3: be wearing you.

251
00:10:55,160 --> 00:10:59,840
Speaker 1: It'll never happen again, well never, never, my friend. Anyway, the.

252
00:11:01,920 --> 00:11:04,240
Speaker 3: Last twenty four hours have been interesting though, because, as

253
00:11:04,280 --> 00:11:04,720
Speaker 3: you said.

254
00:11:04,559 --> 00:11:06,800
Speaker 2: To a Welt, it's massive, It's a big he gave

255
00:11:06,840 --> 00:11:09,400
Speaker 2: it a crack. It's the biggest hickey I've ever received

256
00:11:09,400 --> 00:11:10,200
Speaker 2: in my thirty five.

257
00:11:10,080 --> 00:11:12,720
Speaker 1: I've seen out of twilight, Like what was going on there?

258
00:11:12,760 --> 00:11:14,840
Speaker 2: Like you? Really you could see his you could see

259
00:11:14,840 --> 00:11:18,440
Speaker 2: his glands working as he is really sucking and biting

260
00:11:18,720 --> 00:11:19,200
Speaker 2: very hard.

261
00:11:19,240 --> 00:11:20,800
Speaker 1: To be fair, I was asking for it, though, I

262
00:11:20,840 --> 00:11:21,600
Speaker 1: was demanding and.

263
00:11:21,600 --> 00:11:23,199
Speaker 2: Enjoying it far too much, because I think there was

264
00:11:23,200 --> 00:11:25,320
Speaker 2: a point where Pans was giving all he could give

265
00:11:25,720 --> 00:11:28,560
Speaker 2: and you were sitting there almost like he was blowing

266
00:11:28,559 --> 00:11:32,400
Speaker 2: a slight kiss on your neck, going God, I was trying.

267
00:11:32,120 --> 00:11:32,680
Speaker 1: To make sick.

268
00:11:32,880 --> 00:11:34,840
Speaker 3: I was trying to make him feel like comfortable, very sick,

269
00:11:35,000 --> 00:11:36,200
Speaker 3: trying to make me fel uncomfortable.

270
00:11:36,240 --> 00:11:38,520
Speaker 1: If you, if you rewatch the video, look at.

271
00:11:38,800 --> 00:11:43,160
Speaker 2: Face he's smiling, He smiles at Pete. You're biting down

272
00:11:43,200 --> 00:11:47,160
Speaker 2: as hard as you can, you know, enough to blister flesh.

273
00:11:47,200 --> 00:11:49,200
Speaker 2: And what are you sitting there like he's sitting in

274
00:11:49,200 --> 00:11:51,120
Speaker 2: the park on a summer's day. It's strange.

275
00:11:51,160 --> 00:11:54,760
Speaker 1: I love the pain. Anyway, here's the thing. Twenty four

276
00:11:54,800 --> 00:11:55,920
Speaker 1: hours later, I have.

277
00:11:55,920 --> 00:11:59,720
Speaker 3: This huge, clear hickey on my neck and like this morning,

278
00:11:59,800 --> 00:12:02,360
Speaker 3: I'm I'm walking the streets with my daughter. I am

279
00:12:02,440 --> 00:12:05,720
Speaker 3: getting the most judgmental looks for enough anyone who passes me.

280
00:12:06,200 --> 00:12:07,360
Speaker 1: It's good for you. I think it's good for you.

281
00:12:07,480 --> 00:12:10,840
Speaker 3: It's quite high, it's hard to see, and just it's visible.

282
00:12:11,320 --> 00:12:13,640
Speaker 1: It's visible. I can't talk to anyone without their eyes

283
00:12:13,679 --> 00:12:14,079
Speaker 1: going down.

284
00:12:14,200 --> 00:12:17,040
Speaker 2: It's only one thing as well, Like you don't look

285
00:12:17,040 --> 00:12:18,840
Speaker 2: at that and think it's anything else.

286
00:12:18,960 --> 00:12:20,439
Speaker 3: Okay, but this is why I need to help with

287
00:12:20,600 --> 00:12:24,040
Speaker 3: because tomorrow on the show, Tom Gleeson is joining us.

288
00:12:24,200 --> 00:12:27,679
Speaker 3: Tom Gleeson, who is incredibly famous for destroying people verbally.

289
00:12:28,200 --> 00:12:31,199
Speaker 5: I'm joined by the host of Studio ten, Sarah Harris. Now,

290
00:12:31,240 --> 00:12:34,440
Speaker 5: I like how Studio ten makes advertorials that are entertaining.

291
00:12:34,920 --> 00:12:39,120
Speaker 5: Have you thought of doing that with the chats as well?

292
00:12:39,200 --> 00:12:43,760
Speaker 1: Right, he walks in here tomorrow and he sees a hickey.

293
00:12:44,240 --> 00:12:48,720
Speaker 2: Okay, so please, as my friend, he will Why would

294
00:12:48,760 --> 00:12:50,360
Speaker 2: I help you? Because you might have to tell me

295
00:12:50,400 --> 00:12:51,920
Speaker 2: why I am going to help you here because you're

296
00:12:51,920 --> 00:12:55,000
Speaker 2: my bad. You came in here with this beating your chest,

297
00:12:55,640 --> 00:12:57,640
Speaker 2: were your hickys loud and proud, and now that you

298
00:12:57,800 --> 00:13:00,600
Speaker 2: have one, you're worried about showing it.

299
00:13:00,559 --> 00:13:04,160
Speaker 3: Off to Tom Gleazer take your word? No, please, can

300
00:13:04,200 --> 00:13:05,560
Speaker 3: we just think of like I just need it?

301
00:13:05,840 --> 00:13:07,680
Speaker 2: First of all, you need to say I'm sorry, will

302
00:13:07,760 --> 00:13:09,200
Speaker 2: I'm sorry, will Ah.

303
00:13:09,280 --> 00:13:12,920
Speaker 1: That was easy than expect you. You are desperate.

304
00:13:13,000 --> 00:13:15,120
Speaker 3: What can I do to hide the fact that I've

305
00:13:15,120 --> 00:13:17,080
Speaker 3: got a Hickey turtleneck scarf, I.

306
00:13:17,080 --> 00:13:18,000
Speaker 1: Don't have a turtle neck.

307
00:13:17,960 --> 00:13:19,320
Speaker 2: Or I think should we have one of those male

308
00:13:19,400 --> 00:13:22,880
Speaker 2: summary scarfs over the age of sixty were in Italy?

309
00:13:23,559 --> 00:13:28,560
Speaker 1: Yes, that's what I would like. Destroy me turtleneck, dude,

310
00:13:28,559 --> 00:13:29,800
Speaker 1: go take it back to the seventies.

311
00:13:29,800 --> 00:13:34,520
Speaker 3: All right, Fine tomorrow turtle neck and summary, fine turtleneck.

312
00:13:33,960 --> 00:13:35,360
Speaker 1: And summary scarf. And then.

313
00:13:36,760 --> 00:13:38,400
Speaker 3: You have to promise me that we try and get

314
00:13:38,400 --> 00:13:40,400
Speaker 3: through the whole chat without acknowledging the fact that I'm

315
00:13:40,400 --> 00:13:44,280
Speaker 3: wearing a summary scarf and a turtleneck on an unseasonably.

316
00:13:43,640 --> 00:13:47,840
Speaker 1: Warm, aw fum day. And if you want to hear

317
00:13:47,880 --> 00:13:51,280
Speaker 1: how that goes, that's going to be your only option. Fine, fine,

318
00:13:51,280 --> 00:13:52,760
Speaker 1: well I love the turtle neck.

319
00:13:52,720 --> 00:13:55,880
Speaker 2: Destroy you well, you choose the list of to evils here,

320
00:13:55,920 --> 00:13:58,400
Speaker 2: it's do you get paid up from Tom Glason for

321
00:13:58,400 --> 00:14:00,160
Speaker 2: having a Hickey or do you get destroyed by Tom

322
00:14:00,200 --> 00:14:01,719
Speaker 2: from Tom Gleason's for having a turtle neck in a

323
00:14:01,720 --> 00:14:02,480
Speaker 2: summary scarf?

324
00:14:02,559 --> 00:14:04,679
Speaker 1: That's your That's that's what you're dealing with. I think

325
00:14:04,679 --> 00:14:05,920
Speaker 1: he'll have more foddle with Hickey.

326
00:14:06,120 --> 00:14:08,560
Speaker 2: I'm going to go for fashion choice okay or fashion

327
00:14:08,600 --> 00:14:12,439
Speaker 2: bomb turtle neck you just rocked out summary scarf okay.

328
00:14:12,200 --> 00:14:14,600
Speaker 1: And maybe a couple it with the velvet jacket or something.

329
00:14:14,640 --> 00:14:17,600
Speaker 1: Don't do that? Well you get well, where are you going?

