1 00:00:00,520 --> 00:00:01,880 Speaker 1: Gruin is back tonight. 2 00:00:01,960 --> 00:00:07,400 Speaker 2: Fifteen years in TV terms is some serious longevity. And 3 00:00:07,440 --> 00:00:10,480 Speaker 2: Will Anderson, who doesn't look a day older than he 4 00:00:10,520 --> 00:00:10,960 Speaker 2: did on. 5 00:00:10,840 --> 00:00:14,360 Speaker 1: That first episode all those years ago, is with us now. 6 00:00:14,400 --> 00:00:15,000 Speaker 1: Good morning. 7 00:00:16,400 --> 00:00:18,360 Speaker 3: Thank you very much for having me as usual. I 8 00:00:18,400 --> 00:00:21,760 Speaker 3: really appreciate it. And there has been a miscommunication though 9 00:00:21,800 --> 00:00:23,800 Speaker 3: I asked for an advertising. 10 00:00:23,200 --> 00:00:26,880 Speaker 4: Sting to introduce Sorry, I was thinking. 11 00:00:26,640 --> 00:00:29,880 Speaker 3: Something that was five seconds, not I know you said 12 00:00:29,880 --> 00:00:33,599 Speaker 3: we've been on yeah, those fifteen years past. While I 13 00:00:33,640 --> 00:00:36,160 Speaker 3: was waiting to come on listening. 14 00:00:35,720 --> 00:00:39,160 Speaker 4: To this, he was showing off his musicality. 15 00:00:40,040 --> 00:00:41,760 Speaker 3: Who was not men. Don't get me wrong, he's a 16 00:00:41,760 --> 00:00:44,960 Speaker 3: beautiful musician. The fact that when you can make love 17 00:00:45,000 --> 00:00:47,479 Speaker 3: for twenty four hours in a row, you know, noodling 18 00:00:47,479 --> 00:00:49,879 Speaker 3: around on a song for five feels like nothing. But 19 00:00:50,080 --> 00:00:52,880 Speaker 3: just when I was sitting here in Heaven's waiting room 20 00:00:54,280 --> 00:00:54,880 Speaker 3: to come. 21 00:00:54,720 --> 00:00:57,280 Speaker 4: Here, that wasn't so tantric. 22 00:00:57,760 --> 00:01:01,120 Speaker 3: Oh gosh, no comedian and has ever said, hey, just 23 00:01:01,120 --> 00:01:04,000 Speaker 3: from my intro music tonight, could you bang on some sting. 24 00:01:05,720 --> 00:01:10,880 Speaker 2: Fifteen seasons? I mean, it is a great achievement. You've 25 00:01:10,920 --> 00:01:14,360 Speaker 2: seen a lot of campaigns over that time, the good, 26 00:01:14,720 --> 00:01:19,080 Speaker 2: the bad, the ridiculous. What is an example of one 27 00:01:19,120 --> 00:01:22,040 Speaker 2: that really stands out to you as a highly successful 28 00:01:22,080 --> 00:01:23,280 Speaker 2: advertising campaign. 29 00:01:24,440 --> 00:01:27,480 Speaker 3: Ah, that's an interesting question, because none of them is 30 00:01:27,520 --> 00:01:34,760 Speaker 3: the career answer to that. I have been the victim 31 00:01:34,800 --> 00:01:39,800 Speaker 3: of some perverted psychological experiment by the Australian taxplayers because 32 00:01:40,000 --> 00:01:43,600 Speaker 3: I'm someone who went into public broadcasting because I wanted 33 00:01:43,600 --> 00:01:47,280 Speaker 3: to avoid advertising. And then I've literally spent fifteen years 34 00:01:47,280 --> 00:01:50,200 Speaker 3: doing a show where nine months of the year I 35 00:01:50,240 --> 00:01:53,040 Speaker 3: don't like try to avoid advertising, and then three months 36 00:01:53,040 --> 00:01:55,640 Speaker 3: of the year, in some sort of clockwork orange style 37 00:01:56,000 --> 00:01:58,960 Speaker 3: psychological experiment, they take me into a room at the 38 00:01:59,000 --> 00:02:01,960 Speaker 3: ABC and they force feed me every ad in the 39 00:02:02,080 --> 00:02:05,480 Speaker 3: entoyal world. And whatever effect that has had on my brain, 40 00:02:05,560 --> 00:02:07,480 Speaker 3: the one thing I will tell you is that it 41 00:02:07,560 --> 00:02:09,919 Speaker 3: all works immediately and none of it sticks. That is 42 00:02:10,000 --> 00:02:12,799 Speaker 3: honestly my and maybe that's just because of the way 43 00:02:12,800 --> 00:02:15,400 Speaker 3: that I consume it, so that often if we talk, 44 00:02:15,800 --> 00:02:17,920 Speaker 3: if we talk