1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the Morning. 2 00:00:04,280 --> 00:00:06,920 Speaker 2: Just when I didn't think the twenty twenty could be 3 00:00:07,000 --> 00:00:10,840 Speaker 2: more than a pain in the d we lose Kenny Rogers, 4 00:00:10,840 --> 00:00:12,360 Speaker 2: Oh man. 5 00:00:12,440 --> 00:00:14,800 Speaker 1: And he's the kind of singer that, even if you 6 00:00:14,800 --> 00:00:17,599 Speaker 1: haven't had an opinion about him for your life, when 7 00:00:17,600 --> 00:00:20,200 Speaker 1: you hear that he's passed away and you run through 8 00:00:20,239 --> 00:00:23,640 Speaker 1: the songs that he had, you go he was amazing. 9 00:00:23,840 --> 00:00:26,800 Speaker 2: Eighty one years of age, died of natural causes, peacefully 10 00:00:26,840 --> 00:00:28,720 Speaker 2: in his sleep, which is nice. It's a nice way 11 00:00:28,760 --> 00:00:30,280 Speaker 2: to go, isn't it. 12 00:00:30,320 --> 00:00:32,480 Speaker 1: Do you think? Is that what they Yeah, they said peep, 13 00:00:32,520 --> 00:00:34,440 Speaker 1: but eighty one everyone dreams of that. 14 00:00:34,640 --> 00:00:38,120 Speaker 2: Yeah, yeah, you want to do your natural causes, peaceful sleep, 15 00:00:38,720 --> 00:00:41,360 Speaker 2: natural causes. I think it's just that's just natural causes. 16 00:00:41,520 --> 00:00:41,680 Speaker 3: You know. 17 00:00:41,720 --> 00:00:44,400 Speaker 2: It's a good etings. But having said that, eighty one, 18 00:00:44,680 --> 00:00:48,160 Speaker 2: you know that's good. But what a legacy he left behind, 19 00:00:48,520 --> 00:00:54,840 Speaker 2: all those great songs like you Love the Gambler, This 20 00:00:55,120 --> 00:00:58,040 Speaker 2: Miscoward of a cowd things. 21 00:01:00,320 --> 00:01:08,720 Speaker 1: Lead me, Lucy Jack created. 22 00:01:12,920 --> 00:01:14,280 Speaker 2: This one? What was this one? 23 00:01:15,240 --> 00:01:15,440 Speaker 4: You know? 24 00:01:15,560 --> 00:01:17,800 Speaker 2: Did with that lead? 25 00:01:20,440 --> 00:01:34,039 Speaker 3: Did it with oh yeah, oh oh my god? Clavet Dolly? 26 00:01:34,240 --> 00:01:35,160 Speaker 2: How did Dolly find it? 27 00:01:35,440 --> 00:01:39,360 Speaker 1: Apparently Dolly found out through the media. Someone would say, 28 00:01:39,800 --> 00:01:42,160 Speaker 1: she's scrolling through a phone and going, well. 29 00:01:42,080 --> 00:01:45,800 Speaker 2: Beat me. Why wouldn't have missus Rogers given her a call? 30 00:01:46,760 --> 00:01:47,880 Speaker 3: Is there a Missus Rogers? 31 00:01:49,400 --> 00:01:49,760 Speaker 4: I don't know. 32 00:01:50,040 --> 00:01:52,000 Speaker 1: Kenny and Dolly were never a couple with I think 33 00:01:52,040 --> 00:01:55,400 Speaker 1: that Dolly was a couple all on our right. You 34 00:01:55,480 --> 00:02:00,280 Speaker 1: know my favorite song though? This one? 35 00:02:01,000 --> 00:02:05,640 Speaker 3: Can I read you the lyrics to Ruby, don't take 36 00:02:05,720 --> 00:02:07,560 Speaker 3: your load? Oh wake up? 37 00:02:07,640 --> 00:02:11,440 Speaker 1: Kenny always sounded like he was nodding off. This is 38 00:02:11,480 --> 00:02:14,240 Speaker 1: how it goes. You're painted up your lips. 39 00:02:14,240 --> 00:02:16,600 Speaker 2: It's supposed to. 40 00:02:16,360 --> 00:02:19,720 Speaker 1: You've painted up your lips and rolled and curled your 41 00:02:19,800 --> 00:02:23,840 Speaker 1: tindered hair. Ruby, are you contemplating going out somewhere? The 42 00:02:23,960 --> 00:02:27,440 Speaker 1: shadows on the wall tell me the sun is going down. Ruby, 43 00:02:27,639 --> 00:02:30,000 Speaker 1: don't take your love to town. It wasn't me that 44 00:02:30,080 --> 00:02:33,519 Speaker 1: started that old crazy Asian war. But I was proud 45 00:02:33,520 --> 00:02:36,160 Speaker 1: to go and do my patriotic chore. And yes, it's 46 00:02:36,200 --> 00:02:38,920 Speaker 1: true that I'm not the man I used to be. Ruby, 47 00:02:39,040 --> 00:02:42,079 Speaker 1: I still need some company. I like this bit. It's 48 00:02:42,120 --> 00:02:44,760 Speaker 1: hard to love a man whose legs are bent and paralyzed, 49 00:02:44,919 --> 00:02:47,079 Speaker 1: and the wants and needs of all in your age ruby. 50 00:02:47,120 --> 00:02:49,000 Speaker 1: I realize how it's that, but. 51 00:02:49,520 --> 00:02:50,239 Speaker 3: It won't be long. 52 00:02:50,280 --> 00:02:53,320 Speaker 1: I've heard them say until I'm in the ground a ruby, 53 00:02:53,360 --> 00:02:55,160 Speaker 1: don't take your love to town. Then it takes a 54 00:02:55,200 --> 00:02:58,400 Speaker 1: really dark turn. She's leaving now because i'd just heard 55 00:02:58,400 --> 00:03:01,240 Speaker 1: the slamming of the door. I've heard it slam one 56 00:03:01,280 --> 00:03:03,840 Speaker 1: hundred times before. If I could move, I'd get my 57 00:03:03,919 --> 00:03:07,480 Speaker 1: gun and put her in the ground. Ruby, don't take 58 00:03:07,480 --> 00:03:10,040 Speaker 1: your love to town. Okay, honey, I'll stay and have 59 00:03:10,040 --> 00:03:10,760 Speaker 1: a cup of tea. 60 00:03:11,320 --> 00:03:15,160 Speaker 4: That's just romance, isn't it. It's six to seven and 61 00:03:15,200 --> 00:03:17,120 Speaker 4: we just got some breaking news. He was married to 62 00:03:17,200 --> 00:03:20,320 Speaker 4: Wander Miller, who was twenty eight years younger than him. 63 00:03:21,240 --> 00:03:25,200 Speaker 1: So he was eighty one, say eighty, and she's say thirty, right, 64 00:03:26,160 --> 00:03:27,120 Speaker 1: that's fifty ish. 65 00:03:27,400 --> 00:03:29,440 Speaker 2: Fifty is quite young. So you could have been him. 66 00:03:29,440 --> 00:03:31,560 Speaker 2: With Kenny, I could have been him. Wake up. 67 00:03:31,680 --> 00:03:35,520 Speaker 3: Kenny joined the and Amanda, Good morning, one point seven. 68 00:03:35,600 --> 00:03:35,920 Speaker 3: Tell you