330
00:14:17,640 --> 00:14:19,120
Speaker 1: Are you going to the theater? Like? Are you going

331
00:14:19,120 --> 00:14:22,040
Speaker 1: to the opera? Going to the opera? Tom?

332
00:14:22,040 --> 00:14:24,840
Speaker 2: Sorry about the garb, I'm going to the opera.

333
00:14:25,080 --> 00:14:27,480
Speaker 1: Sorry about the current garb. I'm going to Is he

334
00:14:27,520 --> 00:14:29,400
Speaker 1: on tomorrow? Gleas him? Yeah?

335
00:14:29,520 --> 00:14:31,920
Speaker 2: All right, great, hey Tom, before we start, sorry about

336
00:14:31,920 --> 00:14:34,120
Speaker 2: the garb, goingry about the car, I'm going.

337
00:14:34,040 --> 00:14:37,480
Speaker 1: To the opera. And who you're seeing? Pavarotic he's dead.

338
00:14:38,240 --> 00:14:49,680
Speaker 8: Okay, vulnerable bendsdays or thanks to mood tea going to award

339
00:14:49,640 --> 00:14:52,240
Speaker 8: winning range of teas to suit your mood available Willworths

340
00:14:52,280 --> 00:14:55,160
Speaker 8: with all profits funding youth mental health programs, we'd like

341
00:14:55,240 --> 00:14:58,000
Speaker 8: to get Vulnerable at least once a week on the show.

342
00:14:58,000 --> 00:15:06,800
Speaker 2: Would we alternate? It's my turn this week? Yes, get

343
00:15:06,840 --> 00:15:09,880
Speaker 2: it off me. Ah No, this is good and this

344
00:15:09,920 --> 00:15:11,400
Speaker 2: is what I want to talk about because I feel

345
00:15:11,400 --> 00:15:12,960
Speaker 2: like you've got to practice what you preach, and I

346
00:15:13,000 --> 00:15:14,640
Speaker 2: didn't feel like I practiced what I preached over the

347
00:15:14,720 --> 00:15:15,320
Speaker 2: last week.

348
00:15:15,160 --> 00:15:17,480
Speaker 1: And I think it. It bit me in the.

349
00:15:17,400 --> 00:15:19,840
Speaker 2: Ass, and I think it's worth talking about in a

350
00:15:19,880 --> 00:15:21,640
Speaker 2: good way. Bit me in the ars in a good way.

351
00:15:21,720 --> 00:15:22,000
Speaker 1: I don't know.

352
00:15:22,040 --> 00:15:23,680
Speaker 3: Yeah, I don't know how much you're going to say here,

353
00:15:23,720 --> 00:15:26,360
Speaker 3: but I did have two weeks on the trot, maybe

354
00:15:26,400 --> 00:15:29,120
Speaker 3: three weeks on the trot of Vulnerable vends day yeah,

355
00:15:29,160 --> 00:15:31,720
Speaker 3: And then I kept taking that one because you were

356
00:15:31,720 --> 00:15:34,520
Speaker 3: probably in a space where it was like, I don't

357
00:15:34,520 --> 00:15:36,760
Speaker 3: think you should be going on air and doing Vulnerable.

358
00:15:36,560 --> 00:15:40,120
Speaker 1: Yeah ends days. But I'm to unpack. I'm glad again.

359
00:15:40,120 --> 00:15:41,920
Speaker 3: I don't know exactly what you're going to talk about now,

360
00:15:41,960 --> 00:15:45,000
Speaker 3: but I'm glad you're feeling comfortable too.

361
00:15:45,920 --> 00:15:46,960
Speaker 1: Great, So.

362
00:15:48,600 --> 00:15:50,720
Speaker 2: I'm going to keep this really specific. I'll give you

363
00:15:50,760 --> 00:15:53,520
Speaker 2: the context that doesn't need to be too much context.

364
00:15:53,520 --> 00:15:56,160
Speaker 2: I'll keep it specific because I think that there is

365
00:15:56,200 --> 00:15:58,640
Speaker 2: a take home in this and I don't just want

366
00:15:58,680 --> 00:16:09,880
Speaker 2: this to be me crying on the radio. So someone

367
00:16:09,920 --> 00:16:12,080
Speaker 2: who I love is very sick at the moment, and

368
00:16:14,080 --> 00:16:18,440
Speaker 2: that's tough that that's going on in the background, and

369
00:16:18,480 --> 00:16:23,480
Speaker 2: then my partner and my child are going overseas for

370
00:16:23,520 --> 00:16:24,920
Speaker 2: three weeks tonight.

371
00:16:25,880 --> 00:16:28,160
Speaker 1: Okay, that's the context too well.

372
00:16:30,160 --> 00:16:34,280
Speaker 2: And it's funny that, as I said, practice what you

373
00:16:34,280 --> 00:16:36,880
Speaker 2: preach on the show, we're trying to encourage people to

374
00:16:36,960 --> 00:16:39,360
Speaker 2: talk about how they're feeling because it's really good for

375
00:16:39,400 --> 00:16:42,760
Speaker 2: your mental health. But I think the irony in that,

376
00:16:42,880 --> 00:16:45,000
Speaker 2: as we say in the Share My Mood podcast, is

377
00:16:45,040 --> 00:16:46,360
Speaker 2: that when you're going through a tough time, it's the

378
00:16:46,360 --> 00:16:50,240
Speaker 2: hardest thing to do. And I also think for me,

379
00:16:50,360 --> 00:16:52,360
Speaker 2: and I don't know if people out there are the same,

380
00:16:52,440 --> 00:16:54,720
Speaker 2: but when you are going through stuff, you've got stuff

381
00:16:54,760 --> 00:16:56,640
Speaker 2: going on in the background, you're kind of.

382
00:16:56,560 --> 00:16:57,960
Speaker 1: Going into like a what I do.

383
00:16:58,080 --> 00:17:00,440
Speaker 2: I kind of go into this problem solving mode where

384
00:17:00,600 --> 00:17:02,400
Speaker 2: I kind of I look at my day, I chunk

385
00:17:02,400 --> 00:17:05,320
Speaker 2: it down, I get very methodical with it and that's

386
00:17:05,480 --> 00:17:08,240
Speaker 2: useful up to a point.

387
00:17:08,320 --> 00:17:11,600
Speaker 1: It's kind of a bit of a distraction. Yeah, I

388
00:17:12,640 --> 00:17:13,159
Speaker 1: think it is.

389
00:17:13,280 --> 00:17:16,080
Speaker 2: Yeah, And I think, if I'm honest, I was really

390
00:17:16,160 --> 00:17:19,800
Speaker 2: scared about like getting in touch with it, sure, because

391
00:17:19,800 --> 00:17:23,040
Speaker 2: it's scary, Like having feelings can be really scary. And

392
00:17:23,080 --> 00:17:26,359
Speaker 2: I am someone who preaches talking about how you feel.

393
00:17:26,480 --> 00:17:28,960
Speaker 2: I mean, we do a segment called Vulnerable vensdays on

394
00:17:29,000 --> 00:17:31,359
Speaker 2: the show, so I thought this is a good thing

395
00:17:31,359 --> 00:17:33,359
Speaker 2: to be vulnerable about because I think for the last

396
00:17:33,359 --> 00:17:36,800
Speaker 2: three weeks I have been in full problem solving mode

397
00:17:36,840 --> 00:17:39,359
Speaker 2: and I've been really trying really hard to just be

398
00:17:39,440 --> 00:17:42,439
Speaker 2: practical for my family, for the person who's sick, for

399
00:17:42,560 --> 00:17:44,440
Speaker 2: my child, for this.

400
00:17:44,600 --> 00:17:46,240
Speaker 1: Team, for the show.

401
00:17:47,600 --> 00:17:49,359
Speaker 2: But then something really interesting happened to me in the

402
00:17:49,359 --> 00:17:51,560
Speaker 2: studio the other day when it all came crashing down

403
00:17:52,400 --> 00:17:54,720
Speaker 2: because hilariously, Woods, you and I've got a very funny

404
00:17:54,800 --> 00:17:57,760
Speaker 2: job where we do very funny things in this studio

405
00:17:58,359 --> 00:18:00,840
Speaker 2: and one of them completely cut me at the knees

406
00:18:00,920 --> 00:18:03,399
Speaker 2: because I came in here and this happens all the

407
00:18:03,400 --> 00:18:05,840
Speaker 2: time in a radio studio, guys. I came in here

408
00:18:05,880 --> 00:18:08,240
Speaker 2: and you guys were like, can you put a blindfold

409
00:18:08,240 --> 00:18:10,000
Speaker 2: on for a sec because we need to organize something

410
00:18:10,000 --> 00:18:13,560
Speaker 2: without you seeing. Yeah, And I was like, bring on

411
00:18:13,600 --> 00:18:15,920
Speaker 2: the blindfold. What's the worst that can happen here?