about something on the show, you know, 45 00:02:18,000 --> 00:02:20,280 Speaker 3: if we happen to be talking about like Coca cola 46 00:02:20,360 --> 00:02:23,000 Speaker 3: on the show, I guarantee you, on the next day 47 00:02:23,160 --> 00:02:25,400 Speaker 3: or like sometime within forty eight hours of that show, 48 00:02:25,639 --> 00:02:28,359 Speaker 3: I will just have a desire to have a Coca Cola, 49 00:02:28,360 --> 00:02:31,080 Speaker 3: but like two weeks later, it's always gone. It's like 50 00:02:31,600 --> 00:02:34,760 Speaker 3: my algorithm is the only algorithm that I might be 51 00:02:34,800 --> 00:02:37,520 Speaker 3: the thing that stops AI from taking over because my 52 00:02:37,639 --> 00:02:40,720 Speaker 3: algorithm cannot get a handle on what's going on in 53 00:02:40,760 --> 00:02:43,560 Speaker 3: my life. It's like he's interested in vapes and monster 54 00:02:43,600 --> 00:02:49,639 Speaker 3: trucks this week. Now it's interested in only a gambling account. 55 00:02:49,760 --> 00:02:53,160 Speaker 5: With their attention spans, I think these days, well it 56 00:02:53,200 --> 00:02:55,799 Speaker 5: would be part of that. Maybe you've got an understanding now, 57 00:02:55,840 --> 00:02:58,760 Speaker 5: of course, of what makes for a decent or memorable campaign. 58 00:02:58,840 --> 00:03:01,920 Speaker 5: But there's a fine lining with really clever ads, especially 59 00:03:01,919 --> 00:03:04,160 Speaker 5: when they're drilled into his every break, that they become annoying. 60 00:03:04,200 --> 00:03:05,000 Speaker 4: It's tough, isn't it. 61 00:03:06,080 --> 00:03:08,000 Speaker 3: Well, it does give you too much time to think 62 00:03:08,040 --> 00:03:09,800 Speaker 3: about them as well, I think so. One of the 63 00:03:09,800 --> 00:03:11,799 Speaker 3: ads we're talking about tonight is one that people would 64 00:03:11,840 --> 00:03:13,440 Speaker 3: have seen a lot if they were watching the cricket, 65 00:03:13,440 --> 00:03:16,560 Speaker 3: which is for the Toyota high Lux. It's the ghost Dad, 66 00:03:16,760 --> 00:03:19,120 Speaker 3: you know, where all the families there were their various 67 00:03:19,200 --> 00:03:24,200 Speaker 3: highluxes from every year. Their dad comes back and rifles 68 00:03:24,200 --> 00:03:26,080 Speaker 3: through the house looking for the keys and then just 69 00:03:26,200 --> 00:03:29,600 Speaker 3: drives off in his high lux. This is very much 70 00:03:29,720 --> 00:03:33,080 Speaker 3: like what you consider that old school storytelling, you know, 71 00:03:33,160 --> 00:03:36,520 Speaker 3: bigger budget advertising, which is actually almost a little old 72 00:03:36,560 --> 00:03:39,080 Speaker 3: fashioned these days in this modern world of these short 73 00:03:39,360 --> 00:03:41,560 Speaker 3: you know had messages. So I love it. But it's 74 00:03:41,600 --> 00:03:43,760 Speaker 3: exactly what you said. If you watch the cricket, you 75 00:03:43,800 --> 00:03:46,200 Speaker 3: saw it every break, and the more you watch an 76 00:03:46,200 --> 00:03:48,360 Speaker 3: ad like that, you're like, why is he destroying the house? 77 00:03:48,560 --> 00:03:50,640 Speaker 3: The keys were in the bowl near the door, they 78 00:03:50,680 --> 00:03:53,440 Speaker 3: always were. What happened to this dad? Did he die 79 00:03:53,440 --> 00:03:56,120 Speaker 3: in a car accident? What is the story of this commercial? 80 00:03:56,920 --> 00:04:00,280 Speaker 2: It is a good commercial, you know what ad? I 81 00:04:00,360 --> 00:04:02,720 Speaker 2: tend to always remember. Do you remember the old ness 82 00:04:02,720 --> 00:04:06,320 Speaker 2: Cafe Love story ad? Of course it was Now that 83 00:04:06,880 --> 00:04:08,800 Speaker 2: I mean, it must be a successful campaign if all 84 00:04:08,840 --> 00:04:12,520 Speaker 2: these years later I still remember that. This is when 85 00:04:12,520 --> 00:04:14,400 Speaker 2: we watched Sunday night movies and so on, so you 86 00:04:14,440 --> 00:04:17,960 Speaker 2: were this I think it had you all saw it, 87 00:04:18,000 --> 00:04:20,280 Speaker 2: and when it changed tacked and went into the next 88 00:04:20,360 --> 00:04:21,239 Speaker 2: chapter and everything. 