1 00:00:00,200 --> 00:00:04,400 Speaker 1: Great the flick with Benohe on ninety six am. Ben, 2 00:00:04,480 --> 00:00:07,280 Speaker 1: Good morning, Good morning, Guard, make good to see you. 3 00:00:07,560 --> 00:00:10,520 Speaker 1: There are a lot, there are a certain crowd eagerly 4 00:00:10,560 --> 00:00:14,400 Speaker 1: anticipation the movie you're about talking about. Do you include 5 00:00:14,400 --> 00:00:18,040 Speaker 1: yourself in that? I didn't think so, Lass. Are you 6 00:00:18,079 --> 00:00:21,880 Speaker 1: prepared for us to put a dollar bill in your jockstrap? Yeah? Look, 7 00:00:21,920 --> 00:00:25,200 Speaker 1: let's see how this review. If you're enjoying the review, 8 00:00:25,320 --> 00:00:27,440 Speaker 1: you can slip some you slip some ones in there. 9 00:00:28,840 --> 00:00:31,680 Speaker 1: So we're talking about Magic Mike's Last Dance, of course, 10 00:00:32,400 --> 00:00:36,600 Speaker 1: And it's all started back in twenty twelve with Steven 11 00:00:36,640 --> 00:00:41,280 Speaker 1: Soderberg's first Magic Mic movie, which was a huge success critically. 12 00:00:41,400 --> 00:00:44,960 Speaker 1: It was well received commercially. I think it made one 13 00:00:45,040 --> 00:00:48,600 Speaker 1: hundred and sixty seven million US dollars against the budget 14 00:00:48,600 --> 00:00:50,760 Speaker 1: of only seven million dollars. The budget was so low 15 00:00:50,760 --> 00:00:52,800 Speaker 1: because there was no special effects, just fifty bucks on 16 00:00:52,840 --> 00:00:56,320 Speaker 1: baby oil. Basically it was all roses to handle the crowd, 17 00:00:56,600 --> 00:00:59,560 Speaker 1: much on wardrobe and the start of that film, course, 18 00:00:59,600 --> 00:01:02,440 Speaker 1: which was Channing Tatum, and it was loosely based on 19 00:01:02,440 --> 00:01:04,440 Speaker 1: his own life, like people might not be aware that 20 00:01:04,480 --> 00:01:07,000 Speaker 1: he was once upon a time an eighteen year old 21 00:01:07,040 --> 00:01:10,000 Speaker 1: stripper working in Florida. So the Magic Mike story is 22 00:01:10,080 --> 00:01:13,280 Speaker 1: kind of the story of Channing Tatum's life. And it 23 00:01:13,319 --> 00:01:15,680 Speaker 1: also starred Matthew McConaughey, and that was kind of like 24 00:01:15,720 --> 00:01:18,400 Speaker 1: at the start of the mcconnaissance when he was making 25 00:01:18,400 --> 00:01:21,680 Speaker 1: his big comeback, and so everybody, a lot of people 26 00:01:21,720 --> 00:01:24,720 Speaker 1: liked Magic Mike. The first movie. It was fun, hot tunes, 27 00:01:24,760 --> 00:01:27,000 Speaker 1: hot bods, not you know, you could you could kind 28 00:01:27,000 --> 00:01:28,920 Speaker 1: of wax lyrical about what it had to say about 29 00:01:28,920 --> 00:01:32,000 Speaker 1: the American dream, but it was it was just a 30 00:01:32,000 --> 00:01:34,320 Speaker 1: bit of fun. Then there was a sequel a couple 31 00:01:34,319 --> 00:01:38,280 Speaker 1: of years later in twenty fifteen called Magic Mike xx L. 32 00:01:38,800 --> 00:01:41,759 Speaker 1: And you know, as per the title, it was extra 33 00:01:41,800 --> 00:01:45,280 Speaker 1: extra large and it was also extra extra stupid. It 34 00:01:45,319 --> 00:01:48,200 Speaker 1: was as it was not a good movie. It was 35 00:01:48,240 --> 00:01:50,559 Speaker 1: it just promising a lot. It just really leaned into 36 00:01:50,560 --> 00:01:54,120 Speaker 1: the silliness of the whole thing. This time he wasn't 37 00:01:54,120 --> 00:01:55,840 Speaker 1: in it. He wasn't in it, and it was just 38 00:01:55,880 --> 00:01:59,480 Speaker 1: like a whole sequence of really silly setups for these 39 00:01:59,520 --> 00:02:02,200 Speaker 1: kind of strips routines to happen, like Channel Tatum on 40 00:02:02,280 --> 00:02:07,080 Speaker 1: an angle grinder. It was a bit silly and so 41 00:02:07,120 --> 00:02:11,000 Speaker 1: then this third one basically exactly what it was and 42 00:02:11,040 --> 00:02:15,040 Speaker 1: the plot was similar. And so this this third installment 43 00:02:15,080 --> 00:02:16,880 