412
00:18:16,000 --> 00:18:18,560
Speaker 3: And I was like, nothing bad can I was like,

413
00:18:18,600 --> 00:18:19,880
Speaker 3: this would be fine, give me give you a nice

414
00:18:19,880 --> 00:18:20,639
Speaker 3: rest for a while.

415
00:18:20,920 --> 00:18:23,960
Speaker 1: You probably you need this. Just going to have a chill.

416
00:18:24,080 --> 00:18:26,399
Speaker 1: You have a chill anyway, I put the blind bot on.

417
00:18:26,520 --> 00:18:29,760
Speaker 1: Blindfold was on for about the tech was taking a while.

418
00:18:30,480 --> 00:18:32,160
Speaker 2: I don't know what you guys were doing out there,

419
00:18:32,160 --> 00:18:35,480
Speaker 2: but I've often said that it's like hurting cats when

420
00:18:35,480 --> 00:18:36,919
Speaker 2: I'm not out there, but like it was, it was

421
00:18:37,000 --> 00:18:39,600
Speaker 2: just disaster obviously out there. I'm in here for about

422
00:18:39,600 --> 00:18:43,280
Speaker 2: five minutes with a blindfold on, fascinatingly, And this is something.

423
00:18:43,359 --> 00:18:45,760
Speaker 2: This is why I want to talk about. How often

424
00:18:45,760 --> 00:18:48,359
Speaker 2: do you stop in your day and close your eyes

425
00:18:48,520 --> 00:18:51,840
Speaker 2: when you're not sleeping and just have a look at

426
00:18:51,840 --> 00:18:54,679
Speaker 2: what's going on in your head, in your mind, in

427
00:18:54,720 --> 00:18:57,600
Speaker 2: your body. Especially when you know there's stuff going on,

428
00:18:57,640 --> 00:19:01,680
Speaker 2: you always think about the next thing to do your

429
00:19:01,680 --> 00:19:05,600
Speaker 2: problem solve, you try and push through you on Instagram. Well, unfortunately,

430
00:19:05,680 --> 00:19:08,639
Speaker 2: I've got this stupid job where occasionally I've got to

431
00:19:08,680 --> 00:19:10,880
Speaker 2: put blindfolds on. So anyway, I came here, I sat

432
00:19:10,880 --> 00:19:12,520
Speaker 2: down and put my blindfold on. I was on the

433
00:19:12,560 --> 00:19:19,399
Speaker 2: blindfold for about ten minutes. I took the blind fold

434
00:19:19,400 --> 00:19:23,959
Speaker 2: off and I wept. I sat here and I was like,

435
00:19:24,200 --> 00:19:27,760
Speaker 2: oh my god, there is so much that I have

436
00:19:28,000 --> 00:19:30,960
Speaker 2: in my head that I am not being honest about

437
00:19:31,000 --> 00:19:36,600
Speaker 2: and being in touch with. And naturally it's funny that

438
00:19:36,880 --> 00:19:38,800
Speaker 2: for me has been a really scary thing. And I

439
00:19:38,880 --> 00:19:48,680
Speaker 2: left and I quite a bit. Here's are good, teers

440
00:19:48,680 --> 00:19:51,159
Speaker 2: are good, but the tears have been really good.

441
00:19:51,240 --> 00:19:52,360
Speaker 1: It's been a really good thing.

442
00:19:52,440 --> 00:19:56,760
Speaker 2: And to borrow a line from my psychologist yesterday, he

443
00:19:56,880 --> 00:19:59,240
Speaker 2: was like, will this stuff's going to come out? And like,

444
00:19:59,359 --> 00:20:02,200
Speaker 2: you can that choose to stop, and you can choose

445
00:20:02,200 --> 00:20:04,800
Speaker 2: to listen to it, and you can cry, or you're

446
00:20:04,800 --> 00:20:06,159
Speaker 2: going to get a migraine or you're going to have.

447
00:20:06,160 --> 00:20:08,719
Speaker 1: A depressive episode or whatever else it is.

448
00:20:08,760 --> 00:20:12,240
Speaker 2: But the only way out is through with this sort

449
00:20:12,280 --> 00:20:12,639
Speaker 2: of stuff.

450
00:20:12,680 --> 00:20:16,399
Speaker 1: So it's a good thing that you have to that.

451
00:20:16,440 --> 00:20:23,560
Speaker 1: You're welcome. You're welcome, mate. Do art lovers know what

452
00:20:23,600 --> 00:20:25,679
Speaker 1: they're talking about? It? Are they full of at woods?

453
00:20:25,720 --> 00:20:27,879
Speaker 2: The big question of the test that you want to

454
00:20:27,880 --> 00:20:29,800
Speaker 2: put on is if we filled an art gallery with

455
00:20:29,960 --> 00:20:33,160
Speaker 2: kids art, would an art lover actually be able to tell.

456
00:20:33,680 --> 00:20:36,880
Speaker 1: Woods you have a brank of a grand scale.

457
00:20:37,040 --> 00:20:40,399
Speaker 3: We put on this epic art exhibition, elaborate cannipace, an

458
00:20:40,480 --> 00:20:43,359
Speaker 3: underground dj We invite the artsy folks. All of the

459
00:20:43,480 --> 00:20:46,159
Speaker 3: art has been done by children. We then sell the

460
00:20:46,320 --> 00:20:49,640
Speaker 3: art for hundreds of thousands of dollars. They signed the check.

461
00:20:49,720 --> 00:20:52,000
Speaker 3: We bring the kid out and laugh at the world.

462
00:20:53,400 --> 00:20:55,960
Speaker 1: What do we do with the cash? Keep it? Buy

463
00:20:55,960 --> 00:21:08,080
Speaker 1: a boat? The amazing news Well is the Disney that

464
00:21:08,160 --> 00:21:09,920
Speaker 1: was the big moment. Wo that was the big moment.

465
00:21:09,960 --> 00:21:12,160
Speaker 1: Do you think everyone heard what I said? I think

466
00:21:12,680 --> 00:21:14,720
Speaker 1: will yeah?

467
00:21:14,800 --> 00:21:20,880
Speaker 2: Disney is like, seriously they heard it. Disney Inside Out

468
00:21:20,880 --> 00:21:23,800
Speaker 2: to the movie coming out June thirteen. I actually am

469
00:21:23,800 --> 00:21:26,840
Speaker 2: incredibly excited about that film since that that one was extraordinary.

470
00:21:27,040 --> 00:21:29,240
Speaker 3: But they heard it and they were like, we love

471
00:21:29,280 --> 00:21:31,160
Speaker 3: this idea. And then they threw in a new bit.

472
00:21:31,200 --> 00:21:34,160
Speaker 3: They were like, what if the kids are painting emotions?

473
00:21:35,720 --> 00:21:37,600
Speaker 3: That sounds artsy, fatsy.

474
00:21:37,720 --> 00:21:40,880
Speaker 1: And that's the premise of inside Out. They even made

475
00:21:40,920 --> 00:21:49,000
Speaker 1: an opening inside Out two only in cinemas June thirteen.

476
00:21:50,480 --> 00:21:56,399
Speaker 2: Wow, nothing, nothing, screams, Disney like a great name. Kids

477
00:21:56,400 --> 00:21:58,800
Speaker 2: have a van Go ship. We couldn't have come up

478
00:21:58,800 --> 00:21:59,000
Speaker 2: with that.

479
00:22:00,280 --> 00:22:02,240
Speaker 1: They've done it. A It's nice to be working with

480
00:22:02,280 --> 00:22:03,040
Speaker 1: the big D, isn't it?

481
00:22:03,080 --> 00:22:07,480
Speaker 3: And I that but I actually laugh right, I actually

482
00:22:07,560 --> 00:22:10,359
Speaker 3: love the idea as well of the kids painting emotions,

483
00:22:10,359 --> 00:22:11,920
Speaker 3: which is all about inside out right.

484
00:22:11,960 --> 00:22:16,240
Speaker 1: That's that's artsy fartsy as hell. Wow, this Disney and

485
00:22:16,320 --> 00:22:19,480
Speaker 1: also Disney Disney is nice Disney Disney. It's running a

486
00:22:19,480 --> 00:22:22,119
Speaker 1: little bit of coin as well as expected. So the

487
00:22:22,200 --> 00:22:24,160
Speaker 1: exhibition is going to now look epic like.

488
00:22:24,119 --> 00:22:27,120
Speaker 2: We'll actually we'll get a proper art gallery here.

489
00:22:27,160 --> 00:22:28,919
Speaker 1: We'll have the best art gallery in Australia.