89 00:04:22,080 --> 00:04:25,680 Speaker 3: Well, I think you've absolutely identified why we don't see 90 00:04:25,680 --> 00:04:28,800 Speaker 3: it anymore is because there was only three commercial networks, 91 00:04:28,839 --> 00:04:30,640 Speaker 3: and it meant the third of the audience on any 92 00:04:30,720 --> 00:04:33,599 Speaker 3: given occasion was sitting down and watching this thing that 93 00:04:33,600 --> 00:04:36,560 Speaker 3: you're watching. So the idea of creating a story through 94 00:04:36,600 --> 00:04:39,440 Speaker 3: your ads that people would follow is just something that 95 00:04:39,680 --> 00:04:41,960 Speaker 3: advertisers would not even consider in this day. In fact, 96 00:04:42,080 --> 00:04:44,960 Speaker 3: last one I can remember is really Rnda and Katut. 97 00:04:45,080 --> 00:04:47,080 Speaker 4: Yes, oh yes, yes it was. 98 00:04:47,120 --> 00:04:50,080 Speaker 3: Kind of but even that's a decade ago Runder and Katuk. 99 00:04:50,200 --> 00:04:52,600 Speaker 3: You know, I don't think I don't think it's time 100 00:04:52,640 --> 00:04:57,159 Speaker 3: for a new advertising romance book up. Who can Ronald 101 00:04:57,240 --> 00:04:58,960 Speaker 3: McDonald do it? 102 00:05:01,240 --> 00:05:06,159 Speaker 5: I'm thinking about someone who's online constantly. I'll be someone 103 00:05:06,480 --> 00:05:07,480 Speaker 5: someone from or something. 104 00:05:08,120 --> 00:05:10,560 Speaker 1: The pitch, of course, is the other big thing that 105 00:05:10,600 --> 00:05:11,680 Speaker 1: we love about. 106 00:05:11,440 --> 00:05:14,520 Speaker 3: Crew, and we've got to get ron on me Donald 107 00:05:14,520 --> 00:05:15,760 Speaker 3: in a romance with chat. 108 00:05:16,040 --> 00:05:18,240 Speaker 4: That's all we've got towhere it happen. 109 00:05:19,520 --> 00:05:29,000 Speaker 1: I can't see that now, thanks guys, Sorry tonight. I'm 110 00:05:29,040 --> 00:05:32,159 Speaker 1: just thinking of Ronald McDonald as an F boy. 111 00:05:32,279 --> 00:05:35,279 Speaker 3: I mean, what the hell imagine if he was on 112 00:05:35,320 --> 00:05:38,200 Speaker 3: the island and he reveals at the final thing and Ronald, 113 00:05:38,440 --> 00:05:42,599 Speaker 3: you guys, I'm sorry, I came here as the f boy, 114 00:05:42,800 --> 00:05:48,720 Speaker 3: stuck in my tiny car flower and whoever I could 115 00:05:48,720 --> 00:05:56,000 Speaker 3: on this island on the here for the money. 116 00:05:56,440 --> 00:05:59,720 Speaker 2: Can we talk about tonight's pitch because I think it's busy. 117 00:06:01,000 --> 00:06:04,040 Speaker 2: How to make jen Z love the King put him 118 00:06:04,080 --> 00:06:04,680 Speaker 2: on TikToker. 119 00:06:04,800 --> 00:06:08,560 Speaker 3: Imagine, well, I imagine, so big Bean, obviously he could get 120 00:06:08,600 --> 00:06:11,719 Speaker 3: on TikToker. You're going to go with that angle. So 121 00:06:13,040 --> 00:06:15,159 Speaker 3: two good acts. Like I think they actually do a 122 00:06:15,200 --> 00:06:17,840 Speaker 3: really compelling job. There's one in particular that I thought 123 00:06:17,960 --> 00:06:21,040 Speaker 3: was fantastic around the idea that like, there's not much 124 00:06:21,080 --> 00:06:23,880 Speaker 3: that kids can rebell against these days. Yeah, you know, 125 00:06:23,960 --> 00:06:26,880 Speaker 3: all the things that used to be rebellion have been 126 00:06:26,960 --> 00:06:29,880 Speaker 3: accepted as kind of part of No, this is modern society, 127 00:06:29,880 --> 00:06:31,520 Speaker 3: and of course you can do these things that we're 128 00:06:31,560 --> 00:06:33,960 Speaker 3: accepting of you and your choices. So one of the 129 00:06:34,040 --> 00:06:36,440 Speaker 3: last acts of rebellion might be to be a Monicas. 