Speaker 1: comes along, you know, and it's going to be the 44 00:02:16,880 --> 00:02:20,520 Speaker 1: final one. And I guess expectations are fairly low with 45 00:02:20,560 --> 00:02:22,960 Speaker 1: what Steven Soderberg was going to do, and in the 46 00:02:23,040 --> 00:02:27,040 Speaker 1: end he's done something probably a little bit unexpected. It's 47 00:02:27,120 --> 00:02:30,160 Speaker 1: not really a Magic Mike movie, like I think, and 48 00:02:30,880 --> 00:02:33,120 Speaker 1: that's not necessarily a good thing because I think, you know, 49 00:02:33,400 --> 00:02:35,840 Speaker 1: as you said, least like these films have their audience, right, 50 00:02:36,160 --> 00:02:39,560 Speaker 1: it's probably girls nights out. It may be a date 51 00:02:39,639 --> 00:02:42,880 Speaker 1: night if you can drag your your other half along. Yeah, 52 00:02:42,880 --> 00:02:44,960 Speaker 1: that's sort of a thing. And so and people go 53 00:02:44,960 --> 00:02:46,680 Speaker 1: to the cinema, they have a bit of fun, listen 54 00:02:46,720 --> 00:02:49,320 Speaker 1: to some fun music, and that's about it, don't think 55 00:02:49,400 --> 00:02:53,400 Speaker 1: too And so this film, said a few years after 56 00:02:53,600 --> 00:02:56,480 Speaker 1: x x L Magic Mike Channing, Tatum's character is a 57 00:02:56,480 --> 00:02:58,920 Speaker 1: bit down on his luck. He wanted to be like 58 00:02:58,960 --> 00:03:02,919 Speaker 1: a bespoke furniture maker, but that business folded. Oh it's 59 00:03:03,280 --> 00:03:08,480 Speaker 1: random can image standing like a door noobby or something. 60 00:03:09,720 --> 00:03:12,120 Speaker 1: And anyway, so he's working as a bartender at this 61 00:03:12,200 --> 00:03:16,360 Speaker 1: charity event. The charity event is being run by Max Mendoza, 62 00:03:16,400 --> 00:03:20,560 Speaker 1: who's played by the Great Salamahayak, and she starts talking 63 00:03:20,600 --> 00:03:23,680 Speaker 1: to Mike at the bar, has a bit of an 64 00:03:23,680 --> 00:03:26,920 Speaker 1: interaction with him, and he sort of realizes that, you know, 65 00:03:27,000 --> 00:03:29,040 Speaker 1: maybe you know, she's going through some stuff. And so 66 00:03:29,080 --> 00:03:31,680 Speaker 1: then after the event's finished, she's called him into her 67 00:03:31,680 --> 00:03:33,799 Speaker 1: house and said, look, you know, like I'm going through 68 00:03:33,840 --> 00:03:37,440 Speaker 1: this divorce at the moment, my ex is this media tycoon, 69 00:03:37,480 --> 00:03:39,640 Speaker 1: feeling a bit bad about myself. I've kind of forgotten 70 00:03:39,640 --> 00:03:42,360 Speaker 1: how to have fun. I think the answer is maybe 71 00:03:42,440 --> 00:03:44,920 Speaker 1: just give me a lap dance. And Mike's like, nah, nah, 72 00:03:44,880 --> 00:03:46,960 Speaker 1: I don't do that sort of stuff anymore. And she's like, 73 00:03:47,040 --> 00:03:49,960 Speaker 1: what if I gave you six thousand dollars? And he's like, 74 00:03:49,960 --> 00:03:53,680 Speaker 1: all right, I'm I'm back in the game. And so 75 00:03:53,760 --> 00:03:55,720 Speaker 1: then he does this. It's kind of a weird. It's 76 00:03:55,840 --> 00:03:59,040 Speaker 1: weird lap dances. It's very sensual. He uses some of 77 00:03:59,040 --> 00:04:01,440 Speaker 1: the furniture and the house, he holds her up against 78 00:04:01,440 --> 00:04:04,360 Speaker 1: the window. I'm not going to go into too much more, 79 00:04:04,400 --> 00:04:08,760 Speaker 1: but anyway, it was so so revelatory that that Max 80 00:04:08,800 --> 00:04:10,960 Speaker 1: has decided, you know what I need, I need to 81 00:04:11,000 --> 00:04:14,720 Speaker 1: fly Mike to London and have him be the director 82 00:04:15,080 --> 00:04:18,599 Speaker 1: of an all male review at this famous old theater, 83 00:04:18,880 --> 00:04:21,560 Speaker 1: which is really just a middle finger to her ex 84 00:04:21,720 --> 00:04:24,800 Speaker 1: husband who owns this famous theater. And she kind of 85 00:04:24,800 --> 00:04:26,520 Speaker 1: got it in a settlement. So she's going to