490
00:22:28,960 --> 00:22:32,600
Speaker 2: Mate, these adults, like these art lovers, now that we've

491
00:22:32,640 --> 00:22:35,160
Speaker 2: got Disney on board, is there a chance?

492
00:22:35,320 --> 00:22:35,760
Speaker 1: Absolutely?

493
00:22:35,840 --> 00:22:39,320
Speaker 2: Then there's no way if I walked into a legitimate

494
00:22:39,440 --> 00:22:42,400
Speaker 2: art gallery, like we're going to rent a proper space. Yes,

495
00:22:42,440 --> 00:22:45,640
Speaker 2: probably somewhere very pompous and Hipsterrey.

496
00:22:45,800 --> 00:22:47,840
Speaker 1: We've got the money to get DJ Havannah brown down

497
00:22:47,880 --> 00:22:50,640
Speaker 1: there like a new Town or a Brunswick or something.

498
00:22:50,800 --> 00:22:53,080
Speaker 2: Yeah, trendy as I'm not sure how Havanna Brownie might

499
00:22:53,119 --> 00:22:55,400
Speaker 2: have missed there but if I walked into a place

500
00:22:55,440 --> 00:22:58,480
Speaker 2: like that and it was legit, that legit cannapas, bottles

501
00:22:58,480 --> 00:23:02,280
Speaker 2: of san Pello Greno water. Yeah, some obscure lighting, an

502
00:23:02,280 --> 00:23:06,440
Speaker 2: ice sculpture, an ice sculpture. I haven't been to galleries.

503
00:23:06,480 --> 00:23:08,520
Speaker 2: But let's go to Jackie here. Jackie, do you you've

504
00:23:08,520 --> 00:23:10,359
Speaker 2: heard what we're trying to do here? Do you reckon

505
00:23:10,400 --> 00:23:11,240
Speaker 2: we can pull this off?

506
00:23:12,359 --> 00:23:14,960
Speaker 4: I do personally think you guys can actually pull it off.

507
00:23:15,040 --> 00:23:19,440
Speaker 2: Yeah, definitely, Why Jackie, Because you've got all these paintings

508
00:23:19,480 --> 00:23:22,159
Speaker 2: you've seen in art gallery at art gallery, sorry, and

509
00:23:22,240 --> 00:23:24,000
Speaker 2: they just look like a slur of paint.

510
00:23:24,080 --> 00:23:26,280
Speaker 6: And you've got those going for fifty to one hundred

511
00:23:26,280 --> 00:23:29,600
Speaker 6: grad that my two year old can do.

512
00:23:29,640 --> 00:23:29,720
Speaker 2: That.

513
00:23:30,000 --> 00:23:31,040
Speaker 1: I like it, Jackie.

514
00:23:31,119 --> 00:23:32,760
Speaker 2: And now, as I said before, you know we've got

515
00:23:32,800 --> 00:23:34,520
Speaker 2: Disney on board, the big d It's huge.

516
00:23:34,640 --> 00:23:36,800
Speaker 1: Absolutely fire, let's go. I'll give you the biggest company

517
00:23:36,800 --> 00:23:37,360
Speaker 1: in entertainment.

518
00:23:37,520 --> 00:23:39,320
Speaker 2: There's money here, and there's horses here.

519
00:23:39,520 --> 00:23:41,520
Speaker 1: Absolutely, and they've got the best movies. By the way.

520
00:23:41,640 --> 00:23:44,760
Speaker 1: Let's got to Finn here. Finn, what are your thoughts? Mate?

521
00:23:45,760 --> 00:23:50,520
Speaker 1: I reckon it's going to be pretty tough. So you're

522
00:23:50,520 --> 00:23:52,400
Speaker 1: a bit of an heart.

523
00:23:52,680 --> 00:23:53,040
Speaker 6: I wouldn't.

524
00:23:53,040 --> 00:23:54,120
Speaker 1: I wouldn't say I'm an I lover.

525
00:23:54,240 --> 00:23:56,920
Speaker 3: I'm just saying I'm a realistic you know, I know

526
00:23:57,000 --> 00:23:59,479
Speaker 3: what kids drawings are quiet and my mum isn't it

527
00:24:00,040 --> 00:24:02,560
Speaker 3: square and doesn't have three eyes and isn't taller than me?

528
00:24:02,880 --> 00:24:06,800
Speaker 2: So it's going to You've described your kids changing.

529
00:24:08,680 --> 00:24:10,240
Speaker 1: Abstract. That's abstract.

530
00:24:10,240 --> 00:24:14,840
Speaker 2: That's the whole bit, that antal abstract, whereas artists go

531
00:24:15,000 --> 00:24:16,320
Speaker 2: for intentional abstract.

532
00:24:16,720 --> 00:24:19,000
Speaker 1: But who can tell the difference, Finn? I think that's

533
00:24:19,040 --> 00:24:19,359
Speaker 1: the point.

534
00:24:19,480 --> 00:24:21,280
Speaker 2: And Finn, you didn't hear us before the big d

535
00:24:21,359 --> 00:24:24,919
Speaker 2: Disney's on board. We've got this massive company who are

536
00:24:24,920 --> 00:24:26,720
Speaker 2: going to throw a whole bunch of resources behind this,

537
00:24:26,800 --> 00:24:29,320
Speaker 2: and we're going to get an amazing space. Like if

538
00:24:29,359 --> 00:24:32,400
Speaker 2: you walk into a space, is going to be fooled.

539
00:24:33,280 --> 00:24:33,960
Speaker 4: Yeah, I don't know.

540
00:24:34,040 --> 00:24:36,360
Speaker 6: It's just like it's a bit like you know, a

541
00:24:36,359 --> 00:24:37,440
Speaker 6: bit like polishing it to it.

542
00:24:37,520 --> 00:24:43,040
Speaker 1: I reckon, I would appreciate your concern.

543
00:24:43,320 --> 00:24:46,280
Speaker 2: You appreciate it. Let's got a Davis Davis. What are

544
00:24:46,320 --> 00:24:46,720
Speaker 2: your thoughts?

545
00:24:46,760 --> 00:24:48,040
Speaker 1: Mate? Can we pull this off?

546
00:24:48,680 --> 00:24:49,120
Speaker 8: Yeah?

547
00:24:49,119 --> 00:24:50,639
Speaker 6: Absolutely, It's been done before.

548
00:24:51,240 --> 00:24:52,240
Speaker 1: What do you mean me.

549
00:24:53,480 --> 00:24:56,959
Speaker 6: Well, it's a long time ago. Wait, before the internet.

550
00:24:57,680 --> 00:25:01,720
Speaker 6: The ten year old kid put painting in or dad

551
00:25:01,760 --> 00:25:05,560
Speaker 6: put the painting in the art gallery. Yeah, you know,

552
00:25:05,640 --> 00:25:08,120
Speaker 6: and it's like what you said, properly set up, did

553
00:25:08,160 --> 00:25:10,359
Speaker 6: all the thing. Yeah, and it's sold for more than

554
00:25:10,359 --> 00:25:14,720
Speaker 6: a hundred I remember the exact numbers, but it's had

555
00:25:14,760 --> 00:25:16,440
Speaker 6: come out that it was a ten year old kid

556
00:25:16,480 --> 00:25:16,920
Speaker 6: that did it.

557
00:25:17,080 --> 00:25:18,160
Speaker 1: Wow, critics.

558
00:25:19,920 --> 00:25:22,760
Speaker 2: I like this, mate, I like it, and I'm talking

559
00:25:23,119 --> 00:25:26,520
Speaker 2: I think to prove that, Davis, if you can stay

560
00:25:26,560 --> 00:25:29,959
Speaker 2: with us, because I think what the producers have organized

561
00:25:29,960 --> 00:25:34,439
Speaker 2: here is for an actual ten year old artist to

562
00:25:34,520 --> 00:25:36,359
Speaker 2: come into the studio right next a week and go

563
00:25:36,400 --> 00:25:39,240
Speaker 2: through the test ourselves wards brilliant, which is I think.

564
00:25:39,400 --> 00:25:41,080
Speaker 2: I mean, we've heard from a lot of people here.

565
00:25:41,160 --> 00:25:43,160
Speaker 2: Obviously the phone lines have lit up. People are divided

566
00:25:43,200 --> 00:25:44,520
Speaker 2: as to whether or not that's going to work. I

567
00:25:44,520 --> 00:25:45,760
Speaker 2: don't need to figure it out right now.

568
00:25:45,880 --> 00:25:48,680
Speaker 1: Finn was really torching his own child's artwork. There wasn't he.

569
00:25:48,800 --> 00:25:51,760
Speaker 2: Only one way to find out. We've got a little

570
00:25:51,800 --> 00:25:52,800
Speaker 2: kid in the studio right now.

571
00:25:52,840 --> 00:25:54,960
Speaker 1: Welcome Toby.