130 00:06:36,800 --> 00:06:38,680 Speaker 4: Yeah, quite pussibly. 131 00:06:39,120 --> 00:06:42,479 Speaker 5: But after fifteen years with Russell and Todd, they're at 132 00:06:42,480 --> 00:06:44,359 Speaker 5: the desk doing their thing. It's a bit like Lisa 133 00:06:44,360 --> 00:06:46,440 Speaker 5: and I. We almost end each other's sentences. It wouldn't 134 00:06:46,480 --> 00:06:48,400 Speaker 5: have been the same without them, and I would imagine 135 00:06:48,400 --> 00:06:50,159 Speaker 5: there's a bit of sentence ending between the three of you. 136 00:06:51,200 --> 00:06:54,200 Speaker 3: Well there is. Indeed, I will say that it's always nice. 137 00:06:54,680 --> 00:06:57,080 Speaker 3: We're very because we all have our different lives. You know, 138 00:06:58,000 --> 00:06:59,800 Speaker 3: it's really great when we see each other. We come 139 00:06:59,839 --> 00:07:02,880 Speaker 3: back together and we haven't been in each other's pockets. 140 00:07:02,920 --> 00:07:04,800 Speaker 3: Like I understand when you see each other every day. 141 00:07:04,800 --> 00:07:09,520 Speaker 3: I'm not talking to you specifically each other every day 142 00:07:09,560 --> 00:07:11,760 Speaker 3: you're in each other's pockets. But we're very lucky that 143 00:07:11,880 --> 00:07:14,440 Speaker 3: we go off and you know, Russell has his radio 144 00:07:14,520 --> 00:07:16,280 Speaker 3: show and he goes off and does that, and I've 145 00:07:16,320 --> 00:07:18,040 Speaker 3: got my stand up and I go off and do that. 146 00:07:18,440 --> 00:07:20,840 Speaker 3: Todd climbs up Mount Everest or something. Of course you 147 00:07:20,920 --> 00:07:22,080 Speaker 3: all have out different things. 148 00:07:23,480 --> 00:07:25,200 Speaker 1: Absolutely well. 149 00:07:25,560 --> 00:07:31,240 Speaker 2: Congratulations on the two Logi nominations. The Gold Luggie is 150 00:07:31,240 --> 00:07:34,120 Speaker 2: a mishmash of ridiculousness again this year. 151 00:07:33,960 --> 00:07:35,560 Speaker 1: So I don't know what's going on there. 152 00:07:35,960 --> 00:07:38,840 Speaker 2: Hopefully sure be colorful wind saying as you're not, I 153 00:07:38,840 --> 00:07:39,800 Speaker 2: mean you should be you. 154 00:07:41,560 --> 00:07:43,680 Speaker 3: I mean anyway, I don't want to go behind the scenes, 155 00:07:44,400 --> 00:07:47,240 Speaker 3: but here's all I would say is you always get 156 00:07:47,280 --> 00:07:50,040 Speaker 3: a little message from the ABC going if you were 157 00:07:50,040 --> 00:07:53,000 Speaker 3: nominated for the Gold Loggie, would you go to the logos? Ah, 158 00:07:53,280 --> 00:07:57,160 Speaker 3: It's always no, you're not, And they're like, well we'll 159 00:07:57,200 --> 00:07:57,800 Speaker 3: just avoid that. 160 00:08:00,280 --> 00:08:02,000 Speaker 1: Well, the people have spoken, They love it. 161 00:08:02,040 --> 00:08:04,080 Speaker 2: And also you're up against state of origin and dogs 162 00:08:04,120 --> 00:08:06,400 Speaker 2: behaving very badly tonight, very badly. 163 00:08:06,440 --> 00:08:09,400 Speaker 3: I'd like to say I View is a good place. 164 00:08:10,880 --> 00:08:13,679 Speaker 1: I think that's they're scared of you. That's the power 165 00:08:13,720 --> 00:08:14,200 Speaker 1: of the grill. 166 00:08:14,280 --> 00:08:19,600 Speaker 2: And season fifteen tonight, ABC TV and ABC I View. 167 00:08:20,760 --> 00:08:23,920 Speaker 1: Thank you will so I still can't get running with 168 00:08:23,960 --> 00:08:25,480 Speaker 1: Donald out of my head. I'm sorry. 169 00:08:25,720 --> 00:08:30,120 Speaker 5: It's a magical period and the advertisers a little tea together. 170 00:08:30,240 --> 00:08:31,600 Speaker 3: It's the fun idea. 171 00:08:31,640 --> 00:08:37,360 Speaker 4: The marketing possibilities are in as well. Thank you. Thanks 172 00:08:38,280 --> 00:08:38,640 Speaker 4: SA