like 86 00:04:26,640 --> 00:04:30,760 Speaker 1: scrap this this this acclaimed play like sort of Shakespeare 87 00:04:30,800 --> 00:04:32,840 Speaker 1: that was happening there, and she's gonna have strippers. Oh 88 00:04:33,040 --> 00:04:37,080 Speaker 1: basically stick to him. Yeah and so and so Mike, 89 00:04:37,640 --> 00:04:41,040 Speaker 1: you know, gets these ten male dancers from all from 90 00:04:41,080 --> 00:04:43,760 Speaker 1: all kind of genres of dance. He doesn't get any 91 00:04:43,760 --> 00:04:46,400 Speaker 1: of his old buddies. So this is the thing, right, 92 00:04:47,360 --> 00:04:49,560 Speaker 1: you'd think if this was any normal kind of Magic 93 00:04:49,600 --> 00:04:51,800 Speaker 1: Mike sequel, you think you grab all those guys from 94 00:04:51,800 --> 00:04:55,599 Speaker 1: the earlier movies, bring them all back for one last hurrah. No, instead, 95 00:04:55,680 --> 00:05:01,279 Speaker 1: they've got avant garde dancers, ballet dancers, dancers, and it 96 00:05:01,400 --> 00:05:04,320 Speaker 1: kind of is a legitimate dance movie with no stripping. 97 00:05:04,480 --> 00:05:07,280 Speaker 1: Like sure, they played pony By genuine they definitely played that, 98 00:05:08,880 --> 00:05:11,960 Speaker 1: but no one takes no one takes No one takes 99 00:05:11,960 --> 00:05:14,280 Speaker 1: their pants off in this movie. Really a couple of 100 00:05:14,360 --> 00:05:18,640 Speaker 1: shirts come off, that's it. And instead, instead it's kind 101 00:05:18,640 --> 00:05:26,760 Speaker 1: of pitched as this pro feminist film where Selma Hayak's 102 00:05:26,800 --> 00:05:31,760 Speaker 1: character is same story. Yes, it's yeah kind of, and 103 00:05:32,040 --> 00:05:33,920 Speaker 1: so she's she's kind of in charge, saying it's all 104 00:05:33,960 --> 00:05:35,760 Speaker 1: about showing women that they can have anything that they 105 00:05:35,800 --> 00:05:37,640 Speaker 1: want and they should demand more from life, which is 106 00:05:37,640 --> 00:05:40,839 Speaker 1: a great sentiment except for the fact she wanted Except 107 00:05:40,839 --> 00:05:42,560 Speaker 1: for the fact that the film was written by dude, 108 00:05:42,600 --> 00:05:45,400 Speaker 1: directed by dude. Yeah, pretty sure. No women were consulted 109 00:05:45,560 --> 00:05:48,839 Speaker 1: in the making of this. You know of this feminist storyline, 110 00:05:49,120 --> 00:05:51,480 Speaker 1: which is never really a good starting point when you 111 00:05:51,520 --> 00:05:54,599 Speaker 1: don't ask women what they want, like a dog's breakfast. Yes, 112 00:05:54,839 --> 00:05:57,800 Speaker 1: so that was the thing. So unfortunately, you know you've 113 00:05:57,800 --> 00:06:01,400 Speaker 1: got this. It's got this high aspirations. But also the 114 00:06:01,560 --> 00:06:04,120 Speaker 1: basic premise is you can save the world with one 115 00:06:04,160 --> 00:06:06,320 Speaker 1: great scripture. Yes, be what it is. Leave that for 116 00:06:06,360 --> 00:06:10,800 Speaker 1: the women talking movie that's coming up that I'm sure. No, Unfortunately, 117 00:06:10,800 --> 00:06:13,280 Speaker 1: everyone keeps their pants on. I have one question. Do 118 00:06:13,320 --> 00:06:16,320 Speaker 1: they dance to Last Dance by Donna Summer? No? Oh 119 00:06:16,440 --> 00:06:19,200 Speaker 1: really no, no, not even not even nelling it's in here. 120 00:06:19,240 --> 00:06:22,719 Speaker 1: So yeah, So unfortunately, Salma Hike is great. The dance sequence, 121 00:06:22,720 --> 00:06:24,480 Speaker 1: which is like the last sort of twenty five percent 122 00:06:24,480 --> 00:06:27,919 Speaker 1: of the film. Awesome, like really really good, but but 123 00:06:28,040 --> 00:06:32,880 Speaker 1: it steps. It's yeah, okay, how many belts remaining buckled? 124 00:06:32,920 --> 00:06:35,279 Speaker 1: Do you give it? I'm going to keep two and 125 00:06:35,320 --> 00:06:38,200 Speaker 1: a half buckles belted and a half. There might be 126 00:06:38,200 --> 00:06:41,159 Speaker 1: some disappointed hens and guests, never mind. Thanks Ben,