572
00:25:56,000 --> 00:25:58,679
Speaker 2: So I'm not sure if you've heard, but Woody and

573
00:25:58,680 --> 00:26:01,359
Speaker 2: I trying to put on an art gallery and what

574
00:26:01,359 --> 00:26:02,720
Speaker 2: we want to do is we want to get kids

575
00:26:02,760 --> 00:26:05,159
Speaker 2: to do the paintings, but we're going to set it

576
00:26:05,240 --> 00:26:08,800
Speaker 2: up like it's an adult art gallery, like a modern

577
00:26:08,880 --> 00:26:09,480
Speaker 2: art gallery.

578
00:26:09,560 --> 00:26:11,679
Speaker 1: Okay, we think that a lot of art.

579
00:26:11,520 --> 00:26:15,600
Speaker 2: People can be a bit pretentious pomps toft, but we

580
00:26:15,720 --> 00:26:18,400
Speaker 2: think that there are kids out there who would do artwork,

581
00:26:18,600 --> 00:26:22,159
Speaker 2: and that the pretentious people wouldn't know that it was

582
00:26:22,160 --> 00:26:22,840
Speaker 2: a kid's work.

583
00:26:23,040 --> 00:26:23,359
Speaker 1: What do you know?

584
00:26:23,400 --> 00:26:25,040
Speaker 2: I basically just want to figure out whether we think

585
00:26:25,080 --> 00:26:27,760
Speaker 2: this is possible. So you've brought in some art, We've

586
00:26:27,760 --> 00:26:29,600
Speaker 2: got to try and guess which one is yours and

587
00:26:29,640 --> 00:26:31,160
Speaker 2: then which one is the adults?

588
00:26:31,200 --> 00:26:31,640
Speaker 1: Is that right?

589
00:26:31,920 --> 00:26:32,120
Speaker 3: Yeah?

590
00:26:32,240 --> 00:26:36,440
Speaker 2: Okay, oh wow, okay, well that's quite good. I think

591
00:26:36,440 --> 00:26:38,560
Speaker 2: we can it's definitely adult. I think it's an adult wet.

592
00:26:38,600 --> 00:26:40,280
Speaker 2: We'll say, well, let's see all of them first, hope

593
00:26:40,280 --> 00:26:41,240
Speaker 2: before you get your answer.

594
00:26:41,280 --> 00:26:43,520
Speaker 1: But I reckon, So can you explain the page there

595
00:26:43,720 --> 00:26:44,000
Speaker 1: a little?

596
00:26:44,040 --> 00:26:44,159
Speaker 9: Is that?

597
00:26:44,280 --> 00:26:44,879
Speaker 1: Jack Russell?

598
00:26:45,119 --> 00:26:45,280
Speaker 2: Well?

599
00:26:45,320 --> 00:26:48,440
Speaker 1: I know is it's a study of an artist. It's

600
00:26:48,440 --> 00:26:49,439
Speaker 1: a study of an artist.

601
00:26:49,960 --> 00:26:52,280
Speaker 2: I'm not happy to lock in adult for I feel

602
00:26:52,280 --> 00:26:53,760
Speaker 2: like we insulting topy.

603
00:26:54,000 --> 00:26:56,640
Speaker 1: I just looks adult with the way that the brushstrokes

604
00:26:57,280 --> 00:27:02,679
Speaker 1: have have been. I don't get offended. Excellent, sorry Toby.

605
00:27:03,280 --> 00:27:06,600
Speaker 2: Next one, Oh wow, so wow that's you.

606
00:27:07,160 --> 00:27:07,720
Speaker 3: Yeah, that's me.

607
00:27:07,920 --> 00:27:10,440
Speaker 1: Wow. So it's a portrait of you. That's not only

608
00:27:10,440 --> 00:27:11,960
Speaker 1: an adult, that's a professional. That's good.

609
00:27:12,359 --> 00:27:14,879
Speaker 2: That's a really good artist. Thank you, Tobes. And the

610
00:27:14,920 --> 00:27:16,360
Speaker 2: third one here, oh wow.

611
00:27:16,200 --> 00:27:18,200
Speaker 1: Well that's this one's my grandfather.

612
00:27:18,680 --> 00:27:21,960
Speaker 2: Oh that's your grandfather, yeah eighty seven.

613
00:27:22,320 --> 00:27:23,080
Speaker 1: Oh wow.

614
00:27:23,520 --> 00:27:25,440
Speaker 3: Let's lock in an answer. I think this has been

615
00:27:25,760 --> 00:27:28,360
Speaker 3: a ruse. I would say, unless you disagree.

616
00:27:28,400 --> 00:27:30,480
Speaker 2: I don't think you've done any of these paintings, and

617
00:27:30,520 --> 00:27:34,160
Speaker 2: I think well played. But please tell us the answer, Toby.

618
00:27:34,400 --> 00:27:38,480
Speaker 1: I've done all of them. Shut up. Don't like Toby?

619
00:27:38,560 --> 00:27:40,040
Speaker 1: Are you serious?

620
00:27:39,480 --> 00:27:39,520
Speaker 2: You?

621
00:27:40,640 --> 00:27:44,520
Speaker 1: That's your self portrait? Yep, says on the back Toby Lapata.

622
00:27:44,920 --> 00:27:49,399
Speaker 2: Toby Laparta, you did it when you were nine, to

623
00:27:50,280 --> 00:27:51,320
Speaker 2: be extraordinary.

624
00:27:51,520 --> 00:27:51,879
Speaker 1: Thanks.

625
00:27:52,840 --> 00:27:53,159
Speaker 8: Wow.

626
00:27:53,800 --> 00:27:56,399
Speaker 1: How long have you been painting? For about six or

627
00:27:56,440 --> 00:27:59,000
Speaker 1: seven years? Oh my god?

628
00:27:59,160 --> 00:28:02,000
Speaker 2: I mean people need to go to our socials to

629
00:28:02,119 --> 00:28:03,480
Speaker 2: go and see this for themselves.

630
00:28:03,560 --> 00:28:04,919
Speaker 1: But I feel like I've just been.

631
00:28:04,800 --> 00:28:08,400
Speaker 2: Shown award winning, particularly the portraits.

632
00:28:08,400 --> 00:28:12,439
Speaker 1: It means self portrait that one has won an award.

633
00:28:12,880 --> 00:28:21,520
Speaker 2: Young Archibald the Australian Michelangelo.

634
00:28:21,680 --> 00:28:23,080
Speaker 1: Well done. I hope you've all had fun.

635
00:28:23,200 --> 00:28:25,040
Speaker 2: I mean, wood he certainly couldn't write his name. He

636
00:28:25,040 --> 00:28:27,520
Speaker 2: didn't have his pen license at nine. Whereas you're painting

637
00:28:27,520 --> 00:28:31,720
Speaker 2: an archibald. Wow, Toby, I am so impressed.

638
00:28:31,920 --> 00:28:32,600
Speaker 9: Thanks so much.

639
00:28:32,760 --> 00:28:33,040
Speaker 2: Wow.

640
00:28:33,440 --> 00:28:36,560
Speaker 1: We're putting on this art galler. We're getting kids doing paintings.

641
00:28:36,560 --> 00:28:38,400
Speaker 2: We're going to try and trick adults into thinking that

642
00:28:38,440 --> 00:28:41,080
Speaker 2: they're adult paintings and basically get the adults to pay

643
00:28:41,080 --> 00:28:43,800
Speaker 2: a lot of money for them, which will go to charity.

644
00:28:43,840 --> 00:28:46,000
Speaker 2: But I mean, like any adult would pay a lot,

645
00:28:46,000 --> 00:28:47,840
Speaker 2: like anyone would pay money for that painting.

646
00:28:47,880 --> 00:28:53,800
Speaker 1: That is a beautiful portrait that right, this boy ten

647
00:28:54,240 --> 00:28:59,680
Speaker 1: dollars Woody. That's a little bit I'm saying.

648
00:28:59,760 --> 00:29:03,760
Speaker 2: Yes, it's about your mother's a business deal between me

649
00:29:03,840 --> 00:29:07,840
Speaker 2: and Toby. This is all for the movie Inside Out

650
00:29:07,880 --> 00:29:10,800
Speaker 2: too or thanks the Disney Pixar and inside Out.

651
00:29:10,800 --> 00:29:12,000
Speaker 1: It's all about emotions.

652
00:29:12,800 --> 00:29:14,520
Speaker 2: We're going to try and get some kids to paint

653
00:29:14,520 --> 00:29:17,360
Speaker 2: their emotions in this art gallery. Do you think we're

654
00:29:17,360 --> 00:29:19,600
Speaker 2: going to have any success trying to do this?

655
00:29:19,680 --> 00:29:19,720
Speaker 1: So?

656
00:29:19,800 --> 00:29:22,840
Speaker 2: Do you think the people will be successfully fooled?

657
00:29:23,200 --> 00:29:24,560
Speaker 1: Yeah? I think so. Really.

658
00:29:25,000 --> 00:29:27,520
Speaker 2: Yeah, so nice to hear all about your life and

659
00:29:27,600 --> 00:29:28,760
Speaker 2: more about your your art.

660
00:29:29,040 --> 00:29:32,080
Speaker 1: Congratulations on this website. Oh yeah, tell us your website

661
00:29:32,280 --> 00:29:35,280
Speaker 1: Toby dashloparty dot com. And I've also got on Instagram

662
00:29:35,360 --> 00:29:38,400
Speaker 1: which is Portraits by Toby. Okay, you can find I've

663
00:29:38,400 --> 00:29:42,400
Speaker 1: got commissions page on my website. Oh great store. Oh wow,

664
00:29:42,640 --> 00:29:49,040
Speaker 1: I still going to school. Sorry, mama's probably the wrong miss. Sorry, No,

665
00:29:49,080 --> 00:29:51,400
Speaker 1: school's great, Toby.

666
00:29:51,480 --> 00:29:54,040
Speaker 2: It's been loving to meet you. Congratulations on all your success.

667
00:29:54,280 --> 00:29:56,640
Speaker 2: I think ten thousand dollars. The offer still stands for

668
00:29:56,680 --> 00:29:57,600
Speaker 2: the Young Archie Prize.

669
00:29:57,800 --> 00:30:04,080
Speaker 1: We'll talk women, share mind, mood.

670
00:30:05,960 --> 00:30:08,040
Speaker 2: So basically we reckon that sharing how you're going is

671
00:30:08,040 --> 00:30:09,920
Speaker 2: probably the best thing you can do for your mental health.

672
00:30:10,120 --> 00:30:12,719
Speaker 2: We know that when you are really struggling, though, it's

673
00:30:12,760 --> 00:30:14,080
Speaker 2: often the hardest thing to do. So we've got a

674
00:30:15,120 --> 00:30:17,600
Speaker 2: series of great conversations on this podcast just to share

675
00:30:17,640 --> 00:30:17,880
Speaker 2: my mood.

676
00:30:17,880 --> 00:30:18,800
Speaker 1: Where you get your podcasts.

677
00:30:18,840 --> 00:30:21,320
Speaker 2: We're just asking people how do they go about getting

678
00:30:21,320 --> 00:30:22,880
Speaker 2: in touch with how they feeling? How do they get

679
00:30:22,920 --> 00:30:25,719
Speaker 2: in touch and how do they go about sharing that?

680
00:30:26,200 --> 00:30:28,200
Speaker 2: And the most recent guess is polling. Now she's running

681
00:30:28,280 --> 00:30:29,880
Speaker 2: up from master's Chef first year, she's a judge on

682
00:30:29,920 --> 00:30:30,360
Speaker 2: Master Chef.

683
00:30:30,360 --> 00:30:31,360
Speaker 1: Now, this woman brilliant.

684
00:30:31,400 --> 00:30:33,160
Speaker 2: She probably doesn't need any further introduction.

685
00:30:33,320 --> 00:30:36,360
Speaker 3: She's so aware of the emotions that go on in

686
00:30:36,400 --> 00:30:37,440
Speaker 3: her own body and mind.

687
00:30:37,520 --> 00:30:39,720
Speaker 1: It was just fascinating to sit down with ever so long.

688
00:30:39,760 --> 00:30:42,560
Speaker 3: So I strongly recommend anyone to go and listen to

689
00:30:42,560 --> 00:30:45,080
Speaker 3: the full chat. But in this particular part we're about

690
00:30:45,080 --> 00:30:48,520
Speaker 3: to play you, she talks about her approach to gratitude

691
00:30:48,640 --> 00:30:49,960
Speaker 3: and I don't know if you were getting this will,

692
00:30:50,000 --> 00:30:53,240
Speaker 3: but she felt like, I think one of the best

693
00:30:53,240 --> 00:30:56,840
Speaker 3: people at practicing gratitude that I've ever come across. So

694
00:30:56,960 --> 00:30:58,840
Speaker 3: it really was amazing. But and she also starts talking

695
00:30:58,840 --> 00:31:02,080
Speaker 3: about in a world of victimhood as well.

696
00:31:02,880 --> 00:31:04,960
Speaker 9: Is it an emotion or a state of mind?

697
00:31:05,080 --> 00:31:06,600
Speaker 1: Yeah, I think I think a state of mind.

698
00:31:06,720 --> 00:31:08,560
Speaker 2: I actually think it's more of a muscle, if I'm

699
00:31:08,560 --> 00:31:11,120
Speaker 2: being honest, like a figurative muscle, if you're like gratitude,

700
00:31:11,120 --> 00:31:14,360
Speaker 2: because I don't think it doesn't come naturally. Well, some

701
00:31:14,400 --> 00:31:16,320
Speaker 2: people you meet and they walk outside and they're like,

702
00:31:16,400 --> 00:31:21,600
Speaker 2: oh my god, the day, the people, these clothes, and you.

703
00:31:21,480 --> 00:31:23,880
Speaker 1: Know, they're lovely to be around. For like five minutes

704
00:31:23,960 --> 00:31:25,040
Speaker 1: and then you're like, oh my god.

705
00:31:25,080 --> 00:31:28,080
Speaker 2: You know sometimes if you're on their wavelength, can you

706
00:31:28,080 --> 00:31:30,520
Speaker 2: can feel that if you're not on their wavelength, you know,

707
00:31:30,680 --> 00:31:32,240
Speaker 2: like what he walks in here and he's like, oh

708
00:31:32,320 --> 00:31:33,680
Speaker 2: my every day, what.

709
00:31:33,800 --> 00:31:36,040
Speaker 1: A morning, And I'm I need to pull it back.

710
00:31:36,080 --> 00:31:37,360
Speaker 1: Sometimes sometimes.

711
00:31:38,760 --> 00:31:40,680
Speaker 2: You are yeah, I know you hear that, whereas you're

712
00:31:40,680 --> 00:31:43,240
Speaker 2: someone like me, like I have to actively practice gratitude.

713
00:31:43,440 --> 00:31:44,920
Speaker 2: I have to, you know, when I meditate in the morning,

714
00:31:44,960 --> 00:31:46,480
Speaker 2: I have to think of someone who I want to

715
00:31:46,520 --> 00:31:48,800
Speaker 2: be more peaceful around. And then I've got to be like, Okay,

716
00:31:48,880 --> 00:31:50,800
Speaker 2: let's do this so that you can be you're grateful

717
00:31:50,800 --> 00:31:52,560
Speaker 2: for them. Let's do this so that you can be

718
00:31:52,760 --> 00:31:56,160
Speaker 2: more peaceful around them. But do you think that your mood,

719
00:31:56,200 --> 00:31:58,080
Speaker 2: your mental health, and being in touch with how you're

720
00:31:58,120 --> 00:32:02,680
Speaker 2: feeling is drastically improved through this sense of gratitude? And

721
00:32:02,720 --> 00:32:04,160
Speaker 2: do you think you have such a strong sense of

722
00:32:04,160 --> 00:32:05,560
Speaker 2: gratitude because of what you do?

723
00:32:05,800 --> 00:32:09,400
Speaker 9: Yeah, if you can train your that muscle, I think

724
00:32:09,440 --> 00:32:12,840
Speaker 9: it is key to good mental health is gratitude. Because

725
00:32:12,840 --> 00:32:16,200
Speaker 9: gratitude brings it all to you knowing that you are

726
00:32:16,240 --> 00:32:19,600
Speaker 9: a dot in the firmament. It's a balance of thinking

727
00:32:19,600 --> 00:32:22,760
Speaker 9: you can make change but also realizing that you are

728
00:32:23,080 --> 00:32:27,520
Speaker 9: never the person who's suffering the most. Ever, when we

729
00:32:27,880 --> 00:32:31,520
Speaker 9: try to think about always how lucky we are, like,

730
00:32:31,600 --> 00:32:33,360
Speaker 9: it just always grounds you.

731
00:32:33,680 --> 00:32:34,560
Speaker 1: Yeah.

732
00:32:34,600 --> 00:32:36,560
Speaker 2: It's a great dissolving agent, isn't it.

733
00:32:36,680 --> 00:32:39,080
Speaker 9: So it's actually one of my favorite topics to talk

734
00:32:39,120 --> 00:32:42,680
Speaker 9: about when in social situations because I feel like there's

735
00:32:42,760 --> 00:32:47,040
Speaker 9: such an epidemic of victimhood happily at the moment and

736
00:32:47,080 --> 00:32:50,560
Speaker 9: it really worries me. Yeah, because and it's there is

737
00:32:50,720 --> 00:32:55,200
Speaker 9: so much medical sort of psych terminology woven into our

738
00:32:55,240 --> 00:32:59,880
Speaker 9: everyday vernacula now that people are just are using them

739
00:33:00,080 --> 00:33:02,400
Speaker 9: to like form tribes and to.

740
00:33:02,400 --> 00:33:06,960
Speaker 4: Sort of like lean the self diagnosing and lean into

741
00:33:08,000 --> 00:33:11,960
Speaker 4: things that giving names to things that are actually and

742
00:33:12,000 --> 00:33:14,560
Speaker 4: pathologizing things that are normal things that.

743
00:33:14,480 --> 00:33:18,440
Speaker 9: You go through life that fill you with anxiety. But

744
00:33:18,600 --> 00:33:21,720
Speaker 9: like I think, like when you give someone a term

745
00:33:22,080 --> 00:33:26,240
Speaker 9: or some kind of pathology to name it, it allows

746
00:33:26,240 --> 00:33:28,120
Speaker 9: them just to sit in it and go, yeah, I've got.

747
00:33:28,000 --> 00:33:28,720
Speaker 1: That's what I've got.

748
00:33:28,880 --> 00:33:33,440
Speaker 2: Yeah, And if i'm not, if i'm not, if i

749
00:33:33,440 --> 00:33:35,840
Speaker 2: haven't got somebody looking after it for me, then it's

750
00:33:36,040 --> 00:33:37,480
Speaker 2: I'm just going to die in the ass.

751
00:33:37,520 --> 00:33:40,000
Speaker 3: It's a story they tell themselves that. It almost like

752
00:33:40,080 --> 00:33:44,240
Speaker 3: becomes this self sourcing pudding. Yeah exactly, I've got that,

753
00:33:44,560 --> 00:33:46,240
Speaker 3: And now I'm going to lean right into that rather

754
00:33:46,280 --> 00:33:47,200
Speaker 3: than thinking.

755
00:33:47,040 --> 00:33:49,160
Speaker 9: How can I fix this? Yeah, I need to fix this.

756
00:33:49,200 --> 00:33:50,680
Speaker 9: It's not going to fix itself.

757
00:33:50,920 --> 00:33:53,520
Speaker 1: And you're saying it.

758
00:33:53,440 --> 00:33:57,120
Speaker 3: Becomes an identity that I am, that I have that, yes,

759
00:33:57,240 --> 00:33:59,640
Speaker 3: and I and almost like the idea of separating yourself

760
00:33:59,640 --> 00:34:01,760
Speaker 3: from that a bit scary. It's like what am I

761
00:34:01,880 --> 00:34:04,200
Speaker 3: or who am I? If I don't have this?

762
00:34:04,680 --> 00:34:05,200
Speaker 1: Yeah?

763
00:34:05,640 --> 00:34:08,520
Speaker 2: Yeah, yes, And you were saying you need to fix it.

764
00:34:08,719 --> 00:34:11,400
Speaker 1: Right. It's a great chat. If you want to hear

765
00:34:11,400 --> 00:34:13,480
Speaker 1: more of it, just search Share my Mood wherever you.

766
00:34:13,400 --> 00:34:15,040
Speaker 2: Get your podcasts. I'll say I'll say it again, I

767
00:34:15,040 --> 00:34:16,680
Speaker 2: said it yesterday. Honestly, if you want to feel better

768
00:34:16,680 --> 00:34:18,520
Speaker 2: about yourself, you want to have just a bit more

769
00:34:18,520 --> 00:34:20,440
Speaker 2: of an idea how to deal with your own emotions

770
00:34:20,440 --> 00:34:23,120
Speaker 2: and even just be in the world, go and have

771
00:34:23,120 --> 00:34:25,160
Speaker 2: a listening to that chat. Brand new episode with pot

772
00:34:25,280 --> 00:34:27,160
Speaker 2: Ling Yao for you guys to listen to whenever you want.

773
00:34:27,840 --> 00:34:30,080
Speaker 2: Good afternoon, everyone, it is Will and what we're all

774
00:34:30,080 --> 00:34:33,480
Speaker 2: thanks for Australia posts this afternoon wards. Yesterday, our quiz caller,

775
00:34:33,760 --> 00:34:39,160
Speaker 2: Yasmin I believe her name was, you said something completely outrageous.

776
00:34:39,640 --> 00:34:42,080
Speaker 1: Neopolitany is three flavors, but it comes in the same cut,

777
00:34:42,120 --> 00:34:44,560
Speaker 1: which is a flavor. You can get a flavor.

778
00:34:44,760 --> 00:34:48,200
Speaker 2: You can actually get me a poltona flavored chocolate.

779
00:34:48,239 --> 00:34:48,520
Speaker 5: Thank you.

780
00:34:49,640 --> 00:34:50,319
Speaker 1: That's mister bit.

781
00:34:50,400 --> 00:34:53,120
Speaker 2: Because there's there's there's strawberry, there's chocolate.

782
00:34:52,880 --> 00:34:53,480
Speaker 1: There's vanilla.

783
00:34:54,200 --> 00:34:57,759
Speaker 2: Firstly, we all know it's not Neapolitana, so just trying

784
00:34:57,800 --> 00:35:00,480
Speaker 2: to make it sound more exhausted or like one, but

785
00:35:00,600 --> 00:35:02,399
Speaker 2: strike too, there's there's three.

786
00:35:02,440 --> 00:35:03,320
Speaker 1: There are three flavors.

787
00:35:03,400 --> 00:35:07,239
Speaker 2: So now now, yes, we will get there.

788
00:35:07,880 --> 00:35:09,399
Speaker 1: I will come to you. I'll put my sword down,

789
00:35:09,440 --> 00:35:10,040
Speaker 1: you'll have your time.

790
00:35:11,160 --> 00:35:14,680
Speaker 2: Now. We've obviously been discussing this over WhatsApp last night

791
00:35:15,160 --> 00:35:17,160
Speaker 2: in the meeting room. Today, I just put the phone down,

792
00:35:17,239 --> 00:35:19,799
Speaker 2: and what we have boiled it down to is the

793
00:35:19,840 --> 00:35:22,560
Speaker 2: fact that I think that there were three. I think

794
00:35:22,560 --> 00:35:24,840
Speaker 2: there are three flavors in Neapolitan because when I was

795
00:35:24,880 --> 00:35:29,600
Speaker 2: a child, like everyone else listening right now, you knew

796
00:35:29,600 --> 00:35:32,359
Speaker 2: that if you didn't get to the Neapolitan early, all

797
00:35:32,400 --> 00:35:35,239
Speaker 2: the strawberry and chocolate would be gone, and there'd be

798
00:35:35,280 --> 00:35:38,960
Speaker 2: a strip of vanilla left, a lonely island of vanilla

799
00:35:39,040 --> 00:35:42,280
Speaker 2: that's in your family, that in every family, and.

800
00:35:42,160 --> 00:35:43,560
Speaker 1: Then only speak for your family.

801
00:35:47,440 --> 00:35:50,319
Speaker 2: And then you when I as soon as I say this,

802
00:35:50,440 --> 00:35:53,280
Speaker 2: you were like, well, I think that's the difference because in.

803
00:35:53,120 --> 00:35:56,200
Speaker 1: My family, we scooped it.

804
00:35:56,239 --> 00:35:58,520
Speaker 2: Make sure everyone's listening to this and just maybe pull

805
00:35:58,560 --> 00:36:04,120
Speaker 2: over if you need to. We scooped across the Neapolitan punnet.

806
00:36:04,160 --> 00:36:05,839
Speaker 3: So you get a little bit of every flavor as

807
00:36:05,840 --> 00:36:09,920
Speaker 3: you scoop across your chocolate, strawberry, vanilla. Unbelievable, perfect, perfect

808
00:36:09,920 --> 00:36:12,359
Speaker 3: combination of all three. You put that in a cone,

809
00:36:12,400 --> 00:36:13,080
Speaker 3: you put that in a bowl.

810
00:36:13,160 --> 00:36:15,040
Speaker 1: Do it? Everybody like it? I try to straighten my

811
00:36:15,040 --> 00:36:15,760
Speaker 1: mouth sometimes.

812
00:36:16,000 --> 00:36:18,640
Speaker 2: Someone great one said, someone who stands for everything stands

813
00:36:18,640 --> 00:36:19,000
Speaker 2: for nothing.

814
00:36:19,000 --> 00:36:20,200
Speaker 1: And that's what I think about that. It does not

815
00:36:20,239 --> 00:36:20,719
Speaker 1: apply here.

816
00:36:20,760 --> 00:36:22,800
Speaker 2: It does because you go over all flavors at the

817
00:36:22,840 --> 00:36:25,480
Speaker 2: same time, and I think that's outrageous. So I think

818
00:36:25,480 --> 00:36:27,280
Speaker 2: the real beef here is and we need to settle

819
00:36:27,280 --> 00:36:29,520
Speaker 2: this before the show can go on any further. Did

820
00:36:29,600 --> 00:36:32,880
Speaker 2: you scoop across the Neapolitan punnet or did you isolate

821
00:36:32,880 --> 00:36:36,920
Speaker 2: the flavors. Lee first call, tell me you're not a

822
00:36:36,920 --> 00:36:37,520
Speaker 2: cross scooper.

823
00:36:38,560 --> 00:36:40,359
Speaker 6: I'm a little bit of both. But can I say

824
00:36:40,480 --> 00:36:41,240
Speaker 6: still a question?

825
00:36:41,440 --> 00:36:47,279
Speaker 1: I love it, thankstle bit. So you did? So why

826
00:36:47,320 --> 00:36:50,960
Speaker 1: would you? Why would you cross scoop over individual flavors?

827
00:36:50,960 --> 00:36:53,520
Speaker 1: Like what makes you do that speed to get it

828
00:36:53,560 --> 00:36:54,760
Speaker 1: in the bottle? Yeah?

829
00:36:54,800 --> 00:36:56,640
Speaker 3: And so would you always try to get a combination

830
00:36:56,680 --> 00:36:58,920
Speaker 3: of everything or sometimes would you just go for vanilla,

831
00:36:58,960 --> 00:36:59,920
Speaker 3: chocolate or strawberry?

832
00:37:00,400 --> 00:37:03,200
Speaker 5: It's so that im t is nice as flat.

833
00:37:03,719 --> 00:37:05,919
Speaker 1: I like to just make it all even and out.

834
00:37:05,960 --> 00:37:09,360
Speaker 2: So this, I think this might be what it comes

835
00:37:09,360 --> 00:37:13,239
Speaker 2: down with all those people with slight OCD tendencies.

836
00:37:13,320 --> 00:37:14,839
Speaker 1: I have a tiny bit of that, A little bit.

837
00:37:14,960 --> 00:37:20,279
Speaker 1: I didn't just a little bit going on. I did

838
00:37:20,480 --> 00:37:24,040
Speaker 1: like it being even. Yeah. Yeah, So let's go to Errol.

839
00:37:25,960 --> 00:37:27,480
Speaker 1: I'm surprised you didn't weigh yours.

840
00:37:27,520 --> 00:37:30,399
Speaker 2: Mate, Make sure it's just fifty grams, and you put

841
00:37:30,400 --> 00:37:32,840
Speaker 2: each little scoop in a different bowl, three different bowles,

842
00:37:32,840 --> 00:37:34,239
Speaker 2: and you make sure that you touch them eat with

843
00:37:34,239 --> 00:37:35,200
Speaker 2: your tongue one diameters.

844
00:37:35,400 --> 00:37:42,880
Speaker 1: Errol's call on Errol, Errol, all look to one side.

845
00:37:43,000 --> 00:37:45,440
Speaker 2: Are you cross scooping neapolitan, or you're just straight down

846
00:37:45,440 --> 00:37:47,000
Speaker 2: because you're obviously avoiding the vanilla.

847
00:37:47,760 --> 00:37:49,920
Speaker 1: Never cross stoop You know that famous scrape from the

848
00:37:49,960 --> 00:37:54,239
Speaker 1: movie never cross the streams. Yes, well cross streams as well.

849
00:37:54,560 --> 00:37:55,120
Speaker 1: So there you go.

850
00:37:56,080 --> 00:37:59,480
Speaker 2: Hang on, Eryl, so's a ghostbuster's reference, not a pissing reference.

851
00:38:03,000 --> 00:38:04,120
Speaker 1: That's as Errol.

852
00:38:04,200 --> 00:38:07,759
Speaker 2: You obviously obviously you're scooping straight down the line because

853
00:38:07,800 --> 00:38:10,520
Speaker 2: you know that the vanilla's garbage. And obviously you're going

854
00:38:10,520 --> 00:38:13,320
Speaker 2: strawberry chocolate first, Yeah, that's.

855
00:38:14,440 --> 00:38:16,240
Speaker 1: Chocolate in our house. Chocolate was gone.

856
00:38:16,360 --> 00:38:17,640
Speaker 2: You had to fight for the chocolate.

857
00:38:17,920 --> 00:38:19,920
Speaker 3: Errol, wait to know just why don't you just get

858
00:38:19,920 --> 00:38:22,000
Speaker 3: a chocolate flavored ice cream?

859
00:38:22,040 --> 00:38:23,440
Speaker 1: Then why are you getting.

860
00:38:23,800 --> 00:38:29,000
Speaker 2: Sometimes you like a little bit of vanilla as a tree.

861
00:38:29,239 --> 00:38:33,320
Speaker 2: And for those and for those those sane, beautiful, normalized

862
00:38:33,360 --> 00:38:34,759
Speaker 2: people who scoop down the line.

863
00:38:34,800 --> 00:38:35,840
Speaker 1: You've got the choice.

864
00:38:36,239 --> 00:38:39,040
Speaker 2: You know, you can go seventy percent choco, you can

865
00:38:39,040 --> 00:38:39,880
Speaker 2: go thirty percent.

866
00:38:40,160 --> 00:38:43,239
Speaker 3: Sometimes it's cross doubled. Sometimes I would just take two

867
00:38:43,280 --> 00:38:46,120
Speaker 3: of them. Has a choice. It sounds hectic, it's choice,

868
00:38:46,120 --> 00:38:49,120
Speaker 3: it sounds anarchy. Let's go to Mandy on thirty one

869
00:38:49,360 --> 00:38:49,919
Speaker 3: six five.

870
00:38:50,320 --> 00:38:54,239
Speaker 1: Mandy, I believe. How do you scoop? How do you skip?

871
00:38:54,840 --> 00:38:58,120
Speaker 3: When I was younger, we had to have one scoop

872
00:38:58,200 --> 00:38:59,160
Speaker 3: from each color.

873
00:38:59,280 --> 00:39:01,560
Speaker 6: We were not it wasn't even a.

874
00:39:01,480 --> 00:39:02,759
Speaker 5: Thing to scoop across.

875
00:39:03,239 --> 00:39:07,640
Speaker 3: And we were not allowed to just have chocolate flavor

876
00:39:07,840 --> 00:39:08,400
Speaker 3: of each.

877
00:39:09,520 --> 00:39:11,400
Speaker 1: Who's adjudicating that? Are your parents?

878
00:39:11,600 --> 00:39:12,160
Speaker 2: My dad?

879
00:39:12,760 --> 00:39:15,319
Speaker 1: My dad? He would stand over you.

880
00:39:15,400 --> 00:39:17,919
Speaker 3: He would stand over you and watch you scoop one

881
00:39:17,960 --> 00:39:19,719
Speaker 3: from each pretty much.

882
00:39:19,760 --> 00:39:22,920
Speaker 6: And we didn't have ice cream very often, so Mandy

883
00:39:23,520 --> 00:39:24,319
Speaker 6: was a bit of a treat.

884
00:39:24,400 --> 00:39:26,520
Speaker 1: So Mandy, let me just put yourself in your dad's shoes.

885
00:39:26,520 --> 00:39:30,080
Speaker 2: Here, we've got the Neapolitan tub out, We've got Woody

886
00:39:30,120 --> 00:39:34,200
Speaker 2: in front of you. Right, you're the adjudicator, you're the enforcer.

887
00:39:34,239 --> 00:39:36,880
Speaker 2: Here what he gets gets the ice cream scoop and

888
00:39:36,920 --> 00:39:39,120
Speaker 2: he scoops straight across the punnet.

889
00:39:39,120 --> 00:39:39,960
Speaker 1: What are you doing to him?

890
00:39:40,920 --> 00:39:42,520
Speaker 3: Oh my god, I'd kill him.

891
00:39:43,600 --> 00:39:47,359
Speaker 2: I would kill him so as you get a little

892
00:39:47,400 --> 00:39:50,279
Speaker 2: bit of each, But I do that when.

893
00:39:50,000 --> 00:39:54,960
Speaker 3: I crossed, I feel like we're trying to get to

894
00:39:54,960 --> 00:39:55,880
Speaker 3: the same destination.

895
00:39:56,000 --> 00:40:00,160
Speaker 1: But you're killing me. Yep, you're dead, and many man

896
00:40:00,719 --> 00:40:03,880
Speaker 1: as well. This might have had a heart attack. I

897
00:40:03,920 --> 00:40:06,760
Speaker 1: shocked her so much with my cross cooping. Sorry Mandy,

898
00:40:06,840 --> 00:40:08,840
Speaker 1: it's Will and Woody kis